#panda writes dialogues

[psychoforanime]

Y/n after beating the F of everyone in training aggressively, pretty much being a gorilla.

Yuta walks by, Y/n cutely ask him to open a bottle of water for them cause they couldn't.

Yuta: y/n, You can't even open a bottle, yet you have a mission to go to. Please be careful. You make me worry about you.

Everyone: Don't be ...

[puhpandas]

trying to match Gregory's characterization in my writing to canon Gregory is sooo hard. I'd think that he isnt super smiley and energetic because we've never seen that from him, and any jokes he makes in the game are always just him complaining instead of clever little quips. we've only ever seen him scared annoyed sad or panicked and nothing else. all of his dialogue is very relevant to the plot a lot of the time so we never get to actually see him just talk normally so barely any personality is seen from him, but all we have to go off of is hes reserved not smiley easily annoyed etc

but then in all of the official art by steel wool hes always smiling real big and having fun and having a good time so it's like does he smile a lot or not. do I write him normal or make him one or the other. I dont know how he would react in canon to certain things. WHAT DO I DOOO

[creaman]

—BECAUSE KUNG FU PANDA 4 KILLED MY GRANDMA, OKAY?

To preface, I watched this movie and I'm genuinely tweaking right now so I had to write down a very brief (lie) criticism on this film — which you should boycott, by the way.

Starting with the things I liked, before briefing my primary points of criticism:

Po's Character Regression

Po and Zhen's Dynamic

The Chameleon

I'd also yap about Lord Shen and the death of the art style and the entire narrative and pacing and use of the staff of wisdom but my therapist says being such a hater is 'unhealthy' or something. My heart is full of hatred.

SPOILERS for the entirety KFP4 for the 2 people who care.

KFP4 undermines and ignores the previous three movies — Unwriting character developments, outright removing the Furious Five, straying from the character design philosophies and is completely inconsistent with the established lore.

Things I Liked About Kung Fu Panda 4

The Chameleon's character design

Visual gag in the Tavern where Po uses a recently thrown axe as a hat rack (made me laugh)

When Mr. Ping did this:

so cute! the little heart!

Po — Character Writing

Po, as established in the previous movies, is confident in his abilities and identity — he’s learnt inner peace, he’s matured as a character. However, in KFP4, his character has completely regressed. He’s immature again (such as KFP1, possibly worse) and says verbatim, “only knows kicking butt and taking names” — UNLEARNING inner peace and insisting that “…being the Dragon Warrior is all I know.”

It’s childish, and sort of Hotel Transylvania-esque.

Which isn’t helped by the comedy, the dialogue — a large chunk of which are jokes in the style of:

Master Shifu says something philosophical

Po quips off of it / doesn’t get it (i.e. Whoa!! beat I don’t know what that means.)

Oh, it’s great, yeah, very tolerable. Po’s shenanigans are normally reeled in by the presence of the Furious Five who are generally more serious in nature, creating a much needed balance in the dynamic — So without them, it’s just Po becoming increasingly obnoxious and insufferable with every consecutive quip throughout the screenplay.

Po and Zhen — Character Dynamics

[No more graphics sorry I'm too angry]

As if it wasn’t obvious that Zhen was going to be the next Dragon Warrior the second she was introduced.

Zhen, as a character, has no depth besides being a quippy thief. She quips, she steals. This character has no motives — it can be assumed that the writers intended on a ‘change of heart’ thing, but she isn’t established as evil, her working for the Chameleon is written as a (albeit poor) twist reveal.

By which point, her taking either side wouldn’t make sense, given that she has shown no loyalty or attachment to either Po nor the Chameleon.

The movie artificially strengthens their bond by having Zhen start opening up about her backstory out of nowhere for no reason but they have done nothing to grow closer to each other.

Small tangent, her backstory is exactly what you’d expect it to be with no subversions or even emotional weight. Woe is me I was so small and hungry I had to steal to survive. Glossed over in about a minute.

The majority of the dialogue between Zhen and Po is spoken exposition — explaining how powerful and badass the Chameleon is, explaining how ‘we have to go here to do that’ and ‘this place was cool until the Chameleon did such and such’, and the rest of their time together is spent engaging in filler chase sequences and fight scenes.

The Chameleon

Where do I even start…

This is where it becomes apparent that the movie relies heavily on telling rather than showing —

She is the weakest villain by far, not only in universe but as a written character; which is particularly disheartening because I genuinely adore her character design and feel as though a shapeshifting character has great potential.

The movie artificially inflates her power by insisting through exposition that this is the most capable antagonist thus far (lie).

The audience is TOLD by Zhen and various restaurant patrons that the Chameleon is a powerful shapeshifting sorceress and that she 'dominates the city' whilst the film does nothing to showcase this.

'Dominating the city' meaning letting her henchpeople run amock and bully the civilians just like Lord Shen's wolves in KFP2... uninspired.

