#people do demand i ~~credit the artist~~ on art

[godbirdart]

important art decisions

[evilminji]

I Ponder The Humble Blob Ghost!

You think they are what happens when you ALMOST but not quite A Ghost(tm)? Like, you have the ectoplasm and the will to continue... but you didn't really have A Thing in life? No Final Crystalizing Thought that brings focus? Just "ow! Ah! I'm scared. Don't wanna die!" And theeeeen.... *poof!*

Why am I Orb? Am squish? No bones.

Like? Remove any one piece of the Critical Formula and you get Blob instead of Ghost? Different KINDS, mind you, but blobs none the less.

Like Skulker! Not enough Ectoplasm. Ended up Blob. He CLEARLY had the Will, the Obsession, the gory end and unfinished business... buuuut? No green goo to power the creation of a full body. He clearly knows what he's supposed to LOOK like? But it's not something FIXABLE? Even with his now unlimited access to Ectoplasm.

Like in utero damage that permanently stunted his growth. HE is fine. All his facilities are on-line and checking in as they should, for the level of sentience expected of a ghost of his people. He just... smol. Same strength, intelligence, and power as he would have always HAD...

He just got handed a really, REALLY crap "customize your eternal meatsuit" option screen. Like for real guys. Basicly NO options. His salt is eternal and entirely justified. He could have had his tattoos. He paid a LOT of credits for those! Sat for DAYS! Had to track down this One(1) artist on this SHITTY little trading hub, that BARELY QUALIFIED as one, to sit in on uncomfortable overturned crate... IN A GAS MASK because the AIR SUPPORT KEPT KICKING IT... for hoooours!

It was a WORK OF ART. You would have CRIED.

This is BULLSHIT.

But wait, I hear you say, staring at the Blob ghost chewing on a lamp post. The one that has wii music playing behind the eyes. No thoughts, head jello, one might say. What about THEM?

Good point! Remember that formula?

LOT of Ecto! But THAT... might be either an animal or a fungus. We'd have to check. ANYTHING can and DOES die. If it's alive? It can die and potentially leave a ghost. But! Consider the noble Ghost Rabbit! *holds up squirming rabbit that is ABSOLUTELY trying to both bite me and kick me in the face* A noble and friendly creature!

THIS is what happens when an animal: has sufficient Ectoplasm at the death site, a reason to continue living (fairly common. It's usually their offspring, escape, the instinctual drive to survive itself or other understandable base drives. Like love, loyalty, or hunger.), and that all important High Emotions End.

Miss any of these? You get Blobbertson over there! He's clearly a hungry boy! But! Not very DRIVEN is he? Just floating along, chewing on whatever seems interesting, looking for a snack. He's food motivated. But not MOTIVATED motivated.

Blobbertson over there? A peaceful death. Too much Ectoplasm too leave, too food motivated in life NOT to carry over, but? No DRIVE. To DEFINE and DEMAND the Ectoplasm in his little body become sharp and active. No highly emotional state to stir it into action.

Is Blobbertson INCAPABLE of higher emotions? No. He is every bit as capable as the Ghost Rabbit that has savaged my hands and escaped while you were reading. It was, in fact, NOT as friendly as originally assumed. I may be bleeding. Unimportant. Blobbertson is PERFECTLY capable of getting attached. Being trained.

Whatever level of intelligence Blobbertson had in life, still remains. And WITH that? Comes the ability to improve and grow in death! IF (and this is the big one) he ever finds MOTIVATION to do so.

Because you see, Blobbertson is quite happy. No thoughts, brain jello. Drifting along in a happy green ocean like a jellyfish. Only concerned about his next snack. It's comforting. His food obsession filled, his tiny motivation barely enough to move him place to place.

He would GLADLY sit in one place and eat for the rest of eternity. Head blissfully silent.

And that's OKAY! It truly, honestly, is. Not everyone has to be conquers and kings, crafters and cosmonauts. Sometimes you just want to spend the rest of time playing in the sand. Resting on a sunshine-y hill. Not EVERY soul is a loud one.

This is the INFINITE Realms.

And there are places like Amity Park out there. THICK as cold honey with Ectoplasm in the air, gently infusing all the life that grows there with greater and greater chance of Ghost-hood. Even the peaceful blinking awake after that final rest to look down and... little nubby green paws.

Congratulations on becoming a Blob, grandma! Yes, I imagine you ARE furious it is inordinately difficult to knit like this. No, I don't think complaining to the king will help, MeMa.

That said? I can not tell you if Blob Ghost all belong to the same Family or the same Order, but they are NOT the same species! The WAY in which you fuck up that ever vital Fomula results in WILDLY different Blobs! Was it an animal? A sentient species? A sentient PLANET? A complexe interlocking colony of fungi? What was the EXACT Ectoplasm concentration at the death site? Was that the historical levels or the At Death levels? Was the individual under sedation?

Yes! All of this IS in fact, VERY relevant!

And you think it ends THERE? HA! The SKIES are FILLED with Fighty Mother Fuckers! Ghosts LOVE to fight! It's built into their social dynamics and hierarchy! Good ol brawls to get the Ecto pumping!

......Local Blob Farmer would like to take this moment to say "GET OF HIS GHOST PEONIES, YOU HEATHENS."

No they would NOT like to join your 24/7 thunder dome in the sky, THANKS! Martha here is trying to compose some Atlantian Shell Poetry. Blobby Jr of Blobbington and Blobbington Incorporated is TRYING to study! You've DESTROYED THE COMMUNAL ZEN GARDEN!!

Get! GET!!! *swings broom*

And THEN you look not even a mile east? And it's the floating island of Blobs. They LIKE that rock. It's just an ever shifting, accidentally rolling off the edge, falling slightly, making an offended squeek, and floating back to the top of the pile to repeate the process, MOOSH of thousands of blobs. No one's certain if they used to be seals or some sort of cat.

Apparently THAT island is Warm(tm).

So there they sit. Making contented noises, chirping and shoving for the best spots. They never leave. You can literally just... float up and sit on them. It's amazing. You gotta be careful not to get buried, but it's So Soft and bouncy? And they are ALL making that soft happy Blob vibrate noise. It's like a giant, island sized, warm and almost fuzzy but not, water bed that massages you.

Just DON'T start anything there! Holy SHIT are they territorial. You Will Die. They SWARM.

And THATS not even getting into the Blobs that are? Literally brainless. Some people eat those. Which? I guess? They ARE basicly Ectoplasm jello. But SOME of them are NOT? Like... it's a debate. Hot button issue, ya know?

Some fungus turns into Ecto Jello with negative IQ and delicious insides. Is this food? But OTHER fungus was SENTIENT in life and become a whole RANGE of Fungus ghosts, from Blob right on up to complexe dryad like ghosts! Clearly NOT food unless you are a MONSTER. But THEY argue the FIRST group are ALSO not food?

Plant Ghosts have strong opinions and are willing to Gruesome Violence about it.

Which brings us back to the Humble Blob Ghost! Check before you pet! That might be grandma! Or planning to eat your hand! Just as Mammal tells you little to nothing about what animal you are looking at, so too does Blob and Ghost! Stay safe out there! And if anyone sees a glowing green rabbit? I want my blood back! That's supposed to be in MY body! Rude!

This has been, the daily ghost!

@hdgnj @stealingyourbones

[genericpuff]

Rachel's art regression actually makes me so sad because yeah she always had problems with anatomy but at least her style used to have personality back then

It's actually so fascinating to look at her older art because on the one hand, to her credit, she was INCREDIBLY prolific, she made SO MUCH STUFF to the point that we're STILL finding new stuff all the time, it's actually really impressive; but on the other hand, she also clearly didn't really have a focused direction, she was kind of just trying different things waiting to see what would stick, and eventually LO was what won the lotto. But unlike previous works where she could pick them up and drop them at her own time, she was contractually obligated to LO and it forced her to meet crazy strict deadlines, so I think in a way (at least in my opinion from what I've been able to glean looking at her work from the past several years) she almost lost a lot of what she was capable of doing back then because she proceeded to spend all of her time for YEARS working on LO.

I do think she'd be fully capable of returning to that older art style, but the reality is that that style also, like LO, existed through inconsistency. She was always trying and doing different things and you can tell a lot of it was rooted in both trial and error + indecisiveness. As much as she's talked about "streamlining" the production process of LO in previous interviews, it's also very clear in its inconsistencies - as well as her older work which was also inconsistent, for better and for worse - that she never actually learned how to streamline. Unlike artists who you can at least look at and understand they have a "process" that they follow every single time, she just does not seem to have that.

And that's not necessarily a bad thing, I think it worked well for her when she was doing freelance and standalone illustrations / conceptual art. The "personality" in her work back then was her just messing around with things and doing whatever looked good, and it often paid off through beautiful illustrations and concept designs.

But that sort of approach doesn't work so well when you're trying to do a long-form comic with unique characters and a distinctive art style which is being worked on by multiple different people. Something like LO demands workflow consistency and a production pipeline with steps to follow and standards to practice, and that's not something that Rachel has ever really been good at, even before she started LO.

[ellethespaceunicorn]

Some Things You Just Can't Refuse

Title: Some Things You Just Can't Refuse

Rating: Explicit, 18+, Minors - DNI

Pairing: Dom!Clark Kent x Sub!Reader

Word Count: 4.7K+

Summary: A collection of first times with Clark Kent, and one last time.

Warnings: dacryphilia, unprotected p-in-v sex (wrap it up babes), creampie, spit kink (for like two seconds), Reader being a brat

A/N: This has been a plot bunny that sat in my Google Docs while all my other works got attention. Did I really just write a 5+1? Unbeta’d, we die like people who tried their best. 

Dividers by: @firefly-graphics

Support/Reblog banner by me

Cover Art by me

My Masterlist 

Clark Kent was a simple man, for the most part. He had preferences, sure. But he knew what he liked, and went for those things more often than not. One of his preferences was a certain kind of woman. 

And you were that kind of woman. His Sunflower.

The perfect combination of submissive and strong-willed. What others may call bratty, Clark would call “a little feisty” and he wouldn’t change it for the world.

And that is where Clark was anything but simple. He was your Dominant, you were his submissive. He loved you, he provided for you, and he kept you safe. He kissed the ground you walked on, he broke you, and he put you back together.

The first time you met Clark Kent was in the break room of the Daily Planet. 

You were an intern for the summer, just working to get some credits toward your journalism degree. You weren’t all that interested in going to warzones and reporting on drug lords and shit. You wanted to tell stories about starving artists and activism. You wanted to surprise people with your ability to capture the essence of someone’s emotion and relate it to the reader’s own experiences.

While doing your writing at work, while you were supposed to be doing whatever Lois Lane threw at you this morning, you decided to take a break to recharge. Since energy drinks gave you the jitters, you opted for a warm-ish mug of hours-old coffee.

As you reached up to the cabinet to get a mug, you watched as a hand appears above you to grab the handles of two mugs. You turned, following the hand, to see who reached over you. Eyes blue like the Atlantic Ocean behind a pair of plain black rectangular frames looked back at you. You can’t help but smile at him as he beamed, bright enough to illuminate your entire day.

And your writer’s brain was getting way ahead of itself already. Who the hell was this mountain of a man? I wonder what his lips taste like. Should that tie go with that shirt? Fuck, did he just ask me something?

“I’m sorry, what?” You shook yourself out of your thoughts.

“I asked if you wanted the black or the flower mug. I was gonna offer the flower. But I’d rather not assume you didn’t wanna just take the plain one. So, I’m gonna stop talking and let you answer.” 

Fuck, he’s cute when he rambles.

“Sunflowers are my favorite.” He offered the mug and your fingers touch and you’re glad that you are the only two in the break room.

