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femmeleatherface · 2 months ago

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Spooky Movie Marathon 2024: Week 2

Day 6: The Black Cat (1934) - "suggested" by the Edgar Allan Poe short story of the same name (according to the credits, humorously)

Day 7: Encounter with the Unknown (1972)

Day 8: Bijo to Ekitai-ningen (AKA The H Man) (1958) - American cut, English dub

Day 9: Witchcraft (1964)

Day 10: The VelociPastor (2018)

Day 11: The House on Haunted Hill (1999) - remake of the 1959 film of the same name

Day 12: Mary Reilly (1996) - adaptation of the novel of the same name by Valerie Martin, which is itself a parallel novel to Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

oh boy, where do i even begin... i would love to include sub-bullets to be organized, but tumblr is terrible. so second bullet list i guess:

The Black Cat: was not expecting to love this as much as i did. i knew i would at least like it becaue it has béla lugosi and boris karloff in it, but i was not expecting the sheer brutality of the subject matter or the amazingness of lugosi's performace. going to have to move it above his performance as ygor in son of frankenstein as my favorite performance of his, because wow. also the cinematography oh my god... i only watched this because i needed a really short movie and remembered reading about it in a book on the impact of ww1 on horror films in the 20s and 30s and thougt it sounded interesting, and it REALLY delivered.

Encounter with the Unknown: a big disappointment... i only had this saved because it has rod serling's name attached to it, which honestly is probably how it's suckered a lot of people into watching it, so well played on the marketing people. the music and editing were so bad, which i do try to be more forgiving of in older/indie/directorial debut films, all three of which this movie is. but then the movie had the gall to spend the last ten minutes re-telling each fucking story all over again with the second non-serling narrator just yapping blandly like he was reading a textbook to me. if it had been serling he would have at least made it sound cool and poetic, but as is, i walked away from the movie feeling like it had wasted my time. but to end on a kind note, i really liked the middle story about the mysterious hole. it was sufficiently eerie, even though the music refused to shut up.

Bijo to Ekitai-ningen: i do always prefer and try to watch original cuts for things when i can, especially non-american films, and go for subs instead of dubs, but the version of this i had saved was the dubbed american cut. i looked it up and aparrently the original japanese cut had 9 extra minutes, primarily centering around the drug dealing subplot. i'll have to try and track it down sometime, but for what it was, the version i watched was fun. it was like a crime thriller version of the blob, which apparently came out very shortly after this? in so close a timeframe that it seems unlikely there was ripoffery involved. not sure what was up in 1958 to result in 2 movies about killer slime, but i'm here for it.

Witchcraft: surprisingly good considering i only had this saved because lon chaney, jr., was the top-billed actor and then he barely showed up in it. excellent black and white cinematography and well-executed spooky mood. in true lon chaney, jr., fashion, he constantly looks like a shivering wet dog of a man whenever he's onscreen, and i love it.

The VelociPastor: i love... aaaaa. this movie's humor is exactly the nonsense i go for so i had fun. i will not call it a perfect movie because i raise my eyebrow at the portrayal of china and the chinese a bit, but it was a movie i really enjoyed overall. the editing was also. impressively good. mesmerizing, even. definitely was not expecting that in a movie about a priest who turns into a dinosaur and eats catholic ninjas.

The House on Haunted Hill (1999): this movie is so much fun. it's in that vein of horror remakes like the 1988 blob movie where it updates the genre of the original film to the way it is contemporaneously. in the blob it was updating the film from a fifties teen movie to an eighties teen movie, and in the house on haunted hill it's updating a fifties midnight movie to a nineties one, complete with ballyhoo in both. this makes the 1999 house on haunted hill much more EXTREME! and EDGY!, in true nineties horror fashion, but it still feels like the same genre, just evolved with the times--which if you're going to remake something, is a smart way to do it. i think between the two i like the original better because it's a lot more unique that there's no actual ghosts and it's just two concurrent scooby doo masquerades for elaborate murder plots, and the cheap special effects are a lot more endearing and feel a lot more intentional considering the final plot twist. plus, vincent price is in it, and he's a tough act to beat. maybe if the 1999 movie had given jeffrey combs more scenes and let him combs it up a bit more that might tip the scales a bit, but weirdly enough this movie barely let jeffrey combs do anything, which is A CRIME.

Mary Reilly: i am. definitely not the target audience for this movie. strange case of dr. jekyll and mr. hyde is one of my favorite books and henry jekyll was my high school blorbo, so needless to say i am very pretentious about it and have very specific interpretations of jekyll as a character that i am unfortatenly very rigid in. i read mary reilly in high school during the peak of my strange case hyperfixation and really did not like it, so i was not expecting anything much from the movie and... yeahh.............. it does all the strange case adaptation tricks i despise, like making it a jack the ripper story and focusing all the themes of victorian repression on sexual repression (rather than. repression in general. brought about by years spent in a repressive culture and not suddenly meeting a hot young woman you want to fuck one day). strange case was published in 1886 and the ripper killings were in 1888, i promise every single person adapting the book that it is NOT about jack the ripper and can we please move onto other things oh my god. the closest connection the book has to the ripper killings is that there was a stageplay adaptation running during the time and the guy who played jekyll and hyde was so good there was a crack theory running around london for a while that he was secretly the ripper. that's it. and speaking of the guy who played jekyll and hyde... john malkovich is one of the worst jekyll and hydes i've ever seen. he did a good physical performance as hyde at first, being sufficiently creepy and menacing, but then he started talking and no. no, no. you also know your movie is in trouble when your hyde looks wayyyy too much like tommy wiseau. BLECH. also!!!!!!! the movie did not have mr. utterson in it and i am pettily mad about it!!!!!! but also utterson was presented as an absolute jerk in the mary reilly novel if i remember correctly, when in strange case he's an emotionally repressed (in fitting with the theme not being all about victorian prudishness)/awkward old dork who loves his friends and makes bad puns. so maybe it's for the best he was excluded from the movie (like he is from basically every single strange case adaptation ever despite literally being the main character in the book oh my god. this man is the vice president of forgotten fictional characters more important than hollywood thinks. the daroga in phantom of the opera is president). definitely not my movie or take on strange case, but i'll give it this: jekyll's cabinet looked really good! the sets in this movie were lovely all around and that one in particular was excellent. julia roberts was also very good and made me care about mary much more than the book ever did. so good for her.

by god that was a lot of text. anyway. until next week. i'm going to watch return to the house on haunted hill for sure, as well as something i know i'll like tonight to wash out the vitriol that mary reilly left me with. but we'll see how it goes. i like infusing randomnes and spontaneity into this marathon, it keeps things from getting boring.

rankings, ratings, and lists thus far:

The Texas Chain Saw Massacre (1974) (duh)

The VelociPastor (2018)

The House on Haunted Hill (1959)

The House on Haunted Hill (1999)

The Black Cat (1934)

Witchcraft (1964)

Lyle (2015)

White Settlers (2014)

Bijo to Ekitai-ningen (1958)

Prometheus (2012)

Mary Reilly (1996)

Encounter with the Unknown (1972)

congrats to mary reilly for not being at the bottom of the list. encounter with the unknown was unfortunately much more frustrating.

#spooky movie marathon 2024 #screaming into the void #my reviews

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coolgreatwebsite · 4 years ago

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Cool Games I Finished In 2020 (In No Real Order)

Oh, hey! Right! I have a website! I’m like a week late on writing this, but what’s a week on top of an entire year of not writing, right? 2020 was... well, we all know what 2020 was. For me personally, it was simultaneously the best and worst year of my life. The worst in both ways you can probably assume and ways you definitely can’t (neither of which I’ll be getting into), and the best in ways I absolutely never would have guessed. That uncertain job I mentioned last year got very suddenly much more certain, at a much bigger company, for a much larger amount of money. That allowed me to get my own place, making my weird living situation much less weird. Still haven’t gotten the majority of my belongings off of the east coast, but if the entire world wasn’t currently fucked up by a global pandemic I’d have sorted all that out too. What I’m saying is that, for the third year in a row, my life has been a complete whirlwind that has left me very little time to get comfortable with any aspect of it. But I did manage to play more video games than I did last year! Which is perfect, because it’s once again time for another one of these. Here’s a bunch of cool games I experienced for the first time in 2020.

Astro’s Playroom (PlayStation 5, 2020)

My one word description of Astro's Playroom is "delightful". It's just an absolute goddamn delight. A total surprise too! Included with every PlayStation 5, Astro's Playroom is, in my opinion, one of the best pack-in games of all time.

First off, it's an incredible tech demo for the PS5's new DualSense controller. It was easy to brush off Sony's talk about the controller's haptic feedback and triggers as some Nintendo-style HD Rumble bullshit, but it really is incredibly cool once you get your hands on it. The game is obviously more than a tech demo though, or else it wouldn't be on here. It also just so happens to be an extremely solid and fun platformer on top of that. Astro controls exceptionally well and the levels are all well-designed and fun, even the gimmick vehicle ones designed to show off different features of the controller. It also has an oddly compelling speedrun mode, made all the more compelling by the PS5 notifying you when your friends beat your times and the ability to load into it within two seconds from anywhere on the console. But the biggest thing for me and, call me a mark, because I am, is that the game is an honestly incredible love letter to PlayStation history.

For the first time ever, Sony has pulled off a nostalgia piece without it ending up as embarrassing garbage in the vein of PlayStation All-Stars Battle Royale. There's a Nintendo-like joyful reverence for all things PlayStation oozing out of every single corner of this game. There are so many nods and references and gags for literally every PlayStation thing of note throughout the the last 25 years, and then on top of that there's a whole heap more for the things that AREN'T of note that only hyperdorks like me would get! A sly reference to the ill-fated boomerang controller? Yep. A goof on the fat PS3's Spider-Man font? You betcha. A trophy you can earn by repeatedly punching a Sony Interactive Entertainment sign until it breaks and reveals the Sony Computer Entertainment sign it was slapped on top of? Yeah buddy. It's deep cuts all the way down, even up until the final boss which had me grinning like a total dipshit the entire time. The game is endlessly, effortlessly charming.

Animal Crossing: New Horizons (Nintendo Switch, 2020)

Animal Crossing: New Horizons was the perfect game at the perfect time. That doesn't mean it's a perfect game, I actually have some issues with it, but it could not have released at a better time than when it did. It came out at the very very beginning of everyone going into lockdown due to the pandemic, and it was the biggest game in the world for a couple of months as a result. I played like 300 hours and that pales in comparison to the amount of time many others put into it.

Animal Crossing: New Horizons is the most different Animal Crossing game there's ever been, and I'm of two minds on it. Like, I loved the game, I played a ton of it, but it's lacking so much of the stuff that made me love Animal Crossing in the first place. The series has been slowly trending in this direction for a bit now, but it's not really a game that happens around you anymore. It's all about total player control. You select where everything goes, you customize every detail of everything to your liking, hell, you can even terraform the landmass to be exactly what you want. Your neighbors take a backseat in focus and end up as little more than decorations with limited dialogue and next to no quests associated with them. Series staples like Gyroids are missing in action. Facilities and services that have been around since Wild World aren't implemented. It's similar to past Animal Crossing games in a lot of ways, but on the whole it feels like a different thing.

But like I said, two minds. New Horizons strays from what I truly want from an Animal Crossing game, but I can't deny that the game as it is is a hell of a lot of fun. There's SO much you can do and SO many options, it's super addictive. Plus it implemented my long-requested feature of letting you effortlessly send mail to friends online! Too bad the actual online play is as cumbersome as ever.

In conclusion, Animal Crossing: New Horizons is a land of contrasts. I'm kidding. It's good, but definitely missing something in a way where I can understand some people being disappointed in it. I had a ton of fun though, and I'm probably going to get back into it later in 2021.

Trials of Mana (Nintendo Switch, 2019)

Late in 2019, with the physical release of Collection of Mana for the Switch, I decided I was going to play through each game on it for the first time and finally find out what this whole Mana thing was about. I went into Final Fantasy Adventure (the first game in the Mana series, because every RPG had to be Final Fantasy back then) with zero expectations and found a totally serviceable little Zelda-like with light RPG elements. I enjoyed my time with it. I went into Secret of Mana with the expectation of it being a beloved classic and found the worst game I beat that year, hands down. That game fucking sucks. I get why it made an impression on people at the time, but it's just so so SO awful to play. Needless to say I was pretty disappointed. Honestly, I would have been disappointed even if I hadn't heard it was one of "the best games" for so long. It would have been a disappointing follow-up to Final Fantasy Adventure, a game that in and of itself isn't anything incredible. Secret of Mana is just that rotten.

I braced myself for more disappointment when (after a much needed vacation from the series) I started up Trials of Mana. This game had a reputation too, as a long-lost classic that never made it stateside. One of the best games on the Super Nintendo, criminally never released for western audiences! Like Secret of Mana before it, I'd heard nothing but effusive praise. Unlike Secret of Mana, however, I was very pleased to find out that Trials of Mana mostly lives up to the hype. From a gameplay standpoint, Trials is an improvement on Secret in almost every single way. It's not perfect. The menus are still kinda clunky, animations for things like magic and items are still frequently disruptive. But the main thing is it actually plays like a sensible video game designed by humans with brains. Attacking is responsive! Hitboxes aren't complete nonsense! You don't constantly get stunlocked to death! There are more answers to combat than casting the same spell for five straight minutes to kill your enemies before they get a chance to move! It's great!

On top of being an enjoyable video game to actually play, the presentation is top notch. Secret of Mana could be a pretty game with decent music in some spots, but Trials is consistently gorgeous and the soundtrack is across the board great instead of randomly having songs that sound like clown vomit. And while Trials of Mana doesn't have the deepest story in the world, it manages to avoid being completely paper-thin like Secret. The story actually kind of has a reason for being a bit straightforward, and the reason is that it has a really cool system where you pick your three playable characters from a pool of six. Each character has their own goals and storyline, some of which line up with other potential party members, some of which don't, and you'll even run into the characters you didn't choose as NPCs along the way. This and the relatively brisk pace of the game make it highly replayable.

I'm really glad that Trials of Mana made it over here in an official capacity, even if it was like 25 years late. It's as good as I expected Secret of Mana to be and singlehandedly saved my interest in seeing any more of the series. I'm aware the quality of what came after is very spotty, but I'll get to the rest eventually!

Final Fantasy VII Remake (PlayStation 4, 2020)

They (almost) did it. They (basically) pulled it off. They remade (a chunk of) Final Fantasy VII and (for the most part) didn't fuck it up. Ok, funny parentheticals aside, Final Fantasy VII Remake is astoundingly good coming off of over two decades of just absolutely dreadful post-FF7 sequels, side games, and movies.

Final Fantasy VII has been historically misremembered as this kind of miserable, angsty, brooding thing, both by fans and by the company that made it. FF7-branded media after FF7 itself is a minefield of changed personalities, embarrassing original characters, and monumentally lame stories. Final Fantasy VII Remake is the first post-FF7 anything that actually remembers the characters, setting, and plot of Final Fantasy VII and what made them memorable and special to people in the first place. Which isn't to say it's a slavish recreation! There's a ton of changes and additions, and I actually like almost all of them! Except for some really big stuff I'll touch on in a bit!

The combat in Final Fantasy VII Remake is great. I was super skeptical about it when the game was first announced, but they actually managed to make the blend of real-time action and turn-based RPG menuing fun and engaging. The characters all play super differently from each other too, which is a huge and welcome difference from the original game. The Materia system fits like a glove in this revamped combat system as well. The remixed music is good as hell, and the visuals are beautiful (outside of a couple of very specific spots that I'm kinda of surprised they haven't fixed in a patch yet). It's a well-executed package all around.

But alas, as always, there are negatives. For starters, this is only part one of the overall Final Fantasy VII Remake project. It goes up to the party leaving Midgar which, as you may or may not recall, is the first six hours of the original game. They compensated for this by fleshing the hell out of the Midgar section the game, ballooning the overall playtime to total of about 30-ish hours. The game feeling padded is a common complaint but for what it's worth, I didn't really feel it until the unnecessarily long final dungeon, There's also the previously mentioned and funny parenthetical'd changes and additions I don't like.

This is big time spoilers for this game so if you don't want that jump ahead to the next game on the list. The Whispers suck ass. Final Fantasy VII Remake should have been brave enough to be different without having to constantly derail everything in the most ham-fisted and intrusive way possible. You can have Jessie twist her ankle without making a spooky plot ghost trip her. I don't want to fight the physical manifestation of the game everyone thought they were getting as an end boss. If you're not doing a straight remake, that's fine, but have the fucking guts to stand by your artistic decisions without feeling the need to invent the lamest deus ex machina I've ever fucking seen. The last couple of hours of this game are 100% about the Whispers and are awful for it. It's a true testament to the strength of the rest of Final Fantasy VII Remake that this aspect didn't completely sour me on it. I can only hope that they stay dead and gone for good in the games yet to come and the remake can be different while standing on its own two feet.

