#post-budget analysis

[townpostin]

Budget Impact Seminar on Direct and Indirect Taxes in Jamshedpur on 6th August

Singhbhum Chamber to host expert-led session on August 6 at Chamber Building The Singhbhum Chamber of Commerce and Industry is organizing a seminar on direct and indirect taxes post-budget in Jamshedpur. JAMSHEDPUR – The Singhbhum Chamber of Commerce and Industry is set to host a seminar on August 6 to discuss the latest budget impacts on direct and indirect taxes. The event will take place at…

[carlyraejepsans]

I’ve started watching Utena because of you. What. Is going on

HI. WELCOME TO THE CLUB, watch the trigger warnings. but yeah, revolutionary girl utena veers more and more towards surrealism the further you get into the series. it often and voluntarily forfeits narrative/logical consistency in favor of visual storytelling, metaphors and symbolism. i was just talking about it with nic the other day, and if the story weren't so harrowing, i would recommend it to everyone who wants to get into literary analysis, because it is SO packed with symbolism EVERYWHERE that it actually encourages you to try to decode it.

whatever you think utena is about, it is NOT. you can't go in and treat it like your 49293th classical shoujo. utena is a firework show of visual symbolism and it very rarely, if ever, explains itself to the viewer. it refuses to handhold you, but it never berates you for trying and getting it wrong either. there is SO much handholding in modern day media, but utena trusts its viewer to take away something meaningful from itself and to piece its message together on their own. it's one of my favourite pieces of media of all time just for that

[sigskk]

so how's that essay going.

do you think teen skk would be like this. assuming they're in a universe where they're enrolled into formal education. do you think dazai would procrastinate until the last minute j to get on chuuya's nerves and have an excuse to talk to him. do you think chuuya would be just as bad if not for one-upping dazai. he's coming over to his house just so chuuya can sit in the same room as dazai while he works. hey chuuya [insert question]? [blatantly incorrect answer]. okay thank you <333 [aware it was bs]. they take a break for dinner and dazai is sitting on the counter like a wet cat watching chuuya (he's helping). "you should've started this sooner" (also did not start this sooner)

[pepi-nillo]

what a shame that i'm not majoring in psychology, i'd love to dissect hjw until i can explain everything that's wrong with him

[ricardotomasz]

Such is life! Behold, a new Post published on Greater And Grander about Top 10 Worst Pieces of Financial Advice

See into my soul, as a new Post has been published on https://greaterandgrander.com/top-10-worst-pieces-of-financial-advice

Top 10 Worst Pieces of Financial Advice

"Invest all of your savings in Beanie Babies. They'll be worth a fortune someday!"

"Put all of your money into lottery tickets. You're bound to hit it big eventually!"

"Spend all of your money on the latest fidget spinners. They're the next big thing!"

"Buy shares in a company that makes snail-flavored toothpaste. It's the next big trend in dental hygiene!"

"Put all of your money into a start-up that sells toenail clippings as a health supplement."

"Buy up all the supplies of Tang and store them in your garage. It will be worth a fortune when it becomes the new craze!"

"Invest in a company that makes edible toilet paper. It's the future of bathroom products!"

"Buy a bunch of shares in a company that sells fake grass for cats to pee on. It's the next big thing in pet care!"

"Put all your money into a company that makes socks for chickens. It's a surefire investment!"

"Buy shares in a company that makes scented candles that smell like feet. It's the next big thing in home fragrances!"

#BudgetAndScheduleBreakdown, #Comedy, #CompetitorAnalysis, #ContentDissemination, #Finance, #FinancialAdvice, #Humor, #Humorous, #IndependentFinancialAdvisor, #InvestmentAdvice, #InvestmentAdvisors, #Lifestyle, #MoneyAdvisor, #Organizing, #PensionAdvisor, #PostPromotion, #Satire, #SocialMediaManagement, #TopTenLists

[afeelgoodblog]

The Best News of Last Week - August 21, 2023

🌊 - Discover the Ocean's Hidden Gem Deep down in the Pacific

1. Massachusetts passed a millionaire's tax. Now, the revenue is paying for free public school lunches.

Every kid in Massachusetts will get a free lunch, paid for by proceeds from a new state tax on millionaires.

A new 4% tax on the state's wealthiest residents will account for $1 billion of the state's $56 billion fiscal budget for 2024, according to state documents. A portion of those funds will be used to provide all public-school students with free weekday meals, according to State House News Service.

2. Plant-based filter removes up to 99.9% of microplastics from water

Researchers may have found an effective, green way to remove microplastics from our water using readily available plant materials. Their device was found to capture up to 99.9% of a wide variety of microplastics known to pose a health risk to humans.

3. Scientists Find A Whole New Ecosystem Hiding Beneath Earth's Seafloor

Most recently, aquanauts on board a vessel from the Schmidt Ocean Institute used an underwater robot to turn over slabs of volcanic crust in the deep, dark Pacific. Underneath the seafloor of this well-studied site, the international team of researchers found veins of subsurface fluids swimming with life that has never been seen before.

It's a whole new world we didn't know existed.

4. How solar has exploded in the US in just a year

Solar and storage companies have announced over $100 billion in private sector investments in the US since the passage of the Inflation Reduction Act (IRA) a year ago, according to a new analysis released today by the Solar Energy Industries Association (SEIA).

Since President Joe Biden signed the IRA in August 2022, 51 solar factories have been announced or expanded in the US.

5. Researchers have identified a new pack of endangered gray wolves in California

A new pack of gray wolves has shown up in California’s Sierra Nevada, several hundred miles away from any other known population of the endangered species, wildlife officials announced Friday.

It’s a discovery to make researchers howl with delight, given that the native species was hunted to extinction in California in the 1920s. Only in the past decade or so have a few gray wolves wandered back into the state from out-of-state packs.

6. Record-Breaking Cleanup: 25,000 Pounds of Trash Removed from Pacific Garbage Patch

Ocean cleanup crews have fished out the most trash ever taken from one of the largest garbage patches in the world.

The Ocean Cleanup, a nonprofit environmental engineering organization, saw its largest extraction earlier this month by removing about 25,000 pounds of trash from the Great Pacific Garbage Patch, Alex Tobin, head of public relations and media for the organization

7. The Inflation Reduction Act Took U.S. Climate Action Global

The U.S. Inflation Reduction Act (IRA) aimed to promote clean energy investments in the U.S. and globally. In its first year, the IRA successfully spurred other nations to develop competitive climate plans.

Clean energy projects in 44 U.S. states driven by the IRA have generated over 170,600 jobs and $278 billion in investments, aligning with Paris Agreement goals.

---

That's it for this week :)

This newsletter will always be free. If you liked this post you can support me with a small kofi donation here:

Buy me a coffee ❤️

Also don’t forget to reblog this post with your friends.

[cicerfics]

Having A Silly Thought about this post:

I think, at some point, Q-branch becomes very absorbed in the discussion of how Evil Overlord and Evil Consort are clearly two separate genders which bear no relationship to the gender binary of masculinity vs. femininity. A cis man can certainly be an Evil Consort! A nonbinary individual or a person whose gender presentation leans more toward the femme side of things can certainly be an Evil Overlord! These things are complex and variable and must not be restricted based on the artificial confines of the gender binary!