“Clark,” he says, as he poured himself some coffee, “Clark Kent.”

You gave your name and he put out a hand to shake yours. With your hand in his, you notice how it engulfed your own. You thought to yourself about that hand around your throat. Just lightly squeezing the sides of your neck, as a warning.

“Nice to meet you. I hope Lois has been easy on you. She can be a little…much.” He said it in a way that lead you to believe he’s been on the demanding end of Lois more than once.

“Eh, she’s alright. I mean, Ms. Lane is just fine.” You tried to cover your disdain for Lois. In reality, you saw her as a ‘Pick-Me’, but you tried to give her the benefit of the doubt.

“Yeah, sure she is. I dated her, so I know her pretty well. Not that I should be saying anything. But, don’t let her try and get in your head. She’ll use whatever she can to get a scoop, whether in the field or the workplace. She’s a great journalist, but-” You cut him off, not wanting to take part in putting down another woman.

“I think I get the hint. Watch my back around her.” You assure him you understood as you poured your coffee and put in some cream and sugar.

“Yeah, sorry. I shouldn’t talk about her behind her back. That was rude of me. My mother would be disappointed in me for that.” He looked into his mug, and you saw that he was not proud of himself for putting down his ex.

“It’s all good, Clark. I can tell you didn’t mean anything by it. Emotions are tricky, ya know?” You don’t know why you wanted to give him an ‘out’, but you did.

“That, they are. I better get back. See ya around,” He gave a cute little wave and exited the room.

The first time Clark Kent called you Sunflower happened about a month after your first meeting. 

The two of you ended up together on a test run for Perry to see how you go about working with other reporters. He probably just wanted to see if I could share a byline.

You could tell that Lois saw a tenacity in you that reminded her of her younger self. While that was great, you wanted to be seen for your ability to get people to talk to you without making them feel like they were in an interview. Just a conversation between people.

When you asked Clark to work on the assignment with you, he jumped at the opportunity. In truth, he wanted the chance to see you at work. He’d listen to Lois talk about how you just saw things differently. Almost like she was jealous, but she would never admit to that.

“So I was thinking we could go to Gotham. Before you say anything, I know it’s dangerous there but we’ll be going during the day. And I finally got the go-ahead from Wayne Enterprises to shadow one of their board members. A Day in the Life kind of piece. What do you think?” You rambled out, arms crossed as you leaned against Clark’s desk.

“I think I can get you an exclusive with Bruce Wayne if you wanted.” He stated nonchalantly.

“I would owe you big time. Wait, how the hell do you know Wayne? What, were you boy scouts together or something?”

“We just end up at a lot of the same places.” Clark offers no other explanation.

“Right,” you nodded at him, not letting it go, “So, I run point on this and you back me up?”

“Sounds perfect. You’ll do great, just know he will try and flirt with you so don’t make it easy for him, Sunflower.” The nickname caused heat to rise to your face, remembering that first time you met him.

“Sure, like the most eligible bachelor in Gotham who can buy whatever he wanted would look at me twice?” You weren’t being down on yourself too much, more like you were being realistic. The man had dated supermodels and heiresses, not chubby junior reporters.

“Without sounding unprofessional, trust me when I say Bruce will look at you more than twice. You say the word and I’ll set him straight.” Was that flirtatious? No way.

“Um, if you say so, Clark,” you tried to laugh it off and walk away but Clark caught your wrist, your eyes locked with his and you felt…something. 

“I do say so, Sunflower,” he lowered his hand from around your wrist, “Just prepare to shut him down more than once. He’s, uh, persistent.”

“You trying to save me for yourself, huh?” You couldn’t help yourself. If he denies it, you could say you were joking. If he confirms it, then…

He simply smiled and tilted his head, neither confirming nor denying. 

During your interview with Bruce Wayne, you were surprised that he indeed did flirt with you as Clark said he would. You managed to steer the conversation back to Wanye Enterprises each time he would stray to learn more about you. You would give him a detail here and a tidbit there, but you kept it professional. Clark was there to take notes, letting you take the lead. He was impressed by you. You kept Bruce flirting with you to get him to spill details about new things he was working on for Gotham.

The first time you kissed Clark Kent was three months into your internship. 

Lois had taken a shine to you, loving what few pieces you were able to get past the intern pool and into an issue. You figured it would be in your best interest to go to her with any journalistic questions you had. You may not like her very much, but she was still a Pulitzer Prize-winning journalist and you would be an idiot not to take a few pointers from her.

There was one thing you didn’t talk to her about, and that was the massive crush you had on her ex. It just seemed too messy, and honestly, you didn’t need her permission to do anything. 

That’s why you accepted Clark’s invitation to make you dinner. Frankly, you weren't surprised he asked you. You had been flirting with each other, exchanging glances and smiles across the office. Spending hours a night talking on the phone and texting back and forth naturally lead you here.

Armed with a bottle of wine and all the courage you could muster, you make it to Clark’s apartment just as he is finishing dinner. He answers the door in jeans and a grey long-sleeved henley, looking so comfortable and so different without a tie on. He thanked you for the wine, took your wrist to pull you behind him, and shut the door with a socked foot.

Pouring you both a glass, he congratulated you for completing half of your internship. It completely slipped your mind that you had reached this milestone, but he remembered. And that was saying a lot. You clinked your glasses together and took a sip of the pinot noir. 

“This is going to go great with dinner. Thank you again for picking up some. I can’t believe I forgot to,” Clark bantered, setting his wine glass down to check on the pork tenderloin and roasted potatoes.

“You were too busy trying to impress me,” You insisted, smiling when he gives you a stern look.

“Watch it, Sunflower,” is all you hear and you shifted from one foot to the other to hide your search for friction. You barely had two sips of wine in your system before this man had you feeling drunk.

“Time to let the pork rest while the potatoes finish up. Should be done in a bit,” Clark picked up his wine glass, settling his other hand on your lower back to guide you to the island counter. He didn’t expect it when a shiver ran up your spine and caused you to giggle, but he’d be lying if he said he didn’t like it.

You sat and chatted during dinner like you’ve known each other for ages and it just felt very comfortable. He told you about his mom, growing up in Smallville, and how he came to work at the Daily Planet. You spoke about your schooling and how you’d one day like to write for the Planet and publish a book of short stories. He was stuck on your every word and it made you feel important to have his undivided attention.

After dinner, you retired to the living room to watch some tv. It was more just on as background noise as you conversed with each other. When you both reached for the wine bottle at the same, you both laugh and then look at each other. And it was all you could do not to melt into a puddle as those blue eyes stare longingly at you.

Clark reached up and took off his glasses before tossing them on the coffee table. Fuck. But, he does nothing more. For what seems like minutes, you sat in silence just staring into each other’s eyes until you speak up. 

“Clark, please?” You whined, growing more frustrated with every second.

“Use your words. Tell me what you need, Sunflower.” The way he said it had you shifting in your seat.

“I need you to kiss me, please?” You pleaded, the little crack in your voice not missed by Clark.

He cupped your face with one large paw, his touch so soft that you leaned into it to feel his warmth. His thumb moved over to wipe across your lips, followed swiftly by his lips.

Your lips met and you felt the warmth radiating from him. You could taste the sweetness of the wine on his tongue as he begged for entry. You let him in, moaning into his mouth. Clark grunted in return and pulled away to rest your foreheads together.

“I have wanted that for far too long, Sunflower,” Clark groaned, licking his lips.

“Me too,” you whisper, scooting closer to Clark to lace your fingers together, “Can we do it again?”

Instead of answering you, he pulled you into his lap and attacked your mouth with fervor.

The first time you tell Clark Kent you love him is exactly two months after your first kiss.

It was completely by accident, but no less true. 

Clark invited you over for dinner and a movie. The two of you were in the middle of watching 10 Things I Hate About You. Patrick was dancing on the bleachers and singing to Kat. The most romantic scene in the movie apart from the poetry scene.

“Ya know, if we went to high school together and you sang ‘Can’t Take My Eyes Off You’ to me in front of the whole school, I would have melted,” you say, stuffing popcorn into your face, “But then, I already love you, so you wouldn’t have to do the whole singing thing.”

Clark’s head whipped around so fast that you can feel the wind coming off of him. “What did you just say, Sunflower?”

You look to Clark and you realized what you had said at the same moment and your eyes went wide. “I think I just confessed love during a ‘90s romcom.”

“Yeah, I think you did,” Clark looked at you with that look in his eyes, “Good thing I love you, too.” He says nonchalantly, trying to not freak you out, and went back to watching the movie.

“Clark, I love you.” You wanted to feel the words on your tongue again.

“I love you too, Sunflower.” Hearing the words come from him was like a cozy embrace that coated the night in warmth.

The first time you had sex with Clark Kent was at the end of your internship.

Clark wanted to wait- 

No, he didn’t want to wait, but he chose to wait until your internship was over and you were offered an actual job at the Daily Planet to not seem like he was cruising for tail in the intern pool. 

Little did you know, but Clark had it all planned out. Candlelit dinner, romantic music, wine, and chocolates. The whole nine yards. But you didn’t get to experience that version of lovemaking. 

At the same time Clark was lighting candles, he heard your heartbeat spike across town. He sped away to your location, without putting on his suit. He flew above the city before he found you being held up at gunpoint in an alleyway and his blood boiled. He watched you comply with your attacker and hand over your purse before flying down behind the man quietly. The man had no idea what hit him when Clark flicked his temple and the assailant falls over unconscious.

He didn’t even think to keep his identity secret anymore. He steps over the man to get to you and check you over for injuries, both external and internal. When he sees nothing, he questions you, “Are you alright, Sunflower?”

You look almost through him because there he is in a sweater and dark-wash jeans, glasses slightly askew. You step back an inch as he reaches out to you. He can see it in your eyes that you are piecing together little moments. 

How he got across town in what seemed like seconds. How he never got sick. How it felt like he was always hiding something. This is what he was hiding from you. For your safety? For his?

“There were so many times I wanted to tell you I was Superman, I just didn’t know how. Do you forgive me, Sunflower?” Clark’s pleading ultramarine eyes burned into yours. 

“I mean, I guess this is as good a time as any to tell me. I have so many questions. Of which, you will answer all of them, Clark. But, all I need to know right now is how the hell you found me?” Your breathing was starting to speed up again and you tried to calm down but given the circumstances, you were acting pretty normal.

“I kind of, know your heartbeat. I can hear it at all times. Wherever you are, I can hear you,” Clark makes an odd face and then forces out an embarrassed laugh, “Now that I say that out loud, it sounds weird.”

“Yeah, it’s a little weird. But it’s also super romantic, too,” you reach to Clark and pull him to you, “What’s my heart sound like now?”

“Sounds like you’re excited,” he let his hand drag down your body, “Smells like it too. Now, why would that be?”

“I mean, I did just find out my boyfriend is a superhero. That’s sorta hot. Sorta, I mean, he hasn’t taken me flying yet.”

“Brat! How hard is it to ask for what you want?” He picked up your purse from the unconscious attacker and handed it to you. When it is secured around your shoulder, Clark picked you up and you wrap your legs around his hips. “Hold on, Sunflower.” He took off so fast that the world blurred around you.

As he got closer to his apartment, he slowed down and flew a bit higher near the clouds. He rolled over onto his back so that you are straddling him. His hands found each other behind his head as he floated above Metropolis, all attention directed at you. Your eyes wandered around the city as you adjusted your seating which stirred his arousal.

Clark tried to adjust himself under you without you noticing but instead, you took the opportunity to grind your clothed sexes together. The groan that escaped Clark’s mouth is enough to spur you on to continue your ministrations. His eyes are already rolling back in his head and you feel quite proud of yourself. You reached under Clark’s sweater and ran your fingers through his chest hair as you continue to work your hips over him.