I truly cannot wait for the next entry in the Final Fantasy VII Remake project. I'm excited for Final Fantasy VII in a way I haven't been since the late 90s. I have a bit of trepidation that they could royally screw it up. I mean, they already got kinda close, as I said in my last paragraph. But they got so much right in this entry that, for the first time in decades, I'm willing to believe in Square Enix when it comes to Final Fantasy VII.

13 Sentinels: Aegis Rim (PlayStation 4, 2020)

My one word description of 13 Sentinels is "fucking crazy". I realize that's two words, but shut up. A bizarre hybrid of visual novel, adventure game, and strategy RPG, 13 Sentinels not only makes that work, but makes it work incredibly well.

The story is fucking bonkers. It's told entirely non-linearly and is purposefully dense and confusing, but it does an amazing job of hooking you with a cast of likable characters and some impressively well-paced twists, made all the more impressive by the fact that you can tackle the story in basically whatever order you want. I'll say it again for those in the back, the story is Fucking Bonkers. Wherever you think it's going, it's not going. Where it is going is PLACES. Seriously, if you want a wild goddamn ride, this is the game for you. The presentation is also stunning. It's a drop dead gorgeous game with a really nice soundtrack. Easily Vanillaware's best looking game, which is saying something seeing as looking good is Vanillaware's whole deal.

If I had to levy one criticism against the game, it's that the strategy RPG portion is just kind of ok. It's enjoyable enough, it doesn't get in the way and there's not too much of it, but once it starts introducing armored versions of previous enemy types it's kind of done doing anything different. It is really good at getting people to out themselves as having no idea what tower defense is as a genre though!

Hyrule Warriors: Definitive Edition (Nintendo Switch, 2018)

I haven't really historically been a "Musou Guy". Not to say I've actively disliked them, they're just not something I've seeked out very often or played very much of. Hyrule Warriors: Definitive Edition kinda turned me into a "Musou Guy" a little bit? It's good, surprisingly-less-mindless-than-you'd-think fun.

I actually super don't care about the Zelda branding. I think all the fanservice stuff is meh at best. What I do care about is that there's a ton of character variety and a metric shitload of content. There's so many different characters and weapons for those characters that all play differently from one another and SOOOOOO many levels to play. Like the story mode is, again, kinda meh, the real meat of the game is the Adventure mode and there's a ton of it. It's 8 different world maps, each based off a different Zelda game, with each square of the map containing a little mini-scenario with unique objectives and rewards. There has to be at least 1000 scenarios between all the maps. There's so much. And that's not even getting into some of the other side stuff like the challenge modes and the fairy raising. It's a crazy amount of game in this game.

And again, it's not as mindless as it'd seem. It's not really a game ABOUT destroying 5000 guys, it's an area control and resource management game where the 5000 guys are one of those resources. Knowing who to send where and when to fight who is way more important than pressing the XXX YYY XXX YYY on the more than one million troops.

I'd say that if you're even cursorily potentially maybe interested in a musou game, this is the one to try. And if you like it, it could literally be your forever game. A sequel came out recently too, and I'm looking forward to trying that out soon.

Phantasy Star Online 2 (Xbox One, 2020)

Phantasy Star Online 2 finally came stateside in the year 2020, eight years after its initial Japanese release and initial American cancellation. It's no Phantasy Star Online 1, but it is a really fun game in its own right provided you can find the willpower to break through its clunkiness and eight years of confusing poorly tutorialized free-to-play MMO cruft.

The main thing going for PSO2, and this is a major improvement from PSO1, is that the act of engaging in its combat is fun. The combat is just feels really really good. There's a bunch of different weapon types and classes, and once you find the ones that really click with you you're in for a good time, whether you're izuna dropping dudes with wire claws or literally doing air juggles and rainstorm from Devil May Cry with the dual machine guns.

The other stuff around that combat is weird. I generally like it, but it's weird. The story mode is one of the most bizarrely presented things I've ever seen. It apparently used to be something you'd seek out in the levels themselves, but presently it's just a list of scenes you pick from a menu and watch with next to no context until it makes you fight a boss sometimes. There's some weird moments in there that MIGHT have been cool if it were presented in literally any other way?

The systems and presentation are also way more... I dunno, pinball? Pachislot? In very stark contrast to how chill original Phantasy Star Online was, everything in PSO2 is designed in a way to maximize that flashy light bing bing wahoo you got ~*~RARE DROP CHANCE UP~*~ feeling. Which isn't to say I don't like flashy light bing bing wahoo, but it's a weird different thing.

Was it worth the wait? Yeah, sure! For me! This is another one that I played like 300 hours of! I haven't even seen half of it, I fell off right before Episode 4 released because it coincided with my move! I'm gonna go back and see all that shit! PSO2's fun! A different flavor of fun than the original, sure, but fun all the same. Another one that I'm glad finally made it over here.

Riichi Mahjong (A Table, 1924)

Holy shit I fucking did it I finally learned how to play Mahjong and it rules.

It started when I picked up Clubhouse Games for the Switch. I saw that it had Riichi Mahjong and something in my brain snapped. For whatever reason, I decided that this was the time I was going to rip the band-aid off and figure this shit out. It wasn't too dissimilar to the first time I decided to try eggs, but that's a different and much stupider story for a different time. I did the tutorial in Clubhouse Games, looked up some more basics and advice because the tutorial wasn't super amazing, and I kept playing while being aided by the game's nice helper features like the button that pulls up recommended hands. I kept playing and... sorta got it. I learned the basic rules, but none of the strategy. And then I stopped playing for a few months.

In that few months, for whatever reason, a decent amount of people I know had their brains snap the same way? Like a more-than-two amount of people I'm either friends with or following online also decided to learn Mahjong. I decided to get back on the horse and downloaded Mahjong Soul and I don't know whether it was perseverance or the power of anime babes, but this time I got it. I still refer to a sheet with all the hands and whether they work open or closed, and I'm by no means a master player, but I actually honest to god understand what I'm doing and it's an incredible feeling.

Mahjong has such a huge amount of what I like to call "Get That Ass" energy. It is the energy you feel when you get someone's ass. In Mahjong you are either constantly getting someone's ass or getting your ass gotten. Someone puts down the wrong tile and you fucking GET THEIR ASS DUDE! They're got!! They're a fucking idiot that put down the wrong thing and now you have their points!!! Or you draw what you need yourself and you're a brain genius all according to plan and everyone gives you points because you're so wise!!!! It's great!!!!!

Mahjong has long been one of those games where I'd say "I'll learn this someday" and never reeeeally actually try to learn, and I'm so glad I finally took the effort to because it's good as hell. And, truth be told, it wasn't THAT hard to learn? Like you can get to the point where I was where I didn't know the strategy fairly easily in my opinion, and once you do that It's just a matter of continuing to play to understand the rest. I highly recommended that you also go out and learn it if you similarly revel in getting that ass, it's so satisfying once you do.

Yakuza: Like a Dragon (PlayStation 4, 2020)

Ryu Ga Gotoku Studio took a big gamble with Yakuza: Like a Dragon. After seven games (more if you take spinoffs and remakes into consideration) they decided to focus on a new main character and, even more unexpectedly, they decided to change things up by turning the series into a turn-based JRPG. Their gamble paid off in spades. This is easily in my top 3 favorite Yakuza games.

The JRPG gameplay is surprisingly solid. There's definite room for improvement, but they nailed a bunch of it right out of the gate. Some mechanics are a little janky and I wish the job system was more fleshed out or just worked more like Final Fantasy V's, but they nailed one of the most important things and made the battles brisk and fun. It's a great foundation, especially for a team that's never attempted anything like this, and it's way more fun than the combat's been in any of the previous Dragon Engine games. I can't wait to see them iterate on it.

Everything else is top fuckin' notch. The music is great, the side content is fully fleshed out in a way it hasn't been since before they switched to the Dragon Engine, and I love the characters and story so much. Yakuza has a new main character in Ichiban Kasuga, and he's my son and I love him. Kiryu was great, and I love him too, but he was a bit of a passive protagonist. Stuff happened around him and he mostly just stoically reacted to it. Ichi is a much more active lead and it's great. He's a big lovable dope, and his tendency to keep an upbeat attitude and eagerness to leap into action is such a breath of fresh air. And it's not only Ichiban, since this is an RPG you have a whole party of characters and they're all great! Having them with you at all times bantering with each other and reacting to things is another great change of narrative pace, too.

Yakuza: Like a Dragon just straight up rules. As someone who has historically not been too much of a fan of the Dragon Engine games, it's simultaneously a refreshing new take on the series and a fantastic return to form. I can't wait for what comes next. Wherever Ichiban goes, I go.

Moon: Remix RPG Adventure (Nintendo Switch, 2020)

After 23 years of Japanese PS1 exclusivity, Moon: Remix RPG Adventure finally got an English release this year for Nintendo Switch. I'm glad it did, because Moon isn't just the very definition of A Sebmal Game. It's the Sebmal Game missing link. In addition to being just a great video game, it helped me make a mental throughline for a bunch of games I love and a large part of my taste in video games.

To keep a long story short (seriously, I have a much much longer version of this saved in my drafts that I'll maybe finish someday), Moon turned out to be not the JRPG I assumed it was, given the title and basic story pitch, but a secret prequel to a game I love named Chulip. Moon's developer, Love-de-Lic, was formed by a handful of ex-Squaresoft employees, many of which worked on an extremely formative game I love named Super Mario RPG: Legend of the Seven Stars. Love-de-Lic broke up in the year 2000 and its staff went on to form a bunch of different studios that ended up making a BUNCH of different games I love like Chibi-Robo, Freshly-Picked Tingle's Rosy Rupeeland, Dandy Dungeon, and the aforementioned Chulip. These games, when you make the connection and line them up, all have a very distinct weirdness in common that makes perfect sense once you've realized many of the same people worked on them. Figuring this all out felt like snapping a piece of my brain back in place, and it was really crazy to come to understand exactly how much this studio that formed and disbanded decades before I'd even heard of them had impacted my tastes and, hell, my life.

So what is Moon, for those who don't innately understand what I mean by "a secret prequel to Chulip"? Moon is an adventure game where you explore a world with a day/night cycle, learn about that world's inhabitants, and eventually solve their problems. Think of it kind of like The Legend of Zelda: Majora's Mask, but if the sidequests were the entirety of the focus with no Groundhog Day time reset mechanic and none of the Zelda stuff like combat and dungeons. You play as a young boy who, after a late night JRPG binge session, is sucked into the world of the game he was just playing. Everything is off from the way it was portrayed while the boy was playing the game, though. The hero he had previously controlled is actually a silent menace, raiding peoples' houses for treasure and slaughtering every innocent animal that crosses his path in an endless quest for EXP. The townspeople seem more concerned with problems in their day-to-day lives than the supposed world threatening crisis outlined in the game's intro. It's up to you as the boy to investigate this world's mysteries, help the townsfolk, mend the damage the hero has done, and eventually restore love to a loveless world.

Speaking of love, I fucking loved Moon. I loved the story, I loved the characters, I loved the music, I loved the way it looks (even though the Switch port is a little crusty in that basic emulator-y kinda way), I loved how constantly bizarre and surprising and funny it was. Like I said earlier, it's the very definition of a game made for me. It was essentially the progenitor of a long line of games made for me, and of games potentially made for me but I don't know yet because I haven't played them due to not understanding Japanese (UFO: A Day in the Life translation next please? Anyone from Onion Games reading this??). For as similar as Moon and Chulip are in their systems and pacing, I think I might actually like Moon better despite it coming earlier? It's not as full force maximum impact absurd as Chulip is, but it is a lot more playable and less obtuse once you get a grip on the time limit mechanic. You don't need a full strategy guide included in the instruction manual for Moon, and you don't need to exchange business cards with every single character to get information vital to finishing the game either.

I truly cannot recommend Moon enough if your taste in games ventures anywhere off the beaten path. Maybe this is a little conceited of me, but I assume if you're reading this article, let alone this far down into it, you relate to my video game opinions at least a little bit? You should play Moon. Everyone reading this sentence should play Moon. Moon: Remix RPG Adventure is my game of the year for the year 2020.

These games were also cool, I just had less to say about them:

Death Stranding (PlayStation 4, 2019): Death Stranding, much like Metal Gear Solid V, was a game I enjoyed for the gameplay and not much else. The story, characters, and writing were a huge disappointment for me, but man if I didn't enjoy lugging those boxes around and setting up my hellish cross-continental goon summer camp lookin' zipline network. Mr. Driller Drill Land (Nintendo Switch, 2020): I am a known Mr. Driller Enjoyer, and I enjoyed this Mr. Driller. Originally released for the Gamecube, Mr. Driller Drill Land is another long-time Japanese exclusive that finally came stateside this year and it's packed with new and novel twists on the Mr. Driller format. It looks super sharp, the music's great (also the credits music is the most impossibly out of place and extra as hell shit in the world and it's hilarious), and it's just a good ass time. The main campaign is pretty damn short, but if you're a post-game content kinda guy it has that and it's all super hard. Tony Hawk's Pro Skater 1+2 (PlayStation 4, 2020): They finally made another good new Tony Hawk game, and all it took was perfectly remaking two of the best old Tony Hawk games! Plays exactly like you remember it with the added benefit of the best mechanics from up to THUG1, looks great, packed full of content, even has most of the music alongside some mostly crappy new stuff. It's the full package as is, but I do hope they end up adding THPS3 to it eventually. Mad Rat Dead (Nintendo Switch, 2020): Mad Rat Dead was a pleasant surprise that I only picked up because I saw a couple of people on my Twitter timeline constantly talking about it. A fun and inventive platformer where all your actions need to be on beat with the music. The gameplay feels great (aside from some not so great performance issues on Switch), the soundtrack is fun, and it's got a real good style to it. Demon's Souls (PlayStation 5, 2020): I love Demon's Souls and this is Demon's Souls. It plays exactly the same with some minor quality of life changes. I don't agree with many of the artistic changes, but there's no denying it looks incredible on a technical level. If you want to play Demon's Souls again or for the first time, this is a perfectly valid and fun way to do so. Groove Coaster: Wai Wai Party!!!! (Nintendo Switch, 2019): Groove Coaster is one of my favorite rhythm games, and they finally made an acceptable at-home version with Wai Wai Party. It's not a perfect replication of the arcade game control-wise, I have some issues with the song choices, and the pricing is frankly fucking ridiculous if you're not a Groove Coaster maniac like I am, but the same ultra satisfying gameplay is all there. You can even play it vertically in handheld mode! Flip Griiiiiiiip!

And we're done! Phew! Honestly didn't realize I played that many good games until I typed all this out. Thanks as always for reading this far. I'm gonna try and get back to regularly posting Breviews this year at the very least. Honestly don't know if I'll get anything else up on here, but we'll see. Here's to hoping 2021 is a little bit less of a nightmare!

