#pillbox cap

[coolthingsguyslike]

[15-lizards]

i’m more of a writer than a visual artist but i am just very inspired by your fashion and hair headcanons. i have however run into an issue: i cannot figure out the words for all the types of headdresses you have pictured — do you perhaps know the words for some of them? i’m looking for both some of the northern looks (both the loose veil things and the almost hijab-type scarves, and the different hats (does hat with veil have a different word?) and that crown like headband) but also the reach, vale or others would help (but i can have my pov characters not know the name of this and just describe them)!! it’s fine if you don’t know either but i thought i’d give it a try since it’s you that inspired me

Of course!! For the northern looks, those are usually just defined as veils/headscarves/head coverings, as I don’t think there’s a specific word for veiling in Russian orthodoxy as far as I’m aware.

For the hat with a veil, I presume u mean the Barbette and Escoffion. The barbette is kind of like a medieval pillbox hat, secured with a fillet under the chin and across the forehead, and the escoffion is the horned type headdress that has a lot of varieties, but is usually covered with some type of veil.

And crown like headband I think you’re referencing is the circlet! A type of diadem, which is just a closed, simple crown that goes around the head.

Another headdress I use a lot is the French and Gable hoods. The French hood is the rounded style you often see on Anne Boleyn and during the Tudor era in general. The Gable hood was also during the Tudor era, but the pointy cap was unique to England!

Pls hmu if you need any more explanations! Also let me read ur writing pls 🤲

[iamktb206]

Tulips

by Sylvia Plath, from The Collected Poems

The tulips are too excitable, it is winter here.

Look how white everything is, how quiet, how snowed-in.

I am learning peacefulness, lying by myself quietly

As the light lies on these white walls, this bed, these hands.

I am nobody; I have nothing to do with these explosions.

I have given my name and day-clothes up to the nurses

And my history to the anesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff

Like an eye between two white lids that will not shut.

Stupid pupil, it has to take everything in.

The nurses pass and pass, they are no trouble,

They pass the way gulls pass inland in their white caps,

Doing things with their hands, one just the same as another,

So it is impossible to tell how many there are.

My body is a pebble to them, they tend to it as water

Tends to the pebbles it must run over, smoothing them gently.

They bring me numbness in their bright needles, they bring me sleep.

Now I have lost myself I am am sick of baggage—

My patent leather overnight case like a black pillbox,

My husband and child smiling out of the family photo;

Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat

Stubbornly hanging on to my name and address.

They have swabbed me clear of my living associations.

Scared and bare on the green plastic-pillowed trolley

I watched my teaset, my bureaus of linens, my books

Sink out of sight, and the water went over my head.

I am a nun now, I have never been so pure.

I didn’t want any flowers, I only wanted

To lie with my hands turned up and be utterly empty.

How free it is, you have no idea how free—

The peacefulness is so big it dazes you,

And it asks nothing, a name tag, a few trinkets.

It is what the dead close on, finally; I imagine them

Shutting their mouths in it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.

Even through the gift paper I could hear them breathe

Lightly, through their white swaddlings, like an awful baby.

Their redness talks to my wound, it corresponds.

They are subtle: they seem to float, though they weigh me down,

Upsetting me with their sudden tongues and their color,

A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.

The tulips turn to me. And the window behind me

Where once a day the light slowly widens and slowly things,

And I see myself, flat, ridiculous, a cut-paper shadow

Between the eye of the sun and the eyes of the tulips,

And I have no face, I have wanted to efface myself.

The vivid tulips eat my oxygen.

Before they came the air was calm enough,

Coming and going, breath by breath, without any fuss.

Then the tulips filled it up like a loud noise.

Now the air snags and eddies round them the way a river

Snags and eddies round a sunken rust-red engine.

They concentrate my attention, that was happy

Playing and resting without committing itself.

The walls, also, seem to be warming themselves.

The tulips should be behind bars like dangerous animals;

They are opening like the mouth of some great African cat,

And I am aware of my heart: it opens and closes

Its bowl of red blooms out of sheer love of me.

