#paul baumgarten

[germanpostwarmodern]

Haus Klasrepohl (1932) in Berlin, Germany, by Paul Baumgarten

[moonwoodhollow]

Eternithaus - a cc-free lot for Oasis Springs

When I was working on Baumgarten Estates I looked into other buildings the architect Paul Baumgarten did and found this gem (2), which I accidentally stumbled across during my visit to Berlin last October. Of course, I had to recreate it in the Sims and I am so happy with the result. It certainly looks different from the original, but it's a gorgeous mid-century house that fits quite perfectly into Oasis Springs.

More info + download link under the cut!

Eternithaus is a 30x20 unfurnished lot placed in the Mirage Canyon neighbourhood of Oasis Springs, specifically on the Futures Past museum lot. It is designed as a residential rental lot, but I've uploaded it as a normal residential building to the gallery, in case you're not actively playing with the For Rent pack/gameplay yet.

It has a total of 4 rental units, which are all on the smaller side, perfect for a couple without children or a single sim.

Uses items from the following packs: For Rent, High School Years, Snowy Escape, Eco Lifestyle, Discover University, Island Living, Get Famous, Cats and Dogs, City Living, Get To Work, Werewolves, Strangerville, Jungle Adventure, Dine Out, Spa Day, Tiny Living & Desert Luxe.

Download: simfileshare | or up on the gallery: aeromantica

TOU: please don’t claim as your own or put behind paywalls etc. If you find any issues (wrong files, etc.) please let me know + tag me if you’ll use the house, I’d love to see it in your games.

[brookstonalmanac]

Birthdays 7.17

Beer Birthdays

James Pawley Dawes (1843)

Anthony Straub (1882)

Joshua Bernstein (1978)

Five Favorite Birthdays

James Cagney; actor (1899)

Erle Stanley Gardner; writer (1889)

Vince Guaraldi; jazz pianist (1928)

Peter Schickele; music comedian, composer (1935)

Donald Sutherland; actor (1934)

Famous Birthdays

Berenice Abbott; photographer (1898)

Shmuel Yosef Agnon; Ukrainian-Israeli writer (1888)

Ron Asheton; guitarist and songwriter (1948)

John Jacob Astor; zillionaire (1763)

Lou Barlow; guitarist and songwriter (1966)

George Barnes; guitarist and songwriter (1921)

Alexander Gottlieb Baumgarten; German philosopher (1714)

Luc Bondy; Swiss film director (1948)

Tim Brooke-Taylor; English comedian (1940)

Mark Burnett; television producer (1960)

Geezer Butler; English bass player (1949)

Diahann Carroll; actor (1935)

Niccolò Castiglioni; Italian composer (1932)

Elizabeth Cook; singer and guitarist (1972)

John Cooper; English car designer (1923)

Chris Crutcher; writer (1946)

Spencer Davis; rock musician (1942)

Paul Delaroche; French painter (1797)

Phyllis Diller; comedian (1917)

Cory Doctorow, Canadian author (1971)

Lyonel Feininger;, German-American painter (1871)

Lionel Ferbos; trumpeter (1911)

Wolfgang Flür; German musician (1947)

Wendy Freedman; Canadian-American cosmologist and astronomer (1957)

Elbridge Gerry; politician (1744)

Sergei K. Godunov; Russian mathematician (1929)

Gordon Gould; laser inventor (1920)

David Hasselhoff; actor (1952)

Hermann Huppen; Belgian author and illustrator (1938)

Bruno Jasieński; Polish poet and author (1901)

Scott Johnson; cartoonist (1969)

Darryl Lamonica; Oakland Raiders QB (1941)

Nicolette Larson; singer-songwriter (1952)

Thé Lau; Dutch singer-songwriter and guitarist (1952)

Georges Lemaître; Belgian priest, astronomer, and cosmologist (1894)

Art Linkletter; humorist (1912)

Pierre Louis Maupertuis; French mathematician and philosopher (1698)

Robert R. McCammon; author (1952)

Angela Merkel; German chemist and politician (1954)

Craig Morgan; singer-songwriter and guitarist (1965)

Luis Munoz-Rivera; Puerto Rican patriot, poet (1859)

Frank Olson; chemist and microbiologist (1910)

Barbara O'Neil; actor (1910)

Mary Osborne; guitarist (1921)

Quino Spanish-Argentinian cartoonist (1932)

Christiane Rochefort; French author (1917)

Jason Rullo; rock drummer (1972)

Jimmy Scott; jazz singer (1925)

Ephraim Shay, American engineer (1839)

Phoebe Snow; singer (1952)

P.J. Soles; actor (1950)

Red Sovine; country singer (1917)

Christina Stead; Australian author (1902)

J. Michael Straczynski; writer (1954)

Mick Tucker; English rock drummer (1947)

Isaac Watts; English hymnwriter (1674)

Alex Winter; actor (1965)

[ulkaralakbarova]

