#personally which is part of what makes them so interesting to me. it's a source of conflict!

[coralhoneyrose]

I was wondering: what do you imagine Robin's childhood was like? Did feh change that in any way?

Oooh what an interesting question! Admittedly, I haven't thought about this in extensive detail, but I do definitely have Some Thoughts™️.

So, we obviously don't get much to go off in canon. Validar says that Robin's mother was "seized by weakness and fear" and that "she betrayed us—stole you from your crib, and fled with you in the night!" and then adds that he knows "naught of [Robin's] life thereafter". Presumably the 'us' there is referring to the Grimleal…and if she betrayed them as a collective group she must have been a part of said group previously. The fact that Validar says she stole Robin from their crib also implies that she ran away with them sometime between birth and age 3-ish.

If she was trying to get away from the Grimleal, I assume she would have wanted to leave Plegia if at all possible. We know that the last war between Ylisse and Plegia ended about 15 years before the start of the game, though. So if we assume Robin is about the same age as Chrom (19) then that would have put Robin around four years of age when the war ended. So either Robin's mom was trying to make do in Plegia for a while, or they potentially hid out in Ferox for a time. When it comes to my personal writing, I admittedly like to play with those timelines a bit, but that's my best guess for how things went down in game.

Either way, I assume they probably lived an extremely nomadic life style. They couldn't risk being found, which means they also couldn't really risk putting down roots or settling in one place long term. I imagine Robin was probably very lonely growing up, as all that moving around and having to lay low would mean they didn't have much of a chance to make friendships with other children. Presumably the trend continued into their adult life too given that no one in the story (aside from Validar) ever recognizes Robin or remembers them from prior to when they met Chrom. If that's something that was so lacking in their life previously, I think it makes the game's messages about the importance of the connections we choose all the more meaningful. Also I am just really partial to the idea of Robin being touch starved prior to meeting the Shepherds and Chrom's subsequent touchiness and familiarity with them taking them completely by surprise as a result haha

Honestly I suspect a lot of that is why they came to love books so much too. The books were an escape to other worlds but they would have been a small slice of stability as well, since a story is the same every time you read it. They may not have had friends in real life, but the characters in their books would have always been there for them between the pages. I imagine Robin got very good at amusing themself too and probably had a very rich imagination growing up. The fact that they traveled to so many different places may also have played into them developing their strong sense of curiosity.

I'm sort of undecided on what point in Robin's life I imagine that they lost their mother / how exactly they lost her. That's one of the things that's always really interesting to see other fan's interpretations of, as there are a variety of interesting possibilities there. Either way, given that Robin's inability to have made many connections outside of their mother, I imagine they took it incredibly hard.

As far as if FEH impacted my interpretations in any way, I would say it didn't really change them, but that it did fill in some details for me! Robin's coat being visibly too big for them strongly implies it was a hand-me-down from their mother for one thing (which I'd sort of assumed before but never had direct confirmation of). I'd also been very curious just how much Robin understood about who they were on the run from / why they were hiding, so hearing that their mother cautioned them to keep their hand hidden and that they do seem to have some sense of that being the source of their power as well as 'an evil omen of an unlucky fate' was very interesting as well.

That's everything that comes to mind at the moment! ASfhsdf I like that I started by saying I haven't thought about it in extensive detail and then proceeded to type all of this up...But honestly, writing all my thoughts out wound up being super helpful for organizing them. It also has my chrobin brain-cell vibrating at high speed going into the weekend, so you have my gratitude, anon! Thank you for giving me such a prime opportunity to talk about one of my favs <3

[therevengeoffrankenstein]

you can pull the love triangle trope out of my cold, dead hands. i am holding it with both hands, much like how i would hold the hands of the two other sides of my love triangle, actually.

[illubean]

Could I get headcanons for Feitan, Illumi, Leorio, and Chrollo falling for gn!reader who by all means seems like a strong, nuturing, emotionally stable individual but every once in awhile casually says or does smthin that makes people go "Oh you're a little fuckin nuts, actually"

(e.x.: Most of their D.I.Y. furniture is made of different kinds of bone, morbidly interested in the more gorey parts of their jobs, probably works in a field that allows them to be around the dead often like a taxidermist or a mortitian, highkey just unabashashedly a morbid little freak™️ whenever it comes up naturally in conversation but otherwise comes across as just an attentive lil guy you could bring home the average parents would love.)

HXH Men with a Morbid!S/o

Characters: Leorio Paladaknight, Illumi Zoldyck, Chrollo Lucilfer, Feitan Portor Type: Headcanons, Gn!reader

this is so me

Warnings: dead things and body parts and stuff

Leorio Paladaknight

being an aspiring doctor, Leorio thought that your knowledge on both human and animal anatomy was pretty useful

at first he didn't think much about your job and just assumed you were some type of doctor or biologist or something

he often asks you questions as he studies and you're a pretty good tutor

the first time Leorio realized you were kinda weird is when one day you were walking down the street and saw some roadkill

and you were like "aww too bad, the skin and bones are too damaged to harvest"

and you kept walking like it was normal while he was like ?!!??!?

or you guys were having a normal conversation and you say something like

"if you died i'd taxidermy you and re-articulate your skeleton so you'd be with me forever <3"

1 taxidermizing humans is illegal and 2 WHAT

he is cold sweating wtf did he get himself into

when he comes to your house for the first time and sees a bunch of bones, animal skins and wet specimens he damn near passes the fuck out

how do you just casually have dead things and remains around your house!?

AND WHAT DO YOU MEAN YOU MADE YOUR COFFEE TABLE OUT OF CAMEL BONES?

he is freaking the fuck out and you're just like "dw everything is ethically sourced :D"

yeah he thinks you're a freak and he is too fearful to break up with you ever (not like he was planning to anyways)

Illumi Zoldyck

whatever drew Illumi to you had to have been some type of power

aside from that power, to Illumi you were relatively normal and had a good grip on your emotions which made you a perfect candidate

that being said he could care less what your job was, you'd just end up working for or with him eventually

when he started bringing you around the estate, you often sought out their guard dog Mike and Illumi couldn't think of why

that is until you came back one day with a human femur and bright smile on your face

"... where did you even get that?" "From one of Mike's victims. If I collect enough I could make a whole set of bar stools!"

he blinked at you and chose to ignore your statement

i mean, to each their own am i right?

so you have ah hobby, big deal

Illumi just thinks you're pretty normal personality wise until you randomly but casually drop information about what you do in your free time or have in your home

so now whenever he has a job Illumi calls you in for cleanup

you get to do.... whatever it is you do and there's no evidence of a dead body left behind, it's a win win

Chrollo Lucilfer

he couldn't care less what your job is because it's probably not worse than his 😭

he didn't really notice anything "morbid" about you until he asked about your jewlery

you wore things like resin caster bug pendants or bird skull earrings and stuff

he just assumed they were fake and you bought them because they looked badass

but then you told him you make it all YOURSELF

he is intrigued

he doesn't really question you past that because you were probably buying the bones and stuff somewhere (spoiler alert you're not)

what really caused him to think was when you casually just picked up a dead rat off the floor in some abandoned building you were exploring and suck it in your pocket

bro was so confused

"What do you need that for?" "To make a new necklace :3"

yeah now he knows that your odd taste in jewelry goes deeper than just that

he won't judge you though, if anything you're a better person than he is considering you don't kill things yourself

he is literally a murderer and a thief and has committed like 3467633788 crimes so he couldn't judge even if he wanted to

so now when he sees dead animals and what not he bags them up and brings them to you

he likes to sit in on your cleaning and making process

you seem like a perfectly normal and sweet person to everyone else but Chrollo knows about your freaky little hobby and it just makes him like you even more

Feitan Portor

I feel like for you and Feitan to even be acquainted you have to be part of the troupe

whatever you do outside of it is your business

buttttttt since you are his s/o and Feitan is probably homeless he crashes wherever you are

thus him finding out about your hobby and other job

out of everyone on this list he is the most interested

he too is a morbid little freak

he goes with you to find things and will help you with the cleaning/taxidermy or whatever process if you let him

what he doesn't understand though is why you don't just kill the things you want instead of hunting for already dead things

sometimes he will go catch like a squirrel or something and bring it back to you like a cat and tell you he found it like that

Fei baby. No the fuck you didn't

after doing what you're doing for so long you can tell what caused an animal to die but you wouldn't tell him that

he's just so cute and wants to be supportive of your hobby <3

[fatliberation]

hi, i'm a fat person who is just starting to learn to love and appreciate my body and i'm very new to the fat community and all that.

i was wondering if you could maybe explain the term ob*se and how it is a slur. i've never heard anything about it being a slur before(like i said, i'm very new here) and was wondering if you could tell me the origin and history of the word or mayy provide links to resources about it? i want to know more about fat history and how to support my community but i'm unsure of how to start

Welcome!

Obesity is recognized as a slur by fat communities because it's a stigmatizing term that medicalizes fat bodies, typically in the absence of disease. Aside from the word literally translating to "having eaten oneself fat" in latin, obesity (as a medical diagnosis) straight up doesn't actually exist. The only measure that we have to diagnose people with obesity is the BMI, which has been widely proven to be an ineffective measure of health.

The BMI was created in the 1800s by a statistician named Adolphe Quetelet, who did NOT sudy medicine, to gather statistics of the average height and weight of ONLY white, european, upper-middle class men to assist the government in allocating resources. It was never intended as a measure of individual body fat, build, or health. 

Quetelet is also credited with founding the field of anthropometry, including the racist pseudoscience of phrenology. Quetelet’s l’homme moyen would be used as a measurement of fitness to parent, and as a scientific justification for eugenics.

Studies have observed that about 30% of so-called "normal weight" people are "unhealthy" whereas about 50% of so-called "overweight" people are “healthy”. Thus, using the BMI as an indicator of health results in the misclassification of some 75 million people in the United States alone. "Healthy" lifestyle habits are associated with a significant decrease in mortality regardless of baseline body mass index.  

While epidemiologists use BMI to calculate national "obesity" rates, the distinctions can be arbitrary. In 1998, the National Institutes of Health lowered the overweight threshold from 27.8 to 25—branding roughly 29 million Americans as "overweight" overnight—to match international guidelines. Articles about the "obesity epidemic" often use this pseudo-statistic to create a false fear mongering rate at which the United States is becoming fatter. Critics have also noted that those guidelines were drafted in part by the International Obesity Task Force, whose two principal funders were companies making weight loss drugs. Interesting!!!

So... how can you diagnose a person with a disease (and sell them medications) solely based upon an outdated measure that was never meant to indicate health in the first place? Especially when "obesity” has no proven causative role in the onset of any chronic condition?

There is a reason as to why fatness was declared a disease by the NIH in 1998, and some of it had to do with acknowledging fatness as something that is NOT just about a lack of willpower - but that's a very complicated post for another time. You can learn more about it in the two part series of Maintenance Phase titled The Body Mass Index and The Obesity Epidemic.

Aside from being overtly incorrect as a medical tool, the BMI is used to deny certain medical treatments and gender-affirming care, as well insurance coverage. Employers still often offer bonuses to workers who lower their BMI. Although science recognizes the BMI as deeply flawed, it's going to be tough to get rid of. It has been a long standing and effective tool for the oppression of fat people and the profit of the weight loss industry.

More sources and extra reading material:

How the Use of BMI Fetishizes White Embodiment and Racializes Fat Phobia by Sabrina Strings

The Bizarre and Racist History of the BMI by Aubrey Gordon

The Racist and Problematic History of the Body Mass Index by Adele Jackson-Gibson

What's Wrong With The War on Obesity? by Lily O'Hara, et al.

Fearing The Black Body: The Racial Origins of Fat Phobia by Sabrina Strings

[maiko-san]

Catnap + Dogday x Reader ( Part 5 )

<<< Part 4 , Part 6 >>>

Relationship : Fluff

Warning : ⚠️ Mention of blood / gore, human experiments ⚠️

Plot : You were sleeping until you woke up and realised you weren't in the infirmary anymore

Catnap has made his decision, he decides to pay you a visit. Even if it is just a mere minute.

This is the only time he disobeyed The Prototype, surely his god would understand, right?

He had pleaded The Prototype to spare you out of all humans in the facility.

The Prototype accepted it but he won't assure about your survival during the massacre. Whatever happens to you will be Catnap's responsibility.

How about he convince you to join him? To be in the team and follow The Prototype?

It makes Catnap feel happy at the thought of the person he loves joining the team.

Just you and him, might even Dogday if he ever joined the group.

Wait...What if you refuse? Surely you wouldn't, right? If you refuse then he will force you. Yeah, definitely because he wants you safe.

Even it means dragging you down to the deepest and darkest of the Playtime Co, just to keep you safe.

As soon Catnap reaches the infirmary, he peeks his head in the room only to find it empty.

"...Star?"

You weren't in the room, where could you have gone to? Then, his nose picks up a familiar scent.

No...it cannot be.

His pupils dilate as he quickly crawls through the vents and makes his way towards the laboratory.

.

.

.

.

.

You hear voices around you which causes you to wake up.

All you see was the white ceiling instead of the colourful ones, you tried to move your body but you couldn't.

"You're finally awake"

You turn your head to the source and see one of the higher ups, a man in lab coat. You've seen him before but where...?

.....

If you remember correctly, you've seen him in the organisation chart and also on the papers you always work on.

"Dr. Sawyer...?"

"Oh, so you know me... interesting"

In his hand, he held a clipboard. He jotted something on the paper before looking down on you.

You are confused.

What's happening?

Where are you? What is this place? Why are you....here?

"I'm sure you have a lot of questions on your mind. You are in the Bigger Body Initiative programming room"

"Bigger...Body Initiative?"