There is much discussion on this topic (a very normal topic of conversation in Q-branch, TBH). People begin analyzing themselves to determine whether they are more on the 'Evil Overlord' side of the spectrum or more on the 'Evil Consort' side.

(Soon, a small group insists that a third gender of 'Evil Henchperson' must be created as well, and this is accordingly done. A few other 'evil' genders pop up, too, as some techs choose a different label for themselves. But most people in the department are trying to decide whether they're more of an Evil Overlord or an Evil Consort.)

Graphs and charts are created to analyze the ratio of responses and to sift for patterns in the collected data. (Again, this is a very normal extracurricular activity in Q-branch.)

Q, everyone agrees, is an Evil Overlord and not at all an Evil Consort! This is understood. (Q does not speak to this himself, because he is busy finishing the annual budget, but his minions feel confident that they have assessed him correctly.)

And at some point, 007 turns up in Q-branch and wants to know what's going on with the white board that says 'Evil Overlord' and 'Evil Consort', with tally marks underneath it.

One of the bolder interns explains the matter to him. (Half the techs are now feeling very awkward and avoiding his eyes. How frivolous they must seem to a man who puts his life on the line for England every day!)

But Bond listens very solemnly and then tells them to put a tally mark under 'Evil Consort' on his behalf, because he is UNDOUBTEDLY that type. He is confident that he would look SPLENDID in a skintight black leather outfit, lounging across his overlord's lap while a traitorous minion is brought in for punishment. He would be EXCEPTIONALLY good at climbing out of the water, gleaming and dripping, in a tiny swimsuit, while his Evil Overlord makes evil phone calls on the deck of an evil yacht. He knows EXACTLY what the duties of Evil Consort would entail, and he could perform them with APLOMB. He would bring tremendous style and panache to the role!

...This is probably the point when Q pops out from his office to see what all the ruckus is about, and why Bond is loitering in Q-branch with a bunch of rapt technicians hanging on his every word.

When Bond explains, very seriously, that he is contributing his personal data for use on this important project (he is 100% an Evil Consort, and yes, Carstairs, he WILL fill out your form and offer supplemental data for additional analysis! glad to help!) Q sputters. He tells Bond to stop being ridiculous.

Bond, very seriously, informs Q that he cannot help being so good at smirking, smoldering, and sashaying around in risque outfits. Don't hate the player, Q. Hate the game.

Q is silent for a long, exasperated moment. Then he heaves a sigh and returns to his paperwork.

Meanwhile, the minions nod at each other solemnly, and silently agree that Bond would be an excellent Consort for their beloved Overlord.

...Just another normal day in Q-branch!

[jikookuntold]

What Is Like Crazy About?

Since the day "Like Crazy" was released, I wanted to post about it, but couldn't get the time to focus and do a comprehensive analysis. Finally, right before the first anniversary of this masterpiece, I got the time, and the post is ready now. Before starting off, I have to remind you of the fact that a work of art can be interpreted in many different ways, and none of those interpretations are necessarily right or wrong. Every work of art contains a message that is the artist’s main intention from that creation, but the artist doesn’t have to explain it to the audience because a true work of art speaks for itself, even though not all audiences can receive it thoroughly.

I know that in the past year, so many different types of analyses and theories were made by fans to explain this song, and most definitely, I couldn’t keep up with all of them. Therefore, I’m not claiming my analysis to be a breakthrough, and you might have read most parts of it somewhere else. In this post, we are going to discuss “Like Crazy” from a lyrical and conceptual point of view, trying to find out what message or messages Jimin wanted to convey by creating it.

About “Like Crazy”

“Like Crazy” as the title track for Jimin's first solo album, "FACE", stole the hearts of millions of fans and locals around the world, and inarguably became one of the most successful pop songs of the year 2023. I can talk for hours about how beautiful and successful “Like Crazy” is, and how it broke KPop boundaries and countless records. But, in this post, we are going to break to the surface and talk about the meanings and motivations behind this song and answer the questions like “How this song was made?” “What was Jimin's intention in writing these romantic lyrics?”

As I mentioned earlier, artists usually don’t directly address their main message and their intention in creating a form of art, but many of them speak about the motivations and inspirations that led them to the creation. Jimin hasn’t talked much about the sources of inspiration behind individual tracks of “FACE”, but I guess “Like Crazy” was an exception for him because he revealed on several occasions that he was inspired by “Like Crazy”, the movie. And this piece of information is the key to our analysis:

"I tried to express the feelings of that movie. You know, the somewhat complex, somewhat lonely, somewhat happy emotions. I tried to express all these ambiguous and subtle emotions in a slightly sexy way, but I’m not sure how it’ll end up being received by people.”

Like Crazy, The Movie

First of all, we need to keep in mind that “Like Crazy” is a completely original song, and Jimin has not used or sampled any songs, lines, or dialogues from the movie in his lyrical or visual concepts (even the intro and outro dialogues in the song were original and not from the movie). If Jimin had not stated his source of inspiration directly, the only hint that could have led us to it would be the title of the song, which duplicates the title of the movie since the title never appears in the lyrics.

So, Jimin chose this specific name for his song and announced his source of inspiration to make it clear that there is a straight and strong connection between the song and the movie. He made it clear that this connection is 100% conceptual and emotional, and if we want to know what “Like Crazy” is about, and what ambiguous and subtle feelings Jimin is talking about, we have to redirect the analysis to the concept of the movie, “Like Crazy”.

As we all know, “Like Crazy” is a romantic movie, and Drake Doremus directed it casting "Felicity Jones" and the late "Anton Yelchin" as the main characters, Anna and Jacob. Doremus based the storyline of this low-budget movie on his experience being in a long-distance relationship with his partner and developed it into a 90-minute-long movie, which was released in 2011 and became relatively successful.

Anna and Jacob

A few days before the release of “FACE”, I was informed that the title track, “Like Crazy” is based on a movie of the same name. After learning this fact, I had to re-watch it because I couldn’t remember anything after a decade, and I had some questions like: “What was in this movie that made it so special for Jimin?” “How would Jimin feel watching this?”. Having this mindset helped me to see the movie differently, but before explaining those new insights we need a short storyline of the movie:

Anna is a British exchange student in LA, where she falls in love with Jacob, an American student, and they start dating. Anna, blinded by her love for Jacob, overstays her student visa and consequently gets banned from re-entering the United States. After experiencing a forced LDR, Jacob flies to London to visit Anna, and her father suggests that getting married might resolve the issue, but they are not ready for this big step. Jacob goes back to LA and basically chooses his job over Anna, but after some time, they realize that they can’t be apart, and they decide to get married. Six months after the marriage, when the time for the appeal of Anna’s ban comes, it gets rejected, and they lose their last hope of being together. Again, they go back to their sad lives, but after some time, Anna is finally offered a visa, and she leaves everything behind to reunite with Jacob. The ending scene shows how this separation has damaged their relationship, and things will never be the same.

The movie portrays the hardships of a long-distance relationship and the damage the separation can do to two souls and their connection. I think the recent movie by "Celine Song" named "Past Lives" was partially similar to like crazy, but also there was a big difference; unlike Nora and Haesung in “Past Lives”, Anna and Jacob don’t leave it to fate, they don’t forget about each other and don’t settle down with others just because their love seemed difficult or impossible.

They found true happiness only next to each other and did everything against all odds (especially Anna) to take that back. Maybe if Anna and Jacob weren’t in love like crazy and were more mature and realistic, they would end up like Nora and Haesung (Sorry if this spoiled that movie for you), but they didn’t and made their own bittersweet ending.