“Clark?”

“Yes, Sunflower?” He opened his eyes, pupils were blown wide with lust, breathing becoming unstable.

“Take me to your place so we can get more comfortable?” You flirted with him, wrapping your arms around his neck and shimmying up his body.

“Yes, Ma’am.” He grabbed under your thighs to have you wrap your legs around him once more and began to descend to the balcony of his apartment. He let you inside first but is quickly behind you following you into his bedroom as you start to shed your layers.

You spun around and gave Clark a show of your skin becoming visible in the moonlight. When you are fully undressed, you knelt in front of him with your head down and your hands on your thighs. 

He walked over to you and kissed the top of your head. He listened for your heartbeat, and it was steady, if not a little heightened. You were awaiting instruction, as far as he could tell.

“Sunflower, I want you to pick a safe word.” He stood behind you and undressed down to his underwear.

“Unicorn is my safe word.”

“Good girl,” Clark caressed your shoulders and squeezed them, “Are you okay with calling me Sir?”

“Yes, Sir.” Your heart rate evened out, Clark noticed. You’re happy. He beamed down at you.

“Good girl, now turn around and take out Sir’s dick.” 

You turned around and reach up to Clark’s boxer briefs, cupping him over the fabric before hooking your fingers into the waistband and pulling the underwear down and off. His length sprung up to bounce in front of your face and you lick your lips in anticipation but don’t go any further without direction.

“Such a good girl, Sunflower,” he grabbed your chin between his thumb and forefinger, tilting your face up to meet his eyes, “Come lay down so Sir can taste you. I can already smell how wet you are.”

You took his hands as he helped you up. Clark pulled you close to his body, your back against his chest. He attacked your neck, nipping and sucking marks that would show in the morning. His length on your hip has you testing your limits. 

As if reading your mind, Clark reached down and cupped your netherlips. You instinctively clamped your thighs around his hand and he used a foot to kick your legs apart. With one hand exploring your cunt, the other slides around your throat as a warning.

“Don’t ever block me from my pussy, Sunflower. This belongs to Sir now, doesn’t it?”

“Yes, Sir, it belongs to you.” You were sure Clark could feel you clench around nothing and you didn’t care. You wanted him to know he was doing everything right.

“Good girl,” He dipped a finger into your wetness and pulled it back out to wipe across your bottom lip, “We’re both gonna taste your sweet honey.” He used the hand around your throat to turn you around so he could claim your lips.

You tasted yourself as his tongue invaded you, whimpering into his mouth. His answering groans had you trembling. He walked you backward until your legs hit the edge and he pushed you down. Leaning over, he knelt and pushed your thighs back as far as they would go, marveling at your glistening slit.

With the flat of his tongue, he licked from your entrance to your neglected nub, pausing to suck on it lightly. He ate with the hunger of a man starved. He steeled his tongue, probing your core and tasting you from within. He made out with your pussy, pulling back to spit on it which drew moans from you and had you squeezing your breasts in response.

Clark was good at this, not that you were surprised because of how good of a kisser he was, but fuck! The way he fingered your pussy, making sure to curve his fingers to hit that sensitive bundle of nerves inside was heavenly. 

When he sped up his fingers and pushed down on your lower stomach, you gasped and realized he understood the assignment. He was rewarded with you squirting over his hands and chest.

“Such a good girl for me, Sunflower,” he said, before sucking your juices off of his fingers and moving your limp body up the bed, “Now, you’re going to be an extra good girl and take Sir’s dick.”

That was all the warning you received before Clark was pushing in, stretching you wide over his thick hardness. With every inch, he would pull out and press in an inch more than the last thrust. He made sure to stretch you slowly, keeping your tightness while allowing you to get used to his girth. 

“That’s right, Sunflower, open those sweet petals for Sir,” Clark soothes your whines as he fucks into you, “I promise I’ll make it all better when you let me all…the way…in.” He punctuated his words with jolts from his hips. 

When he is finally seated inside you, he pauses. The sudden stop has you reaching for Clark and moving your hips to gain friction.

“Look at you trying to fuck yourself on my cock,” he leaned over you and watched as tears flow from your eyes, “These tears are gorgeous, but use your words. Tell me what you want.”

“Sir, please,” you whined, looking into his eyes, “Need you to fuck me, please.” 

The smile on Clark’s face is brilliant, he’s got you right where he wants you. He kissed your face, stopping to wipe away your tears with his tongue. Pulling back, he secured your legs around his hips before he leaned down to wrap one hand around both of your wrists, holding them above your head.

When Clark fucked you, he paid attention to every aspect of your body. He looked into your eyes. He kissed and nipped at your neck. He pinched and teased your nipples. He rubbed your clit while he pounded inside you. 

Clark just did it better than any of your partners before. Maybe because you allowed yourself to be vulnerable around him? Or maybe because he was just…better. It didn’t matter. The only thing that mattered was that you were with him and he was inside you and you were all his.

You lost track of how many times you came, but Clark remembers every time. He committed them to memory, seeing you arch your back and feeling your walls flutter around him. He could tell by the sheen of sweat on your body and the way your body is vibrating that you were beyond spent. Possibly even a bit overstimulated. Perfect.

“You ready for my cum, Sunflower?” He licked his thumb and pressed on your clit as you keen, “Do you think you can hold on for me for just a bit longer?” 

“Yes, Sir,” you moan as he slid his hands to your hips.

“There’s my good girl,” he groaned and began his assault on your pussy. At this angle, he can stimulate both your hooded center and your G-spot. A punishing pace that set you ablaze. While you held onto his biceps, you looked into his eyes. Where there used to be blue irises, only dark pupils remained. His curly hair was a sweaty mess on his forehead. He was barely a man now, more like an animal rutting into you.

Before long, his hips stutter in their onslaught. Breathing erratically, he squeezed your hips so hard you knew there would be bruises tomorrow. He moved to kiss your neck and latched onto your shoulder with his teeth as you feel every twitch of him releasing inside you. You know there will be bite marks in your shoulder for days but you don’t care.

Clark’s teeth left you, followed closely by his tongue soothing your almost-broken skin. Sometimes, he didn’t know his strength. And it was a close one this time. He was still inside you semi-hard before he decided to pull out slowly causing you to whine at the sudden feeling of emptiness.

He moved from the bed for a moment. You closed your eyes for a millisecond before you feel warm wetness between your legs.

“Just cleaning you up, Sunflower,” He wipes your delicate folds softly and throws the towel in the clothes hamper before crawling in bed beside you, “You go right to sleep, you deserve it.”

The last time you refer to yourself as Clark’s girlfriend is a year and a half into your relationship.

Clark proposes to you over dinner in the house you bought together. He bought the ring after you talked about marriage just two weeks ago. Well, technically, Bruce helped him buy the ring. As in, Bruce bought the jewelers store and had them design the perfect ring for you. 

A smoky quartz center with marquise and pear-shaped citrine petals around it. You had mentioned more than once that you didn’t want a diamond engagement ring, you wanted something that matched your style.

Clark presented the ring to you on one knee, ever the traditionalist. You said yes, of course.

This man was your life, your hope, and your future. You looked forward to every minute of every hour of every day with him. 

He is your light in the darkness, and you are his Sunflower.

A/N: Yes, the title is from "Sunflower" by Post Malone/Swae Lee. Yes, the song was for a Spider-Man movie. So, what? It's a good song.

**Tag List**

@brattymum96 @ambinxe @avengersfan25 @kebabgirl67

@astheskycries @enchantedbytomandhenry

Let me know if you wanna be added and for what plz  😁 Also if you want to be removed from tags, lemme know!

[lucid-daydreaming-art]

hey guys can you credit @unoriginal-and-dumb if you use his design specifically for infected/kasper

i mean also just for anything in general they do but please please credit them like genuinely i dont care if youre like “ohh i dont want them to see im shy and embarrassed” I DONT GIVE A FUCK its so much more important to them for you to actually link back to their account cause if not then people start crediting the wrong artist for stuff and that literally could lose them money in the long run when they open commissions again because people will not know that its their account they need to be going to if they liked the design and wanted to commission the artist. like genuinely ur putting a dent in their career by not linking back to them. same goes for me but their art style is the more favored art style so i kind of feel like its more dire in regards to their situation than mine. just for the love of god please please credit them do not be scared to do that thats not a suggestion thats a straight up demand

[hms-no-fun]

Hi! I just read your post about your opinion on "AI" and I really liked it. If it's no bother, what's your opinion on people who use it for studying? Like writing essays, solving problems and stuff like that?

I haven't been a fan of AI from the beginning and I've heard that you shouldn't ask it for anything because then you help it develop. But I don't know how to explain that to friends and classmates or even if it's true anymore. Because I've seen some of the prompts it can come up with and they're not bad and I've heard people say that the summaries AI makes are really good and I just... I dunno. I'm at a loss

Sorry if this is a lot or something you simply don't want to reply to. You made really good points when talking about AI and I really liked it and this has been weighing on me for a while :)

on a base level, i don't really have a strongly articulated opinion on the subject because i don't use AI, and i'm 35 so i'm not in school anymore and i don't have a ton of college-aged friends either. i have little exposure to the people who use AI in this way nor to the people who have to deal with AI being used in this way, so my perspective here is totally hypothetical and unscientific.

what i was getting at in my original AI post was a general macroeconomic point about how all of the supposed efficiency gains of AI are an extension of the tech CEO's dislike of paying and/or giving credit to anyone they deem less skilled or intelligent than them. that it's conspicuous how AI conveniently falls into place after many decades of devaluing and deskilling creative/artistic labor industries. historically, for a lot of artists the most frequently available & highest paying gigs were in advertising. i can't speak to the specifics when it comes to visual art or written copy, but i *can* say that when i worked in the oklahoma film industry, the most coveted jobs were always the commercials. great pay for relatively less work, with none of the complications that often arise working on amateur productions. not to mention they were union gigs, a rare enough thing in a right to work state, so anyone trying to make a career out of film work wanting to bank their union hours to qualify for IATSE membership always had their ears to the ground for an opening. which didn't come often because, as you might expect, anyone who *got* one of those jobs aimed to keep it as long as possible. who could blame em, either? one person i met who managed to get consistent ad work said they could afford to work all of two or three months a year, so they could spend the rest of their time doing low-budget productions and (occasionally) student films.

there was a time when this was the standard for the film industry, even in LA; you expected to work 3 to 5 shows a year (exact number's hard to estimate because production schedules vary wildly between ads, films, and tv shows) for six to eight months if not less, so you'd have your bills well covered through the lean periods and be able to recover from what is an enormously taxing job both physically and emotionally. this was never true for EVERYONE, film work's always been a hustle and making a career of it is often a luck-based crapshoot, but generally that was the model and for a lot of folks it worked. it meant more time to practice their skills on the job, sustainably building expertise and domain knowledge that they could then pass down to future newcomers. anything that removes such opportunities decreases the amount of practice workers get, and any increased demand on their time makes them significantly more likely to burn out of the industry early. lower pay, shorter shoots, busier schedules, these aren't just bad for individual workers but for the entire industry, and that includes the robust and well-funded advertising industry.

well, anyway, this year's coca-cola christmas ad was made with AI. they had maybe one person on quality control using an adobe aftereffects mask to add in the coke branding. this is the ultimate intended use-case for AI. it required the expertise of zero unionized labor, and worst of all the end result is largely indistinguishable from the alternative. you'll often see folks despair at this verisimilitude, particularly when a study comes out that shows (for instance) people can't tell the difference between real poetry and chat gpt generated poetry. i despair as well, but for different reasons. i despair that production of ads is a better source of income and experience for film workers than traditional movies or television. i despair that this technology is fulfilling an age-old promise about the disposability of artistic labor. poetry is not particularly valued by our society, is rarely taught to people beyond a beginner's gloss on meter and rhyme. "my name is sarah zedig and i'm here to say, i'm sick of this AI in a major way" type shit. end a post with the line "i so just wish that it would go away and never come back again!" and then the haiku bot swoops in and says, oh, 5/7/5 you say? that is technically a haiku! and then you put a haiku-making minigame in your crowd-pleasing japanese nationalist open world chanbara simulator, because making a haiku is basically a matter of selecting one from 27 possible phrase combinations. wait, what do you mean the actual rules of haiku are more elastic and subjective than that? that's not what my english teacher said in sixth grade!