I just realised they didn't even give her a NAME what the FUCK is going on

She describes HERSELF as ruthless, clever and unsentimental when comparing Zhen to herself.

She says HERSELF that she’s “Stronger than every opponent you’ve ever faced.”

Let’s see what vile reprehensible things she’s done, shall we?

Gently push someone down some stairs

Her first appearance is through Zhen’s exposition, as opposed to the dramatic and memorable entrances of the previous villains. Her motives or character aren’t established until the final third of the film. She doesn’t even FIGHT anybody until the final third of the film; and even then, her fight sequences are uninspired and she never really poses a real threat. (She goes down in two hits.)

That being said, WE CAN STILL SAVE HER GUYS WE CAN STILL GET HER OUTTA THERE I'M COMING FOR YOU CHAMELEON I'M GONNA DRAFT YOU A PROPER BACKSTORY AND MOTIVE AND YOU'RE GONNA BE THE MOST THREATENING VILLAIN THUS FAR

There's a scene after the climax of the film where all the kung fu masters and previous villains from the spirit realm bow to Po. I'm not going to provide my thoughts on this because I fear I may burst a blood vessel. Good day!

Closing Statements

To put it simply, Kung Fu Panda 4 was my Megamind 2.

The film rejects its predecessors in every way. It really feels as though they brought in somebody with no prior knowledge of the franchise to direct the movie.

It's a film that relies heavily on telling rather than showing — banking on the previous three movies to carry it through the box office.

It's just really disheartening to see studio execs turn one of the best franchises into a safe sequel cash grab and regress every character's development.

Nevertheless. I do adore the chameleon's character design so I might do my own take on her character.

As far as I'm concerned, there is no fairy godmother, there is no tooth fairy, and there is no kung fu panda 4.

[starredforlife]

ok top five scenes from the kung fu panda universe (any of the movies, shorts, shows, etc). could be fight scenes, character moments, etc etc so on and so forth

FERN THIS IS SO HARD. FOR ME. UHM !!!!

ESCAPE FROM GONGMEN TOWER please watch it right now please please it's such an underrated scene musically and visually. this is the scene where tigress catches a flaming arrow and that's the exact moment i became a homosexual. vic history. it's also the scene where we see her chops as a leader of the five and the way she's fit into this role to balance out Po so well. and also all her potential as who she could've been, if she'd been chosen to be the dragon warrior herself. but she's not.

MUSICIAN'S VILLAGE I LOVE this scene the way it introduces, to the audience, that the score is going to play a part in the fight scenes of this movie is absolutely magnificent. and the way we get reintroduced to the furious five's + po's fighting style, and it reminds us immediately that they are formidable--and then sets up the inciting incident of the plot with so much mystery (and we see the 2d animation style again too, which has always represented po's inner subconscious. WHY DIDN'T THEY DO THAT FOR THE FOURTH MOVIE. whatever)

i would say the bridge fight (kfp1) and i adore that scene but i have to say, i really love the performances, the ambience, the color boards, the sound effects, and the emotional impact of shifu and tai lung's fight in the 3rd act more. i love when kfp actually invested time in its non-main protag characters. tai lung was an absolutely fascinating villain and this scene just rounds out his character so well

The entirety of the secrets of the scroll short film oh my god i love that one so much. teenage tigress. my baby girl.

FUCK okay and then the fireworks factory (2nd movie) where Po confronts Shen about his past. And he gets shot with a cannon and Tigress doesn't get to him in time. breaks my heart every time. i'm going to include the scene where Tigress and Po fight right before that in the jail too bc the musical score called "Fireworks Factory" starts with THEIR HUG. AND IT ENDS WITH HER RUNNING TO CATCH HIM. AND FAILING. MY BAKA LIFE !!!!! i don't even ship them anymore like i did when i was 14 i mostly just love tigress but their platonic relationship is v important to me. i have to include their hug bc that did irreparable damage to me as a tween. sorry the quality of the first vid is so ass. their relationship in the entire 2nd movie is so good i could write a whole analysis on it probably. it's paining me physically to not include their earlier boat scene talk.

this is also the scene where tigress snarls at the gorilla and that changed my brain chemistry forever.

i love the entire second movie this is so hard for me AUGHHHGHGH okay quick honorary mention: i also love the scene where we see shen fight the three masters (rhino, croc, ox). that quick fight scene is SO well executed. the dialogue and the performances are incredible. i used to have every line of dialogue of this movie memorized and especially loved reciting this scene (skip to 1:10)

and then if i had to pick a moment from the third one it's the one where oogway's statue gets wrecked at the jade palace. it lands emotionally very well for a scene that could have easily been mishandled too comedically or too quickly. like it still gives me chills. and i'm not even gonna touch on the character animation/acting of tigress and shifu here bc GOD. kai's theme does rock also!!! AND i LOVE the colors in this movie SO MUCH holy fuck

and then a minor detail from the first one is i love how the characters act with each other, namely the five and shifu. they clearly have a history and/or comradery with each other. shifu undoing the nerve damage tai lung did in a way specific to each of his students stands out to me in particular.