Many people claim that “Like Crazy” is a breakup movie with a sad ending, therefore, Jimin’s song also must be a breakup song. But, first of all, the ending can somehow be considered an open ending. We don’t know what happens after the shower scene, but we see them together, in each other’s arms, and this is not a totally sad ending by any movie standards. Other than that, Anna and Jacob became separated a few times, but they don't officially break up by choice, their separation is the result of contractual rules and laws, made by society.

This movie, as its director explained, might be originally about a long-distance relationship, but also the main relationship in this movie can be seen as a relationship that gets strained by laws and regulations, it’s about the rules and imaginary borders that decide if two people can be together or ban them from it. It’s a story of the “love against law”.

A Heterosexual Love Story?

When “Like Crazy” was released in theatres back in 2011, it got positive reviews for good acting that made the movie feel sweet and intimate with mostly improvised dialogues. Meanwhile, the negative reviews were focused on the plotline of this drama, calling it far from reality. Other than the fact that Jacob could have easily resolved this issue by taking his job from LA to London, in reality, the couple wouldn’t have faced this much difficulty over the legal complications, especially after getting married.

The fact is, straight couples usually never face this kind of hardship, and governments take that easy on them otherwise, there wouldn’t be so many sham marriages around the world just to get citizenship. So, the idea of a couple getting separated by law is not common, and that’s why many people called this movie implausible. But, a queer person can familiarly receive this implausibility, like when they want to be with someone forever, but the laws don’t let them.

Could it be this feeling that made “Like Crazy” special and a source of inspiration for Jimin? Or was it something smaller like the Santa Monica beach scene? I have no answer, I only make theories, and I think it’s better to leave the movie here and start the lyrical interpretation to see how these words and feelings can get connected.

The Lyrics

[Intro]

(I think we could last forever (I'm afraid that everything will disappear Just trust me)

As I said earlier, this intro is not a dialogue from the movie, but the narrators were told to do it based on the audio from the movie that was sent to them. So, hypothetically, it’s Anna and Jacob having this conversation. He is afraid of losing everything, but Anna assures him that if he trusts her, they can last forever. In the MV, we see Jimin standing in the crowd, but the time goes in reverse, and through a transition into his eyes, we see him sitting alone. Weirdly, the outro of the song is playing in the background here, but we will figure out the reason later.

[Verse 1]

Korean Version, Translated

She's saying Baby, don't think about it There's not a bad thing here tonight Baby, it's fine if you leave Stay with me, just for today

English Version

She's saying, Baby, come and follow me There's not a bad thing here tonight Save your reasons all for later Stay with me a little while

Anna asks him to follow her and assures him that everything is fine, it’s fine if this is not going to last long. It’s not the time for reason and overthinking. The gendered pronoun here refers to Anna, but we will know more about her in the next verses. It is worth mentioning that in the primary handwritten lyrics by Jimin, there was no “She” and it was modified later considering the dialogues added to the intro. Anyway, we know Jimin didn’t release these drafts in his album for no reason.

In this part of the MV, we see Jimin sitting alone in a room, and with a flicker of lights, the room is filled with mud. Suddenly, a muddy hand of a girl grabs Jimin’s hand and leads him to a party. There are several symbols in this part, the lonely room is Jimin’s reality, and the party is his dream. The mud symbolizes dreams and desires that leave their trace on your life and soul.

[Verse 2]

Korean Version, Translated

Watch me go Drenching myself all night (Away) So that even the morning Gets drunk and doesn't arrive

English Version

Watch me go Now, I sink down, all alone away Where am I? A dark haze clouding up my eyes

From here, we don’t see the girl because Jimin and the girl became one. She was her reflection from the beginning, the side that leads him out of his loneliness, and allures him to his dreams and desires, tempts him to be careless and stop thinking too much. Some say she is Jimin’s Anima, but these lyrics never go to the deep levels of the subconscious to reach the Anima. She is his feminine side that is a tangible side of him, and Jimin’s asymmetric makeup gives it away. Also, the mirrored moves between Jimin and the female dancer in “Like Crazy’s” choreography made it clear that the feminine presence in this song is Jimin’s reflection.

[Pre-Chorus]

Korean Version, Translated

As the loud music I get faded out A cliché story like a drama I get used to it Have I come too far to find the me that you used to know Yeah, I know You know I know (Ooh)

English Version

I can hear the voices listening Don't know who they are Trying to take the pressure off Been reaching for the stars Tell me, will I find myself again? When I go too far? Yeah, I know You know, I know (Ooh)

Jimin enters the party and starts drinking, dancing, and having fun with the others. He laughs and enjoys himself in the crowd and trusts the supposed strangers, but the confusion doesn’t leave him alone. He feels lost, and as the lyrics say, he is worried about going too far and not finding himself again. The two opposite sides of him are conflicting. It’s the contradiction between "fear and desire", between "pain and numbness", between "loneliness and losing yourself", and between "reason and dream" that leaves him confused.

[Chorus and Post Chorus]

Korean Version, Translated

I'd rather be Lost in the lights, Lost in the lights I'm outta my mind Hold onto the end of the night Every night You spin me up high The moon with you in its arms Let me have a taste Give me a good ride (Oh, I'm fallin', I'm fallin', I'm fallin') Oh, it's gon' be a good night (Oh, I'm fallin') Forever, you and I

English Version

I'd rather be Lost in the lights, lost in the lights I'm outta my mind Can you help me numb the pain? Each night, you spin me up high Emotions on ice Let me have a taste Give me a good ride (Oh, I'm fallin', I'm fallin', I'm fallin') Oh, it's gon' be a good night (Oh, I'm fallin') Forever, you and I

In this part, he confesses which side he really wants to follow. He wants to go out of his mind, lose himself to the desire, and leave the reason behind. It’s the escapism that saves him from loneliness and the pain of real life. The chorus is the sexy and at the same time, the most poetic part of this song, especially where he is spinning up high in the arms of the moon.

The last line of the post-chorus, “Forever you and I” which also repeats in the last part of the interlude, is crucial because it declares that Jimin is not talking about vagrancy or promiscuity. He wants it all with his significant other, the only one who can help him numb the pain of real life and escape it. But this escapism has its consequences, and we see all that mud flush out of every corner symbolizing it. This scene artistically ends with Jimin facing his reflection in the crowd. The question is, is this reflection the same significant other, or is it Jimin himself? We will get the answer in the next part.

[Verse 3]

Korean Version, Translated

The me, reflected in the mirror Is going crazy endlessly I'm feelin' so alive, wasting time

English Version

All my reflections, I Can't even recognize I'm feelin' so alive, wasting time

His fear of losing himself was true, and it's happening now. This duality confuses him and makes him question his reality. Which side is the true Jimin? He doesn't care anymore because this escapism makes him feel alive.

Here in the MV, we see Jimin facing the reflection, and it immediately cuts to the restroom scene where he faces his literal reflection in the mirror and talks to him about not recognizing him anymore. Then, the restroom being dismantled symbolizes his state of mind. "The reflection of myself in an unfamiliar appearance" was the concept of "his "FACE" which was a whole album about Jimin himself.

