#pachuco style

[un-film-de-m]

Artist Spotlight on Pachuco Supply based in East LA. Made by Hand hats by Gilberto Marquez & branding by Cinthya Marquez.

[parasitic-saint]

the mother superior was... no it can't be...

commissions open! | support me on ko-fi!

[aslightaddity]

The question

[skeletonspiced]

Remake of some Bendy Royal art from a few years ago. I love doing a lineless style it's sooo satisfying

[cosmic-c0w]

Still cannot decide on how I wanna draw Kurt

More self indulgent drawings below

More drawings of the partner I made for Kurt (Ik it’s cringe but I also wanted to draw a Pachuco style suit)

[immaculatemadonna23]

Rocky Rickaby is a pachuco and nothing and nobody will make me think otherwise.

This is a redraw of an original drawing (i can't find it my cellphone (cuz i have a impression in my posession) it's just a sketch with a style that I don't like as much as before... I think )? a doodle without purpose

[artisticlegshake]

THE DANCE AWARDS ORLANDO RESULTS 2024

HIGH SCORE BY PERFORMANCE DIVISION (MINI)

BALLET:

1st Tarantella - STARS

2nd Esmeralda - VLAD’S

3rd Another Polka - YOUNG 

4th H. Potter - CDC

5th Visions - CCJ

CONTEMPORARY:

1st I Am Here - IMPACT

2nd Stuck In Pause - VLAD’S

3rd Without You - STARS

4th Amen - RHYTHM

4th Turn To Stone - SPOTLITE

5th Le Moulin - G-FORCE

LYRICAL:

1st Beautiful - STARS

2nd Smile - MATHER

2nd Time Goes Slow - CLUB DANCE

3rd If Rain Must Fall - VLAD’S

4th Never Dreamed You’d Leave In Summer - SOUTH TULSA

5th All That We’ve Lost - WESTCHESTER

JAZZ:

1st Luck Be A Lady - VLAD’S

1st Pump Up The Jam - SPOTLITE

2nd Hey U - MATHER

3rd Schoolin Life - MATHER

4th Word Up - SPOTLITE

5th Hey Pachuco - CDC

5th Love Potion - G-FORCE

5th On Broadway - ART & SOUL

TAP:

1st Freedom - ART & SOUL

1st It Ain’t Funky - ART & SOUL

2nd Lucky Day - THE SOUTHERN STRUTT

2nd Puttin’ On The Ritz - CDC

3rd Best Day Of My Life - THE SOUTHERN STRUTT

4th Get Up Off Of That Thing - CDC

4th Reet Petite - ART & SOUL

5th Barbapapa’s Groove - DANCE SPECTRUM

5th Tequila! - UPPER

MUSICAL THEATRE:

1st All That Jazz - IMPACT 

2nd A Bushel And A Peck - VLAD’S

3rd Hot Note - THE SOUTHERN STRUTT

4th Revolting Children - CCJ

4th Rise Of The Pink Ladies - THE SOUTHERN STRUTT

5th Loathing - WEST FLORIDA

HIP-HOP:

1st Queen B - VLAD���S

2nd Brava! - IMPACT

3rd Hoops - THE SOUTHERN STRUTT

3rd Multiplayer - CCJ

3rd Nascar - STUDIO 61

4th Fire - ART & SOUL

5th Shake The Floor - STARS

BALLROOM:

1st Get On The Floor - THE SOUTHERN STRUTT

2nd Gangman Style - STARS

ACRO:

1st Could It Be - VLAD’S

2nd Bowl Of Cherries - ART & SOUL

2nd Heaven - ART & SOUL

3rd Faith - DANCE SPECTRUM

SPECIALTY:

1st Rama - IMPACT

2nd Through The Rain - STARS

3rd Dream Of You - VLAD’S

4th What A Feeling - VLAD’S

5th Black Car - SPOTLITE

[issela-santina]

me gender envying demons in zoot suits fr

Penny Dreadful: City of Angels (left) — Natalie Dormer plays Rio, a ginger in a patterned zoot suit over an old rose shirt, and short hair styled in stiff waves on the right side of her head. She is one of several disguises of the demon Magda, in this case the one who riles the Los Angeles pachucos into revolt and fallout.

Good Omens (right) — a promotional still of David Tennant as Crowley in profile view, wearing an all black zoot suit (except the dark grey shirt and red necktie barely visible) with shades for his snake eyes and a fedora he adjusts on his head as he seems to check himself out in a dressing room mirror.

I also think

Magda and Crowley would set an entire country on fire if they were ever in each other's presence, thanks to Magda being the traditional temptress type who brings the evil out in human beings and Crowley just being a literal minor god who wants to enjoy life but was trapped in demonic villainy instead

pachucos and pachucas were clearly onto something when they decided on the zoot suit and global warming has robbed us all of the convenience of bringing this fashion style back

[wavypack]

Cholo - The Sartorial Identity of Los Angeles.

