#other writers!! yes yes yes!!!

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

[isagrimorie]

Did you not see the imminent impalement in your future?!

Agatha All Along 1x07 - Death's Hand in Mine

[artslovergirl]

Stanford!art as a secret admirer pleaaaaase

hiii! sorry this took me literally a month to finish i am still not very good at keeping a drabble a drabble and this one really got away from me but i promise in the future that hopefully wont be the case....anywhoo! enjoy! (ty for being my first request ever!) also shoutout to diya for helping me a bit with characterizing art having a crush on someone! mwah!

admittedly, art felt like a creep. not enough to stop sneaking glances at you across the lecture hall but definitely enough to feel hot shame crawl up his neck whenever you would accidentally meet his eye contact.

he quickly glanced away and stared back at the blackboard, trying to pretend that's what he had been looking at all along.

he began fiddling with his pen, pushing the plastic end of it nervously against his lips. he could feel your eyes on him for a few moments longer before turning back around to face the professor.

great. now you probably actually thought he was a creep. which is not exactly how he planned your first form of contact to go.

...alright, to be fair, he never had an exact plan in the first place? but "make awkward eye contact" wouldn't have been a part of it. that's for sure.

he was a little out of his element here. stanford was a hell of a lot bigger than mark rebellato was.

back there, most of the girls knew him, sometimes even liked him already or he had patrick as his wingman. (or when it came to tashi, competition.) but here? he felt so unsure all of a sudden. it felt like all of the experience he had with dating seemed completely useless.

when he first saw you, he was still pretty infatuated with tashi. but that doesnt mean he didnt notice how hot you were. as more time passed the more he realized that tashi and patrick were apprently locked in (go figure the dude finally learns commitment just in time. read bitterness.) and the more he saw you, the more he heard you talk in class, the more he saw you laugh with your friends, the more you wouldnt leave his mind. not to mention how fucking smart you were. well, are.

the lecture ended and as always you were one of the first people out the door. you were always in a rush. or maybe you just had another class all the way on the other side of campus?

he wondered what your major was. he wondered if you knew he played tennis. he wondered if it would even impress you if you found out. he hoped it would.

---

art was sitting in the cafeteria stabbing his fork into his salad that consisted of like 70% veggies and 30% eggs.

he had to say, he was definitely getting sick of eggs at this point. he took a small sip of his gatorade.

usually, he drank blue, but he decided to try red today. maybe because it was patrick's favorite flavor or maybe because he needed at least a little change in routine.

unfortunately, as he went to place the bottle back down on the table, he almost knocked it over as soon as he suddenly noticed you standing by the vending machine. and then turning around. and.. walking towards him? holy shit.

at first, he thought you would just walk past him, but you stopped at his table. he didn't know if he believed in god, but at that moment, he certainly felt like a favorite.

"hey," you smiled politely, "sorry to bother you, but do you happen to have a quarter? that thing doesn't seem to take nickles." you nodded your head towards the vending machine at the entrance of the cafeteria.

"uh." his brain tried to play catch up. "um, yeah, let me check." he let out a small chuckle so he wouldn't sound so nervous, but it sounded more like he was wheezing. he pulled out his wallet, ripped apart the velcro, and checked. he silently celebrated when he noticed he did, in fact, have a few quarters. "yeah, how many do you need?" he looked up at you. his cheeks felt hot.

"oh, just one is fine." he nods, and suddenly, in front of your presence, it seems a lot harder to properly grab the quarter from his wallet. he does manage, though, and as he hands it to you, he feels your fingers brush against his palm.

as if transferred from your fingertips to his palm it felt like a surge went through his body, traveling through his arteries and sparking at the tips of his fingers and toes. you hand him your nickels in exchange. before you could turn to leave, he quickly interjected, "we're in the same class, right? english literature?"

he didnt know where he was going with this, he just wanted to keep talking to you.

your eyes flashed with recognition.

"oh, yeah! art, right? you sit behind me?" you knew his name. "yeah, yeah, that's right." he nodded, his fingers drummed against the table. there was a short lull in the conversation as he desperately tried to grasp for anything to talk about that wouldn't seem like he was hitting on you (even though he kind of was.)