[Outro]

This will break me This is gonna break me (Break me) No, don't you wake me (Wake me) I wanna stay in this dream, don't save me Don't you try to save me (Save me) I need a way we (Way we) I need a way we can dream on (On, on, on) (Alone again What's the point?)

Jimin knows the consequences of losing himself but embraces it. He knows it's gonna break him but doesn't want to wake up from his dream. He knows everything will collapse but doesn't need a savior. He wants to stay in that dream, but he knows it's impossible, and sooner or later, he will be dragged out of it.

Is there a way to cut all the connections to the real world of loneliness and stay in this dream forever? We get the answer in the MV, and it's not positive because suddenly, everything goes backward in speed, to where we started (remember the outro being played in the beginning? That was the clue).

He goes back to his lonely room with a muddy hand. Did his hand get dirty from a touch of his reflection, or was the muddy hand in the beginning his own hand? Is he trapped in a loop? Maybe. Maybe this wasn't his first or the last time coming back from that dreamland, and it was the reason for so much mud accumulated in his room. He is a regular in that dreamland and he can't quit.

Conclusion

It's understandable if this analysis of the movie, lyrics, and the MV didn't guide you in any direction, and maybe you are even more confused after reading it all. But don't blame yourself because Jimin already told us that, his emotions for this movie are complex. So, don't look for just one answer, maybe we are not supposed to end up with one conclusion, and this song also can have multiple interpretations and meanings. But what are these meanings?

If you pay attention to the lyrics and the MV you will realize that despite them being aligned and in sync, the lyrics have more connection to the movie. While filming the MV, Jimin mentioned that things (scenes of the MV) didn't happen like this in real life, which was an obvious fact, because this song is clearly not about being the life of the party and stuff like that, and has more internal meanings.

In "Like Crazy", Jimin talks about the loneliness of his real life, the isolation and limitations he experienced during the pandemic, and maybe other times. But Jimin finds an alternate reality, where he can be himself, be free and careless, and forget about the future. This alternate reality is rooted in two possibilities: The feminine side, and the significant other. The feminine side is what we face in the MV, and there are not many signs of it in the lyrics.

The feminine side appears as a muddy hand and a presence at the part that faces Jimin and becomes one with him as his reflection. The idea of "bigender" is nothing new in the concepts that Jimin has offered on different occasions, from his fake tattoos in ARMY-Zip 2019 to the performance of "Filter" in 2020 and his photopholio in 2022, he has expressed this fluidity in his work, and I think the visual concept of "Like Crazy" with his different makeup in the MV and the choreography was the epitome of it.

What about the significant other? As I mentioned in the analysis of chorus parts, "Forever You and I" Can only be interpreted as his exclusiveness to someone who is his significant other. This person is the one who saves Jimin from his loneliness and assures him about their happy ending. This person has no doubt in them lasting forever and only wants Jimin to trust him to take the lead and let that happen.

He keeps saying to his significant other that there is no future. They can't be together forever, this is just a temporary situation, and despite finding comfort in each other, they should not get attached because they will forced to be separated. It's not like Jimin doesn't believe in this love, he does and has the same wishes and dreams, but he keeps getting dragged to the real world where the rules govern.

This part is just a personal opinion as a Jikooker, but I did this analysis in my head last year when "Like Crazy" was newly released and had no intention of making a connection between this and Jikook, until "Seven" came out. We all know JK had no hand in making the sexy lyrics of "Seven", but after watching the MV (which had nothing to do with the lyrics), I couldn't unsee the fact that the concept of Seven's MV looked so much like a response to "Like Crazy's" lyrics. Still, we don't know if JK gave any ideas for the concept of the MV, but considering his record of working as an MV director, it's not impossible.

The End.

This is all I could say about "Like Crazy", a masterpiece that is still thriving in the charts and still touches people's hearts because it comes from real and deep emotions that Jimin had in his heart. That emotion got us the moment we listened to it for the first time, even though verbalizing it, is never easy, no matter how many analyses and reviews we write.

[metamatar]

With a budget nearing $1 billion, Frontex is the EU’s best-funded government agency. [...] including by helping Libya’s EU-funded coast guard send hundreds of thousands of migrants back to be detained in Libya under conditions that amounted to torture and sexual slavery. In 2022, the agency’s director, Fabrice Leggeri, was forced out over a mountain of scandals, including covering up similar ​“pushback” deportations, which force migrants back across the border before they can apply for asylum.

[...] EU hopes to extend Frontex’s reach far beyond its territory, into sovereign African nations Europe once colonized, with no oversight mechanisms to safeguard against abuse. Initially, the EU even proposed granting immunity from prosecution to Frontex staff in West Africa. [...] 26 African countries have received taxpayer euros aimed at curbing migration through more than 400 discrete projects. Between 2015 and 2021, the EU invested $5.5 billion in such projects, with more than 80% of the funds coming from developmental and humanitarian aid coffers.

[...] Besides the surveillance tech the DNLT branches receive, migration data analysis systems have also been installed at each post, along with biometric fingerprinting and facial recognition systems. The stated aim is to create what eurocrats call an African IBM system: Integrated Border Management. [...] no European countries maintain databases with this level of biometric information.

[...] In Niger, for instance, the EU helped draft a law that criminalized virtually all movement in the north of the country, effectively making regional mobility illegal.

[iridescentmirrorsgenshin]

This is an analysis of Kaveh and Alhaitham’s argument posted on the Port Ormos bulletin board!! Because it is crazy actually!!

I think this exchange of theirs out of the three posted throughout Sumeru is particularly interesting, and this is due Alhaitham openly expressing that Kaveh does not understand what Alhaitham is really trying to say to him: “I have never denied what you meant, but you don’t understand what I am saying to you at all.”

This exchange is relevant in various ways in exploring the motif of communication. As according to their usual rapport, the two disagree over their differing philosophies, as in sensibility versus rationality, however, Alhaitham’s particular concerns in Kaveh spending his money on “nonsense” highlights the underlying reason for this exchange. From this comment, the argument is recontextualised through Alhaitham’s intention for getting involved, as Kaveh prompts the workmen to take his money in order to help them out.

When Alhaitham states that this is a meaningless action due to the inevitability of people rising or falling on their own accord, rather than solely critiquing Kaveh’s “impulsiv[e]” altruism, as Kaveh interprets, Alhaitham is directly contradicting his own comment – as he is interfering on Kaveh’s decisions.

As concern is evidently the intention behind his interference, Kaveh cannot perceive this, and instead attempts to critique Alhaitham’s perspective in return, although Alhaitham states: “Make no mistake. I have never denied what you meant…” This response asserts that Alhaitham does not deny, but rather agrees with, Kaveh’s statement of “mutual assistance, fairness, and righteous anger” driving the world.

In lieu of this, rather than continuing the argument, Alhaitham claims that there is no point to it, as Kaveh does not understand what he is saying, as in, Kaveh does not understand that his intentions in interfering are out of concern. He follows this up, regardless, by criticising Kaveh’s handling of his budget, as, evidently, Kaveh has offered to give his own money to these workmen, and refuses to pay for Kaveh’s drinks for that month.

For Alhaitham, Kaveh’s lack of self-prioritisation leads him to impulsive altruistic acts which serve to jeopardise his own position, particularly regarding money. If Kaveh can afford to give away money, he can afford to pay his own tabs, is the takeaway from this exchange. Although, similarly to the exchange between them posted in Puspa’s Café, this applies to one particular month, insinuating that Alhaitham will continue to pay for next month’s tabs of his own accord.