"We've been monitoring you for quite a long time, now. It's quite hard to find someone that is compatible with our program. We have finally found a suitable host for our newest mascot, you are...perfect"

"Host...m-mascot? W-what are you saying?!"

You have to escape. If you stay you will never know what they will do to you!

Then, the metal doors before you open and came in a doll....

An angel doll with a pair of wings and a golden halo on top of her head, the doll is very beautiful like an angel as it is.

"All the children needed now is an angel to protect them, guide them and help the Playtime Co flourish. Your personality will become handy and guide the children to a better future for the company"

Every word he's saying, you don't like it one bit....

Dr. Sawyer leaves the room, saying you should get accustomed to the doll first.

You begin tugging on the belt on your wrist but they are too tight. You stare up at the ceiling above you.

You cannot escape....

You don't have anything on you to help you escape.

You slowly take in your surroundings, there is a table next to you full of operating equipment, which makes you pale.

Are they going to dissect you and sell your organs?!

Hell no!

"Help! Please!"

You cried out for help, though your voice fell into deaf ears. Tears start pouring out from your eyes, is this how you will die?

Plap, plap, plap.

Your ears pick up a pitter patter on the floor, you look down only to see a plush version of Catnap staring up at you with its beady black eyes.

Did...the plush just....moved?

Then, it tilts its head causing you to flinch in surprise.

The plush begins to climb on the table and hops on to you, you begin to panic and close your eyes, waiting for the pain to come.

Clack!

The straps on your wrists were loose and you open your eyes to see Catnap plush gnawing on the leather strap on your ankle.

Freeing you.

With your hands free, you quickly unstrap the belt on your other leg and hop off the bed. You walk over to the door but it won't open.

"F*ck!"

You begin to look around and notice a vent but it's high up, you can't reach it even if you climb on the table.

What are you going to do?!

You feel a soft tap on your ankle and you look down to see Plushnap, nudging your leg before pointing up at the vent.

You told it you can't reach it.

Then, Plushnap does a throwing motion before holding out its tail and stretches it with its paws.

It doesn't take you long to know what it was thinking.

Now, you hold Plushnap with your strong hand as the toy wraps its tail tightly around your wrist.

"Are you ready, buddy?"

*nods*

You give your best swing and throw Plushnap towards the vent as it tail stretches like a rope, the toy grabs hold on to the vent door as you begin to tug on its tail.

The vent door snaps open as you watch Plushnap crawl into the ventilation system, before you know it. You feel yourself being hoisted up.

How can a plush pull a full grown adult?!

Once you enter the vent, you feel arms dragging you and your face slams into rough fur.

That smells like lavender.

"Catnap?"

"Star....are you alright?"

You pull yourself off from the tight embrace and meet face to face with Catnap.

Before you could question him, he bites the back of your gown, holding you like you are a kitten and begins to crawl fast through the vents. ( you were so close to slip out of the hospital gown since it's just a piece of thin cloth )

"Catnap! W-what's happening and what is this place?!"

"....Not now, must.....get you... somewhere safe...stay quiet or...they'll hear us .."

Even though Catnap crawls through the vents fast, he doesn't make too much noise thanks to his soft paws and being lightweight unlike the other smiling critters. He was built to be silent so he doesn't wake up the sleeping orphans while he does his patrols in the night.

You look through the gap of the vent doors to see people in lab coats.

Who are these people? You know they have a science department but....these people are.....different.

Then, your eyes widen when you pass a vent door. You see a dissected body of a child....

Your hand slaps your mouth, you were horrified at the sight. Next to the dissected body is a bloody toy that has organs in it.

Are they...putting human organs into toys?

What kind of madness is this?

Are they...no, are they using the orphans for sick experiments?!

All the sudden, the alarm went off.

"Did they know?!"

"....No"

"Containment has been breached. Experiment 1006 has breached containment. All personnel please evacuate immediately and go towards the nearest evacuation centre, this is not a drill. I repeat, this is not a drill"

Catnap then tosses you over his shoulder as you wrap your arms around his neck.

"Hold...me...tight...."

The feline slams his paw on the vent door and jumps down on the ground.

You see people running around and being attacked by....the toys.

Your eyes widen in horror at the sight of the toys biting and clawing onto the scientists, tearing and pulling on their skin. You could see flesh and muscles, even bones!

There's so much....blood.

Suddenly, something covers your face and it was a mask. You try to pry it off but something doesn't let you do so.

"Must...wear mask..."

Catnap said into your ears, you see a thick cloud of red smoke coming out from his mouth and it begins to fill the entire hallway.

Some of the scientists begin to drop down after they inhale the red smoke. You watch as the toys begin to bite down on their motionless body like a pack of hungry hyenas.

You were breathing heavily at the horrific sight, the small toys had come to life and kills everyone.

You can hear bloodcurdling screams in the distance, some were calling for help.

Catnap's eyes look at your form, he can see your pale face through the mask and your entire body shaking like a leaf. He has to do something, he didn't expect it happen now.

Maybe ...using the red smoke on you could help you...just a little whiff.

He can manipulate your dream, yeah. He makes sure that everything was a nightmare.

Yes, he will do it.

"Catnap?"

You feel the mask loosen and the smell of the red smoke begins to enter your airway. Then, you start to feel drowsy and the next thing you know.

Everything turns black.

A/n : I'm sorry for not updating for a long time, I had a writer's block for the past days. I apologise for that 😭. I know this is a short chapter and I will do better next time, I hope this stupid a** writer's block goes away soon.

For those who send me asks, I will answer them soon.

[too-much-tma-stuff]

Finally Getting Help (prt 6)

Masterpost

The Wayne family gathered in the family room once Alfred was done setting up the projector, somehow there was also a plate of cookies and a couple pots of tea on the coffee table. How he’d found the time they didn’t know, he always seemed to be doing just a little more than should be possible but they didn’t question it. 

Jazz seemed nervous as she plugged in her USB and accessed the power point on Ghosts and Liminality. The tidal page had a picture of Danny in his Phantom form standing with a group of others, a boy with gray skin and blond hair, a girl with green hair and skin, and a goth with purple eyes and a dark skinned boy who looked around Danny’s age, and Jazz with the title “Ghosts and Liminals!” 

The next slide had simple text: “What are they and How are they made?”

With each slide she read the text on the screen allowed and then added any context or anecdotes she thought of, or had prepared. 

(Next slide)

Ghosts:

Made of ectoplasmic energy and obsession

Made either:

when someone dies with strong enough desires

An idea gains enough traction to take on a life of its own

Immutable concepts and gods

Must be allowed to indulge in obsessions or they will cease to exist

All have basic abilities such as flight, intangibility, invisibility, and minor shape shifting

On top of basic abilities most will have additional powers based on their obsessions

Immortal unless killed 

Love to fight

Liminals

Made when a human is exposed to high levels of ectoplasm for prolonged periods of time

Have some ghostly traits 

Ghostly traits vary person to person

Less susceptible to human illness and injury

“The ghosts on the picture are Kitty and Johnny, we’ve had problems with them but would consider them friends now. They’re the ghosts of two humans who died, but there are others, Vortext for instance is the ghost of Storms. Those ghosts who come from ideas are called ‘neverborns’. There seem to be almost an infinite number of ghosts, however not all of them are interested in having anything to do with us so we tend to get the same faces showing up a lot in Amity.

“I don’t know how many liminals there are. I thought they might be new with my parents' research but as I look into it more I think there are more natural sources of ectoplasm then my parents thought.” Jazz explained before going to transition to the next slide.

“I have a question-” Bruce started before Jazz hushed him. 

“Wait till the end please! I might answer it without you having to ask,” She scolded, and he felt very much like a schoolboy again as his children snickered.

(Next slide including a image of the glowing green viles in the Fenton’s lab and a glowing green crystal)

Ghost biology 

Ghosts do not have any recognizable organs or bones

The only solid part of their being is their Core which is the source of their ectoplasm 

Any injury to a ghosts form not done directly to their core is considered minor and will heal

A healthy ghost is fully capable of mending any damage including removed limbs in a matter of hours or days depending on extent of the injury

All injuries not including the Core are considered minor 

Ghosts are considered young for at least the first hundred years of their existence and are often not considered adults until nearly 500

A caveat to this is ghosts are heavily driven by emotion and will often be the age they feel they are allowing ghosts to mature much more quickly, or more slowly

When this is the case ghosts are treated as the age they present and behave

Ghosts reproduce by shaping ectoplasm and Wanting a child badly enough

“Believe me it was incredibly scary the first time I saw Danny in his ghost form have something go right through his stomach. It took him a long time to convince me it wasn’t a big deal and it barely hurt. He does have to make sure he repairs the damage Before turning human again though or the damage can transfer over and I don’t need to tell you a hole in the gut is a lot more serious for humans!

“If I’m honest I only know ghosts that have stayed younger then they really are, for instance Youngblood who’s a few hundred years old and could be well on his way to adulthood if he wanted but has remained a child. I assume it can go the other way though, if a ghost is very mature for their age.”

Ectoplasm 

Ectoplasm is the energy that makes up all ghosts and the Ghost Zone itself. All ghosts can feed on the ectoplasm around them as well as produce their own by indulging in obsessions. The ghosts Cores produce the ectoplasm like a brain produces neurochemicals when exposed to the right stimulation.

Ectoplasm is a powerful source of energy but unstable. When it is stabilized into an ecto-crystal it is more stable and can be used as a power source safely by ghosts and liminals.

“Most ectoplasm is green like you see in the pictures. But it isn’t the only colour, some other ghosts produce different colours and it is highly tied to what emotion drives them. When it’s pure it usually smells like petracore but it can get pretty foul.”

(next slide)

What are Obsessions

Every ghost has one or more obsessions

They can be very literal things such as boxes, or ideas and emotions such as Love

In rarer cases they may have dual obsessions

Unlike for humans obsessions are very healthy for ghosts

Ghosts need to indulge their obsessions

Sometimes the way ghosts indulge their obsessions might seem evil, however it is almost always just amoral 

Obsessions shape every part of a ghost from their powers to thier physical appearance, to befriend a ghost you Must understand and aid their obsession

In very extreme circumstances a ghosts obsession may shift, sometimes this is healthy, more often it is a result of extreme trauma

“With my interest in psychology this was sort of hard for me to accept. From the outside the way ghosts obsess seems really unhealthy but it’s what gives them life. When not allowed to indulge in their obsessions ghosts will dysregulate and go to extreme lengths to try and get their obsession, if that doesn’t work they either go dormant if their core is still healthy enough or they will melt. 

“Ghosts change their obsessions very rarely, I’ve heard of it happening as they heal. For instance once a ghost has gotten revenge for themselves, if that was their obsession, their obsession might shift to avenging other people, or even protecting them so they don’t need to be avenged.”

(Next Slide)

Ghost Culture

The Ghosts have a monarchy

The title of the Ghost King is not hereditary but passed through trial by combat

Under the monarch is a council of being known as Observants, and powerful and old ghosts called Ancients 

Ghosts respect strength and value power and cunning in combat a lot

Ghosts bond with each other through combat and play fight with family and friends often

“I have down that the ghosts are a monarchy, and technically that is true but the current Ghost King was a tyrant who was locked away thousands of years ago. I’m sure as soon as someone shows up who’s powerful enough to beat him his court will be happy to pick up where they left off with a better King, or queen, though I don’t think the title has to change based on gender.

“I really can’t stress enough how violent ghosts are! Because nothing short of having their cores shattered can kill them, play fighting for them can look Very Much like a murder attempt to a human. A lot of the issues we’ve had with ghosts have come from them just not understanding quite how fragile humans, and for most of them they feel really bad once they know they actually Hurt someone by shooting them. It’s really best for everyone when they’re kept separate and Ghosts can happily tear each other apart in peace.”

Liminals

The result of long term low level exposure to ectoplasm, sudden high doses are almost always deadly

Liminals Can have almost every trait a ghost can, usually having a combination of a few

Commonalities between liminals include

Minor cosmetic changes such as: glowing eyes, pointed ears, and/or sharp teeth 

Increased stamina, strength, and aggression

Increased obsessive behaviour

Liminals sometimes develop powers shaped by the strength and type of obsession 

“Most of the people Danny and I know are liminals. I don’t want to talk about them in case they don’t want to be outed so I’ll talk about myself and my parents. We all had prolonged exposure after all. My ears are pointed,” She said brushing her hair back so they could see them, “And Danny is a little more then liminal but even in human form he has fangs. 

“My parents didn’t realize it but they could to the point they could subsist on their obsession without needing to eat or sleep as often as a regular human would. About a year ago I started developing the ability to tap into and feel other peoples emotions, I can feed on them a little too but I try not to because the Worst ghost we met did that and I don’t want to be anything like her.”

(Next Slide)

In conclusion

Ghosts are not evil even though sometimes their actions are hard to understand

Never get between ghosts when they’re fighting each other but it’s usually safe to yell at them to remind them not to break anything

Never get between a ghost and their obsession

Don’t drink ectoplasm unless you know you’re already liminal

“I have a feeling the section about liminals will be familiar to a bunch of you. I know Damian is liminal though I don’t know how he was exposed to ectoplasm and some of you,” Her eyes skirted across Tim and Bruce. “Are toeing the line. You’ll probably notice Damian and Danny getting really close, and they might get in some really vicious looking fights. I promise Danny is playing at least.”

The family was left silent for a moment, Bruce knew he was thinking about Jason. Who had died, been exposed to.. What certainly seemed to be something like Lazarus water and come back, obsessive, aggressive, and emotional. He wished he’d had this powerpoint a long time ago. It helped understand Damian too but mostly he was thinking about Jason. He needed to reach out again, maybe meeting Danny would be good for Jason?

“So uhhh, ya, that’s the end of the powerpoint?” Jazz said, shifting from foot to foot in the awkward silence. “Any questions?”