"so, uh, this is actually good timing because i've been sorta meaning to talk to you anyway?" his lips pulled into a familiar charming lopsided smile.

"oh, really?" you tilted your head. "yeah." he nodded, his hand going to fidget with curls on the back of his neck that stuck out of his backwards cap.

"i, uh, need some help with some of the material, and, you know, you're so good-"

"oh, i'm not that-"

"nah, c'mon no need to be modest," there's that grin again, "i don't think i've ever seen you get a question wrong."

you huff, feeling embarrassed at the unexpected praise, "well, it's literature, so it's all interpretation, it's hard to be outright wrong."

"see, that answer just confirms it." he says.

you chuckle, finally giving in and accepting the compliment. "so..you want my help then?" he nods. he really prayed you would say yes because this was really his only plan on how to get to know you.

you mulled over it for a few seconds. then you nodded. "yeah, okay, let me give you my number and we can figure out the details later. i got another class in like-" you glanced back at the clock, "shit, 3 minutes."

you hastily ripped a piece of paper out of your notebook scribbled a number on it and left it on the table. "oh, and thanks for the quarter!" you yelled back (even though you didn't even get to use it) before booking it out of the cafeteria. guess he was right about you always being in a rush.

---

4:58 pm. 2 more minutes till you'd knock at his door. art did another once over of his room. now he wasn't exactly a messy guy but he had to admit his dorm had never been this clean before. actually maybe it was too clean...would you think that was weird? like would you think he was a neatfreak? girls probably weren't into that.

he began messing up his bedsheets just a little so it wouldnt look like he had just spent the past three hours obsessively cleaning every inch of his dorm. even though thats exactly what he did.

it was a pretty small room but you'd be surprised how long it can take to clean if you're doing a real deep clean. not to mention the pain in the ass that doing laundry in college was.

he did all of this because, keeping true to your word, you did make plans with him to help him out with some of the reading.

you : does 5pm on saturday work 4 u?? :-)

art : Yeah, I'm totally free!!

(in hindsight the two exclamation points were probably a bit much.)

just as he was about to check out his hair for the 5th time today, there was a knock on the door. he glanced at the little digital watch on his wrist. 5pm sharp. wow, you were punctual. was it weird that he found that hot?

art quickly brushes a few unruly curls that were sticking out of his backwards cap away with his fingers before moving to open the door.

---

"so, what's the exact stuff you're having trouble with?" you peered at him from his bed, which you were sitting on, which he was being very cool about.

you had asked him if it was okay to sit there after you had exchanged a few pleasantries and then chatted for about 10 minutes.

it was mostly about class at first, then turned into more personal topics. you asked him if he was on the tennis team, because of all the..well..tennis gear in his room.

he nodded and told you about his tennis scholarship. you chuckled and said you had never really watched any matches at stanford so far, but you'd like to see him play.

he really tried to not seem overly enthusiastic about that but he did tell you the exact time and date of his next match.

apparently, you thought the sport seemed "really impressive". ( i.e. you were impressed. i.e. you were impressed by him playing tennis. or that's at least how he heard it.)

then, after he found out you were an english major, which wasn't a surprise, you finally brought up the topic of studying.

he spun in his desk chair, to face you.

"just some of this..interpretive stuff...i feel like i never know what the professor wants to hear from me." he tapped the end of his pen against the book he was holding. "well.." you shifted into a cross-legged postion, you were wearing shorts and he was trying really hard not to stare at your legs.

"you probably shouldnt be thinking about that in the first place, you know, what the professor wants to hear? you should think about what you actually got from the book." he knew this was pretty standard advice but when you said it, it sounded like the most intelligent, world-changing thing he'd ever heard.

"riiight...what if i didnt get anything from it?" he smiled sheepishly, leaning his head on his hand. you scrunched up your nose and playfully rolled your eyes, "oh, come on, how can you read classic literature and not get anything from it? i don't believe that."

you scooted forward a little. a little closer to him. a nervous chuckle left his lips, his gaze swept back and forth between you and the book before settling on you.

truth be told, he was doing fine, at least grade-wise, and even if he wasn't, it wasn't like he was striving to become an english professor, he mostly decided to take this class on a whim. but the part about struggling with interpretations was true, it just maybe wasn't necessarily a dire enough situation to require your help...