1 and 2 are masterpieces to me and i have my Things about the 3rd one but overall, a beautiful trilogy. i wish the 4th one didn't exist im killing it with my bare hands. vic hate movie? vic murder it. 5th rule of the streets.

[velvet-vox]

The complete and utter alienation of Tai Lung: Part 1

First thing first: I am not a Tai Lung defender so consider this an unbiased post.

So, Kung Fu Panda color theory is pretty much well known across all of the fandom, and it's obvious even from an outside perspective.

Po and the heroes are yellow/gold

Then Lord Shen's red

Kai's and Oogway's green

And finally Tai Lung colour is blue

(Also Chameleon is also yellow but this ain't about her).

And this is the one I want to touch upon in this post.

You see this graphic?

These are the three primary colours /yellow, cyan and magenta/ that come together to form the main secondary colours /blue, red, green/.

If you are in the fandom, or you just simply pay attention, you'll also know that:

Tai Lung's backstory has ties with Shifu.

Lord Shen's backstory has ties with Po.

General Kai's backstory has ties with Oogway.

But Kai backstory doesn't just simply have ties to Oogway like we were simply led to believe at large, but it also has ties with Po, because of his ties with the panda village and its effect on Oogway's reformation.

And with that, as you might have noticed, both Kai and Shen have, according to the chart, the colour yellow as a part of their secondary colour scheme.

With Shen in particular it goes a step further in that Po has red as a complimentary colour to yellow in some scenes.

Shen is also the least isolated of the villains (mental state doesn't count); always surrounded by his goons who he's going to use to conquer China and the Soothsayer, Shen is only truly alone at the end of the movie on the boat scene where he's just been defeated.

And Kai, despite the fact that he doesn't have goons that can bounce off his dialogue, is also never truly alone whenever we see him; he was a warlord leader of a huge army, he now has a jade zombie army and he often speaks to the Oogway amulet and narrates him whatever is happening, and, like Shen, he only becomes alone during his death scene.

They do tend to isolate themselves from others of their own volition...... but Tai Lung?

He has absolutely nothing. Nobody. Never had.

Returning to the colour wheel, his main colour is blue and he has ties with Shifu's backstory who, after the first movie, loses relevance for the rest of the movies. And blue itself is a pretty alien colour in the entire series (extended material included), it doesn't have any ties with yellow, much like Tai Lung doesn't have any personal ties with Po despite being in opposition, and Tai Lung itself doesn't interact much with the setting besides being a looming threat.

And it all ties back to his isolation and how it probably tied back to his turn to the dark side.

From the glimpses that we see of his childhood, Tai Lung doesn't interact with anyone else aside from Shifu and possibly Oogway, and I'm pretty confident in saying that he probably lived a sheltered life in the Jade palace. A childhood like that can inflict serious damage on a person's mental health in the long run as you don't have anyone who you can confront your experiences with, and it clearly carried on into adulthood, better explaining his fit of rage after being denied the dragon scroll.

Sadly, his loneliness carried on for the 20 years that he spent in jail. And after he escapes, he tries to claim back the dragon scroll by himself since he doesn't have an army or ways to gain allies, so he just carries on with nobody to support him and then he dies of a lonely, gruesome death that reflects on the way he lived.

The franchise itself then continues to portray Tai Lung less as a character and more as a figure of power in Po's journey, completely and utterly dehumanising him in every possible and conceivable way.

Ok, I must admit, maybe I gained a brand new appreciation for Tai Lung while writing this.

Next Part>>>>

[ipostmysimpingstuffanonymously]

Another post? damn

I was on vacation a few weeks back and had no internet so I downloaded all Fanfciton that were Satoru/Shoko tagged and rated them.

Here are the ones I rated 5/5 ... so i guess this is a ff recommendation post lol

The delicate art of flirting

3rdgymbros

Words: 1,960, Satosho, 5/5

This is so good. I love that the first years get brought into the infirmary and they just KNOW ahahahahah. Also it’s just this casual side thing but there something so much deeper that i hurts which i like about this ship

Like a lost shirt

Lua

Words:1,520, Satosho, 5/5

I am a sucker for raw and "practical" relationships. Like this is exactly how I imagine them to grieve for Suguru and I love that so much can be left unsaid but the reader and Satoru and Shoko both just know. What they have isn't healthy but it's the only thing they can have. A happy and healthy relationship with someone else would just simply not work. They are both too fucked up for that.

