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Electronic Timers Market Emerging Trends and Forecast by 2017-2032
The global electronic timers market is expected to grow at a CAGR of 5.8% during the forecast period, 2018-2028.
The competitive analysis of the Electronic Timers Market offers a comprehensive examination of key market players. It encompasses detailed company profiles, insights into revenue distribution, innovations within their product portfolios, regional market presence, strategic development plans, pricing strategies, identified target markets, and immediate future initiatives of industry leaders. This section serves as a valuable resource for readers to understand the driving forces behind competition and what strategies can set them apart in capturing new target markets.
Market projections and forecasts are underpinned by extensive primary research, further validated through precise secondary research specific to the Electronic Timers Market. Our research analysts have dedicated substantial time and effort to curate essential industry insights from key industry participants, including Original Equipment Manufacturers (OEMs), top-tier suppliers, distributors, and relevant government entities.
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Market Segmentations:
Global Electronic Timers Market: By Company • Honeywell • Legrand • OMRON • Leviton • Intermatic • Schneider Electric • Panasonic • Theben Group • Kubler Group • Eaton • Hager • Enerlites • Crouzet • Autonics Corporation • Ascon Tecnologic • Marsh Bellofram • Trumeter • SELEC Controls Pvt. Ltd. • Tempatron • Sisel Engineering Inc. • ANLY Electronics Co.,Ltd • Kübler Group • Dwyer Instruments • Pujing • Any Electronics Co.,Ltd
(This is a tentative list, the report on delivery will have additional companies profiled with potential/new entrants within the major shareholder market: Please subscribe to the latest sample report to know more)
Global Electronic Timers Market: By Type • Analogue Timers • Digital Timers Global Electronic Timers Market: By Application • Industrial Device • Lighting System • Others
Regional Analysis of Global Electronic Timers Market
All the regional segmentation has been studied based on recent and future trends, and the market is forecasted throughout the prediction period. The countries covered in the regional analysis of the Global Electronic Timers market report are U.S., Canada, and Mexico in North America, Germany, France, U.K., Russia, Italy, Spain, Turkey, Netherlands, Switzerland, Belgium, and Rest of Europe in Europe, Singapore, Malaysia, Australia, Thailand, Indonesia, Philippines, China, Japan, India, South Korea, Rest of Asia-Pacific (APAC) in the Asia-Pacific (APAC), Saudi Arabia, U.A.E, South Africa, Egypt, Israel, Rest of Middle East and Africa (MEA) as a part of Middle East and Africa (MEA), and Argentina, Brazil, and Rest of South America as part of South America.
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Market Segmentation: Details about how the market is divided into segments based on factors like product type, application, region, and more.
Competitive Landscape: Analysis of key players in the market, their market share, strategies, and competitive positioning.
Market Trends: Identification of current and emerging trends that are shaping the market, including technological advancements and shifts in consumer behavior.
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Opportunities: Areas of growth and potential that can be harnessed by businesses and investors.
Consumer Behavior: Insights into consumer preferences, buying patterns, and the factors influencing purchasing decisions.
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#Electronic Timers Market Insights by Growth#Emerging Trends and Forecast by 2017-2032#The global electronic timers market is expected to grow at a CAGR of 5.8% during the forecast period#2018-2028.#The competitive analysis of the Electronic Timers Market offers a comprehensive examination of key market players. It encompasses detailed#insights into revenue distribution#innovations within their product portfolios#regional market presence#strategic development plans#pricing strategies#identified target markets#and immediate future initiatives of industry leaders. This section serves as a valuable resource for readers to understand the driving forc#Market projections and forecasts are underpinned by extensive primary research#further validated through precise secondary research specific to the Electronic Timers Market. Our research analysts have dedicated substan#including Original Equipment Manufacturers (OEMs)#top-tier suppliers#distributors#and relevant government entities.#Benefits of a Market Research Report:#1.#Informed Decision-Making: Market research reports provide critical data and insights that enable businesses to make informed decisions. Thi#market entry#expansion#and investment.#2.#Competitive Advantage: By staying up-to-date with market trends and competitor strategies#companies can gain a competitive advantage. Market research helps identify gaps and opportunities in the market.#3.#Risk Mitigation: Understanding market dynamics and potential challenges allows companies to proactively address risks and uncertainties#reducing the likelihood of costly setbacks.
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I saw a poll the other day that made me think about Finrod, because people were (correctly) criticizing the instinct to reduce him down to a pretty, shiny, no-thoughts, certified kissboy. Which he isn’t—but it’s also become a stereotype because it’s a flattening of a much more nuanced representation of Beleriand era Finrod as someone for whom the plumage is a tool and a threat display, who intensely overinvests himself in the people around him because somewhere in the back of his mind is the knowledge that everyone here is doomed (him especially). I think the exuberance and easy attachment and delight in what is beautiful now can be in character when it’s underpinned with wisdom so sharp he keeps cutting himself on it. There are some distinct depressed philosophy student vibes to the Nargothrond period and if there’s one thing a philosopher can do it’s tactical psyche-preserving hedonism.
#the silmarillion#finrod felagund#a key Finrod aspect is that he’s the guy who keeps seeing the special effect wires cosmically speaking#and always being a little aware of what’s going on backstage has both pros and cons#see his ‘no wife no heir I’m going to die and it’s going to be bloody’ outburst at Galadriel#and of course his changing complicated relationship with the house of Bëor
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I get that people have complicated relationships with higher education, and that's 100% reasonable, but there's something I want to point out.
when you hear a popular podcast or youtuber or history show or see a popular history book or article say it's 'revealing' or 'uncovering' or 'bringing to light' or 'reevaluating' some story of the past, it's usually doing so off of academic history work done by people in academia.
Journalists and your average YouTuber are generally the worst about not crediting this work,* but it's there in the background, nonetheless.
That work - academic research, particularly of this kind, and the articles, books, and other information it produces - doesn't get done without institutional support. That is, like with everything, sure some enthusiasts will keep at their particular interests hell or high water, and rich folks can peruse to their hearts' content - that's what fueled the eighteenth and nineteenth centuries' ever-increasing investigative output.
And that should be concerning, not comforting.
Not because all of that output was wrong or terrible or misguided - a lot was, but much of it is still essential, foundational, exceedingly rigorous and useful - but because much of modern history work, twentieth century on, has been a century-long battle to correct some of deeply culturally embedded beliefs an almost wholly dilettante pursuit of the past generated. It's kind of a joke in English-language scholarship that the Victorians ruined everything, but like, for real, y'all, the Victorians left us some BURDENS, from fake relics created for ~the aesthetic~ to defaced and destroyed historical documents.
Academic research in itself is not some kind of panacea. we're not shitting on dilettantes (I am very much a dilettante, in my way) and so-called 'amateurs', who are vital and excellent contributors to knowledge. We're also not saying institutions are always perfect and good and don't need to change. I'm saying that robust, diverse, in-depth, careful, broadly reaching, and most of all interesting and new scholarship requires something on the scale of institutional support.
This is not just because that's where your historians live, but because in a very practical sense, that's where your archives live. You do actually need a big building stuffed with Things Of The Past well-maintained and with a core of well-trained and extremely cool (like librarians, all archivists are extremely cool in my books, even if they're kind of assholes, as long as they are good archivists).
Archivists are currently doing a lot with very little support - like a lot of academics and librarians, really - because that's what people do. When they care about doing something, they get along, they scrape by, they suck it up. But they need buildings, they need climate control, they need continuing training and new people coming into the field - if the idea is that we have so many documents from the past extant today because archives DON'T need institutional-level support, then you are severely misinformed about how much of the past has survived to the present day. And if the idea is that we'll preserve the IMPORTANT bits of the past regardless then you're also sadly misinformed about how good we are at determining what's important, and how frequently (and with growing frequency) disasters of various kinds wipe places out (Lisbon 1755, for example), and how robust any of our documentation (often ESPECIALLY the 'important' stuff) is in terms of long-term survival.
There's a theory going around that THIS period - like the 2000s through today and into the future - will produce a 'dark age' for future historians because the digital infrastructure which not only underpins almost all of our day-to-day lives but is how we've decided to 'save space' - by preserving things digitally rather than in hard copy - is so unspeakably vulnerable and weak. Everyday folks have already, for the most part, lost access to things like CDs, which have a lifespan of something like 100 years at the most. Proprietary softwares, black box devices with irreplaceable parts, flimsy modern materials with difficult to preserve features mean a whole of information that drives our lives today will simply become inaccessible in, actually, a very short time.
Archives - vast storehouses under careful supervision full of well-organized stuff that might potentially be important one day - need institutional support, but also, on their own, are kind of... well, let's just say, Historians will also say shit like they 'uncovered' a 'hidden history' in a previously 'lost, unknown' document that some archivist put in a special box on a special shelf and carefully catalogued for prime findability. It's a symbiotic relationship that doesn't always get its due. An archive on its own can be very useful to a local community, an individual business, a specific family, all kinds of things - but to get History out of it, you need some Historians or suitably rabid individuals of other castes. You need both, or you end up with the pseudo-histories of nineteenth-century rich folk that then get to determine what we believe is possible for the future by what we are told of the past. It's a bad scene.
Again, there are further steps to take - not over here defending institutions as they stand. We were, at one point, on our way to accessible higher education, meaning everyone had a chance to go to pursue their interests, before we started seeing Universities not as a social good and social resource but as job training and profit centers and cut social funding as demanded by business ghouls. Higher education and academia as it functions now has done a lot of damage to people's lives.
But institutions are much harder to build than to change, and change is hard enough. Once an archive is defunded, its collections distributed or destroyed, you typically don't get it back. Like certain species of sea creatures with long gestational periods, once you destroy the mid-range of the population - the bit that raises up the next generation - your population collapses and its very hard to get things back on track (historians and other academics who require lots of investment and training and time and experience are like the sea creatures, you see).
You can, of course, start new. We've done that a lot, as a species. It's always possible. But it's a bit like running out of a fire empty-handed instead of grabbing your wallet as you go. Sometimes you just gotta go, and that's always safest - sometimes you just can't think or there's no time to think and you couldn't get to anything useful if you wanted to - but if it's matter of looking at the wallet in your pants pocket and dipping down to grab it (and maybe pants!) while you bolt then yeah, ought to try. Maybe the pants catch fire and you've got to abandon them anyway to save your life. That's reasonable. (This is just an analogy - fire safety generally says to get ye gone with your life and health intact ASAP, just for the record - don't stop for shit and don't go back in).
The point of this is that next time you're enjoying some popular history content (please save me from this word) or learn some cool fact about the past, think about the fact that none of that get down to you without a big chain of people all joined together doing different things. And that big chain needs nice big social supports to exist. The social supports are hard to change, but the chain is easy to lose without them. It's a group effort all the way, even that little fucker who didn't credit the work they used to make fun videos is important.
