#possibly more than i love the characters i used as examples!!!!

[amusedmuralist]

alabastercloud:

cephiedvariable:

coelasquid:

rosalarian:

dresdencodak:

Seeing as how I’ve done both the top ten for best and worst superhero costume redesigns, I feel obligated to put my money where my artistic mouth is and take a stab at fixing or updating some of these costumes.  I’ve picked five here based on: 

It’s a particularly awful outfit that doesn’t fit the character, or

It’s a solid character who just needs some updating or tweaking

I’ll list these in order of “reboot depth:”

5. Starfire

What’s wrong: In the wake of DC’s “new 52” this felt like a no-brainer.  Starfire is a decent character who’s always, in my opinion, gotten the short end of the costume stick.  I get that she’s supposed to be sexually liberated and somewhat polyamorous, and that’s fine, but dressing like a John Carter’s Princess of Mars-themed stripper doesn’t cut it.  Really, up until the Teen Titans cartoon she’s always been in the most awkward and impractical getups for someone fighting crime.

The Fix: I went for the simple route and took some notes from the cartoon (notably the skirt). I wanted to make sure it kept the bubbly, innocent feeling of the character while also hinting at some power (with the exposed arms here).  The overall effect is meant to convey someone who’s tough, cheerful and comfortable flying around in the air.

4. Dr. Strange

What’s wrong: I love Dr. Strange, but he’s always had the worst outfits.  For a guy who basically hangs out in his house in the West Village, he seems to always wear the most ostentatious getups.  He’s not an alien from another planet or from some culture that would dress that way, he’s a grown man who became a wizard well into adulthood.  Nothing wrong with having some style while you’re maintaining the balance of the mystic planes.

The Fix: Two parts Vincent Price, one part Christopher Lee and one part Dr. Orpheus, this Dr. Strange is still magical, but with a more coherent design direction.

3. Ms. Marvel

What’s Wrong: Simply put, I think it’s embarrassing for Marvel to showcase a prominent character like Ms. Marvel and have her wearing that outfit.  It’s just so tacky, and tells us nothing about the character.  Basically they just changed the colors of Jean Grey’s Phoenix costume and exposed more skin.  Come on, guys.

The Fix: Since her origins are ostensibly tied with Captain Marvel, I decided to go a route that’s more along the lines of the Ultimate Marvel version of that character, where her abilities come from alien technology rather than vague space magic.  The notion that she’s, for example, permanently bound with this technology that she doesn’t fully understand can make for some interesting stories.  There can be some potential with this character again with just a little bit of tweaking.

2. Wonder Woman

What’s Wrong: Wonder Woman, in my opinion, is a character that’s always been on the cusp of being really neat but never quite making it like Superman or Batman.  Although a feminist pop icon, her origins are too tied up with creator WIlliam Marston’s obsession with bondage.  Because of this (and an all-too-frequent parade of poor or sexist writing), she’s never had a solid, progressive design.  The 21st century can update this character.

The Fix: One part Thor, three parts Xena. I’d push the mythological angle further.  Just as nobody thinks of Thor as “Superman with a hammer” I don’t want Wonder Woman to be “girl Superman,” as she’s sometimes seen.  I’ve also tweaked her origin slightly, making her a more literal “statue come to life.” This isn’t as extreme as it seems: in regular canon, Wonder Woman’s origin was that she was formed out of clay by the queen of the Amazons, and imbued with the powers of the Greek Gods.  This, I think offers more story possibilities if she’s less literally human, physically.  Her personality would remain the same (nothing more fun than the perspective of an Amazon in the modern world), but we now have an added Pinnochio-style layer.

The costume change is mostly conservative.  Because of the strong fetish associations (and overall impracticality for a fighting Amazon), I’ve removed the lasso in favor of more traditional Greek weapons.  The overall effect is intended to push Wonder Woman’s core themes further while making her also stand out as more than just “the female superhero.”

1. Superman

What’s Wrong: Since his creation, Superman’s drifted from being a progressive champion for the common man to a patriotic middle-America boyscout who represents the establishment and traditional values. When he was developed in the 30s, Superman was very much a Depression-era hero, mostly going after villains like crooked money lenders and saving people who were being abused by the system.  His superpowers came from the fact that he was from a more advanced society, and his morals too were because he was simply a brainier, more sophisticated guy.  During and following WW2 and into the Cold War, though, he became an official symbol for American values in particular (it was originally “Truth and Justice,” without “the American Way”).  He was now not just an alien, but an alien raised by simple Kansas farmers and his abilities had a more generic “superpower” explanation.  This is all fine, really, but I think the original concept is more compelling these days.

The Fix: ”Superman: the Man of Tomorrow, Strange Visitor from Another World.” I really want to push that.  First off, Kryptonians should actually look like aliens and not white people. Here I have Kal-El from a race of beings who are essentially post-human (in that they’ve long since merged with technology).  They’re strange to our mortal eyes but mean well.  I’d keep the “destroyed planet” origin but more heavily emphasize the “non-interference” part of Superman’s mission statement.  

If you’ll remember from the 70s movie, his father Jor-El told him he was forbidden to interfere with the course of human history, but when you think about it, that’s kind of vague.  What I’ve done is added a Star Trek or Uatu the Watcher kind of prime directive to all advanced species:  Kal-El can’t let people know that he’s an alien, nor can he openly interact with them using advanced technology.  Still, he’s a compassionate guy and wants to help, so he takes the form of “Superman” to inspire the mortals in a constructive way.  Also, the notion that he can take on different forms means that the Clark Kent secret identity need not be as bad as it currently is.

The costume redesign holds to the basic themes but makes it a little more working class.  The buttons at the top are meant to invoke overalls, and the sleeves are cut a little higher for someone working with their hands.  I’ve removed the spandex and gone with looser fitting slacks, while keeping a short cape and boots, since he’s still an adventurer.

Overall I want to evoke a classic Superman feel while making it a little more modern in its exploration of the sci fi themes.  He’s still basically the same guy:  an alien from another world looking to fight injustice, but without the overt patriotism and a quirkier execution of the secret identity.

*********************

So there you have it.  I’ve hope you’ve enjoyed my superhero costume trilogy!

Part 1: The Best Superhero/Villain Redesigns

Part 2: The Worst Superhero/Villain Redesigns

That Superman is… probably the best redo of Superman I have ever seen, both in looks and backstory. Bravo!

cool stuffff

The Starfire is a no brainer, the Dr. Strange is my new unrequited fictional crush, the Wonder Woman is breath-taking and that take on Superman is one thousand degrees of shit I didn’t know I wanted but I would be so comfortable if they uprooted over 70 years of comic book history to change him into this.