#article #Year Wrapup

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surveys-at-your-service · 3 years ago

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Survey #378

“come as you are, as you were, as i want you to be”

Have you ever dreamt in another language? No. How long will you try out something you don’t enjoy before giving up on it? It really depends, but in most cases, admittedly very quickly. What’s something you recently realized or discovered about yourself? *shrug* What’s the most interesting news you read or received recently? What about the most depressing? Not in a good way really, but it was certainly interesting to learn I have such severe sleep apnea. Like, I was certain I didn't. The most depressing would be uhhhh... I guess Jason's mother's death, but I don't know how "recent" you'd consider that by now. Would you let politics get in the way of a relationship? It depends. Some beliefs I absolutely would not tolerate (like anti-LGBT), others I would just agree to disagree with. What is one way in which you need to learn to control yourself? I need to get better at controlling my mouth when I'm extremely upset. Do you use a photo editor? I use Lightroom and Photoshop for photography. Is your dad overweight? No, I think he's actually underweight. Ever been honked at? Yes. What’s the name of the most recent baby a friend has had? Easton, I think? An old middle school friend had him. Have you ever taken medication to help you fall asleep faster? Yes, but they never work for me. How did your parents pick your name? I dunno. If you had to move to another country, where would you move? Canada. Do you have a balcony? No. Who is a singer that has given you chills? Man, I get chills easily with music. David Draiman from Disturbed, his cover of "Sound of Silence" is BREATHTAKING. That's number one. There are many others, they're just not coming to me at the moment. Do you have a drone? No. What was the spiciest thing you’ve ever eaten? Some wings at Buffalo Wild Wings. I got some crazy hot sauce. Have you ever discovered something gross in your food at McDonalds? No. What was the last thing you used sliced bread to make? A sandwich. How long did your shortest relationship last? Like a day lmao. Would you rather have a trampoline or swimming pool? A POOL!!!! I've talked before about how I want one so, SO very badly to exercise my legs without having to worry about sweat, and I can take a break the very moment I need to. Do you own a Snuggie? Yeah, somewhere. Do you listen to any unsigned bands/singers? Who? Yeah, quite a few on YouTube, but my favorite in Jonathan Young. He is SO damn talented. Who is your favorite video game character? Pyramid Head from the Silent Hill franchise. What kind of pictures do you post on Facebook/Instagram/Snapchat most frequently? Mostly of my pets lmao. Have you ever been on vacation with a significant other? No. Have you ever considered “unplugging”/taking a significant period of time away from technology? No. I know I'd never stick to it. Do you prefer to watch a documentary that is about a situation/event or a documentary that is more of a personal character study/biography? The latter. Meerkat Manor comes to mind with that, and everyone knows how much I adore that show. There was also one about rhesus macaques I fell in love with. Basically, I love animal docs, haha. Can you think of a recent time in which you might have been better off resisting, but you did something because you “just couldn’t help yourself”? Probably eating something. When you are getting to know someone, do you tend to worry that the other person will lose interest in you once they get to know the “real” you? Yyyyep. What is something that you would like to do, but really aren’t able to because of your location? (e.g., see art or get a certain job) Man, a lot of things. Photograph meerkats is a biggie. What sort of job do you think is best suited for your skills? Is this an in-demand position or something you’re unlikely to actually get? If I could actually handle the heat and was in good shape to traverse the outdoors, I think I'd be a great wildlife biologist. Even more though, if I could beat my social anxiety, I would ADORE being an animal educator with kids. Do you believe it is the responsibility of businesses, or prominent business leaders (think Bill Gates) to take the lead on social issues whether by using their influence or their money? Saying it's their "responsibility" sounds unfair and puts a lot of weight on their shoulders, but I do feel they should by their own volition and kindness use their position for good, such as through monetary assistance and other things. Have you ever gone to a job interview and realized that you didn’t want the job? Yep. Have you ever asked that someone sacrifice something (a habit, relationship, job, etc.) for you? A habit, yes. Looking back it was stupid as shit. What would you call your body type? Ew. Has anyone ever hacked your accounts before? Yes. Do you enjoy big holiday dinners? Considering I spend them with my sister's bigoted, homophobic, and racist in-laws, not especially. I always feel very uncomfortable and disliked among everyone for being the "black sheep" among 'em. Is your vision good? God no. Even with my glasses, it's very poor. I need a new prescription badly. Do both of your parents have jobs? Mom has something of the sort, like she cleans a local church for a small pay, but it's not really a "job." She's still recovering from cancer, getting her strength back up and such before she can handle a consistent job. Dad's had a job for as long as I've lived. What is something you’ve always wanted a boy to do for you? How heteronormative. But whatever. It's so fucking cheesy, but singing a cute song to me while slowdancing sounds so super adorable to me. What food are you craving right now? I am craving something sweet like you wouldn't believe. It's annoying. Have you ever been in a car accident? Yes. Do you have a lot of scars? Yes, but most are very negligible. I just scar extremely easily. Last person you saw other than your family? My primary doctor. Last movie you’ve seen in theaters? The The Lion King remake. Who was the last person you played a video game with? Ummm I think Girt. Last game you played at an arcade? Zero clue. What was your favorite nursery rhyme as a child? I THINK I particularly liked "The Itsy-Bitsy Spider?" None stand out strongly, though. What is your favorite cousin’s first name? I don’t have a favorite cousin. Would you prefer to travel around the world by yourself or with a friend? I think with a friend to prevent loneliness, but at the very same time, I see a great beauty in traveling on your own. Just taking new things in, seeing so many different cultures, beautiful scenery... I feel it'd be a great chance for exploration of insight. Remind yourself how small you are, that there's a much, much bigger picture than your own problems, that people are so unique but hopefully share common morals... I see a lot of poetry in it. Do you like the smell of coffee? It's one of my favorite smells. If you have a favorite photographer, can you describe their work? I can't possibly pick. I watch literally hundreds on deviantART, and many of them absolutely blow my mind. What’s one aspect of your life that did not turn out as you expected? My lack of a career. Outside of school, have you ever used a thesaurus? Well, online ones for writing. When you see a good-looking girl in skimpy clothing, what is your initial thought? I envy her confidence, like gotdamn girl. Have you ever been in a lighthouse? No. Are you on a laptop or desktop? A laptop. What color is your shower? White. Where do you order your pizza from? Domino's or Little Caesar's. What was the name of the last dog you pet? We've been calling the dog we're holding right now Zoe. Have you ever had anything stolen from you? Yes. Have you ever seen the White House? I don't think so, but it's possible I have when we've driven up to New York, but from a distance. How about Niagara Falls? No. What do you like in your salads and what dressing do you prefer? I just like regular iceberg lettuce with some bacon bits and ranch. Man, that sounds good right about now. Any posters of a band on your bedroom wall? Yeah, Metallica and Marilyn Manson. Do you think it’d be cool to have your body mummified after you die? No. I couldn't rock the mummy look even if I tried, haha. Can you tell the difference between a Scottish & an Irish accent? Not really, no. Can you read music? I used to be able to. Do you work the night shift? I don’t have a job, but if I did, I absolutely do not want to work the night shift anywhere. Have you ever slept over at your best friend’s house? Yes. Is your mother diabetic? Are you? She is, but I'm not. Would you like to learn how to make ceramic pottery? It'd be cool, sure. Ever sang someone to sleep? No. Who did you last kiss? My cat. Why did you last lie? I don't recall. Probably to just avoid confrontation with Mom. What do you put on your hamburgers? Cheese, ketchup, and mustard, generally. Who do you think cares the most about you? My mom. Have you ever sent a dirty picture? No. What’s at the center of your dining table? Honestly, we sit in there so rarely that I don't even know. I think we might have nothing, actually. Have you ever started a rumor? No. Do you like being outside? If it's cool, yes. What’s your favourite condiment? Maybe ketchup. Or honey mustard. Who sang/played the last song you listened to? Chris Motionless is the singer of Motionless In White. I don't know if that's his real last name, though. Do you like yoga? I used to. Now all the bending and shit would make me dizzy as hell with my "how are you still alive" level of low blood pressure. Do you always carry breath mints? No, but I do carry Tictacs with me, but they're for my dry mouth. It forces you to salivate, so it helps. What do you think your reaction would be upon entering the White House? I don't really know. I honestly don't even know how it looks inside. Thinking about it, I'd probably be more scared than anything, waiting for a bomb to drop or some shit lmao. Have you ever grown your own sea monkeys or dinosaurs? OH MY GOD I LOVED those!!! I definitely did! Have you ever thrown a game controller (or the game) and broke it? No, I've never been the type to do that. If I'm SERIOUSLY getting mad, all I do is tighten my grip. Did you ever own an Etch-a-Sketch? Yes. Do/did you ever have glow-in-the-dark stars on your ceiling? I believe so. What movie were you really worked up for that ended up disappointing you? My answer is Warcraft, but only because the fucking orcs' voices were so baritone that I couldn't understand them almost ever lmaooo. Like I had a mild idea of what was going on because of the game, but still. What part of a paper is hardest for you to write? The intro, or the conclusion. Both are difficult to me. Like I want to compose a gripping beginning as well as an end that doesn't just repeat everything I've already said and ends on a strong note. Does it bother you that almost everything is done on computers now? No. KFC Chicken: original or extra crispy? I don't like fried chicken. Think about your first kiss. Did you have any idea what you were doing? I mean, I guess? Like I'd seen kisses enough to know how to give someone a peck. It just came naturally. Did you get Happy Meals just for the toys as a kid? Not just for the toy, but it's the main thing I wanted, sure. Have you ever seen your parents cry? If so, how did it make you feel? Seeing my mom cry absolutely destroys me. I don't want her to hurt EVER. Especially if it's seriously unfair bullshit that has her upset, I also get very angry (not at her, of course) and protective. I've seen Dad tear up once, back when he was telling us about his mother's funeral, and I felt immense surprise more than anything. He does NOT cry. How do you feel about animal testing? It's fucking disgusting and barbaric. Find a different goddamn way. Do you add condiments to your ice cream, or just eat it plain? If I'm having vanilla, I'll usually add chocolate syrup. Have you ever witnessed a crime? Yes. What’s the coolest personalized license plate you’ve ever seen? I'm forever gonna get a kick out of this one that just said "omw," haha.

#survey #surveys #questions #lyrics: ''come as you are'' by nirvana #happy pride y'all <3

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destiny-smasher · 4 years ago

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My personal 2020 GOTYs

1) Hades

This game, dudes. THIS GAME. A fraction of the budget, a fraction of the dev team size, reportedly HEALTHY development schedule and management...and imo it offers at least some of everything I want out of a single player video game. I have poured over 60 hours into this and I see myself putting in some more over time and ALL of the time I have spent has felt rewarding and edifying. Clever design, smart writing, organic voice acting, sharp gameplay, and all done at a fraction of the resources of these big budget, bloated games. You love to see it.

2) Final Fantasy 7 Remake (Part 1?)

I went into this year not caring much about this game at all. FF7 was a game I played as a teen, enjoyed, respected, and moved on from pretty easily. This Remake, so far, has done more than I could’ve expected in terms of actually REMAKING a game. It’s literally a new adaptation, and I as pleasantly surprised at just how hard it went. From realizing the world of Midgar into something so full of detail and plausibility, to reiterating and doubling down on its postmodern anti-corporation themes, to making Barret the character I loved the MOST somehow?? Combining everything I love about real-time RPG action with a tactical strategy element long missing from the genre, reimagining and fleshing out characters and concepts into something deeper and more meaningful...I’ve never considered myself a huge FF7 fan but this game was really something, and I absolutely cannot wait for more (and praying they do my girl Yuffie justice). I’ve been super skeptical of Nomura as a director given...the mess that has become Kingdom Hearts, but as it turns out, when he has others to reign things in, some surprisingly nuanced stuff for an anime game can come out of it. It has its flaws, to be sure, but it’s still the most enjoyable experience I had with a big budget game this year.

3) The Last of Us Part 2

I feel conflicted over this one in particular - I feel Neil is not longer a director I respect the way I did back with the first game. I feel Naughty Dog is falling victim to all of the late capitalist issues plaguing big budget game dev. But I also love this game. It’s much more flawed than the first, but that’s mainly because it’s more ambitious and complicated. It’s THE most flawed game on this game, honestly, but overall as a game I am compelled to respect its writing, its gutsier decisions, its art direction, acting, presentation, etc. It’s an impressive game and the most technically impressive game I played all year if not all generation. Props where they’re due, but at the same time, I think this game was poorly directed and I love it in spite of issues with its production, rather than because of some strong vision. That’s the big Sony bucks, I suppose, matched with a dev team willing and apparently somehow able to fulfil what they want to create. I still get the impression there was a bit of ‘design by committee for a mainstream audience’ kind of shit going on - how could there not with something this big? - and as a result I think the game is a bit bloated. Shave off about 3-5 hours from a few spots and it’d be a more focused game, and maybe I’d feel more edified and satisfied rather than weirdly conflicted. Even so, a huge accomplishment and I hope to see more games tackle premises as ambitious as this down the road.

4) Bug Fables

This game technically launched last year but it debuted on console in 2020, and I didn’t play it until then. This is as close to a follow-up to old school Paper Mario as it gets, while simultaneously doing a lot to forge its own identity and even improve on the formula presented in the previous games. Its rough around the edges but that’s mainly because it’s an independent game, and it’s amazing just how well the dev team was able to reproduce the scope and details of this specific subgenre of RPG, all while continuously implementing new game design elements and multiple features that make it feel more modern in its direction. Fantastic stuff, I’m still not even finished with it because I’ve been taking my sweet time, though I intend to finally finish it this month, and I have to say, it’s quite a special game in my opinion.

5) Fall Guys: Ultimate Knockout

Absolute banger of a multiplayer game, really love the presentation, the concept, the overall execution, the way the team has been updating the game every month or so in response to feedback and implementing new content. So good to see the battle royale genre FINALLY pushed beyond just...arena shooting. Can’t wait to see where else this game can go over time.

6) Animal Crossing: New Horizons

Somehow this one slipped my mind when I first wrote this up, despite having poured well over 100 hours into it this year. I think part of it is that New Horizons did a lot of things I’ve wanted the series to do for so long, and yet is still far behind in terms of so many other things I wish they would do. Quality of life things prevent me from really re-investing into it, and yet despite that I have to admit it REALLY sucked me in for a solid few weeks and I continued to play off and on for months. It was the perfect game we collectively needed right when it came out and graphically I can’t think of how to really improve on that style. A really relaxing getaway I needed earlier this year, though like with previous AC games, I don’t find myself going back to it as much as I’d think I would.

7) Going Under

A surprise hit for me, this rogue-like swooped in from ‘heh that looks amusing’ to ‘oh wow this is legit just a great game.’ Its weird visuals, funky 3D gameplay, and surprisingly sharp storytelling make for a rogue-like unlike any other and one totally near the top for me.

8) Marvel’s Spider-Man: Miles Morales

Squeezed this in just this past week or so, and this one also satisfied me greatly. I wish we’d see more big budget open-world games like this -- laser focused, not wasting any time, and not being repetitious aside for completionists. So cool to see another team’s take on Miles after how much I fell for Into the Spider-verse, and very glad the team both homages that movie while subverting some expectations fans of the film might have, all while continuing to adapt Insomniac’s take on Spider-Man from a couple years ago.

9) Demon’s Souls (Remake)

As a big fan of FromSoft who never got too far into this one originally, it’s been great to visit it as if it’s a new Souls game with an alternate art style. And a very clean art style it has. This was a good pick to be remastered because many, even FromSoft fans like myself, missed out on it, and it feels unique from its predecessors while still showing a solid foundation they’d go on to build from.

10) Crash Bandicoot 4

An amazingly well done follow-up to the original trilogy, this game GETS what makes old school Crash games good, and it improves upon things in a number of ways, from making Coco the alternate hero, bringing back old faces in new lights, going ham with the visuals both in raw art and unique filters when replaying stages, and giving incentive for completion with so many great costumes. Well done, great old school platforming with modern design sensibilities.

Honorable Mentions:

CrossCode

This also technically launched before 2020 but I didn’t play it until this year, and I don’t think it hit consoles until this year. I wasn’t exactly sure what to expect going in, just remembering that I had enjoyed the demo well enough. This game delivers in most ways you could want from an indie game, with an expansive world of sidequests and RPG growth, a flexible combat system that can be nailbiting and engaging, and old-school dungeon designs with lots of environmental and elemental puzzles that really ask a lot of you. All of this capped with a surprisingly great narrative with characters I grew to love, including a much needed protagonist with a unique identity unlike any in games that I’ve played, as well as extra bits of detail and production values invested at JUST the right moments where the story needs it the most. It feels a bit tedious at times and part of me wishes more of the sidequest content involved direct interactions with the named, recurring characters, but it’s still one of the most impressive and well-done indie games I’ve ever played.

Katana ZERO

Razor-sharp game design, this one. It’s a brief but intensely focused experience that feels like the video game equivalent of a slick, experimental indie film. Could do with some more replayablity for those who want it but what’s here is just damn good and I gobbled this game down like a fantastic, hand-cooked meal at an atmospheric dive bar barely anyone knows about.

Necrobarista

Haven’t quite finished it yet but this is definitely one of the best visual novels I’ve ever experienced just due to how hard it goes on presentation and pushing for a more cinematic and thoughtful vibe than any other VN I’ve ever experienced. The characters and writing feel ripped out of an early 2000′s webcomic, for better and for worse, but all the same, it’s some fantastic stuff and it’s so refreshing to see a game set in Australia tackling a well-worn genre by giving it a new spin.

Slay the Spire

Another personal pick since this released in 2019, and I’m not quite sure which consoles it hit or when, but I didn’t get into it until early this year, and was totally hooked. Fantastically addictive, probably the most well-design deck-building rogue-like I’ve seen, certainly one of my favorite deck-building games in general. Apparently I’ve sunk 50 hours into it this year, more than most on this list, and I wouldn’t be surprised if that number spikes up again at some point.

#personal #GOTY #long post

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thewickedmerman · 4 years ago

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My Fan-Cast for the Live-Action Remake of The Swan Princess

As some of you might be aware, there is going to be a potential live-action remake of the 1994 animated classic, The Swan Princess. The original movie is one of my all-time favorite movies, not just in animation but in general. It has fantastic songs, a lovely score, great characters, beautiful animation, a cool villain, awesome action scenes, funny comedy, and an engaging romance. So I am both very excited and cautious about the live-action remake, due to how much the animated movie means to be (I was actually born only twenty-one days before the movie was released in theaters). I don’t want it to be an exact copy but rather tell it in a new way while staying true to the original, as well as justify its existence. The creators of the original Swan Princess, it’s two hand-drawn sequels, and its terrible CGI movies are wanting to make a live-action remake of the classic. They are really awesome with how they interact with their fans and even accept that most of the fans really hate the computer animated movies. They appreciate praise and criticism, unlike some studios that only want praise. Anyway, they created a concept trailer, which is pretty much like what a pilot for a TV series is. It’s to give an idea of what it could be rather than being a finished product, so the actors in it aren’t necessarily going to be in the actual movie, as well as the effects/CGI not being finished. They are looking for the right studio to help make the film a reality. To get an idea, here is the concept trailer.

youtube

Anyway, despite being a little nervous about the movie, I am also excited for it because I want to see how they bring it to life. Besides, just like many fans, I’d much rather see a live-action remake of The Swan Princess than one of their computer animated movies, but I won’t go into that. Something I will go into is my dream-cast for this movie. As many of you know, I have a thing for doing my own fan-casts for movies. I’ve even made a video of my fan-casting choices as well, which I will include at the very end of this, which shows their acting and singing abilities. However, I did not include the animal sidekicks (Jean-Bob, Speed, and Puffin) or Bromley and I replaced Bridget (The hag and Rothbart’s little minion) with Rothbart’s daughter from the original Swan Lake ballet, the Black Swan herself, Odile. Let me be clear, I have nothing against those characters AT ALL. I love all of them! However, I feel like their very cartoony and Looney Tunes style of humor wouldn’t work in a live-action setting. So without further ado, here are my casting choices.