That content doesn't happen without the structure to support it - or even worse, that content lies to you. Makes stuff up. The stuff it makes up isn't going to be fantasies of freedom and equality, at least going by what's been made up before.
Hate the academy, want it to change, act to reform it - all very good, go for it, no desire to stop you (except maybe the hating part, try to hate more specifically, like individual actions or aspects of the academy, if you're going to hate on stuff, but, like, hate can be unhealthy, get some peace in your life if you can). Things are bad enough without also feeling like you have to take on a crusade to save archives or other institutions - though honestly just participating in your local history scene, giving them time and attention, is really valuable help - so that's not really the call to action here. The call is just asking you to notice the big structures that enable these small joys.
Don't let yourself be convinced that they somehow happen in a vacuum, that they'll just persist somehow like getting Deliveroo at your off-grid mountain cabin. A lot people helped make that stupid podcast about Marie Antoinette's toenail fungus happen - and there's way more than that waiting! If we can just keep letting people make archives, study stuff, fuck off on fruitless searches for things that were never there and instead find stuff we never KNEW was there. There's so much of that to be done! The more the merrier on who should be doing it! But if we want that, we got to figure out how to support it, to keep what we've got, build more of it, or it'll be the same shit about Marie Antoinette over and over and over and over and over because that'll all we'll have to build from.
Anyway, if you've never done it, take a ghost tour. Visit a museum nearby. Pop into an archive and just ask them some stuff. Get on these web pages that do things like recreate Angkor Wat as a virtual tour, go watch a Youtuber do a frothing-at-the-mouth defense of Charles Lightoller, or even better, read this reddit thread about whether Dua Lipa would have survived the Titanic sinking based on her music video. And just think - holy shit, isn't it cool that we have a society, a whole social structure, that could produce such a thing? And it's right here, at my fingertips, ready to disappear.
*there are reasons for this, some related to format and legibility/accessibility that still shouldn't eliminate the need to credit others' work and others cowardly excuses for parasitism
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Ngk.
Yes, this is meta on ngk. I know, right? Possible origins and other layers of meaning? Ngk.
When Crowley uses it, "ngk", as we know, is the sound of a very clever word nerd just being so floored, confused, overwhelmed, or otherwise incapable of speech that we might think that what he says sounds like a bunch of random letters. It comes out like a curse at times... or a !!!!!... or it would be a squeak of frustration, if only his voice weren't so deliciously low. People read it as the verbal equivalent of a short keysmash and, emotionally? It probably is, but... those letters are not at all random.
The reasons why these letters were chosen are so. very. Crowley. that I think you'll find that the character's (and Pratchett's) interesting word kink might, as Mrs. Sandwich would say, put a smile on your face. 😊
I am pretty sure that ngk is two, different but interconnected, word history jokes related to the Greek language. Why the Greek language? Because it, along with Latin, is at the core of basically every language that etymologists refer to as being part of the Indo-European language family, which is pretty much every language of European countries, the Persian Plateau (sometimes referred to as the Iranian Plateau), and the northern Indian subcontinent. If you ever do word history research on words in English or Indo-European languages, it won't take you longer than two minutes to start finding your way back to the Greek roots for many of the words you look up. Greek is both a language in its own right and also the part of the origin story of words in dozens of other languages. Greek is at the core of the etymology-inspired figurative language in Good Omens and in Terry Pratchett's Discworld novels.
Because Greek has existed as language for literal ages and is so foundational to the study of other languages, etymologists needed a way to differentiate between the before and after period of big change in the Greek language.
Known to date, there really was one, massive shift that the language underwent over a period that has been narrowed down but the exact time and cause is debated. The most common theory is that it is related to The Fall of Constantinople and the collapse of the Byzantine Empire. The point is that, during this semi-disputed period of time, Greek underwent some big shifts that are, by and large, what differentiate between what we'd call "Ancient Greek" when looking at word history and how Greek has been written and spoken since through today. It's all the same language but it's just shifted so much, especially during this one period, that there are differences in it that people looking at word history need to be aware of when looking at the origins of words versus what things might mean or how they might be spoken in Greek in our current times.
In order to do that, etymologists created the term "New Greek" to mean Greek as spoken after this period of massive change to differentiate it from the Greek of more ancient Greece. NGK or ngk is the etymology world's acronym for "New Greek." Making this even more confusing? At some point in the last couple of decades, etymologists began calling "New Greek" by a different name-- "Modern Greek"-- but it means the same thing and, from what of it I've seen, they have largely kept the same ngk acronym. (The change to "Modern Greek" happened after Good Omens was first published.)
So, the first thing of the two things that ngk is? It's Crowley being so speechless or over everything that he's like argh, it's all fucking New Greek. He's cursing or exclaiming in frustration using the acronym for the shift in languages that underpins all of the languages he most frequently speaks, the evolution of which he lived through. Even word-nerdy poets have moments of FUCK WORDS and that appears to be one level of what ngk is. This also might be a little joke as well on the controversial old idiom that exists in different forms throughout different languages-- "it's all Greek to me"-- that was popularized in Shakespeare's Julius Caesar. For more on that, I'd refer you to this really interesting Atlas Obscura article on the idiom.
Ok, so, that's the first of the two Greek-related things that ngk is. Let's look at the other one so you can see just how great a Crowley joke this...
While ngk is an acronym, it also, separately, happens to be a double consonant sound in Greek. Do not worry if it's been awhile since you studied a language, I will simplify. 😊
In English, a double consonant is when a consonant appears twice in a row in a word, like the two times in a row the letter l appears in the word balloon. In Greek, it's a different thing. A double consonant in Greek is a combination of two consonants that make one, collective sound together. Greek double consonants are closest to (if not exactly equivalent to) what is called a digraph in English phonics, which is the sound made by two letters commonly put together, like sh, qu, ch, etc. When you were first learning English, you were taught things like how sh makes a "shh" sound, in addition to learning the individual letters of the alphabet, right? That's kind of what some double consonants are like in Greek.
One of the Greek double consonants is the combination of the letters gamma + kappa in the Greek alphabet. When you say the double consonant of gamma + kappa aloud?
You are saying: "Ngk."
The letter gamma here in this double consonant is pronounced a little differently than usual and has what's known as the "gamma nasal" quality that causes it to be pronounced like "ng." Kappa here is pronounced and written like the English letter k, for which it is the direct ancestor. The pronunciation of the gamma + kappa double consonant is the sound that Crowley says in the bandstand in S1.
So, Crowley is actually cursing/exclaiming out a double consonant of the Greek alphabet...
Why? And why this one, when there are a bunch?
Start by checking out how the uppercase and lowercase letters for both gamma and kappa are written below:
![Tumblr media](https://64.media.tumblr.com/17be44d5873ceefa6147e1da0d4859f0/121707c187bc4a43-88/s540x810/7c2cfb3842c5857026019853f1d31bbfe5d90407.jpg)
Uppercase gamma is the crank part of a crank tool. Lowercase gamma is the origin of the English letter y-- homophone: the signature word of questions: why?
Gamma is a term used all over the place in math and science, including gamma rays from electromagnetism and gamma waves, observable neural movement that is connected in the mind to large-scale, high-level cognitive activity, often related to memory, perception, creativity, and attention. These are also some of the brain waves most impacted by mental health issues and that are also some of the most affected by things like meditation.
Gamma is also a Greek word for the camel. (Lest you think that Good Omens forgot a rideable animal for their never-ending horses/transportation euphemism fiesta... found the missing camel! 😂) The word gamut also comes from gamma and originally referred to music-- the entirety of the musical scale-- but now you can say "runs the gamut" about anything in a way that means the same thing as the idiom "from soup to nuts"-- just everything, from beginning to end. From creation to completion and back to the start again.
Kappa has ties to some Crowley-related science and spirituality, such as The Kappa Effect, which is a theory explaining how the mind's perception of distance can affect its perception of how much time has passed. In early Buddhist scriptures written in Pali, a kappa-- referred to as a kalpa in later writings-- refers to a very long period of time between the creation and the destruction/recreation of a world or universe and related to the lifetime of that world or universe.
So, we have memory, time, the creation of the universe, crank tools, asking questions... these letters are turning into a whole list of Crowley-related things, yeah? There's more...
Kappa is written in both cases like the letter k-- homophones: 'kay (as in, ok/okay) and cay.
The etymology of ok is actually an example of a briefly-existing cant vocabulary, which... heyyyy. That feels relevant, yeah? 😲
In the late 1830s, a (very limited) cant vocabulary emerged in New England that created new slang out of making acronyms out of intentionally misspelled existing phrases. It is thought to have started or been encouraged by a Boston Morning Post article that mocked a competing newspaper by saying it was spelling things the way its rival did-- spelling "all correct" as "oll korrect." A lot of issues of newspapers from this time period no longer exist so the exact issue that caused this paper to troll its rival is unknown. There is some speculation that it might have been something of a class warfare battle being played out between papers who appealed to different groups of people, given that the mocking "oll korrect" sounds, when spoken aloud, to be of the same pronunciation quirks of the 'pahk the kah in hahvahd yahd' variety of Boston accent.
"Ok" is believed to have originated as an abbreviation of "oll korrect." This article either prompted-- or was an example of-- a cant vocabulary that did a rare thing-- united Boston and New York lol-- for a little while in the late 1830s. There were other abbreviations used as words like this, for which you had to understand one of Crowley's favorite word things-- homophony-- and know the pattern to understand. KG meant "no go", off of the homophonic "know go," for example.
Ngk, like ok and these other words, is an abbreviation being used as a a word. Not of one that's misspelled but one that is from the cant vocab of etymology nerds, making it fun in an especially meta sort of way.
The most famous of these phrases from this late 1830s Boston/New York cant-- and the only one to survive-- is "ok", which etymologists think was probably was helped to remain by being picked up and used in President Martin Van Buren's failed reelection bid in 1840.
As you can probably tell from the fact that I said that it was used in a Presidential campaign, the cant vocabulary spilled into the mainstream and, so, lost relevancy as it was no longer something that not everyone understood. "Ok" was kind of like the "brat" of the 1840 U.S. presidential campaign, in some ways? Once everyone got the joke, people still used it in the mainstream because it was a quick thing to say or write as an affirmative but its subversion was lost by its meaning becoming commonly understood.
While this 1830s cant vocab was *much* smaller, the best anyone can tell-- more like a handful of phrases and not much more-- it's kind of similar to Polari, in terms of the language burning out but leaving lingering words in mainstream English.
Ok, so the other word from kappa: cay.
