#parallel relationships

[queen-morgana91]

"Katara was the first one to reach out to Zuko"

Nope, it was Aang

and zuko has never forgotten his words :)

[thefirstlivingart]

all this love i have refuses to die inside of me

@weatheredwritings on tumblr / vonko magno on flickr / troye sivan, one of your girls / virginia woolf, a letter to vanessa bell, august 1908 / @hannahlockillustration on tumblr / sara luisa kirk, begin here / fyodor dostoevsky, a letter to anna gregorevna dostoevsky, may 1880 / archbudzar on instagram / jeanette winterson, lighthousekeeping (transcript under the cut) / caitlyn siehl / @wormbus-art on tumblr / jonathan safran foer, extremely loud and incredibly close / lidia yuknavitch, the chronology of water: a memoir / sleepy.corvid on instagram / @froody on tumblr / @borderlinejackiee on tumblr / always together 2, frrrankkky_art on instagram / andsome4747 on tiktok / arthur miller, the crucible / cheryl strayed, tiny beautiful things: advice on love and life from dear sugar

[mentally-ill-for-bes]

So funny Viktor chooses to present himself to Jayce as a white-golden robot (considering it is shown he could possess one of his followers) despite his representative colors being purple and blue (during s2 arc 1 and arc 2 and as the Herald Machine). But for the very specific purpose of convincing Jayce to join him, he's represented in the colors associated with Mel. Literally CATWALKING into the room, which is an action associated with Mel too

[justsomestuffreally]

I think the Batkids reaction to a Bruce who isn't de-aged to 8 but rather 29 (pre-Jason death, post his adoption) would be fascinating. 

Their reaction would vary wildly:

Dick: Oh. Bruce is soft again. Bruce calls them ‘chum’ and ‘buddy’ and gives head pats for no reason. He still isn’t perfect, his communication skills are still a work in progress, but compared to his future self? Without actively dying Dick is hugged plenty. Bruce asks him to go to the zoo, unrelated to any case, just to spend time together. Dick is hit with more nostalgia and longing for the past than he knows what to do with.

Also notable: his dad is younger than him. That is something. Second, holy existential crisis Batman, his dad is younger than him and already one adult and one teenage kid??? Dick is not ready to feel this old yet. Third, Dick has absolutely no idea how Bruce managed to stay patient through his no-pants years. He is going to thank reason every day from now on that Damian wears full protection.

Jason: After his death and League he clung to an image of Bruce. One many tried to beat out of him, but he still kept it somewhere close to his heart, buried deep enough even he couldn’t see it. When he came back Bruce wasn’t like this idea of him. How stupid of him to believe the mind of a traumatized kid. Trying to create one good thing before the kid drew his last breath. Making up memories that never even existed.

But they did. Every smile and hug and even his words reflect the image tugged safely against his still-beating heart. His dad very clearly, very deeply loves him. Which is so much worse. Because he can understand why a Bruce, who never cared, didn’t kill the Joker. But he cares. So why the fuck did he not kill the Joker?

Tim: The reason he joined the family, the reason why he became Robin in the first place was because he saw a problem when Bruce started self-destructing and thought ‘Someone needs to fix that!’. Therefore he went and collected Dick, who didn’t seem keen on fixing it. So, the job fell to him to fix it.

He thought he did a good job, he thought he fixed the problem. Except now he sees who Bruce was, and he knows he failed. Their Bruce is less soft, less affectionate, less like he was before. Batman needs a Robin and Tim didn’t manage to be good enough of one to save him. 

[Or: Tim has a guilt complex a hundred miles wide and blames himself for things that aren’t his fault part 52]

Steph: Jason and she are very similar. Both come from the Narrows, both have a mother addicted to drugs and a shitty father. The differences start when Steph keeps waiting on the roof of their apartment for Batman to whisk her away, while Jason tries to steal the tires of the Batmobile and is taken in.

When Steph started out as Spoiler Bruce tried to keep her off the field, and obviously this one would too (even if he would probably be less paranoid about it), but she knows this Bruce would have also taken her in. This Bruce would be the father she always wished for when she sat on their roof and couldn’t see any stars. 