AI is able to slip in and surprise us with its ability to mimic human-produced art because we already treat most human-produced art like mechanical surplus of little to no value. ours is a culture of wikipedia-level knowledge, where you have every incentive to learn a lot of facts about something so that you can sufficiently pretend to have actually experienced it. but this is not to say that humans would be better able to tell the difference between human produced and AI produced poetry if they were more educated about poetry! the primary disconnect here is economic. Poets already couldn't make a fucking living making poetry, and now any old schmuck can plug a prompt into chatgpt and say they wrote a sonnet. even though they always had the ability to sit down and write a sonnet!

boosters love to make hay about "deskilling" and "democratizing" and "making accessible" these supposedly gatekept realms of supposedly bourgeois expression, but what they're really saying (whether they know it or not) is that skill and training have no value anymore. and they have been saying this since long before AI as we know it now existed! creative labor is the backbone of so much of our world, and yet it is commonly accepted as a poverty profession. i grew up reading books and watching movies based on books and hearing endless conversation about books and yet when i told my family "i want to be a writer" they said "that's a great way to die homeless." like, this is where the conversation about AI's impact starts. we already have a culture that simultaneously NEEDS the products of artistic labor, yet vilifies and denigrates the workers who perform that labor. folks see a comic panel or a corporate logo or a modern art piece and say "my kid could do that," because they don't perceive the decades of training, practice, networking, and experimentation that resulted in the finished product. these folks do not understand that just because the labor of art is often invisible doesn't mean it isn't work.

i think this entire conversation is backwards. in an ideal world, none of this matters. human labor should not be valued over machine labor because it inherently possesses an aura of human-ness. art made by humans isn't better than AI generated art on qualitative grounds. art is subjective. you're not wrong to find beauty in an AI image if the image is beautiful. to my mind, the value of human artistic labor comes down to the simple fact that the world is better when human beings make art. the world is better when we have the time and freedom to experiment, to play, to practice, to develop and refine our skills to no particular end except whatever arbitrary goal we set for ourselves. the world is better when people collaborate on a film set to solve problems that arise organically out of the conditions of shooting on a live location. what i see AI being used for is removing as many opportunities for human creativity as possible and replacing them with statistical averages of prior human creativity. this passes muster because art is a product that exists to turn a profit. because publicly traded companies have a legal responsibility to their shareholders to take every opportunity to turn a profit regardless of how obviously bad for people those opportunities might be.

that common sense says writing poetry, writing prose, writing anything is primarily about reaching the end of the line, about having written something, IS the problem. i've been going through the many unfinished novels i wrote in high school lately, literally hundreds of thousands of words that i shared with maybe a dozen people and probably never will again. what value do those words have? was writing them a waste of time since i never posted them, never finished them, never turned a profit off them? no! what i've learned going back through those old drafts is that i'm only the writer i am today BECAUSE i put so many hours into writing generic grimdark fantasy stories and bizarrely complicated werewolf mythologies.

you know i used to do open mics? we had a poetry group that met once a month at a local cafe in college. each night we'd start by asking five words from the audience, then inviting everyone to compose a poem using those words in 10 to 15 minutes. whoever wanted to could read their poem, and whoever got the most applause won a free drink from the cafe. then we'd spend the rest of the night having folks sign up to come and read whatever. sometimes you'd get heartfelt poems about personal experiences, sometimes you'd get ambitious soundcloud rappers, sometimes you'd get a frat guy taking the piss, sometimes you'd get a mousy autist just doing their best. i don't know that any of the poetry i wrote back then has particular value today, but i don't really care. the point of it was the experience in that moment. the experience of composing something on the fly, or having something you wrote a couple days ago, then standing up and reading it. the value was in the performance itself, in the momentary synthesis between me and the audience. i found out then that i was pretty good at making people cry, and i could not have had that experience in any other venue. i could not have felt it so viscerally had i just posted it online. and i cannot wrap up that experience and give it to you, because it only existed then.

i think more people would write poetry if they had more hours in a day to spare for frivolities, if there existed more spaces where small groups could organize open mics, if transit made those spaces more widely accessible, if everyone made enough money that they weren't burned the fuck out and not in the mood to go to an open mic tonight, if we saw poetry as a mode of personal reflection which was as much about the experience of having written it as anything else. this is the case for all the arts. right now, the only people who can afford to make a living doing art are already wealthy, because art doesn't pay well. this leads to brain drain and overall lowering quality standards, because the suburban petty bouge middle class largely do not experience the world as it materially exists for the rest of us. i often feel that many tech CEOs want to be remembered the way andy warhol is remembered. they want to be loved and worshipped not just for business acumen but for aesthetic value, they want to get the kind of credit that artists get-- because despite the fact that artists don't get paid shit, they also frequently get told by people "your work changed my life." how is it that a working class person with little to no education can write a story that isn't just liked but celebrated, that hundreds or thousands of people imprint on, that leaves a mark on culture you can't quantify or predict or recreate? this is AI's primary use-case, to "democratize" art in such a way that hacks no longer have to work as hard to pretend to be good at what they do. i mean, hell, i have to imagine every rich person with an autobiography in the works is absolutely THRILLED that they no longer have to pay a ghost writer!

so, circling back around to the meat of your question. as far as telling people not to use AI because "you're just helping to train it," that ship has long since sailed. getting mad at individuals for using AI right now is about as futile as getting mad at individuals for not masking-- yes, obviously they should wear a mask and write their own essays, but to say this is simply a matter of millions of individuals making the same bad but unrelated choice over and over is neoliberal hogwash. people stopped masking because they were told to stop masking by a government in league with corporate interests which had every incentive to break every avenue of solidarity that emerged in 2020. they politicized masks, calling them "the scarlet letter of [the] pandemic". biden himself insisted this was "a pandemic of the unvaccinated", helpfully communicating to the public that if you're vaccinated, you don't need to mask. all those high case numbers and death counts? those only happen to the bad people.

now you have CEOs and politicians and credulous media outlets and droves of grift-hungry influencers hard selling the benefits of AI in everything everywhere all the time. companies have bent over backwards to incorporate AI despite ethics and security worries because they have a fiduciary responsibility to their shareholders, and everyone with money is calling this the next big thing. in short, companies are following the money, because that's what companies do. they, in turn, are telling their customers what tools to use and how. so of course lots of people are using AI for things they probably shouldn't. why wouldn't they? "the high school/college essay" as such has been quantized and stripmined by an education system dominated by test scores over comprehension. it is SUPPOSED to be an exercise in articulating ideas, to teach the student how to argue persuasively. the final work has little to no value, because the point is the process. but when you've got a system that lives and dies by its grades, within which teachers are given increasingly more work to do, less time to do it in, and a much worse paycheck for their trouble, the essay increasingly becomes a simple pass/fail gauntlet to match the expected pace set by the simple, clean, readily gradable multiple choice quiz. in an education system where the stakes for students are higher than they've ever been, within which you are increasingly expected to do more work in less time with lower-quality guidance from your overworked teachers, there is every incentive to get chatgpt to write your essay for you.

do you see what i'm saying? we can argue all day about the shoulds here. of course i think it's better when people write their own essays, do their own research, personally read the assigned readings. but cheating has always been a problem. a lot of these same fears were aired over the rising popularity of cliffs notes in the 90s and 2000s! the real problem here is systemic. it's economic. i would have very little issue with the output of AI if existing conditions were not already so precarious. but then, if the conditions were different, AI as we know it likely would not exist. it emerges today as the last gasp of a tech industry that has been floundering for a reason to exist ever since the smart phone dominated the market. they tried crypto. they tried the metaverse. now they're going all-in on AI because it's a perfect storm of shareholder-friendly buzzwords and the unscientific technomythology that's been sold to laymen by credulous press sycophants for decades. It slots right into this niche where the last of our vestigial respect for "the artist" once existed. it is the ultimate expression of capitalist realism, finally at long last doing away with the notion that the suits at disney could never in their wildest dreams come up with something half as cool as the average queer fanfic writer. now they've got a program that can plagiarize that fanfic (along with a dozen others) for them, laundering the theft through a layer of transformation which perhaps mirrors how the tech industry often exploits open source software to the detriment of the open source community. the catastrophe of AI is that it's the fulfillment of a promise that certainly predates computers at the very least.

so, i don't really know what to tell someone who uses AI for their work. if i was talking to a student, i'd say that relying chatgpt is really gonna screw you over when it comes time take the SAT or ACT, and you have to write an essay from scratch by hand in a monitored environment-- but like, i also think the ACT and SAT and probably all the other standardized tests shouldn't exist? or at the very least ought to be severely devalued, since prep for those tests often sabotages the integrity of actual classroom education. although, i guess at this point the only way forward for education (that isn't getting on both knees and deep-throating big tech) is more real-time in-class monitored essay writing, which honestly might be better for all parties anyway. of course that does nothing to address research essays you can't write in a single class session. to someone who uses AI for research, i'd probably say the same thing as i would to someone who uses wikipedia: it's a fine enough place to start, but don't cite it. click through links, find sources, make sure what you're reading is real, don't rely on someone else's generalization. know that chatgpt is likely not pulling information from a discrete database of individual files that it compartmentalizes the way you might expect, but rather is a statistical average of a broad dataset about which it cannot have an opinion or interpretation. sometimes it will link you to real information, but just as often it will invent information from whole cloth. honestly, the more i talk it out, the more i realize all this advice is basically identical to the advice adults were giving me in the early 2000s.

which really does cement for me that the crisis AI is causing in education isn't new and did not come from nowhere. before chatgpt, students were hiring freelancers on fiverr. i already mentioned cliffs notes. i never used any of these in college, but i'll also freely admit that i rarely did all my assigned reading. i was the "always raises her hand" bitch, and every once in a while i'd get other students who were always dead silent in class asking me how i found the time to get the reading done. i'd tell them, i don't. i read the beginning, i read the ending, and then i skim the middle. whenever a word or phrase jumps out at me, i make a note of it. that way, when the professor asks a question in class, i have exactly enough specific pieces of information at hand to give the impression of having done the reading. and then i told them that i learned how to do this from the very same professor that was teaching that class. the thing is, it's not like i learned nothing from this process. i retained quite a lot of information from those readings! this is, broadly, a skill that emerges from years of writing and reading essays. but then you take a step back and remember that for most college students (who are not pursuing any kind of arts degree), this skillset is relevant to an astonishingly minimal proportion of their overall course load. college as it exists right now is treated as a jobs training program, within which "the essay" is a relic of an outdated institution that highly valued a generalist liberal education where today absolute specialization seems more the norm. so AI comes in as the coup de gras to that old institution. artists like myself may not have the constitution for the kind of work that colleges now exist to funnel you into, but those folks who've never put a day's thought into the work of making art can now have a computer generate something at least as good at a glance as basically anything i could make. as far as the market is concerned, that's all that matters. the contents of an artwork, what it means to its creator, the historic currents it emerges out of, these are all technicalities that the broad public has been well trained not to give a shit about most of the time. what matters is the commodity and the economic activity it exists to generate.