A cay is a low island. It has a synonym-- one definition of the word key (Key Largo, The Florida Keys, etc.). So, we have a low island-- the use of the beach/the sea/fish/bodies of water as figurative language for sex in Good Omens-- and its also the word that is a key. Keys you use to start engines to drive and also to unlock language. A key is the necessary component to interpreting hidden language and here's one of the keys/clues to taking apart the use of language in Good Omens right here in ngk.
Kappa is from the Phonenician kaph, which meant the hollow of the hand (the palm) when it is forming a cup shape... as in when praying/meditating or when creating or presenting something...
...and the sole (homophone: soul) of the foot-- its arch, in particular. Arch, alternative meaning: playful, knowing, dry teasing.
In other words, kappa, etymologically, is the movement of the hands and feet-- it's living on Earth. It's using the hands to make magic and art, to worship and give to others. It's the the cobbler walking the Earth-- living life.
Crowley's story is the double consonant of gamma+kappa. Not just the angel he was and his life on Earth since his fall but how they're really all intermixed into one person because he's always been the one person. Ngk is who he is and that is why, of all the possible sounds, he says this one.
While it was both an acronym and a sound prior to the novel, ngk was, to the best of my knowledge, not written as a word in its own right prior to the publication of Good Omens. Crowley's exclamations are the first utterances of ngk as a word and our understanding of what it means comes from the context of when and how he uses it in the novel and in the series. In that way, ngk is Good Omens' own contribution to language evolution.
Terry Pratchett, who wrote his Discworld novels and Good Omens with etymology-based figurative language, made word history such a big part of Good Omens that he had the book itself contribute to language evolution by having it birth a word in Crowley's ngk.
From interpreting its meaning by the context of how Crowley uses it... from researching from where this grouping of three letters as a word could have originated... from incorporating the word into fan art and fanfic... and from using it amongst ourselves in real life and explaining it to other people if they ask for the last couple of decades?
We've all been collectively helping Terry Pratchett contribute a new word to the English language.
Let's get it into the dictionaries next. 😊
#good omens#good omens meta#crowley#aziracrow#ineffable husbands#ineffable husbands speak#etymology#ngk
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“My reporting on stalking began in 2018, when I launched a national anti-stalking campaign, Unfollow Me, at my former employer Vice, in partnership with the stalking advocacy service Paladin. Using freedom of information laws, I found that more than 60 women had been murdered by stalkers in a three-year period, despite having reported them to the police.
Alice Ruggles, Shana Grice, Molly McLaren. I cannot forget their names. Their last moments haunt me. How Ruggles’ ex-boyfriend slashed her throat with a knife as she cowered from him in her bathroom. How McLaren’s ex-boyfriend stabbed her 75 times in a car park in broad daylight. How Grice’s ex-boyfriend subjected her to unthinkable terror in the months before her death – he let himself into her house and watched her sleeping – before murdering her, and setting fire to her body. All three women reported their stalkers to police, who did next to nothing. Grice, unbelievably, was fined by Sussex police for wasting police time. It’s been six years now, and all I see is the same police apologies and hand-wringing. Nothing has changed.
What I believe underpins all of this is a rich seam of misogyny. Men – and it is mostly men who are stalkers, although of course they can be victims too – who feel entitled to women’s time, their attention, their bodies and sometimes even their lives. And police forces that regard women as time-wasters and their complaints as histrionics, for objecting to this. Stalking victims deserve to live in safety and peace. Right now, as a society, we are failing them.”
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The Reveal is Worthless
I entreat the reader to remember the earlier period of the Miraculous fandom, back when Ladybug and Chat Noir were something like actual partners instead of superior and subordinate.
There was something special about their relationship. They were friends who cared for one another, who relied upon one another and trusted each other in a way they could no one else, despite neither knowing the true name of the other. They didn't fully know one another, but their relationship was a one-a-kind friendship based upon a unique experience between them that no one else could relate to.
And of course, there was that ironic romance, the Love Square whose dynamics underpinned the plots of so many of the early season episodes. Marinette loved the boy she thought she knew, and Chat Noir loved the heroine who he fought beside: neither necessarily saw the full value the other had to offer because they were blinded by the idealised image they had of the other's alter-ego.
Thus the reveal and teasing thereof was an enticing prospect: these two closest of friends and allies could finally merge their lives together without professional boundaries. Adrien could get to know the clumsy girl who wasn't a perfect heroine and Marinette would finally be able to actually know who Adrien was, as opposed to being infatuated with his model image.
A true basis for a true relationship.
And something they could never have so long as their mission continued. For until then, Ladybug and Chat Noir could only be partners and friends, but their responsibilities would always have a barrier between them.
What a shame how this premise has been so utterly devalued.
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There are three aspects to consider here:
1: Romance
2: True understanding/personal development
3: Exclusivity/Trust
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Romance
The first is the simplest and quickest to cover.
The nature of the Love Square was an ironic circle of attraction, Marinette loved Adrien, but Adrien loved Ladybug- so they were in effect rejecting each other to chase after one another. The only seeming solution was for the identities to be revealed and thus allow the two to actually bond fully and resolve the entire mess by getting together knowing full well that their attraction was reciprocated.
That was not what happened.
Instead, the show decided that Adrichat would finally move on from Ladybug and onto Marinette. And after a bit of back and forth, the Love Square was resolved by having the two unknowingly date their co-workers while Ladynoir cooled to platonic.
This was certainly a choice.
It also rendered any reveal entirely moot in regards to romance. Adrienette is canon, what does them finding out they're co-workers achieve?
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True understanding/personal development
The core of the Love Square was that neither Marinette or Adrien could see the other's alter-egos within them. Or at least, Marinette outright found it laughable that Chat Noir could be Adrien.
Adrien meanwhile outright called Marinette the "everyday Ladybug" and was unsurprised to put the pieces together himself in Chat Blanc.
But the point of the matter is: in theory the secret identities are barriers to a full bond between the two (alleged) protagonists. That by overcoming them, they could fully "be themselves" with another person.
A Marinette with full confidence and self-assurance, but who also didn't need to be the heroine and could be sad and share her burdens. An Adrien who was allowed to be expressive, silly or imperfect himself without being reprimanded.
This is not what happened.
At least not for Adrien.
Marinette has achieved that goal, with Alya. She has a friend who cares for her with whom she can be completely honest with and who she can share her emotional burdens. Chat Noir meanwhile has steadily learnt to restrain himself as Chat Noir and if anything, grown more compliant and less self-deterministic as Adrien.
Moreover the two have gone from partners, to superior and subordinate. A strict hierarchy where all power, information and authority exists in the hands of one person, and the other person has none whatsoever beyond leaving the ring behind. And it has to be said: Ladybug does not have some special fondness or trust in Chat Noir that would enhance their relationship as Marinette and Adrien.
Nor is there any exceptional trust that Marinette has in Adrien that would enhance their relationship as Ladybug and Chat Noir, indeed the opposite might be true, given just how much she is hiding from him already despite it being critical to his very existence (eg: the whole Sentimonster business). Most likely any reveal between the two at this point would just introduce that power dynamic and secrecy into their personal lives, and likely extinguish what independence Adrichat still possesses.
Because all the reveal would do now is give Marinette even more leverage over Adrien as his superior. Marinette would continue to hide her full self from Adrien, and Adrien having already learnt to ignore and suppress his own feelings for Ladybug's sake would do so constantly for Marinette (if he didn't already, I see precious little of Chat Noir in the Adrien of S5 compared to S1).
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Exclusivity/Trust
The third is the most extensive to cover, the most important secret either Adrichat or Maribug have are their identities. Thus either letting another know it willingly is (supposedly) the highest sign of trust. The less people who know that secret, the more valuable the act of the reveal is as it creates an incredible vulnerability that did not exist before and proves that the revealer trusts the revealee more than almost anyone else.
It was seemingly inevitable that if Marinette were to willingly reveal to anyone, she'd first choose Chat Noir. He was the one who she supposedly had that unique bond with, and vice versa. It was even a fandom staple back if you search back far enough.
Now of course, that staple is more dated than The Dab.
Marinette's identity now seemingly free space for anyone but Chat Noir. She first willingly spilled the beans to Alya, despite Alya having been Akumatised multiple times before over what are relatively minor affairs (I sure hope she doesn't get caught canoodling with Nino again!) and her being a known target for Shadowmoth thanks to her own identity being known to him. From there on, through either her own choice, accident or observation Ladybug's identity has spread to at least half a dozen other people including Gabriel Agreste and possibly Lila.
But not Chat Noir.
This is important, because that bar of trust and exclusivity has been continuously lowered, to the point where Marinette seemingly has no problem with Felix "Genocide" Fathom being the in the club of people who know her on both sides of the mask- even if he and Kagami have no business doing so. But her supposed partner? He's not even considered.
There are some arguments as to why... but they don't stand up scrutiny:
"It's because of Chat Blanc! Marinette is traumatised over Chat Noir knowing her name!"
That would make sense, alas: it's also fandom staple. Not part of canon itself.
References to Chat Blanc are few and far between, and Maribug has had precisely one sign of any possible trauma from the event and it was as part of a nightmare induced by revealing her identity to Alya. There's nothing in the show that demonstrates that she has any lasting harm from Chat Blanc, or that it's the cause of her actions.
"Chat has the Black Cat Miraculous, they can't know each other's identity because their Miraculous have to stay safe!"
This would be reasonable.
Up until the moment Marinette spilled the beans to Alya. At that point her security had been breached so severely that there is no longer any value in maintaining her secret from Chat Noir. You cannot say the multi-time Akuma victim who Hawkmoth knows was a Miraculous wielder is a better secret-keeper than Chat Noir, even if she broke from Akumatization from a few hours ago: she also got Akumatized a few hours ago.
The only valid part of this argument is that Chat Noir maintaining his secret to Marinette would still be required.
"Chat Noir gets mind controlled every Tuesday, his mind will be an open book!"
No. No it will not.
It's true that Chat Noir is mind-control themed. However- unless I've missed an incident- for all those many times he's been brought under someone else's power he's never given up his Miraculous or identity barring direct use of his Amok. Unless Ladybug has somehow discovered Adrichat's identity, there's no reason to expect that he'll spill the beans- and certainly no more than Alya.
Then there's the final nail in the coffin:
As of "Ephemeral": we know perfectly well that if Marinette knows Chat Noir is Adrien, she'll quickly decide to throw caution to the wind anyway. So by evidence alone, it's not a matter of security or trauma, it's a matter of favoritism.
By evidence: Chat Noir is not one of those favourites. Forget the actualization of a special bond, he's less trustworthy than Felix.
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What is the value of the reveal at this point?
Adrien and Marinette are together. The barriers are gone, but there's no special exclusivity to this shared experience anymore: there's an entire team of others after all and Rena's the one Ladybug shares her feelings and secrets with while Chat Noir barely knows anything. The "Ladynoir partnership" has cooled to a platonic working relationship where all the trust and authority goes one way, so there's not exactly some great romantic addition to be made to the Adrienette relationship.