Next

[rebeccathenaturalist]

ETA: I wrote up a guide on clues that a foraging book was written by AI here!

[Original Tweet source here.]

[RANT AHEAD]

Okay, yeah. This is a very, very, very bad idea. I understand that there is a certain flavor of techbro who has ABSOLUTELY zero problem with this because "AI is the future, bro", and we're supposed to be reading their articles on how to use AI for side hustles and all that.

I get that ID apps have played into people's tendency to want quick and easy answers to everything (I'm not totally opposed to apps, but please read about how an app does not a Master Naturalist make.) But nature identification is serious stuff, ESPECIALLY when you are trying to identify whether something is safe to eat, handle, etc. You have to be absolutely, completely, 100000% sure of your ID, and then you ALSO have to absolutely verify that it is safely handled and consumed by humans.

As a foraging instructor, I cannot emphasize this enough. My classes, which are intended for a general audience, are very heavy on identification skills for this very reason. I have had (a small subsection of) students complain that I wasn't just spending 2-3 hours listing off bunches of edible plants and fungi, and honestly? They can complain all they want. I am doing MY due diligence to make very sure that the people who take my classes are prepared to go out and start identifying species and then figure out their edibility or lack thereof.

Because it isn't enough to be able to say "Oh, that's a dandelion, and I think this might be an oyster mushroom." It's also not enough to say "Well, such-and-such app says this is Queen Anne's lace and not poison hemlock." You HAVE to have incredibly keen observational skills. You HAVE to be patient enough to take thorough observations and run them through multiple forms of verification (field guides, websites, apps, other foragers/naturalists) to make sure you have a rock-solid identification. And then you ALSO have to be willing to read through multiple sources (NOT just Wikipedia) to determine whether that species is safely consumed by humans, and if so if it needs to be prepared in a particular way or if there are inedible/toxic parts that need to be removed.

AND--this phenomenon of AI-generated crapola emphasizes the fact that in addition to all of the above, you HAVE to have critical thinking skills when it comes to assessing your sources. Just because something is printed on a page doesn't mean it's true. You need to look at the quality of the information being presented. You need to look at the author's sources. You need to compare what this person is saying to other books and resources out there, and make sure there's a consensus.

You also need to look at the author themselves and make absolutely sure they are a real person. Find their website. Find their bio. Find their social media. Find any other manners in which they interact with the world, ESPECIALLY outside of the internet. Contact them. Ask questions. Don't be a jerk about it, because we're just people, but do at least make sure that a book you're interested in buying is by a real person. I guarantee you those of us who are serious about teaching this stuff and who are internet-savvy are going to make it very easy to find who we are (within reason), what we're doing, and why.

Because the OP in that Tweet is absolutely right--people are going to get seriously ill or dead if they try using AI-generated field guides. We have such a wealth of information, both on paper/pixels and in the brains of active, experienced foragers, that we can easily learn from the mistakes of people in the past who got poisoned, and avoid their fate. But it does mean that you MUST have the will and ability to be impeccably thorough in your research--and when in doubt, throw it out.

My inbox is always open. I'm easier caught via email than here, but I will answer. You can always ask me stuff about foraging, about nature identification, etc. And if there's a foraging instructor/author/etc. with a website, chances are they're also going to be more than willing to answer questions. I am happy to direct you to online groups on Facebook and elsewhere where you have a whole slew of people to compare notes with. I want people's foraging to be SAFE and FUN. And AI-generated books aren't the way to make that happen.

[felassan]

Original post:

amirdrassil: "datamined veilguard character descriptions google doc is now complete. i've even organised all the characters into their respective factions and added a clickable table of contents!! yippee!!! [link]" [source]

Please note that this work and document resource was put together by amirdrassil on Twitter! they kindly gave me permission to cross-post it here. 🙏

DA:TV spoilers and long post under cut.

VEILGUARD DATAMINED CHARACTER DESCRIPTIONS These are all taken directly from the game files; wherever a character had interesting additional information such as accent, age range, or appearance, I’ve also included it.

GODS & SPIRITS

RETURNING CHARACTERS

COMPANIONS

CROWS

VEIL JUMPERS

WARDENS

SHADOW DRAGONS

LORDS OF FORTUNE

MOURN WATCH

KAL-SHAROK

MISCELLANEOUS

UPDATE (19/11/24): Added Teia, Viago, Anaris, Aelia, Hezenkoss and Rana.  (Thank you to @/ZILVYR on Twitter for finding these ones!) I did my best to look through the files as thoroughly as I could, but if you find any more I missed, feel free to DM me on Twitter (@amirdrassil) and I’ll add them with thanks. :-)

I’m adding a disclaimer here, because I’ve seen a lot of people treat these datamined descriptions as absolute canon. Many of them are remnants of scrapped or altered storylines, meaning that they no longer align with the finalised story that the game presents.  Please take everything you read here with a grain of salt, and where the game’s content itself directly contradicts the datamining, the former should always take precedent over the latter. At least as far as “canon” goes! And of course, it goes without saying, but please don’t use any of this datamining as an excuse to be mean to anyone; please understand that game development is a lot of hard work, and storylines are scrapped all the time as writers get new ideas or are faced with inevitable roadblocks from the game system side of things! No matter what, Veilguard was made with love. Anyways, feel free to use any of this as fuel for fanfiction, fanart, headcanons, or just healthy discussions about what the game might’ve been.  Thank you very much, sorry for rambling and please enjoy!! :-)

GODS & SPIRITS

SOLAS AGERANGE: 40 CHARACTERDESCRIPTION: Solas, from the previous game. (Some characters also have a TTS voice assigned to them, and Solas’s is “PeterSad22k_HQ”, which makes me laugh/cry, as no other major character so far has had their TTS voice specified as being the “sad” variant.) ELGAR’NAN AGERANGE: 99 ACCENT: British Isles; an ancient contemporary of Solas. CHARACTERDESCRIPTION: Ancient elven god-king. Blighted. GHILN’NAIN AGERANGE: 35 ACCENT: British Isles; an ancient contemporary of Solas CHARACTERDESCRIPTION: Ghilan'nain is our sinister Mad Scientist god. Analytical and curious, she uses magic to mutate people into powerful but disturbing forms. She often lists things in a clipped fashion, cataloguing as she sees. She's obsessed with experimenting on all kinds of living beings, viewing everyone (except her fellow god, Elgar'nan) as potential "stock". She's pitiless about her work—Ghilan'nain will happily slice open a hundred people for parts—but is not purposefully sadistic. It's nothing personal. She can be angered, however, by people interfering in her plans. When she is, rage runs cold. Some backstory: Ghilan'nain is an ancient, now corrupted, elven god. She rose to power thousands of years ago by creating living wonders, and had the distinction of being the only mortal elf uplifted into the pantheon. She embraced the corrupting power of a force called the blight in order to improve her magic, and has been unalterably twisted by it over the centuries. BETRAYAL OF FELASSAN CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, Solas's murder of his friend Felassan by stabbing him in the back).

FALL OF THE PROTECTOR CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, the death of Mythal). SLAUGHTER OF THE PILLARS CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, the murder of the Titans). SPIRIT OF PROFIT CHARACTERDESCRIPTION: A Spirit of Profit who has set up shop in the Crossroads. They are friendly, but very single-minded and tend to speak in one or two word sentences, mostly about profits. SPEECHPATTERN: Simple, clear expressions of intent. This merchant is a spirit with a singular mind (i just thought this one was neat!) GENERAL FELASSAN AGERANGE: 40 CHARACTERDESCRIPTION: The second in command of a resistance army. You've an elf who's fought against the tyranny of your gods, cruel despots who've enslaved your people. You're practical, level-headed, and have good sense for what other people are feeling, which makes you well-suited for your role. Your leader is an elf called Solas, a powerful mage who isn't quite the people person you are. You respect him, and are there to help him with whatever he needs - especially when he needs guidance about being the face of a resistance. THE CARETAKER SPEECHPATTERN: Simple, mysterious, with a sense of vast wisdom and power ARCHETYPE: Angel / otherworldly helper who gives the player what they truly need, not necessarily what they think they want. CHARACTERDESCRIPTION: A mysterious masked and cloaked spirit. They are patient, otherworldly, and helpful... in their own way. The Caretaker is the guardian of the Lighthouse, a magical shelter. Unknown to the player, the Caretaker is what remains of a truly ancient dragon, who long ago took on the form of this spirit. Underlying their patient and otherworldly nature is a sense of strength. The Caretaker was summoned centuries ago by ancient elves, the original builders of this place. Now it has new inhabitants: the player and their friends. You're guiding them through the mysteries of the Lighthouse, but do not give any straight answers. It's important to you they bridge the gap themselves. NOTE: The Caretaker is referred to as they/them because they're a supernatural entity (as opposed to the more normal human non-binary characters in the game.) We'd like a feminine voice to differentiate them from some of the other spooky/mysterious spirits in the game who sound masculine (e.g. Vorgoth.)

SPIRIT OF CHAOS CHARACTERDESCRIPTION: A spirit of chaos and freedom, unleashed by Solas to break through a labyrinth to his ally Mythal. SPIRIT OF NEED CHARACTERDESCRIPTION: A spirit heavily implied to be the Caretaker in another era, speaking with Solas about the attempt to rescue Mythal. Speaking with the spirit, Solas makes it clear that he will sacrifice anything to save Mythal. ANARIS AGERANGE: 35 (no other info except what’s in cyrian’s description) XENON THE ANTIQUARIAN CHARACTERDESCRIPTION: A nobleman who made a deal for immortality which did not include eternal youth, Xenon is the master of the Black Emporium, a shop selling curiosities from his personal collection of magical items.

RETURNING CHARACTERS

THE INQUISITOR AGERANGE: 30 APPEARANCE: Inquisition uniform under a long cloak with hood. ARCHETYPE: Relatable leader and mentor CHARACTERDESCRIPTION: The Inquisitor, the protagonist from DA:I. Confident, knowing, they are still the head of a powerful organization, but now act in a mentor role. They would bring too much attention if they get personally involved, so they are looking for the right people to act for them. CHARTER AGERANGE: 30 CHARACTERDESCRIPTION: A returning character from DA:I, Charter serves as Rook's link to/mouthpiece of the Inquisitor and what's left of the Inquisition. VARRIC CHARACTERDESCRIPTION: Varric! DORIAN CHARACTERDESCRIPTION: It’s Dorian! MORRIGAN AGERANGE: 40 SPEECHPATTERN: Morrigan-y. CHARACTERDESCRIPTION: Returning character from previous games. ISABELA AGERANGE: 50 APPEARANCE: Well-aged but perfectly maintained warrior gear for close and brutal fighting. Two possible appearances, depending on how the player resolves her past: 1. Dark black dyed hair 2. Red hair with streaks of grey CHARACTERDESCRIPTION: Isabela from Dragon Age II

COMPANIONS

HARDING AGERANGE: 29 ARCHETYPE: Girl-next-door CHARACTERDESCRIPTION: Scout Lace Harding, from Inquisition. It's been almost a decade and Harding's a little older and wiser, but she still thinks of herself as the simple country girl from Ferelden. Harding is cheerful and friendly, and always tries to be positive. She is kind, warm and compassionate, quick to laugh and slow to anger. EMMRICH AGERANGE: 50 CHARACTERDESCRIPTION: Follower - will have an audition script. MANFRED CHARACTERDESCRIPTION: An undead skeleton that serves as Emmrich's faithful assistant and companion. Manfred is curious, loyal, innocent, and wants to be helpful. He doesn't speak at first, only replying in hisses that express his mood. Over the course of the game, however, as he learns more, Manfred eventually surprises everyone by speaking in short, one or two word sentences. ASSAN (listed as “GRIFFON”) CHARACTERDESCRIPTION: Davrin's griffon. A VO character so he can squawk and screech during banter and ambients. LUCANIS AGERANGE: 36 ACCENT: Hint of Italian, but not as strong as Zevran's. (He is from a coastal city in Antiva, which had an influx of Tevinter refugees from Seheron after the Qunari invaded 100 years or so ago. That’€™s why he looks and sounds different from Zevran and Josephine.) APPEARANCE: Lean, sinewy, handsome, but haunted Antivan human man. Mid thirties. CHARACTERDESCRIPTION: Once the heir to the First Talon and the Antivan Crows' best mage killer, Lucanis now bears scars both physically and mentally from his time as a brainwashed executioner for an evil mage cult. No longer the pragmatic assassin always in control, he wrestles with becoming what he’s spent his life hunting: a demon-possessed abomination. He longs to return to his former glory, but the monster inside him demands blood and vengeance. With his future hanging in the balance, Lucanis must decide whether to give into the demon or control it.

DAVRIN (he doesnt have anything aaaaa) BELLARA (she doesnt have anything either aaaaaaaaaa) NEVE AGERANGE: 30 CHARACTERDESCRIPTION: A mage who knows the streets of Minrathous, Neve helps investigate crime in Tevinter's capital. Hired by Varric to assist in the fight against Solas, Neve brings her unique blend of time and ice magic, along with her investigative skills, to the team. Neve is clever and driven, with a dry-but-playful sense of humour. She can be cynical about the world - especially Minrathous - but she believes in doing the right thing herself and has a strong sense of duty. TAASH CHARACTERDESCRIPTION: Taash is a Qunari agent with a specialization in infiltration -- a thief, basically. She can scale buildings, pick locks, and take out enemies with quick and brutal efficiency. She is also blunt and laconic -- more likely to answer with a single word than give you a big long monologue. She's not grumpy as much as badass deadpan -- she doesn't trust people in general, and she doesn't like thinking or talking about her feelings, but she believes in what she does. (Taash correctly has the “NonBinary” gender tag, but unfortunately the CharacterDescription field misgenders them. However, it also seems there are some things here and there that changed in early development, like the Qunari agent thing.)

