#other notable outfits include

[heavencasteel420]

List of Nancy's Outfits in Drive All Night

Brown wool skirt and tan cashmere sweater

Letty Lynton gown

Sexy black mourning dress

Housedress (I don't think I describe it but I imagine it being pale pink with a small floral pattern)

Landlady-impressing navy suit with colorful blouse (in my mind it's kelly green)

Violet or lilac (NOT pink) rayon crepe dress

Cashmere coat (with bootleg-liquor-funded fur collar)

Slinky sky-blue gown

Lacy peach brassiere and drawers

[sportbarcelona]

BARCELONA OPTIMISTIC ABOUT SIGNING BRAZILIAN GEM

[shortnotsweet]

This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.

Alicent’s Costuming

Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.

Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status

Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement

The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles

Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve

Shoes should stick mostly to slippers, or flat designs

In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.

Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.

Rhaenyra’s Costuming

Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.

Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.

There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.

Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.

Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.

Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.

Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.

Avoid headpieces that are not either a) her crown or b) ceremonial.

[yeri-luvr]

TUNNEL VISION

pair: idol!sana x high fashion model!reader

wc: 3k

includes: alcohol consumption, scissoring, oral (reader receiving), overstimulation

Sana was ready to hit the bed as soon as she arrived at her 5-star hotel, but there was no time for her own plans since she had to attend fashion week.

She could curse her managers for making her arrive in Italy 3 hours before the show started, but she can’t lie she still held the excitement she always had when going to a foreign country.

Milan held Sanas favorite gelato shop, a vivienne westwood boutique she shopped in every visit, and perhaps beautiful models she never forgot to pick up after certain events.

What got sana through her hair, makeup and styling process was the possibility of an after party, or planning on the side quests she’d attend to during her free time.

Luckily, Sana had a love for fashion and was grateful to attend such events. The notable pieces of fabric piqued her interest every single time, and sometimes a pretty model would catch her attention.

Skimming down an outfit that captivated her, she failed to notice the face that adorned the clothing.

You had a face that kept her focused longer than any other model that walked the same stage. The clothes you were modeling were easily shadowed by your beauty and the rbf you displayed didnt help shift her focus back to your clothes. Easy enough to say, Sana was hooked.

It felt like you were off the stage quicker than you got on, and Sana regretted wasting her time focusing on other outfits you shared the stage with, but was grateful you caught her eye last second.

All she could do was hope to run into you somewhere else, maybe somewhere along the streets of Milan or even better, an after party.

The rest of the show was a bore for her thanks to you. She believes her eyes wandered around the room 10 times, checked her nails 5 times, and thought about you even more times before the show came to a close with the designer thanking everyone for their attendance.

Stepping out of the event was less of a hassle compared to when she arrived since most fans dissipated, except the ones who stayed till the end of the event in hopes of seeing Sana once again. Per usual, she waves towards fans, thanking some for showing out and supporting her, and finally steps into the black SUV that would take her to her next run in with you.

You on the other hand were on cloud 9. Yeah, modeling was fun and a passion you’ve been pursuing for about 3 years, but you thought the scene that came with it was even better. Your timeless features paired along with the duality of your runway walks led you to being on the front cover of magazines, opening luxurious fashion shows, and an extravagant lifestyle you’ve yearned for since you were a little girl.

Getting off the catwalk was a relief since you were able to finally slip off your heels and your mood suddenly lifted once you remembered your planned whereabouts after this.

Stepping into the function was like a reward along with the champagne that was served to you right at the entrance. This was a playground for socialites, networking, and public figures mingling with others on the same level as them. You on the other hand did not come for networking or mingling with other well -known people, but for the free drinks and a good time with your small circle.

You usually don’t find yourself sharing a bed after nights like this, but you weren’t opposed to the idea either, you typically just went with the flow.

Heading back towards you friend group after grabbing a shot from the bar, you slowed your pace once you notice the unfamiliar face next to one of your closest friends. She calls out, “Y/N! Come here, I want you to meet someone.” You barely process what your friend says, instead focusing on the girl you’ve never seen before. Her hair had slight waves with one side tucked behind her ear that exposed her sharp yet soft jawline, and her eyes pierced yours as if she was waiting for your arrival. Sliding in the booth, you turn to the unknown girl and push your hand forward, “I’m Y/n, it’s nice to meet you!” She takes your hand and smiles, “I’m sana, you looked great on the runway earlier today!”.

It was hard to find your words when she was giving you such an endearing smile, making you focus on her pink lips that were recently coated with lip gloss. Shaking out of your trance, you realized how familiar the name sounded.

Your friends head peaked out behind Sanas, “Shes in that girl group I told you about how much I love, Twice! Remember?” That made your eyes light up and turn back to Sana, equally excited as much as your friend was.

“You don’t understand how much she talks about you guys. We were recently talking about flying out to Japan to go see you perform!”

Making further conversation with the girl came easy, you two were both interested in each other’s careers, sparking many questions and soon enough compliments that couldn’t be avoided due to each other’s flirtatious personalities. You couldn’t help but feel as if you stole Sana away from your best friend, but that became the least of your worries when you saw her drunk crying and being consoled by one of your other friends.

Sana soon put her open palm towards you wordlessly and after putting your hand in hers she leads you to the main dance floor. The heat radiating from the group of people dancing did not bother either of you since you two were wrapped up in each other’s worlds. The song, sensual but upbeat, lead your back to her front and your hips swaying side to side against her. You were thankful you had made a friend who didn’t mind being touchy, but it made you wonder if that would end in you guys becoming a one night stand.

You didn’t push the idea away and instead found yourself wanting it to manifest into reality. This urged you to turn back around to face sana and wrap your arms around her neck.

The red strobe lights made her look like the devil in disguise, a sin to indulge in, and a face you wished to see more often. You find yourself becoming grateful your friend ran into her and introduced her to you, or else you wouldn’t have been able to see her face leaning in towards you, making her forehead come in contact with yours.

Your eyes trail down to her lips and once you look back up into her eyes, hers are already focused in on your lips.

You kissed her with only your liquid encouragement and a dream, but in your favor she returns the kiss with even more assertiveness. Remembering that you’re out in plain sight, you pull away leaving sana to chase your lips, but you pulling away made her come back to her senses and realize her whereabouts.

“My place or yours?” You get out as quickly as you can. Sanas quick to decide on her place and calls up her driver to get you out of the club and onto her bed.

Ushering you out of the place, Sana grips your hand and pulls you towards where her driver was waiting. Thankfully, no fans or paparazzi were there due to the late hour. Getting out of the club was not that difficult, but sitting next to sana for a whole 15 minute ride to her hotel was hard. She was scrolling through her phone while dragging her hand up and down your thigh, too close for comfort as if it was nothing.

The car ride felt agonizingly slow as her hand built up your anticipation, leaving you resisting the urge to cross your legs. Sana took notice when you suddenly tensed up, all she did was smile knowingly.

It felt like the car barely came to a stop when Sana dragged you out the car. You didn’t notice you arrived at the hotel because of your hazy state, trying to focus on everything but Sanas hand on you the whole ride.

You let her guide you since you were unfamiliar with the place. She seemed to glide smoothly and kept her resilience impressively. You wondered if she had gotten soaked as much as you had. The thought made you flush, thinking of her seeing how wet you had gotten embarrassed you a bit.

This was a foreign feeling since you were always the most confident one in any hook up. You’ve never met someone who chipped away at your confidence and made you feel the need to submit. Sanas classiness didn’t falter once all the while she was the one doing all the touching.

She remained calm as she opened the door to her room, lead you to her bed and motioned for you to sit down on it. It made you eager to find out what was to come next.

“I’ve been eyeing you since the show,” To Sana, it was like tunnel vision. That whole day, she chose to barely acknowledge anyone who wasn’t you. Besides your friend, she exchanged pleasantries with her but that was all because she saw you come in with her.

Her hand tucking the hairs that framed your face behind your ears, she finds comfort in sitting on your lap and pushing you back by your shoulders.

No words needed to be exchanged when her hands reached for the zipper of your dress and effortlessly dragged it off. She follows suit and feels like she has just opened a christmas present.

Her eyes trail down from your face to your bra, eyeing the lace detailing that kissed your skin. Your panties left drenched with her to blame, she eyes the wet spot

You unwillingly boosting her ego, Sana took pride in managing to get you so wet with barely any work. When she started moving her hips on top of your heat, you were already whimpering so lightly that your deep breaths were heard more. She grips onto your shoulders as she lowers her upper body onto yours and was disappointed as she felt the fabric of your bras blocking contact from each other.

Removing hers then yours, she’s pleased with the feeling of your bare nipples rubbing against hers along with her hips rotating on top of you. You felt constricted as she used you for her own pleasure, almost feeling like a doll with the way she humped you.

She felt your nails lightly scratching her sides, they had a sense of urgency, begging for more of her attention. She puts your hands to a stop and places your fingers in her mouth. You look at her fascinated while she works her tongue up and down along your skin. She pulls them out with a pop and removes the rest of your garments.

She brings your two wet fingers onto her core and helps herself by dragging her lips along them, back and forth.

You glided over her clit, making her breath hitch but not making her stop. The tip of your fingers met her hole, leading sana to tease her entrance with your own hand.

You barely felt like you were alive, almost in a trance like state. You didn’t notice her hands placing yours besides your head followed by the feeling of warmth where your cunt was practically leaking. Your back arched as your clit came in contact with the girl on top of you. All you could focus was on Sana, you couldn’t pay attention to anything else but her face showcasing pure ecstasy and the sound of her slick mixing with yours.

Your legs felt like they were in a jumbled mess, but everything else felt just right. The feeling of sana moving back down for her breast to make contact with yours, her tongue searching for yours along your lips and her fingers sliding down between the two of you to feel how wet you were against each other.

Her moans were raspy and were drowned by your lips over hers. You break apart the kiss to breath since everything was overwhelming. You tried to voice out your words and what you wanted to say to her, but all that came out were hyperventilated breaths and incoherent sentences.

“Shh, breath baby. it’s okay, I’ve got you.” Sana cradles your face and slows down her movement. You whine when the pace slows down and you finally catch your breath “Go faster please, I promise I can take it.” She contemplated for a few seconds then picked back up her pace. Her muscles burned but she didn’t mind, she was glad to do the work while she got the perfect view of you falling apart.

Sana could’ve gotten off just by the faces you were making under her. She wouldn’t be surprised if the neighboring hotel guest heard you, but she didn’t care and was glad you didn’t hold your noises back.

You reaching the edge purely by clit stimulation wasn’t what you had expected, but here you are clutching sanas wrist up to your chest. “Fuck- I’m so close, don’t stop.” You proceed to move your hips upwards, chasing your high and taking sanas thumb into your mouth. You used her thumb to silence yourself, truly believing you were going to scream once you came under Sana.