[rebouks]

Do you have any recommendations for starting a story? Yours is so good and it really inspires me to try and make one of my own but idk where to start

Hmmm a tough question! I think we all just kinda start and learn as we go? It's the best way tbh.. if you look back at the beginning of most simblr stories they've usually come a long way! Here's a couple tips that I think might be handy tho...

Maybe we could start a thread and everyone could reblog this with their own tips?! 🤩

Decide if you want to build your own lots/sets or not. If you do you'll probs wanna start off with the main places you'll use that're full of personality, like a main characters house or place of work etc. you can always download some neat lots and edit them to your liking if you're not a builder, or maybe even download a whole save file!

Start a character page (or make an intro post for em if you can't be arsed with the technicalities) - not essential but useful for you and the readers to keep track of who's who and maybe state a few facts about them etc.

Start collecting some poses and ideally rename them so they're easy to find! I personally like to add smth like [PETS] or [KISSING] etc to mine (in s4s) in conjunction with twistedmexi's pose finder to make things easier to grab.

If you use reshade/gshade, taking the time to find or create a nice preset will save you a bunch of time editing.

For the love of god if you're gonna make a bunch of extras, try and dress them in maxis clothes/hair.. I'm so SICK of having to redress everyone every time I clear out a bunch of cc skjdksj 🙈 you can always give em an extra, fancy cc outfit for specific scenes on the day but yeah, do yourself a solid where possible to save time/pain in the future. Same goes for lots you don't use often, try and limit the cc you use!

Figure out if you're a planner or not! If you can't manage without a plan it's okay to take some time before starting to figure everything out and get a detailed outline going. If you're more of a pantser (like me!) you can always just get going with a rough idea in mind and see what happens!

If you're gonna go with the flow I'd still recommend creating at least a rough outline, you don't have to stick to it like glue but it'll probs help you stay on track and I wish I'd have done this in the beginning, esp if you're gonna have a plot heavy story.

Characters > plot.. (imo!) like.. you could have a super interesting plot in mind but if no one really knows or cares about your characters it's gonna have a limited impact/amount of interest. They don't even have to be likable lmao

Give your characters some flaws! It's fun and it makes them more relatable.

Start with a small cast - not a complete must but it'll be probably be easier for people to get to know your pixels if they're aren't a million of them right off the bat. You can always add more later.

Try not to shoehorn your characters into situations they wouldn't end up in just to further the plot.. a hard one to explain and mostly based on intuition but if a scene feels boring, out of place or forced, it probably is! aka.. be willing to kill your darlings. Maybe you've already established that your character is poor or smth but have this fun idea of a road trip montage or whatever.. like you can't just give them a car and the money to drive a million miles just cos you HAVE to see that scene y'know? Maybe they're gonna have to hitch hike, get the bus, or take out a loan? Probs a bad example but hopefully you get the idea! It can sometimes be more fun to force your characters into a different situation than you imagined anyway, like maybe they meet someone really neat on the bus and they join the trip, or maybe whoever they borrowed money from gets all pissy when they can't pay em back quick enough etc etc.

Let your characters guide you - sometimes characters talk to us! You could've had a whole storyline planned for them, or a romance of whatever, but when it comes down to it, it just doesn't feel right and that's okay! Let them lead you in a different direction now n' then.

Write for you! (ugh becca stfu with this shit) I know, I know but really.. if you're not having fun, what's the point? Don't write what you think other people want and learn to be okay with cutting ideas/scenes/characters/whatever! that you aren't excited about anymore. It should never feel like a chore to create, and if it starts to feel that way, take a break or change it up!

I feel like this is super rambly and I've missed a million obvious things but my brain is mashed potato rn lmao.. pls feel free to add your own tips in a reblog or a comment - everyone has a different take on things! I think it's really important just to start and see what feels natural tho 🤸‍♀️🧡

[pzychojinx]

many, many things were debatable and badly written this season. taking a character like jinx, spending half a season giving her a healing arc against all odds, giving her a newfound family and a newfound self perception and a certain stability, making the audience see in her a spark of possibility through isha, through sevika, through the community's love for her as a revolution symbol, eventually through her sister...

... just to fuck it all up, have her experience more crippling trauma for shock value, make her extremely suicidal and then actively kill her off in a suicide mission (or not, but narrative ambiguity doesn't change anything really) is the one thing i can never forgive them. "this is the story we always wanted to tell" my ass, this is the finest example of blatant misery porn. this is a punch in the gut to any mentally ill fan who saw themselves in jinx and it's a betrayal to jinx as a character, who deserved way better than being used for cheap trauma porn.

[tales-from-the-aether-ttrpg]

Your Moment

So a mechanic I'm toying with right now is the Your Moment mechanic. I've had the idea for this mechanic since the very beginning of development but I'm thinking of changing it up a bit.

Originally, it was pretty simple. Once per campaign or story arc (depending on the GM or table's preference) you can choose to succeed on something in the best possible way. Fate itself changes to make this outcome possible. For example, if you choose Your Moment to be attacking a nemesis, you can kill them even if they have more health than you can deal in one hit. Alternatively, you can revive a dead ally even if you don't have the proper spells or convince a monarch to change allegiances in a war.

It's a very powerful mechanic that allows the character/player to permanently change the trajectory of the story in the most favorable - if unpredictable - way.

My new version of this mechanic involves something called your Core which is represented by Love, Hate, Hope, and Faith. When you create your character, choose one of the 4 to be your Core. This influences how you rp your character. However, your Core is not immutable and it may change when you take Your Moment, same as above. Depending on the circumstances of Your Moment, your Core will change appropriately. If you kill a nemesis, your Core may change to Hate. If you rally allies during a darkest hour, your Core may change to Hope. etc. etc. Your character will be permanently changed by this moment from then on. However, the methods of gaining Your Moment are different.

In Tales from the Aether, there are Fate Die and Inspiration Surges that you unlock by failing. Fate Die are dice that you add to D20 checks and you gain one every 5 failed non combat rolls (you always start session with 1). Inspiration surges are surges of magical or martial prowess that can turn a losing battle into a win. You gain an Inspiration surge every 10 failed combat rolls.

You gain Your Moment when you use 10 Fate Dice/Inspiration Surges. Based on play testing, this would mean roughly every 3-6 sessions depending on your luck (worse luck is better). In theory, this means you'd probably get one towards the climax of a short campaign or arc - which is the perfect time for a character to have a climactic moment that defines their character. There would be places to keep track of this on your character sheet.