CROWS

TEIA AGERANGE: 28 ACCENT: Italian/Spanish SPEECHPATTERN: Warm APPEARANCE: Elven female, mid to late twenties CHARACTERDESCRIPTION: Passionate, showy, hot-blooded, flirtatious, and arrogantly confident. Teia believes she's a celebrity athlete who will die gloriously before she gets old and live forever in song. She has no guilt about being an assassin, and thinks anyone who judges her for it just doesn't understand how things work in Antiva, or indeed anywhere in the world where powerful men play games. Abandoned as a child, she has a soft spot for the downtrodden. VIAGO AGERANGE: 32 ACCENT: Italian/Spanish SPEECHPATTERN: Formal, hint of snobbiness APPEARANCE: Human male, early thirties RACE: Human (Brazilian) CHARACTERDESCRIPTION: Calm, ambitious, and ruthless, Viago is the bastard son of the late King of Antiva. As a high-ranking member of the Crows, Viago has just as much influence as the Monarchy, but he still resents the fact that he is not a legitimate heir and feels his birthright was stolen from him. Beneath his cool exterior is a lot of anger and frustration. He will not be satisfied until he sits upon a throne. ILLARIO AGERANGE: 35 SPEECHPATTERN: Charming but with a hint of smarminess. ACCENT: Italian APPEARANCE: Ativan pretty boy CHARACTERDESCRIPTION: Antivan pretty boy. Mid 30's. Illario is a power hungry assassin who cares only for himself. On the surface, he is a fun-loving, upperclass Antivan with a weakness for wine, duels, and gambling. But beneath that shallow facade is a calculating, ambitious man with grand plans for the Crows.

SPITE SPEECHPATTERN: Taunting, sing-songy, creepy CHARACTERDESCRIPTION: The demon trapped inside Lucanis's head. Spite was once a Spirit of Passion drawn to Lucanis's will to live, but years of torture and a desire for revenge has twisted him into a Demon of Obsession. CATERINA AGERANGE: 80 ACCENT: Italian/Spanish APPEARANCE: Older Korean-Spanish or Korean-Italian woman (from the same region as Lucanis). Can easily play the part of both sweet grandmother and mafia boss. CHARACTERDESCRIPTION: The Godmother of the Antivan Crows. Sassy, ruthless older woman of power, who will do anything for the success and protection of her family/house. ZARA AGERANGE: 35 APPEARANCE: Beautiful human mage. Mid 30’s. SPEECHPATTERN: Soft and teasing with a Tevinter accent. Upperclass, so formal, but not cold. More of a sensual snob than an ice queen. CHARACTERDESCRIPTION: A vain, hedonistic Tevinter Magister, who uses the blood of her slaves to stay young and beautiful. She is Lucanis's nemesis and is the one responsible for forcing a demon inside his head. CALIVAN AGERANGE: 55 SPEECHPATTERN: Formal, snide CHARACTERDESCRIPTION: Calivan is the prison warden in charge of the Ossuary. He is as cruel as he is curious and likes to experiment on his inmates with blood magic. GOVERNOR IVENCI AGERANGE: 45 SPEECHPATTERN: Formal, curt, demanding APPEARANCE: A Trevisan government official. They don't go around armed, because they secretly know they don't have anything to fear from the occupation. ARCHETYPE: Money-respecting Official demanding the heroes stop disrupting the status quo. CHARACTERDESCRIPTION: Governor Rayan Ivenci is a non-binary human, about 45, Trevisan with a Caucasian appearance. They used to be a mercenary and still have the skills, but have softened somewhat as they aged. They have been a government official for a decade, and have grown sick of being a toothless figurehead. The Crows are the true authority in Antiva, relegating officials like Ivenci to almost symbolic bookkeepers. Ivenci thinks the Crows are spoiled mascots, and Treviso should be ruled by serious figures who don't waste time on petty rivalries and theatrics. Ivenci allowed the occupation and has made steady profit from it, selling out Treviso with the intent that the Crows would be killed fighting the Antaam, expecting that and when Antiva eventually ousted the Antaam, Ivenci would solidify power before Crow houses in other cities could re-establish here. Under Ivenci, Treviso would be the thin edge of the wedge that ended the Crows power. But the Butcher didn't rampage, and didn't kill all the Crows. This has left Ivenci pretending to help fight the occupation, while also chastising the Crows for stirring up trouble. Once the Butcher is dead, Ivenci casts aside any pretense and simply takes power.

FLETCHER AGERANGE: 30 SPEECHPATTERN: Measured, serious. ARCHETYPE: Connected merchant guild leader ACCENT: Antivan APPEARANCE: Fletcher is a tradesperson and a skilled combatant with a bow. They are always dressed for travel. They aren't flashy, preferring to appear as their own guard instead of a merchant hawking wares.  CHARACTERDESCRIPTION: Fletcher is a human Crow with merchant ties. Skilled in bows and ranged support, they are kitted for travel and protecting people and goods on the move. They are non-binary, tall with a thin build that codes slightly feminine. Ethnicity can be anything.

HEIR AGERANGE: 40 SPEECHPATTERN: Calm, measured. Almost dispassionate. ACCENT: Orlesian APPEARANCE: She is pale with short dark hair and an Orlesian accent. Dressed in good light armor befitting someone who trains others in small-weapon combat and takes the occasional hit. She was the assassin trainer in Inquisition, but it's been many years and doesn't need to match the appearance except in a general sense. CHARACTERDESCRIPTION: Heir is a Dalish elf who acts as a trainer and mentor for young Crows. JACOBUS AGERANGE: 15 ACCENT: Antivan SPEECHPATTERN: Sullen teen with an axe to grind APPEARANCE: Young, skilled, lithely muscled. Jacobus is well trained in double-daggers, but has the typical lack of discipline of an undirected teen. CHARACTERDESCRIPTION: Jacobus is a young male Crow who is in danger of losing himself to vengeance. He should be as young as we can make him. If he can't be a child, he should be no older than 15. His family were killed by the Antaam, and the hate is still fresh. Skilled in daggers, he is lithe and quick, but sullen in his mannerisms. He doesn't smile yet. Ethnicity can be anything. ARCHETYPE: Youthful spite for the world NOA DE ACUTIS AGERANGE: 55 ACCENT: Antivan SPEECHPATTERN: Formal with strangers, warmer with her brother. APPEARANCE: Older veteran Crow female duelist CHARACTERDESCRIPTION: Noa is an older female in her late 50s. She has been a Crow for all of her life, and remains capable and fit. Her build has the old-woman wireyness of a duelist's body that was fit her whole life. She is slow to smile, and is the more serious of the de Acutis siblings. Ethnicity can be anything, but needs to match her brother Neri encountered in the Crow plots. ARCHETYPE: Older sister, skilled assassin

NERI DE ACUTIS AGERANGE: 55 ACCENT: Antivan SPEECHPATTERN: Thoughtful, homespun APPEARANCE: Classic swordsman assassin, with an old-fashioned flare. He doesn't look dated, he looks distinguished. A godfather displaying modern tradition. CHARACTERDESCRIPTION: Neri is an older male in his late 50s. He has been a Crow for all of his life, and remains capable and fit. His build has the old-man-strength of a swordsman's body that was muscular his whole life, but has now lost some of the mass as he transitioned to a mentor or godfather role. He has a hard face, but is quick to a melancholy smile. Ethnicity can be anything, but needs to match his sister encountered in a later plot. ARCHETYPE: Stern but loving godfather FLEDGLING DARTONIA AGERANGE: 17 SPEECHPATTERN: Tentative due to inexperience. More confident after seeing Rook in action. CHARACTERDESCRIPTION: A young person in training to become an assassin. Nervous because of inexperience, but capable and willing.  Farming background. Hunted for food. Now living in the city because the lands were lost to occupation. Dartonia and Temitri are encountered in the Crow sanctum, the Diamond casino. They chat casually with each other about how their training is going, and the things they've heard about. They are young recruits to the Crows, still getting used to their training and the strict but caring manner of their trainer, Heir. They respect and have a little fear of the veteran Crows like Viago and Lucanis.  Especially Lucanis, who is a figure of some renown.

FLEDGLING TIMETRI AGERANGE: 17 SPEECHPATTERN: Over-disciplined to compensate for inexperience. They relax after seeing Rook in action. CHARACTERDESCRIPTION: A young person in training to become an assassin. Overcompensating for inexperience, but capable and willing. Traveled with a military family. Used to discipline, but has crafting hobbies like making various kinds of dolls. TREVISO GONDOLIER AGERANGE: 50 CHARACTERDESCRIPTION: A blue collar gondolier pilot who runs errands in the canals of Treviso. Used to slipping past patrols for stealthy deliveries, before and during the occupation. Fit from daily work, you are no soldier or assassin, but you help in your way. ARCHETYPE: Workaday everyman who helps the assassins get from place to place. QAMEKMASTER CHARACTERDESCRIPTION: The Antaam Qamekmaster is a fanatic who normally is in charge of brewing the horrible mind-stealing poison, qamek. Like all Antaam, he is large, muscular, and has a soldier's mentality. However, now he is giving in to the corruption of the gods. He thinks this makes him better than the regular Antaam, and he's been locked up by the Butcher because of it. When Rook finds them, they willingly succumb to the corruption entirely, and become a monstrous creature called a Reaver. Once transformed he is a massive, fleshy juggernaut consumed by fervor and rage. Most of his dialogue is combat as the transformed Reaver. CHANCE CANDIDE AGERANGE: 25 SPEECHPATTERN: Confident, with a flare for the dramatic. CHARACTERDESCRIPTION: Standard Crow garb on a young man. Chance is a stylish, dramatic Orlesian who joined the Crows to be their emmisary among the courts of Orlais. (French accent.) He has since joined the effort in Treviso, and is fighting the Antaam occupation alongside his fellow Crows. He has chosen to rally people in the underbelly of town, which is a bit of a contrast from his previous position, but that's what he likes. He's the bright spot in a dark time for many people. ARCHETYPE: Gentleman assassin

MARKET MASTER AGERANGE: 45 SPEECHPATTERN: Friendly but businesslike APPEARANCE: Market master in expensive clothes. CHARACTERDESCRIPTION: The all-business master of the market in Treviso. She's frustrated by the occupation, but uninterested in discussions about who should be in charge. She's only interested in getting whoever is at the head out of the city's business. Her name is Master Sidestreet Alidare. Sidestreet is a nickname representing her low origins and her ability to do deals on the side.

VEIL JUMPERS

CYRIAN AGERANGE: 30 CHARACTERDESCRIPTION: Bellara's brother. Zealously dedicated to the rebirth of the elves. Half-possessed by Anaris, an ancient elven would-be god who lives inside a magical mask. STRIFE AGERANGE: 50 CHARACTERDESCRIPTION: One of the Dalish faction agents. Strife is a keen-eyed hunter who grew up in the elven city slums, but was taken in by the forest-dwelling Dalish elves and taught to be an expert woodsman. He's rugged, tough, adventurous, and doesn't suffer fools. He feels some disconnect between his city-upbringing and his current role as a hunter - somtimes Strife worries he's an imposter, not truly growing up with his people, but he's tried to take their teachings to heart. Strife is loyal to those who earn his friendship, and fiercely protective of his clan. IRELIN AGERANGE: 25 CHARACTERDESCRIPTION: A Dalish elf who grew up in the woods, Irelin has learned the ancient and incredibly rare art of shapeshifting. She uses this ability to move secretly in the forest, scouting for her people. Practical and no-nonsense when it comes to defending her clan and her friends, she has a healthy distrust of outsiders, especially the humans who've persecuted and exploited her people for so long. Irelin takes a secret joy in the thrill and power of shapeshifting, however. She loves exploring as the different animals of the forest, and knows some of their paths better than anyone.

WARDENS

ANTOINE AGERANGE: 25 ACCENT: French (Orlesian) CHARACTERDESCRIPTION: Antoine is a cheerful and enthusiastic member of the Grey Wardens. He's quick-witted and willing to run with a crazy plan. Compassionate and kind, he'll put his life on the line to protect others. (filename tag is “agent_improviser”) EVKA AGERANGE: 30 CHARACTERDESCRIPTION: Evka is a devoted member of the Grey Wardens. She's a good-natured pragmatist who's calm under pressure and not easily fazed by the monsters of Thedas. Despite her professional attitude, she isn't above some mild sarcasm or gallows humour. (filename tag is “agent_tracker”) WARDEN GRETA AGERANGE: 30 CHARACTERDESCRIPTION: A Grey Warden lookout. Greta is friendly, personable, and loves being a Grey Warden. She is generally positive (though has a low moment following the fall of the Warden base Weisshaupt). Greta provides information to Rook and always welcomes a chat. If Rook is a Grey Warden, Greta has met them before--they both became Wardens around the same time. Greta doesn't know Rook well--it's more like running into an old school mate--but she likes them. WARDEN RHODRI AGERANGE: 30 CHARACTERDESCRIPTION: A Grey Warden lookout. Rhodri is determined and brave. He worries about other people, but tries to show confidence so others are not afraid. He prefers simple solutions to complex plans.

HOLDEN AGERANGE: 35 CHARACTERDESCRIPTION: The father of Mila, the little girl in Weisshaupt mission. MILA AGERANGE: 9 CHARACTERDESCRIPTION: A plucky little girl Rook meets during the siege of Weisshaupt. JAYNIE AGERANGE: 40 CHARACTERDESCRIPTION: A Grey Warden lookout. Jaynie is organized and observant. She's someone who likes to have a plan. She is a loyal friend and has a dry sense of humour. Jaynie believes you should always try your best. FLYNN AGERANGE: 30 CHARACTERDESCRIPTION: Flynn is the local physician in Lavendel. They recently went through the Warden Joining ritual which gives them Warden abilities (though they will remain a doctor). Flynn is smart and compassionate. A pacifist who is somewhat soft-spoken and has a self-deprecating sense of humour. (there’s other minor wardens with names and short personality descriptions; if you’d like any of them just let me know. to the nobody that is reading this. i have a headache rn. but i will persevere.)