Sana was fascinated by how easy it was to glide herself on you due to how much more wet you got right before cumming. She focused on grinding her hips down harder against you, making the pressure against your clit just enough to bring you over the edge. Sana kept her movements up, not slowing down as she focused on finishing herself on you.

You were limp on the bed as she continued using you to get herself off. You never came that hard before just by scissoring, and you were on the brink of tears as she slowed down against you.

Sana leaned down and kissed the tears that fell due to the overstimulation you felt. Feeling like that wasn’t enough for you, she made her way down your body and arched her back to come face to face with your pussy. It was a mistake looking down and seeing the view in front of you.

Her face was in front of your pussy that was once again being played with by her fingers, softly drawing circles on your puffy clit while she eyed down the milky liquid coming out of you.

Her tongue went straight to work at your hole, savoring the taste of you once your slick was welcomed into her mouth. Licking away at your entrance, sana closed her eyes and sighed getting lost on your taste.

You began whining for the nth time, realizing she was probably pussy drunk with the way she didn’t notice your hand pushing her head away. Her ministrations didn’t stop there and she continued to help herself by eating you up.

It’s almost as if she enjoyed bringing you to tears, you laid there on the bed once again crying for her. You tried your best to take it all, her persistent licking on your sensitive bud, two of her fingers pistoling in and out of you, and her deep groans that vibrated against you.

The familiar liquid that came out of you motivated sana to keep going. She chased the taste of you and the way your legs shook around her head almost made her want to keep going once you came again.

She focused on hitting the spongy spot that made your eyes roll to the back of your head and your back arch.

What brought you to the edge was her her lips wrapped around your clit, switching between sucking on the bud and circling her tongue around it. Your senses were fucked up and you needed to grab onto anything to keep you grounded, which unbeknownst to you, made you grab her hair.

She groaned while attached to your pearl at the feeling of you tugging at her hair. Leaving her tongue out for you to grind on, she watches as you get lost on the feeling of her.

Sana let’s herself have a little more fun with you by cleaning up your slick, her tongue tracing patterns along your spent hole and not shying away from your bundle of nerves.

You truly did not have the energy to move yourself away or to bring her to a stop. Your makeup had to be ruined by now due to the amount of times you had already cried that night, but your tears felt uncontrollable while she licked away as if she hadn’t already pushed you beyond your limits.

Opening your eyes, you’re met with the view of her licking your juices off of her fingers, one by one. The sight made you close your eyes, knowing if you continued to watch you’ll get horny all over again, and it was better off that way since your sensitive cunt couldn’t take her anymore.

Going up to your body, Sana peppers delicate kisses over your collarbone making goosebumps arise. You two laid there in silence with you finding comfort on top of Sanas chest, the rhythmic beating of her heart lulling you you to rest.

Waking up left you disappointed once you realized that Sana was not in bed with you. You’ve been through this routine a good amount of times by now, what’s the difference now?

You tried to remind yourself how you shouldn’t have expected any different from Sana but the thought of waking up besides each other, getting breakfast and exploring the city was an experience you wanted to share with the girl to get to know her better. In the process of picking up your thrown garments you notice a piece of paper on top of the bedside table. Picking it up, you read the written text with the prettiest handwriting you’ve ever seen,

“I pushed the checkout till 2 in the afternoon so you can rest up longer. If you’re ever in Korea, text me (xxxxxxxxx)”

Feeling relief and excitement, you smile to yourself knowing you’ll reconnect with the girl who left a lasting impression.

[coochiequeens]

I know this blog focuses on TIMs invading women’s sports and locker rooms but Saving Women’s Sports means more than that. Like calling out sexist bs when companies give men real clothes to compete in and women get basically underwear.

The Nike Air Innovation Summit in Paris on Thursday.Credit...Dominique Maitre/WWD, via Getty Images

By Vanessa Friedman April 12, 2024

Ever since the Norwegian women’s beach handball team turned the fact that they were required to wear teeny-tiny bikini bottoms for competition into a cause célèbre, a quiet revolution has been brewing throughout women’s sports. It’s one that questions received conventions about what female athletes do — or don’t — have to wear to perform at their very best.

It has touched women’s soccer (why white shorts?), gymnastics (why not a unitard rather than a leotard?), field hockey (why a low-cut tank top?) and many more, including running.

So it probably should not have come as a shock to Nike that when it offered a sneak peek of the Team U.S.A. track and field unies during a Nike Air event in Paris celebrating its Air technology on Thursday (which also included looks for other Olympic athletes, like Kenya’s track and field team, France’s basketball team and Korea’s break dancing delegation), they were met with some less-than-enthusiastic reactions.

See, the two uniforms Nike chose to single out on the mannequins included a men’s compression tank top and mid-thigh-length compression shorts and a woman’s bodysuit, cut notably high on the hip. It looked sort of like a sporty version of a 1980s workout leotard. As it was displayed, the bodysuit seemed as if it would demand some complicated intimate grooming.

Citius Mag, which focuses on running news, posted a photo of the uniforms on Instagram, and many of its followers were not amused.

“What man designed the woman’s cut?” wrote one.

“I hope U.S.A.T.F. is paying for the bikini waxes,” wrote another. So went most of the more than 1,900 comments.

The running comedian Laura Green posted an Instagram reel in which she pretended to be trying on the look (“We’re feeling pretty, um, breezy,” she said) and checking out the rest of the athlete’s kit bag, which turned out to include hair spray, lip gloss and a “hysterectomy kit,” so the women would not have to worry about periods.

When asked, Nike did not address the brouhaha directly, but according to John Hoke, the chief innovation officer, the woman’s bodysuit and the man’s shorts and top are only two of the options Nike will have for its Olympic runners. There are “nearly 50 unique pieces across men’s and women’s and a dozen competition styles fine-tuned for specific events,” Mr. Hoke said.

Sha’Carri Richardson

Women will be able to opt for compression shorts, a crop top or tank and a bodysuit with shorts rather than bikini bottoms. The full slate of looks was not on hand in Paris but more will be revealed next week at the U.S. Olympic Committee media summit in New York. The Paris reveal was meant to be a teaser.

Anna Cockrell.Credit...Dominique Maitre/WWD, via Getty Images

Mr. Hoke also pointed out that Nike consults with a large number of athletes at every stage of the uniform design. Its track and field roster includes Sha’Carri Richardson, who happened to be wearing the compression shorts during the Paris presentation, and Athing Mu. And there are certainly runners who like the high-cut brief. (The British Olympic sprinter Dina Asher-Smith, another Nike athlete, told The New York Times last summer that while she opts to run in briefs, she also leans toward a leotard style, rather than a two-piece.)

What Nike missed, however, was that in choosing those two looks as the primary preview for Team U.S.A., rather than, say, the matching shorts and tanks that will be also available, it shored up a longstanding inequity in sports — one that puts the body of a female athlete on display in a way it does not for the male athlete.

“Why are we presenting this sexualized outfit as the standard of excellence?” said Lauren Fleshman, a U.S. national champion distance runner and the author of “Good for a Girl.” “In part because we think that’s what nets us the most financial gain from sponsors or NIL opportunities, most of which are handed out by powerful men or people looking at it through a male gaze. But women are breaking records with ratings in sports where you don’t have to wear essentially a bathing suit to perform.”

The problem such imagery creates is twofold. When Nike chose to reveal the high-cut bodysuit as the first Olympics outfit, purposefully or not, the implication for anyone watching is that “this is what excellence looks like,” Ms. Fleshman said.

That perception filters down to young athletes and becomes the model girls think they have to adopt, often at a developmental stage when their relationships with their bodies are particularly fraught.

And more broadly, given the current political debate around adjudicating women’s bodies, it reinforces the idea that they are public property.

Still, Ms. Fleshman said, “I’m glad Nike put this image out as the crown jewel of Olympic Team design,” because it may act as the catalyst for another conversation that has been long overdue.

“If you showed this outfit to someone from the W.N.B.A. or women’s soccer, they would laugh in your face,” she said. “We shouldn’t have to normalize it for track and field anymore. Time’s up on that.”

[fountainpenguin]

Dimmsdale Rich Families Analysis

Misc. musings that haunt me daily...

I love Dimmsdale's rich families... You've got the Dimmadomes who are all about real estate, fancy buildings, hosting city events, and (Thanks to Dale) they got into tech and shipping.

Contrast that with the "old-fashioned pencil and paper" vibes of the Leadlys, plus the Buxaplentys running the trains... It's a triangle of supporting each other's businesses (and thus, the rich get richer).

This post written under the assumption we're treating these episodes as canon, though I cherrypick "Country Clubbed" in my worldbuilding and I use Dimmsdale's founding year from Season 3 over the one given in Season 9.

General Background

Several flashback episodes imply the FOP world exists in a timeline where the English settled at least part of the west coast in 1665 (as opposed to the Spanish).

- Presumably, this is one of the unique things a universe-hopper like Jimmy Neutron would identify this world by. - On that note, people are heavily implied to "stand differently" in the FOP world, which is why visitors from other dimensions react with surprise when they see their bodies (and fall over before they get their footing):

Just some fun "alt reality" vibes. Enjoy your visit; sea legs required.

Notably, this is also a universe where trains existed on the west long before they existed in ours, but we'll get to that.

Today I'm discussing the Dimmadomes, Leadlys, and Buxaplentys, but for anyone who's interested in learning more about rich families, Season 9's "Country Clubbed" namedrops a bunch.

Dimmadome Family

We know the Dimmadomes for their impact in the modern world- they're always innovating, hopping from one thing to the next. Dale does seem to have consistency in the businesses he owns (though I am DYING to question what his plans are for that indoor amusement park).

Doug doesn't seem able to commit to anything for long, though we know he's very proud of the Dimmsdale Dimmadome. He hosts many events throughout the series, from music shows to wrestling to demolition derbies.

Dimmsdale was founded in 1665, named after Dale Dimm (following him throwing Alden Bitterroot the witch down a well). It's possible Dale Dimm is an ancestor of the Dimmadomes, given what we know about:

- Dimmadomes having their hand in things (including the founding of Dimmadelphia). - One Dimmadome ancestor using the surname Dimm ("Lost and Founder's Day"). - Dale Dimm's very tall, barefoot figure is a hilarious ancestor choice for Doug "tall hat" and Dale "boot obsessed" descendants when you think about it.

While it's heavily implied Dale was born into generational wealth, we can't confirm whether that was (or wasn't) true for Doug. It's possible his family helped him get his start, but he seems to have kicked off his own success story by mining for gold (Presumably at a young age given that was back in 1953 and the main FOP series kicks off in 2001).