Often affiliated with the Hispanic gangs of Los Angeles, the Cholo style is now represented all over the world. Dickies, Cortez and Pendleton shirts ... this is how we could summarize this aesthetic. However, the Cholo style is governed by codes that have evolved alongside the Mexican community in the USA.The contemporary Cholo style has its roots in the "Pachuco" style. The "Pachuco" was embodied by an active Latino community in Los Angeles in the 1930s. They met to dance swing and wore suits with very large pants: the "Zoot Suit". Reinterpreted in our time via workwear, the cholos use "Khakis" Dickies or Ben Davies 1 or 2 sizes too big to wear them high on the waist with a belt. The folds on the middle of the leg reproduce the aesthetics of the Zoot Suit pants. For some gangs, the standard is 1 pleat in the front and 3 pleats in the back, to form the number 13 in reference to MS-13 (Mara Salvatrucha). The jeans are starched so that they sit on the leg and do not wrinkle at the knees. Pleats similar to khakis are also ironed in.The Cholos place great importance on cleanliness in their clothing. An immaculate white shirt and an ironed chino are among the outward markers needed to be respected on the street. As in the 1930s, this respect is achieved through clean, well-cut clothes. This Cholo aesthetic has inspired other movements even beyond California's borders.In the 1970s, skateboarders like Tony Alva wore Dickies with Pendleton shirts and bandanas inspired by the West Coast Hispanic community. However, the Cholo style really took off in the world thanks to the explosion of California Rap in the late 80s. The members of N.W.A and in particular Eazy E took these codes and applied them to Gangsta Rap. Their imagery has largely contributed to the diffusion of this style in the world and in Japan where a Cholo community is concentrated today.Nowadays, independent brands continue to keep this Cholo clothing heritage alive. Born x Raised and Willy Chavaria each in their own way evolve the classic Los Angeles style by incorporating elements of sportswear.

[swannkings]

pt 2 of gen x/millennial fashion trends

part one tying 00s fashion & style to the 60s and 70s

i wanted to go back a little further because a lot of the styles vivid in my memory from the 90s were very 50s and 60s influenced.

so counterculture styles of our childhoods often become the trends revisited 20-30 years later (or before did social media accelerated trend turnover from years to weeks).

the 60s and 70s pull from the 20s and 30s; the 80s pull from the 40s and 50s, the 90s pull from the 50s, 60s, and 70s. what happened in the 00s that reset that cycle? we'll get there.

in the 40s there were hepcats and hipsters, pachucos and pachucas -- Black and Latine counters to white American culture and expected patriotism of the 1940s. if you don't know about the zoot suit riots, in 1943 white servicemen attacked latino zoot suiters because there was a fabric ration and wearing zoot suits was seen as unpatriotic.

40 years later in the 1980s, similar looks were brought back in style, but this time they weren't counter to the culture, they were the culture. boomers (aged 20s/30s/40s) were creating style and using what they saw as children as inspiration.

these same bulky/oversized men's cuts were also present in women's fashion both in the 1940s and 1980s.

but what was the counterculture of the 1980s? what subcultures were popping up and being blamed for the rise of satan?

punk, goth, and hip hop.

[marinerainbow]

//However you answer will fuel my heart...does Greasy dance pachuco swing style with Poppy?

.....

GAAAAAAAAAAGHHHHHHHHHHH

I wish I had the energy to write something for this! But nothing I coming to mind!!! 😭😭😭

But yes!!! Yes he absolutely does! Poppy ha never swing danced before meeting Greasy, actually! In a platonic or a romantic sense, I can see him taking her to a dance club with intents on fixing that!

Poppy would have so much fun, honestly! Even if she's more of a slow dancer, it's still fun to try this out ^^ and it's important to her friend/love, so of course she's going to give it a whirl. And I can see her genuinely enjoying it too ^^

They don't go out to dance clubs too too often, but they do love to dance together ^^

[crabbypalsart]

OC Talk:

I kinda wanna give Bacon baggier slacks, since technically I did base his style off the 1930’s Pachuco (The Devils are Mexican American-coded after all, and are from those times so). But man 😭 its lowkey kind of a drag to keep having to change stuff on my OCs.

Well, I guess I shouldn’t really worry, or complain too much since its kind of technically just minor tweaks, and its not like the designs I have right now are 100% officialized just yet or anything.