but i think at the end of the day, folks largely want to pay for art made by human beings. that it's so hard for a human being to make a living creating and selling art is a question far older than AI, and whose answer hasn't changed. pay workers more. drastically lower rents. build more affordable housing. make healthcare free. make education free. massively expand public transit. it is simply impossible to overstate how much these things alone would change the conversation about AI, because it would change the conversation about everything. SO MUCH of the dominance of capital in our lives comes down to our reliance on cars for transit (time to get a loan and pay for insurance), our reliance on jobs for health insurance (can't quit for moral reasons if it's paying for your insulin), etc etc etc. many of AI's uses are borne out of economic precarity and a ruling class desperate to vacuum up every loose penny they can find. all those billionaires running around making awful choices for the rest of us? they stole those billions. that is where our security went. that is why everything is falling apart, because the only option remaining to *every* institutional element of society is to go all-in on the profit motive. tax these motherfuckers and re-institute public arts funding. hey, did you know the us government used to give out grants to artists? did you know we used to have public broadcast networks where you could make programs that were shown to your local community? why the hell aren't there public youtube clones? why aren't there public transit apps? why aren't we CONSTANTLY talking about nationalizing these abusive fucking industries that are falling over themselves to integrate AI because their entire modus operandi is increasing profits regardless of product quality?

these are the questions i ask myself when i think about solutions to the AI problem. tech needs to be regulated, the monopolies need breaking up, but that's not enough. AI is a symptom of a much deeper illness whose treatment requires systemic solutions. and while i'm frustrated when i see people rely on AI for their work, or otherwise denigrate artists who feel AI has devalued their field, on some level i can't blame them. they are only doing what they've been told to do. all of which merely strengthens my belief in the necessity of an equitable socialist future (itself barely step zero in the long path towards a communist future, and even that would only be a few steps on the even longer path to a properly anarchist future). improve the material conditions and you weaken the dominance of capitalist realism, however minutely. and while there are plenty of reasons to despair at the likelihood of such a future given a second trump presidency, i always try to remember that socialist policies are very popular and a *lot* of that popularity emerged during the first trump administration. the only wrong answer here is to assume that losing an election is the same thing as losing a war, that our inability to put the genie back in its bottle means we can't see our own wishes granted.

i dunno if i answered your question but i sure did say a lot of stuff, didn't i?

[ghulah]

Papa Emeritus, Terzo and the weight of the Mitre.

Due to popular demand, here is my Terzo analysis. It has been significantly cut down(if you do want the uncut analysis, here) because most of it was bullet points and unhinged notes I made. To be completely transparent, this was inspired by @cityofmeliora's own Terzo analysis post as well as several other analyses which I will be linking (also some headcanon stuff the wifecule had cooked up together lol).

These are all the posts (1 2 3 4 5 ) I used as resources and this compilation of Ghost interviews, as well as the Metal Myths part 2, because that's sort of required viewing at this point, isn't it?

I'll be splitting this analysis up into sections, first are brief descriptions and explanations of my understanding of the different aspects of Terzo - as Papa, as a Cardinal and as himself.

As for my sources, I won't be inserting the direct quotes here(because this post would be the longest ever) and they are all available in the aforementioned links.

Anyway, onwards, Ghesties!

First of all, What is Papa?

This is in reference to Papa, the entity, the image - not the person. Papa is a character, he's a mask, he's a façade. He is an image and an idea and the face of the Clergy. He is everything and he is above all yet he is not. According to mister Ghost-man himself, he is a stereotype, he is someone you know from somewhere and often than not he's old, charismatic, maybe a little bit bitter. He is sort of nebulous, he is a concept.

All whom take up the mantle, the Mitre, live up to this to a certain degree, it's part of the job! It also might be part of the bloodline, but y'know.

In that case, who is Papa Emeritus III?

The character of Papa III, the performer, the leader, the one to show us the way. Papa III is the face of the Ministry, he is a showman, a diva who is perfect for the role of the Satanic Pope who is not only theatrical, but also charismatic and fun and ambitious! He is artistic and outspoken. He knows what he's doing, he loves having a good time - drinks, partying, sex! He encourages it, as long as everyone is safe. He wants to bring about a new age, something to thrive. He will lead us all to damnation!

Papa III cares for his people, he makes sure they are safe and sound even in the midst of the chaos of the Rituals. He is, after all, the messenger that leads the audience through the hero's journey - a guide.

Cardinal Terzo

Let me be clear, this is all derived from Bishop Necropolitus Cracoviensis (who is representative of the album artist Zbigniew Biela) testimonial on Terzo when they were buddies back in Poland.

Cardinal Terzo was a slutty slutty, party man with a revolution in mind. He actually had a lot of visions and ideas to keep the Ministry going and modernizing it. He seemed super, well, locked in. He also likes Futurism, which aligns with his Art Deco and German Expressionism in his box of early 20th century art movements. He saw a future and he wanted to bring it to life, he held the same sins as his brother, Vice, Lust, Greed - but he had Ambition (credit to user cityofmeliora for this epiphany). That's what set it all off. Cardinal Terzo had that joie de vivre.

But who is Terzo?

Terzo Emeritus is a man of many pleasures - it's just those pleasures don't often involve people. He likes early 20th century fashion, he likes early 20th century art movements, he likes theater, he participates in it. He does have a pleasant personality, perfectly charming and joyful and teasing - but, he's not 'on' all the time. Or rather, he might not genuinely feel that way unless something or someone actually interests him. He might not be as slutty as everyone thinks he is. He moves like a fucking cryptid when he isn't performing, which is even funnier considering how open he seems to act. He wanted to do so much as Papa, he cared a lot. He had so many ideas, he wanted to take care of his flock and wanted to spread his ideas and cement the Ministry as a real power by opposing all those mindsets that keep holding society back. He was a revolutionary taken out too soon for another agenda at play, which is his true tragedy.

If anything, his charming Papa persona is what draws people in - but it's untouchable, because it's an idea, a face he puts on. Terzo is most likely the mellow, a toned down version of that face. Secondo influenced him, not enough for him to be exactly like him, though, so.

On a very real level - he's sort of like that 'when your circle small but y'all are crazy' meme. He has only a few people who are truly close to him and know what he wants and who he is while everyone else is on the outside looking in. He seems to keep people at bay, even the ones he approaches first. It's the people who either stick around and play along long enough to catch all his little ticks or the ones who saw through it all in the first place who get close to him.

That self hatred and hatred of everyone came a little later, when everything started to not fit into place anymore. He had restrictions on him, he couldn't bring his vision to life - he began to resent that idea. He knew that he was expendable, it was inevitable that he would be gone soon. He was still Papa, he cared, he wanted better for the Ministry. But it was, to a point, all for nothing if he was going to be stifled.

Ambition and hubris being his downfall is just a repetition of every Greek Tragedy we've been told. And much like the Bringer of Light, Terzo was brought down to Hell. Thanks Sister Imperator.

Sorry if some of this sounds a bit silly, it is quite self indulgent and made when I was sleep deprived. But also, I love character analysis and I love Ghost so!

Bonus tidbit: All that talk of separate travel made me think that Terzo might like sightseeing as a fun headcanon. So in my mind he might have a film camera stashed somewhere to take with him. It fits with the idea that he is quite a recluse and takes time to himself, he doesn't need to socialize to go out and see things and take pictures. Of course this is also extrapolated from his nerdy film and art interests. (this part was inspired by a convo with @3hroo)

[seyaryminamoto]

COMMISSIONS ARE NOW OPEN!

Hello, everyone! My circumstances are getting a little bit more complicated and it's been fairly tricky to find a job over the past year (aaand it's only going to get worse...), so it's time for me to fully, officially, reopen commissions. Some prices have increased since the last time I did this, mainly in the hopes that this reflects my improving skills a little better. Some options are quite costly (particularly the animations and comics) because they demand a ton more work than one might expect. Terms are also more strict than they used to be in order to ensure a more professional dynamic between myself and anyone who commissions me.

Send me a DM if you have a commission in mind, but first, make sure to read through the Read More. I want to expand on what's stated in the final picture to ensure better clarity on the terms of my services:

I'm open to working with any fandom or OC, be it one I'm familiar with or not. I'm also open to working with crossovers, as well as making book/fic/album covers, and even drawing real people as characters of a fandom of the commissioner's choice.

I am open to drawing ship/romance content but, tied directly to the next point...

I reserve the right to refuse any commissions that make me uncomfortable in any given way. This does not mean that everything besides my OTPs and the headcanons I support is guaranteed to be rejected, but it does mean that, if the behavior of the commissioner or the specific subject of the commission does not sit well with me, for any given reason, I will decline the commission. I won't work on something that squicks me, nor with someone who displeases me. No artist should.

Animals, mythological creatures, gore and +18 requests are fundamentally valid but must be discussed thoroughly first. None of these areas are my forte as an artist, as much as I've dabbled in them here and there, so, in order to get it right, I may need extra time and I will most likely modify the base price for any requests that includes these elements.

Payments will be done through PayPal or Wise. The final, full-resolution piece will not be delivered until full payment is completed. Half payment is expected at the start of the process, the second half at the end. The client is entitled to two revisions of the art process to ensure expectations are met. If a piece does not match your expectations after the revisions, the commission will be considered cancelled and you won't need to pay the second half of the expense. Any commissioner who wishes to pay upfront from the get-go does so at their own risk. Revisions are always included, but there will be no refunds if the final piece is not up to the commissioner's standards.

The commissioner is allowed to publish and share the commissioned work across social media, provided it follows the rules of each site (as in, don't post any +18 artworks on sites that do not allow it, pretty much). I can offer basic Glaze and Nightshade in order to protect the artwork from AI theft, to no added expense. Credit MUST be given to me as the artist whenever commissioned pieces are posted elsewhere.

For anyone who wants a list of fandoms I'm better acquainted with:

Avatar: the Last Airbender

Legend of Korra

Bleach

Digimon

Code Geass

Inuyasha

Dragon Ball

The Mentalist

The Dragon Prince

Disney

My Hero Academia

Dragon Age

Hades (Supergiant)

Cowboy Bebop

Hollow Knight

Star Wars

Ghibli Films

Overwatch

Full Metal Panic

Artemis Fowl

LOTR

Farscape

Haikyuu

Fullmetal Alchemist

Naruto

Stranger Things

Spy X Family

Kaguya-sama

Chronicles of Ancient Darkness

Eragon

Thor

Harry Potter

Free!

ASOIAF

Shaman King

K-ON

Critical Role/Legend of Vox Machina

Dungeons and Dragons

Blue Eye Samurai

Arcane

Castlevania

Again, any fandom, character or OC is valid, but I'm far more likely to know what I'm doing and to have my own opinions, for better or for worse, when it comes to anything on this list.

If there are any further questions, feel free to DM me and we'll sort them out!

Thanks for reading so far, and I look forward to working with you!