I like to think Doug (prior Dale's birth) changed his family's surname to Dimmadome to move away from the negative connotation of Dimm and commit himself fully to his big and shiny brand image.

Doug's a pretty interesting character! He's not afraid to get involved in his projects and work hard personally, as opposed to outsourcing- a trait he and his son Dale seem to share.

Doug also seems pained to surrender a check to Timmy in "Odd Ball" (even asking for a minute to say good-bye to his money), which isn't far off from Dale's attitude towards stocks.

He was even down to move to Alaska to follow the Ballhogs basketball team. He loves throwing all his chips on the table and doesn't back out easily. He also goes all-in with promotional outfits, like the parka above or his chicken costume in "Chicken Poofs."

That said, he might have some "sunk cost fallacy" views towards some of the stuff he buys. While the basketball team cheered they'd won the game by a close shave, Doug's first remark was that now he'd have to figure out what to do with all the stuff he bought in prep for their move to Alaska. He immediately started eating the Blubber Nuggets he would no longer be able to sell.

In "Chicken Poofs," when Doug sees the town inside his restaurant's chicken-dunking cages, his first thought isn't "Oh my gosh, I have to save these people." It's "These people stole my chickens- I'm ruined!" However (at Timmy's advice), he comes back from the loss of his chickens by selling the eggs they left behind. He wasn't about to go home empty-handed.

I'm obsessed with Doug's chicken-dipping machinery having labels so the thing one step up from Deep Fry is The Sun, and the step up from Sun is Lava. When would he ever need a dial that goes that high?

A "waste not, want not" attitude is fascinating in contrast to Dale being so incredibly wasteful, he brought two single-use helicopters on his trip to the park in "Stanky Danky." Is Dale rebelling against Doug's "We have to make the most of everything" parenting style? I think that plays really well into my vision of Dale being the first born into excessive wealth, while Doug possibly worked his way up after striking gold in 1953. Dale is wasteful, Doug more practical.

Doug is also over-the-top ridiculous and would sooner work around his love for tall hats than stop wearing them.

He owns a boot-shaped phone and a laptop with an armadillo logo, apparently. I'm not sure what they were going for with the armadillo - it's probably just random or meant to represent high security - but I looked it up and in Mayan folklore, armadillos are perceived as cunning critters that outwit people and dodge consequences thanks to their shells, which... Yeah, I think that sums the Dimmadomes up pretty well. Fun fact, but armadillos are one of the only things Fairy magic can't affect ("Teacher's Pet") because magic bounces off their shells. My Anti-Fairy biology incorporates pink fairy armadillo biology because we know Anti-Fairies are also immune to most Fairy magic. Just kind of a "Hm" implication, especially since "Crock Talk"' here and "Teacher's Pet" are both Season 7 episodes. I guess the other horrifying option is that Doug eats armadillos the way you eat apples, but...

I'm also of the opinion that Doug torched things in the Learnatorium, given what we know about the Learnatorium's interior ("Totally Spaced Out") and this scene of Doug "destroying childhood memories" in "Odd, Odd West"

In fact, it's not even a reach to say Doug takes pride in destroying people's cherished childhood memories. He seems to "look down on wasteful, childish things" and seems to value anything that is more useful in performing a task or turning a profit. Again, that's big "Everything must be useful and we can't waste space" energy (and presumably reflects on his offscreen parenting).

Where my fanworks are concerned, I love the idea that Doug paid for personal tutors to help Dale adjust to society and/or some basic schooling. Say... maybe an elementary teacher to start with? I don't think it would be unreasonable to theorize Crocker was involved with that, at least at first, as it helps justify the money he would've needed to expand the Crocker cave in the early days. -> We know from S4's "Genie Meanie Miney Mo" that Mr. Birkenbake states he can't afford a garage because he "doesn't make Crocker money," implying resentment... which is pretty interesting when you consider that Crocker also doesn't have his own place because he moved back in with his mom after university, and not even to his old room (Instead to a room above the garage). -> We know from S6's "Wishology Pt. 2" that Crocker stole the money intended for "the school's new science wing" and used that to pay for some of his tech, like his rocket. Both these episodes come well after S2's "Nectar of the Odds," so it's interesting to consider Crocker getting money earlier to support his tech pursuits in Seasons 2 and 3.

Dale seems to feel strongly about his dad- If it's not love, it's obsession and Grade-A Daddy Issues. His tent is shaped like his dad's head - despite Doug not being present at the event as far as we know - and even his house features statues of his dad.

Considering the nervous, over-the-top, aggressively money-chasing person Dale turned out to be, it's no surprise we can see a lot of Dale in Doug. While Vicky did a number on Dale's psyche, there's definitely some Doug influence in his behavior too.

Fun Fact: The Dimmadome gives off Roman Colosseum vibes, so it's fitting that one of the ancestors we saw in "Lost and Founder's Day" is an ancient Roman!

I would also be remiss not to look at the Dimmadome fortune, glance at the sheer number of businesses Doug is constantly opening... and question if there's some money laundering going on there. Seems kinda sus, ngl...

I'm just saying, Doug with a ton of "disposable income" (gold) because he ended up with a lot of it very quickly seems like a "great" way to get into gambling. Shout-out to the Dimmadomes and their obsessions that hint at addictive personalities. Actually, that makes Dev's game addiction so much darker and now I'm horrified. He could get into trouble so easily...

Also, in "Engine Blocked," Doug literally tries to pay Vicky with a bunch of [I assume fake] money with his face on it, so that's questionable...

One last interesting note is that the Dimmadrones (called such in "Stanky Danky" when chasing Cosmo, Wanda, and Hazel) are clearly based on the early model of Amazon delivery drones.

I think the obvious assumption is that Dale* built them for Dimmazon, but repurposed a few of them for Dev's caretaking (as opposed to them being built for Dev in the first place).

* It's possible the robots were built by a team, but knowing Dale programmed the statues in "Lost and Founder's Day" & Dale's seeming preference to do things himself rather than outsourcing, I'm going with the "Dale built them" theory.

This repurposing might be backed up by Dev referring to the ones that hang out with him as au pairs - a phrase meaning "caretaker" - and even claiming his au pairs are Au Pair #1 and Au Pair #2. While that might just be convenient shorthand since those are the two he interacts with, maybe those are a different type of Dimmadrone that was designed (or tweaked) specifically for Dev's care.

In a previous post, I discussed my headcanon of Dev having hypoglycemia and referenced the au pairs having the ability to "alert on him," or at least use both visuals and noise to signal him, as in this screenshot from "28 Puddings Later" showcasing a glowing exclamation point:

We also know Dev has specific food needs (Lactose intolerance), that he's very picky with his food (Even a treat like cupcakes that you would expect a 9-year-old to enjoy regardless), and that the au pairs are capable of food preparation (since Dev tells Hazel in "A New Dev-elopment" they can make sushi).

The au pairs are probably the most advanced, expensive, time-consuming models (compared to the ones that simply need to be mass produced for package pick-up and put-down).

I do like the thought that - for all his faults I didn't touch on here - Dale does care enough about Dev that he took the time to design two robots that could look after Dev in his absence... and specifically, took the time to think of what a child actually needs.

Dale probably thinks "I spent 7 years struggling... I would've loved the comfort of knowing my base needs like food were taken care of."

In my hypoglycemia post, I said the au pairs seem to know what hugs are and can recognize when Dev wants comfort. That implies Dale put a lot of thought into the design of the au pair and its ability to assess Dev's needs. Dale's not oblivious to what a child needs, like safety, appropriate food, and physical affection... He just lets the au pairs handle Dev.

Dale definitely gives the impression of someone who's making a genuine effort to parent, considering he missed out on healthy role models for at least 7 years of his life (Not to mention Doug is a wild character and probably fell short of being an excellent parent himself).

Along with designing the au pairs to look after him, Dale involves Dev in his projects, greets Dev, and answers his questions, and that's so interesting when you compare him with people like:

- Remy's parents (after the shipwreck in "Fairy Fairy Quite Contrary"'s closing scene) opting to count their surviving money and open a luxury hotel while still dressed in rags, forcing Remy to forage for his and their survival - Vicky and Tootie's parents opting to stay with perceived cannibals rather than disobey Vicky ("Timmy's 2D House of Horror"); they consistently let Vicky run the show and beg her forgiveness when they upset her. You could 100% make an argument that Vicky is Tootie's actual caregiver. - The "Fairy Idol" alt version of Bucky (Chester's dad) who lost his house and went off to party instead of securing food or shelter for his son. Also, Regular Bucky canonically feeds Chester animals he stole from the zoo or aquarium ("Who's Your Daddy?") and I think we should talk about that. - A.J.'s parents are fantastic in many ways, but there's something incredibly dark about the way they don't like A.J. going outside where there are germs ("Who's Your Daddy?"), they have a laser set up in front of their house to vaporize visitors ("The Big Scoop"), and A.J. seems to believe they dislike Chester (given his long silence after Chester asks why A.J.'s parents' security system got more aggressive after finding out he was Chester). - Later-season neglectful Timmy's parents (though I acknowledge I don't love that flanderized aspect of their character unless viewed from the 'got burned out after 50 extra years of parenting' lens, personally). - Clark and Connie who walked out on their daughter having an anxiety attack (and sent Chloe into a dissociative episode 3 times in the first episode they appeared). - A distracted adult Timmy ("Channel Chasers") leaving his kids with a robot Vicky babysitter despite the sight of weapons and his children begging.

Dale IS an antagonist and a neglectful parent. This post is not meant to take away from that or excuse it, but I think it's interesting that within the bounds of FOP characterization... He is pretty consistently in line with how parents in this show behave, and he does have many positives alongside his flaws. I totally understand why child protective services have not taken Dev from him.

Disclaimer: All characters are morally gray and this list is for amusing discussion purposes. I'm not calling these characters "bad parents" so much as highlighting interesting behaviors for consideration.

FOP's characterization leans into adults being foolish and neglectful - Dimmsdale is named after the idea that the adults are dim, after all - and I think it's worth evaluating all the FOP parents within that framework.

Related Dimmadome Posts:

- This post where I had the thought that Doug might have ADHD/OCD comorbidity (Hilariously, something I'd already decided to do with Dale and Dev...)

- This post comparing Doug and Dale body language

Leadly Family

S9's "Dog Gone" is a bonkers episode, and I love it so much. Notably, it's the episode that confirms Leadly is personally rich- Not just Pencil Nexus as a company, which has multiple branches in other states and can afford a jet.

