#please don't be upset
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purple-babygirl Ā· 7 months ago
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Your orc!bucky got me thinking what if pregnant reader being clingy to orc!Bucky like she would whine whenever Bucky left the bed in the morning to prepare to go to work but when heā€™s almost out of the door she would cry because of the hormones and Bucky will be torn between choosing to go to work or stay home w his wife like AAAAHHHH YOU NEED TO WRITE SMTHNG LIKE THIS (if you canā€™t itā€™s fine I just canā€™t stop thinking it and I thought itā€™ll be funny imagining orc!Bucky being clueless about readerā€™ mood-swings poor orc he doesnā€™t know what he gets himself into
Or like at night Bucky would find the readerā€™ side of the bed is empty to just realized that reader is in the kitchen making some weird foods cause she craves smthng so unusual
Also yes I do muaythai altho Iā€™m not that good I pretend I am Natasha kicking peopleā€™s ass or that Bucky is training me AHAHAHAH IM SO DELULU I NEED TO TOUCH GRASS
Anyway have a great day love šŸ«¶šŸ»
~šŸ³
I never wanna disappoint you, but I'm not really comfortable with writing pregnancy or pregnant readers... I think I would just end it at Bucky getting the news but I won't be able to go into the details of it or anything like that. Your ideas are very nice tho, it's really just me who's a little messed upšŸ˜‚
Nonnie, you're so freaking cool! You could be any Natasha if you want to, baby! Hell, you can be anyone you wanna be! Also, hot thot hehešŸ’œšŸ’œ (Can anyone ever survive if they're not delulu? You do you, my love!)
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muirmarie Ā· 3 months ago
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jim being canonically the shortest one of the triumvirate is genuinely so important to me lmao, like yesssssss, let that beefy babe be shorter than both his boyfriends!!!!
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teaboot Ā· 4 months ago
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if ur a murderbot nerd now do u have any fun opinions abt it yet?
Oh my goddd you have no idea
I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.
A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.
To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.
While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats
Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.
I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-Ā  out of my programming and replaced it with something else.
Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.
People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure
Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?
It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?
I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?
Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?
Yeah, that resonates.
I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened
And now I have to just. Keep going
Into... what?
It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.
So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.
So, uh. Yeah. Read Murderbot, I guess
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spielzeugkaiser Ā· 2 months ago
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Day 6: Geralt + ocean Favourite 90's Anime
I switched the prompts around again today! The 90's anime prompt tickled my brain since I saw it, because while I didn't see it in the 90's, my favourite anime of that time period is Berserk, and doesn't Berserk live rentfree in my brain to this day-
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brsb4hls Ā· 1 year ago
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Ok, but if you wanna circle that Siken quote around, maybe post the whole thing?
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The second part is the important one.
Also, for those who still can't seperate fiction from reality and are obvi already pestering him, because he dared to name that ship:
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phlopdog Ā· 1 year ago
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has someone done this yet
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genericpuff Ā· 4 months ago
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youtube
"No TV coverage for my third win? :((("
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arttsuka Ā· 3 months ago
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I LOVE Teen Stan and Ford, itā€™s sad they donā€™t get drawn enough, so thank you so much!
Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?
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Here's the other post with Ford
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whatsitzface Ā· 1 year ago
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Fuck every percy jackson "fan" who is still complaining about percy & annabeths HAIR COLOURS being different then in the books. I hope Nico is blonde so that all of you cry and scream like fucking toddlers
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lacryem Ā· 8 months ago
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ā€” A surprisingly long and in depth look about symbolism in the recent G-Fantasy cover by Yana Toboso āœ¦
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Including references, flower language, how to decode the meaning of flowers, and a little too much brainrot. As well my personal interpretation drawn from all the sources I looked at. And of course what all of means (and maybe hints at?) for Sebastian and Cielā€¦ and maybe even Sebaciel?Ā 
Originally posted as a twitter thread, but threads suck and I forgot a couple things. so here now.
Disclaimer :
I donā€™t know FOR SURE that all these things were directly referenced by Yana when creating this art. But being a fan of her work for over a decade I've become familiar with her use of symbolism and reference, and believe myself to have a good eye for it at this point!Ā  Ā I'm also pretty familiar with the use of flower language, including different languages, due to having been involved in a project about it and having to read wayyy too much about this.Ā 
Some of it also includes my own personal interpretation, but the meanings and info I based myself off of ARE factual. I think I made it pretty clear when referencing my personal interpretation. You're welcome to reach your own interpretation based off of the stuff provided!
And lastly, I'm not a sebaciel shipper. I'm not an anti (the complete opposite, actually) and have nothing against the ship, I like the narrative around them and how they're written but I donā€™t actively ship them romantically or sexually. So I'd say this is actually a pretty unbiased interpretation. Personal taste is one thing, but I donā€™t deny the author's intention and whats written in front of me! That is what this post is about.