When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak. Credits: TheMovieDb. Film Cast: Alice: Milla Jovovich Rain Ocampo: Michelle Rodriguez Matt Addison: Eric Mabius Spence Parks: James Purefoy Chad Kaplan: Martin Crewes James “One” Shade: Colin Salmon J.D. Salinas: Pasquale Aleardi Dr. Lisa Addison: Heike Makatsch Mr. Grey: Ryan McCluskey Ms. Black: Indra Ové Mr. Red: Oscar Pearce Dr. Green: Anna Bolt Dr. Blue: Joseph May Dr. Brown: Robert Tannion Clarence: Jaymes Butler Mr. White: Stephen Billington Ms. Gold: Fiona Glascott Medic: Liz May Brice Commando 1: Torsten Jerabek Commando 2: Marc Logan-Black Red Queen: Michaela Dicker Dr. William Birkin (uncredited): Jason Isaacs Film Crew: Writer: Paul W. S. Anderson Producer: Jeremy Bolt Producer: Bernd Eichinger Producer: Samuel Hadida Camera Operator: David Johnson ADR Editor: Matt Grimes Casting: Robyn Ray Production Design: Richard Bridgland Casting: Suzanne Smith Editor: Alexander Berner Line Producer: Albert Botha Associate Producer: Mike Gabrawy Executive Producer: Victor Hadida Executive Producer: Daniel S. Kletzky Executive Producer: Robert Kulzer Executive Producer: Yoshiki Okamoto Co-Producer: Chris Symes Original Music Composer: Marco Beltrami Original Music Composer: Marilyn Manson Art Direction: Jörg Baumgarten Set Decoration: Penny Crawford Hairstylist: Björn Rehbein Hairstylist: Friderike Roessler Hairstylist: Valeska Schitthelm Makeup Artist: Christina Smith Art Department Coordinator: Ingeborg Heinemann Assistant Art Director: Anete Conrad Animatronic and Prosthetic Effects: Pauline Fowler Animatronic and Prosthetic Effects: Martin Gaskell Supervising Art Director: Tony Reading Construction Coordinator: Ulf Sturhann Carpenter: Philipp Hübner Location Scout: Marion Gerhardt Production Illustrator: Ravi Bansal Sculptor: Colin Jackman First Assistant Camera: Adam Quinn Steadicam Operator: Jörg Widmer Still Photographer: Rolf Konow Prosthetic Supervisor: Barrie Gower Additional Music: Tom Holkenborg Choreographer: Warnar Van Eeden Driver: Susen Jarmuske Makeup Effects: Andy Garner Post Production Supervisor: Christine Jahn Production Office Assistant: Mirjam Weber Property Master: Danny Hunter Set Medic: Frank Guhn Special Effects Supervisor: Gerd Nefzer Stunt Coordinator: Volkhart Buff Stunts: René Bellmann Technical Supervisor: John Kurlander Unit Production Manager: Silvia Tollmann Unit Publicist: Francois Frey Visual Effects Editor: Paul Elman Script Supervisor: Caroline Sax Color Timer: Andreas Lautil First Assistant Editor: Franziska Schmidt-Kärner Best Boy Electric: Udo Kowalczyk Electrician: David Reppen Gaffer: Edgar Auell Production Accountant: Helga Ploiner Production Coordinator: Sammi Davis Visual Effects Coordinator: Muriel Gérard Researcher: Ian Frost Boom Operator: Alois Unger Music Supervisor: Liz Gallacher Sound Designer: Marco Raab Sound Editor: Frank Casaretto Sound Mixer: Roland Winke Sound Re-Recording Mixer: Michael Kranz Supervising Sound Editor: Stefan Busch 3D Supervisor: Phil Bignell Visual Effects Producer: Richard Yuricich Art Department Manager: Astrid Kühberger Software Engineer: John Charles Dolby Consultant: Norbert Zich Unit Manager: Esther Fischer Key Grip: Dieter Bähr Key Makeup Artist: Hasso von Hugo First Assistant Director: Jan Sebastian Ballhaus ADR Supervisor: Bjørn Ole Schroeder Draughtsman: Philip Elton Grip: Glenn König Animatronics Designer: Chris Coxon Second Assistant Director: Simon Emanuel Negative Cutter: Patricia Ferbeck ADR Voice Casting: Louis Elman Assistant Production Coordinator: Kerstin Biermann Casting Assistant: Natasha Ockrent Foley Editor: Noemi Hampel Costume Assistant: Claudia Maria Braun Costume Assistant: Elke Freitag Costume Assistant: Sparka Lee Hall Costume Assistant: Astrid Lafos Costume Assistant: Anette Tirler Negative Cutter: Renate Siegl Negative Cutter: Sandra Stier Animation: James Furlon...

[einfachekunstdp]

Kirche am Lietzensee [Berlin, Germany] (1967 by Paul Baumgarten) [Taken by Me] 10/2022

[mostly-history]

The Reichstag after being seized by the Red Army (1945).

The Soviets took the Reichstag in May 1945 and raised their flag over the roof in the famous photo.  Soldiers covered parts of the building in graffiti, including slogans such as “Hitler kaputt”, and the names of individual soldiers.  One piece of graffiti says “From Moscow to Berlin, Major Yakovlev”; another says “From Leningrad to Berlin”, followed by a name.

After the war, the Reichstag remained empty.  The parliament of West Germany set itself up in Bonn, and the parliament of East Germany in East Berlin.  The Reichstag was renovated in 1960, and much of the original architecture was destroyed.

In 1990, the German parliament voted to move from Bonn back to Berlin. During the reconstruction, the Reichstag was first almost completely gutted – everything except the outer walls was removed, including all the changes made by Paul Baumgarten in the 1960s.  However, the architects were required to respect the historic aspects of the building, so some of the Soviet graffiti was retained.  Today, the Soviet graffiti can still be seen inside on smoky walls and on part of the roof, which was preserved after reunification.

[jonasgrossmann]

interbau 57... paul baumgarten, eternit haus, hansaviertel, berlin, foto willy pragher, 1960 @ deutsche-digitale-bibliothek

[floridageekscene]

MarkWHO42's Universe - Episode 336 - To Boldly Go Again!

MarkWHO42’s Universe – Episode 336 – To Boldly Go Again!