In fact, Leadly is so rich, he offers to buy Sparky from the Turners for 17 million dollars, just because Sparky gave him the Heimlich maneuver and Leadly thought it was neat.

My personal headcanon for Leadly is that he's somewhat aware of magical beings and is actively seeking them.

The Leadly mansion is pencil-themed, of course.

The Dimmadomes and Buxaplentys are both confirmed to have generational wealth. We have no proof one way or the other for Leadly. It's likely his is too, but it's not impossible he founded Pencil Nexus and committed to its branding because he's proud of what he does.

Leadly doesn't have many appearances, but we know some very important things about him:

- He's convinced he's being haunted by a hot tub ghost, reason being that Cosmo likes to use his hot tub at night (whether Leadly's in it or not). Sparky also claims that he had an accident on Leadly's lawn (Crashing his car), but that Leadly blamed the hot tub ghost.

- He's super buff.

- His company is literally the only thing keeping a [presumably magical] forest from overtaking Dimmsdale, considering that when Pencil Nexus reduces their tree chopping in "The Boss of Me," the forest overtakes the city within a couple hours.

Did some godkid out there just wish for renewable trees and now Dimmsdale is cursed and suffering??

Leadly just flexes like this and has massive muscles, but his aren't as big as the people affected by the Everleadys.

The episode makes it explicitly clear that people's massive muscles are magic and aren't going away (Hence the lawsuits and decision to remove Everleady pencils from the world), but Leadly's muscles do fade when he stops flexing. His are natural.

Despite the jokes that he flies the company jet around to goof off, it's not unreasonable to think he's out there personally chopping trees and I respect him for it.

Y'know, I did wonder how on earth selling pencils made him rich enough that he can afford to spontaneously buy things for 17 million dollars (and keep a pet snow leopard that he apparently rides, considering it was tame enough for Timmy's Dad to ride it home from work and he parked it outside his house and it just stayed there).

Did he fight the snow leopard? Did he raise it? I'm afraid of him.

Conclusion: Ed Leadly has a monopoly on an infinitely replenishing wood source. His company can never take a break or the city will be overtaken by magic plants. Big "curse of Midas" vibes.

I can't stop thinking about how in "T.U.F.F. Puppy," it's implied that Petropolis exists in the same general location as Dimmsdale... Los Angeles county:

- Los Angeles' population in the 2010 census was 3,792,621. Dimmsdale's hillside letters parallel the Hollywood sign. - 91502 is the Burbank area code, where the Nickelodeon studio is - Jorgen claims in "Meet the OddParents" that the power he has to do that was vested in him by both Fairy World and Whittier, California. This seems to match the city borders seen in "Fairy Idol" while he's zooming in on Chester to assign Norm as his godparent.

This implies parallel universe vibes, though in my lore, I have all four Hartman shows blended into one continuity.

See my 2019 post, "A T.U.F.F. Timeline" or the shorter "How Hartman Shows Co-Exist" post if you want details on that

Here's the thing... In "T.U.F.F.," it's implied the forest near the city has been allowed to spread and evolve. Its bizarre flora and fauna certainly give a "non-natural evolution" vibe, so it's not implausible magic could be at play.

It's made very clear in "T.U.F.F. Puppy" that this show is still set on Earth, yet "Flower Power" refers to the Petropolis Rainforest. That implies this forest exists around the city. In fact, we know it's separate from the Amazon, which is referenced in "To Bee or Not to Bee").

Interestingly, the episode "Til Doom Do Us Part" depicts Petropolis being overrun by brightly colored flowers once weddings are mass canceled-

- which implies the florists are keeping the creep of nature back from Petropolis.

I feel like this is especially cursed in my lore where "T.U.F.F." exists in a post-FOP future... Leadly, your woods!! Oh no, he can't hear us... He's been gone for 2,000 years...

Shout-out to Pencil Nexus keeping Dimmsdale safe, one pencil at a time. And shout-out to Leadly's unique body language of gripping the sides of his coat, because he does it a lot and it makes me smile every time. He is just some background guy with a pencil-themed gimmick, but he has a special body language quirk and I love it.

Related Leadly Things:

- If you haven't watched S9's "Dog Gone," I recommend it. It's silly. There are some late-series episodes that give secondhand embarrassment vibes, but for some reason "Dog Gone"'s bizarre energy is so charming to me.

- Leadly appeared in these one-shots of mine, if you're interested in my portrayal of him hunting down magical creatures (and just generally being entitled and getting in the way): "Opportunity" & "Trying Too Hard"

Buxaplenty Family

The Buxaplentys have been running the railroads ever since Dimmsdale's early days, with Orville Buxaplenty the first to do so. Timmy's distant grandfather (Ebeneezer) mocks trains by claiming they're "just a fad" and there's no future in them- Thus, he chooses not to involve himself with trains and leaves Orville to do so alone.

This establishes the Buxaplenty wealth as being generational through these trains. Presumably, Dimmsdale has a large train station, as this seems to be where the Buxaplentys have set up shop.

If the Dimmadomes have businesses spanning Los Angeles to Dimmadelphia, it's very likely the trains play a key role. Assuming we take the 1665 founding date of Dimmsdale as canon ("Which Witch is Which?"), the trains may have been essential at moving resources from Dimmsdale to later found Dimmadelphia. -> See also, respawning magic woods (?) Rich people crossover of the centuries??

Notably, their family takes some heavy hits in "Country Clubbed" when Mr. Buxaplenty is forced to watch the destruction of the club, his mansion, yacht, and limo in quick succession.

The surname Buxaplenty is clearly a play on the phrase "bucks aplenty" (and I want to shout-out a 'fic I read many years ago - but unfortunately do not remember - that had a whole thing about Remy's surname actually being Buxley and everyone just calling them Buxaplentys in a derogatory way, because that's hilarious).

A neat detail about Remy is that in the Spanish version of Fairly OddParents, his surname is Cajallena, which (to my understanding) translates as "full cash register."

In my lore, I made Cajallena the maiden name of Remy's mom.

I did some poking around. Apparently, Remy is based on comic/cartoon character Richie Rich, popular from the 60s to the 90s or so (and who still shows up in modern reboots of things today).

I'm not familiar with this series, but both are blond, the only child in their family, and wear big red bows. After brief research, I get the impression Richie was at least a little associated with trains... even owning a toy trainset that costs 1 million dollars (and paying 8 million to buy the factory that makes a part of his set that broke).

I want to highlight this comparison:

From the Hanna-Barbera cartoon, I believe, and it looks like Richie owned other gold vehicles like a boat as well.

As for Remy himself, I believe I read a few years ago that he's designed around the concept of "green-eyed envy," so he has literal green eyes. I think envious is a very good way to describe his character, considering that his immediate reaction to learning Timmy has fairies was "If he has fairies, he could wish himself richer than me; I wish his fairies were gone."

This is a minor detail, but I rewatched some Remy scenes (especially the lunch scene in "Remy Rides Again" and the breakfast scene in "Stupid Cupid") because I could've sworn Remy said at some point that he likes caviar. That might be true - I didn't find it in my hasty rewatch - but I definitely laughed when I checked and saw that instead of eating caviar for lunch like I'd remembered, he ate steak. Kid knows what he wants.

We also know Remy enjoys Crimson Chin and Crash Nebula. Specifically, we know that he's a fan of Cleft the Boy Chin Wonder, but that when Remy ventures inside the comic world, he made the character more relatable to him by making Cleft rich... in addition to minor costume changes, such as slapping the Buxaplenty logo on him in place of Cleft's usual C.

Remy sees something in Cleft that connects with him, but that extra "I want Cleft to feel like me" bit is interesting. Admiring Cleft isn't enough. He needs to be "I am Cleft's secret identity. I, Remy Buxaplenty, have this alt life." The Crimson Chin can't seem to tell the difference between Timmy and Remy as Cleft - unsurprising since he's a comic character playing his role - but Remy saving the Chin from falling is one of the only acts of kindness we see him engage in. That implies Remy does value the Chin and/or feeling like a hero in some way... or if nothing else, he values the praise the Chin gives him.

As parents, the Buxaplentys are pretty interesting. Even by "dim FOP parents" standards, they're exceptionally bad at being loving - or even effective - parents.

- Remy's dad is so awkward, he's not even sure how to address Remy when we see them in "Fairy Fairy Quite Contrary." It's his wife that suggests he try "Son." Also, Remy's parents time themselves so they spend no more than 2 minutes per day with him, which they tell him openly.

- Remy's dad calls him "Liam" later, which isn't close to his name... but Remy's grateful to be acknowledged anyway, which has interesting implications. Remy takes anything he can get; putting up with what little scraps they offer to avoid the risk of turning them off the idea of reaching out to him.

- At the end of the episode, Timmy wishes Remy could spend more time with his parents. We can assume Cosmo and Wanda didn't want to hurt the Buxaplentys on purpose - especially given what we know (from episodes like "Boys In a Band" & "Go Young, West Man") about Da Rules preventing godkids from harming others directly.

So that begs the question... Was shipwrecking the Buxaplentys the only option to get them to pay attention to their son? That's kinda dark... Angela will turn down a book pitch to care for sick Hazel, but "Remy gets sick and a parent tends to him" was seemingly not on the table. Which does make sense in-universe- After all, there are plenty of butlers and staff who wait on Remy.

Remy even tells us that his parents stopped paying attention to him after about 3 seconds despite being stranded with him on a desert island, which is pretty bad... but it gets worse when you realize Remy was stranded between Seasons 2 and 5.

When he returns in "Remy Rides Again," he asks Timmy to "guess where he's been," and informs him he "just got back from an uncharted island."

Combining that with Remy's claim that his parents only paid attention to him for 3 seconds - and looking at the scenes of Remy foraging for food while he wears rags and his parents get involved with business despite being stranded - That's..... just awful.

That's a long time for Remy to be without the comforts of home or the comforts of Juandissimo while struggling to survive (and keep his parents alive along with him). Depending on where you personally place Timmy's time freeze, it can get way worse.

And Remy was just happy he had time with his parents... Happy to forage for food... Happy to get a headpat... and for what? They don't deserve you, kid.

For all his greediness and schemes, he is pretty grateful for what little he has. In addition to looking forward to spending time with his parents, when Remy is venting to Timmy at the end of "Remy Rides Again," not once does he mention "And I didn't have my nice things." He says "I didn't have my fairy, Juandissimo, to comfort me."

Remy's parents don't even take care of themselves, let alone pay attention to his needs. They chose not to leave the deserted island - and apparently took their sweet time calling for clothes to be delivered - and Remy seems to be the one in charge of food.