SHADOW DRAGONS

TARQUIN AGERANGE: 39 CHARACTERDESCRIPTION: Tarquin is a burned-out templar who had the idealism beat out of him years ago. He now fights with the Shadow Dragons, offering a more cynical, realistic view that often contrasts with the idealistic and impulsive Viper. Tarquin is a trans man. SPEECHPATTERN: Gruff, deadpan. (filename tag is “agent_cop”) THE VIPER AGERANGE: 30 (filename tag is “agent_vigilante”) MAKAL DAMAS AGERANGE: 45 ACCENT: British/Tevinter-Appropriate CHARACTERDESCRIPTION: The secret head of a criminal organization. Calm, businesslike, and shrewd. He may run a crime network, but he has a sense of loyalty and a code. That said, he'll be violent and ruthless when needed. ELEK TAVOR AGERANGE: 30 ACCENT: British/Tevinter-Appropriate CHARACTERDESCRIPTION: Charming and friendly con artist. Friends with Neve despite being on opposite sides of the law. CAT CHARACTERDESCRIPTION: A cat. HALOS AGERANGE: 50 CHARACTERDESCRIPTION: A blunt-but-kind merchant. Knows he sells the best food in the city. Neve is his most regular customer and therefore his favourite.

LORELEI AGERANGE: 40 SPEECHPATTERN: Fereldan, from Denerim, so she should have an accent that matches our Fereldan accents. CHARACTERDESCRIPTION: Lorelei is an elf who runs the pawn shop that conceals the Shadow Dragons' hideout. Lorelei was originally from Ferelden, captured and sold to Tevinter slavers. She has since been freed thanks to the Shadow Dragons, and continues to work for them. MAEVARIS TILANI AGERANGE: 50 CHARACTERDESCRIPTION: Maevaris Tilani is a powerful, notorious Tevinter magister who was one of the founders of the Shadow Dragons. Respected by some, and hated by others, Maevaris will not rest until she achieves her dream of changing Tevinter for the better. Maevaris is a trans woman and her first appearance was in the comic book, Dragon Age: Those Who Speak. AELIA AGERANGE: 30 ACCENT: British or Tevinter-appropriate CHARACTERDESCRIPTION: A devoted member of the Venatori who believes Minrathous must return to its former glory. Neve foiled her plans in the past. Cold, determined, passionate. RANA SAVAS AGERANGE: 30 ACCENT: British/Tevinter-appropriate CHARACTERDESCRIPTION: A determined and idealistic templar. By-the-books, she believes in following the law and that rules are the best. Doesn't give up or compromise her ideals despite the corrupt system she finds herself in.

LORDS OF FORTUNE

DRAGON KING AGERANGE: 45 SPEECHPATTERN: Blunt, arrogant. A brutal warlord or crime boss. Also speaks lines in the Qunari language. APPEARANCE: Big Qunari (ox-man) with enormous shoulders and battle scars. Old enough to be a military commander, but not so old that anyone would think of him as weak. Big, brutal, mean. CHARACTERDESCRIPTION: The Qunari in charge of the Antaam in this area. Used to be a military officer, but when the Antaam went rogue, he became something like a warlord of cult leader. A powerful warrior with a booming voice. He should sound like the paragon of big dangerous evil masculinity, and he makes his warriors go through painful rituals to prove their devotion. He's strong, blunt, and devoid of mercy or empathy. Will likely kill anyone he doesn't see as useful or entertaining to him. Basically, a bad guy doing his evil bad guy best. SHATHANN AGERANGE: 50 CHARACTERDESCRIPTION: Qunari woman in her 50s. Former Qunari government worker who fled with Taash when Taash was revealed as a fire-breather. CUTTER AGERANGE: 24 APPEARANCE: A Qunari, but only about as tall as a human -- short by Qunari standards. Dresses as a mercenary, fashionable because he's full of himself. CHARACTERDESCRIPTION: Cutter is Qunari, but he grew up in Rivain and acts human (ie, he does not follow the Qun or even know much about it). He's a junior member of the Lords of Fortune, the same mercenary band Taash is in. He's young, cocky, and jealous of how strong and competent Taash is. He wants the respect Taash has earned, and when he doesn't get it, he betrays Taash and sells them out to the Dragon King. Generally speaking, he should act with the kind of smug, entitled confidence of someone who doesn't have much real-life experience -- bluster with jealous insecurity underneath.

KARASH AGERANGE: 50 SPEECHPATTERN: A little stilted and formal, because he grew up speaking another language. CHARACTERDESCRIPTION: A middle-aged Qunari man who was a civilian navigator and weather expert assigned to work on a military vessel. After seeing the military commit war crimes, he deserted, and now lives alone on a beach, doing odd jobs and keeping to himself. He is polite but withdrawn, a little cautious around strangers. Taash (and Taash's mother, Shathann) bring him food from time to time, and he is much more comfortable around Taash, talking to her more like an old uncle. (Again, incorrect pronouns used for Taash here in the character notes.)

MOURN WATCH

MYRNA AGERANGE: 25 CHARACTERDESCRIPTION: Myrna is a necromancer from Nevarra. Utterly precise diction, calm demeanor. Crisp, polite, and intimidatingly competent. Myrna often speaks in declaratives, and absently drops archaic or obscure words at least once a conversation. She's not unfriendly, however, and firmly on the side of those doing good. Myrna is part of the Mourn Watch, an elite group of necromancers who run Nevarra's sacred repository of the dead: the Grand Necropolis. They also protect people from occult dangers, a duty she takes seriously. VORGOTH CHARACTERDESCRIPTION: Vorgoth is deep-voiced, solemn, and imposing. They're a member of the Mourn Watch, an elite group of necromancers from the kingdom of Nevarra. But what Vorgoth is exactly—their species, age, gender, whether or not they're alive—is a mystery, shrouded and masked in a cloak. Vorgoth clearly has supernatural powers, however. Even their voice has an otherworldly echo. Vorgoth doesn't speak much, and only in short sentences. As one of the Mourn Watch, they help guard Nevarra's sacred burial complex, the Grand Necropolis. Like all Watchers, Vorgoth is also sworn to stop occult threats to this world, and takes this duty seriously. NOTE: Vorgoth is masculine in appearance (tall, broad) and voice, but their pronouns are "they/them". Vorgoth does not use they/them because they are non-binary (as opposed to our more typical non-binary characters); they use them because they're a total unknown (and may be a pluralistic entity; in the rare instance Vorgoth refers to themselves, they use "we" not "I".) HEZENKOSS AGERANGE: 50 CHARACTERDESCRIPTION: Arrogant, supremely confident, and spiteful, Johanna Hezenkoss is a "mad-genius" necromancer supervillain with grand plans to conquer the kingdom of Nevarra. Hezenkoss is all feverish energy and big, sudden gestures. She is constantly fueled by an overwhelming ambition and rage. Hezenkoss is probably as intelligent as she boasts, incredibly powerful, and filled with a seething resentment that people try to keep stopping her from ruling everything. Foremost among these people is Emmrich Volkarin, her former friend and fellow necromancer. Johanna and Emmrich have known each other for decades-they used to work on magical research together in the Mourn Watch, an elite order of Necromancers. They had a falling out when a power-hungry Johanna started practicing forbidden necromancy and was kicked out of the Watchers for it. Ever since then, Johanna and Emmrich have clashed as he's tried to stop her villanous schemes. In this game, Hezenkoss has crafted her most diabolical plan yet: a 10-story tall bone golem that can drain peoples' souls and crush anything in its path. She'll stop at nothing to complete it so she can take over Nevarra's capital city. Emmrich and his new friend Rook, frustratingly, stand in her way.

LICH LORD CHARACTERDESCRIPTION: This is lich: an ancient, undead mage. Her speech is formal, authoratative, and occasionally sharp when she has little patience for the living. Speaks in shorter sentences, as she's so old she's fallen out of the habit of vocalizing too much. While impossingly sinister-looking, she's not evil. She just has a viewpoint that thinks in centuries instead of years. KEEPSAKE CHARACTERDESCRIPTION: A spirit that guards the Grand Necropolis, an enormous underground complex full of the sacred dead-and undead. There's a lot of possessed skeletons wandering around down there.  Keepsake manifests as a glowing, floating, see-through skeleton in a shroud. Keepsake has worked with the necromancers who take care of the Necropolis for ages, and knows a lot about what's going on down there. Sometimes mocking or sardonic, with a dryly morbid sense of humor, it's still dedicated to helping people. Keepsake always appears with its companion spirit, Curio, who's the more positive and upbeat of the pair. CURIO CHARACTERDESCRIPTION: A spirit that guards the Grand Necropolis, an enormous underground complex full of the sacred dead-and undead. There's a lot of possessed skeletons wandering around down there.  Curio manifests as a glowing, floating, see-through skeleton in a shroud.  Curio has worked with the necromancers who take care of the Necropolis for ages, and knows a lot about what's going on down there. Its chatty and friendly, often deeply curious. A strange, whimsical being, intrigued by the mortals who wander through. Curio always appears with its companion spirit, Keepsake, who's the more sardonic and cynical of the pair.

SEALED SPIRIT CHARACTERDESCRIPTION: A prideful, ancient demon that's been sealed away for centuries.  You're malevolently curious about what makes these foolish mayfly mortals tick. As part of your imprisonment, you've been splintered into multiple bodies with the same mind. You use them to goad the player, hoping they'll try to defeat you, because you think you can manipulate them into freeing you from your prison. If they do, you have a surprise for them: once freed, you can possess an undead dragon, wrecking untold devastation on the land that thought it could chain you.

KAL-SHAROK

STALGARD AGERANGE: 40 CHARACTERDESCRIPTION: Stalgard is a dwarf from Kal-Sharok, a mysterious dwarven city that has very little contact with the outside world. Stalgard is stoic and steadfast and serious, with a strong sense of honor. DURRA CHARACTERDESCRIPTION: Durra is a dwarf from Kal-Sharok and Stalgard's sister. She is one of Kal-Sharok's historians, known as "Stewards of Memories." Much like her brother, Durra has a strong sense of honor, but is a lot less serious. STONE ORACLE CHARACTERDESCRIPTION: The Oracle is a mysterious entity. known to the Kal-Sharok dwarves. They revere her as a spiritual figure. She is connected to the Titans and makes herself known through a strange rock statue. The Oracle was originally Shaper Valta (first seen in DAI's 'The Descent' DLC). After Valta connected with the Titan in the Wellspring, she became the Oracle and made herself known to the Kal-Sharok dwarves. All Oracle lines should have audio processing on them.

MISCELLANEOUS

THE SCHOLAR CHARACTERDESCRIPTION: A self-important, uptight scholar. He is trying to prove himself to the academy and will go to any means to do so--including murder if that's what must be done. THE EXECUTOR APPEARANCE: Human-appearing CHARACTERDESCRIPTION: A masked and hooded figure that speaks like someone unfamiliar with language in general. Stilted, awkward, but with a low menace. SPEECHPATTERN: Stilted. Is trying to form words from thoughts that are far more complex than a regular person's.

[source]

again please note that this work and document resource was put together by amirdrassil on Twitter! they kindly gave me permission to cross-post it here. 🙏

[local-diavolo-anon]

i'm back!

ok so 2/3 days ago i found this youtube video where op turned Springtrap (or well, William Afton) into a fully build DnD character, and if i say so myself: things got out of hand fast

so here is my take on DnD Springtrap and specifically on that build (adding more infos under the cut for who is interested, i suggest to watch the video first)

starting with saying that unless you're playing in a scifi setting, this build is either not for you or to be modified, since in later levels spells are heavily centered around technomagic and electronic devices; personally when i will play him i will probably tinker around with the chosen spells and cantrips to make him less violently niche and/or more versatile

which kinda saddens me because it takes away not little of the characterization but, given most dnd stories take place in a medieval fantasy or high fantasy setting, a cantrip like On/Off or a spell like Remote Access are NOT particularly useful; so i will go for more psychic damage or necromancy oriented abilities, maybe i might take more than just 4 levels in artificier as well (especially given that again, all of those warlock spells at later levels are all technology oriented) but i need to see what those offer

however it is a kinda tank-y build given that with a shield on you can get up to a 27 of Ac, so even with low damage and not much hp you would not struggle too much to stay alive, and i like that!

as for the character himself, i put too much effort into my interpretation not to share it, so if anyone wants to play this guy as well, i fabricated a possible backstory that might come useful:

The character goes by the name "Dave Miller" (or whatever variant you want to use), and was originally a human artificier who created constructs for a living, mainly with the goal of offering aid to who needed it for whatever reason.

There however he ran into an issue, that being that a robot need a power source, and his own heart and lungs could not sustain a whole robot by themselves.

After losing part of his family to some kind of accident he became terrified of death, so with age he started replacing his own body parts with machinery to delay his last days (which made him a cyborg), until the point where he was very very close to become just a robot.

(This part may or may not involve a pact with a deity of death, this entirely depends on how you want to play him but it would make sense since the build is an artificier/warlock hybrid)

Through particular and very much not illegal experiments tied to necromancy he discovered that the life force of a living being could be shared, and used as a form of fuel. (possibly: age lived of the creature used= amount of extra months you get)

Here comes the second problem: this only worked with intelligent creatures, and more specifically, it worked best with creatures of your own race, which meant that he either went around murdering people or he found another solution. Non same-race creatures worked as well but not as good and there were not easy to find in the middle of a city and with a shop tied to your name.