My main concern is that this is just too many things to remember/keep track of. Fate Die and Inspiration Surges are separated by in and out of combat usage but Your Moment can have progress towards unlocking it during any stage of the game.

I am not yet at the stage of play testing where we are running full campaigns (Soon hopefully soon) so I don't have a full grasp of whether or not this is actually too unwieldy or if its just my doubts creeping in. What are your thoughts?

[veth-brenattos-mental-state]

I know this sounds cruel, but Fcg was a great choice for a PC death. I dont say that because I'm not sad. They were a favorite of mine! It's just that he was at a good place in his story for it. If Imogen or Fearne, who have really important plot/personal connections that still need to be explored died, it would feel like we lost too much of the story. While Chetney nearly dying felt more somber than tragic because he'd already lived such a full life. Fcg was at a good middle ground where it feels like we could have had more while still being a satisfying end for them. His story feels both complete and incomplete, and that's what makes it such a great tragedy.

[daisyachain]

there’s one version of an f/m/m triangle that crops up so often I’m surprised there isn’t at least a tvtropes/vernacular name for it. Miyokichi/Kiku/Shin. Molly/Fitz/Fool. Asuka/Shinji/Kaworu. Futaba/Taichi/Touma. not-really-but-you-could-shove-it-in-here Luthien/Beren/Finrod. Utena/Touga/Saionji is a twisted spun-on-its-head version of it. Specifically comprising:

masculine male character A: either is the protagonist or a character on to which male viewers can project.

female character B: a secondary character and A’s official love interest, often kept apart from A by story/circumstance/gender roles. Shows some resentment of the trials she’s put through by the story in being A’s lover such as being shoved to the side, cut out of his life, or put in danger.

less masculine male character C: another major character, A’s devoted sidekick, feminine and/or conspicuously cold toward women or sexuality, somewhat ill-used by A but not resentful about it, as a contrast to B.

The dynamic is used pretty equally by female and male creators, though probably with different purposes. Outside the story, there’s a clear explanation for how the roles are divided: men are main, women are peripheral. Obviously the female love interest has to be on the margins of the story. Obviously the male main character has to have an ally in-story who can bounce dialogue back. Any human person has to have a best friend (for men, has to be male) and a lover (for men, has to be female). The major character male bestie and the minor character female gf is the minimum character dynamic you need to sustain the main character as a believable construction.

Except within the story, the dynamic begs far too many questions. On B’s part: her other half and love interest uses her for sex once every few chapters and dumps her to go off on another plot-relevant adventure. She’s kept in the dark, talked down to, pushed away, and distrusted. Her place at her sweetie’s side is occupied by Some Dude and no matter how much she puts into their relationship, she’s always going to be a prize for after the mission. Why does she stay with him? What could possibly attract her about this bestubbled grunt machine whose passion for the sword outmatches anything she’s given him?

On C’s part: he gets used as an emotional support crutch, designed to service his best friend’s every need at the expense of his own goals or story. He’s a housewife, he’s a domestic, he does every thankless story task with a smile because he has to provide the exposition/set up the plot/set the plan in action that carries the main male character to victory. He doesn’t have a love interest of his own, meanwhile the most important person in his life is obsessed with a woman he barely speaks to. Why should he care so much about someone who only takes? Why is he committed to this one-way friendship? What does he think of taking the backseat, providing support, submerging his own will for the sake of a person instead of an ideology?

On A’s part: if he’s a red-blooded heterosexual male character who pursues a woman as is acceptable, why does he dig himself so deep in with his designated ally? Through dialogue and because he has to in order to show the audience, he exposes his heart and soul to C and keeps him in his pocket for as long as we are watching, so why then does he cast him aside so easily? He invests the most time and energy into his relationship with C, cultivating love and loyalty there, but he draws the line so firmly in the sand that the audience is sure he’ll never, ever step aside for one minute to follow the friend. Why does he choose a man for his emotional battery? Why doesn’t he communicate with his supposed partner? Why does he choose to use B and C for sex and solace respectively, and why don’t they ever mix?

The gender dynamics wrap around to simple: women aren’t up to being equal partners to a cool guy, so you need a male wife to do everything for you and appreciate the protagonist’s sick abilities. romance with a man is perverse and impossible, so you need a female love interest to prove that the protagonist isn’t gay and fulfil the audience’s needs. But in-between all of that you could ask some interesting questions of the spoke character, A, the male protagonist whose actions are taken as normal. the question being: bro. what’s wrong with you

[trolagygirl2022]

🍓All about: Astrocartography! 🍓

‧˚꒰🐾꒱༘⋆ astrocartography is a form of astrology that shows your life under certain places!

‧˚꒰🐾꒱༘⋆ there's your sun, moon, mercury, venus, mars, saturn and more!

‧˚꒰🐾꒱༘⋆ your sun line is where you should go if you want to feel like the main character! being under your sun line brings out your real self and you'll feel quite comfortable there.

my sun line is over poland! when I was there I felt like I was in a main character 😂. I was quite happy and met a lot of positive people there.

‧˚꒰🐾꒱༘⋆ your moon line is where you'll probably feel more emotionally in tune. you could have been raised there or have some sort of pull towards that place. your moon line is like your home and you'll feel like you belong there.

my moon line is over Ottawa! I used to live there for many years and I feel so emotionally connected to that city! my mom studied there and my sister was born there.

‧˚꒰🐾꒱༘⋆ your mercury line would be the best place to network, make friends and to learn. this would be a good place to go if you're studying for a bit or socializing. you can learn a lot of things here. I haven't been under my mercury line yet so anyone who has should definitely share their experience!

‧˚꒰🐾꒱༘⋆ your venus line is where you'll be the most creative. if you're working in the entertainment industry for example, being under your venus line can bring a lot of ideas and inspiration. venus also rules over love so it's possible to have a lot of romantic experiences under your venus line!

‧˚꒰🐾꒱༘⋆ your mars line is where you'll be the most motivated! this line can be a hit or miss because you might encounter fights and issues under this line, or other times you'll feel like a lot of things are faced paced. this can be good for networking and such but isn't the best for settling down.

‧˚꒰🐾꒱༘⋆ your jupiter line where you'll feel luck and is also great for school. you'll get a lot of opportunities as well. when you're under your jupiter line things can feel "big" for you. I'm living under my jupiter line and it's the best! I have a lot of opportunities, met with people and everything is big! my school is bigger than my old one, I have met cool people and life can feel like a movie at times!