I’m thinking Bits could use a bit of change as well, maybe in just her outfit. Minor changes; maybe the logo on her shirt could look a little different. Something I tend to do with Bits recently these days is I give her long hair sometimes, and short hair in others (in her “present-day” design), and that’s mostly cause my sibling mainly draws her with the latter, and that honestly looks pretty cool 😂

I guess you could just decide to interpret Bits with whichever. Bits is a character that’s very curious in nature after all, and likes to experiment and poke around at stuff a lot; and that includes her appearance. :•)

As for Bacon, I guess I’ll just try to play around with different designs for his suit and stuff; mainly focusing on the slacks. I’ll decide whether or not I’m happy with the design at the end X•D

[zayaanhashistory]

Zoot Suit Riots

The Zoot Suit Riots were a series of violent clashes during which mobs of U.S. servicemen, off-duty police officers and civilians brawled with young Latinos and other minorities in Los Angeles. The June 1943 riots took their name from the baggy suits worn by many minority youths during that era, but the violence was more about racial tension than fashion. 

  During the 1930s, dance halls were popular venues for socializing, swing dancing and easing the economic stress of the Great Depression. Nowhere was this truer than in the New York City neighborhood of Harlem, home of the famed Harlem Renaissance. Style-conscious Harlem dancers began wearing loose-fitting clothes that accentuated their movements. Men donned baggy trousers with cuffs carefully tapered to prevent tripping; long jackets with heavily padded shoulders and wide lapels; long, glittering watch chains and hats ranging from porkpies and fedoras to broad-brimmed sombreros. The image of these so-called “zoot suits” spread quickly and was popularized by performers such as Cab Calloway, who, in his Hepster’s Dictionary, called the zoot suit “the ultimate in clothes. The only totally and truly American civilian suit.” As the zoot suit became more popular among young men in Black, Mexican American and other minority communities, the clothes garnered a somewhat racist reputation. Latino youths in California known as “pachucos”—often wearing flashy zoot suits, porkpie hats and dangling watch chains—were increasingly viewed by affluent whites as menacing street thugs, gang members and rebellious juvenile delinquents. 

Wartime patriotism didn’t help matters: After the bombing of Pearl Harbor and the U.S. entry into World War II, wool and other textiles were subject to strict rationing. The U.S. War Production Board regulated the production of civilian clothing containing silk, wool and other essential fabrics. Despite these wartime restrictions, many bootleg tailors in Los Angeles, New York and elsewhere continued to make the popular zoot suits, which used profligate amounts of fabric. Servicemen and many other people, however, saw the oversized suits a flagrant and unpatriotic waste of resources. The local media was only too happy to fan the flames of racism and moral outrage: On June 2, 1943, the Los Angeles Times reported: “Fresh in the memory of Los Angeles is last year’s surge of gang violence that made the ‘zoot suit’ a badge of delinquency. Public indignation seethed as warfare among organized bands of marauders, prowling the streets at night, brought a wave of assaults, [and] finally murders.” 

In the summer of 1943, tensions ran high between zoot-suiters and the large contingent of white sailors, soldiers and Marines stationed in and around Los Angeles. Mexican Americans were serving in the military in high numbers, but many servicemen viewed the zoot-suit wearers as World War II draft dodgers (though many were in fact too young to serve in the military). On May 31, a clash between uniformed servicemen and Mexican American youths resulted in the beating of a U.S. sailor. Partly in retaliation, on the evening of June 3, about 50 sailors from the local U.S. Naval Reserve Armory marched through downtown Los Angeles carrying clubs and other crude weapons, attacking anyone seen wearing a zoot suit or other racially identified clothing. In the days that followed, the racially charged atmosphere in Los Angeles exploded in a number of full-scale riots. Mobs of U.S. servicemen took to the streets and began attacking Latinos and stripping them of their suits, leaving them bloodied and half-naked on the sidewalk. Local police officers often watched from the sidelines, then arrested the victims of the beatings. Thousands more servicemen, off-duty police officers and civilians joined the fray over the next several days, marching into cafes and movie theaters and beating anyone wearing zoot-suit clothing or hairstyles (duck-tail haircuts were a favorite target and were often cut off). Blacks and Filipinos—even those not clad in zoot suits—were also attacked and bloodied. 

By June 7, the rioting had spread outside downtown Los Angeles to Watts, East Los Angeles and other neighborhoods. Taxi drivers offered free rides to servicemen to rioting areas, and thousands of military personnel and civilians from San Diego and other parts of Southern California converged on Los Angeles to join the mayhem. Leaders of the Mexican American community implored state and local officials to intervene—The Council for Latin American Youth even sent a telegram to President Franklin D. Roosevelt—but their pleas met with little action. One eyewitness, writer Carey McWilliams, painted a terrifying picture: “On Monday evening, June seventh, thousands of Angelenos … turned out for a mass lynching. Marching through the streets of downtown Los Angeles, a mob of several thousand soldiers, sailors, and civilians, proceeded to beat up every zoot-suiter they could find. Street cars were halted while Mexicans, and some Filipinos and Negroes, were jerked out of their seats, pushed into the streets, and beaten with sadistic frenzy.” 