Exactly what difference does it make to their relationship if they know each other's identity? What would actually change beyond them not having to make awkward excuses about where they're hiding for any given Akuma battle?
Because unless there's going to be some kind of Ladynoir conflict in the next season to provide a new, negative potential impact to the reveal:
The once brimming potential of The Reveal has been completely wasted.
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truly despise pro-choice/pro-abortion media that zeroes in on worst-case scenarios exclusively. ie. they focus on medically necessary abortions or abortions in cases of rape/incest/csa. i am not saying it's not important to highlight how abortion is lifesaving and medically necessary, but the whole point of pro-CHOICE is that the only reason you should need to give to get an abortion is that you want one, period. the subtext of media that only focuses on dire scenarios is that these scenarios are treated as the moral underpinning of why people should have the choice at all. but people should have the choice because it's their body! people should have the choice because it's a right and has nothing to do with morality. for example, i am someone who absolutely does not want kids and i know that ANY scenario in which i get pregnant will end with me getting an abortion because i don't want a child. that should be enough. "i don't want to be pregnant" should be enough because the right to autonomy should be what underpins pro-abortion, not fear of the worst case scenarios. it is so ironic that the pro-choice movement often can't emphasise that abortion should just be a choice like anything else. but we all know that the reason why they don't is because actually confronting the fact that there are people who can become pregnant who do not want children upsets the default assumption every person who can become pregnant wants children. watching these ads and films is like, "you see, we could not possibly just say that people don't want to be pregnant, it would be so upsetting to think of women and afabs as people with aspirations other than procreation that's why we have to come up with even WORSE scenarios than a person just not wanting to be pregnant and act like those scenarios are the only ones that exist :(((("
#i have literally never wanted children when i was a kid i knew i didn't want kids and my adulthood has only cemented that.#why isn't that enough!!!
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what is cosmere? (is that what its called?)
The Cosmere is a big, interconnected fantasy universe that is the setting of most of the works by the author Brandon Sanderson. The cool thing about his books is that each series is contained to its own world, and you can read any of them in isolation without realizing you're missing anything, but if you read them all you get a sense of the larger plot happening behind the scenes as those worlds start to collide and things cross over.
Brandon's magic systems tend to be very rule-based and well-defined, with a lot of twists being characters finding interesting ways to use those rules of magic. This lends itself well to the crossovers, because all the magic systems (as different as they are) share the same underpinning principles.
Here's some quick rundowns of different series and standalones in the Cosmere:
The Stormlight Archive
Planned ten-book series, currently four books are out.
A massive sprawling epic about the world Roshar, that's hit by a hurricane about every four days, and all the life has adapted to survive that environment. Knights Radiant -- superpowered individuals with a close bond to a spirit -- are starting to re-emerge in the world after being absent for centuries.
Because there are so many characters, this is where a lot of the character fandom tends to focus their efforts. I wouldn't recommend starting with it, though -- the first book alone is a thousand pages. I'd wait until you have a sense of Brandon's writing. But it's very good.
Mistborn
One trilogy (completed), one tetralogy set a couple hundred years later (completed), two trilogies some time in the future.
One cool thing about this series is that it follows one world (Scadrial) from a vaguely Renaissance tech level in the first trilogy, to 1920s in the second series, and eventually 1980s in the third and space-age magic in the fourth.
The magic itself is very intricate and all woven around metals -- there are people called Metalborn who can ingest metals and burn them in their stomachs to get different effects, including super-senses, strength, and Magneto-ish metallokinesis. That last bit makes the gunfights in the second series particularly fun.
The first book is a heist novel about robbing a thousand-year-old God-Emperor blind. It's a pretty good place to start, although it's a pretty hefty novel to start with.
The Emperor's Soul
I'm putting this one in a different category from the rest of the one-offs for a very good reason -- it's, in my opinion, the single best place to start reading the Cosmere.
It's a novella (just over a hundred pages) about a forger named Shai who uses magic to rewrite the histories of objects. She is captured by the government of an empire to reforge the soul of their Emperor, who has been left braindead after an assassination attempt, in the 100 days before the mourning period is over.
It's a fantastic meditation on art, a cool introduction to the way Brandon writes both characters and magic systems, and Shai herself is one of my favorite Cosmere characters. If any of this sounds at all interesting to you, I recommend you check it out.
One-offs
Brandon has also written a bunch of one-off novels in the Cosmere.
Elantris: His first book, and the one that my tattoo is from. About a prince who is affected by a dark transformation and thrown into a city of fellow undead, and the princess betrothed to him who arrives just in time to be told he died. Good, but suffers from some first book issues, pacing problems, and weird plot cul-de-sacs. Set in the same world as The Emperor's Soul, although there's basically no crossover.
Warbreaker: About a world where souls (Breaths) are bought and sold, and used to animate objects to do work, ruled by The Returned, living gods who require a steady dose of Breaths to live. One of my favorites, and an essential if you'd like to get into the crossover-y parts of the cosmere, as it introduces a bunch of elements that show up later (Especially in Stormlight)
Tress of the Emerald Sea: The first of his wildly successful Kickstarter project books, it's a fairy tale style story about a girl who braves a sea of bubbling, deadly spores to rescue the man she loves. It's lovely, especially if you're into a more Diana Wynne Jones kind of vibe to your fantasy. Probably a pretty good place to start!
Yumi and the Nightmare Painter: The third Kickstarter book. About a shrine priestess who stacks rocks to draw spirits, and a man who paints the nightmares that roam the streets of his city to banish them -- they become trapped in each other's places and must learn about each other's worlds to survive. This is currently my ABSOLUTE FAVORITE cosmere novel, oh my GOD it's so good. I'm not sure it's a great place to start, as a lot of the conclusion might feel a bit rushed if you don't have a good feel for the vibe of how Brandon writes magic, but honestly it might stand alone just fine even then.
The Sunlit Man: Fourth Kickstarter book. I haven't read this one yet.
Novellas: There are a bunch of novellas and short stories, some set on worlds we haven't otherwise seen, some set on Roshar or Scadrial.
If any of this sounds good to you, I recommend you give his writing a shot. He's one of my all time favorite writers (the tattoo should prove that, lol) and the Cosmere fandom is by and large wonderful and welcoming. I've made many lifelong friendships there.
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Invention of the Art of Drawing
Artist: Joseph-Benoît Suvée (Flemish, 1743–1807)
Date: 1791
Medium: Oil on Canvas
Collection: Groeninge Museum, Bruges
Description
A number of Bruges painters earned international renown during the neoclassical period, forming what might justly be called a Bruges school of Neoclassicism. Joseph B. Suvée even won the Prix de Rome, beating Jacques-Louis David into second place. He later became a member of the Académie Royale de Peinture et de Sculpture in Paris and director of the Académie de France in Rome. It was largely thanks to his efforts as a teacher in Paris and Rome that a succession of former pupils of the Bruges Academy were able to embark on international careers.
In the painting traditionally titled The invention of the Art of Drawing, Suvée tells the well-known story of the daughter of the Greek potter Butades, who draws the shadow silhouette of her lover. This rational, balanced composition can be seen as a symbolic illustration of the Platonic aesthetic theory that underpinned classical art - art as shade of reality.
#painting#oil on canvas#joseph benoit suvee#flemish painter#european art#18th century painting#male#female#drawing#shadow#silhouette#symbolism#classical art
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mind boggling to call your contributions "too straight." Like, we're starting from a sooooo heteronormative 00s murder of the week. Normative gender underpins so much in the show.
lolololol it's okay, I try to view it positively that this is a good space for folks to learn this stuff on the internet so they can grow up and be better, more supportive humans in the future. It's mostly silly and a bit embarrassing for them.
I think we get a lot of cognitive dissonance in part because we are looking at early oughts copaganda and so you have the multi-angle attack of the homophobia, the weird post-9/11 patriotism, the cop worship, all that rot.
Everyone loves to shit on Booth ..for being the cop in a copaganda show playing to the tropes of that role from that time period, in this particular genre. For some reason, Brennan's pro-death penalty, quasi-religious belief in the justice system, homophobia, gender essentialism, and occasional authoritarian bent don't get the same amount of discussion here. IMO, all of the above are symptoms of the genre and time period. Also like, the show's bizarre, antiquated-for-the-time idea of what Cultural Anthropology is. Even in 2005, that is not how Cultural Anthropology works.
We are a living fandom, the show itself is over. We get to decide what aspects of the writing we keep, what we throw away, and what we critically explore. Rather than making moral judgements of other fans based on what characters, ships, or plots they like, I genuinely believe in the community value of finding new angles and stories we can share together as a fandom.
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Reference archived on our website (Thousands of reference, news reports, and more! Daily updates!)
Yet another showing that even a mild infection leads to lasting cognitive impacts. Mask up. Stay safe out there.
Abstract Severe acute respiratory syndrome coronavirus 2 infection often involves the nervous system, leading to cognitive dysfunctions, fatigue and many other neurological signs that are becoming increasingly recognized. Despite mild forms of the disease accounting for most cases worldwide, research on the pathophysiology driving mild coronavirus disease 2019 (COVID-19) has received little attention. In this respect, recent evidence has pointed out that around 30–40% of non-critical, mild-to-moderate severity COVID-19 survivors may display cognitive disturbances several months post-illness. Hence, the impact of COVID-19 on the brain structure and function, through potential neuropathological mechanisms underpinning cognitive alterations in post-mild COVID-19 infections, remains largely unexplored. This retrospective multicentre observational cohort study, entirely based on a healthcare worker sample (n = 65; 55% females, aged 21–61), investigated the cognitive status and the structural and functional brain integrity among non-hospitalized individuals who developed mild COVID-19 symptoms during the occurrence of severe acute respiratory syndrome coronavirus 2 variants Alpha to Delta, compared with healthy controls tested before the pandemic onset. All evaluations were performed at an average of 9-month follow-up post-infection period. Participants completed a comprehensive neuropsychological assessment and structural and functional MRI exams. Radiological inspection sought to detect the presence of white matter hyperintensities on axial fluid-attenuated inversion recovery images. Global and regional grey matter integrity assessment, analysing changes in grey matter volumes and cortical thinning, and functional connectivity alterations of resting-state brain networks were also conducted. Regression analyses tested the relationships between the presence of specific cognitive impairments and potential structural and functional brain findings. Our results revealed that clinical, cognitive screening and neuropsychological examinations were average between both groups, except for specific impairments related to executive functions in the mild COVID-19. Compared to healthy controls, mild COVID-19 subjects exhibited increased juxtacortical white matter hyperintensities, thalamic and occipital volume loss and diminished resting-state functional connectivity involving the left precuneus and cuneus in default-mode network and affecting the right angular gyrus and left precuneus in the dorsal attentional network. Reduced thalamic volume was the only variable selected in the final model explaining the observed executive function impairment in mild COVID-19. The presence of cognitive, structural and functional brain abnormalities over time suggests that the action of widespread neurovascular and inflammatory phenomena on the nervous system might also occur in mild forms following COVID-19 infection rather than permanent brain damage linked to the direct or indirect action of the virus. Our findings emphasize the need to pay attention to the long-term brain-related consequences of mild COVID-19 infections during the original stream.