Kuroshitsuji takes place in the Victorian period (1837~1901) in 1889.
The following are both important Victorian books on the language of flowers that I will be basing myself off of.
Language of Flowers by Greenaway Kate (1884), and The Language of flowers: An Alphabet of Floral Emblems (1857).
(Also, Iā€™m treating Cielā€™s rose as a deep red rose. Which is a bit different than red roses. But I am adding some relevant information about roses in general, anyway.
Now, on what they say about these flowers.
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Deep rose, meaning "bashful shame". White lily, meaning "Purity and sweetness."
ā€” The White Lily
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Most people assume that the lily refers to Ciel's purity, and thatā€™s a fair assumption. But I disagree.Ā 
Firstly, the one holding the lily is Sebastian. Holding it on his right hand, tilted towards the right. However what's relevant here is the VIEWER. From the viewer's POV he's holding it to the left. Note he also holds the scissors on his left hand, where he bears HIS contract seal.
How you hold a flower, what position you give it to someone in, changes the meaning of the flower. These context clues are very important. It tells us that 'purity and sweetness' doesnā€™t refer to Ciel, but actually refers to Sebastian (ā€¦sorta).
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This may be a little confusing. Purity and sweetness, Sebastian?! I know, I know. bear with me.
These books provide poems to help us understand how you may interpret the intended meaning. The lily poem is about enduring trials out of love because of the purity and sweetness he sees in his lover's eyes and soul. I believe Yana directly references the poems I will include in this post in her new artwork.
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ā€” My Interpretation
the meaning of Sebastian's lily is:
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"I do all out of love for the sweetness and purity within you."
Him holding it to the contact seal and cutting the flower could stand for him destroying this sentiment (affection within himself) that has arisen in him as a result of their contract by destroying the sweetness and purityā€”the source of itā€”within Ciel (consuming his soul).
Note: This is debatable, as 'reversed' almost always means upside down. But if you consider the lily facing away from the viewer as reversed then it could mean "impurity and bitterness" which fits pretty well with Ciel, and it being held against the contract seal which is a physical representation of his impurity, brought on by his bitterness.
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ā€” The Deep Red Rose
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There something I find very interesting. The rose is in a teacup, standing in for tea (I think there's even tea alongside it in the cup.) From Yana herself we know that Sebastian's eyes are a reference to the reddish brown colour of tea.
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Like I said, I believe this rose to be a deep red rose, which is a bit more specific than the meaning given to red roses. However I think the poem included for roses in general very much applies here.
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I was going to add my thoughts but I found this interpretation that sums it up pretty well if you replace the carpe diem theme with a more "running out of time" or "impending death" theme, which seems to be a more accurate reading for this artwork.
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Looking at the rose itself, it has no thorns or leaves.
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It is not a youthful rose as its already fully open and losing petals. "No hope, and no fear" fits with the poem, the rose is basically an hourglass referring to Ciel. His fate is unavoidable, but this isn't a deterrent. He's dancing on the ledge.
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The deep red rose means 'bashful shame'.
When you compare it to the lily, which is a direct proclamation, the deep red rose is a quiet confession one cannot verbalize.
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Debatable, to be fair but given the tie in to Sebastian's eye colour and the fact that he is always the one pouring tea for Ciel, I believe the Sebastian to be the speaker here too, but this time speaking on Ciel's feelings (Hence why he's the one holding it) rather than Sebastian's own.Ā 
ā€” My Interpretation
The meaning of the deep red rose Ciel holds, speaking about Ciel's feelings of guardedness, and in response saying:
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"Abandon your bashful shame, and let yourself be admired without expectations (hope) or fear"
Sebastian speaks about Ciel's feelings, the deep red rose acknowledges his feelings but they remain unspoken.
The Waller poem is a plead for his beloved to seize the day, for time is short, and allow herself to be loved completely.Ā 
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Her beauty is one to be appreciated, she is not meant to be a rose unacknowledged (unloved) in the desert.
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Regarding 'expectations', I think this is more about rigid ideas of how 'appreciation' or 'admiration, might be shown or received. Sebastian and Ciel's relationship defies normality or 'expectations'. So this, too, would defy expectations a young boy like Ciel, or a traumatised boy like Ciel, may have.
From Yana herself, we know Sebastian's dedication and how highly he holds 'beauty', specifically Ciel's beauty.
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The author of the poem proclaims that beauty not appreciated is not beautiful indeeed, and so he calls his beloved to come to him and be appreciated wholly during the invaluable, limited time they have.
