#please believe me when i tell you

[the1trueanon]

woe, poly be upon ye, holy poly >:D shenanigans and bullshittery (and undying love) this image sums up these four's whole relationship

Blue Prinxe -- @ari-fire-arts

[poorly-drawn-mdzs]

Laios's three Boy Best Friends. And yes, they hate him.

[nhura]

What's up guys I'm going to be a panelist at RATIOCON 2024 giving an improvised presentation on how silly and weird this guy is

[elsecrytt]

masochist gojo. gojo who's in love with pain, so much that it feels like pleasure, he can barely distinguish between the two anymore.

gojo who's so starved for touch. who's had an infinite space between himself and the whole world for so long, for so many years, every day in and day out.

gojo who's survived off glancing presses when a barista hands him a coffee, the rare hug from his students (who are mostly orphans) that he can't bring himself to decline.

gojo who craves more but can't bring himself to accept it except in fleeting moments with strangers or students.

his hands that long to be held. he wants it so bad that he teases a cursed spirit, laces his fingers with its own, right before he utterly crushes the being in battle, untouchable all over again.

gojo whose skin is hungry for someone else's. he hasn't felt the warmth of a hand in his own in so long. not since - since his youth.

gojo who sometimes wishes he could get hit. who sees the impact of curse techniques on his infinity and feels a wild, strange desire for them to go straight through and strike him.

he imagines it, vividly, being impaled by a long spear (inverted spear) that goes straight through him. how it would lance his flesh so cleanly.

being struck so hard, across the face, in the stomach, enough to knock the wind out of him.

enough to feel it with his whole body.

gojo who wants to be touched so bad he doesn't even care if it hurts anymore. infinity couldn't protect him from geto's betrayal.

gojo who keeps infinity up not because he doesn't want to get hit, but because he's terrified of what he might do when it happens.

gojo who got hard whenever geto sparred with him. he still doesn't know if it was because of geto, or because he had no infinity back then, no way to block the strikes.

he dreams of his youth. bruises littering his pale, pretty form like kisses, proof that he was human, there, that there was someone who could reach him.

dark purple things that turned pretty colors as they healed. he remembers pressing into them, relishing the hurt, feeling like he was getting hit (touched, reached, connected) all over again.

nothing ever touches him again. not like that. not like anything.

he never feels it. he never feels anything.

satoru gojo who wants, so very very badly, to feel something.

pain is a choice for him, always a choice. he alone has the privilege of deciding whether or not anything can touch him.

he could try to let more strangers touch him. one night stands, discreet arrangements. he had a pretty face and a body to match. there was no shortage of willing partners.

he lets them touch him, lets them hurt him. lets them drool over his body and use it at their leisure. they tell him he's beautiful, and he believes them.

white hair, blue eyes, sprawled out with a lean, unmarred body full of bare flesh for them to bite and scratch and bruise. he finds people who will do it, do it hard, fuck him up until he's lost entirely in the feeling of being touched, having someone against him, with him, above him.

it makes him feel like a piece of meat. it makes him feel good.

or he thinks it does, anyways.

sometimes, when he's gone particularly long without sleep, when his partner has gone particularly hard, he gets a real rush.

heart racing out of his chest. a cold sweat that overwhelms him. breaths coming in labored gasps. he can heal himself, he's physically fine, so this must all be in his head.

he acknowledges that information, distantly, like it's not happening to him. it doesn't help.

it feels like part of his body has been ripped away from him, something vital and important, and it's about to get up and run away.

always, always, it happens when his partner is no longer touching him. when he lays alone in the sheets, by his own volition, because of course these partners are not meant to be attachments.

love is not a privilege, though, not for the strongest sorcerer. it's a curse.

it's the only curse which infinity cannot protect him from.

so gojo stays untouchable. distant.

but the hunger doesn't go away. never.

he likes to imagine that suguru swallowed this one last curse before he died. something sweet and bitter, like losses at the arcade, sunny days at the beach, walking together with shoko, nanami, haibara.

but even suguru couldn't have absorbed this curse. it's in his bones, deep, longing and wanting even after he's dead and gone.

gojo is hungry. he is so, so hungry. and he has nothing to eat that will not leave him just as empty as before.

touch-starved. love-starved. pain-craving.

if someone could hurt him then it wouldn't matter that he was terrified of attachment. they could latch onto him, into his heart, under his skin. bury themselves in his chest like they belonged.

they could kill a hundred and twelve people and it wouldn't matter, because he wouldn't be able to kill them.

gojo is hungry, so hungry.

please feed him.