Sorry about the blood in your mouth (i wish it was mine)

Her_black_tights

Words: 17,761 Sashisu/ Satosho 5/5

So I am biased on this one cuz this is one of my headcanons. That Suguru fucked around with both and that his absence is why Gojo and Shoko are a thing. And I feel like this fic perfectly encapsulates the hurt, the brokenness and the necessity of their relationship. Like this is how they cope and its messy and unhealthy and i love it

Listen I love you joy is coming

Antioedipus

Words:3,938 Satosho 5/5

This one is cute. Nah cute is the wrong word, they are goblins but it’s nice. They are both fucked up which is funny. Also 100% can see that Shoko doesn't have the emotional capacity to console a crying woman but still would do the right thing even if she doesn't think it’s the right thing. 

Work and not run (skip and not fall)

Aminstrel

Words:2,300 Satosho 5/5

Love this! Cute! Exactly how i Imagine them. Also match cut? Peak comedy hahahaha goblin energy.

Catalyst

tiressian

Words:4,170 Satosho 5/5

AYOOOOO first tiressian ff. i remember reading this and having gotten new horizons opened xD Anyway: love it, super nice character interaction. Love it when Gojo is stumbling over his words, a tiressian special! Also love the aftermath, hilarious but sweet.

To my significant (b)other

Tiressian

Words: 6,621 Satosho 5/5

Another banger! Back to back? Spoiled honestly. I love this one just because it makes so much sense that she writes a list. Also Gojo high as balls is hilarious. Then the whole dialogue at the wedding with the chaste touches omg my skin is prickling. Love it.

Warmth

Satoluvs

Words:2,663 Satosho 5/5

I LOVE THIS. Omg adopted Yuji has my heart. Also consoling somebody by not talking it out but taking them in giving them affection to cure the sadness omg. Also also Satoru and Shoko just dating super casually i looooovee it.

Breathing underwater 

Shrimphony

Words:1,848 Sashisu/ Satosho 5/5

This one hurts so much omg. And this could easily be canon. Idk why Gege does not show us Shoko’s grief more…. Like even if it's platonic how can she not find solace in Gojo still being there hmm? And then when Gojo, Nanami and Yaga get ripped from her, that must have destroyed her…

Shore 

Tiressian

Words:7,161 Satosho 5/5

VERY TASTY thank you for the meal. I love their dynamic. Back with the tiressian special. Also Shoko making him do push ups, same girl same i get it. Love the banter, it makes so much sense.

Epoch

Tiressian

Words:6,341 Satosho 5/5

Yum, yes, very nice. Love cheerleader Gojo, he has my heart, that poor dude. No other comments it's perfect

Call it a hunch

Tiressian

Words: 5,560 Satosho 5/5

I think this is one of my favourites hahhaha. I love how panda is trying to convince everybody hahahahah. Also the snowball fight is glorious xD the little yuta/maki you slipped  in there, i see you hehehehe. And the end has me ROLLING HAHAHAHAH

It's the thought that counts 

Tiressian

Words: 2,182 Satosho 5/5

THE CUTEST ahhhh i love them i really really need to draw the three of them uff.

there's lots of 4/5 ones too that I'd recommend but i need to cap the list somewhere xD (the google doc has 12 pages wtf ahahahah) This is up for changes anyway :P but enjoy my recommendations xD

[justanotherwriter140]

Kung Fu Panda 2 Scene Analysis + Discussion Post

Hey, all! Here's a KFP2 scene analysis because I felt like it. 🤷‍♀️

I have an itch to scratch and I'm going to make all of you read about it. I've been revisiting KFP2's remarkable storytelling methods—namely for conveying strong emotions without relying on dialogue and putting more faith in the narrative—and when I got to the harbor scene, I couldn't help but write something up on it. In general, writing short essays on scenes/sequences is a great writing exercise that I would recommend for fellow writers because it's a big help when you're trying to emulate a certain style or feel in your work. KFP2 is a great movie and I love it, so I often refer back to it when I'm struggling.

In short, this is me gushing. I know as a fandom we've talked this part of the movie to death a hundred times over, but it's a scene that deserves it. I'm going to be focusing on the aspects of it that interest me most, but the final battle following this scene is just as worthy of being fawned over. I am a KFP fan through-and-through and every scene (in this film especially) deserves its own discussion post. Unfortunately, I'm employed.

I've never done a dedicated sequence analysis before, but I've been delving back into studying animation and that paired with my long-time love for storytelling is more than enough to make me want to do a Tumblr deep dive on this 20~ second master-class in storytelling.

To begin, let's take a look at what's happening here:

Po swims to Tigress to make sure that she's okay. He holds her hand and gets close to her, which is something we can assume he would never do otherwise. I'll cite the attack-hug; we witnessed his (albeit completely understandable) reaction to Tigress initiating physical contact, and his instinct was to freeze in place. It tells us that physical contact is uncommon and maybe even a little awkward for them, and yet, he grabs her hand without hesitation.