The first season of Star Trek: Strange New Worlds is streaming on Paramount+ and we finally see what life might have been on the Enterprise under Captain Pike. (more…)

[joebatters1926]

WGN studios

2501 W Bradley Place

[cinemalerta]

93rd Academy Awards Nominees

BEST PICTURE

The Father – David Parfitt, Jean-Louis Livi, and Philippe Carcassonne

Judas and the Black Messiah – Shaka King, Charles D. King, and Ryan Coogler

Mank – Ceán Chaffin, Eric Roth, and Douglas Urbanski

Minari – Christina Oh

Nomadland – Frances McDormand, Peter Spears, Mollye Asher, Dan Javey, and Chloé Zhao

Promising Young Woman – Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara

Sound of Metal – Bert Hamelinick and Sacha Ben Harroche

The Trial of the Chicago 7 – Marc Platt and Stuart Besser

BEST DIRECTOR

Lee Isaac Chung – Minari

Emerald Fennell – Promising Young Woman

David Fincher – Mank

Thomas Vinterberg – Another Round

Chloé Zhao – Nomadland

BEST ACTOR

Riz Ahmed – Sound of Metal as Ruben Stone

Chadwick Boseman (posthumous nominee) – Ma Rainey's Black Bottom as Levee Green

Anthony Hopkins – The Father as Anthony

Gary Oldman – Mank as Herman J. Mankiewicz

Steven Yeun – Minari as Jacob Yi

BEST ACTRESS

Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

Andra Day – The United States vs. Billie Holiday as Billie Holiday

Vanessa Kirby – Pieces of a Woman as Martha Weiss

Frances McDormand – Nomadland as Fern

Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas

BEST SUPPORTING ACTOR

Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

Leslie Odom Jr. – One Night in Miami... as Sam Cooke

Paul Raci – Sound of Metal as Joe

Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

BEST SUPPORTING ACTRESS

Maria Bakalova – Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan as Tutar Sagdiyev

Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

Olivia Colman – The Father as Anne

Amanda Seyfried – Mank as Marion Davies

Youn Yuh-jung – Minari as Soon-ja

BEST ORIGINAL SCREENPLAY

Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Will Berson, Shaka King, Keith Lucas, and Kenny Lucas

Minari – Lee Isaac Chung

Promising Young Woman – Emerald Fennell

Sound of Metal – Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder and Derek Cianfrance

The Trial of the Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY

Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan – Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, and Lee Kern; Story by Baron Cohen, Hines, Swimer, and Nina Pedrad; Based on the character Borat Sagdiyev by Baron Cohen

The Father – Christopher Hampton & Florian Zeller, based on the play by Zeller

Nomadland – Chloé Zhao, based on the book by Jessica Bruder

One Night in Miami... – Kemp Powers, based on his play

The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

BEST INTERNATIONAL FEATURE FILM

Another Round (Denmark) in Danish – directed by Thomas Vinterberg

Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

Collective (Romania) in Romanian – directed by Alexander Nanau

The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

BEST ANIMATED FEATURE FILM

Onward – Dan Scanlon and Kori Rae

Over the Moon – Glen Keane, Gennie Rin, and Peilin Chou

A Shaun the Sheep Movie: Farmageddon – Richard Phelan, Will Becher, and Paul Kewley

Soul – Pete Docter and Dana Murray

Wolfwalkers – Tomm Moore, Ross Stewart, Paul Young, and Stéphan Roelants

BEST DOCUMENTARY FEATURE

Collective – Alexander Nanau and Bianca Oana

Crip Camp – Nicole Newnham, Jim LeBrecht and Sara Bolder

The Mole Agent – Maite Alberdi and Marcela Santibáñez

My Octopus Teacher – Pippa Ehrlich, James Reed, and Craig Foster

Time – Garrett Bradley, Lauren Domino, and Kellen Quinn

BEST CINEMATOGRAPHY

Judas and the Black Messiah – Sean Bobbitt

Mank – Erik Messerschmidt

News of the World – Dariusz Wolski

Nomadland – Joshua James Richards

The Trial of the Chicago 7 – Phedon Papamichael

BEST FILM EDITING

The Father – Yorgos Lamprinos

Nomadland – Chloé Zhao

Promising Young Woman – Frédéric Thoraval

Sound of Metal – Mikkel E.G. Nielsen

The Trial of the Chicago 7 – Alan Baumgarten

BEST PRODUCTION DESIGN

The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Sroughton

Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

BEST COSTUME DESIGN

Emma – Alexandra Byrne

Ma Rainey’s Black Bottom – Ann Roth

Mank – Trish Summerville

Mulan – Bina Daigeler

Pinocchio – Massimo Cantini Parrini

BEST MAKEUP AND HAIRSTYLING

Emma – Marese Langan, Laura Allen, and Claudia Stolze

Hillbilly Elegy – Eryn Krueger Mekash, Patricia Dehaney, and Matthew Mungle

Ma Rainey's Black Bottom – Matiki Anoff, Mia Neal, and Larry M. Cherry

Mank – Kimberley Spiteri, Gigi Williams

Pinocchio – Dalia Colli, Mark Coulier, and Francesco Pegoretti

BEST VISUAL EFFECTS

Love and Monsters – Matt Sloan, Genevieve Camailleri, Matt Everitt, and Brian Cox

The Midnight Sky – Matthew Kasmir, Christopher Lawren, Max Solomon, and David Watkins

Mulan – Sean Faden, Anders Langlands, Seth Maury, and Steven Ingram

The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones, and Santiago Colomo Martinez