And she didn’t get to have this because Jason went ahead and died. (Of course, she knows she isn’t fair to the guy. Dying isn’t fun… And she knows the only reason she lived is because he died. When Batman rescued her from Black Mask she was in such terrible shape that Leslie managed to convince the World’s Greatest Detective that she died. If Jason hadn’t died Bruce wouldn’t have been as paranoid, wouldn’t have noticed her missing so soon, wouldn’t have been as urgent in his response. Would have been just a minute slower, a minute which would have killed her. Just as it had Jason.)

For her, this Bruce is a distorted mirror into a past which never was. 

Cass: This Bruce and B are not the same person. They don’t move the same. In a fight, this Bruce is younger, faster, stronger. Doesn’t compensate for a previously broken spine. Less experienced. Still one of the most experienced she knows, but less. 

He still moves differently, outside a fight, less pain. More likely to engage in physical affection, more likely to hug and pat and talk. He talks more than B. B knows what she means without words. This Bruce doesn’t.

She likes this Bruce, warmth, and softness. But not as much as B. He knows what she means, when she wants a hug, when she tells him ‘I love you’ without words. B doesn’t need words. This Bruce doesn’t know her, doesn’t communicate like her. She wants B back.

Damian: At first, when this version of his father seemed uncanny and oddly familiar, he assumed it to be due to the stories of his mother. After all, she always told him tales about his father. He simply did not have the frame of reference to understand the kindness she spoke of. Clearly, the clash between the ideals of the League and the ones of his father causes these feelings, just as they did when he first entered the manor.

He presumed this to be the case until one day on patrol Batman laid a hand on his shoulder and told him he did a good job after no particularly impressive fight and he nearly called him ‘Grayson’. Because the stories of his mother may have painted the picture of this version of his father, however, it wasn’t what made it familiar; no, he knew this kindness. These hugs and compliments one would bestow upon a child. Compliments which, despite the indignity, still warm him. Because Grayson learned how to be a… caregiver from his father.

His father used to be like Grayson, used to be until his grief hardened him. Damian could have had this. Damian could have a brother and father who would- But he doesn’t because of Todd. He loathes Todd. Loathes him for ruining the life he could have had.

Why did he die anyway? Damian certainly wouldn’t have a problem escaping bonds created by the Joker, Damian would have disarmed the bomb in time, Damian would have never thrown this life away like he did.

[Or: Damian is a child who was raised by assassins and has unreasonable standards for fighting abilities and also is a child who needs to focus his rage on someone.]

Duke: He was neither there before Jason died nor in the aftermath [according to my math he was around 4 when Jason died] he joined the family when Jason was already back for 4 years or so. He mostly skipped all the drama. For him, Bruce is the way Bruce is because he is Bruce. It’s weird to see him so different, to see how grief shaped parts of Bruce which Duke assumed were just Bruce things.

He’s glad this Bruce is brighter, or not because it just highlights how much that light will dim? Who knows, certainly not him. 

What he does know is that, with their Bruce, he has a distance which, with his parents still alive, he appreciates. With this Bruce, he can understand why Dick struggled so much whether he wants to be his ward or son, how he doesn’t want to replace his parents but still have this Bruce as a dad. It definitely explained the ted talk Dick tried to give him after Bruce officially took him in as a ward.

He likes this Bruce well enough, but he doesn’t necessarily want him to stay this way. Yes, their Bruce is less happy, less open but he did heal, he did grow. Duke met a Bruce who tried to learn from his mistakes, learned to communicate better, and learned when to pull and when to push. For Tim, Damian, Dick, and certainly Jason there is too much baggage, too much history in their relationships, it’s difficult for them to ever move past- anything really.

Sure, when Dick and Bruce are on the same page they are essentially invincible but then the past catches up again and they don’t talk to each other for months. And honestly? Apart from Cass, Duke’s pretty sure he has one of the best relationships with Bruce simply because he got to know him at a better time.

Duke doesn’t mind this Bruce. But their Bruce loved Jason, cared for him so deeply the scars still show to this day. And he still chooses to open up again even if just a bit by bit. Even if just Duke can see it. He is used to being the only one that can see.

And maybe knowing this care extends to him, this love even grief can’t shake? Maybe it makes him feel just a little bit safer, a little bit warmer, a little bit brighter.