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#mask up#covid#pandemic#public health#wear a mask#covid 19#wear a respirator#still coviding#coronavirus#sars cov 2#long covid
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Title: Psychic Abilities: First Steps
Suggested Reading
Biases in Witchcraft Dualities Psychic Abilities & Mental Illness Shadow Work: First Steps Energetic Senses The Subtle Body Warding Basics
*- Closed or Semi-closed cultures/practices This article uses yellow text, which may be difficult to read outside of dark-mode.
Understanding Psychic Abilities
Psychic abilities often refer to skills or talents enabling individuals to gain information or influence beyond the scope of human senses or scientific understanding. Such capacities are frequently posited to transcend the boundaries of time, space, and matter. While they can be classified into various types – such as clairvoyance (perceiving remote or hidden information), telepathy (transmitting thoughts), and precognition (predicting future events) – the mechanisms underpinning these phenomena remain the subjects of controversy and speculation.
Historical Perspectives
Throughout history, diverse cultures have recognized and integrated the notion of psychic phenomena into their daily lives and spiritual practices. From ancient civilizations like the Greeks and Egyptians, who consulted oracles and seers for guidance, to indigenous tribes who believed in the power of shamans and medicine people to communicate with forces beyond human perception, psychic phenomena have occupied a significant niche.
In the medieval period, psychic occurrences were often intertwined with religious or supernatural explanations. Those who claimed to possess these abilities were either revered as divinely gifted or, conversely, vilified and persecuted for heresy or witchcraft. Notably, the Renaissance and Enlightenment periods began to scrutinize such claims, emphasizing empirical evidence and rationality. This shift led to a decline in the public acceptance of psychic phenomena as mere superstitions or the result of charlatanism.
Modern Interpretations
In contemporary times, the debate surrounding psychic phenomena has bifurcated into two dominant perspectives: the skeptics and the proponents.
Skeptics, often armed with a scientific background, posit that claims of psychic abilities lack empirical evidence. They argue that such phenomena can be explained by cognitive biases, logical fallacies, or mere coincidences. For instance, the confirmation bias might lead someone to remember only the instances when a psychic prediction was accurate and dismiss those when it was not. They also highlight instances where purported psychics have been exposed as frauds, using tactics such as cold reading to feign genuine abilities.
On the contrary, proponents assert that the existence of psychic abilities is a genuine and untapped dimension of human potential. While acknowledging that fraudulence exists, they argue that there are genuine cases that defy conventional explanations. They contend that science, in its current form, may not be adequately equipped to understand or measure these phenomena. Some postulate that advancements in neuroscience, consciousness research, or quantum physics might one day elucidate the enigmatic nature of psychic abilities.
Types of Psychic Abilities
Clairvoyance
Derived from the French words "clair" (clear) and "voir" (to see), clairvoyance essentially translates to "clear seeing." Clairvoyance refers to the claimed ability to gather information about an object, person, location, or event without any known humanly means. This phenomenon is often described as receiving visual information in the form of symbols, colors, or visions. Throughout history, many societies have revered clairvoyants as powerful figures. In some cultures, they played significant roles as advisors to rulers or as mediators between the physical and unseen worlds. Contemporary society, with its emphasis on empirical evidence, often views clairvoyance with skepticism, yet there remains a persistent cultural fascination with this ability. In many spiritual traditions, clairvoyance is seen as a heightened state of consciousness, a gift or a skill that connects the individual with higher dimensions or spiritual guides.
Telepathy
Stemming from the Greek words "tele" (distant) and "pathos" (feeling), telepathy can be understood as "distant feeling." Telepathy is the purported transmission of information between individuals without using known human sensory channels or physical interaction. It encompasses the transfer of emotions, thoughts, or even complex ideas. From ancient legends to modern science fiction, telepathic communication has captured the human imagination. While empirical research in telepathy remains inconclusive, it is a recurrent theme in popular media, underscoring the human yearning for connection. Mystic traditions may regard telepathy as a manifestation of universal interconnectedness, suggesting that at a deep level, all consciousness is one and separateness is an illusion.
Precognition
The term derives from the Latin "prae" (before) and "cognitio" (getting to know), effectively meaning "foreknowledge." Precognition involves knowledge or perception of future events before they occur, without any logical basis for such foreknowledge. This might manifest as dreams, feelings, or intuitions. Predicting the future has been a universal human pursuit, with precognitives often serving crucial societal roles as prophets, oracles, or seers. However, contemporary views on precognition are split, with skeptics pointing to cognitive biases as explanations. Many mystical traditions suggest that time, as humans perceive it, is an illusion. In such a framework, precognition might be understood as accessing timeless dimensions where past, present, and future coexist.
Claircognizance
"Clair" (clear) combined with "cognizance" (knowledge) indicates "clear knowledge." Claircognizance denotes an intuitive ability to just "know" something, without any logical basis or prior information. Individuals with this ability might suddenly know facts, insights, or understandings without knowing how they acquired them. The concept of inherent knowledge or insight is recognized in many cultures, often attributed to divine inspiration or profound intuition. However, in a world valuing empirical data, such spontaneous knowledge can be met with skepticism. Some spiritual interpretations posit that claircognizance is a connection to universal knowledge or the collective consciousness, suggesting an innate ability to tap into an omniscient source.
Clairsentience
Combining "clair" (clear) with "sentience" (feeling), clairsentience means "clear feeling." Clairsentience refers to the ability to physically feel or emotionally sense the energy or emotions of people, places, or events. This might manifest as gut feelings, sudden mood changes, or physical sensations. Empathy and heightened sensitivity have been recognized across various cultures. While some view clairsentience as a heightened form of empathy, others approach it with caution due to its inexplicable nature. Within mystical traditions, clairsentience might be seen as an enhanced sensitivity to the energy or vibrations of the universe, reflecting a deep interconnectedness of all things.
Compulsion
Derived from Latin "compellere," meaning "to drive or push together." Compulsion, in this context, refers to the purported ability to influence another's thoughts or actions without overt persuasion or physical interference. Historical records are replete with tales of individuals who held sway over masses, their compelling presence seemingly altering the will of others. Modern interpretations often approach such claims with caution, exploring psychological mechanisms behind suggestibility. Some spiritual interpretations suggest compulsion is an exertion of one's will or energy over another, tapping into the subtle dynamics of interwoven consciousness.
Common Misconceptions
While psychic abilities have been recognized and debated for centuries, modern society often conflates them with broader supernatural phenomena. To distinguish: psychic abilities are often defined as potential innate capacities of the human psyche, whereas supernatural phenomena encompass a broader range of occurrences that supposedly defy natural laws. An example of such a conflation might be equating clairvoyance solely with ghostly apparitions or haunted locales, limiting the nuanced understanding of psychic phenomena. This conflation can be attributed to myriad factors, including cultural narratives, folklore, and limited exposure to diverse interpretations of psychic occurrences.
The Hollywood Influence
The entertainment industry, particularly Hollywood, has significantly molded perceptions of psychic phenomena. From sensationalized depictions of mediums speaking to the departed in horror movies to superheroes with telepathic abilities saving the world, these portrayals often prioritize spectacle over accuracy. While they capture the imagination and offer thrilling narratives, they may distort or exaggerate the nuances of genuine psychic experiences.
Hollywood's penchant for dramatization means that psychic abilities are frequently portrayed with an added layer of spectacle, potentially leading the general populace to harbor unrealistic or skewed expectations. For instance, telepathy in movies might be showcased as characters having fullblown conversations without speaking, while actual anecdotal accounts might reference fleeting impressions or emotions.
Skepticism and Belief
Public opinion on psychic phenomena is polarized, with skeptics and believers often at odds. Skeptics caution against gullibility, pointing to instances of fraud, the influence of cognitive biases, and the lack of empirical evidence as reasons for disbelief. On the other hand, staunch believers might dismiss skeptics as close minded or overly analytical.
However, a nuanced view acknowledges that both skepticism and belief have their merits. Blind skepticism might close one off to exploring uncharted territories of human experience, while unbridled belief risks being deceived by charlatans. An informed approach considers available evidence, remains open to possibilities, and constantly seeks deeper understanding, free from dogma.
New Age Influences and How to Avoid Them
The New Age movement, originating in the late 20th century, amalgamates various spiritual and metaphysical beliefs. While it has popularized many esoteric concepts, including some pertaining to psychic phenomena, it often does so without rigorous foundation or context.
To avoid undue New Age influences when exploring psychic phenomena:
Educate Yourself: Delve into historical, cultural, and scientific perspectives on psychic abilities. Understand that the New Age interpretation is just one among many.
Question Sources: Not all literature or speakers on psychic topics are reliable. Discern between those who have done comprehensive research and those echoing popular yet shallow narratives.
Practice Discernment: Be wary of commercialized aspects of the New Age movement, such as workshops or products that promise quick psychic awakenings without any substantial groundwork.
Theosophical Influences and How to Avoid Them
The Theosophical Society, founded in the 19th century, aimed to explore, study, and disseminate knowledge about the mystical and unknown. However, its interpretations of psychic and spiritual phenomena are specific to its doctrine.
To steer clear of Theosophical biases:
Broaden Your Horizon: While Theosophy offers a rich tapestry of esoteric thought, it's essential to explore other cultural, philosophical, and spiritual perspectives on psychic phenomena.
Recognize Distinctive Theosophical Concepts: By identifying core Theosophical tenets, one can differentiate them from other psychic or spiritual beliefs.
Engage in Open Discussion: Interacting with a diverse group of thinkers, researchers, and practitioners can help in discerning Theosophical influences from more universal or varied interpretations.
The Science Behind Psychic Abilities
Psychic phenomena have long captured human curiosity, leading to extensive investigations, both informal and academic. Over the past century, numerous institutions have endeavored to study psychic abilities under controlled conditions. These include efforts by prominent universities and independent research bodies.
One well-documented approach has been the use of Zener cards — a set of five symbols (circle, cross, waves, square, star) — to test for extrasensory perception (ESP). Participants predict the sequence of cards, and results are assessed against statistical probabilities to discern any significant deviations suggesting psychic abilities.
Another area of interest has been the study of telepathy, where participants, often in isolated chambers, attempt to transmit or receive thoughts, images, or emotions. Success rates beyond chance levels could, in theory, indicate telepathic capabilities.