Tenet – Andrew Jackson, David Lee, Andrew Lockley and

BEST ORIGINAL SCORE

Da 5 Bloods – Terence Blanchard

Mank – Trent Reznor and Atticus Ross

Minari – Emile Mosseri

News of the World – James Newton Howard

Soul – Trent Reznor, Atticus Ross, and Jon Batiste

BEST ORIGINAL SONG

"Fight for You" from Judas and the Black Messiah – Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

"Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

"Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and Lyric by Savan Kotecha, Fat Max Gsus, and Rickard Göransson

"Io Sì (Seen)" from The Life Ahead – Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

"Speak Now" from One Night in Miami... – Music and Lyric by Leslie Odom Jr. and Sam Ashworth

BEST SOUND

Greyhound – Warren Shaw, Michael Minkler, Beau Borders, and David Wyman

Mank – Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, and Drew Kunin

News of the World – Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett

Soul – Ren Klyce, Coya Elliot, and David Parker

Sound of Metal – Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortes, and Philip Bladh

BEST LIVE ACTION SHORT FILM

Feeling Through – Doug Roland and Susan Ruzenski

The Letter Room – Elvira Lind and Sofia Sondervan

The Present – Farah Nabulsi

Two Distant Strangers – Travon Free and Martin Desmond Roe

White Eye – Tomer Shushan and Shira Hochman

BEST ANIMATED SHORT FILM

Burrow – Madeline Sharafian and Michael Capbarat

Genius Loci – Adrien Mérigeau and Amaury Ovise

If Anything Happens I Love You – Will McCormack and Michael Govier

Opera – Eric Oh

Yes-People – Gísli Darri Halldórsson and Arnar Gunnarsson

BEST DOCUMENTARY SHORT SUBJECT

Colette – Anthony Giacchino and Alice Doyard

A Concerto Is a Conversation – Ben Proudfoot and Kris Bowers

Do Not Split – Anders Hammer and Charlotte Cook

Hunger Ward – Skye Fitzgerald and Michael Shueuerman

A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

[byneddiedingo]

Zombieland (Ruben Fleischer, 2009)

Cast: Jesse Eisenberg, Woody Harrelson, Emma Stone, Abigail Breslin, Bill Murray, Amber Heard. Screenplay: Rhett Reese, Paul Wernick. Cinematography: Michael Bonvillain. Production design: Maher Ahmad. Film editing: Alan Baumgarten. Music: David Sardy. 

Zombieland feels so much like a parody of the series The Walking Dead that I had to check to make sure that the movie premiered before the first installment of the TV show. (It did. The series started on Halloween in 2010.) I think if the series had been as entertaining as the movie, I would have stuck with it past the three or four seasons it took for me to burn out on it. Because really there's no way to take the notion of zombie Armageddon seriously, even though the idea of a viral plague of zombieism may have gained a scintilla of credibility after the Covid pandemic hit. Ruben Fleischer does many things right in the movie, starting with the casting. Woody Harrelson is one of those actors who always improve the movie they're in, and Jesse Eisenberg, Emma Stone, and Abigail Breslin give him solid support. And Fleischer does something I appreciated: He gets most of the gross-out effects, the splattering of blood, brains, and body parts, over with in the opening credits so he and his screenwriters can just get down to concocting funny situations and lines for his characters: the nerdy Columbus, the Twinkie-jonesing Tallahassee, and the con-artist sisters Wichita and Little Rock. The idea of putting Columbus's “rules” on-screen to be splattered with blood and guts was inspired. This was Fleischer's debut as a film director, and while he hasn't quite moved beyond this first achievement, there's still time. 

[germanpostwarmodern]

Fuhrhof BEMAG (1934) in Berlin, Germany, by Paul Baumgarten

[katastrophentourismus]

Ich nominiere das Richtergebäude des Bundesverfassungsgerichts Karlsruhe. Eine Dozentin lobte letztens die vielen Glasfenster, "die ja irgendwie auch für die Transparenz der deutschen Demokratie stehen". Ein trauriges Downgrade vom Prinz-Max-Palais zum 60er Jahre Betonbau. (Und warum haben sie ausgerechnet Baumaterial gewählt, das so schimmelig aussieht?)

Ursprünglich war das Bundesverfassungsgericht in diesem Gebäude, dem Prinz-Max-Palais, eine historische Stadtvilla.

Allerdings wurde es irgendwann zu klein und da das Bundesverfassungsgericht deswegen nach München umziehen wollte, hat Karlsruhe das Gelände des ehemaligen Hoftheaters zur Verfügung gestellt, das im Krieg ausgebrannt war.

Architekt war Paul Baumgarten, der auch für den Kupferbau der Uni Tübingen verantwortlich ist. Zitat: "Die Architektur soll mit nüchternen Formen und Transparenz die demokratische Grundordnung repräsentieren."

[brookstonalmanac]

Birthdays 7.17

Beer Birthdays

James Pawley Dawes (1843)

Anthony Straub (1882)

Joshua Bernstein (1978)

Five Favorite Birthdays

James Cagney; actor (1899)

Erle Stanley Gardner; writer (1889)

Vince Guaraldi; jazz pianist (1928)

Peter Schickele; music comedian, composer (1935)

Donald Sutherland; actor (1934)

Famous Birthdays

Berenice Abbott; photographer (1898)

Shmuel Yosef Agnon; Ukrainian-Israeli writer (1888)

Ron Asheton; guitarist and songwriter (1948)

John Jacob Astor; zillionaire (1763)

Lou Barlow; guitarist and songwriter (1966)

George Barnes; guitarist and songwriter (1921)

Alexander Gottlieb Baumgarten; German philosopher (1714)

Luc Bondy; Swiss film director (1948)