And here is where and WHY he'd join a party of adventurers: after some time, his reserves or fuel were running VERY thin, and running into a group of adventurers was a god sent because by joining their party he essentially got a free pass to kill whoever he wanted, and reduce them to a dried raisin after sucking some life force out of them. Doing so you learn that the mowe powerful the creature is, the more energy it produces as well.

Your goal, that you as the player are following, when role-ing your character? essentially slay whatever powerful BBEG your Dm throws at you and suck all of that juicy fuel out of them, so that you can return to your little shop in the middle of the capital and return to create and sell whatever weird construct, doll, or robot comes to your mind for another few decades undisturbed.

And this is it. I think this might be a good backstory that could fit pretty much any setting you want to play this guy into, be it classic dnd or some scifi futuristic thing.

of course you don't NEED to use this one line per line, make up your own without looking back if you don't like it lol, dnd is the "make up shit and have fun" game after all!

Edit: also no his outfit makes no sense, i just went with vibes and decided a tanktop dress shirt, a twin tailed gilet and suspenders OVER said gilet was a good choice.

[impactrueno]

after seeing so many people bring up Drop Dead Fred in the comments of my bj & lyds comic, i decided to finally watch it last night and oh my god. i get it now. that's literally them, it's crazy???? i mean not 100% but i'm still shocked at how much they reminded me of both beej and lydia in looks, personality and dynamic (i gotta say though, i'm surprised that fred is more chaotic and infuriating than beej lol. fred makes him look tame in comparison)

it's interesting that tim burton was offered to direct this movie. i can definitely see how that would've turned out. the dark humor, the aesthetic of the imaginary friends and the inside of elizabeth's head already felt pretty burtonesque as they were in the movie, so i don't doubt he was a source of inspiration regardless.

fred and elizabeth though...it's crazy how much this feels like a spiritual successor to the beetlejuice cartoon. obviously it has its own identity so it's not like it's a beetlejuice ripoff or anything, especially since elizabeth is an adult dealing with adult problems and fred's existence is kinda vague in the sense that you don't know how much of him is actually imaginary/part of elizabeth's mind, and how much of him is an actual entity separate from elizabeth. i think by the end he struck me as some type of fucked up guardian angel that only manifests to those who need him. his purpose and reason of existence are directly tied to elizabeth (or whoever needs an imaginary friend) due to her needing some sort of coping mechanism to deal with abuse from her mother and her ex-husband. so like...part of her brain (her taking special pills weakens him until he disappears) but also not. he just exists with the sole purpose of helping her get back on her feet.

which is why i'm baffled at this letterboxd review i saw when i logged the movie:

girl what the FUCK are you talking about.

(spoilers: there is one kiss. one very non-sexual non-romantic goodbye kiss between elizabeth and her living coping mechanism/figment of her imagination/guardian angel of sorts after she managed to heal her inner child thanks to him. i am straight up stupefied that someone would interpret this whole thing as grooming. what movie were you watching)

i'm surprised in general at how so many people completely missed the point of the movie. people taking the gross out immature humor at face value as if that's what the movie is about has me worried about people's media literacy for real lol. this perception of the movie made it flop in the US and even had david letterman condescend to rik mayall when he interviewed him back when the movie came out in 1991. man.........don't piss me off lol

anyway. weird but ultimately lovely movie, it makes so much sense that this is a comfort movie for many and now i totally get why my comic reminded people of it. i understood what they were going for and it's tragic that general audiences did not. it's a movie that's hard to market for sure, because it looks like a kids movie at first glance but the themes and humor are very adult; but then an adult might look at this movie and go "why am i watching a movie where an imaginary manchild calls this girl snotface and makes all these crude gross out jokes" so i'm just. pinching the bridge of my nose in frustration at how misunderstood this movie ended up being

so yeah if you like beetlejuice and lydia's friendship in the cartoon, definitely watch this movie. just know what you're in for lol

[4dbarbie-archive]

4dbarbie remix: Give up and Be Free

Hello! It's been a while since my last remix. I felt spontaneously inspired to make this based on my most favourite 4dbarbie asks. This one's a bit different as this time I got help from AI so they did a lot of the legwork and I made edits as I saw fit, it definitely cut down on the amount of time it takes to make a remix! I asked them to write it in a conversational tone like a friendly guru talking to me so some of the wording has been changed (which can sometimes be helpful in understanding the message in a new way) so it's not entirely 4dbarbie's words verbatim but the message remains the same (feel free to check out the source texts if you wish!). Hope you enjoy!

Edit: This is based on 4dbarbie's guide to a new identity but you can do it with I AM in mind instead (replacing paragraph 6) for self-realization

My highlight colour key: key concepts are in pink, action points in purple, really important points in red

Source texts: 1, 2, 3, 4 Recommended reading: 1, 2, 3, 4

Welcome, my friend. Let me guide you through something deeply transformative, yet so simple it might surprise you. First and foremost, you need to get to a place within where the person you’re identified with no longer bothers you. As long as you fight it and try so hard & incessantly to change it, you're only giving it further reality. It’s not about force or willpower—it’s more of a surrender, or as I prefer to call it, a giving up. Yes, giving up. Because even if you're not happy about what you see, there is no way around it besides accepting it. Even if this feels like misery at first, accept it. Just sit with it. Only when you no longer fear things staying the same, when you cease caring, does true change begin.

You see, I didn’t fake being unaffected. I simply allowed things to happen to “me”. Painful, pleasant, it didn’t matter. I didn’t try to change anything. I let go of the exhausting loop of desire and fear, like finally putting down a heavy load. The emotions still came, but I didn’t involve myself with them. They didn’t interest me anymore, I became indifferent and neutral to whatever was happening. If I got what I wanted, fine. If I didn’t, fine again. Events passed by like clouds—leaving no imprint, no reverberation. In time, it was like they never existed at all.

And here’s the beautiful part—you’ll begin to toy with this idea: “What if none of this ever really existed in the way I thought?” It’s playful and not serious because you've stopped caring. You’ve stopped chasing “realization”, stopped chasing anything. There's no more trying, no more effort. You no longer want or need anything. And in place of needing nothing, you find something you never expected: power. Not power over things, but power in yourself, in your complete detachment from the world. When you reach this point, everything else becomes secondary.

So how do you walk this path? Start by giving up. Give up the idea that you can control anything. You can do nothing about life but cease caring and let it happen. Do not try to understand anymore; simply be. Let everything be as it is. Let life happen. After all, we all die one day, and it’ll all be over anyway. Why exhaust yourself worrying, fearing, striving or desiring? It’s like fighting an ocean tide—you’re just tiring yourself out. No matter what, you can't force life to give you what you want. Allow everything its being and leave it alone. Instead, step back and let the waves wash over you, let life happen as it happens. Life will flow as it will, and you no longer push or pull at it.

Expect nothing. Not from your body, not from your mind, not from the world. Let them be as they will. If life wants to beat you, just let it beat you. It’s like facing a bully—when you stop reacting, when you stop caring, they lose interest. Sure, maybe they’ll hit harder for a while, but you’ve already surrendered. What more can they do? The same goes for life—stop caring what happens and you’ll find it starts losing its power over you.

Now that you’ve freed yourself from expectations, give yourself everything. Live completely in the moment, forget about a past, don't think about a future. Be here, fully, now. All the good things you used to think about others, think about yourself. In each moment, ask yourself “What if there’s nothing outside of me? What would I think and feel right now?”. Let go of caring what life does with it, just do it. You’re not doing it for some future result; you’re doing it because it feels true to you; to be free and be exactly what you want to be in the moment. Whether tomorrow repeats itself or brings something new, so what? You no longer depend on anything external to feel fulfilled. You keep to yourself and continue thinking what you want, continue being who you want to be. If life follows along, let it. If it doesn’t, let it not. Hold steady to what feels right within you, and allow your thoughts to shape what's real to you.

Finally, remember to forget. The past? Gone. What you see before you? Just a shadow of what was. Now, here’s the key: Want nothing. Do nothing. Don’t chase, don’t seek—just let yourself be. This doesn’t mean you stop living or acting; it simply means you stop the endless striving, the relentless push to try make life bend to your will. Instead, just watch what happens. And most importantly, don’t attach any meaning to it. Be a witness, a quiet observer of the flow of life. Whatever happens, good or bad, is just passing through—you have nothing to do with it. It’s not permanent, nothing is. So why believe in it as though it were immovable? Cease caring and be free!

Let the world dance as it may, but you—remain still within. Watch as the transient nature of everything becomes clearer. You’ll see that the world outside is nothing more than a reflection of the thoughts you no longer hold, and that what you once took to be reality soon ceases to be when you take away your identification.

[goldfades]

★ YOU AND ME, WE'D BE A BIG CONVERSATION─── PB⁵ (part 1/3)

❪ requested -> "paige x famous!reader (singer, actress, up to u) inspired by endgame by ts where p reveals that r is her celeb crush in an interview and a few days later theres a vid of r responding to it saying shes been obsessed w paige lately / its such a big deal bc r has been involved in a lot of romantic drama lately so everyone is kinda iffy abt her rn, causing her to put up a tough guard. but p sees thru the facade when they start talking and allows her to be herself, making r fall even harder 🥹 " ❫ for my disco nonnie!

─ warnings | gossip, a lot of drama and random ass names (sorry i get confused when i don't name them), mention of panic attacks, hurt to comfort, pretty sure nothing else?

⇨ missing out on updates? check out my wcbb masterlist!

"Y/N L/N, ONE OF the biggest names right now in the music industry has found herself at the center of yet another romantic scandal involving her ex and now, reportedly a new lover."

The 22-year-old pop sensation, who recently topped the charts with her latest single, was spotted last night leaving an upscale Los Angeles restaurant with actress and heartthrob, Camilla Harrison. The two were seen getting into the same car, sparking rumors of a budding romance.

This sighting comes just weeks after Y/N's highly publicized breakup with fellow musician Lauren Marie, with whom she had a tumultuous on-again, off-again relationship for over two years. The split was reportedly mutual, with both parties citing busy schedules and the pressures of their careers as contributing factors. However, sources close to the couple suggest that Marie was unhappy about Y/N's close friendship with Harrison, which began on the set of her recent music video where Marie made a cameo appearance.

"Y/N and Cam have undeniable chemistry," says an insider. "They've been spending a lot of time together, and it's more than just a professional connection. They're trying to keep things low-key, but it's clear there's something more than friendship between them."

Despite the drama, Y/N continues to thrive professionally. Her upcoming album set to release in the next couple month, is already generating significant buzz. Critics are calling it her most mature work yet, with deeply personal lyrics that reflect her recent experiences.

Meanwhile, Harrison, 26, known for her roles in blockbuster films and her good looks, has remained tight-lipped about the rumors. Her publicist declined to comment, stating that Marie is concentrating on her upcoming film projects.

──

"Okay, next question," the reporter smiled as she scrolled through her phone as Paige gave a tight-lipped smile toward the camera. "Oh! Found a good one, okay. Who is your celebrity crush right now."

"That's easy!" Paige laughed as she glanced toward the reporter. "Y/N L/N, she's beautiful and insanely talented,"

The room filled with laughter as the reporter raised an eyebrow, clearly delighted by the response. "Y/N L/N, huh? That's a popular choice these days, a lot of people are big fans. Have you met her?"

Paige shook her head, her cheeks slightly flushing. "Nah, I wish. But I'm a huge fan of her music. Every song is a masterpiece and I'm not usually into pop,"

"Interesting," the reporter leaned forward, intrigued. "You know, there are rumors about Y/N's love life all the time. How do you feel about all the speculation surrounding her personal life?"

Paige shrugged, maintaining her relaxed demeanor despite the stupid question. "I think it's tough being in the spotlight like that. People forget that celebrities are human too. Everyone deserves a bit of privacy, I'm more interested in her work and what she brings to the music industry rather than whoever she's dating."

The reporter nodded, appreciating Paige's perspective. "Absolutely. It's refreshing to hear someone focus on the artistry rather than the gossip!"

──

"Okay, quick. Who's your celeb crush right now, other than Cam," Bowen Yang, grinned at you, raising an eyebrow as the audience laughed, eagerly awaiting your response.

You laugh (and decide to ignore the comment about Cam), feeling a slight blush creep up your cheeks. "Oh, come on, Bowen, you can't put me on the spot like that!"

Bowen leaned in, his grin widening. "Come on, Y/N, the people want to know!" He pointed to the crowd as they cheered, causing you to put your face in yours hands.

You then take a deep breath, pretending to think hard. "Fine, if I have to choose... I'd say Paige Bueckers. She's incredible on the court, and I've seen some interviews with her ─ she seems like such a cool person."

The audience erupts with loud cheers, causing both you and Bowen to laugh. Bowen's eyes widen, clearly delighted by your answer as he clapped. "Ooh, scandalous! Paige Bueckers, I love that! Have you met her?"

You shake your head, smiling. "No, not yet. But I did see a clip of her saying some really nice things about me recently. It was super sweet."

Bowen's face lights up with excitement. "She was practically gushing over you, this is perfect, we need to make this happen. Maybe you could collab, I don't know how but uh, if anyone could make it happen, it's you."

"Thank you, I think?" You laugh, nodding. "Totally, we'll see what happens."

Bowen turns to the camera, his enthusiasm infectious. "You heard it here first, folks! Y/N and Paige Bueckers, the crossover we never knew we needed but now desperately want!"

The audience erupts in applause and cheers, and you can't help but smile at the idea. Bowen turns back to you, his tone shifting slightly more serious. "Alright, before we wrap up, I have to ask ─ how do you deal with all the attention and rumors about your personal life? It seems like you're constantly in the spotlight."

You take a moment to gather your thoughts, caught off guard by the serious question. "It's um, definitely challenging at times, but I try to focus on the positive aspects. I love making music and my fans. As for the rumors, I just remind myself that I can't control what people say or think. I stay true to myself and the people who really know me, and that's what matters most."