‧˚꒰🐾꒱༘⋆ your saturn line is where you'll feel tied down or where you'll learn the most lessons. saturn represents discipline and limitation. for me living under my saturn line for years felt limiting. my old school didn't have much opportunities and I was facing a lot of hardships.

[tempo-takoyaki]

From an anonymous freeform prompt for SVSSS Action, may I present to you... Delicious in the Abyss! A SVSSS x DunMeshi AU!

More info about the different characters (with some sketches) under the "read more" :

In Delicious in the Abyss, we follow various groups of adventurers as they explore the "abyss" a mysterious place filled with various fauna and monsters. No matter their race or age, most of them have the same goal: becoming the master of the abyss... However, some have a very different idea of how one should explore the abyss. Take for example a certain group led by an elf named Shen Yuan who desires one thing only... eat as many different monsters as possible!

Shen Yuan's party :

Shen Yuan: Elf, 87 y/o, Mage. His wish is to eat and study as many monsters as possible. He started exploring the abyss about twenty years ago, but had to stop abruptly after taking in Luo Binghe. On the surface, his studies seem to merely be for the sake of curiosity... But are they?

Luo Binghe: Tiefling, 63 y/o, Tank (and cook). Thrown into the abyss at the age of 38 (since tieflings are a long-lived race, it means he was about 14), he got stuck in the lowest levels for few years before Shen Yuan saved him. He regards him as his savior (and one true love) and would do anything for him... even if it means cooking the monsters (he hates it, he hates it so much).

Shang Qinghua: Gnome, 87 y/o, Healer. Shen Yuan's oldest friend and the author of many infamous books. He stopped writing them about twenty years ago though, after he started to explore the abyss with Shen Yuan. He seems to be looking for something in the abyss, or rather: someone.

Liu Qingge: Tallman, 26 y/o, Swordsman. One of Shen Yuan's friends. He used to be part of the Cang Qiong guild but left it after a disagreement with one of his colleagues. Now he works for Shen Yuan with his younger sister, Liu Mingyan. "Uh? My goal? Get stronger. Mh."

Liu Mingyan: Tallman, 24 y/o, Swordswoman. Liu Qingge's younger sister, she accompanies him on each of his missions. She got an offer to work with Cang Qion mountain once but refused it once she learned her brother had left the guild. She's quiet but efficient, however, Shang Qinghua suspects that she might stick around for other reasons...

Cang Qiong Guild:

Yue Qingyuan: Tallman, 48 y/o, Tank. The leader of Cang Qiong, he's a respected individual amongst adventurers. However, he seems leniant on the vices of his vice-leader: Shen Qingqiu.

Shen Qingqiu: Tallman, 40 y/o, Swordman. Vice-leader of Cang Qiong. He's the reason Cang Qiong is exclusively made of tallmen, as he has a strong distate for any other races, especially elves. The only exception to this rule is his adopted daughter: Ning Yingying, a dwarf. He's the one who abandoned Luo Binghe into the abyss after discovering his true nature.

Mu Qingfang: Tallman, 29 y/o, Healer. The group's medic.

Qi Qingqi: Tallman, 31 y/o, Swordswoman. She wanted to create a branch specifically for women in Cang Qiong Guild's but because of Shen Qingqiu's veto on recruiting other races she couldn't make it work.

Ming Fan: Tallman, 19 y/o, Mage. A cowardly young adventurer. He has a crush on Ning Yingying.

Ning Yingying: Dwarf, 51 y/o, Tank. Despite being older than him, she's Shen Qingqiu's adopted daughter whom he took in when she was merely 30 y/o. She likes her father a lot, however she can't forgive him for what he has done to Luo Binghe. (She'll leave Cang Qiong to join Shen Yuan's part at some point).

(Side note, Cang Qiong is still specialized in cultivation, hence why most of them look so young)

The Tieflings hideout:

Tieflings are a race that I made up for this AU specifically, inspired by D&D. They're inhabitant of the dungeon, tall and sturdy, with pointy ears akin to elves, horns of various shapes and tails. They can also use magic like elves, tallmen or gnomes, however their magic rely on its own set of rules.

Mobei-Jun: Tiefling, 92 y/o, King of the Northern tribe. Leader of one of the numerous tiefling tribes hidden in the abyss, he met Shang Qinghua twenty years ago in the abyss and has made him swear his loyalty to him since then. He has sensed change in the abyss since Luo Binghe's arrival, and decided to trust Shen Yuan's party to solve this issue... With the compensation of Shang Qinghua.

Sha Hualing: Half-ogre half-halfoot, 15 y/o, Princess of the Eastern tribe. Adopted daughter of the king of the eastern tribe, she's a bastard born from the forbidden union between an ogre and a half-foot and was abandoned into the abyss at birth. Of short stature, with a short life spawn, she makes up for it with her keen senses and her strength. She later on joins Shen Yuan's party.

The first Tieflings:

Tianlang-Jun: Tiefling, ??? y/o, Master of the Abyss. The master of the abyss, his powers are beyond anything imaginable. He claims to have eaten what has given him those powers and since then has known hunger beyond what any mortal could endure. He has once fell in love with a tallman woman by the name of Su Xiyan, but she has left the abyss years ago, and he doesn't know what her whereabouts are... The only thing he knows is that she's the only one capable of satisfying this hunger that eats him from the inside.

Zhuzhi-Lang: Beastman (snake), ??? y/o, Guardian of the abyss. Tasked by the Abyss' Master to protect its inhabitants, he'll kill anyone who gets in his ways indiscriminately at the exception of Shen Yuan, who saved him years ago when exploring the abyss for the first time. He only obeys the Abyss' Master orders, and because of that, has forced the Tieflings deeper and deeper into the abyss regardless of how they felt about it. As a chimera, he's more snake than the tiefling his soul has been mixed with.

Other groups:

Huan Hua's guild (the governor's guild): The one guild financed by the governor of the state in which the abyss is located. Its members are from various races. Despite the guild stating they're open to anyone, only those from a wealthy background can become a part of it.

Zhao Hua's guild: Specialized in magic. They have rounds to reanimate unlucky adventurers in the abyss.

Tian Yi's guild: Specialized in training new adventurers.

And that's it for now! What awaits them in the abyss? Many adventures and delicious cooking, that is, if Luo Binghe can handle it.

"Freed from the abyss at long last... Forced to cook the monsters with seasoning this time. I've been cursed there's no other way to explain it... Damn it, it's good though, I really am a great cook."

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[sausage-rolll]

I love when pokemon games use a character’s team to tell us more about them.