Tim Brooke-Taylor; English comedian (1940)

Mark Burnett; television producer (1960)

Geezer Butler; English bass player (1949)

Diahann Carroll; actor (1935)

Niccolò Castiglioni; Italian composer (1932)

Elizabeth Cook; singer and guitarist (1972)

John Cooper; English car designer (1923)

Chris Crutcher; writer (1946)

Spencer Davis; rock musician (1942)

Paul Delaroche; French painter (1797)

Phyllis Diller; comedian (1917)

Cory Doctorow, Canadian author (1971)

Lyonel Feininger;, German-American painter (1871)

Lionel Ferbos; trumpeter (1911)

Wolfgang Flür; German musician (1947)

Wendy Freedman; Canadian-American cosmologist and astronomer (1957)

Elbridge Gerry; politician (1744)

Sergei K. Godunov; Russian mathematician (1929)

Gordon Gould; laser inventor (1920)

David Hasselhoff; actor (1952)

Hermann Huppen; Belgian author and illustrator (1938)

Bruno Jasieński; Polish poet and author (1901)

Scott Johnson; cartoonist (1969)

Darryl Lamonica; Oakland Raiders QB (1941)

Nicolette Larson; singer-songwriter (1952)

Thé Lau; Dutch singer-songwriter and guitarist (1952)

Georges Lemaître; Belgian priest, astronomer, and cosmologist (1894)

Art Linkletter; humorist (1912)

Pierre Louis Maupertuis; French mathematician and philosopher (1698)

Robert R. McCammon; author (1952)

Angela Merkel; German chemist and politician (1954)

Craig Morgan; singer-songwriter and guitarist (1965)

Luis Munoz-Rivera; Puerto Rican patriot, poet (1859)

Frank Olson; chemist and microbiologist (1910)

Barbara O'Neil; actor (1910)

Mary Osborne; guitarist (1921)

Quino Spanish-Argentinian cartoonist (1932)

Christiane Rochefort; French author (1917)

Jason Rullo; rock drummer (1972)

Jimmy Scott; jazz singer (1925)

Ephraim Shay, American engineer (1839)

Phoebe Snow; singer (1952)

P.J. Soles; actor (1950)

Red Sovine; country singer (1917)

Christina Stead; Australian author (1902)

J. Michael Straczynski; writer (1954)

Mick Tucker; English rock drummer (1947)

Isaac Watts; English hymnwriter (1674)

Alex Winter; actor (1965)

[awardseason]

2021 BAFTA Awards — Winners

BEST FILM The Father  The Mauritanian Nomadland — WINNER Promising Young Woman The Trial Of The Chicago 7

LEADING ACTRESS Bukky Bakray, Rocks Radha Blank, The Forty-Year-Old Version Vanessa Kirby, Pieces Of A Woman Frances McDormand, Nomadland — WINNER Wunmi Mosaku, His House Alfre Woodard, Clemency

LEADING ACTOR Riz Ahmed, Sound Of Metal Chadwick Boseman, Ma Rainey’s Black Bottom Adarsh Gourav, The White Tiger Anthony Hopkins, The Father — WINNER Mads Mikkelsen, Another Round Tahar Rahim, The Mauritanian

SUPPORTING ACTRESS Niamh Algar, Calm With Horses Kosar Ali, Rocks Maria Bakalova, Borat Subsequent Moviefilm Dominique Fishback, Judas And The Black Messiah Ashley Madekwe, County Lines Yuh-Jung Youn, Minari — WINNER

SUPPORTING ACTOR Daniel Kaluuya, Judas And The Black Messiah — WINNER Barry Keoghan, Calm With Horses Alan Kim, Minari Leslie Odom Jr., One Night In Miami… Clarke Peters, Da 5 Bloods Paul Raci, Sound Of Metal

DIRECTOR Another Round, Thomas Vinterberg Babyteeth, Shannon Murphy Minari, Lee Isaac Chung Nomadland, Chloé Zhao — WINNER Quo Vadis, Aida?, Jasmila Žbanić Rocks, Sarah Gavron

ORIGINAL SCREENPLAY Another Round, Tobias Lindholm, Thomas Vinterberg Mank, Jack Fincher Promising Young Woman, Emerald Fennell — WINNER Rocks, Theresa Ikoko, Claire Wilson The Trial Of The Chicago 7, Aaron Sorkin

ADAPTED SCREENPLAY The Dig, Moira Buffini The Father, Christopher Hampton, Florian Zeller — WINNER The Mauritanian, Rory Haines, Sohrab Noshirvani, M.B. Traven Nomadland, Chloé Zhao The White Tiger, Ramin Bahrani

OUTSTANDING BRITISH FILM Calm With Horses The Dig The Father His House Limbo The Mauritanian Mogul Mowgli Promising Young Woman — WINNER Rocks Saint Maud

OUTSTANDING DEBUT, BRITISH WRITER/DIRECTOR/PRODUCER His House, Remi Weekes (Writer/Director) — WINNER Limbo, Ben Sharrock (Writer/Director), Irune Gurtubai (Producer) [Also Produced By Angus Lamont] Moffie, Jack Sidey (Writer/Producer) [Also Written By Oliver Hermanus And Produced By Eric Abraham] Rocks, Theresa Ikoko, Claire Wilson (Writers) Saint Maud, Rose Glass (Writer/Director), Oliver Kassman (Producer) [Also Produced By Andrea Cornwell]

FILM NOT IN ENGLISH LANGUAGE Another Round — WINNER Dear Comrades! Les Misérables Minari Quo Vadis, Aida?