The water I taste is warm and salt, like the sea,

And comes from a country far away as health.

[sylviaplathink]

via mstjohn813 on instagram

...

"I am aware of my heart: it opens and closes"

–Sylvia Plath, from the poem "Tulips", written 18 March 1961, in Ariel, 1965

...

TULIPS The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anaesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage —- My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat Stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free —- The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle: they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their colour, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health.

[unsettlingcreature]

hey i just saw the hat post and was wondering, can you list your favourite kinds of hats? 👀 and also, would you ever don the jesters cap.........

so technically I had three beanies/hats that I rotated through, although it usually ended up being the fox one that I wore. the fox and bear ones were children's hats, iirc but they were soft and fit my teenaged head so it was fine.

the squid is one that I bought one winter when me and a bunch of friends met up for christmas. I think the photo is still on my facebook but I'm not sure if I still have the squid hat somewhere hidden in my boxes.

I have TECHNICALLY donned the jester's cap but that was for like thirty seconds in a costume shop so I don't think that counts. also there was one more hat that I wore when I was in secondary school but I stopped wearing it after The Incident™

my favourite hats overall are beanies, berets (which I tried to wear but could not pull off), ushankas and finally boater hats and similar styles with wide (but not floppy!) brims, but I have been known to sport a baseball cap on occasion. there was also the pillbox hat that I wore on that one holiday, I guess.

[formisthemaskofspace]

Tulips

BY SYLVIA PLATH

The tulips are too excitable, it is winter here.

Look how white everything is, how quiet, how snowed-in.   

I am learning peacefulness, lying by myself quietly

As the light lies on these white walls, this bed, these hands.   

I am nobody; I have nothing to do with explosions.   

I have given my name and my day-clothes up to the nurses   

And my history to the anesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff   

Like an eye between two white lids that will not shut.

Stupid pupil, it has to take everything in.

The nurses pass and pass, they are no trouble,

They pass the way gulls pass inland in their white caps,

Doing things with their hands, one just the same as another,   

So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water

Tends to the pebbles it must run over, smoothing them gently.

They bring me numbness in their bright needles, they bring me sleep.   

Now I have lost myself I am sick of baggage——

My patent leather overnight case like a black pillbox,   

My husband and child smiling out of the family photo;   

Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat   

stubbornly hanging on to my name and address.

They have swabbed me clear of my loving associations.   

Scared and bare on the green plastic-pillowed trolley   

I watched my teaset, my bureaus of linen, my books   

Sink out of sight, and the water went over my head.   

I am a nun now, I have never been so pure.

I didn’t want any flowers, I only wanted

To lie with my hands turned up and be utterly empty.

How free it is, you have no idea how free——

The peacefulness is so big it dazes you,

And it asks nothing, a name tag, a few trinkets.

It is what the dead close on, finally; I imagine them   

Shutting their mouths on it, like a Communion tablet.   

The tulips are too red in the first place, they hurt me.

Even through the gift paper I could hear them breathe   

Lightly, through their white swaddlings, like an awful baby.   

Their redness talks to my wound, it corresponds.

They are subtle : they seem to float, though they weigh me down,   

Upsetting me with their sudden tongues and their color,   

A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.   

The tulips turn to me, and the window behind me

Where once a day the light slowly widens and slowly thins,   

And I see myself, flat, ridiculous, a cut-paper shadow   

Between the eye of the sun and the eyes of the tulips,   

And I have no face, I have wanted to efface myself.   

The vivid tulips eat my oxygen.

Before they came the air was calm enough,

Coming and going, breath by breath, without any fuss.   

Then the tulips filled it up like a loud noise.

Now the air snags and eddies round them the way a river   

Snags and eddies round a sunken rust-red engine.   

They concentrate my attention, that was happy   

Playing and resting without committing itself.

The walls, also, seem to be warming themselves.

The tulips should be behind bars like dangerous animals;   

They are opening like the mouth of some great African cat,   

And I am aware of my heart: it opens and closes

Its bowl of red blooms out of sheer love of me.