Also, the implication here is that Juandissimo gave some part of his physical form up so Remy could eat, which is horrifying?? Did that happen multiple times, considering these scenes take place immediately after the shipwreck and later after Remy's mom opens her luxury resort, so definitely different days? Did... did Remy reach the point where he was struggling to find food - or the more awful option, struggling to find food for himself because he was giving it to his parents first - and Juandissimo said "F that" ??? ... help.

On top of all this, the official canon is that Juandissimo couldn't hold a job after being separated from Remy because he was so hung up on Remy's situation (and his own shame that he failed), he couldn't stop crying, so he bounced from job to job.

It's the thing I love most about Juandissimo, because when he's introduced in FFQC, he's a huge lapdog for Da Rules, even going off about how not following them would lead to madness. But we learn one very, very important thing about Juandissimo in "Remy Rides Again"... which is that Juandissimo openly broke Da Rules to return Remy's memories.

He's very clear about this: "I decided to help you no matter what Da Rules say, so I gave you back your memories." Because he loved him... and he knew Remy's situation wouldn't get any better if he sat and did nothing. The godparenting program and Jorgen weren't going to help, so Juandissimo - who LOVES Da Rules - broke them.

We know Juandissimo returned those memories while Remy was on the island. That suggests Remy's parents had no intention to return to Dimmsdale... and presumably, they also didn't care Remy was missing school.

We know Remy got real clothes again at some point on the island, and we can assume he had food and a bed because his mom opened a luxury resort, but there's more a child needs... Schooling, medical care, social interaction with peers... everything about that situation just screams neglect. Serious neglect. "We literally do not care" levels of neglect.

Even when Remy's parents do return to Dimmsdale and care about his schooling again, they send him to a military school full of older kids and adults. And that seems at least a little reasonable on the surface - After all, Remy's been a brat, so of course they'd send him to a school for ne'er-do-wells - but that begs the question...

... What has he ever done to upset his parents?

Remy's envy leads him to be rude, sure. And he's presumably committing some kind of fraud or deception crimes in the background due to the implication in "The Big Bash" that he bribes people with checks, but puts stops on them later so they don't go through. These are things that happened when he was doing magical stuff away from home.

But all signs point to him being extremely respectful towards his parents even when they're very dismissive of him... even when he's been placed in terrible, scary situations like being shipwrecked on an uncharted island, not knowing if they'll survive. Remy is polite, does what he's told, never talks back, and volunteers to find food.

It's almost worse that his dad acknowledged Remy finding food was a good idea and still didn't lend a hand in that. The Buxaplentys are such concerning people, and that's just my recap of things that happened in Season 2 and Season 5.

According to Season 9's "Country Clubbed," Remy's dad hits "classless saps" with his limo on purpose every month - which sounds horrible even without the next part - and he does that so he has an excuse to invite them to the Fancy Schmancy Country Club and he and his friends can mock them (under the guise of allowing them access to the club in exchange for them not suing). He heavily implies he'd like to hit Timmy later since he didn't get him while hitting his parents.

That's really messed up... WHAT is going on in the Buxaplenty parents' heads?

The only slightly relieving thing from that statement is that presumably, they don't run over Remy because we can assume Remy isn't a "classless sap," but I don't think "choosing not to run your son over because he shares your wealth" is a real point in their favor.

I make no claims that Dale is a fantastic parent, but the weird thing is... I don't think Dale is outside the range of how other subpar parents in the FOP universe act. Except the Buxaplentys- They're pretty much the lowest of the low.

There are so many concerning things going on in the Dimmadome house, like terrible safety rails, and Dale does cut his son off, dehumanize him, and make him feel unwanted. This is all true.

But at least Dale knows Dev's name and calls him that. It's very possible he's aware of Dev's lactose intolerance (seeing as Dev had to get his allergy card from somewhere). At least Dale provided the au pairs to look after Dev and gave them the ability to cook and recognize when he wants a hug. Even if Dale doesn't go out of his way to hug Dev, he seems to like him enough that he's happy to clap a hand to his shoulder and talk to him. At least he seems interested in talking to him and hearing about his day.

Dale even tries to get Dev outside, but didn't snap at Dev when Dev lay down to play his game instead in "Stanky Danky." That was their father-son thing, though it would've been easy to leave Dev at home.

Dale arguably took charge of Dev's care during that event, seeing as the au pairs don't hover around Dev. idk if Dale made his 9-year-old walk home himself across a very busy road while he chased after Danky, but that's not the point.

The implication is that Dev tags along on Dale's walks to Signal Hill - and has done so many times - because Dev knows Dale's calls drop up there. It's implied Dev plays on that hill when his dad is on a call because Dev knows the grass makes you itchy if you roll down it. He'd probably played there recently since that was the first place to come to mind during the treasure hunt with Hazel, and he remembered the itchiness of the grass.

Dale even makes donations to Dev's school, which is more than the Buxaplentys ever did (See also, Remy likely missing school while shipwrecked).

Remy could die and his parents probably wouldn't spend a cent on his funeral... or get his name right in a eulogy without a lot of note-checking and effort. In fact, it wouldn't shock me if they hid his death so no one found out, because a dead son would be bad press.

Actually... It's very sad to imagine them putting more effort into hiding Remy's death than into caring for his life.

Shout-out to Chapter 10 of the 'fic "Buy Me Love" by DeliverUsFromEvie where Remy addresses two mansion employees by name, but they're confused to find out their boss has a kid and that said kid has been in the house this whole time. I think about it constantly. hey. what on earth.

This 'fic has one of the most brutal interpretations of Remy I've ever seen, and Evie has this and several other awesome works, so consider checking them out!

All of this said, there's something else that's interesting here, so let's talk "Turner Back Time."

I can't stop thinking about how when Timmy wished his ancestor (Ebeneezer) had decided to work with trains rather than dismissing them, that led to a timeline where the following things happened:

- Timmy's Dad still married his beloved Timmy's Mom (lol). Yeah, you're not prying him away from the love of his life for anything.

- Dimmsdale fell to ruin because Timmy's Dad wouldn't play the Rich People game right (Supporting the city's growth) and instead opted to drive trains off the tracks and crash them through buildings.

- The Turners lived in a mansion, but Timmy's bedroom is exactly the same, presumably because in the timeline where his family's rich, he needed a safe space untouched by his parents' branding.

- Despite Timmy's effort to become miserable, Dad kept showering him with affection and toys, so Timmy didn't qualify for fairies until he was tied to railroad tracks with a train hurtling towards him.

- The first thing Timmy did in his attempt to become miserable enough to qualify for fairies was decide not to eat... Same energy as when he felt guilty and refused to sleep in Season 1 ("Dream Goat").

There is something here about Timmy's Dad ignoring the train system, but being attentive to his son, while the Buxaplentys ignore their son, but Dimmsdale isn't in ruins.

I'll say 1 and only 1 positive thing about the Buxaplentys: At least their trains are on the tracks instead of careening through hospital walls. Honestly, the bar is so low, it is below the floor.

Timmy's Dad became a greedy person in that timeline, but he still chose to marry someone of lower social status, have a son, and be kind to his son- He's happy to greet him, encourages him to enjoy their wealth, and gifts Timmy lots of nice things. In that timeline, it's the Turners who have generational wealth. Dad was raised by generations of Turners and he still makes time for Timmy. Come on, Buxaplentys... Is it THAT hard to speak to your son like you're happy he exists?

Closing Thoughts

The Buxaplentys are definitely an old money family while the Dimmadomes and Ed Leadly give off new money energy (to me).

Neither Doug nor Ed was seen at the Fancy Schmancy Country Club in S9's "Country Clubbed." All the people who were there have names that play on wealth. They also dress in a much more "upper class" way than Leadly with his flashy yellow suit or Doug with his Southern/Western theme.

The Dimmadomes represent business-related wealth and big company vibes, and I'd call them eccentric. Compare Doug's precariously perched cliffside estate (S3's "Engine Blocked") to Remy's telescope-

I really hope he decorates that hat for the holidays

The energy I get from this is "Doug doing whatever he wants just because he can"... which is also the impression I get from the "Crock Talk" scene that shows his hat stretching through the limo roof. Doug does business things and hosts events, but keeps to himself unless he's doing business things.

Comparatively, Leadly is all-in on his pencil branding, and the Buxaplentys flaunt their wealth in everyday life. As in, they buy the most expensive version of anything they want and like to showcase their wealth.

But while Doug and Dale have "Do what I want" energy, the Buxaplentys seem more restricted by social expectation.

That is, the Buxaplentys dress very nice and dine with fancy people- even their 11-year-old wears a tux, bowtie, and cummerbund. Buxaplentys are very "Flaunt wealth & do what people expect of us." They don't go out of their way to do "silly, eccentric" things like putting a hat on their mansion, but they sure will buy golden, diamond-studded things.

Well, that wraps up my analysis on Dimmsdale's wealthy families, who each intrigue and frighten me in their own unique ways... whether that be money laundering, holding back a magical forest, or being absolutely awful parents.

Thanks for reading!

[fug0th]

We're back boys! Another day another Epithet Erased cosplay

After 2 years I decided to remake my yoomtah cosplay! This outfit took a little over 4 month and 140 hours of work.

I had some fun with this outfit, as always I wanted to make it different. This time I wanted to make it so it could change colors and glow, so I had some fun with uv glow and LEDs. I soldered LEDs into the cheeks, wig, belt, back of the neck, and boots. To get the trim to glow I used neon wig weft, a florescent protein dye, and painted details with uv glow paint.

I also had fun adding details that are only visible in black light, including on the back of the suit. I wanted to add in some cuttlefish like elements so I added yoomtahs cheek marks onto her back as well.

I had a lot of fun adding in details, for instance using devore on the black strips to chemically burn designs into them. I also had fun hand embroidering the collar

The collar does glow

Something that was really important to me when making this outfit was making the cybernetic arms and legs. Using Eva foam, foam clay, and fabric I was able to make arms and legs that looked metallic while staying mobile

I also made the buttons for the suit from scratch using a type of glassblowing called lampworking. I've used lampworking in some other outfits, notably naven

Anyways thank you so much for reading!

[henrycangelbaby]

In which: “It's not that the amount of love I had changed, but I feel so proud about it now, like that I want to shout from the rooftops and tell everyone of my loved ones how much I love my wife, MY wife, ya know?”

Or

An interview gives unique insight into Pedro Pascal and his vast amount of love for his wife

I make my way through meeting the cast of HBO's unexpected hit “The Last Of Us” rather easily.

Bella Ramsey lives in a far nicer apartment in London than anything I would have been able to afford at the same age. Despite their fame and talent, they remain settled and down to earth, dressed in an outfit a little too cool for me to understand and eager to show me around their lovely apartment that is decorated in a way that I quite liked but I'm sure my baby boomer father would find offensive. I even end up meeting Ramsey's girlfriend, a fellow actor (who I admittedly had never heard of) who is equally as young and pretty as Ramsey is. They are both lovely and down to earth, a sentiment I don't often find relatable working with celebrities.