We see the deep red rose's petals fall away, in my opinion not only symbolising the withering away of time, but also the crumbling away of this "bashful shame" that Sebastian ascribes to Ciel.
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How Sebastian wishes to "appreciate" this beauty is debatable. How he wants to "admire" and "desire" (per the poem) Ciel is rather open ended. Wether it be in a romantic way, a sexual way or by consuming his soul.
However, I donā€™t think these are mutually exclusive. And consuming Ciel can easily be a metaphor for the former two.Ā 
ā€” The Lily and The Rose
The Greeneaway book has this poem which im sure was directly referenced. This poem speaks about the lily and the rose in a direct power struggle and fight for dominance, until they eventually unite and reign as one.
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Now when speaking about this "union", you could say it refers to their contract, but I donā€™t think so.
The contract ties them to each other, but it doesnā€™t necessarily unite them. So I believe 'unity' to be about the appreciation Sebastian speaks of Ciel opening up to.Ā 
"The Lily" and "The Rose" might be interpreted as directly representing Sebastian and Ciel, and the unity that would come from them joining and becoming a truly complimentary pair. I think a power struggle and fight for being the one in control is very accurate way to describe their current dynamic in canon.
It may also be interpreted as "The Lily" and "The Rose" as being representations of their feelings and ideals previously. And then it would represent these two conflicting expressionsā€”a loudĀ Ā unrelenting and destructive devotion, and a guarded, bashful, unspoken reluctanceā€” coming together and turning from conflicting to complimentary.Ā 
Or as it tends to be with these things, both!
Either way all of this is expressed under the sense of impending doom created by their circumstances and the contract. So there's a sense of urgency permeating all of it.
Also clear to me is a sense of internal conflictedness coming from Sebastian's message that is usually only hinted at like this, and some people end up overlooking.
Sebastian desires Ciel deeply, but having him would also mean not being able to have him anymore.
Sebastian is torn and thatā€™s why he attempts to cut the root of his wavering feelings represented by the lily.Ā 
All of this makes me wonder about what's next, and if we will see these things said more blatantly. Foreshadowing with flower language and references like this, isn't exactly rare for Yana. I wonder if we will see this 'unity' come to be, and what necessary development Sebastian and Ciel will need to undergo to make it possible. As well as what shape it will take.
I also wonder very much about Ciel's perspective in all of this, as this was almost entirely from Sebastian's POV, but I think that's intentional. Ciel has his own goals and a lot on his mind. Sebastian's goal IS Ciel. So I assume he spends a lot more time thinking about Ciel and this kind of thing.
Thank you if you read the whole way through. Like I said before, even though the sources defending it are, my interpretation is not law and you're welcome to reach your own with the things presented.
Links for sources, including free public domain PDFs of the books mentioned are found at the end of my twitter thread.
ā€” Thanks for reading! ā€”
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deadboyswalking Ā· 5 months ago
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no hold on i can't be normal about this
Zoro trusts Sanji so much. He trusted Sanji to take care of half of the crew when they were separated, and he trusted Sanji to be waiting for him when the crew reunited. They were only separated for 11 days, and yet when Zoro gets to Zou, Sanji is all he can talk about.
And then Sanji is gone. He's gone, and he left to get married, and he broke the trust that Zoro had in him to be the crew's other protector, and Zoro loves him so much and missed him so much, and Zoro doesn't know if he'll ever see him again.
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slingbats Ā· 6 months ago
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šŸ³ļøā€šŸŒˆ based on several old photos of gerard way
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limonnitsa Ā· 2 months ago
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5 X 5 MCs challenge
this is my very belate continuation of 6 MC challenge, but this time I drew 10!
@libellule-ao3 - Evelyne & @the-ozzie - Millie
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@silvyadrakkon - Lyssa & @siboom777 - Sally
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@phinik - Ruth & @catohphm - Danny
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@diana-bluewolf - Chris & @endeavour12345 - Philip
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@a-usernamelol - Allan & @rypnami - Phillip
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All of your MCs was so cool to draw, I loved the process so much!
P.S. please don't hesitate to correct me if I made some mistake
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numberoneredriotfan Ā· 3 months ago
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Rody and Deku talking on the phone every other night after world heroes mission, Rody venting about different problems at his new job and then getting low-key upset when Deku tries to give him logical solutions to these problems.
Like- "nooo, I don't want a solution, I just want to complain!!"
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arthurtaylorlester Ā· 10 months ago
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controversial i know but yes, malevolent is a queer story.
no, jarthur are not /r gay.
yes, malevolent is unintentionally queer.
no, this does not take away from the queerness actual queer people have found in it.
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morrigan-sims Ā· 8 months ago
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And I forget sometimes I'm just flesh and bone.
As he stands in the ruined bathroom, all Rook can think is, At least now I can breathe.
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