The water I taste is warm and salt, like the sea,

And comes from a country far away as health

John William Waterhouse + medieval and renaissance costumes

[deirdreisme]

Check out this listing I just added to my Poshmark closet: Vintage 60s Cherry & Webb Veiled Floral Pillbox Hat Union Made FLAWED Colorful.

[baseballbybsmile]

Baseball Magazine - January 1914 ⚾ Classic striped pillbox cap with matching long sleeves under a collared jersey! Cool "mushroom bat" too!

[ajsretail]

Check out this listing I just added to my Poshmark closet: St Louis Cardinals Hat Cap Stretch Fitted SGA Baseball Pillbox Brown & Crouppen.

[wildbeautifuldamned]

VINTAGE Schiaparelli Paris Fedora Hat Cap Black Fur Pillbox Musketeer Union MADE EBAY ThumbPrint CO

Vintage Schiaparelli Paris 1950s Hat Black straw Cloche, velvet band, Rhinestone ebay sunbec7

VINTAGE Schiaparelli Paris Fedora Hat Cap Black Fur Pillbox Musketeer Union MADE EBAY ThumbPrint CO

[ecapsunlimited]

A Foolproof Guide to the Latest Styles in Headwear

In the realm of fashion, the crown atop our heads holds a special significance. It has the power to elevate our style, exude confidence, and make a lasting impression. Headwear, with its kaleidoscope of designs and trends, offers a gateway to individuality and self-expression. From the bustling streets of New York City, where fashion knows no boundaries, emerges a mesmerizing array of headwear styles that captivate the imagination and push the boundaries of sartorial creativity.

Join us on a journey through the diverse and ever-evolving world of headwear fashion, as we unlock the secrets to rocking the latest trends and harnessing the transformative power of a well-chosen hat or cap.

Part 1: Making Bold Statements to Break the Mold

In a place known for its unabashed bravery, hats take on the role of a daring form of self-expression. Take a risk and adopt the avant-garde fashions that New York City so proudly displays. The Big Apple's fashion environment invites you to create a statement that is distinctly yours with enormous and exaggerated brims, asymmetrical forms, and unusual materials.

Part 2: Embracing Vintage Glamour

Vintage-inspired headgear is making a comeback on New York's streets, as trends frequently circle back around. Utilize pillbox hats, cloches, and fedoras with a vintage flair to emulate the glitzy elegance of earlier times. These classic items will take you back in time, oozing a feeling of refinement and charm, whether you're strolling through Central Park or attending a chic rooftop soirée.

Part 3: Street Style Sensations

The streets of New York City are where the fashion industry has its heart. Street style headgear commands attention as it embraces the dynamic and always shifting urban environment. Any outfit gains an urban edge with the addition of snapbacks, beanies, and baseball hats with colorful logos and motifs. To create a style that embodies the energetic street culture of the city, experiment with bright hues, fun patterns, and unconventional pairings.

Part 4: The Minimalist Approach

At times, less is more. Making a statement using simple shapes, subdued patterns, and a hint of minimalism is possible. The stylish people of New York appreciate simplicity by choosing streamlined and elegant headgear. Look for traditional shapes in neutral or monochromatic tones, such as the beret or the wide-brimmed hat. These versatile pieces effortlessly elevate any outfit, giving you an air of effortless chic.

Part 5: Cultivating Individuality with Customization

Being able to personalize a look is the essence of fashion. It is now possible to create a piece that expresses your personality and sense of style thanks to customization, which has become a key component of the headgear trend. The choices are unlimited, whether it's adding individualized needlework, entertaining accessories, or even DIY changes. Let your creativity soar and turn a plain hat into a one-of-a-kind masterpiece.

Headwear continues to be a flexible and effective instrument for self-expression in the always-changing world of fashion. The most recent headgear trends are displayed in New York City, a vibrant stage of innovation and variety. Each fashion aficionado may embrace a headgear style, that ranges from strong declarations to vintage glamour, street style thrills to minimalist elegance, and the art of customization.