DOCUMENTARY Collective David Attenborough: A Life On Our Planet The Dissident My Octopus Teacher — WINNER The Social Dilemma

ANIMATED FILM Onward Soul — WINNER Wolfwalkers

ORIGINAL SCORE Mank, Trent Reznor, Atticus Ross Minari, Emile Mosseri News Of The World, James Newton Howard Promising Young Woman, Anthony Willis Soul, Jon Batiste, Trent Reznor, Atticus Ross — WINNER

CASTING Calm With Horses, Shaheen Baig Judas And The Black Messiah, Alexa L. Fogel Minari, Julia Kim Promising Young Woman, Lindsay Graham Ahanonu, Mary Vernieu Rocks, Lucy Pardee — WINNER

CINEMATOGRAPHY Judas And The Black Messiah, Sean Bobbitt Mank, Erik Messerschmidt The Mauritanian, Alwin H. Küchler News Of The World, Dariusz Wolski Nomadland, Joshua James Richards — WINNER

EDITING The Father, Yorgos Lamprinos Nomadland, Chloé Zhao Promising Young Woman, Frédéric Thoraval Sound Of Metal, Mikkel E.G. Nielsen — WINNER The Trial Of The Chicago 7, Alan Baumgarten

PRODUCTION DESIGN The Dig, Maria Djurkovic, Tatiana Macdonald The Father, Peter Francis, Cathy Featherstone Mank, Donald Graham Burt, Jan Pascale — WINNER News Of The World, David Crank, Elizabeth Keenan Rebecca, Sarah Greenwood, Katie Spencer

COSTUME DESIGN Ammonite, Michael O’connor The Dig, Alice Babidge Emma., Alexandra Byrne Ma Rainey’s Black Bottom, Ann Roth — WINNER Mank, Trish Summerville

MAKE-UP & HAIR The Dig, Jenny Shircore Hillbilly Elegy, Patricia Dehaney, Eryn Krueger Mekash, Matthew Mungle Ma Rainey’s Black Bottom, Matiki Anoff, Larry M. Cherry, Sergio Lopez-Rivera, Mia Neal — WINNER Mank, Kimberley Spiteri, Gigi Williams Pinocchio, Mark Coulier

SOUND Greyhound, Beau Borders, Christian P. Minkler, Michael Minkler, Warren Shaw, David Wyman News Of The World, Michael Fentum, William Miller, Mike Prestwood Smith, John Pritchett, Oliver Tarney Nomadland, Sergio Diaz, Zach Seivers, M. Wolf Snyder Soul, Coya Elliott, Ren Klyce, David Parker Sound Of Metal, Jaime Baksht, Nicolas Becker, Phillip Bladh, Carlos Cortés, Michelle Couttolenc — WINNER

SPECIAL VISUAL EFFECTS Greyhound, Pete Bebb, Nathan Mcguinness, Sebastian Von Overheidt The Midnight Sky, Matt Kasmir, Chris Lawrence, David Watkins Mulan, Sean Faden, Steve Ingram, Anders Langlands, Seth Maury The One And Only Ivan, Santiago Colomo Martinez, Nick Davis, Greg Fisher Tenet, Scott Fisher, Andrew Jackson, Andrew Lockley — WINNER

BRITISH SHORT FILM Eyelash, Jesse Lewis Reece, Ike Newman Lizard, Akinola Davies, Rachel Dargavel, Wale Davies Lucky Break, John Addis, Rami Sarras Pantoja Miss Curvy, Ghada Eldemellawy The Present, Farah Nabulsi — WINNER

BRITISH SHORT ANIMATION The Fire Next Time, Renaldho Pelle, Yanling Wang, Kerry Jade Kolbe The Owl And The Pussycat, Mole Hill, Laura Duncalf — WINNER The Song Of A Lost Boy, Daniel Quirke, Jamie Macdonald, Brid Arnstein

EE BAFTA RISING STAR Bukky Bakray — WINNER Conrad Khan Kingsley Ben-Adir Morfydd Clark Ṣọpẹ́ Dìrísù

BAFTA FELLOWSHIP AWARD Ang Lee

[perennialessays]

Literature and Philosophy

MA IN LITERARY STUDIES

 Literature and Philosophy (EN71021A): Course Outline Spring 2019

Tutor: Julia Ng

Teaching Mode: 2-hour seminar

Seminar Wednesday 9-11

St James Hatcham G02

NB: Please acquire a print copy of Walter Benjamin’s Origin of German Tragic Drama, trans. J. Osborne (Verso, 1998/2009), as we will be studying this text in its entirety. Other materials for this course will be posted to the course’s learn.gold page.

  Week 1, Wednesday 16

th

January – Introduction; “intention” in Brentano and Husserl

Introductory discussion

Franz Brentano, “The Distinction between Mental and Physical Phenomena,” in Psychology from an Empirical Standpoint [1874], trans. A. C. Rancurello, D. B. Terrell and L. L. McAlister (London: Routledge & Kegan Paul, 1995), Bk. 2, chap. 1, pp. 59-77.

Edmund Husserl, “Philosophy as a Rigorous Science," in Phenomenology and the Crisis of Philosophy, trans. Quentin Lauer (Harper & Row, 1965), section on “Naturalistic Philosophy,” pp. 79-122.

 Week 2, Wednesday 23th January – Husserl

Edmund Husserl, “Philosophy as a Rigorous Science," in Phenomenology and the Crisis of Philosophy, trans. Quentin Lauer (Harper & Row, 1965), excerpt from “Historicism and Weltanschauung Philosophy,” pp. 122-129.