[withonly-sweetheart]

Threads of Carmine Red

They split your heart into two and the sticky sweet threads that hang between them only bring you closer to your doom. Can you every truly choose your fate? Or will it always be in their silky hands...?

a/n: ok erm so uh like well uh <- thats it. bye! characters are more expanded on in the endings because i cant do shit for shit. i fear.

heh now its time for credits

@candlekiss - MARI WHY'D YOU INSPIRE LIKE ALL OF THESE <3 but it was ur study of the scrapped character design of re8 ada that inspired this wildly massively changed sequence of events. LOVE YOU EITHER WAY POOKIE <3

@pxs-onthehunt - sorry for tagging you but your ada vampire art actually had me tweaking so hard... its kinda what inspired ada's personality throughout this... uh... thank you for your service <3

@vampiricgf <- kita tysm for helping with the atmosphere im still mindblown how your small piece of advice came SUCH a long way and i hope i've conveyed this right (probably havent sigh)

@eyesofsix - ur uhm aeon vampire art... harshi sent that to me because she was freaking out over it and i saw it and also freaked out and we danced in a freaking out circle together. your art is bringing people closer (together). <- stop the freaky jokes need to stop. BUT

(psst. if i didnt mention u in this one artist moots TRUST you're definitely in one of the other three.)

tw: descriptions of blood? ig? idfk something like that and then idek what this is man you just gotta read it ig (can you tell im off today THE OPPS HAVE WON SADLY)

wc: 2.2k

You don’t know where you’re going, but you do know that her eyes are following you. Tracking you, searing your back with their presence, origin unknown. You can confirm it is indeed a “her” watching you when that sultry voice finally appears from the shadows.

“Are you lost, little girl?” she muses, confident in a way you can’t quite explain. You try your best to be bold and lift your chin, surveying your surroundings in an unfavorable attempt to find her. “Ah, you won’t see me unless I want you to.”

“Do you know where I am?” you demand. “Can you get me out of here?”

“Ouch.” You can imagine a pout, yet no face to place it with. A simple expression with no master behind it, crimson lips twisted down. “Leaving so soon?”

“Yes,” you grit out. “I need to get back. Where the hell am I?”

“Can’t you tell?”

You glare out into the retreating light that only seems to twitch from your grasp as you near. A fretful game of tag that’ll never end, you fear. With a frown puckering your eyebrows, you glance upward, yet no flash of lightning comes through the night-ridden windows, useless in your pursuit. Only a flash of white-hot fear that surges through your blood.

A door creaks open somewhere to your left. You know better than to trust mysterious voices from the dark, but guidance is scarce in a place like this. At least you assume your location to be applicable to those terms, foolishly, perhaps.

“Go ahead,” she coaxes softly. “I’m simply helping you.”

Perhaps if there were light, you could’ve seen that she was trailing you the entire time, never more than a few steps away, itching to get her hands on you yet shoving that instinct into a box in her mind, a box known as patience.

You might’ve also noticed the pointed edges of her teeth when she grins as you stupidly stumble into the door, feeling around for the knob, and she waits with her hands clasped behind her back before you trip past something into the room.

And you miss her silently closing the door behind you.

There’s light in this room, thankfully, a dim light that only sparks to life after you take another few steps. A lantern tosses shadows in your face, painting the room in dramatic proportions, making the small area seem larger than life.

“Hello?” you call out, timidly. “Is anyone there?”

You shut your mouth immediately as soon as there’s yet another high pitched squeal from the floorboards, unable to support your weight as well as you’d like, and something splinters behind you. 

Spinning around to find nothing there throws you off balance, and you manage to get your foot stuck in the broken wood. You make the mistake of reaching down, kneeling and pawing at your foot, which leaves you with minor scratches on your now free foot.

It comes with the cost of blood welling up, tears of your skin gushing from a painful gash that somehow goes unnoticed in the first few seconds of shock before you scream. Then you slam your uninjured hand back over your mouth, trying not to scowl at yourself, biting at the knuckle in a silly attempt to cancel out the pain.

It doesn’t work. If anything, it seems your efforts have all been in vain. A weak kick is delivered to your neck, and you sway to the side lightly. There’s an unimpressed growl from behind you, just before something strikes the same area at least ten times harder, and your vision goes dark, fading from your sideways slant of the room.

<><><><>

“Stop moving,” a voice hums in your ear. It seems too sudden for you, jerking back to life like a monster, flailing and thrashing your limbs. You’re bound with something, rope, maybe, but the state of panic sends adrenaline rushing to your head.

“It’s like she does the opposite of whatever you say,” that same sultry voice remarks, albeit from a distance, which doesn’t scare you as much as the presence looming over your shoulder.

“Relax,” it muses, too quiet to determine whether it’s male or female, too subtle to know the differences. Your calf burns, as if your wound has magically gotten larger, spreading over the expanse of bare skin where your pants are rolled up.

You blink and still at the feather light touch of calloused fingertips tracing up your arm, drawing the silhouette of your body, yet the feeling is almost… otherworldly.

“What…” you sputter, an unwelcome shudder rippling through your body. “What are you?”

“What are you,” the woman combats, “if not a creature of Earth?”

They remain pure voices, the harmony of male and female in perfect vocals that may as well be songs themselves, yet the pure chill of fear thrums alongside your searing blood, at every subtle touch unwillingly placed onto your skin.

“Just let me go, please,” you plead, just short of convincing. A string inside you unravels, tugging you back towards them, an unprecedented attraction that could try to coil back up, spin back into a shape in your body, but it reaches for them.

You imagine a well trimmed finger, sharp nails glinting in the darkness, source of light unknown, curling around that thread, a leash for a disobedient dog.

“Aren’t you just that?” she muses. “A sweet little puppy? A human plaything for the society that has existed long before you were even a thought in your ancestors’ flimsy minds. They were no smarter than you, it seems.”

You nod in compliance, feeling yourself slip further and further away, stretching your legs in an attempt to swim through the murky liquid you feel yourself sinking into, trying to reach for the glowing spool, the source of all your turmoil, but it fades within the violent waves.

“She will suffice,” another voice huffs out, the one with the ghastly touch. “Prepare her.”

“Why should it be me?” she scoffs. “You’ve gotten your hands dirty, do it yourself.”

Uh oh. Looks like Mom and Dad are fighting.

<><><><>

The next time you find yourself, it takes what seems like hours to trudge through the inky, vast darkness threatening to swallow you whole. But you see your soul sparkling, woven in as gems of memories within the thin line, glowing so intensely you fear you might burn yourself upon touching it.

But your fingers graze the raised material and you immediately sit upright, eyes blown open as you force yourself to take steady breaths, trying to readjust to the feeling of being in control of your own body.

What had really happened back there? She was the puppeteer to your mindless actions, unable to change the course of events from your glass bubble, restricting your air, trying to erase all evidence of you. You wonder who the mysterious, sultry woman is.

“Thank you.” The same voice calls out, this time from the only patch of darkness available in the well-lit room, morning sun casting warmth onto your cheek as you crane your neck up to catch a glance of the woman.

Narrow eyes peer back at you, and the light in the room shifts quickly enough for you to acknowledge her eerily pale skin, tinted lips the only pop of color in her otherwise drab outfit, a black cloak with crimson accents splashed here and there.

Only when she drops from the ceiling do you realize that they aren’t accents at all. Splotches of dried blood, you see more closely as she approaches, and you scramble back on the mattress you’ve been placed on, only to have your back meet the wall in a most unpleasant manner.

“Don’t worry,” she says with a chuckle. “I won’t hurt you.”

You resist the urge to furrow your eyebrows, fearing that she might take it as a sign of disrespect and pounce. How often do you see vampires? Trick question, the answer is never. You’re not prepared in the slightest, yet you can’t deny the awe that quickly fills you.

Awe at her appearance. If you hadn’t seen the blood, you wouldn’t have even begun to suspect she’s a blood sucking demon, and even now you find yourself doubting the very idea. How could someone so nice be evil?

“I… apologize if I came off strange earlier,” she says with a smile that curves her teeth, and you fight to discern her teeth from her fangs, almost undetectable if you weren’t hanging off your seat and biting your nails in anticipation of them. “You must understand our hesitations to accept a new member.”

“A… new… member?” You test out each word slower than the last, and you feel like you’re back in primary school with a teacher, bless her, patient enough to guide you through it.

“It’s been millennia since a human has met our qualifications. When Leon scouted you, I knew-”

“Leon?” you interrupt. Irritation sparks in her eyes, previously warm, melted honey freezing up quickly. “He’s the guy who was following me here!”

“Yes, but-”

“And he was the one who tied me up!” you say with a gasp. “So who are you?”

“It looks like you’re more interested in talking than listening.” The woman - or should you say vampire? -  curls her lip and you can’t tell if it’s in distaste or carefully placed amusement. It feels like you’re tiptoeing on ice, cracks reverberating through the room, devastating enough to bring the entire building down.

“Sorry.”

“Hm.” She lifts her nose, somewhat haughtily. “You’re quite gullible, aren’t you?”

“Better fix that soon, ma’am,” a voice replied sarcastically from the doorway. Ada shifts her figure so you can see who, but of course, their identity becomes quickly hidden with the light playing on their face, shadows from their cloak hood dapping the planes of their face.

“I’d think twice about talking down to me, Leon,” she replies suavely, a smile coaxing her lips into emotion. “She already knows.”

You swear you can hear his teeth gnash against each other. “That was my job, Ada.”

“Your one job,” she teases, eyes flitting down to you with a subtle wink before turning to face him with an all too important look, “and I beat you to it.”

“Ada,” you test out quietly. Even the name sounds foreign, a medley of arcane qualities and inscrutable judgment. 

"Tell me then," Leon says in a low voice, stepping further into the room. You press back into the plush mattress, sensing the tension mounting between them. "What exactly have you told our guest?" 

"Only that which she deserves to know," Ada replies coyly.

"Which is?"

She levels him an unimpressed stare. "Patience. All will be explained in due time." 

Leon shoots you a glance, lips thin. "How have you found our hospitality so far? Comfortable?"

You nod hesitantly, eyeing the door behind him. "Very kind of you all, though the circumstances of my arrival were... unconventional."

Ada offers a soft chuckle. "Leon lacks finesse, perhaps true. But fear not - harm will not come to you here." Her reassurance does little to do any of its intended purpose. Part of you longs to trust her gentle words and curious gaze, yet Leon's wariness makes you wonder what other truths lie beneath the surface. 

"I understand you must have questions," Ada continues. "Please, ask what you will. An open exchange benefits us all."

You hesitate, darting knowing looks between them. Leon's intense glare conveys he wishes to avoid certain subjects.

"If I may... what exactly are you going to do to me?"

Ada’s enigmatic smile vanishes. Leon scoffs.

“I thought you informed her of her purpose, Ada,” he says, her name coming out of his mouth laced with venom, the same that swirls through your mind as their gazes bore into your mind.

And for the first time since you’ve seen him, Leon grins.

“You are going to become one of us.”

You blink, the words becoming garbled with all the background noise fresh in your mind, coarse tongue lead weight in your mouth, running your teeth over chapped lips.

“And now, we play a little game,” Ada says, although reluctantly, as if suddenly her eagerness has been replaced with the grim truth. “You must pick.”

“Pick… what?”

“One of us,” Leon says, stepping forward. “One of us will grant you freedom; you’ll wake up safe in your home, with no recollection of this incident.”

“Yet the other will lead you to our cause, the same fate that befell us.” Ada’s face has gone stony, giving no hints of which path she leads. “You will join us. This is less of a game, and more a test of your judgment. Choose wisely.”

They unfurl their hands like broken angels, reaching down from you in an inverted version of heaven, more reaching up from hell, but you can’t say that, now can you? Neither of them are trustworthy enough, so you quickly make a decision. 

And you reach for…

ADA?

or

LEON?

[libraincarnate]

astrology notes: 8 🧸🍬

quick note: i'm absolutely not an astrologer. these are just a collection of some observations, thoughts, theories, and personal experiences. with that being said, i'm still learning along the way & i may come back to edit this post to make corrections. above all this is just for fun. lastly, keep in mind that i’m not reading your birth chart and i know nothing about you. these are just some possibilities that may or may not apply to you. enjoy!