[trappedinafantasy37]

Since Minthara presents an exterior shell made of steel, and she's sometimes mean, and is an absolute badass in battle, she is often treated and perceived as someone who feels no emotions. And this often occurs to individuals who do put on such a tough exterior. It also does not help that many people perceive evil characters as incapable of doing or feeling anything other than evil. That love and evil are innately incompatible.

But Minthara is not emotionless, she does feel things. Sadness, grief, fear, loneliness, anger, anxiety, paranoia, vengeance, love. She can laugh, she can tell jokes, she can cry, she can smile, and she does get upset at things. If anything, she is emotionally repressed and emotionally guarded and the times where she does really express her more negative and vulnerable emotions is when it becomes too much to hold back and it comes out a little over the top. We have to remember she comes from a society in which such outward emotional expression would be rewarded with social punishment, religious scorn, or even death. So she really doesn't have the healthiest mechanisms to express her emotions.

She hides what she feels all the time as a means of keeping herself safe from punishment. She keeps it to herself cause she does not want you to see her as weak, as she would have been in the past. And she certainly does not want you or anyone else to punish her for it either. She hides behind little pet names and even using words from languages she knows you don't understand as that is the only way she feels safe being vulnerable with you. In her past, her love was rewarded with new wounds and new scars. She is terrified to open up to you, fearing that you will hurt her because she loves you. That her love for you won't actually be enough to stop you from hurting her. And she will only ever admit she loves you in contexts that have a high risk of death because there's really not much for her to lose at that point so she may as well tell you.

She also has a habit of intellectualizing what she feels and experiences so that they appear as "rational" and "logical" rather than emotional and to distance herself from her emotions. She says it takes a sharp mind to have sympathy for someone who suffers unnecessarily. She is trying to make it appear that emotions like sympathy is a matter of the mind, not the heart. That it is a mark of intelligence, because otherwise it would be the mark of weakness.

She blames herself for her own torments, like she deserved the awful things that happened to her. She frames the situation like she is more at fault and more deserving of blame, than the people who hurt her. It is the only way she can find any reason in what happened to her and any reason in her tormentors actions. That she did something wrong and induced someone's wrath upon her, rather than acknowledging that the person who hurt her is just a bad person.

She deserved what Ketheric and Orin did to her because she was "weak, passive, proud". That her emotional state had blinded her from the trap that was set, giving Ketheric and Orin ample opportunity to attack her. That if she hadn't felt those exact emotions, then it wouldn't have happened. She could have seen the trap coming, or she could have fought back.

Or if you attempt to tell her that her childhood was rough and her mother abused her, she immediately deflects by saying, "it could have been worse" and therefore, what she did actually experience wasn't really that bad. And yeah, sure, maybe she needed certain lessons given that she lived in a cruel and dangerous society like Menzoberranzan where she had to be prepared for violence at all times. But trauma is not born of love, it is born of fear, of pain, of agony, and her mother still tried to kill her. Regardless of her mother's intent, it was the first broken bond of trust and it left a mark on Minthara. Where she began to believe that her mother would torment her for torments sake, and she had doubts on whether or not her mother actually loved her.

When you encounter the first Orin imposter, it's pretty damn obvious she is terrified. And you kinda gotta squeeze it out of her to admit that she's afraid. Where it's "I'm afraid of Orin because she is capable of this, this, and this, and you should be too" rather than "I am afraid of Orin because she hurt me." And she begs you, BEGS, to keep her safe because she knows her fear makes her vulnerable to Orin.

She doesn't even truly acknowledge that she wasn't at fault for what Orin did to her until Orin is dead. She doesn't start putting the blame on Orin until Orin is dead. She doesn't go through the emotional process of sympathizing with herself until Orin is dead. And she doesn't admit that she undoubtedly has trauma, until Orin is dead. She gets so wrapped up, and so lost in her own fear and paranoia that she never has the room to properly process the things that happen to her. That her primary concern right now is keeping you, the others, and herself safe and her emotions can wait because wallowing in them will only make her weak. Only does the distance of death give her the room to start healing. Only problem is that there have always been threats and they never end, they never stop. So it is rare for Minthara to ever have a moment of peace and safety to work through what she feels and they just get backed up. Ignoring your problems does not make them go away.