Controversies and Criticisms
Despite the extensive body of research, psychic phenomena remain a contentious topic in the scientific community. Some of the primary criticisms include:
Replicability Issues: A foundational principle of science is that experiments should produce consistent results when replicated. Psychic phenomena, however, often lack this consistency, leading many to question their validity.
Methodological Flaws: Critics often point out potential flaws in the design or execution of psychic experiments. These could range from insufficient controls, potential biases, or even fraud.
Statistical Interpretations: While certain psychic studies claim statistical significance, skeptics argue that these could be anomalies or the result of incorrect data interpretation.
Potential Explanations
Given the elusive nature of psychic phenomena, several hypotheses have been proposed, ranging from the purely physiological to the quantum mechanical:
Subconscious Perception: Some suggest that what's perceived as psychic ability might be heightened sensitivity to subconscious cues. This could mean picking up on subtle body language, temperature changes, or even pheromones.
Quantum Mechanics: Some posit that the nonlocality principle in quantum physics, where particles can be interconnected over vast distances, might provide a framework for understanding psychic interconnections. Though this argument tends to be provided by those who do not understand quantum theory.
Unified Field Theory: Drawing from physics, some speculate that a yet to be discovered unified field might explain the interconnectedness of consciousness. Though this argument also tends to be provided by those who do not understand quantum theory.
Potential Biases Within Scientific Approaches
While the scientific method prides itself on objectivity, biases can infiltrate any field of study, including investigations into psychic phenomena:
Confirmation Bias: Researchers, like all individuals, can unconsciously favor data that aligns with their preexisting beliefs, potentially overlooking data that contradicts their hypotheses.
Publication Bias: Studies producing positive or sensational results are often more likely to be published than those with null or negative findings. This can skew the available literature and public perception.
Cultural and Historical Biases: Western scientific paradigms, rooted in materialism, might inherently dismiss phenomena that don't fit within this framework, whereas other cultures might approach the same phenomena differently.
It's crucial to approach psychic research with an awareness of these biases, ensuring comprehensive and balanced investigations.
Comfort with Paranormal Explanations and Experiences
Across the globe, individuals vary in their comfort levels with paranormal explanations. For some, a spiritual or mystical interpretation of an event is natural and enriching. For others, such interpretations might provoke discomfort, skepticism, or even fear.
Some cultures have rich traditions of spiritual and mystical experiences, making paranormal explanations more accepted and integrated. Direct personal experiences with phenomena that defy conventional explanations can either enhance comfort with the paranormal or, paradoxically, provoke greater skepticism. Awareness and understanding of various phenomena, whether through formal education, personal research, or exposure to diverse viewpoints, can influence one's comfort levels.
Developing Psychic Abilities: A Comprehensive Approach
The initial phase in understanding psychic abilities requires identifying subtle indications that point towards their potential presence. Historically, various cultures have believed in the capability of certain individuals to perceive information hidden from the regular senses. These potential indicators might include:
Heightened Sensitivity: Some individuals report a heightened sensitivity to their surroundings, especially in terms of emotions and energies. They often feel strong empathic connections, allowing them to sense the emotions and moods of those around them, even if subtly expressed.
Frequent Déjà vu: The sensation of having experienced something previously, even when encountering it for the first time, may indicate a potential psychic inclination. While this phenomenon can be explained by various neurological processes, some interpret it as a sign of precognitive ability.
Predictive Dreams: Though dreams often arise from the subconscious mind processing daily events, some individuals note dreams that appear to foretell future events. While not always accurate, these dreams' predictive nature often stands out due to its specificity and detail.
Practice Techniques
To nurture psychic abilities, one must employ certain techniques and exercises that are designed to enhance these potential faculties. Here are some scientificallyacknowledged methods that might be beneficial:
Meditation: Meditation is a tool that aids in focusing the mind and building awareness of one's thoughts and surroundings. By practicing regular meditation, individuals can develop a heightened sense of intuition and possibly tap into deeper levels of perception.
Mindfulness: Being present in the moment can help individuals become more attuned to their surroundings and the subtle energies therein. Practicing mindfulness, like meditation, can be a foundation for honing psychic skills by fostering a keen awareness of the world around us.
Exposure to Varied Stimuli: Engaging with diverse environments, cultures, and experiences can sharpen one's intuitive skills. By exposing oneself to a broad array of stimuli, it becomes easier to identify patterns and connections that might not be immediately obvious.
Consistent Training
Consistency is vital when cultivating any skill, and the development of psychic abilities is no exception. Regular practice and a commitment to growth are imperative. Keeping a record of experiences, feelings, and intuitions can be beneficial. Over time, patterns may emerge, providing insights into the development and accuracy of psychic abilities.
Seeking feedback from trusted sources helps in gauging the accuracy of one's psychic perceptions and offers opportunities for refinement. Engaging with literature and scholarly articles on topics like parapsychology, cognitive science, and neurology can provide a rounded understanding and facilitate better practices.
Identifying Cognitive Bias
While exploring psychic abilities, it is crucial to be aware of cognitive biases. These are systematic patterns of deviation from rationality in judgment, where individuals create their own subjective reality from their perception. Examples include:
Confirmation Bias: The tendency to seek, interpret, and remember information in a way that confirms one's preconceptions. In the context of psychic abilities, this might manifest as remembering only accurate predictions while disregarding inaccuracies.
Apophenia: The human tendency to perceive meaningful patterns within random data. This could lead individuals to believe they've identified significant psychic insights when, in fact, they're drawing connections from unrelated events.
Identifying Mental Illness Symptoms that Seem Like Psychic Abilities
It is essential to differentiate between genuine psychic experiences and symptoms of mental illnesses. Some symptoms can mimic psychic phenomena, such as:
Hallucinations: These are sensory experiences in which a person can hear, see, smell, taste, or feel something that isn't there. While some might interpret these as psychic visions or messages, they are often associated with conditions like schizophrenia or bipolar disorder.
Delusions: Strongly held beliefs despite evidence to the contrary. For example, believing that one has a unique ability to predict events or read minds, when, in reality, evidence does not support these claims.
Hyperactivity and Racing Thoughts: Conditions such as bipolar disorder can lead to periods of hyperactivity and rapidly changing thoughts, which can be misconstrued as psychic energy or heightened intuition.
If you or someone you know shows symptoms of mental illness, you can find a list of assistance and services at the end of THIS article.
Psychic Abilities and the Mind
The intricate network of the human brain, with its myriad neural connections, governs how we think, act, and perceive the world. Central to our understanding of psychic abilities is the role of cognitive functions. These are the mental processes that allow us to carry out tasks, make decisions, and interpret the world around us. A cornerstone of cognition, memory allows us to store and retrieve information from the past. It's been posited that individuals who claim to have psychic abilities might have an enhanced or different utilization of memory, allowing them to recall events or details others might overlook.
The capacity to concentrate on specific stimuli or events in our environment is critical for any psychic exploration. An acute sense of attention might enable some individuals to pick up on subtle cues or information generally unnoticed by the average person. Processing Speed is the time it takes for an individual to interpret and respond to stimuli. A heightened processing speed might allow for faster interpretation of sensory input, which some argue could be linked to certain psychic phenomena.
Role of Subconscious
The subconscious mind, operating below the level of conscious awareness, is a vast reservoir of thoughts, memories, and feelings. Its role in psychic abilities is a topic of significant interest.
Our subconscious continuously processes information, even when we are not actively thinking about it. These processes can lead to sudden insights or "gut feelings" that seem to come out of nowhere but might, in reality, be the result of the subconscious working behind the scenes. While dreams are a regular part of the human experience, some propose that they can serve as a conduit for psychic information. The subconscious mind, active during dreaming, might present information in symbolic or direct ways that could be interpreted as precognitive or clairvoyant insights. The subconscious mind plays a pivotal role in our emotional responses. Some individuals claim to "feel" others' emotions, suggesting that their subconscious minds might be more attuned to emotional stimuli from the environment.
Perception and Intuition
At the intersection of psychic abilities and the mind lies the realm of perception and intuition. These faculties determine how we interpret the world and react to it, and they play a potentially significant role in psychic phenomena.
Enhanced Sensory Perception: Some who claim psychic abilities report a heightened sense of sight, hearing, or other senses. This enhanced perception allows them to detect stimuli that others might miss, potentially leading to insights that seem psychic in nature.
Gut Feelings: Intuition, often described as a "gut feeling," is a form of innate understanding or knowledge without the need for conscious reasoning. While everyone experiences intuition to some degree, its role in psychic abilities might be more pronounced. This intuitive sense might be more developed or refined in some individuals, leading to perceptions that are out of the ordinary.
Pattern Recognition: Humans are naturally inclined to seek patterns in the environment, a trait that has evolutionary advantages. However, some propose that those with psychic inclinations might have an enhanced ability for pattern recognition, allowing them to see connections or insights that might elude others.
Ethical Considerations in the Exploration of Psychic Abilities
The exploration of psychic abilities is not merely an introspective journey; it often intersects with the lives of others, especially when abilities are employed to provide insights or guidance. Herein lies the critical juncture of ethical use versus misuse.
Objective Approach: It is paramount for individuals claiming to possess psychic abilities to approach every situation with an objective mindset. Allowing biases or personal beliefs to interfere can lead to skewed interpretations, which might misguide those seeking counsel.
Financial Exploitation: With the commercialization of psychic readings and related services, there is a risk of financial exploitation. Ethical practitioners should be transparent about their services' costs and avoid exorbitant fees or manipulative tactics that compel repeated visits.
False Claims: Authenticity and truthfulness are fundamental. Individuals should refrain from making unsubstantiated claims about their abilities or the results they can achieve, as this can mislead and potentially harm others.
Respecting Privacy
Delving into the personal lives of others, whether intentionally or inadvertently, comes with significant ethical implications.
Unsolicited Readings: It is ethically questionable to provide unsolicited readings or insights into another person's life or situation. Even if one believes they have valuable information, it is essential to respect boundaries and only offer insights when explicitly asked.
Confidentiality: Similar to medical or therapeutic professions, individuals offering psychic services should maintain strict confidentiality. People's personal information, emotions, and situations should never be divulged without explicit consent.
Consideration of Potential Harm
The potential repercussions of psychic readings or interventions are not always immediately apparent. Therefore, a deep sense of responsibility and foresight is required.
Emotional Impact: Interactions can leave a lasting emotional imprint. Whether the information shared is positive or negative, practitioners must be sensitive to how it might affect an individual emotionally and mentally.
Dependency: There's a potential risk of individuals becoming overly reliant on psychic insights, sidelining their own judgment or decisionmaking abilities. Ethical practitioners should encourage autonomy and personal growth rather than fostering dependency.