🧁 scorpio 2nd house/mercury: okay if you didn’t know i have a thing for eyes, but i also have a thing for voices and i have placements that indicate that too. anyways, people with scorpio mercury? wow just wow. probably one of my favorite placements and one of the most captivating ones in my opinion. i recently heard someone’s voice and i guessed they had a scorpio mercury and i was right. girls with this placements may have a deeper voice but regardless it’s so damn sexy and sultry. their intelligence and broad vocabulary and various expressions leave their lips with ease. they ooze seduction unintentionally. this is THE bedroom voice. such power behind their words, the power to both uplift and destroy. it demands attention. speaking like they know more than they let on, discerning what you know and don’t know so that they can decide what and how much to reveal. hard to lie to these individuals. they’re quick to detect deception. they use their words decisively & directly.

🧁 favorable 11th house placements: community & togetherness is a wonderful thing to these folks. they find it beautiful to see people working together to accomplish a common goal or simply sticking together, loving & supporting one another. unfortunately society isn’t always like that but when they do witness something like that it makes them happy. they think, “see? that’s how it should be.” it’s a wish they have for the world, more unity.

🧁 neptune-pluto aspects: rock star alice cooper has neptune sextile pluto in his birth chart. he suffered from alcohol & drug addiction. some of his songs have meanings that have a double entendre. for example, when listening to his song called poison for the first time, it sounds like a love song about how badly he wants this person even though they may not be good for him, they bring him both pleasure and pain. but really that song is about his toxic relationship with drugs and alcohol.

he’s a libra rising & his chart ruler is venus in pisces which is in the 6th house of health, routine, and habits.

his neptune is a prominent placement for him being in his 1st house & conjunct his ascendant.

his neptune is at 12° (pisces degree) which is also associated with drugs/alcohol, addiction, a lack of boundaries, but also spirituality, musical talent, healing, the emotions, and creativity. and his pluto which brings transformation is at 13° (aries degree) which can indicate some form of struggle or abuse but there’s also courage, determination, and perseverance.

alice cooper has overcome his drug and alcohol addiction, has helped others including other rock n’ roll artists to do the same, and he became a christian and gave a lot of credit to Jesus Christ as the reason why he was able to beat these addictions.

i’m not saying everyone with this aspect will have a similar story, it’s just one way i’ve seen this aspect play out.

🧁 venus in the 5th house: you might be attracted to people who are talented. somone who plays an instrument really well. maybe you find it attractive watching someone play the guitar and rocking out, headbanging and stuff lol

someone who is really good at sports, seeing their athleticism, their skill, their dedication to the sport they play. touch down celebrations might be something you like to see if football is your thing. perhaps play fighting with your love.

someone who is a talented artist, seeing them use their creativity and skills to create something out of nothing. seeing their passion come to life in their art, how it tells a story. how they assign their own meanings to the colors, shapes, and materials they use.

🧁 harsh mars-uranus aspects: might be more willing to do something bad if they feel like they’re doing it for a good reason. reminds me of thomas shelby from peaky blinders. he does a lot of bad things for the sake of his family/loved ones, to better their lives. he shows his loyalty in extreme & intense ways. he also performs some philanthropic deeds. he’s smart, ingenious, unpredictable, has been to war and applies a war-like strategy or mindset in his approach to achieving his goals. he does what he wants when he wants and rarely takes the advice of others.

🧁 jupiter in the 4th house: motherhood may be a blessing for you. your child or children might feel like you’re the best mom ever and you might feel like that too lol your child may make your life better, more meaningful and fulfilling. you pass on the wisdom you’ve gained to them. encouraging education and spirituality in their upbringing. motherhood definitely alters your perspective on life. you learn so much from being a mom and part of that is because your child teaches you so much including by just watching them grow.

🧁 one thing i feel like is underrated about virgos is their sense of style. they can dress & it’s authentic. they stand out among the sea of fad loving doppelgangers because of their originality. and while they may not vocalize their judgements, i promise you they are analyzing every detail of your outfit, hairstyle, choice of accessories, etc. all in silence. they notice the smallest details which is part of the reason why they look so pristine & put together. they simply have good taste. potential as a stylist & designer.

🧁 4th house ruler in 11th house: this native may have, want, or prefer a chosen family rather than the family they were born with. their friends may feel more like a family to them and they may spend more time with them. may be an adopted child or feel like one, and you may want to adopt if you decide to start your own family. the people you look to as your mother or father figure may not be your biological parents. a community or sense of family with the ones you are closest to but not necessarily the ones you are related to.

🧁 the sign in your 2nd house may show you how you feel about sharing the things that belong to you (food, money, clothes, car, info on where you got something, and so on):

capricorn would probably only share with you if they actually like you or respect you.

virgo might be picky about who they share with or who gets to touch what.

libra i think would be both of the above but may feel bad when they want say no so they might just say whatever and give in for that reason.

sag is ruled by jupiter which is associated with generosity so i think they’d be more willing to give things away or tell you where they got their stuff from like a nice shirt that they have.

aquarius is another sign i feel like would be willing to share, since they’re associated with community & philanthropy but regardless of how social aquarius may be i think they’re a bit detached from people & they like their originality so they may not want everyone looking like them or having what they have so they may say no to most but yes to those closest to them.

scorpio may be a bit more possessive and private about what’s theirs so they may only share with those they trust.

gemini likes to talk and exchange information, they’re lighthearted individuals who may have no problem sharing or telling you where they got something.

to me taurus is 50/50. they’re known to be savers and spenders. they know how to gather and save their resources, can be hoarders and a bit selfish but they also like pleasing themselves, indulging in the things they like. they know how to spoil others as well so they’d probably just buy it for you instead of giving you what’s theirs.

🧁 lilith in the 11th house: might be a misanthrope, someone who dislikes humanity or society as a whole. however you may like people as individuals. i see this being a lone wolf/outcast placement.

🧁 your jupiter in their 1st house (synastry): you are a blessing to this person’s life. you definitely make their life better and an impactful difference would be felt with out you in their life. you make them feel good about themselves, make them feel confident, you support them. you broaden their outlook on life, providing fresh perspectives. you share the knowledge you have with them, make them wiser. the 1st house intrigues jupiter and wants to understand the 1st house person better. jupiter person could be one of if not the 1st house person’s favorite person.

you lift them up, bring optimism and encouragement. you guys feel good around each other, have a lot of fun together, make each other happier. you help them in their journey of self improvement whether you know it or not. the jupiter person sees the potential in the 1st house person during the times they don’t see it themselves. they encourage you to be your best authentic self. jupiter person may also discover things about themselves through their relationship with the 1st house person. jupiters perspective and understanding is broadened as well. also, jupiter probably spoils the 1st house person & 1st house person appreciates them so much and just knows how much they mean to them.

🧁 omg how many people with prominent 7th house placements have walked in multiple weddings? like you could’ve been a flower girl, ring boy, a bridesmaid or groomsman etc. especially with venus, jupiter, asteroid juno (3) here, or a 7th house stellium.

🧁 placidus vs whole sign house system: i mostly use the whole sign house system but i encourage you not to ignore the placements in your chart using the placidus system. you won’t relate to or notice the impact of all of your placements at once. you grow and develop as a person and this takes time, so it may take time to see the influence of certain placements and aspects in your chart regardless of which house system you use. people experience different areas of life at different times. i may experience the 6th house and 7th house related themes earlier in my life but you may experience much them later in your life.

remember each house has themes and different areas of focus. take the 8th house for example: you may not relate to the theme of death in this house (either literally or figuratively in the form of rebirth/transformation) and so you may not relate to the inheritance aspect either (or not yet) but you may relate to the themes of the occult along with sex & intimacy in this house. it’s normal to not relate to everything related to that house, and it’s normal not to relate to everything all at once.

after speaking to someone close to me, she relates to the placement of their sun using the whole sign system more than the placement of their sun using placidus. when using placidus, her sun is in the 4th house. initially she didn’t relate to this placement what so ever. but then she noticed something, she literally is the kim k of her family. if she dies the light goes out in her family. her relatives love her and are always asking for her. they adore her, think she's funny and they just like hearing from her. they talk to her the most. most of her parent’s friends mainly ask about her and want to talk to her on the phone and she's not the only child. she literally asks her parents if their friends forget that they have more than one child. their friends are always giving her money and gifts and food. she plays an important role in this family, she's basically a leader & she manages a lot of things in her house/family. her parents tend to brag about her to others as well.

however there are other themes in the 4th house which she does not relate to and there are other placements in her birth chart using the placidus system which she doesn’t relate to at all, or perhaps not yet.

apart from that, there’s something called intercepted signs, houses, and planets & duplicated signs and houses. they apply to house systems like placidus but not to those like whole sign. you may have these in your placidus chart. it might be something you relate to and you may learn something about yourself as well.

i cannot and will not attempt to explain them, but if you’re interested here are some posts that do explain them:

https://www.tumblr.com/boyzgotojupiter/706271020564234240

https://bobmarksastrologer.com/intercepted-signs/

https://bobmarksastrologer.com/duplicated-signs/

https://www.tumblr.com/boyzgotojupiter/706271008694353920/duplicated-intercepted-houses

if you read this until the end i hope you enjoyed it & thank you so much for reading. ♥︎♥︎♥︎, those hearts are for you.

[mythalism]

i agree completely with the bootlicking and also the “um just let people enjoy things” mentality. it’s not great art and that’s okay! it’s pretty aggregeous in some areas and i wish people would just own that instead of throwing themselves at the feet of bioware. bioware as a company doesn’t care about paying its staff or honoring the writers of the past games. they literally fired almost all of them. they care about money! they view the fanservice and “deep lore” cameos as a way to earn more money! any credit for artistic value should be given to the current writers’ attempts and NOT to the company or game as a product itself! everyone needs stop being insecure about the fact that it’s kind of garbage and call this shit out because that’s why we keep getting games with shitty writing quality. because the community lets it slide! stop letting it slide! demand and expect high-quality writing the same way we demand and expect high-quality graphics.

i completely agree and i love that you brought up how these business practices harm the actual people who work at bioware and the developers themselves and how a refusal to express our criticism and anger with a product that not only is disappointing but was also advertised deceptively (again, thats EA marketing, not bioware) just further enables business practices like the massive layoffs that lost us writers that were foundational to dragon age like mary kirby. if you love dragon age and you want games with depth and complexity and that carry over your past decisions and that prioritize narrative over combat and flashiness and are made for adults and not teenagers etc. etc. etc. you have no choice but to speak up and be critical! or else EA is just going have some out-of-touch marketing consultant decide that making dragon age 5 rated T for teens is the future of the franchise because gaming's largest demographic is 12-18 year old boys and they really need to "expand to new markets" or whatever other bullshit (no i dont think this will actually happen its hyperbolic). we KNOW how beholden EA is to their own market trends because of the fact that veilguard is single-player at all thanks to fallen order!!!!! we can send a similar message again!!!!!!! there is a reason baldurs gate 3 is so good and was such a breath of fresh air. its not because those devs have some magical talent that bioware devs dont have. its because larian isn't owned by a mega media conglomerate that will happily crush any remaining shred of human creativity under their boot to make an extra dollar. and so they could make a game like bg3 that looked at every single larger, more lucrative gaming trend in the face, shrugged, and did what they actually wanted to do. the only way we will ever get a game like that from bioware will be if you STAND UP!!!!!!!!!

[artfightdramaconfessions]

https://www.tumblr.com/artfightdramaconfessions/753927300883578880/no-confession-just-a-question-is-it-that-big-a?source=share

Anon I have no idea why everyone is telling you this is wrong because every fucking professional artist I follow posts their work with simple captions like “comms” or “requests” and nothing else. If somebody is truly interested in who owns a character you drew they can find your AF link and check your attacks. Where I come from it’s assumed that an artist can use their own fucking drawings for anything with no stipulations besides not explicitly saying you own the ocs.