The main argument, as well as the disagreement over the speaker of Kaveh’s quote, serves as a humorous exchange, but as a motif for communication it acquires a new meaning. The two hold perspectives which contrast the other which puts them on unequal footing, demonstrated within the argument over the speaker of Kaveh’s quote. Although it is not disclosed who is actually in the right, both are convinced of their respective viewpoint. There is an element missing here, a potential solution to this problem, and it lies within the idea of “correctness” established within A Parade of Providence.

The omission of there being an objective, correct answer to this particular debate serves as a parallel to their conflicting viewpoints, with the basis of their exchange being to “prove” to the other their “correctness” – here, it is in regard to Kaveh.

However, “correctness” being the basis of their exchange, and thus, relationship, is challenged with Alhaitham shutting down the initial debate due to Kaveh’s misunderstanding of his meaning. Correctness, then, and its importance, is called into question within this exchange, with Kaveh being the one to chase it; his last message being that he would “prove” himself to be right.

At the core of this bulletin board exchange is the idea that Alhaitham harbours an alternative ‘meaning’ than the one that Kaveh assigns to him: “… you don’t understand what I’m saying to you at all.” This is a meaning which Kaveh cannot perceive due to his current understanding of Alhaitham. This represents the standing of their current relationship, where Kaveh believes Alhaitham holds him in disdain, although this belief is incongruous with Alhaitham’s actions which show his care for Kaveh.

In these instances of communication through the Bulletin Boards, it is interesting to note that Kaveh is revealed to have been drunk and “scribbling” on these notice boards, and hopes that Alhaitham does not know.

Although this is a humorous detail, it adds another layer to the unreliability of their method of communication, as Kaveh has no recollection of these exchanges with Alhaitham, and therefore could not have properly interpreted Alhaitham due to an altered state of mind. It is uncertain whether Alhaitham is aware of Kaveh’s being drunk whilst responding to him, or whether he is believed to have been lucid, which creates another element of unreliability in their exchanges.

Alhaitham understands Kaveh’s thinking and the reasons for why he acts as he does, but he cannot articulate his concern in a way that Kaveh will understand, both out of Kaveh’s incapability of receiving goodwill, but also due to his logical manner of expression. Kaveh perceives Alhaitham’s concealed expressions of concern as personal gripes and criticisms of his beliefs, and therefore believes that their relationship is based on the scholarly principle of proving the validity of one’s philosophies.

The Port Ormos Bulletin Board reinforces the core essence of their relationship: Alhaitham is invested in a personal regard, whereas Kaveh cannot see this due to his perception of Alhaitham and Alhaitham’s inability to communicate in a way Kaveh would understand.

(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

[decolonize-the-everything]

I hate democrats with all my very heart but I can't in good faith advise to vote 3rd party in these hell years when they would see every trans person hang and be off hormones. When the transphobia is not at its height (Eg, like. a few years ago) I would 100% agree with you, but the stakes are too high. If the states falls to transphobia, even more countries will follow it. I think it's harmful to consider not voting D this upcoming election. Once they got off tihs current bend, I could get behind where you are coming from.

"this is helpful and not lacking critical analysis at all"

"if the states fall to transphobia"

Where have you been?

GA & VA are blue states this year btw. It's gotten worse since May and and April, too. The mid terms didn't save anyone.

Also if you, the person reading this, have considered voting 3rd party pls know it's not nearly as unpopular or as unlikely of a win as Democrats want you to think it is.

People would vote for a good 3rd party candidate, actually.

Dems convincing you its a long shot is absolutely a self-preserving psyop hoping to convince you otherwise. Its a half-assed theory that blatantly denies what we learned from 2016 and can still see in polls.

And that's 3rd party candidates stand a shot of they can get in the primaries for the general election. People want progressives. People were pissed and turned to voting for Trump when Sanders fell out- not Clinton.

They need and want another option and it's not a long shot or unlikely. They just need to make it to the primaries.

Enter Cornel West

Cornel West is not running as a Democrat and thus does not need to battle Biden for a spot on the general ballot in November of 2024....

✨ Which gives you and all your friends plenty of time to learn about him ✨

So here are some of his policies and also his campaign site

I'm a decolonial anarchist that hates the state and sees voting as nothing as upholding the state. I make no room for Democrats because Democrats lack the ambition to challenge anything about it.

But unless Cornel West drops out or ends up being some awful closeted abused... Im going to vote for him.

A lot of his politics and campaign goals align with my politics. I wouldn't feel like I was settling if I voted for him.

And a lot of this stuff isn't unreasonable or unrealistic either. Like I just made a post about how the NDAA budget proposal for 2024 is being increased with enough money to solve clean water, homelessness, and implement free college tuition for the whole USA. And Republicans are fighting for more.

And that's just the budget for two years, it'll probably be increased by another hundred billion in a couple years. Nobody blinks when the military budget is swelling like that.

But we should when we can be using that kind of money to solve real problems that real people are having and face and would change lives literally overnight. They just throw that money at the military where most of us never see it again.

But this stuff can be real.

[bowtiepastabitch]

Let's talk costuming: Angelic Robes and The Unreliable Narrator

It's two am, I have to be up at six, but this has been fermenting in the back of my head for the past five hours I've spent doing homework and if I don't get it out I shan't sleep.

The costumes we see representing angelic character in Season Two are VASTLY different from those we see in Season One. (See my post on Aziraphale's Job Robe for an in-depth art history analysis of this individual costume piece.) In season one, the angelic flashback clothing we see is rather humble and uncomplicated. As all things in this show, this serves a very important narrative purpose.

Let's first compare these gorgeous gorgeous girls to their S1 counterparts, shall we?

Just look at the collar on that robe! In S1, we're introduced to Aziraphale in a very plain tunic-style robe with an unfinished neckline. Aside from a slight gold decoration and draping on the shoulders, this could easily be mistaken for rather primitive human garb. S2, by comparison, introduces angelic costume as non-ostentatious but still refined with a gold-trimmed gathered neckline and wide sleeves. The fabric itself, on a textile level, is much finer and softer. Overall, the robes give an air of innocence and angelic purity that is lacking from Aziraphale's S1 'fit. Let's look at another example:

Their Rome costumes are strewn with so many incredible details (check out this incredible post from 2019) but they still retain a bit of that historical ruggedness. Same for these:

The argument could be made for pure historical compliance, sure, but to claim a lack of anachronisms in this show would be a flat-out lie. No, S1 Crowley and Aziraphale are very distinctively human in their dress. The cloth has a wider weave, the ornamentation is minimal, all around it serves to highlight their fitting-in with humans and the humanization of their characters. They're 'going native,' as it were, no doubt about it.

So why, in S2, is Aziraphale suddenly showing up looking like he just popped out of a renaissance painter's wet dream?

Simple. Suddenly, Aziraphale isn't an angel among humans acting human, he's an angel being an angel doing angel things. We get to see the rest of the heaven gang in full angelic decadence as well, a bold departure from the starkness of 'modern' heaven. If this is, as many of you lovely folk have speculated, a series of flashbacks from Aziraphale's memory, the design choices designate very clearly Aziraphale's perception of himself as an angel. A perception which, mind you, would likely be influenced by later human ideas of angelic and heavenly aesthetics. As an unreliable narrator, Aziraphale is showing us not his actual wardrobe as an angelic being but his perception of his past self.