Physical Actions: On rare occasions, insights or predictions might prompt individuals to take specific actions in their lives. It's crucial for those with psychic inclinations to understand the weight of their words and the potential physical ramifications they might have on others.
Psychic Abilities in Different Cultures
The concept of psychic abilities, while interpreted differently, exists in some form across various global cultures. Each culture's perspective provides a unique lens through which to understand and appreciate these phenomena.
Eastern Perspectives
In many Eastern traditions, psychic abilities are often interwoven with spiritual and philosophical systems.
Buddhism: Within Buddhist traditions, especially in Tibetan Buddhism*, there are references to "siddhis," which are supernormal powers attained through meditation and spiritual practice. These can range from clairvoyance to precognition. While these abilities are acknowledged, they're often considered secondary to the ultimate goal of enlightenment.
Hinduism*: Ancient Hindu scriptures, particularly the Yoga Sutras of Patanjali, detail various psychic abilities termed "vibhuti." These abilities are said to emerge as one progresses along the path of yoga. However, they're treated with caution and are not the primary focus of spiritual development.
Daoism*: In Daoist traditions of China, psychic phenomena might be attributed to the harnessing of "qi" or vital energy. Daoist practitioners often engage in exercises to cultivate and balance qi, which in turn can lead to heightened abilities.
Western Perspectives
The Western world, influenced by a mix of JudeoChristian beliefs, scientific rationalism, and GrecoRoman philosophies, has its own take on psychic phenomena.
Ancient Greece: Oracles, like the famed Oracle of Delphi, played essential roles in ancient Greek society. These priestesses were believed to possess the ability to communicate with the gods and offer prophecies.
Medieval Europe: During the Middle Ages, individuals who claimed to have psychic abilities or other supernatural powers often faced persecution, associated with witchcraft and heresy.
Modern Era: With the rise of spiritualism in the 19th and 20th centuries, psychic abilities gained renewed interest. While often met with skepticism, especially from the scientific community, there remains a segment of the Western population that believes in and seeks out psychic experiences.
Indigenous Beliefs
Indigenous American Cultures: Among the Navajo*, there are individuals known as "hand tremblers" who are believed to diagnose illnesses or predict events. Similarly, the Lakota Sioux have "heyokas" or sacred clowns, who act in ways contrary to societal norms and offer unique insights.
Aboriginal Australians*: Dreamtime stories and spiritual beliefs play a central role in Aboriginal culture. The concept of "Dreaming" refers to both the ancient stories of creation and the personal dreamjourney of an individual, which can offer guidance and insights.
Shamanic Cultures of Siberia*: The term "shaman" originates from the Tungusic peoples of Siberia. Shamans in these cultures serve as intermediaries between the human and spirit worlds, accessing knowledge and healing through altered states of consciousness.
Maori of New Zealand*: The Maori have "tohunga," experts in specific areas, including those who interpret signs, dreams, and omens. They play a crucial role in guiding societal decisions and understanding the world.
African Cultures: Among the Dagara* of West Africa, there are individuals recognized as having a unique connection to the spirit world, often identified at a young age and trained to serve the community. Similarly, the Zulu* of South Africa have the "sangoma," traditional healers who diagnose and treat illnesses and communicate with ancestors.
Psychic Abilities and Personal Growth
The exploration of psychic abilities transcends mere curiosity about the supernatural. For many, it is an avenue towards profound personal growth, fostering a deeper understanding of oneself and one's place in the larger tapestry of human experience.
Self-awareness and Understanding
The journey into psychic phenomena often demands a heightened sense of selfawareness. This introspective path can lead to significant personal revelations.
Delving into psychic practices necessitates continual selfreflection. This process can unearth previously unrecognized aspects of one's character, beliefs, and motivations. Such insights offer opportunities for personal development and transformation. The exploration of psychic abilities can help individuals distinguish between their inner voice — that intuitive sense of knowing — and the cacophony of external influences. Recognizing and trusting this voice can guide decision making and foster a stronger sense of identity.
Some individuals believe that their psychic inclinations provide clarity about their life's purpose or direction. By tapping into these abilities, they feel more aligned with their personal and spiritual goals.
Emotional and Mental Health
The intertwining of psychic exploration and emotional and mental wellbeing is multifaceted and profound.
Processing Trauma: For some, psychic practices serve as a conduit for addressing and processing past traumas. By confronting these issues, individuals often find a path to healing and acceptance.
Managing Stress: Techniques often associated with psychic development, such as meditation and mindfulness, are beneficial for managing stress. These practices promote relaxation, mental clarity, and emotional balance.
Boosting Confidence: Recognizing and honing psychic abilities can bolster confidence. Individuals often feel empowered by their unique insights and the validation they receive from accurate perceptions or predictions.
Influence on Relationships
The ripple effects of psychic exploration extend into interpersonal relationships, shaping interactions and connections in various ways.
Enhanced Empathy: A heightened sensitivity to the emotions and energies of others can foster deeper empathy. This understanding can lead to more compassionate and supportive interactions with loved ones.
Navigating Conflicts: With increased intuition and perception, individuals might find it easier to navigate conflicts. Recognizing underlying issues or emotions can facilitate communication and resolution.
Building Trust: For those who share their psychic experiences with close friends or family, it can foster trust. When perceptions or insights prove accurate, it reinforces the bond between the psychic individual and those they interact with.
Psychic Abilities and Shadow Work
Shadow work refers to the process of confronting and understanding the darker, often suppressed facets of oneself. The interplay between psychic abilities and shadow work is intricate.
Unearthing Hidden Fears: Psychic experiences can bring to the surface latent fears or insecurities. These revelations, while challenging, are essential for personal growth. By addressing these fears, individuals can move towards holistic wellbeing.
Confronting Denial: Denial is a defense mechanism, shielding individuals from painful truths. However, psychic insights can pierce this veil, forcing a confrontation with realities one might prefer to ignore. This confrontation, though initially unsettling, is a step towards authenticity and selfacceptance.
Integration for Wholeness: The culmination of shadow work, when combined with psychic exploration, is the integration of all aspects of oneself. Recognizing and accepting both light and dark facets lead to a more balanced and whole self.
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@eidetictelekinetic, I'd like to follow up on something we keep discussing in comment threads to my Devil's Minion stories, because I've found the paper trail in my archives. There's indeed something I wrote as an undergraduate ca. 2005 that I had forgotten about that underpins a common theme (namely: Daniel and Armand wondering what might've happened if they'd met when they were young in Armand's time and place, when he was still mortal) periodically haunting the dialogue across my various unconnected stories. I'm somewhat in disbelief that I can prove this exists, and I needed a spark of joy like this in an otherwise bleak, snowed-out week.
This is a ghost story in that the work I'm discussing here was written under my deadname, but I don't tend to shy from people knowing it. Still, it's times like this when pieces resurface that I realize I block facets of my former self so thoroughly at times that I do my writing history a disservice. This felt like knocking down a wall, and I'm really startled at what's sitting covered in dust on the other side. Mindfuck your characters long enough and you might even mindfuck yourself.
In the spring of my senior year at Wellesley, I took a poetry seminar with Frank Bidart. He didn't like my work much, which was a source of amusement to me; if somebody doesn't like my writing, I just dig in and crank up the annoyance factor by being even more myself. The number of professors and editors that I've gone out of my way to irritate in my higher ed and writing careers is vaguely embarrassing at this point, but that's another story for another time.
At the same time as I was in this poetry seminar, I had also overloaded my schedule with Medieval literature seminars. I'd done that for about four consecutive semesters, actually. The Early Modern and Medieval course offerings at Wellesley, at least at that time, were so numerous that you really could do about two years solid of nothing but that type of coursework. I was fluent in French at the time, so I was able to pull some unhinged shit like reading La Chanson de Roland in Anglo-Norman with minimal dictionary assistance while reading it in English in one of the courses, and then I started haunting the used bookstores in Harvard Square and digging up volumes of lesser known Anglo-Norman ballads and fragments, and there was this one book that focused on early surviving trobairitz poetry, songs by women from that period. There was one fragment that really, really haunted me. I don't know if I still have the book, that's the one piece in the documentation chain I'm still hunting down, but I have my translation of that fragment because I found the poem I wrote around my translation. That poem got published twice after I graduated; that publication history is neat in its own right.
So, the poem I wrote for the seminar is really the thing I want to talk about here. I had this short 10th-11th century trobairitz ballad fragment that I translated out of Anglo-Norman, and I was very excited about it, because it was very gay. I thought, hmmm, I'll write a narrative poem about a couple of nobodies set in that time period. Who are my nobodies? I'm picturing teenagers, just a couple of boys. They can't be more than sixteen or seventeen. Where are they? I'm also taking a class on crusader states at this point in time, and I'm extremely interested in various cultural migrations in and out of Italy and Spain (the good, the bad, and the ugly). So I just go, okay, I'll have them fleeing a noble household in Italy, heading for Spain. My head's entrenched in those places thanks to a history class; it gives me something to hang onto as geographical starting and endpoints. Why are they running away? Kid attached to the noble household has fallen in love with a stonemason's apprentice from somewhere a lot further abroad; they don't speak the same language, but since when has that stopped people from falling in love? Stonemason's apprentice wants to save the kid in a bad situation in the noble household, get him out of there. Yeah, let's do that. And I'll cover just the journey, not what happens before they leave or after. And I'll show what they run into along the way, and they'll hear someone perform that piece of the song, and one of them is able to translate it for the other as they gradually learn enough pieces of common languages to communicate with each other.
This poem was never going to be long; the poems in our portfolios for this class couldn't be long. The concept work behind it was much longer than the poem itself, as was the work I put into the fragment translation. This kind of storytelling in lieu of confessional poetry was going to annoy my professor. I knew exactly what I was doing with all of this: satisfying a storytelling itch, letting myself practice translation, being the inveterate fandom writer I already was by that point, just being generally obnoxious in my early 20s. It's a living.
I wrote the poem. It got workshopped in class; classmates loved it, Frank made faces and was barely polite about it. The written feedback in it on my final portfolio called it "pseudo-medieval pastiche," and I was so happy I could've framed that shit. I put the poem away for a few years and didn't think about it. I moved to the UK and started an MA program in Medieval Studies. My poems started getting published in SF/F/Spec publications. In 2009, I learned about a call for poems for a 10th anniversary special issue of a magazine called Mythic Delirium, and something about the themed call made me remember my pain-in-the-ass, labor-of-love portfolio poem, which was called "Journeying." I submitted it.
"Journeying" was published in Mythic Delirium Issue #20, which, (in)famously, also first featured a poem by the now-disgraced Neil Gaiman called "Conjunctions." If I'm honest, it's bizarre to have that as a major point of memory in this poem's first printing. Here's how "Journeying" looks in that issue of the magazine:
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The italicized portion at the end is my translation of the trobairitz ballad. It's all that survives of one particular song that happened to be written down. It always amazes me that so few lines can express so much longing across so many centuries.