Local papers framed the racial attacks as a vigilante response to an immigrant crime wave, and police generally restricted their arrests to the Latinos who fought back. The riots didn’t die down until June 8, when U.S. military personnel were finally barred from leaving their barracks. The Los Angeles City Council issued a ban on zoot suits the following day. Amazingly, no one was killed during the weeklong riot, but it wasn’t the last outburst of zoot suit-related racial violence. Similar incidents took place that same year in cities such as Philadelphia, Chicago and Detroit. A Citizens’ Committee appointed by California Governor Earl Warren to investigate the Zoot Suit Riots convened in the weeks after the riot. The committee’s report found that, “In undertaking to deal with the cause of these outbreaks, the existence of race prejudice cannot be ignored.” 

Additionally, the committee described the problem of juvenile delinquency youth as “one of American youth, not confined to any racial group. The wearers of zoot suits are not necessarily persons of Mexican descent, criminals or juveniles. Many young people today wear zoot suits.” 

[michaelcosio]

Royal Crown Revue performing Hey Pachuco live at Metro Theatre in Sydney on 12 December 2009

The Royal Crown Revue (RCR) is a band formed in 1989 in Los Angeles, California. They are often credited with starting the Swing Revival movement. The band's musical style, however, transcends the pigeon-hole label that was given to them as a swing band (most noticeable in their rendition of Neil Diamond's "Solitary Man" and originals "The Contender" and "Walking Like Brando".) RCR has had great success on The Van's Warped Tour, touring with the B-52's and Pretenders, and appearances at the major US Jazz Festivals.

The band recently filmed a special episode of "Gene Simmons Family Jewels", with Gene taking the reins, to appear in March. The band was founded by Eddie Nichols, Mando Dorame, out of a love of Rockabilly, Punk, Jazz, Blues, Soul, and other styles of roots music . The Stern brothers, Mark and Adam, who hailed from the punk band Youth Brigade rounded out the group early on. After repeatedly leaving RCR to tour with Youth Brigade, the Sterns were told to leave the band in the mid-90s and it is now headed by singer Eddie Nichols, tenor saxophonist/arranger/writer Mando Dorame, trumpeter Scott Steen, and drummer Daniel Glass. Stronger than ever, the band continues to play to capacity crowds in Australia, Europe, and the US.

from Moshcam

[f0xd13-blog]

Because they are and they always was!!! For years they was able to maintain them poor and living in third world conditions on purpose just like hitler did to europe but while the attack was happening I was sharing videos of romany dancing like they can't even do it in europe... half naked and shit... you would go to the streets and it was full of jews, muslims, christians, arabic and romany, black, arabs... dressed as a progressed society in fact that pachuco style came from gypsies and arabs of there.

[artostattoo]

Chicano Tattoo Flash Art

Best Chicano Tattoo Flash Art. One of the classical chicano tattoo designs is a little pachuco cross in the middle of the thumb and fingers. The chicano tattoo style is characterized by a black and gray color palette, elaborate lettering, and fine lines used to produce a variety of design elements, including religious iconography, pinup.

Pin on Tattoo Art from www.pinterest.com

It was used to identify the members of the pachuco gang, as well as faith and. The chicano tattoo style is characterized by a black and gray color palette, elaborate lettering, and fine lines used to produce a variety of design elements, including religious iconography, pinup. See more ideas about tattoos, sleeve tattoos, body art tattoos.

Source: www.pinterest.de

It was used to identify the members of the pachuco gang, as well as faith and. This beautiful name and date tattoo in memory of a loved one passing away uses a chicano style flowing font with spirals and loops for extra effect.

Source: www.pinterest.com

Check out our chicano tattoo flash selection for the very best in unique or custom, handmade pieces from our art & collectibles shops. Chuco moreno, freddy negrete, chuey quintanar, tamara santibañez, mister cartoon, el whyner, panchos placas, javier deluna, jason ochoa, and jose araujo martinez are all artists highly.

Check Out Our Chicano Tattoo Flash Selection For The Very Best In Unique Or Custom, Handmade Pieces From Our Art & Collectibles Shops.

This beautiful name and date tattoo in memory of a loved one passing away uses a chicano style flowing font with spirals and loops for extra effect. See more ideas about tattoos, sleeve tattoos, body art tattoos. It was used to identify the members of the pachuco gang, as well as faith and.

Chuco Moreno, Freddy Negrete, Chuey Quintanar, Tamara Santibañez, Mister Cartoon, El Whyner, Panchos Placas, Javier Deluna, Jason Ochoa, And Jose Araujo Martinez Are All Artists Highly.

One of the classical chicano tattoo designs is a little pachuco cross in the middle of the thumb and fingers. The chicano tattoo style is characterized by a black and gray color palette, elaborate lettering, and fine lines used to produce a variety of design elements, including religious iconography, pinup.