Crowley, too, is affected by this shift in dress. Bildad the Shuhite is everything S1 flashback Crowley is not: fashion-forward, smooth-talking, and impeccably well-dressed. We've got three different fabric textures (that's three times as many as any of his biblical S1 robing) and a definable silhouette. He's practically a fashionista.

If this were all taken as an objective narrative, the shift back to billowing-void peasant Crowley at Golgotha, where we next see her chronologically, would be strange to say the least.

So why is the costuming of the S2 pre-modern flashbacks so much more elaborate? There's three possibilities I can imagine for a change in costume design for any show:

Budget: this is highly unlikely an instant rule-out for me. I've seen what costumers can do on a shoestring budget, and besides the later period costumes make this demonstrably false.

Change in production design team: Technically possible, yes, but if there's one thing Good Omens does well between seasons it's continuity. I mean, they burned the fucking bookshop and then hand-painted tiles to recreate it exactly for the second season. This is not Harry Potter. This isn't it.

An intentional design: Everything, and I mean everything, in this show is intentional. While not everything the wardrobe team does is easily decodable (see Crowley's shapeshifting sunglasses) we've got a pretty comfortable bit of time to figure such things out. This is the only option that makes a lick of sense.

Wonderful, so we've established that this is a narrative choice.

So if it's a narrative choice, and it's distinct from the stylistic choices of Season One, then someone is lying to us. Or rather, we have an unreliable narrator somewhere along the way.

Most of the buzz on ye olde tumblr focuses on the idea of Aziraphale as narrator and memory-holder for S2, and that would certainly make sense from both a story and design. Of course he would see Angel Crowley as adorable and innocent and angelic (the hair is not helping his case either omg I love her), and of course he would see himself as grandly, exaggeratedly, almost dissonantly angelic at the major turning point in his faith.

If Crowley is narrating, then it calls into question why he would choose to remember himself this way. It holds a sort of nostalgic sadness, a memory of a joyful innocence permanently lost to God's cruelty. When we see Aziraphale in angelic splendor later, we're reminded again of what Crowley has lost. It echoes the aesthetic of his former angel self, the gathering and gold trim and bright white fabric, but also introduces a much more elaborate silhouette that reflects the shift toward heaven's new high-and-mighty attitude.

Finally, I'd like to point out that by contrast Season One focuses heavily on themes of humanity rather than ethereality. Narrated by God, no less, who probably has thoughts on their assimilation. While I think we can assume God to be a more reliable narrator than Crowley or Aziraphale, it's not out of the question that She would have her own story to spin about our Ineffable Idiots' shared history.

Ultimately, I think it's safe to say that whatever's going on in costume design is a Clue to the story we're being told in S2 and the one we will be told in S3.

[covid-safer-hotties]

With COVID-19 relief gone, teachers are losing their jobs. It's a blow to diversity. - Published Sept 3, 2024

Erica Popoca's ninth grade English students were livid in the spring when she told them she wouldn't be back to teach this fall.

The district where she works in Hartford, Connecticut, terminated her contract because the COVID-19 relief money that covered her salary was about to dry up. Newer teachers such as Popoca were the first to be cut. Her students wrote letters urging school board members to change their minds.

Popoca, the founding adviser of the multilingual student club, worried she would lose bonds with Latino students she had taught for two years who identify with her culturally as a Latina and as one of the few teachers who speaks Spanish at the school.

The district ultimately came up with other funding to pay her, and in a win for her and her students, officials reversed the layoff.

Popoca is among the thousands of teachers and school staffers across the U.S. at risk of losing their jobs as districts balance their budgets and prepare for the shortfall after COVID-19 relief money expires. Districts have been scrambling to put unfunded staffers into different roles. The reality is that many students will lose contact with adults with whom they have built relationships in recent years.

The Biden administration granted schools $189.5 billion over the past few years through the Elementary and Secondary School Emergency Relief Fund (ESSER) under the American Rescue Plan Act. School officials have until the end of September to commit the remainder of their money, and districts will no longer be able to pay for nonteaching staff roles with that money after Sept. 30. Schools nationwide used most of their relief fund money to pay for classroom teachers and support staff, according to a U.S. Department of Education analysis of district spending for fiscal year 2022. Districts across the country are now laying off recently hired educators, teaching assistants, counselors, restorative justice coordinators and other key staff at schools, or they're scrambling to find ways to retain them.

A recent survey of 190 district leaders by the nonprofit research group Rand found that teacher reductions were "the most common budget cut" officials anticipated. Conversations about staff layoffs cropped up in at least 28 districts ahead of the upcoming fiscal cliff, according to a tracker of media reports from the Georgetown University-based research center Edunomics Lab, which monitors potential layoffs at districts.

The post-pandemic layoffs have been widespread. Montana's Helena Public Schools cut 36 positions, including 21 teachers. The Arlington Independent School District in Texas cut 275 positions, including counselors, tutors and teaching support staff.

Newer teachers are the first to go in states that allow or require districts to use "last-in-first-out" policies, which protect tenured teachers – and many people terminated will be staffers of color, said Aaron Pallas, a professor of sociology and education at Columbia University. States that diversified their educator workforce in the past several years will see a backslide in that progress since "recently hired staff who are often more diverse" will be "laid off more than experienced staff who often are more traditionally white," he said.

Schools serving low-income students will be hit hardest by the shift in funding because those campuses received more federal relief money, Pallas said.

Schools were required to comply with some equity provisions when obligating the relief money. The end of the funding will disparately affect students of color and kids in high-poverty neighborhoods.

Popoca, who comes from the Bronx in New York City, is concerned about what the losses will mean for her school.

"I am relieved but wary because quite a few positions are still vacant," she said. "We don’t have the amount of staff we're supposed to have, and I'm concerned about how the lack of staff is going to impact the students and the school."

Which states are likely to lose new teachers? At least 11 states – Alaska, California, Hawaii, Kentucky, Massachusetts, Missouri, Nebraska, New Jersey, New York, Ohio and Rhode Island – last year had policies explicitly requiring districts to consider seniority in layoff decisions, according to a 2023 analysis from Educators for Excellence, a New York-based nonprofit organization that supports state laws that rid of seniority-based considerations from layoff decisions. Some other states, including Connecticut, where Popoca lives, allow districts to consider seniority in layoff decisions among other factors, but it's not required. Some states ban districts from considering seniority as a factor.

Because junior teachers tend to begin their careers in higher-poverty schools, there could be cases in which schools lose high percentages of their staff, said Marguerite Roza, director of Georgetown University's Edunomics Lab.

"It's really disruptive for students," Roza said. "And it's not great for teachers."

When Popoca told her class of mostly Black and Latino eighth graders last spring that she would be laid off, they were heartbroken. She's one of a few new staffers of color returning to the district this year. A few of her colleagues lost their jobs in the spring and won't be back when school starts, she said.

What should families expect to see at schools? In addition to the emergency funding layoffs, Roza said, many teachers may leave of their own accord. Some districts may also try to shrink their staffing pools with attrition rather than layoffs.

"They're going to hope and pray teachers just leave," Roza said.

Most of the cuts will likely hit the pool of support staff districts beefed up during the pandemic to help kids recover, Columbia's Pallas said.