Jennifer Morrison as Odette’s Mother

If you have seen Disney’s live-action remakes, you’d know that they have a thing for actually showing the dead mothers of Disney Princesses. Cinderella’s mother, Belle’s mother, they revealed that Ariel’s mother is going to be in the live-action remake of The Little Mermaid, and while Jasmine’s mother didn’t make a physical appearance, she was mentioned a lot. So why not do the same with The Swan Princess? It could be added to the prologue and have her die giving birth. Jennifer Morrison has proven in Once Upon a Time that she is really incredible in labor scenes. Emma giving birth to Henry is considered one of Jennifer Morrison’s best performances, if not her absolute best. She also has a beautiful singing voice, which could make for a lovely new song in the movie, like a lullaby to Odette before she dies from childbirth. Maybe it would be one that could foreshadow Odette’s journey like the song “All is Found” from Disney’s Frozen II. Plus, Emma Swan is basically the Odette of the Once Upon a Time world. She’s too old to play Odette but she can still play her mother.

Kevin Kline as King William

I instantly thought of him for King William because of his role in the live-action remake of Beauty and the Beast. He showed such tenderness and a loving fatherly nature as Maurice that he would be perfect for King William, who is protective of nurturing towards Odette. He can also be funny and charming, which is another part of King William. He’d be able to show what a loving father and an entertaining character he is, which will make his death all the more heartbreaking and you could even show flashbacks to Odette’s childhood that shows how much she misses her father. The live-action remake should show more of how Odette is traumatized by her father’s death and how she didn’t get to say goodbye, hug him one last time, or tell him that she loves him for the very last time (But still have the main focus be on her relationship with Derek and try to develop it further). So it would add a layer of depth and complexity to Odette’s character and showing some flashbacks of their bond will make her refusal to give Rothbart her father’s kingdom even more powerful than it already is. She’d also wonder if she’d be the kind of queen he wanted her to be or he would be proud of, which he would be because she’d be putting the needs of her people ahead of her own by not giving into Rothbart. Kevin Kline is a strong actor that would exemplify everything that would make for a great King William and help with Odette’s own journey as a character with her wanting to make him proud. Not to mention that Kevin Kline has Broadway experience and can really sing. He actually has a better voice than what he had displayed in the remake of Beauty and the Beast, which will be important for the musical sequence, “This is My Idea.”

Josh Gad as Chamberlain

I can’t imagine anyone else as Chamberlain! I mean, he’s flamboyant, he’s hilarious, he doesn’t rely on shouting or being loud for humor, he can be subtle, he can act, he can dance, he has so much charisma, and he can sing. Josh Gad IS Chamberlain! His credits speak for themselves with his Broadway work, voice acting, and film work. Sure, his singing voice is higher than Chamberlain’s but he actually can sing in a lower register. Even if he can’t, he still has a phenomenal voice and so much energy that it wouldn’t really matter. He’d bring alive the musical sequence, “Princesses on Parade.” He’d be able to make the humor of Chamberlain feel like it’s more natural in the live-action remake the same way he managed to make Lefou feel more grounded in the live-action remake of Beauty and the Beast.

Sandy Duncan as Queen Uberta

This won’t take much explanation because of the fact that she is the original voice actress for Queen Uberta in the original film. She’s the right age to play her in live-action and even said she could do Uberta now. She’s known as “Funny Girl, Sandy Duncan” for a reason. She will be able to bring Uberta to life with her humor, charm, quirkiness, and charisma. But also show her caring and motherly side. Besides, it would be a great callback to the original movie to have her reprise her role in live-action.

David Hyde Pierce as Lord Rogers

This would be absolutely PERFECT! I mean, if you have seen him in his most iconic role, Niles Crane from the sitcom Frasier, you’d know he would be able to capture the dry wit that Rogers is known for. He can also do physical comedy as well, which Rogers does some of. Not to mention he can also pull off the wise and caring mentor aspect that Rogers is to Derek. He has such an appealing sounding speaking voice that is 100% right for Rogers. He’s the right age and still has a lot of energy in him, despite his age. He also has Broadway experience, so he’d be able to pull off the singing aspect as well.

Bella Thorne as Odile

I know a lot of people hate on Bella Thorne, but that doesn’t change what a brilliant actress she is with A LOT of experience. She’s been acting since she was six-years-old and even played a villain at the age of eleven (Maybe even younger) in the movie Forget Me Not. She has experience playing villains in movies like The Duff, You Get Me, The Babysitter, and The Babysitter: Killer Queen. She can be very frightening, especially in You Get Me, despite the film not being very good. Just the look of her eyes shows how intimidating she is. She can be very sassy and make it come off as very natural and not feel forced. She puts her heart and soul into every role she’s in. It’s always clear that she is giving it her all. While her movie Infamous was received negatively, her performance received critical acclaim. One critic in particular compared her talents to award winning actress, Sandra Bullock. Her acting talents have even been praised by award winning actress, Jessica Chastain, as well as many other celebrities that just loved working with her (Which is pretty much everyone she’s worked with). She’s very seductive, which Odile is known for, and is absolutely gorgeous. She also has a lovely singing voice. Nothing great but still good enough for a movie musical. If they included her in the movie and decided to make her a redeemable villain, Bella Thorne would be able to show that with her wide range of acting. Crying real tears is something that comes very easily to her. She’d be able to show the complexity and dimensions of the character.

Either way, it makes much more sense to have Odile be in the role of the Black Swan instead of Bridget. The Fake Odette is supposed to act seductive and also give Derek some hesitation to show that he has a feeling something isn’t right. It shows how he isn’t only interested in Odette because of her looks. This makes more sense with Odile because her behavior and mannerisms should be more like her own rather than like Odette’s, which doesn’t work with Bridget. In all the scenes that Bridget is in, she’s very comedic, wacky, silly, and over-the-top in her behavior and mannerisms. That makes her entertaining, but it doesn’t make sense in the context of the Black Swan trick. Just an observation I have. Not to mention that it could give Rothbart more motivation for wanting the kingdom, because of his love for his daughter. Besides, a lot of fans are hoping that Odile will be in the live-action remake. In my opinion, Bella Thorne is the only real choice for the Black Swan. She’s a phenomenal actress, she’s a good singer, she’s sexy and seductive, and she’s gorgeous. With a major movie like this, she could end up getting an Oscar nomination for Best Supporting Actress and have people finally take her seriously as an actress. I think she’s the most talented actor on this fan-cast list (I don’t care what anyone says) and that is saying something because this cast is phenomenally talented.

Toby Stephens as Rothbart

First of all, I cast a real redhead as Rothbart because I’m not ignoring gingerism like a lot of people are. Second of all, talent is in his blood, since he is the son of critically acclaimed actors, Robert Stephens and Maggie Smith. With brilliant talents like that for parents, you know that he has to be a brilliant talent as well. He is a phenomenal actor with many credits to his name. He’d be able to capture the gruffness of Rothbart but also the class, anger, sinister nature, wit, and energetic charisma of the character. He can also sing, though out of all the actors here, he has the weakest voice. However, his voice suits the character. It’s deep and raspy, which is perfect for the musical sequence, “No More Mr. Nice Guy.” He’s the second most talented actor on here, next to Bella Thorne, which makes sense because villains tend to be the ones to steal the show. Everyone loves a good villain. Honestly, I can’t imagine anyone else as Rothbart but Toby Stephens.

Derek Klena as Prince Derek

I mean, he already has the name for it, though that had nothing to do with this casting choice. He has an incredible singing voice and a lot of Broadway experience. He even played another Non-Disney hero on Broadway in the musical Anastasia as the love interest, Dimitri. YES! I’m aware that Disney bought 20th Century Fox and therefore own Anastasia. However, I still don’t consider Anastasia to be Disney. Anyway, his voice has a love of passion, power, tenderness, and is just the voice of a prince. He also has experience in screen acting and not just stage acting, which are two completely different skillsets. He demonstrates a lot of charm and charisma in his acting, so he’d be able to bring the character to life. When he sings, he shows just what a great actor he is as well as a singer. You can instantly connect with the character he’s playing and what he is feeling/going through. Not to mention that he is really handsome. But I hope that they won’t give Derek that ugly hairstyle that he has in all of the movies.

Demi Lovato as Princess Odette

Now for The Swan Princess herself. I bet some of you think that this is an odd choice because of how Demi is a pop star. However, that doesn’t mean she can’t be a princess. Look at Mandy Moore as Rapunzel in Disney’s Tangled. Besides, look at Demi with blonde hair. She looks exactly like Odette! Demi Lovato’s voice may not be as light as Odette’s usually is, but she still has a voice that would translate very well into the Broadways style music. Her vocal abilities speak for themselves and are undeniably brilliant. Not only that, but she’s a great actress, which a lot of people seem to forget because of how she focuses on her music career. It also wouldn’t be the first time she’s played an elegant princess, since she was in the Disney Channel original movie, Princess Protection Program. I also feel like she’d be able to capture qualities of Odette that people often overlook. Odette in the original trilogy (Especially the first movie) was feisty, strong-willed, and defiant. Demi represents those qualities perfectly in everything she does. She can capture Odette’s kindness and caring nature, since she is such a loving soul, but also manage to represent other qualities that make Odette who she is. She isn’t afraid to go against Rothbart, find a way to get out of her bad situation, and even defy her father in wanting Derek to tell her what he loves about her besides her looks. She even has some experience with voice acting, so she’d be a natural when having to do voice acting for Odette when in her swan form.

She’d also be able to capture the sexy and seductive behavior that is required for when Odile is disguised as Odette. If you have seen any of Demi Lovato’s music videos where she’s very provocative, she’s clearly able to capture that perfectly. Plus, if the movie does have Odile and they cast Bella, it would work because of how Demi and Bella are actually really good friends, so they’d be able to work together to make sure that Demi could imitate the mannerisms that Bella establishes for Odile.

Lets also not forget that she could help write an original song for the movie, which could get an Oscar nomination for Best Original Song. Demi’s songs, more often than not, have a story-telling quality to them. Her songs have her emotions and feeling out on her sleeves for people to know about and sometimes even have something of a character arc. Combine that with a traditional Broadway score by Lex de Azevedo or maybe even with the score from the original Swan Lake ballet by Tchaikovsky. Besides, with her MASSIVE fanbase, she would draw in a LARGE crowd, especially since they would love to see her in a movie musical, particularly one that would have a theatrical release. I wouldn’t be surprised if she got an Oscar nomination for Best Actress.

BONUS MATERIAL:

For some bonus material, I’ve included who I would choose to sing the end credit songs from the original movie, “Far Longer Than Forever” and “Eternity.”

“Far Longer Than Forever”: Jordan Fisher and Coco Jones

These two singing a duet together would be absolutely HEAVENLY! They have absolutely amazing voices with wide and versatile vocal ranges. Jordan Fisher is pretty much a male version of Mariah Carey. Coco Jones is pretty much a younger version of Jennifer Hudson. Not to mention singing the end credit song to a remake of an iconic and beloved animated movie could help her get the recognition she deserves. She was done dirty in Hollywood because of her being a dark-skinned black woman. Singing the end credit version of “Far Longer Than Forever” in the live-action remake could be to her what “Reflection” was for Christina Aguilera. That song is what helped make Christina the massive star she is today, so much so that she came back to sing a new version of the song in the live-action remake of Mulan.

“Eternity”: Anneliese van der Pol

Anneliese van der Pol is such an UNDERRATED talent! She has one of the most amazing voices I’ve ever heard in my life. It’s so powerful, she can seriously belt, has such an old fashioned beauty to her voice reminiscent of singers like Judy Garland and Barbra Streisand that is rare to find nowadays, she can be full-on but also tender, and is a Broadway singer. She would do the song justice and would stay true to the spirit of it. I mean, listen to her cover of the song “Candle on the Water.” Usually with Disney Mania, it’s almost always modern style music to classic Disney songs, however, Anneliese’s cover was in the same style as the original song, which is unique. In fact, her cover was better than the original.

youtube

Lastly, did you know that The Swan Princess has an OFFICIAL Youtube, Facebook, Tumblr, and Instagram? They even interact with fans A LOT! Take a look!

https://www.instagram.com/swanprincessofficial/

@theswanprincessofficial

https://www.youtube.com/channel/UCm_Q3k32sEVQbrANS7-vSjA

https://www.facebook.com/official.swanprincess/

You can even send an email to [email protected] where you can ask a question and it might be chosen for the monthly Chamberg Daily News (Chamberg is the name of Derek’s kingdom).

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xoxardnekoxo · 4 years ago

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Movie Review: Mulan (2020)

WARNING: SPOILERS AHEAD!

Ah, Mulan. One of my all-time favorite Disney movies. I loved it so much I had a life-size plush Mushu, a Disney Beanie Baby talking Mushu, a Mulan Barbie, every action figure made, a chirping Crikee, and even a Mushu/Crikee alarm clock. It’s no surprise that when Disney announced a live action version of this movie, I was all over it. The three-time delay in theaters due to the pandemic was disappointing, but then again, so was having to pay $30 on top of a monthly fee I already pay for Disney+.

When the movie was first announced, we knew right away that three things would be lacking that were in the beloved cartoon:

1. Mushu 2. Shang 3. Songs

I immediately jumped on this band wagon at the announcement of no Mushu:

Supposedly the actual country of China strongly disliked Disney’s animated interpretation of an actual legend from their homeland. I don’t know the full details, but I do know that with that in mind, Disney wanted to make the live action version of the movie more authentic to the actual story. This really wasn’t meant to be a remake of the cartoon, but a more accurate take on real events.

I know it’s Disney and that usually means music, but honestly, I’m okay with no songs. I outgrew musicals 15+ years ago. I was even okay with no Shang (but it makes no sense when there is an obvious, if unfulfilled, love interest in this version as well).

Much as I love Mushu, I was still eager to see this movie because I’m a fan of Asian culture in general and was curious to see how this movie would play out. Imagine my surprise when I learned that this version would consist of a phoenix and a witch.

How is that any different than a dragon? Is it because dragons are kind of sacred to the Chinese? A phoenix is similar - it’s a bird that is reborn from fire. And a witch? I highly doubt that actually happened in the original story. Did it? I don’t know, but my point remains.

Unlike the cartoon, Mulan in this adaptation knows quite a bit about combat already. We can see her as a child using her skills quite often, and her father tells her to contain her (strong) chi. Speaking of chi, it’s mentioned quite a lot in this movie. Apparently what makes Mulan such a strong/good fighter and leader is her strong chi. Chi is mentioned so much all I could think of was this:

(Chobits anime)

Mulan doesn’t have her dog (Little Brother) in this movie, but she does have a little sister. Interestingly enough, the original story depicts her as having a younger brother, but he was too young to fight. So if Disney was going for accuracy, they still could have gone that route and stayed true to the source material.

As with the cartoon, Mulan does meet the matchmaker, but she doesn’t go in alone. She goes in with her mother and sister, the latter of which is terrified of spiders. Instead of a lucky cricket causing a catastrophe during this “audition,” a spider decides to scurry in and scare the younger sister, prompting the cacophony. So really, it’s the sister’s fault Mulan brings dishonor in the matchmaker’s eyes.

Mulan’s father is frequently chastised by her mother for encouraging her boy-like behavior. “She is your daughter, not your son.” Rude. But remember, this is a different era. The only way a female could bring honor to her family was to be a good wife and bear sons. Still, harsh.

So we all know what happens next. One man from every family has to join in a fight against some turd determined to take over the empire, in this case one who is using a witch to help him, and Mulan takes her father’s place since she fears for his life. But she has good reason to - the poor guy needs help walking and even her mother said he won’t return from battle this time. Way to sugar-coat it, lady.

So we get to the men’s camp... no wait, first, we get lost and a phoenix (symbolic, since it appears no one else is able to see it at all) shows up to guide Mulan to where she needs to go. Yes, instead of asking the ancestors for help, her father asked the family guardian (phoenix) to watch over her. Okay.

Eventually we get to a large tent shared by all the soldiers. Yes, this time, they don’t all get their own individual tent. And of course, all the men are running around half dressed, throwing things at each other, rough-housing, you know the drill. It’s especially amusing when one of them loses his towel and Mulan immediately closes her eyes and cringes.

Then the commander asks for a night guard volunteer. Mulan proceeds to volunteer for this every night to avoid having to shower with the men. Too bad they all start to notice the smell. Funny, in the cartoon, Mulan absolutely did not want to smell like a man at all. It takes her quite some time before she’s able to sneak into the river to bathe. Too bad one of the guys decides to follow her in and she has to hide herself. :D

During training, rules and penalties are revealed, and the penalty for pretty much doing anything wrong is death. Except one thing - dishonesty. Dishonesty brings expulsion from the army as well as dishonor to the family. Don’t talk to a woman or you’ll die, but pour out some water to make the buckets lighter during a strength exercise and get humiliated.