Kaitlin Denver is in her late 20s and still looks like she could be in high school. She lives in a shared house with her sister, whom she also shares a music career with. Despite the controversy surrounding her character in the show, she seems to remain completely unfazed by the backlash and threats that surround Abby Anderson. Denver merley shrugs when I ask her how she deals with it, leaving me to assume her vices when it comes to dealing with unprecedented hate.

I meet other stars of the show too. Gabriel Luna has all the southern charm of Tommy Miller and more, making me question whether he really does any acting when playing the sweeter, younger Texan brother. Isabela Merced is very beautiful in person and is also far shorter than I had imagined. What she lacks in height she makes up for in personality and charm.

Of course, when you think of the stars of The Last Of Us, there is probably someone else that comes to mind. Securing an interview with Pedro Pascal is probably one of the harder things I have had to do in recent years. It's not that Pacal is hard to come by; in fact, in recent years we haven't been able to escape him. I originally doubted that I would even be able to secure an interview with the internet's "daddy." Pascal has had a busy few years, and this one is no different. With multiple projects coming out this year, including the new season of The Last Of Us and his highly anticipated entry into the MCU as the iconic Richard Reed, it seems that everyone wants a piece of him. While all the other actors on this list do have notable careers outside of the show, the point of this interview series was to be able to interview the main cast members of the show in anticipation for the new season; however, I found that same sentiment hard to carry across when interviewing Pascal. I don't want to spoil the show for anyone, but I will just say that he won't be back next season. Whether that's due to internal conflicts or simply being too booked, we’ll never know.

I was rather ecstatic to receive a phone call from someone on his team letting me know the time and date for our interview. Like normal, I'm given an NDA to sign before receiving any personal information, such as his address (which I did require for the purpose of the interview). But everything else seems to go off without a hitch. 

I was admittedly nervous to meet him. In the best way possible, his reputation definitely proceeds him. Pascal is only ever described as kind, loving, funny, and any other positive synonyms for a massive sweetheart that you can think of. I personally have been a big fan of his work since he played forever thirsted over narcos agent Javier Paner. I know they say you shouldn't meet your idols (and trust me, I've had my fair share of heartbreaking realizations that someone I once admired is actually a piece of shit), but I had high hopes for meeting Pedro. And I am happy to report that it did not disappoint. 

I arrived at his home in Los Angeles ten minutes earlier than I should have. Not that I'm kept waiting, as before I can get a second knock in on the door, a young woman flings it open, smiling at me tightly. She quickly lets me in, introducing herself as Pascal's assistant, offering me tea or coffee, and ushering me to sit down on the comfy-looking couch while I wait for her boss to arrive (which she insists should not be too long). I take a moment to look around the room while I'm waiting. The room is sweet and welcoming, much like the rest of the home, which feels very well... homely (like stepping into your best friend's house and chatting with their parents at the dinner table). It's a hard feeling to describe, such a sense of nostalgia from a place that I had never been in before. It feels fitting though that a man so beloved as Pedro Pascal should have a home that feels so nice. I snoop to get a closer look at the photos that hang up on the walls and sit on cabinets. Most of them seem normal. There are a few faces I recognize within the photos; Oscar Iscac can be spotted alongside a younger-looking Pascal in one of the photos on the wall. I spot John Favro amongst a few people in a photo that looks to have been taken on the set of The Mandelorian, but apart from that, the photos seem normal. They depict family and friends in various places over various years; it appears that Pascal cherishes his relationships with loved ones above all else. 

I'm stopped in my snooping by another face in one of the photos, a face I recognize instantly, a face that has been all over the internet and tabloids for some time now. Pedro's wife. The photo is the first one in which she features prominently, sitting alongside what I can only assume to be one of her husband's sisters. It's a sweet photo, one that I can imagine Pedro was on the other side of, grinning wildly while taking. Y/N Pascal is an elusive figure that the media and her husband's fans have been trying to know better for a few years now. She is what is best described as a "normie," that is to say that she is just like you and me; that is perhaps what makes her so interesting to fans. She doesn't appear to have any ties to the industry; she isn't some big-wig producer's daughter; in fact, despite their insistence, fans have been unable to find anything on her. She has no public social media accounts, no company profiles online, and no one she went to high school with has come forward with a tik tok horror story (yet!). The couple are shrouded in mystery; no one seems to know how they met, where Y/N is from, or even the highly shrouded question of her age. She certainly appears younger than Pascal by a good few years, and I'm sure that I could find thousands of posts online speculating (or being downright nasty) about how young she is. But out of respect for the happy couple, I leave it a mystery. 

The sharp heels of the sensible shoes that Pascal's assistant is wearing suddenly come back into earshot. She warns me to be ready with my stuff as “they” will be home soon. I don't think twice about her words before hauling ass back to the couch and trying to pull myself together. It's not long before I hear the front door open. Amy (Pascal's assistant that I had only just remembered the name of) runs to the door. I walk slower behind awkwardly, not wanting to intrude (despite the fact that I had spent the last ten minutes snooping around what was essentially a stranger's house). I peek round the corner to be greeted with Pascal's broad back. He is facing away from me, talking to his assistant lowly. His assistant finishes speaking and moves past me, wishing me luck in passing. Pascal doesn't turn around to greet me yet; in fact, he drops down onto one knee to reveal to my utmost shock his wife. Neither of them pay me any mind as he begins untying her shoes for her, ever the gentleman everyone believes he is. 

It's not a second later that the man of the hour turns around to greet me. He smiles widely at me, and I find myself blushing slightly at his unwavering eye contact as he introduces himself. He only introduces himself by his first name, not something I find often when meeting famous people; they are often eager to give me the name that everyone knows and loves them by. It seems a bit of a strange phenomenon in Hollywood that has missed Pascal. His wife then steps forward to introduce herself. I hate to be the bearer of bad news to the millions of jealous fans, but Y/N Pascal is strikingly beautiful; even as I meet her in her own home with no makeup, she glows ethereally with a striking smile that looks like it belongs on the cover of a magazine. In that moment meeting her I quickly see why Pascal holds her in such admiration.

Much to my disappointment, that is the first and last time I see her during the interview. Pedro ushers her away somewhere out of sight with a protective arm around her shoulder. I can hear him mutter to her lowly, promising to be quick. Before kissing her goodbye with an "I love you." It makes my heart ache with a longing. Much like the rest of the internet, I wish I had a man like Pedro Pascal. We chat for a while, while exploring his house, he speaks passionately about his career, which he clearly loves. He has a flame behind his eyes as he speaks about his long-winded love for the cinema. He tells me stories of his famous friends that are featured on his walls. We laugh together, and he very much reminds me of an old friend. Even though I should be interviewing him, I let him talk, rambling on about things that I didn't find important enough to put in this interview, but they certainly put a smile on my face. 

The house is beautiful; it's decorated nicely and feels authentic and homely. It's not massive, not overly obnoxious in the way many celebrity houses are; it's still big, the kind of size that screams loving family. I don't mean to make assumptions, but it almost feels like it's been brought with the idea of a growing family in mind. I complement the house easily. Pedro smiles at me. For the first time in the interview, he refers to his wife. He tells me that he hadn't cared where they lived; “anywhere is home when you are with someone that you love,” but insists that she had loved the house the moment they first saw it. "She has better taste than me,” he tells me with a loving glint in his eye. "She did a good job.” I compliment, he nods and smiles, "always thought I was biased 'cause I’m married to her, but glad to know it's not just me." I feel awfully privileged to get an insight into Pedro's fondness of his wife. It's not often that he speaks about her publicly; she gets mentioned in passing during interviews and is often spotted at events with him, safely away from the cameras, but it's clear to the general public that his marriage is a part of his life that he wishes to keep away from public scrutiny. 

Its towards the end of the interview that I do ask him about his marriage. We walk past a wedding photo that depicts him and his lovely bride squashed together on one seat, smiling widely at the camera. He doesn't say anything when he notices me peering at the photo. I ask him carefully if he thinks being a married man has changed him. He ponders for a second. "Probably,” he answers me carefully. It's not the response I had expected from him, so I quickly encourage him to go on. "I suppose it has in a way,” he continues. “It's not that the amount of love I had changed, but I feel so proud about it now, like that I want to shout from the rooftops and tell everyone of my loved ones how much I love my wife, MY wife, ya know?” I smile and nod at his explanation. I understand what he is saying—such a sweet sentiment that it makes my heart warm. 

We don't speak for much longer after that; he briefly mentions a few upcoming projects, which he seems excited for. I ask him what he has planned next, after his next few big projects are done. He hesitates for a second. “Truthfully,” he says, “I plan on taking a step away for a bit.” I ask if he wants to settle down more. “Yeah, that's part of it; I mean, I’m not getting any younger.” He tells me, “Things are changing soon, and I just want to be settled with my family.” He finishes. I wonder for a moment what he is referring to when he mentions these soon changes; I don't ponder on it too long; much like a crazed fan, I have a few theories floating around in my head. 

We wrap up the interview from there; he is as polite and gracious as he has been the entire time, shaking my hand and thanking me for my time. I try to thank him for the interview and for letting me into his house, but he simply shakes his head at me, insisting it was his pleasure. He disappears soon after that, saying he has something to attend to (and speed walking in the direction that his wife disappeared to). I'm left to see myself out; I don’t snoop too much after I’m left alone. I make my way back to the front of the house, peering around as I go. I peek inside one room that appears to be in the middle of some kind of renovation or do-over. There are multiple pieces of yet-to-be put together furniture on the ground as the walls look to be in the middle of being painted a pastel purple color. 

I’m about to leave when something catches my eye—on the table by the front door, which has various bits and bobs scattered over it, but none of these catch my eye. I step closer to get a clearer view of what appears to be a small black and white photo. I quickly realize what it is: tucked beneath the wallet I had seen Pedro place down before our interview began is an ultrasound. I smile knowingly as my theory is proven correct; the Pascal family is about to be adding another member. 

Congratulations to Pedro as his wife on the upcoming addition to their family.

[yumeka-sxf]

It's been a while since I made a merch post 🙂First items I want to share are these adorable pin+acrylic stand sets featuring the Forgers in their resort island outfits from the cruise arc ❤️

Next is some merch from the Anime Extra Mission event from June. I got a clear file (which I scanned in a previous post), a fan, and a copy of the pamphlet.