Edmund Husserl, Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy, I, trans. F. Kersten (Martinus Nijhoff, 1983), §§87-90, 93-95.

 Week 3, Wednesday 30th January – Benjamin

Benjamin, OGT, “Epistemo-Critical Prologue”

 References

Plato, Symposium

Scheler, “On the Tragic”

 Wek 4, Wednesday 6th February – Benjamin

Benjamin, OGT, “Trauerspiel and Tragedy,“ I

 References

Schmitt, Political Theology

Gryphius, Leo Armenius

Calderon, Life is a Dream

 Week 5, Wednesday 13th February – Benjamin

Benjamin, OGT, “Trauerspiel and Tragedy,“ II

 References

Nietzsche, The Birth of Tragedy

Lukács, Soul and Forms

Rosenzweig, The Star of Redemption

Scheler, “On the Tragic”

Benjamin, “Fate and Character”; “Toward the Critique of Violence”

 Week 6, Wednesday 20th February

Tutorial Week – No seminar

 Week 7, Wednesday 27th February – Benjamin

Benjamin, OGT, “Trauerspiel and Tragedy,“ III; „Allegory and Trauerspiel,“ I

 References

Shakespeare, Hamlet

Panofsky and Saxl on Dürer’s Melancholia I

Giehlow on Melancholia I; The Humanist Interpretation of Hieroglyphs

Warburg

Freud, “Mourning and Melancholia”

 Week 8, Wednesday 6th March – Benjamin

Benjamin, OGT, “Allegory and Trauerspiel,“ II and III

 References

Benjamin, “On Language as Such and on the Language of Man”; “The Role of Language in Trauerspiel and Tragedy”; “Trauerspiel and Tragedy”

Gryphius, Leo Armenius

 Week 9, Wednesday 13th March – Adorno

Adorno, “The Actuality of Philosophy” (May 2, 1931), in Telos 31 (1977), 120-133.

Adorno, “The Idea of Natural History” (1932), in Telos 60 (1984), 111-124.

 Week 10, Wednesday 20th March – Adorno

Adorno, “III.2 World Spirit and Natural History,” in Negative Dialectics, trans. E.B. Ashton, Continuum, 1973, pp. 300-360.

 Week 11, Wednesday 27th March – Conclusion

General discussion

 Preparatory Reading

Gryphius, Leo Armenius

Calderon, Life Is A Dream

Shakespeare, Hamlet

Hofmannsthal, The Tower

 Further Reading

 Benjamin

On Language as Such and on the Language of Man (1916)

The Role of Language in Trauerspiel and Tragedy (1916)

Trauerspiel and Tragedy (1916)

Fate and Character (1919)

Toward the Critique of Violence (1921)

Calderon's El mayor monstrue, los celos and Hebbel's Herodus and Mariamne (1923)

 General

Adorno, Theodor. "Portrait of Walter Benjamin," in: Prisms. Trans. Samuel and Shierry Weber. MIT Press, 1981.

Adorno, Theodor. Against Epistemology: A Metacritique. Trans. Willis Domingo. Oxford: Blackwell, 1982.

Adorno, Theodor, and Walter Benjamin. The Complete Correspondence, 1928-1940. Ed. Henri Lonitz. Trans. Nicholas Walker. Cambridge, MA: Harvard UP, 1999.

Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life, Stanford UP, 1998.

Cascardi, Anthony J. "Comedia and Trauerspiel: On Benjamin and Calderón." Comparative Drama 16:1 (1982), 1-11.

Cobb-Stevens, Richard. “Husserl on Eidetic Intuition and Historical Interpretation,” American Catholic Philosophical Quarterly 66 (1992): 261–75.

Comay, Rebecca. "Mourning Work and Play," in Research in Phenomenology 23 (1993), pp. 105-130.

Drummond, John. “Husserl on the Ways to the Performance of the Reduction,” Man and World 8 (1975): 47–69.

Drummond, John. “The Structure of Intentionality,” in The New Husserl, ed. D. Welton (Bloomington: Indiana University Press, 2003), 65–92.

Derrida, Jacques. "Force of Law."

Fenves, Peter. "Marx, Mourning, Messianity," in: Hent de Vries/Samuel Weber (Hg.): Violence, Identity and Self-Determination, Stanford, 1997, 253–270.

Fenves, Peter. "Tragedy and Prophecy in Benjamin’s 'Origin of the German Mourning Play,'" in: Arresting Language. From Leibniz to Benjamin, Stanford UP, 2001, 227–248.

Foster, Roger. Adorno: The Recovery of Experience. SUNY Press, 2007.

Freud, Sigmund. "Mourning and Melancholia," The Standard Edition of the Complete Psychological Works of Sigmund Freud, XIV. The Hogarth Press, 1957, pp. 237-258.

Friedlander, Eli. "On the Musical Gathering of Echoes of the Voice: Walter Benjamin on Opera and the Trauerspiel." The Opera Quarterly, vol. 21 no. 4 (2005), pp. 631-646.

Geulen, Eva. The End of Art : Readings in a Rumor after Hegel. Stanford University Press, 2006.

Giehlow, Karl, and Robin Raybould. The Humanist Interpretation of Hieroglyphs in the Allegorical Studies of the Renaissance with a Focus on the Triumphal Arch of Maximilian I. Brill, 2015.

Hamacher, Werner. "Guilt History."  

Hanssen, Beatrice. Walter Benjamin's Other History : of Stones, Animals, Human Beings, and Angels. University of California Press, 1998.

Hanssen, Beatrice. "Philosophy at Its Origin: Walter Benjamin’s Prologue to the 'Ursprung des deutschen Trauerspiels,'" in: Modern Language Notes 110 (1995), 809–833.