So we eventually get to a big battle scene with all the flying arrows, and Mulan, of course, winds up by herself fighting the witch. The witch can obviously tell that Mulan is hiding her true self, so she’s all, “You’re going to die pretending to be something you’re not.” Then something pierces the wrap Mulan uses to hide her chest and she decides the best course of action is to go back to her comrades as her female self. The whole “big reveal” scene is her taking her hair down (which she does not cut with a sword by the way - in fact, she doesn’t cut it at all) and walking out of the fog and introducing herself. To me, that was very anti-climactic.

The cherry on top of that is when, after being expelled from the army for dishonesty (weird though, another rule was to not consort with women at all and yet she actually IS a woman and isn’t killed), she returns to the camp and the men immediately accept her for who she is because she’s all, “The emperor is in danger and I know how to save him.”

So the commander allows her to lead a group of men into the Imperial City to save the emperor, who is quite a warrior himself - he breaks out his armor to fight the Hun (not Shan-Yu, I don’t even remember what his name is this time), then Mulan shows up and of course she and the witch team up because, hey, why not? They’re both misunderstood women always being told to stay in their place, except the witch is controlled by the Hun and Mulan is free.

The witch can transform into a hawk or something like that (probably a shout out to Shan-Yu’s pet from the cartoon) and she actually flies in front of Mulan to save her from getting pierced by an arrow. So of course she dies in our protagonist’s arms and is all, “Take your place.” And of course, as expected, Mulan saves the day. And let me just say, how many times can one possibly kick an arrow and send it flying straight toward a designated target? It happens at least five times in this movie, and just once is a one in a million shot. Yeah, cool effect, but totally not accurate, Disney. I thought that was the whole point of this movie - more accuracy to the source content. And you also wanted to appease China. Too bad it didn’t work this time around, either.

The movie ends with Mulan being offered a position on the emperor’s army (nice cameo by Ming-Na Wen, the original voice of Mulan from the cartoon!), but she chooses to go back home - where her sister has been matched to someone who isn’t afraid of spiders.

Yay! Then Mulan’s commander and some other guys show up and offer her the same job the emperor did, only in front of her entire village, so everyone knows she has now brought honor to her family and the country, prompting the matchmaker to faint because she was proven wrong.

So then she does take the job after all, and that’s pretty much the end. Shang isn’t in the movie but there is one fellow soldier she seems to have fun with in practice combat, and he’s super eager to accept her as a woman, even saying she’s the best soldier they’ve got. But nothing comes of that - the two part ways as friends, but honestly, I think it’s okay in these circumstances. Throwing a love story into this rendition just wouldn’t work.

So all in all, not a bad movie, but I think I probably should have waited until it was available on regular Disney+ or DVD instead of spending $30 on premiere access. But I would have spent that going to the theater anyway, so I guess it’s not so bad. I do know a lot of people absolutely hated this movie and it’s gotten bad reviews. I didn’t mind it, but I think my favorite live-action Disney movie so far is Aladdin. This one is probably in second place, though. I think the reason people dislike it so much is that there are so many things missing that were in the cartoon. But again, this is not meant to be a remake of the cartoon - it’s meant to be a more accurate version. But you just can’t make everyone happy.

Overall, I’d give the movie a 7/10. It could have been better, could have been worse. I still prefer the cartoon but it was interesting to see this version as well. Now to see what other live action movies get made... and we’ll see if The Little Mermaid can beat this with a black Ariel. I think I should audition for the role of Snow White - I have the short hair, pale skin, and am always talking to animals. If Ariel can be black, Snow White can be fat!

#xoxardnekoxo #Movie Review #Mulan #Mulan 2020 #Mushu #Shang #Li Shang #Crikee #Disney #spoiler alert #Disney princess

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nomadicism · 5 years ago

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I read that one posts. I agree with Sol. I think it's more likely that Dreamworks crunched the numbers, figured it wouldn't be profitable and just canned the project than them cancelling it because of a very small section of the internet. p1

“p2 Mecha is just a dying genre as a whole. Even in Japan, isekai has taken it's place and there are hardly any new mechas outside of Gundam. That's in Japan! In the west, mecha is even more niche of an interest and general audiences don't gravitate towards it. I don't think that any mecha movie wouldn't do well at the box office. I'm even worried about that Gundam movie bombing at the box office.”

Hi Anon, thank you for the Ask!

Yeah, I agree with Sol too—and at risk of repeating what I’ve said in other posts about the movie thing—it’s really hard to convey just how incredibly unlikely a property like Voltron or Robotech will ever be made into a live-action movie. It really is about the numbers, as it always has been. Since the 80s, there’s this whole persistent and stupid element of the cartoon industry that continues to delude itself that promises or interest from Hollywood will ever pan out. There are so many scripts sitting in production limbo, that it’s almost criminal.

No one wants to risk money on a live-action movie based on children’s media IP that won’t bring in rated PG-13 or R dollars from adults, and no one wants to risk repeating the 80s He-Man film. The exceptions are live-action films made from children’s media IP that are fully owned by the company paying to produce the movie. I’ve got more to say about the complexities of royalties, but that’s awfully long-winded when I get into it, and I’d rather be long-winded about giant robots. (◕ᴗ◕✿)

The topic of mecha genre dying out is what really interests me here. It’s a topic that I think about a lot, as the beginnings of the mecha genre had a lot of deep cultural time-and-place stuff behind it, even if the stories were just kids and teen boys hopping into a giant robot to beat up other giant robots and monsters, in what were essentially 30 minute long toy commercials.

Isekai will come-and-go as all genres do. It’s not a new genre, but right now the types of themes driving the isekai stories being made speaks to a lot of interesting things happening in the youth of Japan’s relationship with digital gaming and role-play escapism. It’s fascinating, even though the focus of the genre as it’s done today hasn’t really grabbed me in the same way that isekai of the 80s-90s did.

Mecha isekai exists, and it’s only a matter of time before someone either remakes Vision of Escaflowne, or does a more mecha-focused isekai story similar to Magic Knight Rayearth. I doubt anyone would revisit Aura Battler Dunbine, or Super Dimension Century Orguss, but an otaku can dream.

Before we can say the mecha genre is dying, let’s briefly skim over the genre trends of the past +40 years. Every decade or era of mecha anime has a trend that reflects cultural concerns built into it, in a way that I don’t think any other genre of animation can touch (until now, with Digital/Virtual/Fantasy RPG World Isekai).

Late 60s-70s was: Super Robot smashes monsters and alien robots

Mid-70s – early 80s was: Combining Mecha Sentai Team Super Robot smashes monsters and alien robots

80s was: Real Robot + “how many sci-fi/fantasy settings can we put a robot into?” + the death-throes of Super Robot (e.g. Dairugger XV, Golion, Baldios, Godmars)

Also 80s: What the hell was Super Dimension Fortress Macross about? Cold war tensions of escalating end-the-world arms race meets an alien species whose only culture is fighting. Where songs about love, and the culture of love, are what win the day, not just transforming robots and big guns. Macross is deeper than it lets on.

Fun 80s: GoShogun happened. The first parody-satire mecha anime that still feels more serious than they intended, but is actually hilarious once you get past the dated gender roles humor (which was also kind of intentional satire).

WTF 80s: Space Runaway Ideon broke everyone’s minds.

Still not done with 80s: Gunbuster happened. The first angst-driven parody-satire mecha anime that blew everyone’s minds.

Late 80s-early 90s OVA mecha was a mix of Serious Cyberpunk-influenced Real Robot for older teens and adults + Mecha with Tits & Tentacles for Adults (see also space elf lesbians).

90s was: The Franchises Will Survive With Prettier Pilots, and Super Angst-Bot That Was Way More Influenced By Drugs And Ideon’s Ending Than Anyone Wants To Admit (aka Neon Genesis Evangelion) + “Since Gunbuster was a success, how many parodies of Super Robot and Real Robot can we do?”

Mid 90s isekai gems: Magic Knight Rayearth and Vision of Escaflowne

Late 90s: Brain-Powerd (not a typo) happened and it’s a shame no one remembers it. I’ve seen it’s influence come up in the 2000s – 2010s.

The 00s seem to be filled with a lot of re-treading of everything that came before but with different cross-genre influences and some of it really damn good but hard to remember because it all kind of blends together.

The 2010s-today: I have no idea what’s happening now b/c I can’t keep up with anything that isn’t Gundam. And why bother when there has been a flood of classic 70s-80s mecha releases—many for the first time in the US—to binge watch?

Knights of Sidonia was cool.

Since I haven’t kept up, I can’t speak to what new mecha anime is like, or why it's less popular (though I have an educated guess). It was gonna happen eventually, and I suspect that the kinds of post-nuclear and Cold War existential dread that informed mecha anime of the 60s-80s has moved on as target audiences grew up. Those lates 80s OVAs, where the stories could be more adult, reflect that growing up (and also Blade Runner’s influence).

I see the 90s as very transitional, includes reactions to the prior eras, but also reflects a lot of angst by Japanese teens and young adults caught up in the after-effects of 80s stagnation, and the constant test-studying to get into the best school to get the best job (if it exists) and figure it all out before you’re 14 so you can pick the best school to test into. Also, salary-man dad works 120 hours a week and is never home. Get in the Angst-bot Shinji.

Excluding the stand-out brands that survived their respective eras: Gundam, Macross, Braves series, Mazinger Z, Getter Robo, Evangelion; there’s not much other ground that can be covered right now that would warrant a series. The franchise mecha shows are grounded in their respective niches. It’s kind of odd that there isn’t an isekai mecha franchise, b/c that’s a niche that hasn’t been owned in the way that the other niches have (unless maybe Machine Hero Wataru is still a Thing?)

It’s worth mentioning that Sport Anime has really been having a moment for almost a decade now, and that’s super interesting to compare against isekai. Isekai about dungeon slimes or whatever vs literal horse-girls racing each other like high-school track. Thanks Japan, are y’all all right over there?

A few last things:

The success of Super Robot Wars tells me that mecha genre isn’t dying. Consider the ages of players. How many of them actually grew up watching Yuusha Raideen (aka Yūsha Raideen / Raideen the Brave)? There is an SRW manga anthology series, and loads of gachapon and collector’s grade mecha figures from old mecha anime get released with regularity. Someone’s buying that all that shit.

SRW is nearly 20 years old now, and they are still making video games that do one thing really well: rotate a 40 year old cast of everyone’s favorite robots into a battle strategy game held together by a duct-tape plot that doesn’t take itself too seriously. The games are fun, and it’s cool to put all these mecha into the same field. It’s really great to see older shows that will never be remade have little cut scenes in a newer animation style that still feels like the originals.

There’s also the old staple that started it all: the tokusatsu genre of live-action Super Sentai shows (e.g. Power Rangers). They’ve been making the Super Sentai Series since 1975, and there’s still fun to be had watching color-coded warriors use special powers/tech to summon forth some combining mecha to do battle with rubber suit monsters from outer-space. The effects are much better these days, but it’s the same formula, year after year and people still love it.

So with respect to mecha, I think what’s died or dying, is that people are afraid to have shameless child-like fun with giant robots. The genre got too serious and too angsty (and too horny without the grown-up edge of 80s OVA Tits & Tentacles mecha). The franchises carved their niches and aren’t going anywhere, while the genre survives in video games and collectables.

A lot of that shameless fun has moved into other genres, because nothing else explains a title like: “Is It Wrong To Pick Up Girl’s In The Dungeon?” or the nearly-ecchi concept behind the sports anime “Keijo!!!!!”. But that kind of fun is less child-like and more self-deprecating or pervy-humor. Both sports and isekai anime have their serious side, but seem to be dominated by stories that don’t take themselves too seriously, or like Yuri on Ice, aren’t afraid to take a concept that no one ever saw coming, and shape it into a good story.

I eagerly await a mecha sports anime (wait, no, I think that already happened), and I’d love to see a knock-out isekai mecha anime again. I think it will happen eventually, but probably not from Toei or Sunrise. If Tatsunoko could get beyond Moe Idols In Space, then the Macross franchise already has everything it needs to do a isekai series. That would be rad.

#mecha #ask me anything #anonymous #i'm sorry this got long

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mulanxiaojie · 5 years ago

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We were all thinking it, and finally someone had to ask: Why on earth would Disney cut Mushu? “Well, we made it 10 minutes in,” joked Mulan producer Jason Reed.

In case you missed the trailer, the headlines, and the tweets — so many tweets — the live-action Mulan will cut Mushu, leaving it bereft of the comedic energy from a dragon sidekick. The world has changed since 1998, and Disney has made a serious, more violent Mulan that’s truer to the Chinese folklore.

“Obviously Mushu is a beloved character, and one of the most memorable elements of the animated film,” Reed explained to a group of journalists huddled inside a tent on Mulan’s mountainous New Zealand set in October 2018.

“It turns out that the traditional, Chinese audience did not particularly think that that was the best interpretation of the dragon in their culture. The dragon is a sign of respect and it's a sign of strength and power, and that using it as a silly sidekick didn't play very well with a traditional Chinese audience.”

It's one of many indications that unlike with The Lion King, Disney is not going for a by-the-numbers Mulan remake.

While a classic to kids of a certain generation in the West, 1998’s Mulan flopped in China, released a year late after Disney was effectively banned for releasing the film Kundun, a film sympathetic to the Dalai Lama. On screens in Mulan’s birthplace, Hunan, the film only made $30,000 at the box office after three weeks.

You could blame the film’s late release in China, which caused some audiences to watch pirated versions months before its eventual arrival in theaters. But it's also likely that local audiences didn’t warm to the idea of Americans taking on a Chinese legend, especially one which already had multiple adaptations on film, TV, and stage.

“This is not a Chinese dragon," one Chinese moviegoer told The Baltimore Sun in 1999. "I can tell the people who designed the dragon are from America."

In that light, Disney’s resistance toward a comedic dragon sidekick in the new Mulan makes financial sense. Once chump change for Hollywood, China’s film market is set to overtake the U.S. this year. For Disney, its three biggest 2019 releases in China — Captain Marvel, The Lion King and Aladdin — accounted for more than $320 million in takings.

Despite the omission of Mushu, Reed promises the film will be funny. Just admittedly not Eddie Murphy funny.

"We have some scenes that, although they're played very real, are gonna get some very big, big laughs.”

“Take one of the greatest comedians of all time, make them a dragon, have him prance around, and give him like, two years refine the jokes — we're not gonna beat that, in terms of raw slapstick comedy,” he said.

“But we have added a couple of elements to this movie which I think really do the same thing of grounding it, bringing you into it, we have some scenes [that], although they're played very real, are gonna get some very big, big laughs.”

Other big changes are afoot as well. There aren’t any of those singalong theatrical musical numbers like “I’ll Make a Man Out of You,” “Reflection,” or “A Girl Worth Fighting For”, although Reed promises there will be “songs that you recognize and remember” in the movie.

Also gone is the cathartic scene in which Mulan cuts her hair in preparation for battle, which Reed admits he gets mocked for during meetings in China. “[It’s] actually a Western anachronism,” Reed explained. Chinese male warriors wore their hair long, and to cut Mulan’s hair would make her look more of a woman.

Nor will you see Mulan’s smart-mouth grandmother, Fa, or Li Shang in the live-action film. The latter decision has been particularly controversial, given Li Shang’s status as a bisexual icon. Reed was surprised by the backlash, but the decision was made in the light of the #MeToo movement.

“I think particularly in the time of the #MeToo movement, having a commanding officer, that is also the sexual love interest, was very uncomfortable. We didn't think it was appropriate and we thought that in a lot of ways, that it was sort of justifying behavior that we're doing everything we can to get out of our industry,” Reed explained.

Instead, the character of Li Shang will be split into two characters: Commander Tung, played by Ip Man star Donnie Yen, will serve as Mulan’s surrogate father and mentor in the film, while Chen Honghui, a role filled by New Zealander Yoson An, will be an equal to Mulan in the army and her eventual love interest.

It still leaves questions about how the queer element of the relationship between Mulan and Honghui will play out, or whether it will even be present. While homosexuality was decriminalized by China in 1997, Chinese censors are infamous for cutting out LGBTQ TV and movie scenes.

Chinese moviegoers saw no reference to Freddie Mercury’s sexuality in Bohemian Rhapsody, while Call Me By Your Name was pulled from official screenings (although it soon gathered a cult following). Disney doesn’t believe censorship will be a problem for Mulan, with Reed explaining it worked “very closely” with censors and its releasing partners in China.

“We feel that we are secure in the censorship issue, that we have our permits approved and I believe that we will continue to have a good relationship with the releasing entities in our various partners in China,” Reed claimed.

While the storyline will largely remain similar, new characters are joining the fray. A powerful shapeshifting witch, portrayed by Gong Li, will feature alongside the main antagonist Bori Khan, played by Jason Scott Lee. The story will begin with Mulan as a child, and she will have a younger sister in the film, something present in other adaptations of the folklore.