Bowen nods appreciatively. "Wise words, Y/N. And that's why we love you so. Thank you so much for being here tonight."

"Thank you for having me," you reply, genuinely touched by the support.

"And that's Y/N L/N!"

The crowd erupts in cheers as you genuinely smile, happy for the support, waving toward the audience.

──

"Hey everyone, welcome back to the podcast I'm Lila, and today we've got a lot to talk about. Y/N L/N is at the center of yet another romantic scandal, and there's even a new twist involving basketball star Paige Bueckers. Let's dive in!" Lila said, her enthusiasm palpable.

"Yaya, so excited," Maya chimed in, adjusting her headphones. "So, Y/N was spotted last night leaving an upscale LA restaurant with actress Cam Harrison. They got into the same car, which has everyone buzzing about a possible new romance."

"Yeah, and this is just weeks after her very public breakup with Lauren, I think that's her name? It's been a whirlwind, to say the least. But honestly, I think Y/N is handling it all pretty well. She's focused on her music, and she's just living her life. What's your take, My?" Lila asked, leaning in slightly.

Maya sighed, her skepticism evident. "I don't know, Lila. I get that she's young and living her life or whatever, but it feels like there's always some new drama with her. First Lauren, now Cam Harrison? It's starting to look like a pattern."

"But that's thing, with being in your early twenties. Figuring out what you want, who you want to be with? I mean, she's also incredibly talented and driven. Her new album is generating a ton of buzz and it hasn't even been released yet," Lila countered, her voice full of admiration.

"Sure, but it seems like she's always entangled in some romantic drama. Maybe it's just the nature of fame or whatever, but it can also come off as messy. And now, with Paige Bueckers gushing about her in that interview, it adds another layer. I just hope she’s not stringing people along," Maya replied, her tone annoyed.

Lila nodded, annoyed at Maya's words but maintaining her supportive stance. "I get where you're coming from, but did you see Paige's reaction? She was genuinely excited about Y/N. It was sweet. Plus, Y/N responded so positively on the SNL interview. I think it shows she's got a good heart and she's just navigating her way through a complicated life!"

Maya hesitated for a moment as she glanced at the camera, then continued. "I mean, look at Taylor Swift. She's known for her string of high-profile relationships and breakups, and it hasn't always been received positively. It feels like Y/N is heading down a similar path- What?"

"Come on, Maya!" Lila glared at her, clearly displeased. "Comparing Y/N to Taylor Swift isn't fair. Taylor's faced a lot of unfair criticism for just living her life and expressing herself through her music. Y/N is her own person, with her own journey. She's navigating her twenties in the spotlight, and that's not easy."

Maya just shrugged as she glanced toward the camera, before adjusting her mic. "Well that got awkward, moving on..."

──── COMMENTS

sela 🐾 | is she wrong though... love her music but why'd paige gotta get involved too? ♡ 108

↳ l/nslover | cause they like each other???

↳ 🦕 | has bro ever heard of a pr relationship 😭

↳ ari! | THEYRE NOT EVEN TOGETHER YET BROOO😭😭😭

sarah™️ | LILA GET THE HELL OUTTA THERE BROOOO 😭😭 i never liked maya tbh this is just a weird ass take ♡ 1.7k

kayla 🎀 | listen as a y/n girly i also understand maya's point of view cause.... shes kinda for the streets ♡ 879

↳ ™️ | dont call yourself a """"" y/n girly """""" if ur gonna say she's for the streets??? the fuck??

⭐️ | i was understanding maya's pov up until she started saying all that taylor swift bullshit, they're two separate artists LET US LIVEEEEEEE ♡ 2k

josie may | hardest watch of the day 🥲 maya u let us down with that dumb ass take

──

"I just kinda... wanna disappear for awhile," you confessed, your voice quiet as you pressed the phone to your ear. "Don't know why this keeps happening, you're the only that can... help me through it. Sorry if I woke you up-"

It happened again ─ over the last couple of months (ever since you'd broken up with Lauren) you'd gotten pretty severe panic attacks. You were told by everyone on your team to just stay off social media and what had you done... exactly the opposite of that.

"No, no, I was awake anyway, promise," Paige's voice echoed through the phone. You heard shuffling through the phone as you sniffled, sighing. "And I don't mind, like at all. I meant what I said, I'm always here for you,"

Your heart swelled as you managed a smile, as tears began to build in your eyes. You and Paige had only been talking a month and she already understood you more than anyone had in what felt like forever. Her steady presence was like an anchor in the storm of your life.

The constant media scrutiny and the aftermath of your breakup with Lauren had left you feeling alone, but Paige’s calming influence was slowly becoming your safe haven.

"I just... I don't know how to deal with all of it. The rumors, the pressure, it's all so overwhelming," you admitted, wiping away the tears that had started to fall. "Half of it, it isn't even true."

"Hey, it's okay, I know, I believe you," Paige's voice was soothing, almost like a warm embrace over the phone. Even the smallest affirmation from Paige made you feel all okay again, even if it was just for the moment.

"You're not alone in this. We can figure it out together, step by step."

That part made your lips twitch up in a smile, feeling yourself relax again. You took a deep breath, feeling a bit of the tension ease from your shoulders. "I just feel like I can't breathe sometimes. Like the walls are closing in, y'know?"

"I get it," Paige replied softly. She'd know about it all too well, she'd been through it herself plenty of times. "Sometimes it helps to focus on the small things. One step at a time, remember? Have you tried any of those breathing exercises I taught you?"

You nodded, even though she couldn't see you. "Yeah, a little. They help, but it’s hard to remember in the moment."

"Next time you feel a panic attack coming on, call me. Anytime, okay? We'll get through it together," Paige's voice was firm, reassuring. "You don't deserve the shit they give you, like at all."

"Thank you," you whispered, feeling a surge of gratitude. "I don't know what I'd do without you, P."

"You don't have to thank me. I care about you, and I wanna help. Plus, I like hearing your voice," Paige added with a light chuckle, trying to lift your spirits.

You couldn't help but smile at that. "Me too, especially your cute tired voice."

"Cute, really?" Paige laughed through the phone and you swore you felt like your whole world felt even again. "But uh, if you do really wanna disappear you can always come to Connecticut."

The thought of escaping the relentless spotlight, even for a little while, sounded like a dream. "Really?"

"Yeah, you can stay with me for a bit, if that's uh... what you want." Paige explained through the phone. "My friends are super chill and it's always a fun time, if you ever wanna come. Think about it?"

The idea of spending time with the basketball player you'd quickly become enthralled with, seemed almost like a dream. And getting away from LA and all the madness that came with it sounded heavenly, you were going to give Connecticut a thought.

You sighed, feeling a warmth spread through you that had been absent for far too long. "Yeah, I will. And Paige?"

"Yeah?"

"Thank you. Really."

"Anytime, Y/N. Sweet dreams."

↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !

↳ thank you for reading all the way through, as always ♡

[oltammefru]

Civilight Eterna is an incredibly incredibly interesting character, and has so so much going on so I thought I'd share my read on her. First off, Civilight Eterna isn't Theresa. Like, at all. In her dialogue, she repeatedly says she's not Theresa, talks about Theresa as a person distinct from her, and seems uncomfortable when the Doctor treats her as if she is Theresa.

The way I see it, she is actually far more like Kal'tsit and Amiya than she is Theresa. Once you accept that, I think Civilight Eterna becomes an incredibly, incredibly interesting character who provides a large amount of great characterization to Theresa.

The real Theresa is dead and gone and erased forever now, but ironically, if anything, after ep14, the narrative is far more haunted by Theresa than it ever was. For the most part, no one is particularly happy with CE being on the landship as she is: for Kal'tsit, who had finally come to terms with her grief and loss, all CE really does is dredge up all the pain and sorrow and hatred she felt about Theresa's death.

For the Doctor, she is a source of self-doubt and guilt over their past sins.

There's also an interesting contrast between her and the Doctor, as CE spells out, with one of them being an existence entirely of memory, and the other having none at all.

Amiya is mostly ok about her, but even for her, CE a reminder of who and what she has lost. She sees CE and understands and sees her not as Theresa, but as something else, but because of her resemblance to Theresa, she can't help but be reminded that Theresa is gone, and she won't be able to see anything she's done or gone through anymore.

Theresa, herself, is gone for good now, but the shadow of her last deed hangs over them all. CE as a character takes the enormous background presence Theresa has in the narrative and she makes it a lot more personal than it already is. As a character, CE takes the ghost of Theresa that's been haunting the narrative in the background and drags it kicking and screaming into the forefront, forcing the main trio to confront it.

The person most haunted by Theresa is Civilight Eterna herself. She was made with the purpose being a replica or substitute of Theresa, with the memories of Theresa, but she's really not her, and she's in fact quite bothered by such a concept. The impression I get from her files is that her arc as a character (provided they give her continued story content and don't just throw her by the wayside) is mostly about her struggles to find an identity for herself beyond the one she was assigned and was made to be (which very much parallels much of Amiya's struggles throughout the her entire character arc!)

In most of the story, Theresa is framed as this, almost mythical, larger-than-life figure, who you hear of often and her legacy greatly influences everything that unfolds, without actually appearing except in brief glimpses and flashbacks (until the story starts peeling back the curtain on her with Babel.) For someone as existent and present as CE is, there is no way that she could actually live up to the legendary figure that Theresa was, nor does she want to. The mythos surrounding Theresa is so great that just by virtue of being made to be like Theresa, this serves to erase any identity or personhood of her own she might have (once again, parallels with Amiya.)

(This is also somewhat painfully ironic on a meta-level. If you engage with CE's content at all, it spells out the fact that she is very much not Theresa, but just because she was made to resemble her, even the playerbase of the game thinks of and sees her as Theresa!).

The thing that's juiciest about this to me is that the relationship she has with Kal'tsit. Kal'tsit is maybe the one person who can truly empathize with CE and her mode of existence: both were made and instilled with some driving, defining purpose, but wish to carve out an identity of their own; both occupy some messy, intermediate state between humanity and inhumanity; and both struggle with the risk of being subsumed by some ideal or identity far beyond what they could possibly be. But instead, Kal'tsit can't bear to see the sight of CE, she gives her the cold shoulder, and is unwilling to meet her eyes. Even if Kal'tsit does understand that CE isn't really Theresa, she can't help but see her and think of Theresa, and for CE, this is incredibly, incredibly alienating, that the one person who should be able to truly understand her and her struggles to find an identity for herself, sees her more as the person she was made in the image of and could never really be, instead of her own person.

In light of the fact that CE's files state Kal'tsit has been avoiding CE is so fucked actually, especially when you think about this in the context of Lone Trail. Lone Trail takes place over an (in-setting) year after CE shows up, and despite this, she is never been mentioned or referenced at all, even obliquely. Has Kal'tsit just been coping about it for an entire year straight*? Like, here's about how I imagine this goes: The Doctor mentions CE to Kal'tsit exactly once and immediately gets the hint to not do so. They don't get a lecture about this. They don't even get a Kal'tsit Stinkface Talksprite. She just looks, however minutely, a slight bit more tired and sad. And so that's the last time they ever bring it up. And the thing is, CE has the same care and love that Theresa had, and she wants so so desperately for the people Theresa (and by extension her) cares about to be happy. And so if the only thing she can do for Kal'tsit is to remain completely out of Kal'tsit's sight, existence unacknowledged, no matter how much she might want to reach out, no matter how soulcrushing and painful it might be to do so, she would do this and bear all the pain, out of the love she has for Kal'tsit.

The main way we see Theresa characterized before Babel and Ep14 is through the things and people she's left behind: the people who lived because she died, a dream, a photo of her snuck when she wasn't looking (she was looking), a flower garden, a letter, a promise, a girl made to bear the weight of the world and an apology to her. CE is the last thing she leaves behind, her last act, her last sin before she exits the story for good. In particular, I think CE as a character is some really good final characterization for Theresa, one that serves to highlight her character flaws.

As a person, Theresa is sort of messy. I mean this specifically in the sense she is a person who does great and grand things, knowing that there will be consequences (both foreseen and unforeseen), and does them anyway, often leaving a mess in the process for others to pick up. In Warfarin's 2nd operator record: her attitude towards Theresa highlights this well, to her, no matter how noble her ideals and how good her intentions might be, the fact of the matter is that she is starting a civil war who which will get people killed. In this regard, I think her creation of CE fits her character perfectly. What she does in episode 14: finally being able to free the Sarkaz from the shackles of Originium, and making CE as a final act of care to Amiya, fulfilling her promise to Amiya to always be with her, but making a huge mess in the process, serves as a perfect capstone to Theresa as a character. Even though she is now gone, the effects of her last choice and legacy still hang over those who knew her.

*Of course it could also be that they wrote LT at a time where there were no plans to have CE be a character at all, but especially when it comes to things like this, HG does generally write things years ahead of time. The ending of Lone Trail does feel very much like it was written with Babel already in mind, and Vigilo was also clearly written with Babel in mind (see: Memoria specifically) despite being released several years before Babel.

[velvetvexations]

With Warless Weekend over, it's time I address Plaidos openly accusing me of secretly being a man! Oh, yeah, she's doing that now. I'm tagging this because I'm annoyed at Very Popular Tumblr Transfeminist misgendering a trans woman because her politics are too transmasc-friendly.

Isn't it great how she cuts this off, implying I think segregation by sex is not a big deal, rather than it being ridiculous she's made Michfest specifically her 9/11? I try so often to word everything I say in a way that can't be snipped like this but I clearly fucked up here.

Let's breakdown the reasoning given in her reply to a reblog concurring that I'm probably a sockpuppet:

Plaidos is assuming as TRFs always do that her clique is fully representative of transfems on Tumblr so if she never sees me positively interacting with them I must specifically be avoiding them. The reality is that I simply don't inspect the genitals of everyone I interact with.