[vanmarkus]

EVAN BUCKLEY + reacting to his people talking about Tommy ↳ for anonymous

[blasphemousclaw]

Ranni has every reason to hate Marika. She is the figurehead of an order that has caused her and her family so much misery… and yet, in the Age of the Stars ending cutscene, Ranni holds Marika’s head with such gentleness. It feels less like Ranni is putting down a tyrant, and more like she’s laying her to rest, after many long years of torment. 

Ranni could have been Marika’s successor, but she rejected the guidance of the Two Fingers, slaying her own flesh in order to be rid of their influence: 

“But I would not acquiesce to the Two Fingers. I stole the Rune of Death, slew mine own Empyrean flesh, casting it away. I would not be controlled by that thing.”

Ranni goes to such drastic lengths because the most intolerable thing possible to her is to be a pawn; her will not being her own, but being at the mercy of a higher power. Ranni’s quest is above all about free will – it culminates with Ranni using the Fingerslayer Blade to tear her Two Fingers into bloody ribbons, at long last giving her full control over her own destiny.

Marika in the present day is a prisoner held in perpetual torment. According to Enia and the Two Fingers,

"Queen Marika is the vessel of the Elden Ring, carrier of its vision. A god, in truth. But after the Elden Ring's shattering, she was imprisoned in the Erdtree. A grim punishment for shattering the Order, despite her godhood. The Fingers speak... "Marika's trespass demanded a heavy sentence. But even in shackles, she remains a god, and the vision's vessel.”

Marika shattered the Order, going against the will of the Two Fingers, and was punished for it gravely. In many ways, Marika’s fate is Ranni’s absolute worst nightmare. This is exactly the fate she took such drastic lengths to escape… serving a higher power with her entire being, her will not her own, but the will of the Fingers, with any attempt at change met with violent suppression, her body essentially being used as a puppet to defend the last vestiges of the Order.

“I would not be controlled by that thing.”

I think that Ranni, seeing Marika’s broken body at the end of it all, felt nothing but pity for her in that moment, despite everything she’d done. To me, the act of Ranni holding Marika’s head in her hands feels like she’s saying, “you were my enemy. But there is no worse fate in this world than what you suffered. Now, you can be truly free."

[hualianschild]

the jade of lan clan and white lotus of xianle seems to have a type

I've been waiting to see how long it takes for others to talk abt the sqq erasure 💀

[molinaesque]

You know why these boys brought you in? 'Cause I f*cked up a poor, defenseless gang-affiliated organ dealership? Yep. Mm.

[cenvast]

"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

[poorly-drawn-mdzs]

Bonus 8: How met your mother (CSSR design by @qourmet!)

[First] Prev <–-> Next

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[miscellaneousrenaissant]

Thinking about how Chilchuck and Laios started adventuring at around the same relative time in their lives

There are a bunch of similarities to their backstories - leaving home at a young age (14, 12), starting careers in exploring dungeons as young adults (19, 22), developing a complex about the first monster that killed them (Mimics, Living Armor), getting scammed or taken advantage of by other adventurers (succubus-hunting party, gold-peelers) - that they give me "past and future" vibes

Chilchuck is the older mentor to the less-experienced Laios. He joined Laios' party when Laios had only been exploring the dungeon for a year, and Chilchuck regularly gives advice based on his own 10 years of experience in an effort to support Laios as leader. There are several occasions of Chilchuck either teaching or wishing Laios would learn something in particular that he thinks would help with the job

Laios is a reflection of Chilchuck's past from when he was just starting out as a naive adventurer, while Chilchuck is an example of the future that Laios is striving towards as a seasoned dungeon explorer and leader

But also, they can represent missed opportunities and paths not taken for each other

An example for Chilchuck is that he isn't treated with the same respect as a tall-man because he is a half-foot. He can lead a union of half-foots, but leading a party of other races, many of whom would infantilize him, is unlikely. There are limitations to what he can do (physically and socially) compared to Laios simply because of how each were born, and it's partly why he's so hard on Laios to make him a good leader and not waste the opportunities afforded to him

Meanwhile as an example for Laios, who left his family and fiancée behind when going out on his own at 12 years old, who wasn't shocked that Chilchuck became a father at 13, and who even mentioned that some tall-men get married at 13, too...

If Laios had never left home, would he, at 13, have married someone from his childhood and also become a father of three?

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[daeyumi]

Rebuilding 🔧⚙️🥚

[2022]

[whetstonefires]

Thinking about the parallels set up between Wei Wuxian and Mo Xuanyu, and how actually most of them are oddly specious.