“It makes it more than just her having to take care of her father and mother, who are sort of in the role of taking care of her,” Reed said. “By adding a younger sister we thought that it added sort of a broader emotional context, and added more motivation for her, particularly for the end.”

On the monitor inside our tent, actor Yifei Liu is effortless in her swordplay. It’s no surprise she’s landed the titular role; she is Mulan. Liu battled through a tough physical audition for the role, admitting to us she couldn’t walk properly after.

“I wanted to thoroughly explore this girl,” Mulan’s director Niki Caro told Empire in February 2020.

“Because I needed a warrior, and I needed a partner. So she did this grueling audition and then we sent her straight to the physical trainer to do an equally grueling physical assessment. Weights, push-ups, pull-ups, everything. She was brilliant in the dramatic part of the audition, and in the physical part she never stopped, never faulted. I knew at the end of that day that I’d found my warrior.”

Liu has plenty of experience acting in wuxia films, a genre of martial arts films in China. Besotted, Mulan's filmmakers even pushed back production five months for Liu.

“She was doing a television show and so she wouldn't be available to a certain point, and the point when she was available was terrible weather for us,” Reed said.

Liu, who exudes confidence onscreen and is praised by her co-stars for her professionalism, is more reserved in conversation. She said she doesn’t try and think too much about how Chinese audiences will perceive her as Mulan. Nor would she be drawn on a question comparing the character of Mulan in the animated and the live action version.

“I would not really compare, because I think each creation was its own form, and I really respect that,” Liu explains. “I’m also open to Mulan’s possibilities. We tried not to fix too many things.”

For Honghui actor Yoson An, who only has a handful of credits �� mostly in his home country of New Zealand and in Australia — the whole international fame thing hasn’t quite set in.

“I don't think it’s hit me yet, I don't know where it's gonna go until this movie’s released, I guess. I'm still kind of rolling with things, just one day at a time,” An said.

Admitting that he would’ve been looked over if the live-action Mulan had been a musical, An said he only picked up acting in his late teens, disillusioned with his university studies.

“When I heard that Niki [Caro] was set to direct this movie back in 2014, I was like, ‘Oh, so cool. A New Zealander is set to direct Mulan,’ and I was just walking back to get my car and I was like, ‘Wouldn't it be cool if I played the love interest?’, just like a little thought in my head, and I'm thought, ‘No, that's never gonna happen.’ And then, four years later, here I am,” he said.

"It really dispels all the classic Asian stereotypes from all the other films."

The world of Mulan is inspired by the Tang dynasty, a golden age of imperial China during which it experienced flourishing trade with foreign nations and cultural advancement. In An’s eyes, Mulan could be a major moment for Asian diaspora worldwide — although Liu’s praise for police during the Hong Kong protests last year has prompted calls for a boycott of the film.

“In this film, the cast, you see people from different kinds of cultures interacting with each other and every single character has a multi-dimensional layer for them. So it really dispels all the classic Asian stereotypes from all the other films,” he explains.

“And with what Black Panther has done for its community, and I really feel that Mulan is gonna do the same for the Asian community as a whole, taking on what Crazy Rich Asians has already done for Asian community, with the momentum it created.”

Like Crazy Rich Asians, Mulan looked far and wide for Asian actors. There’s a mixture of Asian New Zealanders, Asian Australians, Asian Americans, and of course, Chinese actors. Mulan is mostly in English, to the joy of the subtitle-averse out there, and thus all actors are aiming towards a Chinese-influenced American dialect — a goal which Reed admits has been “complicated.”

It’s no problem for An, who said he’s performed Chinese accents on screen before. Reminding us how young he is, An mentions he practiced as a kid to YouTube videos of Canadian stand-up comedian Russell Peters, who went viral a decade ago for his “Be a man! Do the right thing!” bit.

“You guys know Russell Peters? Right? As a kid, I’d watch his stuff and do exactly as he did. But that's a very comical version of the accent, it’s very different to what we’re doing,” An said.

In research for its live-action reboot, Reed and the production team went back to the original ballad and the “many, many variations” which told in China since, including several modern film and television adaptations made in China — before watching the Disney animated version again, thinking how Mulan would appeal to multiple audiences.

With the coronavirus shutting down all 70,000 of the country's theaters since Jan. 24, it's unclear — and more unlikely every day — that multiplexes will reopen in time for its planned release.

"It certainly has worldwide and global appeal, but there's no denying that this is a very important film for the Chinese market," Comscore analyst Paul Dergarabedian told The Hollywood Reporter. "It's a huge blow for Disney if it doesn't release in China." Disney president of production Sean Bailey told the publication he's "looking at it day by day."

Whenever and wherever it arrives, the hope is that Mulan will appeal to four audiences: the Asian diaspora community worldwide; women; Disney movie fans; and of course, a Chinese audience. But why would a Chinese audience watch another adaptation of Mulan? The answer lies in the hope that Disney can create something exceptional this time around.

“One of the things that was made clear to us from the very beginning was, make a Disney movie. Don't try to make the Chinese version of Mulan, because they've already made it several times, and they've already seen it,” Reed explained.

“So if you wanna make something that's going to play to the Chinese audience and be interesting to them, make the Disney version. And what that meant to us, was that we had to bring the highest level of execution, production, design, costume, hair and makeup, the cinematography.

“The people that we hire, they were hired with the expectation that we wanted awards-caliber work, and they weren't meant to think about this as a kids movie or an animated remake, or any of those things.

“Our references are David Lean and [Akira] Kurosawa — we're not looking at 101 Dalmatians.”

#entertainment #disney #mulan #live action mulan #article #I'm all four audiences so let's see if it appeals to me lmao

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chriscdcase95 · 5 years ago

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Halloween: Why the Thorn Trilogy was as underrated as "Twenty Years Later" was overrated

So yeah, I said it. And now I’m gonna explain it.

This may be some nostalgia of mine talking but as a long time fan of the Halloween series - I am talking when I was ten years old, when I was first getting into horror genre- I grew up on the old Halloween sequels consisting of the Thorn trilogy and the Twenty Years Later story lines. I know they are considered separate continuities and timelines, but y'know broad strokes, Easter-eggs, and the fact early script drafts for Twenty Years Later (Or H-20) intended to tie them together before they were cut from the final film, you can make the case they are ostensibly canon to each other, but that’s about it.

The Thorn Trilogy isn’t considered the best of the series; many fans looking down on the fifth and sixth film as being the least popular of the films. I think the only reason they aren’t considered by fans the worse in the series is because Resurrection exists, and was that followed by Rob Zombie’s remake duology. On the flip side, H-20 and 2018 are considered the golden calves of the franchise, and for the life of me, I never saw the appeal of the formers popularity. Now I can see why people have problems with the Thorn trilogy - especially regarding the cult and curse plot element of the sixth film. Unpopular opinion, but the sixth film was my favourite of the series - maybe has to do with my autism appealing me with both world building and the familiar - or that it seemed to tie up one storyline, but at the same time set up so much that I was disappointed that it didn’t continue.

For context, this post is partially inspired by Schaffrillas Productions video about Shrek 2. In this I will be using the criteria of what he describes as a “Perfect Sequel” which I’ll apply to the Halloween series, and as his Shrek 2 video says, there’s no such thing as the perfect movie; there’s too many variables to cover in a single movie alone, while a movie can preform it’s functions as a sequel perfectly even that doesn’t mean the movie itself is perfect. The “Perfect Sequel” criteria goes as such; expanding the universe; continue the story; introduce new themes or expand on old themes; leave an impact on the franchise.

Like Schaffrillas Productions, I will use this criteria to determine what the Thorn trilogy did right over H-20. Now am I gonna throw the 2018 sequel into the equation ? Maybe for compare and contrast purposes, but the 2018 sequel hits those same beats. There really is no competition between H-20 and 2018, I don’t question why the latter is considered a fan favorite. What I am primarily doing here is comparing the old sequels, and 2018 barely comes into the equation.

Does the Thorn Trilogy expand the films universe ? Does is continue the story ? As far as continuing the story goes ? Well that’s a no brainier; Halloween II begins where the original film ends; Return of Michael Myers picks up ten years later with Michael waking up from a coma after his seeming death in the second; Revenge follows Return and that leads to Curse. You get the picture, there’s an overarching story here.

“But does it introduce new themes that impact the franchise ?” You ask. Not the Thorn trilogy itself, but the second film does. Halloween II kinda sorta introduces a supernatural element to Michael by hinting a connection to the an ancient element of Halloween - more specifically the lord of the dead Samhain- but more importantly revealing that Michael and Laurie are brother and sister. The supernatural stuff is explored exclusively throughout Return to Curse, but ever since it was revealed the entire Halloween series hinged off of Michael and Laurie’s familial connection. Even in 2018 where they discontinue the sibling aspect, the theme of family permeates the plot, with the focus hear being on Laurie, her family drama, her need to protect them and how Michael not only affected her but her family.

In what’s relevant here is Michael and Laurie’s family connection is the focal point of the Thorn Trilogy, albeit not through Laurie herself; our lead character in Return and Revenge is Jamie Lloyd, the orphaned daughter of Laurie Strode and niece of Michael Myers, and she is what made their relationship the most plot relevant. Before Michael even wakes up from his coma, we are introduced to Jamie being haunted and even bullied over the fact that she’s and orphan and how her uncle is the infamous boogeyman. Her mother is gone, and she never even met her uncle, and yet both their shadows hang over her. Once Michael learns he has a niece that’s still alive, that’s all he needs to get up and at ‘em and nothings gonna stop him from getting his hands on her. And once he does in Curse ? It’s their baby he’s after next! Yes, their baby. Michael is the biological father of Jamie’s son Steven, who becomes his new target and finds an adoptive family in Tommy Doyle, Karla Strode, and her son Danny, who take the responsibility to protect Steven from not only Michael, but an evil cult that will no doubt be following them for some time. So we have something set up; a possible future confrontation between Michael and his vengeful son, and defeat the cult that has been mentoring Michael and orchestrating his rampages from behind the scenes.

So what comes next ? H-20 gives us Dawson’s Creek with a serial killer. One of the things I mark against H-20 was I felt it lacked the same kind of substance as the previous trilogy. For something that was conceived as the finale of the Halloween saga, I just couldn’t get emotionally invested, and maybe it had to do with the later release of Resurrection and the knowledge of what comes next. Maybe I was deflated that Jamie wouldn’t get justice, or that we wouldn’t find out what became of Little Baby Steven. Sure we got a plot about Laurie being a protective mother towards her son John, but for some reason I couldn’t really empathize with John in comparison to Jamie - not helping his case is that 2018 Laurie has a new daughter in Karen who has the same kind of baggage John had with Laurie, was a more interesting in characterization. John was a just a Dawson’s Creek student who serves as someone Laurie needs to fight for, only to be forgotten in Resurrection. Unlike Jamie or Karen, John was more of a plot device than a character.

As far as expanding on the previous films themes go, H-20 doesn’t really do this. It’s focus is on Laurie and her incoming “final” confrontation with her brother…but it doesn’t feel like it has the same weight. Laurie’s having her nightmares, she’s living in paranoia and the constant fear of her brother inevitably coming after her again, and how it took a toll on her relationship with her son. That’s all well and good, but the problem is the emotions feel underwhelming here. I’m not bashing the acting or anything, but I think I was supposed to take Laurie and John’s screaming match when they argue about Michael more seriously than I actually did (their second scene together by the way). Maybe they should have focused more on Laurie’s angst, and her relationship with her son, but it all felt rushed and emotionally underdeveloped in comparison to Laurie’s emotional scars shown in 2018, which felt like they had a little more weight here. 2018 gave us a slow burn with them, H-20 gave us the last three episodes of Game of Thrones.

Also the fact its Halloween night is barely a factor in this movie. There’s more focus on a trip to Yosemite Park than the actual holiday, and none of the characters don’t even go on the trip itself. Hell, this movie and it’s sequel were released in the summer.

“What about expanding the films universe ?” As I said above, I think the main thing I liked about the Thorn trilogy was it’s world building. It is next to 2018 with the most lore filled storylines in the series, (and I expect more to come from 2018’s sequels). And the Thorn trilogy not only captured the atmosphere, but tied the lore of the actual holiday of Halloween much better than H-20. And for better or worse, we dig in a little more into the mystery that is Michael Myers and his family. Or do we ?

Short answer is “Depends on what version of the sixth movie you watch.” Yeah I know the sixth movie introduces the Thorn cult and curse, but there is are differences between the Theatrical Cut and the Producers Cut on account of things that have been added, cut or changed outright between the two versions. The Producers Cut is the only version Michael being a puppet of the Thorn Curse and tool to this cult. The Theatrical Cut plays around with this idea but doesn’t explore it beyond a theory Tommy has, but isn’t verified in the cut itself. As far as the Theatrical Cut is concerned, Michael is just a rage driven psychopath.

And honestly I get that one of the supposed appeals to Michael Myers is the mystery of his character. Everyone goes off about how he was such a cool villain in the first movie was because of his mysteriousness and the questions left unanswered and go on and on about it. But here’s the thing, the point of a mystery is the need to solve it, the need to explore and find out more about this mysterious figure. Michael being a mysterious figure can work in one or two movies before it gets boring and he just becomes a blank slate, a carboard cut-out. And really that was one of the problems Michael had in H-20. The Thorn Trilogy gives three movies to find out more about Michael, and his familial connection to Laurie Strode is the focus, even with Laurie out of the picture. Some would say because we find out more about Michael, his status as a villain is cheapened, but I always thought he becomes more interesting the more we find out about him.

In H-20, we got nothing with Michael. We don’t find out anything really new or interesting, or anything that really makes him that much of a threat. The whole movie was about a showdown he was going to have with Laurie twenty years after his first rampage, but there’s no real substance with Michael this time around. And this isn’t the same as 2018 going back to basics by following only the first movie - H-20 explicitly follows the second movie so this is the same Michael who hints at a supernatural element, the same Michael who is revealed to be Laurie’s brother, but none of that is really important here. The brother and sister element - the crux of these two characters, isn’t of importance here as it was for the Thorn trilogy; the closest we get to that is the scene where Laurie kills someone she thinks is Michael, which leads to Resurrection.

Michael and Laurie felt more related in 2018 than they ever did in H-20. And speaking of 2018, I know they brought Michael back to his original form, but considering there’s two sequels to that movie in the works, there is only so much you can do before Michael becomes “cheapened” by finding out more about him or become boring by keeping him a blank slate. Like I said, Michael can only really get away with being enigmatic for one or two movies before it just becomes a crutch and excuse which would result in him becoming boring.

As far as world building goes, the H-20 storyline doesn’t really expand the universe besides taking us to a boarding school in California, but I can give it leniency since it was gonna originally be a follow up on the previous trilogy. Now onto comparing characters.

Laurie Strode as a Protagonist

While it goes with out saying that Laurie Strode is a runner up when it comes to being the OG Final Girl. In the same way Michael helped define the slasher villain, Laurie is helped define what the final girl is. In just about every timeline and storyline in the Halloween series, all it took was one night to shape Laurie as her fateful encounter with Michael. In the first two movies, Laurie was a great protagonist, she was the naive, inexperienced teenage girl, and even a sisterly figure to Tommy Doyle. She was a protective babysitter who risks her neck to not just survive the night against a psychotic stalker, but protect the kids that are in her care. And that was just the first movie.

The second movie (which takes place on the same night mind you) things get personal with the brother/sister relationship. In this movie, the family aspect did impact Laurie; Laurie was the first person who finds out the truth and has a dream induced flashback of when she met Michael when she was younger shortly after her mother told her she was adopted. Laurie wakes up and the revelation that the seeming stranger that just murdered her friends is her brother, it puts her into a brief catatonic shock…although she might have been faking it while planning an escape. Point is the brother revelation had an effect on her.

But watching II and Twenty Years Later back to back, I just didn’t feel that it the same impact as it did in the previous movie. Michael’s relation to Laurie wasn’t as important in this film as it did the previous films. If it wasn’t for the fact that the brother-sister thing was mentioned a few times, it didn’t feel like it had that much of a weight to it. It didn’t feel like Laurie was afraid of her brother here, but rather just the guy who terrorized her. Like I said, above, Laurie and Michael felt more “related” in 2018 than they did in H-20, despite that aspect being cut out. The closest we get to Laurie having a moment of “this is my brother” is the scene where she kills some poor sap she thinks is Michael.

The focus in both H-20 and 2018 is about Laurie’s trauma and paranoia about Michael coming after her and her children. But overall I felt 2018!Laurie was the better take on the character, especially in that aspect; we see how strained her relationship with her daughter is and how close she is with her granddaughter. 2018!Laurie’s life effectively went down the tubes and Michael never stopped haunting her, and has burned himself into her very soul, that it would be irrelevant whether or not they are blood related. It’s gotten to the point where her daughter barely has a relationship with her. Despite this and having little to lose, 2018!Laurie has spent forty years preparing for a showdown with Michael, and is just itching for him to come loose again, arming herself, fortifying her house, keeping herself in shape the whole nine yards. Because it makes her that much stronger, makes her a little bit harder, makes her that much wiser, so thanks for making her a fighter.