My heart...ugh. I was little when this came out and I was STUPEFIED. I also realized I wanted to make movies, though, so I guess it worked out. 🤷‍♀️

Plus the little thumb-hold from Tigress. I'm nauseous. Kill me.

It's also worth mentioning that despite the fact that Po audibly says her name, she doesn't respond to hearing him. She responds to feeling him. She doesn't start to lift her head until he touches her.

Earlier in the film, it had been made a point that she "feels nothing," which was intended to refer to both her hands and her emotions. She physically and mentally beat herself up for 20 years until she couldn't feel the hurt anymore.

Even so, it only takes Po to unravel that. This is the movie further cementing the franchise-long theme of Po bringing inner peace to the valley. On a more personal note, it's also the movie telling us that Tigress's jadedness only goes as far as she lets it. She is capable of recovery, capable of feeling—it only matters that she allows herself to have those moments.

She looks up. She's relieved. She couldn't save China, but she saved Po. She didn't fail in protecting him this time. She did her job. There's a beautiful contrast between what she's feeling and what he's feeling but they share a point—kind of like a venn diagram. Both feel some kind of relief, however brief. As for their differences, Tigress's defiance is weakened and Po's is ignited. He takes on that weight for her.

The way her head slowly falls back down makes me think she's too exhausted to keep her head up any longer. She had used all of her strength to hold onto Po and look fully at him, face to face, to be sure he was alright. Tigress is the most capable member of the group, but where her most important strength lies is revealed here as well as in the rest of KFP2: in her compassion and care for others.

Po looks at Shen with scathing, genuine contempt. He's taken away too many people Po loves, and Po won't let him take away another. He's thinking about the valley, about his friends, Mr. Ping, and his duty to defend China and bring evil-doers to justice. We see the resolve in his eyes. He'll do what he has to.

The angle of the image is also worth mentioning. With the way the "camera" is tilted—now at a direct eye-level as opposed to a few shots before when Po was almost slouching below mid-frame—Po looks bigger in this shot. He's being framed as a protector. Defender of China. The Dragon Warrior. He's really, truly stepping into this role.

Tigress bows her head and Po takes on the weight, which is a huge contrast to the rest of the film. Before this scene, Tigress is the one being strong, being smart, taking charge, and leading the group. Throughout the mission, Po was consistently reckless, stubborn, and distracted. We know why. This bit is his amendment. This is him saying and meaning, "I've got this."

And then he pushes Tigress away. The little look I caught in this screenshot lingers for only two~ seconds, but what I love about animation is that everything is intentional. He watches her float away for an extra few seconds because it meant something to someone that he did.

AND THEN SHE REACHES FOR HIM. Whose idea was this? We need to have some words. You guys were evil and I love it.

She's exhausted, hurt, and is likely carrying the crushing weight of China's defeat on her shoulders, and yet, she reaches for him. It wouldn't even be for her own comfort, either, but because she still has the urge to save him. Even in her state of being borderline unconscious, she still has that instinct—that care. She can't watch her friend be killed.

I pause on this whenever I watch this scene over. To me, this frame perfectly encapsulates Po as a character. We see him facing impending doom in the form of a massive ship with a monstrous-looking cannon strapped to the front, harboring a psychotic peacock fully intending to kill him—just like he killed Po's mother—when he gets the shot.

Despite this, Po only pushes Tigress—a loved one, and while it's far more impactful to the story that it was her, it could have been anyone and the point still stands—out of the way. He moves her out of the line of fire and lures the danger away. That simple action of pushing her away is the epitome of "show, don't tell" used correctly and tells the audience everything we need to know.

And then he goes and stands on a floating chunk of fallen ship (not even solid ground!) and fights solo against an entire fleet of weaponized ships. And then he wins in what's arguably the coolest, most badass way possible.

This—this frame, not the fight itself—is easily his most heroic and selfless moment and it's my favorite frame in the KFP trilogy.

Thanks to all who read this through for indulging my intense love for this specific sequence! This analysis isn't objective, obviously, so if there are any disagreements, I'd really like to talk about them! I'm always looking for different perspectives and ideas, and I'm sure there's a fan somewhere who interpreted this scene wildly differently. I'd also just really love to hear any additional thoughts if there's something I missed. And if another scene gets you super excited like this one does for me, tell me all about it!