"well, maybe youre not asking yourself the right questions before you read." you hummed, gently tapping your finger against your leg. "can i see your notes?"

art panicked a bit at that. he wasn't sure why, but suddenly someone looking at his notes felt oddly intimate. you would be able to read the bits and parts of the book he regarded as important enough to jot down. what he liked. what he didn't like. perhaps it was a little intimate.

he tried to play it casual, though, and nodded as he handed you his english lit folder. his nerves only got worse the longer you took to read through them.

then suddenly, you smiled and nodded a little bit before looking up at him again. he prayed that you couldn't see the way his heart was trying to escape his ribcage right now.

"you know, you couldve just asked me out."

before his brain could even process that sentence, his mouth seemed to go into immediate action to splutter out some kind of denial in order to salvage this, "what? i- no, no, that's not- i mean, seriously why would-"

"i mean, i wouldn't have said no. like you didn't have to pretend to need my help. you clearly don't need it-" you gently tossed his folder back onto the desk. "-plus you're cute."

he didn't move for a good few seconds until he finally caught up to what had just happened.

now, this would've been the moment where he would've liked to be really cool and smooth in his response, but instead what happened was: "um..so then are we..like are you.."

in his defense you kind of caught him off guard. like completely. he had had a plan. how the study sessions would transition into friendship, and then maybe, hopefully at some point would transition into dating. he was a patient guy, really, and you had just skipped like...everything.

"are you free tomorrow?" you asked, as you stood up to grab your bag. wow, you were really taking the wheel at this point. and he discovered that he had shockingly little problem with that.

"uh, yeah, yeah i'm free..like all day." he did have training in the morning but he truly would skip it just this once if it came down to it.

"2pm?"

"sure."

"i'll text you?"

"okay."

"so..it's a date?"

you had stood up from the bed and were suddenly already on your way out. probably because you could tell he needed a minute.

"yeah, a date." he nodded with a (almost lovestruck) smile he hadn't even noticed had snuck its way unto his lips. you reciprocated with an equally excited grin, "cool."

before he knew it, the door had clicked shut, and he was alone again. he felt warm.

"cool."

[housederiva]

Is it just me or is there way less fanart being made for this game than the previous ones? Kind of makes me sad, I remember with dai I could check the tags every few hours and find something new weeks after launch, now I only can get away with only looking a few times and week and miss nothing.

I don't think that's Veilguard exclusive.

Things I and my mutuals draw now are getting less notes/reblogs than they did even one year ago, regardless of the fandom. Fanfiction is getting less comments and kudos on ao3 too (not that they were getting many comments in the first place) Less gifs are being made because gif makers weren't getting reblogs. Hell, most of the post I make have a huge discrepancy between likes and reblogs and add polls into that? A thousand people voted on something and only a dozen people reblog it. It's a hollowing feeling when you realise you're calling out to an empty void, I don't blame people for creating less art because of that.

I don't see a vast majority of the people who follow me in my notes because I have likes disabled. Multiple times someone has sent me an ask apologizing for spamming me with likes and I don't understand it? That is not a bad thing And unless you reblogged anything along the way, I didn't even realise you were doing it in the first place. And the people whose notes I do see are not annoying in the slightest, I love the tags you add and I'm sure the original poster does even more so

I'm not trying to shame anyone Into interacting with the fandom spaces they're in but the whole point of Tumblr and what makes it a blogging platform and not social media is that this is a show and tell website. You're supposed to look at something you think is cool and then wave it around for your followers to see and then they pick it up and do the same regardless of how old it is

When you reblog an ask game from someone it used to be common courtesy to send that person one of the asks from it. Folks used to leave comments analysing paragraphs from stories people wrote and theorising about what would happen next on every chapter. We used to send each other asks just asking about our ocs unprompted