The counselors, nurses, restorative justice coordinators and teaching assistants added to campus staff in recent years will be gone, and students and their school communities will start to feel that loss by the start of this school year, he said.

Francis Pina is one of several staffers and one of few Black men hired by Boston Public Schools to train teachers how to infuse social-emotional learning into classroom teaching. At the end of last year, he learned his role and the jobs of most new staffers on his team would be dissolved because it was considered a short-term position. Boston Public Schools paid Pina with COVID-19 emergency money through the end of the past academic year.

Pina will return as a high school math teacher this year, but he worries about what will happen to the district's social-emotional learning program.

When he heard his role was coming to an end, Pina said, he was nervous because he felt it was "really important to support students" still facing pandemic-related academic, social and emotional setbacks. He says students in the district haven't worked through all of those losses, even if the district has gone back to the "status quo."

As a Black man who attended Boston Public Schools, he believes he offers a unique perspective to kids, including Black students, and helps them thrive academically and emotionally in school.

"Prioritizing this is important," Pina said. "Kids need to know we care about them."

Teacher diversification will face a setback Diversity among the teaching staff has improved in recent years in Massachusetts, where Pina teaches. But the state's last-in-first-out policy means schools will lose diversification in the workforce, Roza, from the research lab at Georgetown, said.

That's a problem considering students of color are the majority at public schools in the U.S. Nearly one-fourth of public schools did not have an educator of color on staff, according to a May analysis of state-by-state data from TNTP, a nonprofit organization focused on the needs of students of color and those in poverty. Academic studies show students of color perform better academically when they have teachers from diverse backgrounds

There's a surprising reason: Why many schools don't have a single Black teacher

Representation on campuses may be further diminished when the emergency funding ends.

To stave off those losses and rescind seniority-based layoffs, some lawmakers tried to change how layoffs work, but they ran into pushback from the state teachers union, which said the policies harmed protections for senior educators. In March, the Massachusetts Legislature rejected sections of education bills that would have removed seniority considerations as the sole factor for layoffs.

“While we are happy to see the legislature taking strides to improve teacher diversity in Massachusetts, it is disheartening to see that the Education Committee chose not to prioritize protecting these very educators in the event of district layoffs,” Lisa Lazare, executive director of Educators for Excellence's Massachusetts chapter, said in a news release.

More new staffers of color are expected to face layoffs this year, Roza said.

For now, Popoca, in Connecticut, is looking forward to returning to the classroom and seeing her students – many of whom come from Latin American countries and with whom she feels a special bond. She's worried about the cuts, she says, because the school needs more teachers and support staff, not less.

She already has heard from people she knows who had considered entering the teaching profession in Hartford or elsewhere who have pulled back because of the district's lack of money.

"It's really concerning," she said.

[maeamian]

Not sure I'm the exact right person for this oral history, but since the birdsite is imploding and advertisers might fucking try some shit over here it's a good time for all of us to remember everyone's favorite meme: "John C Miller, CEO and President of the Denny's Corporation, is a Capitalist Running Dog and his wealth must be seized and redistributed to the people”

Back in '16 or so, Denny's had a reasonably large presence on this site, from a non-artistic standpoint it's fair to say that whoever was running that blog did a pretty good job of keeping up to date on the current memes and staying relevant. Many of us, myself included, kinda just got used to them being here and let it happen, gave it little thought, maybe gave it a chuckle from time to time. At some point someone was like 'actually it sucks that a major corporation is trying to hang out with us and be our friend, they were, of course, absolutely right, and their genius response was to create a meme that they couldn't fucking coopt, hence "John C Miller, CEO and President of the Denny's Corporation, is a Capitalist Running Dog and his wealth must be seized and redistributed to the people" became the fun new thing.

"Coopt this you old so and so" was the idea and it worked pretty well, they did try it, but in a way that clearly was dancing around the central premise everyone knew they wouldn't be able to engage with. They stuck around for a little while longer, but it was clearly a major turning point in their ability to use this site to hang out with us, a good thing.

The point, as advertisers try to find new, less feral places to spend their advertising budgets, is that we don't have to just ignore them, that's a good start, but we can bite their fucking hands if they try it. We do not have to play nice with advertisers trying to be our friends, we can be feral.

Anyhow, I definitely am not positive I've gotten every detail right, so if there's any major corrections anyone needs to add, feel free, memedoccumentation had a post about it that helped me refresh my memory although my analysis of aspects differ from this point in history, as it were, but if you want to read up a bit more this is a solid starting point that has some fun examples

[yinyangofnevermore]

So you’re considering watching RWBY

Or you’re trying to convince someone else to watch it

(I made another similar post about this a while back)

But you/they aren’t sure. Something is holding you/them back. Like:

“But the animation n stuff is SO BAD!” - Sure. In the beginning it’s not great (though many of us now look back on those early volumes with fondness.) But you have to understand, RWBY started as a passion project at a small company with a budget of like $20 (yes I’m exaggerating but STILL.) They simply didn’t have the funds for good animation. But, after volume 3 came out, the show became a literal international hit and so the budget increased. And, subsequently, so did the animation quality. You can see that progression easily enough here. The quality goes from this:

To this:

“It looks stupid and childish!” - Yeah, in the beginning it’s meant to seem silly. And it still has its cartoonishly silly moments later on too. But those silly moments are meant to soften the blow of the PAIN. Because, while RWBY starts off as a silly, “good always triumphs over evil” slice of life magic academy type show it does not STAY that. There is PAIN. LOTS OF IT! If you keep watching, you’ll find out within like 6 hrs worth of watching that it’s not just some silly slice of life show. There is a complete 180 along the way when you find out what RWBY is truly about. The show actually delves into some pretty heavy stuff. PTSD, abuse, neglect, abandonment issues, alcoholism, loss, the inability to move on from loss for some, and more. For more on this, check out this post.

“I saw some stuff on Twitter/Tumblr/Youtube about how bad it is.” - That’s because there are ppl out there who want the show to be something it’s not. Or they got upset when things didn’t happen the way they wanted. Like Blacksun shippers or Adam and Ironwood Stans. Or they just want to shit on something. But EVERY show has its haters. Every piece of media has its haters. And they like to be loud edgelords about it. Sometimes just to be controversial and pick a fight. But that doesn’t mean shit. There are ppl out there who absolutely hate your favorite pieces of media, whether you’re aware of it or not. And that doesn’t stop you from liking it, does it? Don’t let a few haters prevent you from potentially finding your new favorite thing. Because there are a LOT of ppl out there who absolutely LOVE this show.

“I tried watching the first few episodes and I just... Couldn’t.” - Dude, I get it. Trust me. I did the same exact thing when I started watching. I watched the first couple of episodes and literally turned it off. But then I saw a few ppl posting about it here on Tumblr a while later and gave it a second shot on a whim. And BOY did it not disappoint when I got far enough in (and yes, that took a minute.) Mind you, this was back when Volume 3 was originally airing, so the drastic improvements in animation hadn’t happened yet. But I stuck with it anyways. And now look at me. But the show does take a while to really ramp up, so to speak. The beat doesn’t DROP until a bit later on in volume 3.