Take Ghetsis from black and white 2 for example. Did you know that his Hydreigon can use the move frustration at maximum power? frustration is a move that gets more powerful the more a pokemon dislikes their trainer, which means that Ghetsis’ Hydreigon literally hates him.

Did you know that his Hydreigon is also a whole ten levels below when the pokemon would normally evolve? While this isn’t uncommon for NPC’s in pokemon games, you could make the argument that this specific instance of it suggests that Ghetsis somehow forced his pokemon to evolve earlier than it ever would have naturally, which isn’t exactly out of character for him.

I’m not even done with Ghetsis and his affront towards nature yet lmao. Did you also know that his Hydreigon is specifically designed to counter N’s team? Y’know, his own foster son.

It has dragon pulse for his legendary

Fire blast for his Vanillux and Klingklang

And focus blast for Carracosta, Zoroark and Archeops

He also has a Cofagrigus who can nullify the legendary’s ability with his mummy ability.

It’s very likely that no matter the outcome of N’s battle with us, Ghetsis was always going to turn on his son to take the dragon for himself. And looking at his team I could believe he would succeed.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 

Let's look at a slightly more recent example.

In pokemon sword and shield, chairman Rose actually does some preparations before waking up Eternatus, specifically it seems that he did some research into Eternatus’ typing (Poison/Dragon) and designed his team to counter it. He brought a full team of steel types to fight it, which are not only immune to poison but also heavily resist dragon as well. With everything he knew, it really was one of the smartest choices he could have made.

But if he was so prepared then how did Eternatus wipe the floor with him so quickly? Surely he could have easily defeated the legendary and capture it himself right? 

Well there was one thing Rose didn’t take into account when designing his team. One thing he couldn’t have possibly known, even with his extensive research into the creature.

Eternatus knows flame thrower.

He brought nothing but steel types.

He never stood a chance.

[mariana-oconnor]

Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

[ozzgin]

Yandere School Q&A

I've gotten some related asks and thought I'd put them in a cleaner format, so I don't spawn another round of screenshots from my inbox.

Ohhh how would yan school react if y/n got hurt somehow?? Also quick question is her parents also platonic yans for them? Thanks!! - Anonymous

It only makes sense that the staff of the school is yandere material, too. The students may rush to help and insist they've got it under control, but the school nurse will be quick to act. It's the chance of a lifetime, having you to himself, and for longer than the usual standard checkup. The curtains are pulled, and the "do not disturb" sign is flipped. Your injuries are not to be taken lightly. You'll need to spend all day under his supervision.

The parents and all relatives are indeed platonic yanderes! I thought it'd be a nice touch since I've never approached the trope before.

YAYAYAYYAYYAYAYAYAYAYAYAA MORE YANDERE SCHOOLLLLLL You’re amazing!!!!! (I had to ask to make sure I used the right your/you’re) also is the darling yandere gonna keep sabotaging y/n? - @femboybasil

The tying up incident was actually an exception to what I originally planned, haha. For most of the competitions, darling yandere will guide (Y/N) and aid them for a flawless win. That's the comedy of it: he's indirectly doing the yandere part while trying to be discreet enough as to not alert the other yanderes. Additionally, (Y/N) helps him with the darling tasks. Though that part is very much expected by everyone from school. The Daring Academy teachers are probably observing the activities, baffled. "Who the hell is that student? What skill...what obliviousness. They should've applied to us."

If you’re comfortable with this concept, (since it’s a school-based series I don’t know if the reader and yanderes are minors are not, if they are then you don’t have to write this.) but obviously the students of the Yandere Academy are going to need to learn how to tie up their darlings once they’ve been captured. Would you mind writing a little blurb about it since Reader is the unofficially assigned darling stand-in for their classes? - Anonymous

This is the ask I used for the tying up idea in Part 3! To answer your worries, all of my stories involve 18+ characters! Just wanted to clear it up for anyone in doubt. The school/academy setup is more of a college/university kind of institution. I do love a good high school setup, but not for self insert romance.

I’d imagine that there’s a drama class at the yandere school to help the students learn how to act and seem innocent. What if they put on a musical or something like Phantom of the Opera (because of course it would be that) and reader got the role of Christine or the equivalent. Imagine all the yanderes fighting for the role of their love interests to get the excuse to kiss them, and other yanderes trying to sabotage them as tactfully as possible to keep the show going, but replace the leads to be alongside reader. Think that may be something cool to add/write about? No pressure of course! - Anonymous

You know the whole thing is going to turn into a ninja survival shitshow. They had hoped to never cast (Y/N) in any role, for everyone's safety. And for the most part, (Y/N) thankfully never showed any interest in the drama club.

The supervising teacher held (Y/N)'s application form with trembling hands. It seems their little club had finally run out of luck.

Worst part: the school can't even rely on the teachers. They're just as desperate to see their cute little (Y/N) perform on stage. "Maybe this job is too overwhelming for one person, sensei..." they'll smugly tell the original supervisor. "We could divide some tasks. Someone else could train (Y/N), for example..."

ok here me out, what if there is like a field trip or sports festival kind of thing where the Yandere and Darling academy meet up. Basically where a Yandere and a darling are made to pair up to go through the numerous activities (maybe ones that test their yandere/darling skills) so reader decides to pair up with clumsy Yandere ( who is in Darling academy) much to the displeasure of Yandere classmate. Maybe like a battle of the the Yanderes? - Anonymous

This was a little trippy to read, because it came right after part 3, haha. Which I feel is basically the same plot. Though it would be interesting to see how it'd play out if the stranger was Reader's best friend instead.

Reader excitedly approaches Clumsy!Yandere and asks him to work together, to the dismay of all other students. They're enraged. You can see it plainly: their hands tremble, their jaws are clenched, their eyes have a psychotic glint. Poor Clumsy!Yandere is in constant shivers, unaware of the death stares. You're cheerfully guiding him around, his hand in yours, happy to see your friend again.

[tunafruitt]

--> ||❝ The Creator has a.. LOVER?! ❞

SAGAU || Warnings: fluff, gender neutral reader, slight crack, reader gets called a test subject and is implied to be used as one [Dottore’s part] OOC w/ Dottore..? Idk I haven’t finished sumeru yet </3

[ The people of Teyvat find out their grace has been romantically involved with someone for a while now.. what do they think about it? ]

Character(s): DOTTORE, XIAO

-> [ DOTTORE ]

“The Doctor is the Creator’s suitor? As in… the Second of the Eleven Fatui Harbingers? Are you sure that’s him? You are? Oh.. is— Is Your Grace feeling okay? I don’t see why anyone would be willingly involved with the Fatui Harbingers. What?! No! I’m not saying that’s not okay. Your Grace can do whatever they want! Hmph..”