If there's no interaction or community when you create something, then what's the point of creating it? It sucks that fandom is morphing into something to be consumed and thrown away the second it's more than a week old unless you're one of a handful of blogs that got lucky and picked up traction at just the right moment

I'm sorry for the rant but I get emotional when I think about the decay of fandom spaces for too long. And this goes without saying, but you guys can reblog anything on my dash if the button isn't disabled on it

[francesderwent]

thinking about snarky cultural/theological commentary and. the thing about snark is this: it’s easy, and it’s instant gratification. it’s easy because you’re playing to a likeminded audience. you get the way they think, you know the sort of things they find ridiculous, and so you know what’s going to play well with them. it’s not that hard to come up with a zinger that’s going to earn you applause from your own side. it’s also pretty easy to make another human being who’s not on your side look stupid, because we’re stupid creatures and we all have plenty of exploitable weak spots. it’s preaching to the choir, and it’s preaching meanly to the choir. and then, your snark bears all its fruit right away. you get the glowing feeling of having scored points against the enemy while being patted on the back by your friends for being so brave. if you succeeded in being snarky, you get the rewards of snark that very instant.

on the other hand, seeking to share the truth you possess in a mode in which it could actually be received—that is, says St Thomas, according to the mode of the recipient—that’s hard, and it’s so far from being instantly gratifying that you may never see the fruits of it in this life. not only are you not thinking about your likeminded audience, you’re not even going to trot out the truth simply in the way you understand it and call it your best effort. rather, you have to try to get inside your interlocutor’s frame of mind and understand how the truth you know is going to fulfill their own priorities and longings. you have to understand them so well that you see the truth of their position, even if that truth is buried very very deep, and then see how that truth connects them to the truth you see. you have to be insightful, and compassionate, and so, so patient. you don’t get to score any points, with anybody. your interlocutor might still get annoyed with you and turn around and make you look stupid. but you can’t just say “I’m going to speak the truth and I don’t care who hears and how they take it”—you have to care how they take it, because the truth is relational, it’s given and received, not just spouted into a void. and frankly you have to care how they take it because you have to care about their salvation.

don’t get me wrong, there are times in every person’s life when they will be called to stand up and be counted, to put fumbling words to what they hold most dear even if they can’t make everyone understand. but I don’t know that it’s a virtue to be always focused on being seen saying the truth, with no consideration given to who hears you and what they’ll hear in it—and it’s certainly not a virtue to be always focused on being seen saying the truth in a mean and funny way. “instruct the ignorant” is a spiritual work of mercy. but instruct the ignorant does not mean “instruct the ignorant while making the knowledgeable laugh and/or high five.”

[redhoodie1723]

i have more,,, pls do u y’all want to see more

edit: part 2 part 3 part 4 part 5 part 6 part 7 part 8

[tddoodles]

Gwen, but punk, I think?

[wandixx]

I have an idea that includes two person love square because identity shenanigans are always fun, but I have no idea what they should do, despite having fun dynamics between them, like:

"Of course they're dating" said Public Opinion about Miss Martian and Phantom, right after she broke his heart a bit by telling him she was in love with someone else (Megan's long distance best friend, Danny). Before this happened, Phantom was overly flirtatious to both Miss Martian and Megan, so she asked Danny what to do about "This one guy in my sports team" and his advice is to tell him to "Fuck off". She does exactly that, without quite understanding the weight of the word and Phantom is stunned into obedience (and he understands that no means no)

Anyway, I need help with actual... plot. Situations I put them through, because I'm determined to write it. They would be cute together imo.

[fancyfade]

people will hate on female writers and then praise the middest thing a man has ever shat on paper

[wolvertooth]

theres some xmen fans out there that really just make me wanna make an hbomberguy style video defending sabretooths character good fucking lord

[ellearts]

Dog boyfriends

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[waterlinkedgirl]

Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)

Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)

Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.

Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.

You can find the subtitles and my TL notes document here!

[aethersflood]

Just don't say I didn't warn you. You're Cid now, and if anything happens to him, we're finished.