To all you whiners in the comments please never commission anybody unless you wanna fill out a legal document/agreement with the artist fully explaining your unconventional demands. You don’t own that art unless you get a commercial license for it which does NOT come with a fucking AF attack especially. Specifically you fucking novelists: you need a commercial license to promote your work using that of another, especially if it’s for something you sell… like a book or comic. Regardless, if I see a cool OC I care enough to find the owner of and am met with whole ass books when I go looking for more info then you’re not gaining any new supporters. Post the art with a caption of “Artfight attacks!” And don’t tag anybody unless you want to. It’s not necessary. If some idiot assumes they’re your characters with a caption like that then they obviously aren’t deep enough into the art community to be worth catering to.

god I forget how fucking entitled people are when it comes to artists. I hate the modern world of credit madness. I will NOT be crediting OC owners anywhere off Artfight if I post the art and do NOT want people to credit me as the OC owner if posting their attacks. If you can’t handle that then I probably wasn’t planning on attacking you anyways!

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[ozzgin]

hope this doesn't come off as rude, but do you condone the usage of ai art? because I noticed you use ai art for quite a few of your post headers ^^;

No worries, it's a reasonable question, although a rather complex one! There are multiple layers that I would like to go through when answering you.

Do I condone the use of AI as a replacement for actual art? Obviously not. I enjoy drawing, and I enjoy collecting art. This won't change regardless of technology. The reality, however, is that generative AI will continue to develop, whether we like it or not. So, you know, instead of denying its existence, I would prefer to openly discuss it and have it regulated by laws and ethical conducts. For example, laws that would protect artists from being laid off in favor of one single AI engineer. Or laws that would limit the profit companies can make using undisclosed AI. Basically, making sure that this new technology serves the people instead or rendering them useless.

Do I condone the use of AI for individual use? Depends. My opinion is that non-profit, entertainment purposes are not the root of the problem. Someone generating a funny image of a cat is not the equivalent of someone generating hundreds of images a day. Those terrible environmental statistics you see online are mostly targeted at this kind of business usage. If you were to go on Instagram, for example, you would find a lot of accounts who publish vast amounts of AI works, often omitting this fact. Some sell merch, advice, or - if they are honest about their methods - courses and books on prompts and AI imagery. It's an actual thing. Does it take visibility away from actual artists? Absolutely. Even worse, it leads to a lot of doubt, where artists must prove themselves against accusatory claims. Again, I believe the solution is not to ignore progress or demand it stops, but to find concrete measures and implement them.

I use AI images for story headers, strictly for decorative purposes. If I want to express something visually, I will draw it myself. I do not have the time nor resources to draw every single picture I want to use on my hobby blog. Whoever disagrees with it is free to pay me a full employee salary. Mind you, on that note, I've seen a lot of people mentioning Pinterest and similar as open sources for pictures. They are not free repositories to just grab whatever you want. That photograph of a foggy forest was taken by someone and requires crediting. That unspecified manga panel was drawn by someone and requires crediting. 90% of the images I see here have no source or credit. I find it terribly hypocritical to parade as a supporter of human arts while conveniently ignoring every case where said human art is stolen, modified or uncredited.

Lastly, do I condone the use of AI by artists? This is an interesting topic, and a recent case immediately comes to mind: a well-established artist I've been following for over a decade has alluded to potentially training AI to replicate their art in the future. It's their way of easing their workload. Is it any different from comic artists using filtered photos to skip drawing backgrounds, for example? Is it any different from commission artists pre-drawing body parts and objects as brushes and stamps, so they can skip a lot of the drawing process? I am not a professional artist, nor do I require the use of this sort of assistance, but I cannot help but wonder: how many of the individuals who had a meltdown over this suggestion have actually paid or tipped an artist in their life? How many of them regularly call out stolen content? How many are mindful about the content they share/distribute/save, making sure it involves given permissions and fulfills ethical standards? I'm not necessarily calling people out; rather, I'm saying that the outrage is misdirected and untargeted.

I don't have a concrete conclusion to the last paragraph. It's a novel dilemma, a gray area with a lot of factors involved. At least to me. I wanted to include it in the conversation to show that generative AI and its implications are rapidly changing and expanding, so it's difficult to encapsulate it all in one definite opinion. All I can tell you is that my appreciation for human art has not changed, and I will continue to support it. :)

[meruz]

📌

hi tumblr my name is meruz im a bg artist who works in animation. i do comic projects and fanart in my free time. my art tag is #meruzart

portfolio / digital store / print store / misc. links (linktr.ee)

📝 FAQ below!

Can I use your art as ______?

8Tracks and Spotify Playlists: Go ahead! please credit me either meruz.tumblr.com twitter@automeruz or ig@automeruz -  AND SEND ME THE PLAYLIST this is not a requirement really but I would love to listen to it.

Social Media Layouts/Icons/Headers: Good by me! but again PLEASE credit me somewhere VISIBLE on the layout. If it’s a twitter or insta header/icon credit my twitter/insta @automeruz and if its tumblr credit my tumblr @meruz​

Phone BGs, Desktop Wallpapers: definitely ok!! Any personal and non-commercial use of this nature, I’m cool with. If you ask me, I may even send you a hi-res version of the file but you have to promise to not scam me and sell it lol…

Instagram Reposts: A lot of artists would say no but I’m gonna say go ahead as long as you credit and tag me in the post, again my ig is @automeruz - if you don’t, and I find it, I will bug you about it in the comments and possibly even report you. Nothing personal, its just standard procedure.

Twitter/Tumblr Re-posts: Don’t?? Just RT or RB it from me?? whats wrong with you? I will report this.

Other site re-posts: I’ll probably say yes but again please credit and for this one PLEASE ask me first. It’s nothing personal really, I just want to know where my work shows up.

Video edits/fancams/comic dubs: Yes! Absolutely go ahead! Credit would be much appreciated but moreover please send me a link I especially love to see this stuff!!

I also reserve all rights to have you take it down if I do not agree with the usage or context, especially association with politics on the webpage/app/etc. 

What do you use to draw?

I have a surface pro 8 at home and I use a 22in cintiq at work. Occasionally… I do personal art at work LOL. I use Photoshop CC almost exclusively except the occasional phone drawing which I’ll do on HeavyPaint or Autodesk Sketchbook (but mostly Heavypaint). What brushes do you use? For painting I use the same horrible brushes I downloaded from deviantart like 14 years ago and I cobbled them together for download here. And for lines ive been using shiyoon kim’s brushes which you can grab here. 

What do you use for plein air paintings? If it’s digital, almost exclusively Heavypaint. Traditional, I use gouache. A mix of Holbein acryla and normal gouache either windsor newton or m. graham.

What kind of sketchbook do you use? I use moleskine cahier XXL sketchbooks! I’ve been using moleskine cahiers for probably over 10 yrs now? they come in packs of 3 for like 30USD (the price went up recently booo but $10 per book is still not bad) for the largest size. I think a lot of people associate moleskine with intimidatingly fancy covers & paper but the cahiers are rly lightweight and flexible. you can bend the xxl into a roll like a newspaper and the covers are a light cardboard so you can draw all over them. I always have trouble with spiral sketchbooks getting fucked up in my backpack because I really throw my stuff around a lot but the binding on the cahiers can take a beating and have never fallen apart on me.

Do you take commissions?

Yes, occasionally. But it changes depending on my workload - please e-mail me at isellhotdogs@gmail.com for any inquiries!

Do you have a store?

I have a itch.io here for mostly digital goods.

and I have an INPRNT store here which is print on demand so if there’s anything you’d like to see on there that isn’t just ask and I can generally put it up!

[flightyalrighty]

Im not sure plus I'm not allowed to have a credit card ever :(

Which makes it worse :(

I really like your art and its unfair for someone with no money to pay someone to something

Ah, you know what's actually unfair? I can tell you!

I'm a very busy person! I have very few hours in my day to relax (my fault, went down the career path that Does That). I've chosen to, once properly set up, use up some of my few spare hours to offer folks my art as a buyable service.

Why don't I do this for free?

Well, because of a few reasons!

In order to get to where I am, I've spent my entire life, all 29 years, learning and practicing and learning and practicing some more. I've gone to art school to learn how to do what I do, graduated with a BFA in Cartooning and got saddled with a criminal amount of debt for it, learning some more through various jobs, whether it be as a little art assistant for Gene Luen Yang or as a contract storyboard artist for Red Bull. This isn't a hobby for me. This is my full-time job. My experience is worth something.

ANY piece that I work on is going to take time. Time that I have so very little of. I've got an ashcan in the works, Infested, the Eggman comic, the monthly request streams -- And, of course, I'll be using my weekends to work on commissions once that's set up. I don't even really play video games anymore. I spend like an hour in the early morning to play Toontown. I am otherwise working my 12 hour job. My time is worth something.

Artists are so often devalued and disrespected. Our work, much of the time, is not seen as a service or a good, but as a right that anyone can demand to have for free. Why should I not be paid for the sweat I pour over a piece when I know an electrician or programmer or lawyer most certainly will be paid for the work they do? Why does fair pay stop mattering when it's an artist asking for it? My effort is worth something.

And finally, to put it bluntly, I've been in an awful financial position ever since my Cintiq broke down months back, followed by my laptop and then my phone. All within months of each other. My contract work is over and my ashcan isn't guaranteed to make me money.

I already make art for people to enjoy for free, and, though you say you "really like" what I do, you come to my inbox and tell me that you want me to specifically cater to you, and that it's "unfair" that I ask for financial compensation for my time.

Perhaps it's time for some self-reflection.

[pumpumdemsugah]

I like the new lil nas x song and video and i hear some stuff about "he stole from an artist" so i looked into it. . Music artists will do this all the time with promo material, so I don't get the controversy, especially given he just started releasing the video and photos

Creative genres aren't interchangeable with what is and isn't appropriate. A singer covering another singer song is fine but this isn't something you do with rap because different rules apply. Girl with a Bamboo Earring, by Awol Erizku is an obvious nod as girl with the pearl earring and the big difference is medium and the model.

In the past, after a music artist would release a music video, promo material etc for upcoming single or album, people would at least wait until they had their first interview for an artist to talk about inspiration, references etc but now are you expected to do this immediately on your social media because social media exists? I don't look at the social media of any music artist, so idk if this is the new way they handle pointing to what inspired something

Maybe it's because i've not been involved in the art world for a long time and don't use other social media so i'm just not getting this. Does a 48-hour countdown start, and if you're a music artist and haven't released a visual doc with every art and creative inspo or reference, you're stealing? What's the protocol ? Some people are being mental saying "he should be grateful" with regard to the smaller artist that inspired the photo but sometimes i see something happening online, and i feel like I missed something. So he shouldn't have put it on his insta stories because that's not permanent?

At what point are people being ridiculous ?Because even with the he ( lil nas x ) copied fka twigs long pole thing, people accused fka twigs of stealing that same pole scene ( + other stuff but it turned out she shared a creative director that worked with that person as well ) and some even demanded she credit ever single pole move to the person that created it. Music artists tend to heavily reference more than others, so I wouldn't expect an immediate reaction

At what point are people just being really fucking ridiculous or slightly silly? Especially when you're working with an entire team of people to put together photos and music videos, this may not be him referencing this smaller artists' work. Again, what is the time frame and procedure for this, in a genre where people do this all the time ? What's the etiquette? When did this become expected ?especially in the way some seem to think is appropriate?

If i ever make art again, im not putting any of my references in a visual format because i literally never do because it feels insane to do, and i always explain my thoughts and inspiration in an 2000 word essay that i see as an extention of the visual piece but again, different medium different rules than promo material for music video and new album