So you wanna know what will happen when an embrace Durge betrays her? She will fall to her death, a knife in her belly, blaming herself for your betrayal. All her worst fears have come to pass and you were indeed a lover who hurt her because she loved you, and that she was a fool to ever trust you at all. That if she didn't love you, maybe you wouldn't have hurt her. She doesn't understand your reasoning, she can't make sense of it, she doesn't know why you'd betray her, so it must have been her fault for thinking you'd be different. That if she hadn't been so loyal, so devoted, that she could have been spared. That her belief that you would rule together is what damned her. She will die blaming herself for her own murder before she ever gets a chance to start blaming you.

[guujikaroko]

You know, Caster Gilgamesh really likes Ritsuka, doesn't he. And I mean really really.

It's kinda low-key (of course it is, it's fucking CasGil), but when I had this epiphany I went back to some scenes with him and. Huh. It's true.

He sees himself as a guide for humanity. Hell, he's the one who kickstarted the Age of Man. And Ritsuka turned out to be the kind of human he likes.

Of course, Ritsuka is a completely ordinary, unremarkable human, having lived on peaceful times. No exploits, no breakthroughs in any field. Also definitely subpar as a mage. You'd think Gilgamesh would see them as nothing more than an ant, maybe even less.

Even so, it was Ritsuka who stood up on times of hardship and decided to fight. It's Ritsuka who refused to give up, Singularity after Singularity and Lostbelt after Lostbelt. It's Ritsuka who continues to pick themselves up and run, defying gods and Beasts and whatever the world throws their way. It's Ritsuka who carries the flag of humanity now.

And I think CasGil appreciates that a lot. Rather than leaning on the exploits of great figures, he thinks that Ritsuka's struggle holds far more meaning. If even the most ordinary person can stand up and achieve impossible things, then isn't that the perfect proof of the Human Order's value? Isn't that the perfect rebuttal against the fate imposed by the gods?

It makes me think of his Valentine's Day scene, actually. Instead of a physical gift like Archer Gil, CasGil chose a boat tour throughout Uruk, a city that houses plenty of memories for both him and Ritsuka. I wonder if he acknowledges that Uruk lives within them, too.

[vcrnons]

TRUTH or DARE : look at the camera lovingly with your honey dipped eyes. you cannot laugh.

bonus, starring the three guys who were not paid enough to witness this:

[synthshenanigans]

apparently im not all that wicked since i chose to rest rather than work on this so its a bit late buuuuuut

aint no rest for the wicked moment :}

technically its Ain't No Rest for the Wicked AND The Man With the Skeleton Arms; the cashier in anrftw is also the guy who got burned in tmwtsa [these abbreviations i stg]. I named him Hymn from what I remember

[Its a redraw of my art from last year of the song!!! old version below cos i think the change is fuckin WILD honestly]

im not usually insanely proud of my art. at most im content with it [covered in content you could say.....ha.ha] But damn im hella proud of that glow up thats insane to me. thats like made by two whole sepearate ppl to me what

[[also also the basic color palette i used in the new one is that aroace flag i made using the video thumbnail :} a fun lil thing to me idk]]

[denkisauce]

literally when has another ship given as much as bakudeku has. when has another ship encompassed so many tropes all at once while also having the relationship develop the way it has???? sometimes i’m just like dumbfounding by the depth that exists between them like they’re not just childhood friends, they’re not just rivals to lovers they’re not just starcrossed they’re not just punk x nerd or jock x jock or nerd x nerd or whatever the fuck they’ve gone from best friends to broken to fixed to i would die for you x i would kill for you like????? the nicknames???? the fact that katsuki has never told deku to stop calling him kacchan even when their relationship was at their lowest???? the fact that he was carrying his all might card with him the whole time???????????? the fact that izuku is so defensive he unlocked new powers multiple times because of kacchan and katsuki is so defensive he was willing to die TWICE for izuku?????? even the smaller things, all might rooting for them, aizawa saying his whole thing about how the two of them push their entire class to go above and beyond,, house arrest boys???? ohhh my goddddd like i know we all know but i can’t stop thinking about all of this all the time 😩😩😩

[lynn-tged-posting]

tged webtoon ep 157 spoilers and thoughts but also a good amount of panel dissection that might be overanalyzed but i couldn't stop thinking about it so just let me yap okay it plagued me all weekend