The people of Teyvat felt conflicted to say the least. They weren’t judging your ability to make choices! They really weren’t… they just thought that there were better choices out there for Their Grace!! Yeah, everyone knew you liked the harbingers even before you descended, but couldn’t you have chosen a less deranged harbinger? For example… uhm... none of them.

Dottore could really care less what everyone else thought of his relationship with you though. He got the full package! His lover was the All Mighty Creator, and now he has a new “test subject”! (he says it affectionately.) Dottore knows people hate him even more than before, but who’s the one with the Creator’s arms wrapped around them, head over heels? This benefits him in so many ways. Wether it be research, obtaining materials, or just being able to have something more to use against the rest of the harbingers.

No one would ever dare voice the opinions they have of him while you’re in the vicinity. They’ll listen to you talk about a “date” you had with Dottore, which was really just you and him in his lab…. and he’s using you to help with his research. Hearing this, the rest of the allogene’s eyes are twitching, their fists are clenched, they’re FURIOUS. Not at you! Never. They’re mad at Dottore. How dare he use you as a test subject?! (you volunteered) How dare he use you to try to make another god?! (you thought that sounded fun) How dare he be IN LOVE with the All Mighty Creator?! (you fell first.)

When the two of you are seen in public, the streets go QUIET. Dottore carries this eerie aura with him, everyone knows who he is. And adding to the fact he’s a harbinger, he is also now recognized as the Creator’s suitor. Everyone besides you feels the silence and the stares, including Dottore, but if his lover is happy does it really matter? <3

In conclusion, everyone hopes Dottore dies. It’s not that they don’t want to see you happy. In fact, the entirety of Teyvat is glad you’re experiencing love and joy, just not with HIM.

─ִ━━ ꯭  ───ׂ─ִ─  ͜͡✿͜͡  ─ִ──ׂ──  ꯭  ━━ִ─

You spend a lot of days in Dottore’s lab. Today was one of those days.

You were conversing with one of Dottore’s younger clones. The clones, while being segments of Dottore, have their own distinct personalities. The one thing they hold in common is the love they have for you.

You love talking to the clones and giving them breaks from whatever days-long tasks Dottore gives them, but you miss the Dottore who’s the last thing you see before you fall asleep and after you wake up. You haven’t seen him since yesterday! Is this really how your boyfriend treats his lover…. who also happens to be the Creator???

And so you decide to go look for him. Who would’ve guessed he was sitting where he always was; his desk. Once you’ve spotted him, as payback for leaving you alone, you decide to sneak up on him. You try your hardest to silence your steps as much as possible in this hollow and echoey office of his.

“I can hear you, Y/N.”

“No you can’t... C’mon Dottore! Cut me some slack. I haven’t seen you since yesterday… and you didn’t even come to say good morning to me today!”

“Good morning.”

“It’s 4:00 PM, love. Take a break. It’s not like I’ll die anytime soon… can I even die..? Uhm.. that’s besides the point. You can conduct your experiments on me and do you research later. Come entertain me, please?”

“Are you asking because I have a choice?”

Your silence gives him an answer. You pull him up from his chair by grabbing his hands and pull him into a hug. You lean in closer to peck his cheek. He leans into you and grabs you by the waist to pull you closer—

“Doctor, the segments have finished—“

“Oh.”

-> [ XIAO ]

“Oh! One of the adepti? THE VIGILANT YAKSHA?! S-sorry that caught me by surprise… So the Yaksha is dating the Creator, huh. His tales have been documented for millennia’s, yet he’s rarely seen in public… I guess even someone like that can’t help but fall for Our Grace.”

So that must be why you always cooked Almond Tofu… Well, since Xiao IS the Conqueror of Demons, I can see the people of Liyue being quite happy. Jealous? Yes. But who’s even more jealous? Mondstadt. Why couldn’t it be one of the Knights of Favonious or something? But they guess you’re happy and that’s enough… (Though it could’ve been with them.)

Xiao is seen a little more often with you now that it’s confirmed you two are dating. Not too often, but if you want to go try out a restaurant in the city of Liyue, he’ll never say no. He may not speak much, but according to rumors is Liyue… “his eyes are always on you, listening to anything and everything the Creator has to say. It’s clear he’s fallen completely in love!” (Said by Chef Mao, probably.)

Being Xiao’s partner may seem awkward from an outsiders perspective, but he’s surprisingly sweet! He still won’t talk much, but he’ll reply to any questions you have, no matter how stupid or obvious they are with full genuity. Him being the Conqueror of Demons and you being the Creator, you both live busy lives…. so his eyes literally light up when you two are both able to finally see each other after a long time. <3 (he’s head over heels guys help.)

The adepti would be so PROUD. They probably already knew you and Xiao had a little something going on even before it was announced because of the way Xiao seemed slightly more happy. This lead to then being suspicious and eventually seeing him and you together… doing the most intimate thing ever…..

…. HOLDING HANDS. UNDER THE MOONLIGHT. But they kept quiet so don’t worry!

─ִ━━ ꯭  ───ׂ─ִ─  ͜͡✿͜͡  ─ִ──ׂ──  ꯭  ━━ִ─

“Xiao! I found you.”

As per usual, Xiao was sitting on the roof of Wangshu Inn. Today was one of the days where both of you were busy. You had a meeting to attend, and he was doing his job as The Conqueror of Demons. It was night by the time you were able to see each other.

“You should’ve called my name, Your Grace. It would’ve been easier for me to find you.”

“Yeah but I like looking for you. I always know where you are since you’re in the same spots anyway. And besides, I like how Wangshu Inn looks at night!”

You always thought Xiao looked pretty, but he looked especially pretty under the moonlight. His face seemed to glow more than usual today. Maybe it was the warm colored light radiating from inside of Wangshu Inn, or the light reflected by the moon shining down on him. Maybe it was the fact he had missed you so much that seeing your face again brought him a feeling he hadn’t felt in a long time.

“Your Grace?”

“Oh, sorry Xiao, I lost my train of thought. Let’s go eat! I’m feeling hungry… today’s meeting was waaayy too long… C’mon, I’ll buy you something!”

“No need. I’ll be okay with just accompanying Your Grace.”

“Agh, stop calling me that. Y/N? Can you say Y/N? Please Xiao?”

“… Y-Y/N..”