H-20!Laurie spent twenty years just living in fear of Michael that at some point to the point that she faked her death, but doesn’t do much of else. And honestly despite her trauma and paranoia in this movie, I was less sympathetic to this take on Laurie, because she has a lot more to lose. She hasn’t had her life ruined by Michael in the same way 2018!Laurie has, in fact she lived a more comfortable (dare I say) privileged life, as the headmistress of a boarding school in sunny California, and still has a considerably more positive relationship with her son, and it’s only after Michael catches up to her, she’s ready to confront him and (seemingly) kill him. And I just couldn’t feel the same emotions with H-20!Laurie as I did with the 2018 counterpart.

I thought that H-20 was a little rushed with her character development and arc. But I think what made me unsympathetic is because Resurrection made it hard for me to root for in retrospect, and the fact H-20 was originally going to be directly tied with the Thorn trilogy; keep in mind as far as the Thorn trilogy goes, Laurie was killed in a car accident, which left her daughter Jamie virtually alone, with her mothers death taking an obvious toll on her, which dear old uncle Michael is out to kill her. H-20 reveals Laurie faked her death, and considering the original plans to tie the two stories, this effectively means that Laurie faked her death, abandoned Jamie with seemingly no regard for her, and let Jamie go through Hell alone. And I’m supposed to feel sorry for Laurie because of twenty years of nightmares ? Yeah, 2018!Laurie is the mother that Jamie deserves.

Which leads us too…

Jamie Lloyd as a protagonist

Now Jamie was considered a fan favorite upon her introduction, and in my opinion is one of the most thematically important characters in the series. As I explained above, Jamie is the linchpin of Michael and Laurie’s relationship, being both Laurie’s daughter and Michael’s niece. From such, both characters shadows hang over Jamie, despite and because of Laurie being out of the picture. Despite being a child, Jamie is subjected to the trauma of her mothers passing and her relationship with the boogeyman being public knowledge (and other children bully her over it, I can’t get over that).

Now there’s two kind of protagonist dynamics that Laurie and Jamie fill that contrast each other; Laurie is the protector of the cute, Jamie is the cute. But Laurie’s not around, and Jamie would be completely alone if it where not for her foster sister Rachel, Rachel’s friends, the local and state police and a mob of vigilantes. Well unfortunately, the Jamie Lloyd Protection Squad are a non issue to Michael who had squad of his own in the form of the Thorn cult, and these fuckers don’t play around. The world will stop at nothing at kicking Jamie down, and kicking her while she’s down, just for existing. If that’s not enough, she is held captive for years by a cult, forcibly impregnated by Michael and disemboweled in the sixth movie.

Did I mention Jamie was an eight to nine year old kid in the fourth and fifth movie ? I can see why Danielle Harris is disgruntled that she couldn’t return. Fun fact, Danielle Harris wanted the sixth film to have Jamie die killing Michael once and for all to save her baby. But because this is Jamie Lloyd we are talking about, she’s not allowed to get justice. You could make the argument that Jamie gets points dying to save her baby in the actual movie…but it wasn’t Danielle Harris playing, so whatevs I guess.

As I already said, what made Jamie a little more interesting for me than H-20!Laurie is that her connection to Michael being more emphasized here than with Laurie. This was first shown in the fourth movie and expanded upon in the fifth, which implies Michael has some sort of psychic and emotional link with Jamie. Under Michael’s influence, Jamie attacks her foster mother, and is subsequently institutionalized, and is still terrorized by Michael through nightmares, visions and seizures, as Michael continuously taunts Jamie with the murders of her protection squad. That’s when it hit me; Jamie and Michael are Ying and Yang, and that’s why it worked. Where Jamie was innocence, Michael was purely evil.

Michael is the human personification of evil, it only makes sense he be connected to someone who is pure and simply innocent. These two effect each other, and compliment each other. I’m honestly curious how this connection played out during Jamie’s captivity, because despite everything she’s been through, she was still innocent enough to try to reach out to Michael a final time. In the fifth film Michael has a bizarre moment of humanity and feels brief remorse due to Jamie’s influence and on the flip side, Jamie has a brief moment of darkness due to Michael’s influence. So of course I’m going to avoid a certain Mad Titan’s quote about perfect balance, because the meme is too easy. It dawns on me that I may be reading into something that isn’t there, but dear reader is what all theorists and analysts such as myself do ?

And speaking of perfect balance, that is another reason why I think a storyline about baby Steven introduced in the sixth film is a wasted chance. Not only is his *ahem* “origin” anti-hero backstory material, but think about what Steve represents; he’s a living combination of Jamie’s innocence and Michael’s evil. He is someone who not only carries Laurie and Jamie’s legacy on his back, but Michael’s legacy as well. Thematically speaking, he is prime material to be the one to one day kill Michael once and for all. But we got more of Michael fighting Laurie, so I guess that’s cool.

Michael Myers as a villain

Okay, what can I say about Michael as a villain that hasn’t already been said ? I mean what movie does him best ? Many would say the first two. But what does a better job at “expanding” Michael. Many would also say the 2018 sequel, but that’s not primarily what I’m comparing here, so we are sticking with the old school sequels. Michael’s main appeal to the bulk of the fandom was the mystery aspect of him in the first movie. But “Michael is cool because he’s mysterious” can only work for one or two movies before it becomes a crutch and as a result turns Michael into blank slate. And considering that 2018 has two sequels in the work, Michael is likely to get some “expansion” to keep him interesting, and that’s because the appeal to a mystery is the inherent need to solve it.

But that is beside the point. In my personal opinion, Michael’s appeal wasn’t that he was a mystery, but that he was the human personification of evil, and from such I think the only way Michael can really be cheapened is if he was given something to humanize him like love, empathy or sympathetic qualities. And no, the single tear in the fifth movie ultimately means nothing considering what happens down the line. So as long as Michael is evil and doing inherently evil deeds, I don’t see it as cheapening him.

So how does one expand on Michael and his evil correctly ? Make him a bigger threat with each passing sequel, and give him more heinous deeds under his belt.

In the second movie, he massacres a hospital to get to Laurie. The fourth movie has him slaughtering an entire police force and a vigilante mob just to get to Jamie. The fifth movie has Michael track down Jamie’s friends and foster sister, and display their corpses as a way to taunt Jamie. Sixth movie, he disembowels Jamie after she gives birth - mocking Jamie for trying reach out to him no less! - before seeking out and trying to kill their baby, and massacres a group of followers for thinking they can control him. There’s also Steven’s conception, which is universally regarded as too far even for Michael. 2018 has Michael kill a child onscreen, exceed the body count of the first movie before he even gets his mask back -and just to get his mask back- kills several people in different houses in a matter of minutes, and uses a cops severed head as a makeshift Jack-o-Lantern. You see that ? In almost each sequel, Michael was more of a threat, and was more “creative” when it came to his evil. He fulfilled a function as a villain and evil personified with no real humanity and no moral restraint.

What about H-20 ? Compared to those other movies, Michael was boring here. He kills three people at the beginning of H-20 and three more in the third act, but isn’t really creative or spectacular (except for using a skate for one kill). The bulk of the movie is Michael just traveling to the boarding school Laurie is hiding in, but doesn’t really do anything of substance. I wouldn’t mind too much, but back in the day this was billed as the final movie. The only creative thing Michael does is fake his death and that isn’t revealed until Resurrection which was near universally disowned by the fandom. Give Resurrection this, it adds more to Michael’s rap sheet. We do get a brief montage at the beginning of H-20 that implies that Michael has gone on a killing spree across the country, but the problem is it breaks the “show don’t tell rule”.

I’ll give them this, we do get a comic book miniseries called Nightdance set in the H-20 continuity, that expands on Michael’s evil and menace in ways I won’t spoil here because I recommend it, and it’s not as well known as Resurrection despite being considered by some to be the better follow up. It’s almost a shame this wasn’t made into a movie, because in the actual movies in that timeline Michael didn’t feel as threatening or menacing, took a lot of the edge off his character, and made him especially weak compared to the previous sequels. You could make the argument that the movie was mainly focused on Laurie’s facing her demons, the problem was that everything was rushed and undeveloped in that department, so Laurie’s character arc doesn’t really make up for it.

Compare and contrast this with 2018, which gave us a slow burn focus on how Michael effected Laurie, Laurie’s relationship with her family and quickly shown us the stakes Michael’s threat poses. It really makes me question why H-20 was seen as such a golden calf back in the day. It seems to me that is was mostly because Jamie Lee Curtis made a comeback for that movie.

Conclusion

So that’s my reasoning for why the Thorn trilogy hits the “Perfect Sequel” beats over H-20; it had more lore and world building; had a greater focus on the themes introduced in the second film; a more sympathetic protagonist; Michael’s evil was empathized more; and an atmosphere closer related to the actual holiday of Halloween. 2018 had some of the same beats at the Thorn trilogy, but I’m not gonna a final decision until the 2018 sequels are finished. It’s a personal standard of mine to wait until the story is over before I make a final decision.

I will give 2018 points so far for building it’s new lore and developing it’s new characters in one movie, but I think it has it’s problems too. Mainly that 2018 felt more like a big “Fix It” fanfic brought to the cinema, and was a little heavy when it came to self referencing humor, call-backs and leaning on the fourth wall, and fandom wish fulfillment. 2018 isn’t a bad movie, it’s one of my favorite sequels, but even so I can’t get around the whole “fanfic-ish” feel I got from watching it.

Pretty much the one thing H-20 has over 2018 was that it didn’t try too hard to be Scream, which was a formula most late 90’s horror films followed. At most we were given a quick Scream cameo, that could possibly shatter the canon if I think of it too much. H-20 went out of its way by not copying Scream during the writing process. Little known fact, but while H-20 was intended to be the last Halloween film, the studio had this rule was that Michael Myers wasn’t allowed to actually be killed off, so a sequel was planned in advance to clarify he was still alive; the original plan was that “Michael” would be a obsessed fan and copycat; that idea was scrapped possibly for following the “Scream formula” too much, and what we got instead was the infamous paramedic twist in Resurrection.

#halloween #Halloween Return of Michael Myers #Halloween Revenge of Michael Myers #Halloween Curse of Michael Myers #Halloween Twenty Years Later #halloween resurrection #Halloween Nightdance #michael myers #laurie strode #Jamie Lloyd #Steven Lloyd #tommy doyle #John Tate #Jamie Lee Curtis #Danielle Harris #unpopular opinion

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adamwatchesmovies · 5 years ago

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The Worst of 2019 (So Far)

And now we get to the opposite of yesterday’s post: the worst of what we’ve seen so far. Time to give them a proper thrashing before they (hopefully) fade into obscurity. Disappointingly, there's a general lack of films that were bad but in an interesting way. Mostly, it’s either been the same sorta dreck we usually get with a couple of unusually offensive stories and a couple of soul-crushingly bad superhero flicks. Curious? Read on.

10. Serenity

I like to save my #10 spot on the “Worst of” list for a movie that has a chance of becoming a favorite among those who love bad movies. Serenity is competently enough made that it does not belong in the same category as The Identical or Runaway. It’s another kind of bad movie, the kind that baffles anyone who sees it and who will have film historians scratching their heads in the future. It’s not quite on the same level as 2017’s “The Book of Henry” but close. Top-notch actors at the top of their career in a story so poorly conceived it would’ve been brilliant if it weren’t awful and utterly absurd.

The revelation that everything we've been seeing is actually part of a video game programmed by an angry teen who hates his abusive father, and that his actions are tied to those of Matthew McConaughey's character is the kind of nutty decision someone at some point should've questioned. My advice? Surprise some unsuspecting friends with it. Periodically pause the movie so they can write down how they think it'll all fit together and then watch their faces as they're proved wrong.

9. After

I’m not going to remember After down the line so this is my opportunity to give it another flogging. I can’t believe fan-fictions of real people is a real thing and that one of them was deemed legitimate and popular enough to be turned into a movie. It plays out like the clone of a clone of a clone of Twilight. At least that movie had danger in the form of vampires and werewolves. This has nothing to offer except embarrassing drama and a prepubescent’s idea of what romance and love look like. I saw it in the theater with a friend and thank goodness she was there; it made what would've been a chore... slightly more bearable.

8. Dumbo

I’ve already gone on about how I feel about Disney’s string of live-action remakes. For the most part, they fail to validate their own existences; they’re just copies of the original but with “real” actors dancing around animated backgrounds, objects and locations instead of everything being traditionally animated. Dumbo isn’t like Aladdin and Beauty and the Beast. It does try new things. It diverges from the source material significantly in the worst way. The titular character winds up playing second banana to a bunch of circus performers no one cares about and in the end didn’t contain an inkling of the emotion the 1941 version did.

7. Dark Phoenix

This one’s a triple-whammy. Not only was it a deeply disappointing way for Fox’s X-Men series to end, it retreaded old material in a way that was worse than X-Men 3: The Last Stand AND it was a box office bomb. By the time the story finally comes alive… it’s just about over. The whole thing feels like a mistake, bringing in aliens and asking us to invest in characters we just haven’t had enough time to fall in love with. Makes me wonder what the future of the characters is going to be like. Yes there are a number of heroes and heroines we haven’t yet seen, but are people going to care, even when the brand gets a new coat of paint from Marvel Studios?

6. Men in Black: International

Was anyone asking for the Men in Black series to return? Maybe if they'd had a dynamite story this could’ve overcome the public’s general disinterest, but this was an extremely generic plot you could figure out easily minutes in and lost touch with what endeared us to the first. Even with the combined forces of Tessa Thompson and Chris Hemsworth failed, it to generate many laughs. Worse, to make sure I got any references or Easter egg it might drop, I re-watched all of the previous Men in Black movies, including the horrific Men in Black 2.

5. Replicas

This movie goes about itself in such a convoluted way. First, Keanu Reeves plays a scientist working for a company that wants to transplant the mind of dead soldiers into androids. Then, his family is killed in a car crash, prompting him to use the mind transfer tech to put their memories into new clone bodies of themselves. Problem is, he only has the means to clone three out of four family members. This means he has to erase all memories of his youngest daughter from the others’ brains. Following me so far? Good because it keeps going from there. Actually, that’s just the start of it. It’s a classic case of TMSGO - too much sh*t goin’ on. Even with all that, it STILLL managed to have gaping plot holes. No surprise it came and went as quietly as possible.

4. Hellboy

This one hurt. I wanted to see a superhero horror film badly. The early interviews I read about them wanting to adapt Mike Mignola’s books more closely than the Del Toro films got me excited. I was a little apprehensive when the trailers showed some goofy stuff but I figured these were included to draw people in. I should've listened to that sinking feeling. The actual film is awful, one giant mistake after another. Without a doubt, this featured the year’s worst special effects and even this I could've forgiven but the would-be humorous tone was badly misjudged and the story bloated with way too many elements that might've worked... if we weren't also trying to tell the character's origin at the same time. Hellboy ends with a teaser promising more and there’s no way we would’ve seen a sequel even if this had made money at the box office. Cool demons though, for what it’s worth.

3. Shaft

Looking back, I’m struggling to think of anything worth seeing in Shaft. I hated the film’s approach at comedy, particularly when it reverted Samuel L. Jackson’s John Shaft into the kind of man who proudly doesn’t understand modern sensibilities and spews out one homophobic joke after another. The plot was uninspired and uninteresting - not to mention generic - and none of it felt like it belonged on the big screen. On the upside, it prompted me to view the original trilogy with Richard Roundtree and those were enjoyable.

2. Simmba

Simmba is unlikely to be on the “Worst of 2019” list next January. It probably won’t be at the #2 spot. The film mixes two wildly different tones but not well. It begins as a romantic crime comedy, a dated one, sure. Simmba staging a phoney crime in order for the woman he’s attracted to to call him for help and then use the call as an excuse to stay with her through the night is creepy but I guess it might’ve passed like 20 years ago in North America. What makes this a bad film is the way it then introduces a character’s gang rape and murder as a way to prompt the anti-hero onto a righteous path. From there, it turns into this vigilante revenge film that has disturbing implications. You probably haven’t heard of it before now, much less seen it. I don’t recommend you check it out.

Runner Ups:

Aladdin

A controversial choice, as many casual filmgoers seem to have fallen madly in love with it (similar to the way they ate up 2017’s Beauty and the Beast) but honestly, what does this film do better than 1992’s Aladdin? Add an unmemorable song for Princess Jasmine to sing? Reduce the number of talking animals in order to give us more… nothing? Pile on the CGI to the point you wonder why it was made with live-actors in the first place? Like the innumerable direct-to-video sequels of classic films who've been all but forgotten, I tell you this Arabbian adventure won't endure.

Tolkien

So much potential squandered on a boring story. It didn’t take an astute viewer to recognize the film was crippled by the studio failing to obtain the rights to Tolkien’s actual work. I get the feeling we'll see another shot at a biography of J.R.R. Tolkien in a couple of years and this will be the Christopher Robin to the much superior Goodbye Christopher Robin.