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i am so serious when i say this entire episode gave me like. so much worry and anxiety over the characters that i made myself upset thinking about it . the only thing saving me is everyone's fun expressions in this and specifically this panel of javier

HES SO SILLY CUTE PLAYING WITH THE SUMMONS THEYRE ADORABLE EEHEHEHEHE

anyway . to the brainrot

i think this panel of lloyd turning his back to javier, immediately after telling javier to go on break for a while, was the first little indicator of "oh no" for me

it really worried me that he said this, especially when they've been working together so much on their journey, so this was tiny little moment of "oh boy whats going on,,," for me,,, idk if anyone else felt the same but i had a feeling i would Not be ready for this ep. and i was right i was absolutely not ready

and then we hit the montage of javier going around the estate and observing how much the land has changed, and i really loved that!! it was really heartwarming seeing everyone, smiling and achieving dreams and stability in a way that the fronteras hadnt seen in a long time (hell i was convinced "oh everythings fine nvm" 😭)

some of my favorite panels in that sequence heehee bayern and his kids this was really really sweet WAAAHH

JAVIERS EXPRESSION HERE WAS SUPER FUNNY TOO absolutely gonna use this as a reaction image

ALSO THIS STATUE OF LLOYD ADHAHAHAHAHDFAHA IM PRETTY SURE IT IS RELATED TO IF NOT THE SAME AS THE STATUE IN CPSM they do have different poses so it mightve had to be rebuilt or something but either way . lloyd statue where he's near naked for some reason in the middle of frontera estate. a wonderful center piece good work team

AND MY BABY BOY SOLITAS he finally managed to create something im so proud of him GOOD JOB BUD!! THE CARVING IS BEAUTIFUL!!!

it just hit me as im typing this that they also say "[project name] complete" not sure if this is a translation thing or if it's something they picked up from lloyd saying "construction complete" but if its the latter thatd be REALLY CUTE

also that panel of tordes by the mines he looks genuinely . satisfied and happy?? the guy punished to work for the fronteras for over 100 years is having a great time LMAO

AND THIS PANEL OF JAVIER

THIS MADE ME SMILE SO WIDE

it's really really pretty, and javier can see that. he can see that the estate has grown and changed into a strong and capable place, and he echoed this in the last chapter but it's really worth celebrating this. so many accomplishments, in so little time, with so much efficiency. frontera estate has been raised from the ground up and seeing it all accumulated was so so beautiful,,,

so seeing this panel absolutely devastated me

the contrast is STRIKING. all of the brightness and light and warmth of the street javier is in is only seen in partial rays streaking in. lloyd is alone, surrounded by books and in a darker corner of the panel. isolated, facial features unreadable and working by himself,,, refusing to see or ignoring all of the accomplishments behind him.

it's like he's falling back into old habits. that workaholism that kept him alive when he was only kim suho in korea. in order to survive, to keep up, to stay afloat, to stay ALIVE, you must keep working. go to the next project, the next problem, the next assignment, and everything will be fine. only then will freedom be yours to have. only then will you be free of this responsibility you bear for those you love.

but he really doesn't need to do that anymore! he has a whole estate of people who will follow him to the ends of the earth, because he's proven himself to be capable of protecting them. he has parents who love him, despite his changes, despite his past, who have grown to believe in him.

he has his beloved knight, who is waiting for him to call for aid. who only needs a glance or a word to lend a hand. who is waiting for him to come outside and just SEE all that he's done. to celebrate, to have peace. to enjoy home. to simply be at home, together.

"when will you be able to come here...?"

javier, protagonist that he is, sees all this light around, and it's peeking into this library that lloyd is in, wondering where the engineer is, but his nose is to a book. because he is working. and that's,,, scary to see. there's a level of distance already taking shape because of old habits, and i don't know if either of them realize it

and like you look at the panel javier is in one more time and you can see, there's kids playing as javier and lloyd! they even have matching hair, and the dog is colored exactly like ppodong. super cute! but it worries me that they're on opposite sides of javier.

said this earlier; this is probably an overanalysis and this probably means nothing. it really is a cute lil cameo of some kids in town! but the fact that they are split like this is eating at me. ppodong-dog is on javier-kid's side, when ppodong is lloyd's summon? and again, they're on opposite sides of javier, will they join back together and keep playing? lloyd-kid is ahead of javier-kid, will he run on ahead without looking back? it's so cute and yet it's making me anxious!!! am i overthinking???