Haverkampf, Hans-Erhard. Benjamin in Frankfurt : Die Zentralen Jahre 1922-1932. Societäts-Verlag, 2016.

Helmling, Steven. "Constellation and Critique: Adorno's Constellation, Benjamin's Dialectical Image." Postmodern Culture 14:1 (2003).

Johnson, Barbara, The Wake of Deconstruction, Cambridge, Mass, 1994.

Johnson, Christopher D. “Configuring the Baroque: Warburg and Benjamin.” Culture, Theory and Critique, vol. 57, no. 2, 2016, pp. 142–165.

Kantorowicz, Ernst H. The King's Two Bodies : a Study in Mediaeval Political Theology. Princeton University Press, 1997.

Klibansky, Raymond; Panofsky, Erwin; Saxl, Fritz. Saturn and Melancholy : Studies in the History of Natural Philosophy, Religion, and Art. Basic Books, 1964.

Lacan, Jacques. "Desire and the Interpretation of Desire in Hamlet," in: Shoshana Felman (ed.): Literature and Psychoanalysis. The Question of Reading: Otherwise, Baltimore, 1982, 11–52.

Lindner, Burkhardt. "Habilitationsakte Benjamin. Über ein 'akademisches Trauerspiel' und über ein Vorkapitel der "Frankfurter Schule" (Horkheimer, Adorno)/"Walter Benjamins's attempt of a Habilitation. On an 'academic Trauerspiel' and on other preliminaries of the "Frankfurter Schule" (Horkheimer, Adorno)." In: Zeitschrift für Literaturwissenschaft und Linguistik 14.53 (1984): 147-166.

Lukács, György. Soul and Form. MIT Press, 1978.

Lukács, György. Theory of the Novel.

Marin, Louis. Food for Thought. Johns Hopkins University Press, 1997.

McFarland, James. “Presentation.” Constellation: Friedrich Nietzsche and Walter Benjamin in the Now-Time of History. Fordham University Press, 2012, pp. 67-102 (Chapter 2).

McLaughlin, Kevin. "Benjamin's Barbarism." The Germanic Review: Literture, Culture, Theory, 81:1 (2006), 4-20.

Menke, Christoph, and James. Phillips. Tragic Play : Irony and Theater from Sophocles to Beckett. Columbia University Press, 2009.

Merback, Mitchell B. Perfection's Therapy : an Essay on Albrecht Dürer's Melencolia I. Zone Books, 2017.

Miller, J. Hillis. »The Two Allegories«, in: Morton Bloomfield (ed.): Allegory, Myth and Symbol, Cambridge, 1981, 355–370.

Mininger, J. D., and Jason Michael Peck. German Aesthetics : Fundamental Concepts from Baumgarten to Adorno. Bloomsbury, Bloomsbury Academic, 2016.

Nägele, Rainer. Theater, Theory, and Speculation: Walter Benjamin and the Scenes of Modernity, Baltimore, 1991.

Newman, Jane O. Benjamin's Library: modernity, nation, and the Baroque. Cornell UP, 2011.

Newman, Jane O. "Tragedy and 'Trauerspiel' for the (Post-)Westphalian Age." In: Renaissance Drama 40 (2012), pp. 197-208.

Newman, Jane. “Enchantment in Times of War: Aby Warburg, Walter Benjamin, and the Secularization Thesis.” Representations, vol. 105, no. 105, 2009, pp. 133-0_4.

Nietzsche, The Birth of Tragedy

Pensky, Max. Melancholy Dialectics: Walter Benjamin and the Play of Mourning. U Mass Press, 1993.

Plato, Symposium.

Rosenzweig, Franz, and Barbara Ellen Galli. The Star of Redemption. University of Wisconsin Press, 2005.

Scheler, Max. "On the Tragic." CrossCurrents 4.2 (1954), 178-191.

Schmitt, Carl, et al. Hamlet or Hecuba : the Intrusion of the Time into the Play. Telos Press, 2009.

Schmitt, Carl. Political Theology : Four Chapters on the Concept of Sovereignty. University of Chicago Press, 2005.

Szondi, Peter. An Essay on the Tragic. Stanford University Press, 2002.

Weber, Samuel. Benjamin's -Abilities. Harvard University Press, 2008.

Willard, Dallas. “The Paradox of Logical Psychologism: Husserl’s Way Out,” American Philosophical Quarterly 9 (1972): 94–100.

Woodfield, Richard (ed.) Art history as cultural history: Warburg's projects. G+B Arts International, 2000.

 Learning Outcomes

 -       You will have a grasp of the place of literature in the modern Continental philosophy tradition.

-       You will have a good understanding of how this tradition challenges and transforms Classical philosophical conceptions of literature.

-       You will be able to expound and analyse the textual and conceptual styles of the three key thinkers on the course.

-       You will have a sound grasp of the literature of and on both the broad relationship between literature and philosophy, and the three specific thinkers addressed on the module.

-       You will be able to use the ideas and texts explored in the module to inform your readings in literary and cultural texts.

 Assessment Criteria

 -       Students should show a clear command of traditional conceptions of the literary in the history of philosophy, and of how the modern Continental tradition challenges these.

-       Students should show a detailed critical knowledge of at least one of the module’s key thinkers’ ideas.

-       Students should show a knowledge and capacity to use a good range of secondary literature on both general issues in the field and on the specific thinkers and texts they address.

-       Students should be able to read the relevant texts from both literary critical and conceptual perspectives.

-       Students should show an awareness of the relevance of the issues and texts studied on the course to contemporary debates in literary theory.