“See? Not too hard right? Ok let’s go eat! I’ll make you Almond Tofu how you like it.”

FINALLY DONE OOHMYGODDD sorry this took so long. Idk what I should do next so feel free to request anything… ANYWAYS THE FIRST PART OF THIS GOT ALMOST 700 NOTES??? omg stop guys I’m giggling and blushing aughshsgghh. But seriously thank you so much I’m bawling

[popponn]

idk if you accept requests but i badly want to read the blue lock boys with the orange peel theory going around on tiktok 🥹

notes: anon, i was in a slump and then you come with this, please know i cant get it out of my mine for 2 whole nights. so, please have this, i hope u will enjoy it & your fave is there. also shoutout to @doobea for helping me with rin & barou esp <3 aso for standing my yappings. warning: none, post canon au in mind, reader's gender unspecified.

character: isagi, kaiser, bachira, chigiri, nagi, reo, rin, sae, barou + bonus

isagi

sweet boy will do it with a smile. is not the tidiest but you can now eat your orange while sharing with him. has a vibe that he is sort of used to doing this somehow. a total win still. if you do the same for him he will get flustered. also asking this is one of the quickest ways to get mr. egoist switches to mr. sweetheart boyfriend.

“Eh, why are peeling one too? I already… for me…?…I, uh—I see. Thanks… I—I am… give me a second.”

kaiser

you are the one who will peel for him—unless you throw a fuss and give him a silent treatment because this guy's pride is no joke. he can, he just doesn't want to. but to appease you and gain back his rightful spoiling, he will. afterward, at least, he learns his lesson and when you are about to peel one yourself, will take it and peel it beautifully for you like a second nature.

“…the fuck are you staring at? Just take it. You are about to eat it anyway, right? Then what's the big deal?”

bachira

yes, he will no question asked but is it worth it. probably will make a mess out of his energy. you will be laughing along with him somehow though so it is worth it. having the sunshine doing anything in front of you is a guaranteed smile-inducing routine. as for the orange, please do switch to other alternatives, for example: kisses, as suggested by him.

“Isn't this better than orange? Huum, huum! More healthy, sweeter too, right? Another one?”

chigiri

depending on his mood, you will either get a very cute orange peel or a half-peeled orange (at best) you have to finish peeling yourself. on the former, you get a smug bf who will feed you like it's a pocky stick. on the latter, you better be the one feeding him while hugging and cuddling him. multitask somehow. also, give him kisses because he is called a ‘princess’ for a reason.

“Ah, being in your arms being fed like this… yeah, yeah. I know don't worry. I will repay the favor.”

nagi

realistically, you will be the one peeling it for him and forcing him to eat one. because why would he even touch one? he is too lazy for that, nothing personal. but, let's say he really, really loves you: he still won't, he will just give you orange-flavored jelly in replacement. it does come from a place of love though, he genuinely thinks it's less troublesome to eat and, hence: better.

“Eating that is troublesome. It taste the same too. We can also do it while kissing. Mouth to mouth. Better right?”

reo

normally, will get a servant to peel it for you and him. though: can he do it? will he do it if it must be him? no question asked, absolutely will, all while chatting and staring at you with so much love. totally mr. k-drama male lead. you and your premium orange are in good hands.

“Oh, man, you are sometimes really …huh? Nah, I mean, I like doing this. It's just now I feel like I have to do this every time, so… yeah.”

rin

the first time, he will click his tongue and mess up. he will crush the orange. better never speak of it again, just know he loves you wholly despite everything. then a week passes and suddenly you will get a professional competitive orange peeler part-timer. without asking. just eat your orange. unless you are sick of it or it makes you actually sick.

“Did the orange taste good? … good. Nothing. You just look… nevermind. Do you want another one?”

sae

will he or will you. realistically, no? there are two possible reasons: 1) he can't. his whole stat is in soccer. 2) “you can't?” aka is it worth it getting judged by him. in case #2 though, just act cute and aim for his soft spot for you, he will fold and peel it with you pressed to his arm. he will grumble or glare but that's just itoshi-esque tsundere.

“You can't do something like this yourself? This will be the only time I’m doing this… Also who told you to move away?”

barou

our king. will peel the skin and the white fiber for you. tidy peels and if you know your way around his heart—you do just smile or blink and he is gone—he will also feed you. 10/10 execution no notes. probably will do this in kotatsu, dinner tables, and other domestic settings that are not bed while being a tsundere.

“I’m doing this just so you don't make a mess, got it? Also, scoot closer, your leg is kicking me—what do you mean I’m lying?!”

bonus

kunigami will, both before and after wc because you are his world. the difference would be in his expression only and there is that because his love for you would never change. shidou will but genuinely, please just peel it yourself. aiku will, not without teasing you though. gagamaru will either will or teach you how to eat the skin too. zantetsu wants to do it, but it will be really messy so please just don't. hiori will do it like a sweet boy, but if he is in his sadistic mood he will tease you for a bit before finally feeding you.

[elucubrare]

What are your biggest turn-offs when reading/watching historical fiction or retellings of myths?

this is really complicated - i can put it in two boxes, both of which are packed very full.

disconnection from the material reality of the past

when characters display a very specifically modern mindset (about social issues especially, but other stuff too)

(I also get bothered by some kinds of modern language - I don't mind it when, idk, an author uses "sensible" with the modern connotation of "practical" and not the 18th century "emotional" or "empathetic", but "yeah" or "okay," or even, as i found out when someone used it in medieval fantasy, "holy shit" will get on my nerves.)

there are modern things where (made up example!) a character who's supposed to be a cook will talk about making caprese salad for a fancy restaurant in December, and someone snarking on the book will say "yeah, right, they should know better than to make something that depends on a fresh summer vegetable!" and even with greenhouses, that's pretty fair. and that's even more extreme in the past. it's 1650 in Verona, it's December, you cannot obtain fresh tomatoes. i don't think this means that people in the past were, necessarily, more emotionally or spiritually in tune with the cycle of the year, or the labor it took to get clothes, or furniture, or any other material item, and of course wealth can insulate people from some of that difficulty, but it does mean that the seasons had more direct impact on people's lives. It's possible to, for example, buy clothes ready-made, but for anything fancy, it's more likely that it'll be made to fit if it's new, or altered extensively and painstakingly if it's not. that means that tearing or staining a fancy dress isn't just an issue of looking bad - you can't just replace it, and you probably won't throw it out - you figure out how to reuse it. those concerns of access to material goods are just a lot closer to the surface of the world than they often are now.

my objections to modern attitudes about the world are not that people in the past 100% accepted the views of their contemporaries - there were always people who didn't, and it makes sense that a protagonist would be one of them. but people wouldn't phrase those objections in the same way that modern people would - say your main character doesn't want a woman accused of being a witch burned. "God's power is such that the Devil cannot give this woman the ability to sour milk" is most likely going to be more persuasive to the crowd than "witches aren't real." and sometimes that's rough - it's not super fun to read about a Roman with Roman attitudes about provincial wars, or slavery in the city, but I put something down because a Roman character said (in internal dialogue) that he was disgusted to see that a man had been tortured because "Romans simply didn't do that." Historical Romans did do that, routinely - a slave could not testify in a law court unless they had been tortured. Even with distasteful things like that, I'd much rather it just be glossed over than to have them say the "correct" modern thing. It just makes it feel too much like the theme park version of the culture.