An update for my readers: Chapter 6 of The Days is well on its way and I can't wait to share it with you—there's some fun stuff in there and I'm really excited to post it. Thanks for reading, guys! :)

[theygotlost]

ok hopefully my phone doesnt die while i write this review of kung fu panda 4

bottom line is dont watch it its not good. all rhe dialogue is bad. as in both the actual words written in the script and the way the actors deliver their lines. there isnt a single sentence that doesnt come out extremely awkward and stilted. even jack black sounds like he doesnt want to be there and the thing about jack black is that wherever he is hes always happy to be there.

also i hope we can track down the person who decided awkwafina should be in every animated kids movie ever from now on and have them shot. and then also kill awkwafina i hate the sound of her voice more than anything.

honestly the movie is just really boring. its mostly expository dialogue for a majaority of the runtime and then the big fight at the end was pretty cool and i forgot that i hated the movie for a second cause at least it was entertaining.

i know this movie is literally for babies but the jokes are all EXTREMELY unfunny and feel a million times dumber. sometimes movies for kids can still be witty and genuinely funny to watch as an adult but this movies sense of humor was for 6 year olds and nobody else

somethings i liked:

there was PANGOLIN voiced by ke huy quan which would have been awesome if he was actually a good character

po's goose dad and bryan cranston panda dad were kind of yaoi. no they werent who said that

tai lung was resurrected to serve cunt for 30 seconds and then died again

[p8rasite]

hello ^^ id like to request dialogue 005 with ricky please! and my favorite boys planet song is over me ❤️‍🩹

[ #005 ] : “you’d look cuter holding my hand, but whatever.”

mediums : fluff · ricky x gn! reader · 279 words · no cws 

tap the mic : no one ask me what this is. i don't know either. let's go with the theory that i was possessed while writing this.

5:06 A.M. ↺ ..and that tallies up to twenty.

ricky loves you, he swears he does! (so does gyuvin. poor guy learned too late that the disadvantage of having a lovestruck best friend includes frequently listening to ricky spiral over his lover..) but he’s so close to writing about you in his diary with boring, not special, reserved for normal people, black ink.

seriously, you can’t think that his hand constantly brushing against yours is a coincidence.. right? or maybe you were used to him showing his affection through gifts like a panda keychain you found adorable, a new set of pens because your old ones are running out of ink, or a pearl necklace purchased because he wanted to..

oh.

all it takes is ricky’s bottom lip jutting slightly for you to stop perusing the rack of clothes, huh?

“what’s wrong, darling?”

what an irony it is to hear your boyfriend say, “you’re cute.”

“so are you, especially with that pout of yours.” 

of course you don’t skip a beat. that’s listed as no. 17 on a private google doc titled ‘reasons why shen quanrui is in love with his baby.’

“the thing is..” his gaze tries to subtly bounce between your hand and his. “..you’d look cuter holding my hand, but whatever.” 

and here comes his cool persona. ricky looks away, nails brushing the nape of his neck before scratching his smooth skin. it’s good (it’s not), he’s fine (he isn’t), he can handle rejection—

huh, the gaps between his free hand’s fingers don’t feel so empty anymore. 

(don’t worry, he’ll definitely recount this moment in his diary with the gorgeous, unique, reserved for you and you only, pink ink.)

❀ ... ⃕ @stealanity @rickyschicky @i520u + join or buy me a kofi! now, would you like to return to the masterlist? yes / no.

P8RASITE, 2023. do not steal because i can and will bite. 

[raggedyannrevivaleffort]

I have two questions about the creativity behind the revival and redesigning characters!! :))))

1. Are you guys going to use any other Raggedy Ann media for Broadway? Like using the books (the original ones made by John Gruelle) as a sorta of creative inspiration? Or will you be using different media from the Raggedy Ann franchise as creative inspiration?

2. I'm curious about how do you redesign a character like Panda to Teddy, I've been trying my own redesigns on characters and I have been struggling with it, do you have any ideas to make my redesigns of characters be better then their original design/concept?

Thank you for the questions!!!

1. Yes! We all absolutely love early Raggedy Ann media, especially the books. Johnny Gruelle did create Raggedy Ann for the love of the real Marcella, after all, and we are trying to keep that intrinsic to the show, so that, even in fiction, the love between Marcella and her dad can be remembered. We are planning to have Raggedy Ann look more homemade and scrappy, like she would have in real life, and we have also snuck in a few very subtle references to the Gruelle books. Though no design concepts are official or concrete yet, we hope to take some inspiration from the original illustrations or the real life events surrounding the creation of Raggedy Ann.

2. Teddy isn't technically a "redesign" of Panda; they're a completely new character (who also happens to be a bear)! I say this because Panda's spot in the story was a bit of a blank slate; we had to keep the essential dialogue, in some regard, and the same dynamic in the group, but couldn't necessarily keep Panda as a character for obvious reasons. We tried out Babette from the 1977 film, but she didn't fit, both in terms of mood/tone and in terms of how she would move along the story. We ultimately created our own character, who became Teddy! The replacement wasn't just visual; so much thought and work was put into Teddy before their visual appearance was even considered. We had to change all of the dialogue to fit their tone and personality, while still writing with the style and intention that William Gibson had originally wanted for Panda and for the show as a whole. Teddy's personality was developed as we wrote based on the needs of the story, which actually gave us some wonderful opportunities for character development that Panda never received, and, accidentally, an opportunity to fill a long unfilled plot hole in the show. Teddy serves the story in the departments where Panda was lacking, while also supporting the story in the same way Panda did well, and that's their most important aspect in my opinion. They were created for the Raggedy Ann musical, not because of it. (If that makes sense?) Also, they're just super cute, quirky, and loveable.