As you navigate the bustling streets of the concrete jungle, don't be afraid to experiment, embrace the unexpected, and unleash your head-turning potential. Let your choice of headwear be a reflection of your unique personality and an opportunity to make a lasting impression in the world of fashion. Remember, the crown atop your head holds the power to transform your entire look and exude confidence.

So, next time you find yourself in the midst of New York City's vibrant fashion scene, take inspiration from the foolproof guide we've explored. Break the mold with bold statements, channel vintage glamour, embrace street style sensations, opt for minimalist elegance, and dare to customize your headwear. Let each choice reflect your individuality and fashion-forward mindset.

Keep in mind that fashion is about honestly expressing oneself, not merely following trends. The newest hat trends act as a springboard for exhibiting your own identity to the entire world. Make your hat or cap a reflection of your actual personality and a statement about your sense of fashion.

Don't be afraid to experiment with various appearances and attempt new trends as you set off on this headgear journey. Be open to taking inspiration from New York City's broad fashion scene, but also follow your heart and enjoy what genuinely speaks to you. The outfit that makes you feel the best about yourself is ultimately the most potent fashion statement.

So whether you're strolling through Times Square's busy sidewalks, taking it easy in Central Park, or attending a glitzy rooftop event, let your headpiece be the star of the show—the finishing touch that elevates your look and makes you stand out from the crowd.

You are invited to discover and immerse yourself in New York City's ever-changing headgear trends by virtue of its rich tapestry of fashion and style. So go ahead and explore the world of headgear fashion and let your imagination run wild. Your crown is waiting, eager to be decorated with the most recent trends that personify New York's revolutionary energy.

Always keep in mind that there are no restrictions—just possibilities—when it comes to headgear. Accept the freedom to express yourself, try out various looks, and allow your hat to become the ultimate fashion item that captures your own sense of fashion and individuality. Embrace New York’s latest styles in headwear and let your crown reign supreme in the concrete jungle of the city. Own it, and let your headgear become the launching pad for an unforgettable fashion journey.

[hatsbycressida]

Shop Gorgeous Ascot Hats for Women - Style Upgrade Guaranteed

They can add style and class to any outfit, and that is precisely exact thing our driving cap architect organization, "hatsbycressida," has been accomplishing for a really long time. Intensely for making shocking headwear for ladies, we offer a scope of caps that take special care of different events, including the renowned Women Ascot occasion.

Our Ladies Ascot Hats collection is a testament is a demonstration of our devotion to making remarkable, elegant, and refined headwear. The assortment includes various caps that are ideal for the races, weddings, and other conventional occasions. The caps are planned with many-sided subtleties, including plume and blossom complements, striking prints, and exquisite shapes.

One of our most popular Ladies Ascot Hats is the Fascinator hat. This headpiece is a little enriching cap that joins to the hair with a brush, headband, or clasp. Our Fascinator caps are made with top notch materials, including silk, glossy silk, and trim, and are decorated with plumes, blossoms, and other unpredictable subtleties. These caps are ideal for adding a bit of polish and excitement to any outfit, and they arrive in a scope of varieties and styles to match any outfit.

Notwithstanding our Fascinator caps, we likewise offer a scope of different ladies Ascot Hats, including wide-overflowed caps, mixed drink caps, and pillbox caps. Our wide-overflowed caps are ideal for adding a hint of excitement to a late spring outfit or for shielding your skin from the sun at outside occasions. Our mixed drink caps are little, fragile, and ideal for adding a bit of refinement to any outfit. Our pillbox caps are polished and exemplary, and they are ideal for adding a hint of one of a kind style to any outfit.

At "hatsbycressida," we comprehend the significance of making caps that are both in vogue and practical. That is the reason we utilize great materials, including silk, glossy silk, and trim, to guarantee that our caps are wonderful as well as solid and agreeable to wear. We invest wholeheartedly in our scrupulousness, and our originators cautiously create each cap to guarantee that it satisfies our high guidelines.

