#please ask away-

[hinamie]

spiraling

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[paladinsbrainrot]

i had an Idea for a scott pilgrim au and it has not left my mind since .

(ty guys sm for 1.5k followers btw ^_^ !!)

[noodles-and-tea]

Hello! Sorry if you’ve already answered this but I had a quick question. Your Twins in Time au has successfully put my brain into a chokehold and I was wondering if I could make fan art for it? Ofc I would tag you and credit you but I wanted to make sure! 💛

I would LOVE to see it as well!!!

[ashleys-doodle-corner]

Act 3 (But why did they look so...?)

We finally got to the comic that actually made me think about this AU in the first place. After I was mulling around the idea of Loop looking like Siffrin the whole time, I realised that the conversation of "who or what do you think I am?" doesn't apply anymore. But you know what would?

The question of why Loop is even here in the first place. Because while it's nice to have another you around to help you out of the loops, isn't it weird that they're even here? Who sent them?

... and what was with their response?

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[dollya-robinprotector]

got executed by the devil today with a devastating blow, so it's only fair that i drag you along with me.

plus when you drew that somno robin my head was suddenly assaulted with inspiration so pls dont hold this against me HERBBFHJERHJBFB

love you ☆⌒(≧▽​° )

Unbelievable... Now even you are after my ass too Dean... Is this betrayal that I'm feeling?

KDFJISDU JSFIASUDIALSK I GUESS THIS IS SORTA WHAT YOU'RE EXPECTING TO SEE

but trust me it would more likely go this way...

Little Doll still insists to hold on her V-card very tight, whether accidentally or intentionally...

[hcmoeroticisms]

Natasha O'Keeffe as Lanfear in Wheel of Time, 2.07

[toobusybeingdelulu]

anyway thinking about the sauna scene again, specifically about how billy did, not even once, ask to be saved. He only wanted his sister to believe he was not a murderer.

[gayaest]

Hi guys!

Crip camp is back on netflix! (It’s also free on youtube)!

If you’ve ever asked me a question about disability and/or anything regarding the experience, please go watch it ☝️☝️

It’s an amazing watch, the people involved were extremely passionate. It’s about disability activism in the US and history. It’s also great for learning about the disabled experience.

I could not recommend it enough. Especially to able-bodied people.

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[mx-ryder]

Hey Writeblr,

I have a very specific request.

Will you tell me about your old OCs? I'm talking like middle school/high school edgy OCs. The ones who make you cringe when you remember them, because they're so awful. The Mary-Sue's, the self-inserts. The ones you would never ever ever resurrect because oh my gods they're irredeemable. The over-powered ones. The dark-haired boys with crooked smiles and ocean orbs. The girls who are so not like those other girls.

I'd like to hear about them please! I desire to know them!

[scificrows]

“I was having an emotion, and I hate that. I’d rather have nice safe emotions about shows on the entertainment media; having them about things real-life humans said and did just led to stupid decisions.” ― Martha Wells, Exit Strategy

Title sequence designs inspired by the real-life shows Martha Wells based Murderbot's favorite shows on.

[noodles-and-tea]

you, yes YOU, who's your favorite character to draw right now? do you have a preference?

And as a surprise to absolutely no one… it’s him.

[minty364]

DPXDC Prompt#148 Part 2

Danny feels himself grow bright red and the two stare into each other's eyes for what felt like an eternity. 

“I- Uh… I’m Danny” He finally managed to mutter. 

“Damian Wayne, its a pleasure to make your acquaintance.” Danny's blush grew even brighter as the next moment Damian kissed his hand, Danny couldn’t help but feel flustered. 

After a moment  Danny rubbed the back of his neck with his hand and stuttered out, “It’s nice, to meet you too” He could tell how happy Damian was to meet him and he felt a little bad for feeling nervous in the first place. Danny thought Damian was cute and he decided then that he wouldn’t mind getting to know him a little better. First they had to get through the rest of the gala, and soon as he thought about the gala something clicked. 