Both of these are because of specific things I come to historical fiction for - I want that sense of alienation, the gulf of experience. I hate that most historical fiction (and fantasy set in semi-recognizable periods) characters don't really care about Honor, except as a joke, because I love when characters organize their lives around arcane rules and systems that cause tiny things to escalate into blood feud. I just think they're neat! I like it when people's worldviews are shaped by their lack of scientific certainty about what causes crops to fail! If I wanted to read about people who thought and acted like me, and had lives that were mostly similar to mine, only cooler, I'd just read contemporary fiction.

[natalyarose]

𝒥𝓊𝓅𝒾𝓉𝑒𝓇 𝒩𝒶𝓀𝓈𝒽𝒶𝓉𝓇𝒶𝓈 & 𝒢𝑒𝓃𝒾𝑒𝓈 🧞✨💐✩

I've always thought Jupiter ruled Nakshatras (Punarvasu, Vishakha, & Purvabhadprada) to be veryy magical with their themes of limitlessness, expansion, sheer spiritual abundance & power. I'm not sure if it has been talked about before, but something that always comes to mind when I envision Jupiterian Nakshatras or meet heavily Jupiter influenced people, is the concept of genies.

Jupiter's abundance and endlessly giving nature is known to be a blessing and a curse. A Jupiterian can be the sweet, generous, selfless friend who is there when you need them; providing you endless support, refuge & material generosity.

The dark side of this inherently generous 'wish-fulfilling' nature of Jupiter Nakshatras, is the possibility that they enable dark behaviours in others & themselves. Always saying yes, always being available and endlessly giving to the wrong type of cause or person, can make you complicit in the crime so to speak, even if the intention is simply to give, or give chances (Punarvasu's themes of second chances, 'return to the light'). Jupiter Nakshatras entail hugeee lessons regarding purpose (Vishakha, 'the Star of Purpose') & being intentional and wise as to how you use your power and influence (the infamous test of character in Purvabhadrapada 'the man with two faces').

These Jupiterian themes have always made me think of genies- wish fulfilling creatures who are inherently unable to say no to the wishes uttered to them. Having to just sit and watch people wish for dreadful things and just go... 'as you wish'. Obviously in real life, there really is a choice not to feed into others' and ones own toxic patterns but with Jupiterians, the urge to give, to be constantly available to others, can almost feel like it's not a choice. It's energetically intertwined in their make-up.

I would love to gather more examples, but it's 3am here and this was a bit of a spur of the moment thing I had to get out haha- I looked into a few of the most prominent 'genie' roles in movies and as I suspected, every single one features an actor/actress with strong Jupiter influence.

Jeannie from 60s sitcom 'I dream of Jeannie' - actress, Barbara Eden has Punarvasu Ascendant

Kazaam from 90s comedic film 'Kazaam' - actor/basketball player Shaquille O'Neal has Purvabhadrapada Sun

Genie from Disney's Aladdin - played in the live action movie by Will Smith, Vishakha Moon.

This genie theme really makes me think of all of the Jupiterian Nakshatras, but Vishakha especially. A friend of mine who is a Vishakha stellium always tells me about how it is said that Vishakha has the ability to generate 'instant karma'. So Vishakha natives to an extent greater than other Nakshatras will receive the raw manifested result of their thoughts/actions veryy quickly. Much like a genie granting instant wishes.

I was going to mention also that the whole genie archetype also reminds me of Rohini a bit- the wish-fulfilling aspect, the element of fulfilling desires without shame/inhibition. It's a little different in nature, but Rohini Nakshatra's got a similar theme where the native is incredibly nurturing of who or what sets their heart on fire, sometimes to a fault. Rohini is capable of immense growth but can forgo morality/practicality for the sake of immersion in the process of creation & sparking joy. Rohini's philosophy is something along the lines of 'let go of judgement because judgement inhibits creation and disrupts purity'. This is very true, but of course as humans on the divided and dense Earthly plane, we know that having a sense of judgement & boundaries is also important.

That was very wordy, but hopefully y'all see what I'm getting at lol. Although I'm more inclined to associate Rohini with wise old wizard dudes with cool beards & mad but genius scientists lol.

Back to Jupiterians-

I believe that Jupiter Nakshatra's 'remedy' is to eventually realise that they are not a slave to their giving nature, and the power lies in them to decide, & give only to a person, dream, goal or cause that truly is aligned with their own soul's path. Break free from the shackles lol- with wisdom hopefully. Without that element of wisdom, Jupiter can run wild with that discovered power.

Jupiterians struggling with discernment is why Jupiter Nakshatras oppose Venusian Nakshatras (Bharani opposes Vishakha; Purvaphalguni opposes Purvabhadrapada; Purvashadha opposes Punarvasu). Venus masters the fine art of 'necessary cruelty' sometimes ya gotta rip out the weeds, warn off the pigeons and trim the rose bush to make your garden a beautiful, pleasant, luxurious place. Jupiter can struggle with this, instinctively wanting to be a safe space for everyone and everything.

Jupiter ruled Nakshatras also partially oppose Solar Nakshatras (Krittika, Uttaraphalguni & Uttarashadha) illustrating the Jupiterian struggle with putting oneself first. Solar Nakshatras keep their energy strong and vibrantly resounding at their core; wheras Jupiter Nakshatras are kinda messy with their energy (lol, not necessarily in a bad way)- they disperse their energy everywhere, giving & giving. Both Solar & Jupiter Nakshatras deal with themes of limitless reserves energy, but in opposite, contrasting ways.

There's so much I could write about Jupiterians, I love Jupiter energy very much. I really love all of the Nakshatras lol, I mean how could you not? Every Nakshatra holds teachings that are integral to making the world a better place 💕🪷

Thankyou for reading!