The pamphlet has some nice content, including interviews with all the voice actors, transcriptions of the live reading scripts they did at the event, and a cool chart of all the current anime episodes. Here's a few pages:

Not sure if I'll ever get around to translating all of it, but detailed summaries of the live reading stories are available on the Spy x Family Fan Wiki.

Next is some goods I got from the Nijigen no Mori collab that's been going on in Japan. I got a hat, an umbrella, a mug, a water bottle, and a clear file (which I also recently scanned).

I was thankful that the hat just about fit my fat head/thick hair!

The umbrella is really nice too! I'll definitely use it during the three days a year it rains here 😅 I could use it for sunny days too I suppose, lol.

Next is the CODE: White home video release! I liked the bonus merch that came with both the Toho deluxe version (left photo) and the Amazon JP deluxe version (right photo). So I got both.

Unfortunately, I had a mishap with my copy of the Amazon version where FedEx delivered it to the wrong house! I got the notification that it was delivered, but it wasn't at my front doorstep, plus the photo they shared was of a completely different front door, so I started freaking out. I drove around the block trying to find any neighboring houses that looked like the one in the photo. After I couldn't find it, I submitted an issue report to FedEx. They said they would try to track down the driver and figure out what happened. I wasn't too hopeful and was debating ordering it again, but decided to wait a bit. And much to my surprise, the next morning the driver found the missing package...but unfortunately the house he delivered it to had kids who opened it already. So he brought it to me in a different box with all the pieces loose. Luckily everything was in good shape and accounted for...or so I thought. The deluxe version came with a lot of extras and I didn't realize until later that day that I was actually missing a couple of things, notably the nice slipcover box for the discs and the art booklet. I was of course really mad about this, but I was able to find someone on Mercari selling a copy of the movie with these items for a good price, so I bought it.

The booklet is really cool - it has concept art, key frame sketches, and other neat info~ Here's a few pages:

By this point I had three copies of the movie on blu-ray (one of which had fingerprints on the discs from the grubby hands of the kids who opened my package 😑 At least the discs still worked) So I gave the extras away to friends.

I threw in the below little lenticular bookmark with one of my Mercari orders. It was given out at this past NatsuComi expo in Japan.

And lastly, some smaller items: postcards (which I also scanned) and a Twiyor pin~

[slothcapsule]

Kaeya's design pt.2 (updated until 5.1 because yes, more stuff gets added with updates, his design is that thought ahead)

or maybe im delusional and looking into things way too much! heyy, Me again!! this is gonna be a master post of all the things ive noticed about kaeya's design, ive made one like it before but since then there's been a bunch of new stuff so i decided to make a new post that has everything i have to note. this is complied of things i myself have noticed and things that others have. this post will not include anything about his skin other than noting a couple of significant differences since the outfit wasn't made specifically for him in the scope of the story, but i might cover it in a separate post

kaeya's design mostly consists of "two sides" in a way, his "mondstat" side and his "khaenri'ah" side.

his mondstadt side includes his vision, the full side of his cape in the back, the earring he wears and his rat tail, all this represents the freedom he has in mondstat and the person he grew to be there, a vision bearing knight of favonius.

the khaenri'ah side includes his eyepatch, the wisp of lighter hair in his bang, a clipped cape ("wing") and the majority of the fur coating. i believe this goes to represent that he's still tied to khaenri'ah despite all the time he's spent in mondstadt, and that he's quite aware of it. Also, the glove on that side has a kind of buckle that kind of reminds me of a shackle or a handcuff, as well as this thing with a bunch of eight pointed stars that are not apparent on the mondstadt

all across his design (the boots, corset belt, gloves, little things on the ends of the cape thing he has, his left sleeve) there are bunch of "eight pointed" stars we see associated with khaenri'ah, one being in his pupil which was a confirmed trait to khaenri'ahn people ever since we saw dainsleif.

id like to note that kaeya's eyepatch is stressed on a lot in game. its constantly referred back to most of the time when kaeya is brought up. he has a voiceline about it (that has been changed once in the english version to to a mistranslation i believe, ill include both versions) the first is the current version.

traveler has a voiceline about it where paimon makes fun of it but i think its notable there's a voiceline specifically about it at all.

its mentioned right when we start the world quest "Bough Keeper" where we meet dainsleif. he doesn't even have an eyepatch half of his face is just black it was a stretch in the first place.

kaeya himself dismisses it as nothing unusual.

in his story quest he says he inherited it from his grandfather, which is solid proof that they're related by blood. (his story quest has some crazy foreshadowing btw that predicted that him and the abyss twin are possibly related in some way or another by extensions but i wont get into it here)

there isnt really a solid idea attached to any of this, other than the fact that kaeya's eyepatch is stressed on as a point of intrigue, its pretty implied to be related to his origin of khaenri'ah, and we often see khaenri'hn people with their right eye covered in some way. and to those of you that think that he wears the eyepatch because diluc injured his eye during his fight, no he isnt. it might've been scarred by him yes but he isnt blind in that eye, and in the webcomic it shows kaeya wearing an eyepatch on the day crepus died, before the fight with diluc.

while we're on the subject of his eyes, he's somewhat of an abnormality amongst Khaenri'ahn people. every other khaenri'ahn person we know have teal eyes with their pupil being a bold black star outline, kaeya's on the other hand are a darker blue with a more faded filled in star. i wont include the eyes of every single character to prove my point but trust me i looked at them all. the only exception seems to be pierro but since he doesnt have an in-game model yet and he wasnt shown super clearly in the trailer im unsure what to make of it for now so i wont include it.

one of the first things generally noticed about kaeya's design once you look into it a little is that he somewhat resembles cryo abyss mages, most notably the fur coat he keeps thrown over his shoulder, the "bunny ears" in his hair (ahoge?) but most of the resemblance comes from playstyle.

in playstyle he's similar in the sense that he teleports on his fifth attack, his ult is similar to the icicles they produce after their shield is broken, he produces his own shield at c4 etc.

(EDIT: i somehow forgot including abyss heralds here, which is insane of me considering that i was always under the impression that if kaeya does turn out to be an abyss monster its definitely more likely to be a herald/lector. i dont necessarily think that he is but there are similarities!)

As for abyss heralds, he does also have a similar design element with the Frost Fall one! Despite being a minor similarity i think its worth pointing out , but they do have kind of similar lapel things, the herald has those wing like things both in the front and back , similar to kaeya's "clipped" wings, that appear under the full wing and in the front of his outfit as well

(fun fact, when i found out they're going to release a cryo abyss herald i was so excited and kept prolonging the fight with it in the quest so i can see if it has similar attack patterns to kaeya) (it does, he does a couple slash attacks that look like kaeya's normal attacks)

one crazy thing also is his cape looks a lot like the top part of the celestial nails and the bottom part of the statues of the seven, and weirdly enough parts of paimons outfits.

a lot of people theorize the log in screen is the enterance to celestia, and that the nails in dragonspine and the chasm are fallen pillars from there. for someone from a godless nation its sort of weird that he seems to have that connection to something celestial huh? this part of the design is also included in his special dish in the skewer itself. (he also marks the mushroom with an eight pointed star as opposed to the x on the regular one)

other than celestian, mondstadtian, khaenri'ahn themes in his outfit, he also has fatui ones! on the front side of the cape we can see that it attaches to a fur thing that covers kaeya's lapels. i have no idea how this attaches or if its just thrown on top, but this design choice is distinctly fatui, weirdly enough. specifically in the style of the attire of the fatui harbingers coats or official ware when they're gathered. i related it distinctly to pierro before but after getting a good look at capitano's model its more fatui, though there's some things that are similar distinctly between kaeya and pierro.

most distinctly, the fur and the lapels being in a very similar shape which is the part that's distinctly fatui, the mask/eyepatch over the right eye as well a strikingly differently colored strand of hair being distinct to pierro and kaeya.

there's a kind of gap in the middle of pierro's chest part of the outfit that somewhat resembles the one kaeya has as well. i saw someone point this out on reddit but i cant find the post because it was a while ago but regardless, they brought up the point of it being exactly in the place and shape of where abyss heralds/black serprent knights have an eight-pointed star, which could be a subtle nudge at khaenri'ah as well.

now, i have two ideas of what those similarities could be hinting at.

kaeya is actually a fatui member (which i believe has some sort of merit because of the recent appearances of capitano and some similarties between them in attire and playstyle weirdly enough, as well as a theory ive been getting behind that states that capitano could be/is related to anfortas alberich)

the fatui harbinger design choices are actually inspired by khaenri'ah, which isnt a stretch given that pierro is the founder and director of the fatui harbingers. thus making them look similar to kaeya rather than vice versa.

panning back up a little bit, regarding the silver hair in kaeya, it seems to be expanding to the rest of his hair, in his skin it goes down the length of his braid.

in the webcomic where we flash back to the past a bit, we see kaeya actually doesnt have the little strand of silver over his left ear, as well as when we return to the normal time setting of the comic, its also not included in his icy featherflight splash art (this 100% could be a stretch on my part they could've just forgot about it its a small strand) (while we're talking about stretches, my biggest one is that childe has a similar streak in his hair lol but that might be going toooo far)

last but not least, his vision, one of the most interesting things about his whole characters. a person from a nation that actively defied the gods recieving a sign of their recognition seems like kind of a threat doesnt it? and its all the more ominous that his vision casing is different from every other mondstadt casing!

this is the back of kaeya's vision next to the back of diluc's vision for comparison, the only notable things are the lack of a third wing probably signifying he's sort of out of place, and the swirl? wave? whatever you wanna call it is on the wrong side. every other character with a double sided vision has the swirl on the other side like jean, diluc, mona, eula, lisa (etc..? i havent seen anyone else with a double sided vision which is also interesting, at least from mond)

however!! weirdly enough, in the 3.8 summer event where kaeya gets his skin, his vision actually gets a different casing, as you can see he gets his full three wings, as well as an extra spike! but not really an extra spike because the vision is just on top of another thing that makes it look like it has a third spike, but the wing is actually there. the genshin fashion archive isnt updated with kaeya's skin so i cant check if there's a swirl, even though the vision isnt even double sided in the skin which is also really weird to me.

im pretty sure ive covered most things, if anyone has any additions please let me know! id love to look into them.

i think kaeya is a really interesting character who's incredibly centered around foreshadowing in the way he carries himself and his backstory, so to think that they managed to extend the foreshadowing bit into even his design is a little bit insane imo.

[marley-manson]

Hawkeye and Frank are the two most diametrically opposed characters on Mash. They clash politically, ideologically, emotionally, intellectually, and even physically on more than one occasion. There is virtually nothing they agree on. But they do have one significant similarity: both Hawkeye and Frank are notably, pointedly effeminate.