Thank you so much for the asks, I always love answering these types of questions. :)

[psychoforanime]

Y/n *gives a speech before the start of a mission* : The goal is to go home alive with all of your limbs intact. Your safety means more to me than the outcome of this mission. After all a dead you won't be killing any curses.

Inumaki, Yuji, megumi, panda, Maki, nobara being serious: Understood!

Y/n: Second, and most importantly .... The person with the least kills buying the most kills dinner! *Start running*

Everyone: Cheater!

[puhpandas]

going on my ao3 and seeing 29 fnaf works and 1 pokemon fic I posted last year is so 😭

[munsonsreputation]

welcome to summer quests! ❀⋆.ೃ࿔*:･

hi lovelies! i'm working on a few feature length fics but in order to break up my writing time, i figured writing some short blurbs/imagine requests would be fun!

as always, im writing for st characters such as steve, eddie, robin, ect. but i am also open to writing the younger kids into the story! SMUT IS ONLY WRITTEN FOR 18+ CHARACTERS. i'm writing for a few fics i've written in the past (check below for specific ones), but if there's any other fic i've written that you want more of just send in an ask! check out a list of prompts and dialogues here, and also feel free to slide into my inbox with your own ideas!!

📮 submit your request to my inbox

au's/spin-offs:

*:･ glitch!universe (artist & baker!reader)

*:･ sygb!universe (found family max & steve)

*:･ i should hate you (enemies to lovers)

*:･ teenage dirtbag!universe (cheerleader!reader x eddie)

ect tropes/themes:

*:･ sunshine x grumpy

*:･ enemies to lovers

*:･ fake dating

*:･ friends to lovers

*:･ forced proximity

please note:

I have the right to refuse or ignore any and all asks and requests that are profane or make me uncomfortable. I will not write any requests that I am not comfortable with or do not have the ability to write.

taglist: @translatemunson @kennedy-brooke @manda-panda-monium @tvserie-s-world @givemeth @steveharringtonswife @the-alchemys @loving-and-dreaming @awkotaco24 @engenelxver @elfiaaaa @pbs-theundeadmaggot @johnricharddeacy @gaysludge @keerysfolklore @micheledawn1975 @ihatepeanutss @bakugouswh0r3

[luimagines]

Its me, again, the wizard. Here's some vines:

Time: You either buckle down and do your work or you'll end up at McDonald's.

Wind: We're going to McDonald's if I don't do my work?!

Time: No-

~~~~

Sky: I am disgusted-

[Reader]: *watches him walk by*

Sky: I am revolted-

Sky: *Goes into a tree stump* I dedicate my entire life to our goddess and savior, Hylia, and this is the thanks I get?!

~~~~

Legend: let's tell eachothers secrets, I'll go first-

[Reader]:

Legend: I hate you-

~~~~

Four: dear diary, today I couldn't find my diary so I'm writing this on my two Kung fo Panda 2 dvds-

Snrk- Oh goodness! XD

I feel like Four would be the one to walk into a tree stump with the picori gates and all that jazz, but Sky fits the dialogue better.

[miloscat]

[Review] Legend of Kay Anniversary (Wii U)

An unremarkable PS2 action-adventure.

After immersing myself in Avatar media for so long I looked around for any other games set in Asia-inspired fantasy worlds but made by Westerners. This let me knock one off my Wii U backlog, the 2015 remaster of the 2005 PS2 game Legend of Kay. Neon Software, the German studio behind the original game, are known to me for their Amiga Sonic clone Mr. Nutz: Hoppin' Mad, and it's somewhat fitting that their final game before closure was this other furry platformer. Some of the Neon cofounders went on to form Keen Games, which seems to have morphed into a new Kaiko... the original Kaiko being the company that the Mr. Nutz Hoppin' Mad team left to form Neon in the first place! Who knows how long they'll survive now under the aegis of the troubled and layoff-happy Embracer, but it's been four years since their last remaster...

Anyway, this game is a sort of 3D Zelda-like-slash-3D platformer filled with anthropomorphic animal characters, which as a Rare fan sounds up my alley. Comparing it to Starfox Adventures may be a little generous though: this is very much a B-tier PS2 action game, and a graphical revamp for new generation consoles can't magically fix the mediocrity.

To get the plot out of the way: it's extremely Normal. Kay is a "plucky" (read: obnoxious) protagonist, using his martial arts training to fight back against the occupation of his cat village by evil gorillas and rats. He travels his island to settlements of rabbits, frogs, and pandas to free them from oppression. I think it's telling that there are no credits given for story or writing; anything story-related is constantly undermined by overly shallow characterisations, completely functional video game progression (go here to get key to open door to go there etc.), and the most brain-dead "banter". For example, Kay thinks the height of action hero quips is to call a rat "cheese-breath" about a hundred times.

The latter issue is not helped by some misguided voice acting choices. It's a fully voiced game but you'll wish it wasn't with Kay's bland sarcastic schtick and almost every other character uncomfortably presenting as a borderline racist caricature. Mostly it's white people doing faux-"Asian" accents, although apparently crocodiles are Eastern European and frogs are... Jamaican, for some reason? I was glad to find a setting that let me skip any dialogue scene with a quick tap of X, because there's no other way to speed up the tedious exposition and pointless back-and-forth when you meet enemy groups.

There's only a handful of what you might call "puzzles", and the platforming ranges from "not bad" to "OK", serviceable but doesn't excel. The biggest strength and biggest weakness of the game is its combat, which is pretty involved. You can swap between three weapons which have different attributes, you often have to get around enemy blocks so there's a Wind Waker-style roll around move to hit their back, but you can also zip between targets during a combo, or use rolling, crouching, or jump attacks. You can carry up to 5 usable items which sometimes are used to explore but you have to rely on them for combat encounters late in the game when they start throwing waves at you with hordes of armoured enemies. When the difficulty spikes like this, it all just becomes too much and goes from an exercise in creatively using moves to keep your combo up to a struggle to survive (and if you die, you lose any consumables you used in your last attempt, also there's a lives system for some reason??).

I said combat might be the game's strength and it was clearly a focus of the project, but I had the most fun exploring the little worlds. There's lots of goodies to collect, mostly in the form of chests and pots containing money. You quickly end up with more than you'll ever spend but I still liked finding it. The point multiplier mechanic may seem superfluous but when you get accustomed to the flow of the platforming sections, grabbing coloured crystals to keep this combo going to make your fights and coins worth more points becomes addictive. The level design may be nothing special but the zones you traverse have some character to them.

It should be noted that this is a semi-linear game, in that the levels are mostly open to explore with events and sub-dungeons within them, but you progress from one field to the next with no way to go back. This bit me on more than one occasion when I blundered into the story trigger to move on before turning in one of the rare sidequests or going down a side path to find a health extension, making it permanently missable. This frustration prompted me to occasionally consult a Gamefaqs guide with maps during each subsequent chapter. The game does give you a minimap in the corner of the screen but it can't be expanded to a full map so it's less useful than it could be.

Legend of Kay would have felt middling even at release but rereleasing it just makes its deficiencies even more obvious. It's still got some charm for being "of that era" (I was often reminded of The Hobbit's action-adventure game from the same generation, but with fewer instant death pits), so I got some enjoyment from it. And it has some ideas that work, like the acrobatic combat and combo system. While some of the environments look nice there were just as many drab areas, and the repeated character model reuse got old. Oh, and sometimes you ride an animal and it's not fun. On the whole, I can't recommend this one... even if you ignore the cringey cultural stereotypes!!

[tinypandacakes]

hi panda, i’ve been wondering how you plan your fanfics? i’ve been struggling with writer’s block for the past few months now, i’ve got so many ideas floating around my head, but no solid direction for my plan. i’ve been reading all kinds of fics to give me some inspiration for the story, but i don’t want it to seem like i’ve copied the ideas of other authors. i absolutely love trapper, keeper, it is so unique and i haven’t read COD fic quite like it before. the way you portray König is fantastic, exactly how i imagine him - do you have any tips for writing characters? (specifically König) i think i’m so hesitant about starting because I don’t want to end up writing OOC.

hii ☺️ sorry you've been struggling. writer's block is the worst!

i get the most stuck and frustrated when I'm writing and it's not immediately "perfect". you have to be okay with letting your first draft be "bad" and "OOC". you just need to write it, even if it's "he went to the kitchen. she woke up and got out of bed. she's limping. something about his eyes over the rim of the coffee cup" just get the main beats out. my first attempts at TK chapters are always terrible lol and i am so glad no one else can read them. konig and Hase are a bit all over the place. the dialogue sounds cheesy or repetitive or porny. the actions are confusing. the scenes are barren. but then i edit it and edit it until it feels better.

i do have a numbered outline which helps me focus my ideas a bit. it's messy and incoherent, but it's how i collect my ideas/descriptions/bits of dialogue

as far as copying - not to sound bleak, but no idea is really truly 100% new and unique. big scary man kidnapping reader and keeping her locked away isn't a novel idea. but what makes it unique is that it's written in my style, with the scenes, descriptions, dialogue, and inner thoughts that i want to portray.

it's okay to do the same idea again. tropes are popular for a reason!

i love tropes and want to read 500 variations of the same thing! as long as you're not actually taking an author's fics and copying portions or doing the same story beat for beat, i don't think it's wrong to write something "inspired" by another fic. on AO3 you can actually mark a fic as your inspiration as a way to credit the author. :3