But, if you enjoy character growth and analysis, then you will most likely enjoy this show. The number of analyses on Tumblr and prolly Twitter as well are MANY. The main 4 characters are badass ladies learning how to fight and deal with life. Every character in the show is based on either a fairy tale, mythology, history, pop culture, etc. (sometimes they have multiple allusions to different degrees) and teasing out those details on top of everything else is quite fun if you enjoy searching for Easter eggs, significant imagery, foreshadowing, parallels, and so on. Interesting villains too. Not just the standard “Evil Witch because she’s evil with henchmen” thing. But fleshed out villains that have their Reasons™️. Like “Cinderella took so much abuse as a kid/teenager that she fucking snapped” type reasons. There is SO MUCH you can delve into with this show if you want to. Details as small as a whale statue in Gepetto’s office, or Belle reading a book with a candelabrum that looks like Lumiere, or characters wearing the colors of the person they love, or characters having eyes the color of their love’s aura (an extension of their soul.) SO MANY PLACES TO FIND THESE DETAILS. Including the lyrics to the music.

Which leads me to the music in this show is freaking AWESOME. And if you can’t appreciate that Casey Lee Williams has been singing in these soundtracks since she was like 13 or 14 (and listening to how she’s grown as a musician throughout it all to the point where she is now one of the music leads for the show) then I don’t know what to tell you. The music is all produced in house. And the lyrics reflect that. Each song is from the perspective of a RWBY character (or like team RWBY in general, depending on the song) and the lyrics give insights either about the characters or about stuff in the show (lore, foreshadowing, etc.) And they’re as fun to analyze as they are to jam out to.

The writing is FANTASTIC. Is it perfect? No. Of course not. They made mistakes along the way. Prolly will make some more. But every piece of media does to some extent. People aren’t perfect and so neither are their creations. But those imperfections don’t outweigh how amazing the story they’ve woven is. The writers of RWBY constantly subvert expectations in a BRILLIANT way. Not in a “wtf?? Where did that come from?” sort of way. But in a “OMG! Now that I go back and watch this again it makes SO MUCH SENSE” sort of way. And things that happen in early volumes actually COME BACK to affect things later. The show doesn’t just MOVE ON. The writers have been playing the long game this whole time. And rewatches will almost always show new details and foreshadowing you might have missed before.

Also, it GAY. And it’s THE major romance of the show. Not just a side story. And the voice actors are the Captains of the Ship! And it’s a beautifully written slow burn romance (amongst other romances also in the show) with yearning and pining for DAYS.  I believe it was Monty who said, “Good romance is earned.” And boy are they earning it!

So, in short, FUCKING WATCH RWBY.

DAMMIT.

If you do decide to watch, Volumes 1-8 are all on RoosterTeeth.com for free or everything is on Crunchyroll. And I definitely suggest starting with the 4 trailers, in order: Red, White, Black, then Yellow.

[ninadove]

As a (very niche portion of the) fandom, our collective attention has been captured by how much Felix adores Kagami — which is true and good and beautiful and pure. But we’ve been sleeping on how much she loves him, and today, I want to shine a spotlight on her side of the most beautiful love story ever written.

Before we begin, let me get the obvious out of the way: yes, she did try to crush his skull with a chair in Pretension, and she was iconic for that.

HOWEVER.

This is only how their relationship started. What truly matters is how the story unfolds from then on.

And boy does it unfold fast. By the end of the episode, Felix has shaken Kagami’s worldview so much that she:

Stands up to her own friends and fellow heroes in an effort to not only protect him, but also ensure that he can keep the Peacock Miraculous;

Actively challenges her mother’s teaching that emotions (in this context, romantic love) are a weakness that should be eradicated from the face of the Earth;

Is planning secret dates with Felix, even though as far as she knows Tomoe has her amok (because you can’t tell me this little genius didn’t figure out the entire Sentilore in the sewers);

Trusts Felix with said amok despite his extensive criminal record, as illustrated by how quickly and firmly she takes his hand — with a little sigh if happiness, might I add. This is especially significant compared to previous instances of hand holding between the two, when he had to make all the effort while she remained completely limp.

And then Representation rolls around. And oh, boy.

Kagami instantly calms down from her TV-induced rage upon seeing her boyfriend on her balcony — a major improvement when you consider how big of a role anger and frustration play in her akumatisations.

Tangent 1:

Something similar happened in Ikari Gozen, when Mari protected Kagami from her mother, causing her to narrowly escape Hawkmoth’s influence. More on the Marigami-to-Feligami pipeline in another post, coming to your dash someday in the not-so-distant future.

Not only does Kagami instantly relax in Felix’s presence, but she laughs — something that previously only happened in the context of Adrigaminette, and we all know how that ended. Felix is the one to mend her heart and make her laugh again, for the second time since the dance.

Our two lovebirds proceed to straight up RUN AWAY INTO THE SUNSET. Kagami presumably spent the following 350 km (300 miles) cuddled up in Argos’ arms, admiring how handsome he looks in his glittery cosmic suit which we don’t get to see because budget.

Later on, they casually discuss Ladybug’s identity, while fireworks go off in the background. Let me rephrase this: Kagami trusted the person who stole the Miraculous with her best friend’s most burning secret, not because she wants to defeat Hawkmoth per say, but because Gabriel has been getting in the way of their make out sessions and she can’t have that.

Tangent 2:

Also coming to your dash in the not-so-distant future: an analysis of Kagami’s relationship to the concepts of truth and lies, and how dependent it is on what serves her and her loved ones in the moment.

Then, of course, the core of the episode: Kagami actively participates in the play, helping Felix tell his story in a way he feels comfortable with.

Tangent 3 (lots of ‘em today):

This part is extremely important to me, because I’ve seen So. Many. People. complain that the play could have been boiled down to two lines of conversation.

And like.

No???

Firstly, this is a show, not real life: we as an audience needed the confirmation to be as climactic as possible. If it hadn’t been, I can guarantee the exact same salters would be crying about the story’s “WaStEd PoTeNtIaL”.

But let’s delve into the real life implications of the Sentiplot for a second.

Abuse survivors do not owe you a brief, comfortable explanation of what they went through, neatly wrapped up with a pretty little bow.

The play is a beautiful illustration of how art can be cathartic and therapeutic, and I need you guys to understand that this sequence means something to many, many viewers — most of them children in similarly terrible situations. If I were to bet, I would say it very likely speaks to one or more members of the writing team on a personal level as well.

So you can pry these scenes from my cold, dead hands.

The kisses… All of them… During the firework show. As the sun rises to signify a new beginning. Disguised as Adrien’s parents. For context, this is the same girl who previously found a hand kiss to be too much for her broken heart to bear.

And of course, there’s the way she looks at him like he is her entire world, like she cannot understand how anyone could ever call him monstruous. Because Felix doesn’t get the monopoly of heart eyes.

Finally, in Recreation:

THE LIES CALLBACK. THE MIRACULOUS TEAM TOOK THE TIME AND MADE THE EFFORT TO PUT A LIES CALLBACK IN THE FREAKING FINALE. You guys know I’m insane about this scene already.

So what’s my point.

Because yes, I do have a point, apart from “KSSGDJDKSS Feligami SGDHDKLS 🥰🥰🥰🥰” (which, by the way, is a completely valid meta post in itself).

While we joke that Kagami is so far out of Felix’s league in every aspect — she doesn’t perceive him that way in the slightest. As far as she’s concerned, she has achieved every fourteen year old’s dream: dating the perfect cursed prince, tortured artist, evil-genius-on-a-redemption-arc combo.

She is just as enamoured with him as he is with her, and I think it’s beautiful. 🦚🐉