Taking everything into account, assuming you're searching for ladies  Ascot Hats that are sharp, modern, and one of a kind, then, at that point "hatsbycressida" is the ideal decision. Our assortment of Fascinator caps, wide-overflowed caps, mixed drink caps, and pillbox caps are planned with the most elevated meticulousness, and we utilize hands down the best materials to make our headwear. Whether you're going to a race, wedding, or other conventional occasion, our caps will add a dash of polish and marvelous to any outfit.

For more, visit - hatsbycressida.com.

Ladies Wedding Hats

Saucer Fascinator

Peacock Feather Fascinators

[theforbiddentower]

And then a new voice interrupted them.

"Haw haw haw!" it laughed.

Martin stared around them. Through the open doorway of this pillbox he saw an old man hurrying towards them along the road. It was Gerald Benning. Concern and anguish were written on his face. But the laughter had not come from outside. It had echoed up from beneath- from the underpass.

"Hoo hoo hoo!" the mocking voice sounded again. "I rode you, I rid you, I played you, I puzzled you. I helped you, I hindered you- and now... I've shocked you!"

Martin felt a sickening coldness in the pot of his stomach. He knew that voice now. He turned from the sunlight and peered back down the steps to the mouth of the tunnel.

There came the squeak and creak or new leather. A pair of caramel-coloured trousers dances into sight. The torso above was paunchy and the brand-new, bellboy-style costume was slightly too tight, just as in the illustration. At first the peak of the cap concealed his face, but Martin didn't need to see those florid features.

"Barry," he uttered.

The Headteacher raised his face and let out another "Haw haw haw!" The ex-rugby player, the man who had always looked like a hard-bitten detective superintendent, came skipping forward.

"The Jockey has been up to his usual naughty tricks," he confessed with a mischievous twinkle in his eye and a shrug of his shoulders. "The Ismus is most displeased, but now I shall atone and be spared the gaol. I will deliver unto him something he prizes most highly and earn his gratitude. My pranks will be forgotten- til the next time I ride those are court. Hee hee hee!"

- Dancing Jax, Robin Jarvis

[slashingdisneypasta]

And then a new voice interrupted them.

"Haw haw haw!" it laughed.

Martin stared around them. Through the open doorway of this pillbox he saw an old man hurrying towards them along the road. It was Gerald Benning. Concern and anguish were written on his face. But the laughter had not come from outside. It had echoed up from beneath- from the underpass.

"Hoo hoo hoo!" the mocking voice sounded again. "I rode you, I rid you, I played you, I puzzled you. I helped you, I hindered you- and now... I've shocked you!"

Martin felt a sickening coldness in the pot of his stomach. He knew that voice now. He turned from the sunlight and peered back down the steps to the mouth of the tunnel.

There came the squeak and creak or new leather. A pair of caramel-coloured trousers dances into sight. The torso above was paunchy and the brand-new, bellboy-style costume was slightly too tight, just as in the illustration. At first the peak of the cap concealed his face, but Martin didn't need to see those florid features.

"Barry," he uttered.

The Headteacher raised his face and let out another "Haw haw haw!" The ex-rugby player, the man who had always looked like a hard-bitten detective superintendent, came skipping forward.

"The Jockey has been up to his usual naughty tricks," he confessed with a mischievous twinkle in his eye and a shrug of his shoulders. "The Ismus is most displeased, but now I shall atone and be spared the gaol. I will deliver unto him something he prizes most highly and earn his gratitude. My pranks will be forgotten- til the next time I ride those are court. Hee hee hee!"

- Dancing Jax, Robin Jarvis

[capbargain]

The Impact of Headwear on Fashion and Culture

Hats and caps have been worn for centuries and have evolved into more than just functional accessories. They have become important symbols in fashion and culture, representing different styles, social statuses, and even political beliefs. Blank hats, particularly blank 6-panel hats, have become a popular choice for those looking to express themselves through fashion.