anyway, this split and the two panels contrasting each other like this filled me with so much nervousness that i had to close my eyes and just breathe for a little bit

then we see arcos and marbella talking about lloyd and it's clear they're worried about him, still unsure of where these changes in behavior came from and yet accepting it nonetheless because god dammit theyre good kind people

and when we see lloyd he looks,,,

tired, and disheveled, and still only thinking about working on the next thing. he keeps going on too, like there's nothing currently wrong with this; he's probably used to it, handling everything without a moments rest. the count and countess even mention it at the end of the episode

and when he treats the formal frontera attire lightly and scurries off again, it's like a final nail in this sinking coffin. honestly, i think early lloyd probably would have said similar things to try and skirt the count's attention, but this scene in combination with lloyd being depicted as separated from lloyd, appearing exhausted from continuous work, as well as the following panels of lloyd leaving,,, it fills me with anxiety and dread.

face shrouded in the darkness of the hall, so his features are unrecognizable, just like the library panel. who is that? is it suho or is it lloyd speaking right now? where are you going, into that darkness by yourself, shying away from the light you've brought to this estate? you don't have to do this alone.

and this long, looming distance stretching between him and arcos and marbella. stretching further as lloyd marches onward and alone, working by himself, away from the moments of peace and celebration that his family and his estate bring. into the dark. it's a little haunting to me.

these panels did a really, REALLY good job at solidifying this growing degree of isolation that lloyd is putting himself into, intentionally or not (for lloyd and for the artist lol). he's getting out of reach in his desire to protect everyone, to complete this responsibility he gave himself for the estate.

it's almost,,, backwards? in a way? in the early webtoon, there's a panel where suho is shown trying to reach for a light in the darkness. he believed that if he kept working towards that light, he'll find a way out of this hell he's found himself in, and so everything would be fine. here and now, it could be that he still thinks that this is the case, when it's in fact the opposite. he's brought this light to the estate, but he's putting himself in the dark (and alone, at that) in an effort to reach for the "next light". i don't think he realizes it. this makes me really, really sad. jesus christ well done artist/adaptor

what is it all for if you won't even rest? if you won't turn around and look at all these people who need you around? and not need you as in doing work for them, but need you as in wanting to be with you, and cherishing you, and spending time with you, and simply loving you. yes, time is short and yes, fate is looming, but all this effort to fight those things is still making him lose this connection he has with the estate. he doesn't have to do this alone,,, he doesn't have work endlessly. take a BREAK LLOYD

and by the end of the episode it's to the point that arcos and marbella have realized that that's not lloyd frontera. that's someone else. and gods their faces are DEVASTATING

eyes shadowed, irises blank and lost. they're not frowning deeply, but i can feel the upset layered in. is it disappointment or is it grief? i can't really say for sure, but man,,, man.

anyway yeah i hope u guys understand why this episode gave me anxiety LMFAO

i am so so so sorry for the overthinking/overdissection in this post but my brain started connecting things . whether or not they make sense or if it's just being nitpicky is impossible for me to see so. yeah take this however u will

i actually also briefly saw someone on twitter say that this wasn't in the novel? which is interesting and also a little scary i hope lloyd will turn out alright AHHH

i really hope next episode everyone will be alright ,,, please i cant take this much emotional twisting and turning im gonna lose my mind

see y'all next week or in the next shitpost,,, whichever comes first

[lowcallyfruity]

I love Lilia but also it is kinda crazy to me how he borderline negatively affected his ‘kids’ and fandom is okay with it because at least he’s not like riddles mom!

[angelnumber27]

The whole aww he’s chasing/hitting you because he likes you thing that people teach young girls is so fuckin gross and backwards like “men hurt you when they like you” is a message we need to get rid of

[moeblob]

What Deacon thinks: what did that mean? did he want me to wear a collar too? why else would he mention my neck? i mean, if he /asked/ me i would wear one but he didn't so would wearing one be weird?

What Ymber meant: It's nice to be near someone who isn't tethered to this world to serve it with a physical reminder for all to see.

[kyouka-supremacy]

---

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[licorishh]

"The Bible is so sexist blah blah blah" okay. When it talks about how you can avoid doing stupid things in Proverbs it uses a man in its examples and personifies wisdom as a woman though which I think is pretty funny