[aroaceleovaldez]

Mark Oshiro confuses me a little bit not going to lie. In the press tour for the first book all they ever talked about was how Nico is their son and Will is fine I guess. Then they said like 2 weeks before TSATS came out that they didn't understand Will's character at all and it's one of the main reasons why Will has so little POV.

Possibly unpopular opinion but I don't think it's a good, encouraging sign when the writer admits to not really caring about the deuteragonist or not even having a sense of how to write them...

Yeah, no. If you have no interest in 1/2 of the POV characters of your book, you REALLY shouldn't be writing it (or at least, not have that be a main character). Especially when the main way TSATS could have been improved is if it was primarily Will-centric instead of Nico-centric. Will basically had next to no established character prior to TSATS! He was practically a blank slate! But all the new stuff we got for Will in TSATS was so clearly disinterested and had no regard for his previously established traits (or the established timeline/canon). Which is annoying because fleshing out Will would have been the PERFECT opportunity to actually incorporate a lot of the topics that Mark Oshiro specializes in as a sensitivity reader, which was the ENTIRE REASON THEY WERE BROUGHT ON AS A CO-AUTHOR!!!!

As TSATS stands, there is no reason for Mark Oshiro specifically to have been the co-author instead of someone else. It's so clearly just a PR move from RR following the huge backlash Rick received due to his response to criticism on how he wrote Piper and Samirah (and Reyna and etc etc). This was immediately following Rick saying he wasn't going to write what would become TSATS because "it [wasn't his] place to." Most of the topics that Mark Oshiro specializes in either weren't relevant at all to TSATS or written very poorly (to downright offensively) in TSATS, so either Mark Oshiro wasn't doing their job or was not able to do their job for some reason, but either way it basically makes the theoretical justification for Mark Oshiro being the co-author/sensitivity reader irrelevant.

With Will, it was HUGE fanon back in the day for him to be trans. Trans!Will and photokinesis!Will were basically the two biggest headcanons for him (both largely popularized by Cherryandsisters). We know Rick is aware of this old fanon because he canonized photokinesis!Will. If we had gotten trans!Will, that would have been great! And then made sense why we specifically got a trans co-author! (Instead, if anything, TSATS canonized Will being cis.) If we had gotten Will being latino, that would have been amazing!!!! And also then made sense as to why they chose Mark Oshiro for the job as a latinx author/sensitivity-reader, versus potentially choosing an Italian co-author since Nico being Italian/Venetian was emphasized so much in the book (and done poorly! Yknow what they could have done to fix that? GOTTEN A SENSITIVITY READER FOR IT)! Based on the themes and focuses actually present in the book, it would have been most logical to get a queer, neurodivergent, Italian co-author or sensitivity reader who specializes in those three topics at least. But we didn't! So why was Mark Oshiro chosen instead when they only specialize in one of those topics? PR reasons. It's blatantly entirely PR reasons and no actual thought or care was put into this book (or, likely, TSATS 2 either).

It doesn't help that we're also actively being told that the published version of TSATS was a rough draft. Or that their editor blatantly isn't doing her job. Or that "The Sun And The Star" was the working title that they just kept cause they didn't bother to make an actual title. And that the final version is full of explicitly last-minute scenes that weren't checked over at all (the final Bianca scene, for one). Or the ACTIVELY ADMITTING TO SOURCING IDEAS AND INFORMATION FROM FANS! That last one is kind of important because at this level of publishing that is a HUGE no-no for legal reasons. You can get into a lot of trouble for that and there is a reason why it is Ye Olde Fandom Law to never try to pitch your ideas or headcanons to the source creator(s) and keep fandom separate from the creators. There is a REASON why Rick Riordan is so distant from the community these days and it's for PROTECTION AGAINST LEGAL REPERCUSSION. Mark Oshiro being the exact opposite while also ACTIVELY ACKNOWLEDGING sourcing concepts from fans does not bode well! It has to do with copyright stuff.

It's just. So. Sighhhhhhhh >->o <- me lying on the floor about all of this. It's sad being able to see the glimmer of what could have been at the very least a decent book underneath all this. If anyone involved in the process had actually cared just the tiniest amount.