Throughout history, hats have been used as a way to signify social status. In ancient times, hats were made from expensive materials and were adorned with jewels or feathers to indicate wealth and power. During the Middle Ages, hats were worn as a sign of occupation, with different styles representing different professions. For example, a bishop would wear a mitre, while a merchant would wear a beret.

In the 20th century, hats became a staple in fashion, with different styles becoming popular in different decades. The 1920s saw the rise of the cloche hat, while the 1960s saw the popularity of the pillbox hat. The 1990s saw the resurgence of baseball caps and trucker hats, which were popularized by celebrities and athletes.

Blank hats, particularly blank 6-panel hats, have become a popular choice for those looking to express themselves through fashion. 6-panel hats have a classic design, with six panels sewn together to create a round crown. The blank design allows for customization, with individuals adding their own designs or logos to make the hat unique.

The rise of streetwear culture has also contributed to the popularity of blank hats. Streetwear is a style of fashion that originated in urban areas and is characterized by comfortable and casual clothing. Blank hats fit into this style perfectly, allowing individuals to express themselves through a simple and understated accessory.

In addition to fashion, hats and caps have also played a role in culture and politics. In the 1960s and 70s, the Black Panther Party wore berets as a symbol of solidarity and empowerment. In the 1980s and 90s, the red hat became a symbol of the Republican Party, with the slogan "Make America Great Again" popularized by former President Donald Trump.

Hats and caps have also played a role in popular culture, with iconic hats becoming synonymous with certain characters or movies. The fedora worn by Indiana Jones is a classic example, as is the top hat worn by Abraham Lincoln. The red baseball cap worn by the character of Jay Gatsby in the novel "The Great Gatsby" has also become an iconic symbol in literature.

Blank hats, particularly blank 6-panel hats, have become a popular choice for individuals and businesses looking to create custom merchandise. Many companies use hats and caps as a way to promote their brand, with logos or slogans added to the design. The simplicity of the blank design allows for the branding to stand out, creating a subtle but effective marketing tool.

In conclusion, hats and caps have had a significant impact on fashion and culture throughout history. From indicating social status to becoming symbols of empowerment and political beliefs, hats have evolved into more than just functional accessories. Blank hats, particularly blank 6-panel hats, have become a popular choice for those looking to express themselves through fashion and for businesses looking to create custom merchandise. With the endless possibilities for customization, blank hats have become a blank canvas for individuals to express their creativity and for companies to promote their brand.

[fashionbeastts]

How to style hats with different hairstyles

Hats are a stylish accessory that can add a finishing touch to any outfit, but styling them with different hairstyles can be a bit tricky. Here are some tips on how to style hats with different hairstyles.

Straight Hair

If you have straight hair, you can style hats in a variety of ways. A classic fedora or newsboy cap looks great with straight hair that is parted in the middle. You can also wear a beanie or a beret for a more casual look. If you have long straight hair, try wearing a wide-brimmed hat or a floppy hat to add some drama to your look.

Curly Hair

If you have curly hair, you can style hats to enhance your natural texture. A slouchy beanie or a cloche hat looks great with curly hair that is left loose. You can also wear a fedora or a floppy hat with a side-swept fringe to create a retro-inspired look. If you want to show off your curls, try a hat with a mesh back or a trucker hat.

Updos

If you have your hair styled in an updo, you can still wear a hat to add a stylish touch. A beret or a beanie looks great with a low bun or a messy topknot. You can also try a fascinator or a headband with a veil for a more formal occasion. If you have a high ponytail, try a baseball cap or a snapback for a sporty look.

Short Hair

If you have short hair, you can wear almost any type of hat. A newsboy cap or a fedora looks great with a pixie cut or a bob. You can also try a beanie or a beret for a more casual look. If you want to create a retro-inspired look, try a cloche hat or a pillbox hat.

In conclusion, styling hats with different hairstyles can be a fun and creative way to express your personal style. By considering your hair type and following these tips, you can find the perfect hat to complement your hairstyle and enhance your overall look.