The Hustle

It’s an unfunny comedy, what more is there to say? Rebel Wilson makes yet another bad career choice playing the same character she always plays. I only realized it was a remake of Dirty Rotten Scoundrels while writing my review, which is unfortunate. Hopefully I can expunge this film from my memory soon enough and forget anything it might’ve spoiled about the original Bedtime Story or the 1988 remake.

1. Unplanned

The numerous instances of technical incompetence - mostly coming from the performers who are given lackluster material - would be enough to condemn Unplanned to this list. What made me hate the film is the way it blatantly lies and attempts to manipulate the audience into further entrenching themselves in a certain point of view through cheap, manipulative means. I can respect that genuine passion was poured into the project but the way it goes about it is shameful. Do not go see it, even if you're curious.

Yuck. That last one really left a bad taste in my mouth so I'm going to talk about a movie I did enjoy and am enthusiastic to direct you towards Alita: Battle Angel. Rosa Salazar as the titular Alita impressed me and I really dug the action scenes. I'll also right a wrong from last year by reminding you to find and watch Paddington and Paddington 2, both movies I should've put on my "Best of" lists the years they came out. I don't know what I was thinking but I keep coming back to these in my head. They're excellent for kids and adults.

And with that said, the list is over. Back to our regularly-scheduled film reviews until something big comes up. Thoughts or comments on the list are welcome and I hope you enjoyed reading.

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nancydrew65 · 6 years ago

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SKAM NL Season 2 Episode 3 Thoughts

This episode really hit me hard. There were a lot of things in it that I didn’t expect. Also two seven minute clips!

You’re Such a Cliche

I feel like every episode I get a little reminder of how much I love SKAM NL. They used a song by Aurora! For those who don’t know, Aurora is a young Norwegian singer. She is fantastic and such a beautiful performer. You should really check out some of her live videos. If you couldn’t tell, she is my favorite artist, and I am so happy whenever a SKAM remake includes one of her songs. I literally jumped out of my seat when I first heard one of her songs in SKAM Season 3 Episode 10. (Yes, I really memorized the episode her song appears in). Also, cool to use the song “Churchyard” as the date ends up being in a church.

I love how Liv is just in a T-shirt and sweats, like she is not putting any effort into this date at all.

Ralph and Esra are the dynamic duo I never knew I needed in my life. I love their chemistry and how they play off of each other. Lol, at them trying to join Liv when she says she is going to the movies.

Liv and Ralph fight over who answers the door, and Liv literally shoves Ralph into a table. It is glorious.

Liv takes Ralph’s jacket out of spite. They really are like siblings.

Noah doesn’t take Liv to a place with a pretty city view. THANK GOD! I mentioned before, I didn’t think that would work because Liv’s apartment already has a great view, so I am so happy they changed it. Instead Noah takes Liv to a beautiful, old, abandoned church.

Noah approaches Liv with his flashlight, accidentally shining it in her eyes and she responds by holding her phone’s light directly in front of his eyes. She can be so petty and I love it.

Noah’s “Echo” was so cute. He is really growing on me.

Noah challenges Liv on her definition of cliche. I think that was actually very interesting because the character of William really was the definition of a cliche, and for Noah to spin that as something “true” was cool.

Liv asks him if he thinks she is a cliche, which I thought was kind of weird. I have never thought that any of the Noora’s were written to be interpreted as a cliche.

Noah lists what he thinks Liv is like, which of course, as we know, is what Liv is like. I guess it’s supposed to be a moment of “Aha! He understands her”, but like, when has Noah ever had time to figure all this stuff out?

Liv asks if he trusts her, and Noah responds: “I don’t know you.” Wow. I honestly think that is one of my favorite lines that a William has ever stated. Most of the Williams have a very arrogant attitude and pretend they completely understand Noora. There is a kind of humility in Noah’s line. He acknowledges that he doesn’t know her fully. I thought that was rather beautiful.

And just as Liv starts to open up, Noah receives the phone call. LMAO at that ringtone. I laughed so hard when I heard the frogs.

There is a nice, long moment where Liv is left alone in the church, waiting for Noah and you can see the moment where she decides to leave.

I know a lot of people were speculating beforehand what the phone call was about and I am very happy to state that at the very least, the entire fandom was on the same page about it being impossible for Noah to get in a fight.

Have You Heard it Already?

Janna and Isa have been hanging out a lot this season and I love it.

By the way, I love Liv’s shirt. Fits her character.

Kes looks like such a nerd in this scene. I don’t know if that was intentional, or… ?

Engel always wants to protect people, but she goes about it in such a clueless way.

Isa is in denial that Kes went down on a girl. It doesn’t have the same impact as the OG scene though because in the cabin episode it was pretty obvious that Kes was about to go down on Isa.

I’m slightly disappointed we didn’t get Kes’ walk of fame because I think he was one of the Jonas’ that could have actually pulled it off. (Unlike Marlon from SKAM Austin, cough, cough).

But in its place, we get the slo-mo of the senior girls which more than made up for it. And damn, all those girls were gorgeous.

Janna finally puts her foot down about Engel talking about that “weird-ass artist”. Not gonna lie, it’s my new favorite description of Noah.

And then the bomb dropped. Apparently, a lot of people guessed what happened, but I was not one of them. Noah’s mother just died. As in probably on Sunday night when he was on the date with Liv. That is such a drastic change from OG, and I hope to god, they follow through on it. Like really change the storyline to accommodate for that massive change. This really changes the whole dynamic of the season because Noah will be dealing with this horrible loss. I am very interested and intrigued to see where this goes.

We can see the knowledge hit Liv as she realizes that was probably the phone call Noah got on their date. I love how kind and caring she is; she immediately texts him to apologize and see how he is doing.

A lot of people were commenting on this scene and saying, “Oh, well finally Liv feels bad.” And I was like, yeah, I would feel bad too if that happened, but Liv had no way of knowing what happened to Noah and she had every right to leave that date.

Indeed, I Think You are More of a Tiger

Esra and Ralph crashing the girls’ nail outing which is just like them.

Also, I know I say this a lot, but the aesthetics of SKAM NL are so great. The pink in this scene really stands out.

I have to say, I think the girls are being rather unfair to Engel. She basically organized the whole benefit herself. She deserves some credit and respect for that.

Liv checks her phone to see if Noah has replied. He has not.

She also pretends to have a sore throat in order to get out of singing. I think she is feeling low after she got rejected by the record studio.

I love the little banter between Engel and Janna. I wish we got more of those moments because Janna and Engel have been friends for quite some time.

Isa asks Liv what she is doing when she keeps looking at her phone, and Ralph pops his head out of his private room and asks if Liv is checking her phone again. Ralph knows what’s up.

Tallinn, Here We Come

Engel is dressed up like a traditional Estonian dancer. She looks so cute.

Wow, there is basically no one there. Ah, but we see Jayden, Kes, and Lucas, so they came to support their friends. That’s actually pretty nice of them.

Esra and Ralph come storming in, soaked to the bone from their bike ride. Engel quickly shushes them before continuing with her speech.

Everyone is bored out of their minds, watching the Estonian dancers. Everyone, that is, except Janna and Engel. My loves.

Isa finally pulls Liv aside and confronts her about her weird behavior. At first, I thought Liv would tell her all about Noah, but instead she confides about the record deal. I actually liked this because it showed what was really important to her: her music.

Isa, correctly, tells Liv that just because she got rejected by the label, it doesn’t mean she can’t sing.

Isa tries to push Liv further because she knows the record deal isn’t all that’s bothering Liv, but then Engel basically forces Liv to sing.

Oooh, and we get a moment where Isa sees Kes making out with another girl.

Liv starts singing, beautifully as always. Everyone joins in and it’s quite the uplifting scene.

Later in the evening, Ralph graces us with a stunning rendition of “Part of Your World” from ‘The Little Mermaid’. I didn’t know he could sing that well! That falsetto, though.

Liv finally gets a text from Noah. It says: “OK, no problem”. How curt. But I don’t really blame him; he has to be dealing with so much right now.

Esra turns on a song and she, Janna, and Ralph start dancing in a ridiculous, let lovable fashion. I love these three.

General Thoughts

What an episode! This week was a wild, emotional ride. Tbh, I never know when to upload these reactions because I never know when an episode ends, and a new one begins. That is really my only complaint about SKAM NL. Besides that, I really loved this episode. I know a lot of people were hoping for Noah to appear again at the end of the episode at the benefit or for Liv to go find him at the church. But personally, I enjoyed not seeing him. I think it really builds up that tension and also… it’s realistic? I mean, Noah’s mother just died (she was probably sick for a while, but I know from personal experience, even if you know it’s coming, it is still awful). Also, I want this season to focus more on Liv as a person. Don’t get me wrong, I actually really like Noah, but Liv’s season is supposed to be about Liv. I think a lot of remakes don’t really understand that and like to hype up the Noorhelm aspect of the season. I think the best remake that handled a Noora season as her own while still portraying a (reasonably) healthy relationship with a William was DRUCK. I hope SKAM NL follows in its footsteps, and so far, it really has. So, cheers to the next episode. I honestly have no idea what is going to happen!

#skamnl #skam remakes #skam reaction #shit. this was an emotional episode #and it's only episode 3 #what is going to happen next?

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mst3kproject · 6 years ago

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1105: The Beast of Hollow Mountain

I have a personal fucking grudge against this movie. When I was… I dunno, maybe six or seven, I went to an event at the city zoo that featured a talk by paleontologist Robert Bakker (I still have the Ornithomimus he drew for me) and a screening of an absolutely, non-ironically fantastic movie about cowboys and dinosaurs in Mexico. Since I was a child, I never bothered to remember the title of this film and so years later when I fondly remembered it, of course I couldn’t find it to watch it again. Until one day, flipping through banged-up VHS tapes at a flea market I happened across The Beast of Hollow Mountain… cowboys and dinosaurs in Mexico? This had to be it!

I was wrong. I was so, so wrong. This movie has been on my Episodes that Never Were radar since the inception of this blog, and I was delighted that Season Eleven actually used it at the same time as being slightly annoyed that they used it first. No matter. It richly deserves everything Jonah and the bots threw at it.

There are these two guys, Jimmy and Felipe, who own a ranch. Jimmy keeps flirting with a woman named Sarita. She’s supposed to be marrying this other guy called Enrique, who doesn’t like Jimmy and tries to undermine his ranching business so he’ll be forced to return to Texas, but of course Sarita secretly likes the smiling white guy better than the grumpy Latino. There’s also a comic relief drunk, Pancho, who might be funny if it weren’t for the fact that he’s a grieving widower raising a very young child, which kind of undercuts the joke. We watch these people go about their lives for at least seventeen hours in which nothing much happens, and then suddenly holy shit motherfucking dinosaur out of nowhere.

The weird masked people in that one scene are chinelos dancers, which is interesting in that it gives us an exact location for this story: the little Mexican state of Morelos. This area is rather far south of the US-Mexico border and known more for its sugar cane than its cattle ranching, but it does appear to have mountains, so we’re on firmer geographical ground here than in Beginning of the End. The masks and robes the dancers wear were originally designed to make fun of Europeans, so it’s kind of fitting that the whole display reduces Jonah, Kinga, and Max to terrified weeping.

If you only look at the first three quarters of the movie, The Beast of Hollow Mountain is an unremarkable, laid-back little western about an upstart rancher competing with the local cattle baron in both economics and love. There are probably a lot of movies that have this as their only plot, and they do just fine for people who like westerns, I guess. In this particular movie, however, it’s all just killing time. When I reviewed Avalanche a few weeks back I complained that all the effort getting us to invest in the characters is ultimately pointless because none of those stories will be resolved. Beast of Hollow Mountain is slightly better, in that it does resolve the problems it has set up for the characters, but it does so via tyrannosaurus [r]ex machina.

The movie does make some attempt to hint at the existence of the dinosaur, but it’s pathetically ineffective. There are superstitions that the mountain is haunted, and cattle are disappearing – but we see that Enrique is encouraging the rumors and possibly stealing the cows as he tries to force Jimmy to leave town. Occam’s razor tells us that a jealous rival is a much more likely explanation than a dinosaur. Actual evidence of the monster, such as footprints, cow bones in places cows could not possibly go, or never-believed eyewitness accounts from the local drunks, is completely lacking.

It’s pretty obvious that the reason the dinosaur never appears until the last few minutes of the film is because animation is expensive and that’s all they could afford. That’s fine, but a lack of budget shouldn’t have gotten in the way of the foreshadowing! You can make a respectable dinosaur footprint with a shovel and an eye for artistic detail. Have a couple of prop guys drape a fake cow skeleton over a tree branch, and presto, instant mystery! And if you need unlikely eyewitness accounts, you’ve already got a town drunk who could be laughed at for it, in the form of Pancho! You could even do that stupid joke, as seen in god only knows how many other movies, where seeing the dinosaur makes him throw a bottle away and swear to never touch another drop!

It seems so obvious that a movie called The Beast of Hollow Mountain would want to include some clues to the nature of the titular beast before we actually see it, I can’t imagine why they didn’t. Maybe they figured they were building suspense? If so, all they actually accomplish is, as Jonah and the bots repeatedly note, making us doubt that there will be any beast in this movie at all. By the time we get to its appearance, it seems completely wrong that there would suddenly be a dinosaur in what has so far been a story with no fantastical elements.

The other problem with only pulling the dinosaur out at the end of the movie is that, as I mentioned above, it’s a deus ex machina, an easy solution to the characters’ problems that doesn’t feel like part of the same world. After we’ve watched the rivalry between Jimmy and Enrique for an hour, the satisfying way to end this story would be to have them resolve their differences, perhaps out of mutual love of Sarita and a desire to make her happy. You could even include the dinosaur in this, by having Enrique forgive Jimmy out of gratitude for saving his life. Instead, the dinosaur kills Enrique, leaving Jimmy free to do whatever he likes without having to address his own problems! It’s as lazy as having him wake up at the end and discover that Enrique was only a bad dream.

When you refuse to foreshadow, you also leave the audience wondering why there is apparently one dinosaur wandering around in Mexico somewhere. You can’t just pull one dinosaur out of the movie’s ass and not have some kind of explanation! Eegah! had one caveman in the deserts outside Palm Springs but offered the backstory that he was the last of a clan whose lives had been greatly lengthened by the sulfur springs. Other movies give us dinosaurs that come out of lost valleys or the centre of the earth or something. Is that what ‘Hollow Mountain’ is supposed to be? A portal to a lost land? If so, I think that deserved at least a few seconds of screen time!

Outside of its lazy storytelling, I guess The Beast of Hollow Mountain really isn’t badly-made. The costumes, including those on the extras, are gorgeous, and between those and the chinelos dancers I suspect the film-makers just went to a town in Morelos and said, “who wants to be in a movie?” The characters are all pretty one-note but the actors do their best. Mario Navarro as Panchito isn’t nearly as annoying as he was in The Black Scorpion, and Patricia Medina as Sarita does manage to seem like she’s struggling between her commitment to Enrique and her crush on Jimmy. The worst performance in the movie is probably given by Jimmy himself, played by Guy Madison. He does ‘smiling mellow cowpoke’ in every single scene, including those that really would have benefitted from some gravitas.

The dinosaur itself is… eh, it’s not that bad. I feel like I’ve probably waited longer for worse dinosaurs (Lost Continent comes to mind). I do like stop motion in general and I respect the effort that goes into creating it. The problem in The Beast of Hollow Mountain isn’t so much the animation itself as what they chose to animate – why the emphasis on the dinosaur’s flailing tongue? They also failed entirely to make it look as if the dinosaur is occupying the same space as the humans. Either the puppet or the actors is always horribly out of focus, which might be an attempt to suggest depth. If so, it doesn’t work.

Then for the closeups, they have dinosaur puppet arms and feet. These are simply terrible. They don’t match the stop-motion creature in anatomy, movement, or implied size.

It’s pretty obvious what went wrong with this movie. Somebody came up with a really cool idea for a popcorn flick – cowboys and dinosaurs, you guys! Everybody else loved it, but as they tried to bring it to fruition, they realized it was also a really expensive idea, and tried to lower the cost by increasing the cowboy-to-dinosaur ratio. By the time they got to something they could afford, there were only five minutes of dinosaur left. As I observed in my review of Future War, sometimes movie-makers really need to just step back and say, “no, guys, this is just not gonna work.”

In this case, the ‘somebody’ with the great idea was stop motion pioneer Willis O’Brien, who wrote a script he called The Valley of Mists. I’ve never read it but I know for a fact that The Beast of Hollow Mountain didn’t come anywhere near doing it justice – because thirteen years later, O’Brien’s protégé Ray Harryhausen did the animation for the remake, The Valley of Gwangi. You guessed it, that's the fucking awesome cowboys-and-dinosaurs movie I remembered from my youth! If you were disappointed by The Beast of Hollow Mountain, I highly recommend giving The Valley of Gwangi a look. It’s got action, adventure, romance, special effects so groundbreaking that the Jurassic Park franchise has actually paid homage to them more than once, and is the guaranteed cure for all your Beast-of-Hollow-Mountain-related blues!

#mst3k #reviews #the beast of hollow mountain #50s #dinosaurs make everything better #allow me to recommend a better movie #cryptid cinema

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