Flash forward a few more years to when I learn about Erzebet YellowBoy's brilliant Papaveria Press hand-stitched limited artbook editions of poems. One of my oldest friends, Paige (@dreambreathing) and I decide to collaborate as we've done so many times before: they did a set of two watercolor illustrations for the poem conceived as a fold-out frontispiece and backplate, and we pitched it as an artbook. Papaveria said yes. In 2012, "Journeying" was released as an edition of 18 of these little books:
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You never see the boys on the road or under the tree overlooking those ruins (those ruins, those fucking ruins, I forgot) until you pan in. Don't get distracted. Look closer. Imagine me, @eidetictelekinetic, getting more and more spooked every time we talk about this recurring thing in the dialogue I'm writing across stories. Why am I doing this? Why is it familiar? And by the time we get to "Guard Your Heart," why do I have the feeling it's hit peak hilarity by the time Daniel's looking at those Talamasca photographs?
This is an awfully long punch line, but it's here. I wrote it, some version of it, some version of them, in another life. And for me it was another life, too, a life with the name of a girl I now barely recognize. Who is Adrienne? I know that Adrienne wrote this poem, but I no longer know her as well as I would like. However, I do know that she gave up almost everything she had to give me what I have now, and I'm the writer that I am because of her. I carry these characters with me because of her; she's the one who first read them.
(Also, here's another shout-out to @dreambreathing not just for being one of my best friends through all of this and one of the most talented artists I've ever known, but also for being the namesake of my current biggest troublemaker in Caldera. Love you, Paige.)
#devil's minion#armand x daniel#poetry#art books#iwtv#interview with the vampire#storytelling#translation#medieval studies#i'm not sure how to tag this because this is a pretty strange personal anecdote relevant to an ongoing fic conversation
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One Dress a Day Challenge
October: Silver Redux
The Private Lives of Elizabeth and Essex / Olivia de Havilland as Lady Penelope Gray
It's surprising how plain this dress (designed by Orry-Kelly) looks on its own! The ruff, the jewelry, the fan, and the lighting make it look so much more glamorous. Well, those things and the effect of being worn by Olivia de Havilland! It's only seen from the waist up in the film itself as far as I can tell, but fortunately, the black-and-white publicity shot has a full-length view of it, showing how the skirt expands with some structured underpinnings (not sure whether they constructed a farthingale or just used petticoats).
As a side note, just what is up with that whimsical little bow at the top of her head? It doesn't correspond to any period look that I know of, and it doesn't seem to serve any practical purpose:
#the private lives of elizabeth and essex#olivia de havilland#silver dresses#silver dress#one dress a day challenge#one dress a week challenge#movie costumes#period film#1939 movies#1939 films#16th century costumes#1590s style#renaissance costumes#renaissance style#orry-kelly#old hollywood#classic hollywood#silver redux
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astro notes: daily transits 9/1
Today marks a significant shift in the astrological landscape as two powerful planets—Uranus and Pluto—initiate transformative journeys. Uranus, the planet of innovation, rebellion, and sudden change, stations retrograde at 27°15' Taurus, signaling a period of introspection and reassessment in areas where we may have felt stuck or resistant to change. Simultaneously, Pluto, the planet of transformation, power, and rebirth, re-enters Capricorn, a sign associated with authority, structure, and long-term goals. This combination sets the stage for deep, systemic changes that will unfold over the coming months.
Key Influences
Uranus Stations Retrograde at 27°15' Taurus:Revolutionary Introspection: Uranus stationing retrograde in Taurus brings a powerful call to reassess and reevaluate areas of life that may have become stagnant or too routine. Taurus, a sign deeply connected to stability, values, and material security, can sometimes resist change, preferring the comfort of the familiar. However, Uranus’s energy is anything but routine—its retrograde motion invites us to look inward and question where we have become too set in our ways. This is a time to explore new possibilities, break free from outdated patterns, and innovate in areas related to our resources, self-worth, and how we create stability in our lives. The retrograde period is ideal for revisiting past ideas or projects that may now be ready for a fresh, innovative approach.
Focus on Security and Values: Taurus’s influence on Uranus retrograde highlights the need to reassess our approach to security, both financial and emotional. This transit may bring up sudden changes or disruptions in these areas, forcing us to adapt and rethink our strategies for maintaining stability. The key here is flexibility—Uranus encourages us to be open to new ways of securing our future, even if they seem unconventional or challenging at first. Embrace the opportunity to innovate and redefine what security means to you, allowing for a more dynamic and resilient approach.
Pluto Re-enters Capricorn:Deep Systemic Transformation: Pluto’s re-entry into Capricorn marks the continuation of a long-term cycle of transformation that has been reshaping structures of power, authority, and societal norms since 2008. Capricorn, ruled by Saturn, is the sign of discipline, responsibility, and long-term planning. As Pluto moves back into Capricorn from September 1 to November 19, we are called to revisit and complete the deep transformational work that began during its initial transit through this sign. This period may bring up unresolved issues related to power dynamics, governance, and the structures that underpin our personal and collective lives.
Rebuilding Foundations: Pluto in Capricorn asks us to confront where the foundations of our lives, careers, and societal structures may have become weak or corrupt. This is a time for deep introspection and a willingness to dismantle what no longer serves us, even if it involves confronting uncomfortable truths. The work of Pluto in Capricorn is about building something more enduring and sustainable—whether in our careers, personal lives, or the broader societal framework. This transit supports long-term planning and the disciplined effort required to bring about lasting change.
Integrating the Influences
Embrace Innovation and Flexibility:Navigating Uranus Retrograde in Taurus: Uranus retrograde is an invitation to innovate in areas of life where we may have become too rigid or resistant to change. This is a time to experiment with new ideas, especially those that challenge our usual approach to security and stability. Be open to revisiting past projects or ideas that may now find fertile ground for growth. Uranus encourages us to think outside the box and embrace change, even if it feels uncomfortable at first. Flexibility and adaptability will be key to navigating this retrograde period successfully.
Focus on Long-Term Transformation:Pluto’s Return to Capricorn: With Pluto re-entering Capricorn, we are reminded that true transformation is a long-term process. This period is about completing the deep work of restructuring the foundations of our lives and society. Whether it’s in your career, personal life, or broader societal roles, this is a time to focus on the big picture and the long-term goals that require patience, discipline, and a willingness to confront difficult truths. Use this time to build something that will endure, even if it means letting go of what is no longer viable.
Prepare for Deep, Systemic Change:Anticipating the Shifts: Both Uranus and Pluto are outer planets associated with deep, systemic change. As they begin their retrograde and re-entry phases, we are called to prepare for significant shifts in our lives. This may involve reassessing our values, security, and long-term goals, as well as confronting and transforming the structures that govern our lives. Embrace the opportunity to innovate and rebuild, knowing that the changes you make now will have a lasting impact on your future.
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I just saw the funniest thing about Stolitz and it really reinforced my belief that people just cannot handle the long period between episodes indie animation requires. They just cannot make connections for that long and their own personal expectations and imaginings of what it should be have too much time to percolate. As a recent comer to the HB fandom who watched the entirety of the series in a single afternoon and skipped the Pilot because it’s not canon I am having a completely different experience. I attribute this mostly to the Pilot, as that seems to have colored peoples opinions of Stolas and subsequently Stolitz in such a wild way and they had to sit with that characterization for so long they just cannot fathom that the story is playing out much differently than the Pilot set up. And yes a year is a long time to sit with expectations of a show direction and a characterization I won’t fault them for that.
“They turned Stolas into sad clown boy”. “The show is all about Stolitz relationship drama now”.
Did we watch the same Season 1, Episode 2? Because our first “real” introduction to Stolas is immediately good dad, sad owl boy, relationship with Blitzo. The first episode sets up the current state of the Blitzø/Stolas relationship, sets up the business and overall character dynamics but doesn’t really give us any information on their backgrounds or current emotional states. It hints at a few things coming up, a few things to look into further but nothing beyond surface level. As you’d expect from a first episode. The 2nd episode shows us that some major things were gonna be exploring are Blitzo and Stolas, Stolas and his family situation, Blitzo’s history as a clown and why he hates Fizzarolli bot so much, the Moxxie/Millie dynamic and brief brushings on Loona and how Blitzo interacts with his employees, but I’d say we actually get more information on Stolas and Stolitz earlier on in the show than we do anything else. It was setup from the beginning that these were all major premises we were going to explore and….WE DO. We start the season that way. We end the season a little further down the road but still focusing on those basic things setup in the first two episodes.
I see a lot of criticisms of the writing but from my perspective, watching them all in a row the writing is pretty spot on in terms of set up, change, payoff. And the structure is exactly what we expect for a multi season show. They introduce Stolitz at one point in their relationship in S1 Ep 1, and by Ozzie’s we have a very clear change that was progressed through the other episodes of the season. That same narrative thread, introduced at the beginning of the show is carried through into S2 and the underpinnings of reactions we saw in S1 episodes 1 and 2 are revealed throughout, we now see why Stolas and Blitzø react the way they did in S1Ep1 via the storytelling in S2Ep1 and the structure of those two being the first episodes of their respective seasons is exactly what a writer should do. They feed into each other perfectly. A person watching only those two episodes would have no trouble filling in the rest of the seasons or the story at large and that’s exactly what a serialized writer should do. The show didn’t change anything midstream, it didn’t shift plot points, it very clearly setup these pins to knock them down as we go on. Fizzarolli backstory? Done. Blitzo’s relationship with Millie and Moxie had several episodes of exploration, we see a bit more about Loona and Blitzo and Stolas’s marriage drama is the main catalyst for overall big drama and they are exactly where they should be if you are plotting this out using a three act structure for a television format.
Things are REVEALED they aren’t changed, and while real life concerns and schedules and business things do affect how episodes get released or how things play out or which characters are available to appear, not knowing any of that background until AFTER I had already watched the show I’d say the writers are doing a pretty remarkable job keeping the flow, of developing the characters and relationships and paying off what they setup waaay at the beginning 3 years ago when they released eps 1 and 2. They’ve also done a great job of giving every character a little moment to shine even though, as they established in episodes 1 and 2, the main focus is on Blitzø, Stolas and how their relationship is the catalyst for everything. That it’s why I.M.P does what it does.
I highly suggest people watch it from start to finish without the Pilot, or at least just the first two episodes and S2 Ep 1 and take into account what is shown and setup at the very start versus the story we are currently at and I really think it will show that nothing has changed, the story is progressing as it should, at the pace it should, and that the characters are growing and changing as they should based on the things that have occurred.
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