Not only do I often argue with self-identified TMEs, probably even more than trans women, but Plaidos is literally responding to a self-identified TME who's talking about me having argued with them, so framing this as me going after trans women is ridiculous. I can literally pull up screenshots that I'm pretty sure predate me coming back to Tumblr where I talk about how it seems from what I observed on the outside was that the rabidly transandrophobic crowd was mostly non-trans women bloodletting for one or two idols, which is a notion I was unfortunately and despairingly disillusioned of upon getting into the trenches myself.

Also, "dishonorable"? Is she a fucking Klingon?

Annnnnd there's the implication I am in fact a trans man. She's certainly saying I'm not a trans woman and that's also misgendering because I've said repeatedly that my gender rests firmly on being Not A Cis Woman. But why simply "implicate" I'm a man?

Hilarious. Doubly so since I just recently found out that person runs my favorite Y2K blog, which I'm sure will get used as 'proof' at some point.

Do I seriously need to post fucking gock lol? Are we literally down to genital inspections at this point?

My blog has a pre-discourse history where I mostly reblogged images and argued about a Dungeons & Dragons show!* I'm literally a published author! What about all the very specific kinks? Being a scholar of Imperial Japan? The very specific opinions I have on very specific media? My specific fandoms?

What an elaborate character I've constructed to come up with a multiple system where the system members even have surnames and are the distinct sources of specific parts of my personality and interests, including one who's Christian and one who's attempting to learn Hinduism but has only ever briefly mentioned it about twice.

I think TRFs have never moved past the point in development where people don't exist when you stop looking at them.

*much of which was about how much I hated the transmasc player's cis lesbian PC; make of that what you will

I don't block people very often, but I do in fact do that! Thicced-Witch has openly talked about me repeatedly having her blocked and unblocking her when it did no good. I also have prettykittenpaw and fite-club blocked because they got into the annoying habit of coming on to every one of my posts, and my tolerance for prettyeelwithagun ran out when she stuck by Thicced-Witch's misgendering of people for the purposes of "satire."

God, this is all so, so stupid. Transfeminism, everyone.

[literaryvein-reblogs]

How do I write mean insults that's in character for a character to say? I'm personally poor at coming up with insults that don't sound generic or would actually cut deep, being mean in general. I want to write a snarky character with a dry sense of humour when it calls for it but don't know how to go about it.

He's also recovering from a superiority and inferiority complex.

As the writer, you know your character best, and what insults would make sense for them to say (also considering the bigger context of the scene). So, I'll just provide you with a compilation of prompts and notes from different sources, and you can choose which ones are most appropriate to incorporate in your story.

Writing Notes: Insults & Dry Humor

A List of "Sophisticated" Insults

Craven - having or showing a complete lack of courage; very cowardly

Fatuous - silly or stupid; complacently or inanely foolish. From Latin infatuate, which once meant "to make foolish," but which now usually means "to inspire with foolish love or admiration."

Insipid - not interesting or exciting; dull or boring

Obstreperous - difficult to control and often noisy

Obtuse - stupid or unintelligent; not able to think clearly or to understand what is obvious or simple

Pusillanimous - weak and afraid of danger. It's been used by such notables as Ralph Waldo Emerson ("It is a pusillanimous desertion of our work to gaze after our neighbours"), and the disgraced Vice-President Spiro Agnew, who called journalists "pusillanimous pussyfooters."

Sanctimonious - pretending to be morally better than other people. It once meant "possessing sanctity; holy, sacred." The genuinely holy aspect faded, and William Shakespeare is credited with first using sanctimonious to mean "hypocritically pious or devout."

Twee - sweet or cute in a way that is silly or sentimental. Just as buddy is believed to be a baby talk alteration of "brother", twee is a baby talk alteration of "sweet". Although twee is still considered a chiefly British term, it's increasingly popular in American English.

Unctuous - revealing or marked by a smug, ingratiating, and false earnestness or spirituality. Unction can mean "anointment" or it can name something used to anoint, such as a soothing or lubricating oil. That idea of oiliness led to unctuous, which can describe the slickness of false sincerity.

Vacuous - having or showing a lack of intelligence or serious thought; lacking meaning, importance, or substance

The insult would also depend on which other character it is directed at. Here is a list of "funny" insults for adults from Reader's Digest:

My days of not taking you seriously have come to a middle.

You are the human equivalent of a participation trophy.

If you were a spice, you’d be flour.

You may have a sparsely attended funeral.

I smell something burning. Are you trying to think again?

You’re like a lighthouse in a desert: bright but not very useful.

Don’t worry—the first 30 years of childhood are always the hardest.

May your life be as pleasant as you are.

You’re as useless as the “ueue” in “queue.”

Your face is just fine. It’s your personality that’s the issue.

...and for your character's significant other:

I like you. People say I have no taste, but I like you.

You continue to meet my expectations.

I’ll never forget the first time we met. But I’ll keep trying.

If genius skips a generation, our kids will be brilliant.

We were happily married for a month. Too bad it’s our 10-year anniversary.

I admire the way you try so hard.

You’re entitled to your incorrect opinion.

Have you tried doing it the way I told you to the first time?

The best part of watching a show with you is when you fall asleep because then I can watch my show.

Don’t call me crazy—you’re the one who married me!

You can always alter these to better suit your character. You can read the full list here, which also includes some insults for kids, best friends, and family.

Tips for Better Humor Writing

Humor writing isn’t all about landing a good joke (except for when it is). In creative writing, the effect is usually a bit more nuanced. Here’s a few writing techniques to get you started:

Subvert expectations. Try to undermine the audience’s expectations or reform them with structural elements.

Save the best for last. Humor is often a release of tension, so the sentence builds that tension, and the pay-off—the punchline—happens most naturally at the end. This is also sometimes referred to as the “rule of three,” where two thoughts act as a build-up to the final humorous closer.

Use contrast. Are your characters in a terrifying situation? Add something light, like a man obsessing about his briefcase instead of the T-Rex looming behind him.

Use good wordplay. Sometimes words themselves are funny, and just as often, their placement in a sentence can make a difference. Some words are just funnier than others, so make a list of those that amuse you the most.

Take advantage of cliché. While clichés are something most writers try to avoid, it’s important to recognize them,so you can use them to your advantage. Humor relies in part on twisting a cliché—transforming or undermining it. You do this by setting up an expectation based on the cliché and then providing a surprise outcome. In humor writing, this process is called reforming.

Use humor as a counterbalance. If you just pile on one terrible thing after another, it starts to become ridiculous, and people won’t buy it. Using humor is a great way to achieve the proper balance between fantasy and real life. Remember, if a roller coaster only did twists and turns the whole time, it wouldn’t be as fun to ride.

Level of Intensity

There are people who shrug off an insult (“That’s just the way she is”) and people who commit murder over an insult (“I’m avenging my honor!”). Plus, of course, everything in between. Which is your character?

To be believable, consider the following:

Personality. How hard does your character take events in general? Does s/he get really excited over good fortune and really depressed over setbacks? Then we’ll find it believable that s/he gets really angry and reacts accordingly.

The second cause of an intense reaction is the nature of the specific fight that you’re creating on the page. Lily Owens lets most of her father’s insults go by (“the art of survival”). But when he starts in about her mother, the topic is too important to Lily to gloss over. Lily’s reaction is intense. She runs away. Another type of character might merely have seethed silently. Still another might have fought T. Ray more intensively, setting fire to the house with him inside.

Finally, the strength of fights is culturally determined. Where public or even private scenes are disapproved of (upper-class London, old-money Boston, “well-behaved” families), arguments may be muted, even when the subject matters a great deal. In other cultures, volatility is not frowned on, and people may feel free to scream at each other in public. In extreme cases, murder may even be considered a duty, as in avenging a sister’s sexual assault.

Where is your story taking place? Are your arguers in tune with local or family culture? Maybe not. You can create interesting effects by portraying the rebels against the local mores: the meek child born into a battling family, the furious feminist in polite 19th-century English society.

On Dry Humor

Dry humor - is all about the subtle irony of the facts being stated plainly; it is the contrast between sentiment and reality that makes the situation funny.

The technique is known for its simple, often matter-of-fact declarations that will make the audience laugh or be perplexed (humor is subjective, after all).

With dry humor, delivery and intention create a sort of comedic cognitive dissonance or contrast. Sometimes it is as simple as using a bit of sarcasm, but it can also be more than that.

Dry humor lives and dies on the back of doing less.

Less facial expressions, less props, less setup—less is often more when it comes to landing the joke. You aren’t using a big, dramatic setup or a grandiose vocabulary to make your point.

Essentially, these jokes are derived from saying the opposite of what is meant or delivering them in a way that purposefully counteracts the supposed meaning of what is being said.

Dry Humor in Writing

The function of dry humor has often been to highlight the absurd.

It is effectively executed in moments where satirization of the circumstances at play require little more than noting the facts aloud.

When writing this sort of humor, quick, cutting accuracy is key to making the jokes land.

Simplicity is king, and an honest statement of the facts will always lead the way to finding the funny.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Humour ⚜ Laughter & Humour

Hope this helps with your writing!

[evilwickedme]

I keep seeing news that Israel has rejected a ceasefire deal from Hamas and/or that Hamas has rejected a ceasefire deal from Israel, and I'm having a very hard time keeping up with what's true, what terms have been rejected by who, and how ceasefire negotiations have been going in general. Do you have any information you could share or sources you could direct me to that would give this kind of news in an unbiased way? I think that saying that either side rejected a deal without explaining what parts of the terms were not agreed with is dishonest and I hate that I keep seeing it.

Thanks and I hope you're well and safe.

I'm not going to source this with anything specific cause my job is in the news so I'm just doing this off the cuff while literally on the bus there lmao

Both sides are in fact constantly rejecting ceasefire deals, for their own reasons. Some scattered thoughts from the last several months of coverage

One of the biggest points is ending the war. Hamas keeps going back and forth on this but is mostly insisting that even for the first, humanitarian stage of the hostage/ceasefire deal Israel must agree to take out all of its troops and essentially leave Hamas to remain the ruling party in the Gaza strip

This is essentially the only hard no on Israel's side. Netanyahu especially refuses to end the war without a military victory that essentially is impossible to get without entering Rafah (and in my opinion is currently impossible to achieve at all). There is a willingness to pause the war in exchange for the hostages up to a certain degree, but there simply isn't a chance that Israel is going to give up on defeating the remaining Hamas military divisions in Rafah and hopefully killing Sinwar

A lot of the problem is that Hamas will present a deal that Israel finds unacceptable, Israel will take time to deliberate, come up with a middle ground, and then Hamas will actually make a worse offer in return. A lot of things that Israel is currently putting on the table were things Hamas originally requested and was willing to be on those terms, but now they want things that are even further from Israel's interests.

For example, at first Hamas was asking for women and children to be allowed to go back to northern Gaza. Now they are asking for the entire civilian population to return to northern Gaza... And for Israel to not even check that no Hamas agents are going back up north, where there are still many rocket launchers that were never found. Personally I would like that not to happen, as I would like rockets to not be launched at me. Maybe that's a lot to ask, idk

Another example is the fact that at first Hamas asked for a certain number of terrorists to be freed, but that about a third of them (iirc) would be picked by Hamas, with no veto power given to Israel. The offer currently on the table gives Israel no veto power at all, and unlike the deal from November where Israel only freed terrorists who failed to kill anyone, this time Israel will be required to pretty much exclusively free murderers.

The truth is Hamas has very little interest in a hostage deal. They don't want the terrorists in Israeli prisons as much as we want the hostages that are, according to current intelligence, being used as human shields, many of them surrounding Sinwar at all times. The first hostage deal led to humanitarian aid being brought into Gaza, which due to Israeli negligence has been taken over by Hamas; aid is being increased (although not enough) with no "return on investment" so to speak for Israel.

(sidenote: yes, there is not enough aid entering Gaza. Also, a lot of the aid is being taken by Hamas officials, with the remains being sold at outrageous prices to the refugees. Shit is bad from all directions here)

Meanwhile, the IDF has essentially pulled all its soldiers out of Gaza. There are currently only two military divisions in Gaza iirc, and they're mostly just staying there with not much happening. The current attack on Rafah is "small scale", and comes as a direct result of rockets being shot at south Israel on Sunday, resulting in several people being grievously injured. Overall, not much military action is happening, meaning that, for example, agreeing to cease military activities in Gaza is relatively unimportant to Hamas rn (emphasis on to Hamas).

And another truth is netanyahu ALSO doesn't want a ceasefire. The moment this war ends the public will demand an election (hell, a THIRD of the public is demanding an election NOW, before the end of the war), and he has lost many of his more casual voters. He will be forced out of the government either by his party or by the voters, and netanyahu wants power over all else, fuck the hostages.

He doesn't WANT to answer for his actions in front of his citizens. It's no coincidence that he is willing to be interviewed by the foreign press but no Israeli papers or channels; it's no coincidence that he refuses to allow the Israeli negotiators to come up creative solutions, instead giving them extreme restrictions. And his absolute refusal to even acknowledging the possible existence of a future Palestinian state is going to fuck Israel over in unimaginable ways

In short, fuck Hamas, fuck Netanyahu and the current extreme right wing government, #bringthemhome #freegazafromhamas and #ceasefirenow

As usual, I recommend a mix of Haaretz, the NYT, and the wall street journal as my favorite although never unbiased journalism on i/p. It is so important that we all understand that nobody is unbiased about any political issue, including me, and especially not about Israel and Palestine. It is an extremely charged subject that is best parsed out by reading from a variety of sources, and always noting that if something is only quoted or referenced by sources from one "side", it's frankly probably not true.

I hope for the best, and may this nightmare end as soon as possible