The sketch of the backstory lines up, but on close examination they're mirror images.

Wei Wuxian wasn't kicked out of his sect, he left it. Wei Wuxian didn't hate the house he grew up in, he loved it, and getting the people there killed was the absolute last purpose for which his dark powers were ever intended.

Jiang Cheng was no Mo Ziyuan--his jealousy was a complicated thing all twisted up with love, and while he would lash out at Wei Wuxian both as a casual means of shit communication and more damagingly in moments of high tension, he had neither the desire nor the ability to bully him, and in general respected his boundaries almost too well.

When Wei Wuxian destroyed himself about Jiang Cheng, it was to give him cultivation, and protect his life and happiness. He would never have killed him.

Madam Yu was a domineering aunt-like figure, who hated Wei Wuxian for reasons of reputation, and because she had resented his dead mother, but she crucially did not have the power to actually disrupt his lifestyle to any significant extent.

Mo Xuanyu was shut up in a small room to rot; Wei Wuxian didn't even attend classes unless he wanted to. Mo Xuanyu was weak and disliked; Wei Wuxian was brilliant and popular.

Mo Xuanyu's uncle is a cipher of a figure, without character or agency, a nonentity who is resented to death apparently mostly for what he didn't do; in theory he is the master of the house, but he certainly never protected his wife and son's punching bag from them.

And this is what got me thinking along this track: because people keep interpreting Jiang Fengmian as this, as exactly like Mo Xuanyu's nameless uncle, a nonentity who lets his wife make all the decisions, and is contemptible therefore.

He shows up in fic characterized this way all the time, handled narratively as a gap rather than a person, an absence where there should have been a parent, and it's...totally inaccurate? The man only has a few scenes but the things that are most firmly established about him are:

he regularly goes out of his way to protect Wei Wuxian

he's extremely fond of Wei Wuxian

he cares a lot about ethical behavior

he's conflict-avoidant and gentle

he can and will overrule Yu Ziyuan when he's made up his mind, and there's nothing she can do about it

his communication skills are mediocre at best

he doesn't understand jiang cheng

he has a dumb sense of humor

Now almost none of this made it into cql besides point 4 and maybe 6, 5 is technically there but buried by the cinematic framing, so I totally get why the fandom on the whole struggles to characterize him well, and it's easier to write him off.

But it keeps bugging me to see him and Yu Ziyuan squashed into the mold of the Mo, because not only is that boring and reductive and kind-of-missing-the-point, it's like. Wei Wuxian and Jiang Cheng's characterization suffers a lot when you alter the environment and take away the influence exerted by their shared father figure.

Jiang Fengmian was Wei Wuxian's primary adult role model and it shows.

Jiang Cheng's relationship to his own sense of ethics is fraught because 'teaching him good ethics' was his dad's number one parenting goal, but they misunderstood each other so badly (partly because Yu Ziyuan kept loudly misinterpreting them to each other, which is so realistic I can't get over it, that's exactly how it works good lord) that Jiang Cheng has a direct association between the concept of 'doing the right thing even when it's hard' and a feeling of personal inadequacy.

The fact that Wei Wuxian got their dad-person's approval for being exactly himself and Jiang Cheng not only couldn't do that, he couldn't even get that same level of approval when he really pushed himself to rise to expectations, because Jiang Fengmian did not intend that warmth as a 'reward,' and so never realized he was withholding it, and therefore misunderstood Jiang Cheng's visible jealousy as a dangerous sense of personal entitlement that had to be carefully restrained, which reinforced his distrust of Jiang-Cheng-the-person and fed into a shitty loop where they were less and less able to relate to one another--that's fantastic. That's so human! I love it so much.

Both their failures are their own but at the same time it would never have gotten so bad if Yu Ziyuan hadn't been interjecting herself in there, in the middle of their relationship, fucking it up. That's family, baby.

I would ofc like if there was more fic engaging with the subtleties of all this because it's so good, mxtx did such elegant work here and it is not sufficiently appreciated. But it's the kind of thing that's hard to write good fic about; I am struggling with it myself.

So mostly I wish there was just more fic that didn't impose Mo Xuanyu's cliche angst backstory on Wei Wuxian, who has a whole different thing going on.

[al-luviec]

I really like this scene.