He realized Damian was the son of Bruce Wayne who at the moment was talking to his own parents. He couldn’t help but stare as he let the information sink in. 

“Ah yes it looks like Father is talking to some of the scientists that were invited.” Ancients, Danny knew his parents couldn’t help being themselves and unfortunately that meant things like accidentally spilling fudge right onto Mr. Wayne's suite. They watched as Mr. Wayne told his parents it wasn’t a problem and then walked out of the room. 

Danny couldn’t help but sigh, “Sorry about them, my parents are a little eccentric. Don’t even get me started on their obsession with ghosts, my dad will not shut up sometimes.” Danny rubbed the back of his neck nervously again as he realized he was rambling a little bit. 

“Don’t worry it looks like Father handled the situation well, although I am curious what kind of inventions two scientists obsessed with ghosts create. That’s what this gala is about, we want to support scientists in untapped fields of study.” Danny listened as his soulmate explained things to him. 

Danny looked over to see Vlad talking to a thin scientist in the corner of the room. He was definitely up to something, a ball like this had Vlad scheming something with a mad scientist written all over it. 

He was brought out from his thoughts as a loud crash could be heard as the wall across the room burst open and none other than the Joker walked through.

Danny tried to make his way to the other side of the gala, strangely Damian had disappeared but Danny didn’t have the time to look for him.  

However when he got to the door staying low to the ground the door burst through and more of Joker's goons looked straight at him and he found himself tied up right in front of the Joker. 

“What do we have here? A new Wayne?” Joker said as he cupped Danny's face in his hand. Danny couldn’t do anything about the situation and he was getting a little scared considering he didn’t have a proper way to go ghost or protect his soulmate at the moment. 

The Joker circled around the tied up hostages laughing, “Of course now the fun begins”

The Joker continued to circle around the hostages thinking for a moment before he grabbed Danny.

He held Danny by the back of the shirt like a small kitten. His obsession was making him wonder if his soulmate was safe living in Gotham. Joker chuckled as he continued to hold Danny.

“This kid will be an example for the rest of you, I don’t want any outbursts like that again, especially when Batman gets here. Do you think Batman will like what I’ve done with the place?” He asked as he gestured around the ruined room. All of the tables and chairs had either been broken or knocked over and all of the food from the dessert and appetizer tables. It was quite the mess. Before Joker could do much else with the teen he had dangling in his grasp something flew out and smacked Joker right in the back of the head causing him to drop Danny.

Danny took that opportunity to get away, his hands may have been tied but his feet were sure free. He stumbled away as Batman dropped down and a fight between him and the Joker commenced. 

Danny ran towards the door and as he got there Robin and Nightwing were there ushering some of the other hostages out of the room. 

“Right this way citizens!” Nightwing said brightly at them but he seemed to brighten up a bit more when he saw Danny weirdly. 

“Have either of you seen Damian Wayne?” Danny asked, he at least wanted to get his number, especially when he was headed back to Amity soon.

They seemed to share a look before looking back at him, “Damian left, he’s headed safely back to Wayne manor.” Robin said but he held out a piece of paper. On it was Damians signature and his phone number. Danny sighed a little annoyed he had left but he guessed it was common to head back home after a rogue attack in Gotham. 

“Danny!!” the booming voice of Jack Fenton was suddenly heard and Danny felt himself getting pulled into a very familiar bear hug. 

“Did you have fun at the gala? Your father and I saw you talking to Mr. Wayne's son,” His mother said after his feet were back on the ground. 

“Yeah, actually can we talk about that after we’re back in our room?” He wanted to tell his parents he found his soulmate but saying that outloud when Damian was the son of Bruce Wayne sounded like a bad idea. 

They headed back to the hotel room and all Danny could think about was how lucky he was to have met his soulmate tonight, even if he was nervous about everything.

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[dykedvonte]

I think any fix-it mouthwashing au has to have the mandatory scenes of Curly either being able to blink again or speaking for the first time.