Hawkeye is the central protagonist, so he's written to be likeable, even admirable, especially in the first five seasons of the show when satire dominated rather than character drama. He's the character who makes the correct political points and voices the show's ideology, and male audience members are encouraged to identify with him and aspire to be like him. He's witty, he's smart, he's charismatic, he dodges consequences a lot, he's highly skilled in his work, and he has a strong personality and natural leadership qualities.

Frank is the main antagonist up until the end of season five. He's written for audiences to hate him, mock him, and occasionally be horrified by him. He's dull-witted, incompetent, awkward, easily led and manipulated, and always gets his comeuppance. Few audience members are likely to aspire to be more like Frank Burns.

And yet, while most likeable protagonist/detestable antagonist duos in American popular media would also be differentiated in terms of gender performance as a matter of course - the effeminate villain being a standard stock character, always set against a ruggedly masculine hero - Mash takes a different approach.

From his core personality as a sniveling, weak-willed follower, to the way other characters, including Hawkeye, routinely make fun of him by comparing him to a woman or insinuating that he's gay, Frank Burns certainly fits the part of weak, emasculated villain. What's more interesting, and much less commonly seen in Hollywood media, is that Hawkeye is portrayed as just as unmanly, and just as, if not more prone to having it pointed out in the show.

Often Hawkeye's jokes at Frank's expense include the implication that Hawkeye is attracted to him himself, and not necessarily as "the man." He jokes, "Guess it's a marriage, Frank. I know I can do better, but at my age, can I wait?" in Hawkeye, Get Your Gun; he switches from calling Frank one of his vampire brides to taking the feminine part in post-coital pillow talk after siphoning his blood in Germ Warfare; he kisses or tells Frank to kiss him in Major Fred C. Dobbs, For the Good of the Outfit, and Bulletin Board, etc.

Other times, the jokes Hawkeye makes about himself are virtually identical to the jokes made at Frank's expense - their respective attractions to Margaret as a potentially dominant sexual partner, eg, with both Frank and Hawkeye portrayed as eagerly submissive. For instance, in 5 O'Clock Charlie Hawkeye jokes about tying Frank to Margaret's tent, then dismisses the thought with, "He'd probably love it. I know I would." And Hawkeye/Trapper and Frank/Margaret are sometimes paralleled as dual couples, Hawkeye and Frank usually being framed as the more feminine partner in each.

And of course, unconnected to Frank, there are many, many more examples of Hawkeye's effeminacy, both in jokes and in personality traits.

Hawkeye is a self-professed coward who is loud and proud about how terrified he is to be stuck in a war zone. He's emotionally open and highly empathetic, always willing to listen to others' problems and discuss (or scream about) his own. He abhors institutional violence and faces every enemy combatant with his hands firmly in the air. When authority is thrust upon him he strives to relinquish it, and uses it as little as possible.

More shallowly, he has little interest in sports and exercise, derides masculine hobby magazines like Field and Stream and Popular Mechanics, is incapable of performing mechanical tasks to the exasperation of others at least four times (Comrades in Arms which explicitly frames this emasculating, In Love and War, Patent 4077, and Hey, Look Me Over), mocks traditional masculinity in many ways, and enjoys musical theatre and Hollywood gossip. And he makes and takes literally hundreds of jokes about being unmanly and having sex with men himself, many more than he makes at Frank's expense.

But while the jokes are at Frank's expense and meant to belittle him, they're rarely made at Hawkeye's expense, especially in the first five seasons. Hawkeye doesn't make the jokes out of self-deprecation, he makes them out of pride and a desire to differentiate himself from the army men he's surrounded by. He's almost always in on the jokes others make about him, rather than offended - Potter telling him to file a paternity suit against his rival in Hepatitis makes him laugh delightedly, and Trapper's remarks on his effeminacy, such as Miz Hawkeye in Hot Lips and Empty Arms, are sometimes lightly teasing but always a regular aspect of their dynamic that Hawkeye enjoys playing up. Frank doesn't make any jokes directly mocking Hawkeye's masculinity that I can recall, beyond vague "pervert" and "degenerate" remarks, which, while often historically homophobic, in the show's context tend to be treated as a reference to his heterosexual endeavours.

Frank's effeminacy is a point of mockery and derision, but Hawkeye's is a point of pride, and not intended to make him any less likeable to an audience. Antagonists don't get to score points off of Hawkeye by mocking his feminine traits, but Hawkeye makes fun of Frank regularly by mocking his feminine traits.

This difference in framing can partially be explained by the nature of their respective gender performances.

While Hawkeye and Frank are both effeminate, they're effeminate in many opposite ways. Frank is weak-willed while Hawkeye is strong-willed. Frank is unappealing to most women, while Hawkeye is something of a lady's man. Frank cannot face his fears to rise to a challenge, but Hawkeye can. But on the flipside, Frank refuses to admit to fear while Hawkeye openly proclaims it. Frank strives to attain authority while Hawkeye refuses it or takes it on only begrudgingly. Frank is obsessed with guns to a freudian extent while one of Hawkeye's most famous monologues of the show is a speech about refusing to carry one. Frank worships the concept of traditional masculinity even while he can't perform it himself, while Hawkeye mocks the concept and would refuse to perform it even if he could.

The Sniper is an excellent case study of these contrasts. In this episode, Hawkeye is effeminate and at ease with it, while Frank is desperate to prove himself masculine. Frank and Margaret flirt with strong Freudian overtones while Frank shoots a gun while nearby Hawkeye flirts with with a nurse with a line about "tasting" her. Hawkeye connects with the nurse he's wooing by relating to how scared she is and huddling in fear with her, while Margaret demands that Frank prove his masculinity by going out and taking down the sniper himself. Frank carries a gun while trying to approach the sniper, while Hawkeye carries a white flag. Frank tries to make fun of Hawkeye for wanting to surrender, but he can't bring himself to approach the sniper while Hawkeye does.

This contrast of gender performance is a consistent aspect of Hawkeye and Frank's dynamic throughout the show, but The Sniper makes it a central theme so it's a useful example to show how their relationships to masculinity are a deliberate aspect of their dynamic.

And while Hawkeye makes fun of Frank's femininity, it's significant that he also regularly makes fun of Frank's masculinity - his love of guns (eg The Sniper), his sexual affairs (eg the exchange about Frank as a "fantastic performer" in Yankee Doodle Doctor), his numerous attempts to exert authority (eg Welcome to Korea), his desire for socially approved success (eg Hot Lips and Empty Arms), etc.

Both masculine and feminine sides of Frank are comprised of negative character traits, while Hawkeye embodies the best of both - emotional expression and healthy ways of coping by talking about his feelings; bravery but not machismo; intelligence and skill as a doctor rather than an officer; empathy and a willingness to listen; sexual prowess but largely through his love of foreplay rather than his dick game (which, in the context of the early 70s, is a somewhat feminine attribute that distinguishes him from a typical traditionally masculine man); etc.

Hawkeye demonstrates some of the most appealing and healthy qualities of both masculinity and femininity while Frank demonstrates, or strives to demonstrate, the more toxic qualities of both. Through including a few positive masculine traits in the mix, the narrative is able to depict Hawkeye as likeable, admirable, and desirable in his effeminacy while Frank is depicted as loathesome in his. Hawkeye gets one of many, many women in The Sniper by showing vulnerability, while Frank only appeals to Margaret, and Margaret is portrayed as borderline pathological in her sexual attraction to violent masculinity (the scene where Frank excites her with his gun, for example, also includes an electra complex joke, and there's a running rape kink gag in this episode as well).

Another aspect to consider when it comes to differentiating Hawkeye and Frank's respective femininities is hypocrisy. Similar to how Frank and Margaret's affair is mocked because they can't admit to it while Hawkeye and Trapper's affairs are glorified, part of what makes Frank's effeminacy so mock-worthy, while Hawkeye's feminine qualities are a source of pride and rebellion, is that Frank refuses to admit to them.

Frank desperately wants to be the ideal heroic army man and often play-acts the part, poorly. When Hawkeye mocks him by calling him a woman, for example, he's drawing attention to Frank's failure to live up to his own ideals. And when Hawkeye calls himself a woman, he's mocking those same ideals. The message is that Frank is pathetic not so much for failing to be traditionally masculine, but for wanting to be traditionally masculine at all.

Ultimately the ways Hawkeye and Frank perform masculinity and femininity are pointedly in opposition, from which masc and fem traits they embody, to how proudly they embody them. The show itself draws attention to these gendered similarities and differences between Frank and Hawkeye through a constant barrage of jokes, and even whole scenes and episodes. In this way the show portrays Frank as a hypocritical loser who wants to be masculine but fails to embody all but the worst traits, and Hawkeye as a cool, admirable guy who disdains the traditional pillars of masculinity and embraces his own effeminacy.

[microsuedemouse]

hey? hi? I am unexpectedly emotional about TMNT 2003 season 1 episode 9 Garbageman?

the boys are shown to be good friends with their local unhoused population, and they bring them supplies (an effort often repaid with interesting or useful things these folks have found on the streets and think the brothers might like) as well as watch out for their safety

so of course when unhoused people start going missing, the boys begin investigating

also, and this feels significant: there's a sort of leader figure amongst the unhoused population refered to only as 'Professor.' he's a very intelligent and well-spoken older black man, and his outfit includes a colourful kufi cap. he and Donnie talk about science and Donnie offers to lend him an interesting book; he's also later shown teaching his peers about the big bang around a fire

the Professor is also, notably, the character who responds to being kidnapped and told by the Weird Villain that they're all here to Do Labour with the firm proclamation: "I'd rather be a free man, living on the streets, than a slave in your stinking empire."

additionally, the aforementioned villain tells these people that they're "human garbage - no home, no purpose, no value." he claims to have given them new purpose (Doing Labour). the moral of the episode isn't stated outright, but very much argues that these people absolutely do have value and are completely deserving of dignity and respect, like the brothers have been showing them without question from the beginning

after the villain is defeated, the Professor and the other unhoused folks actually decide (by vote!) to stay where they are, because there's shelter and food freely available to them here now, with the Bad Guys out of the way. the 'here' in question is a large waste disposal site, and these folks are accustomed to making do with what others have thrown away, so they feel they can find everything they need right there. it's not perfect but it does reward them the dignity of a safe place to call home!

this is all couched in the corniness and the goofiness you would of course expect from a 2003 TMNT cartoon, but... I feel like there was some very genuine thought, and compassion, that went into writing this episode. I'm feeling Emotions I didn't expect

[raven-at-the-writing-desk]

Happy with the staff content this year but am I the only one who is disappointed with the PV we got? It's basically a slideshow of art we've already seen, major downgrade from the year 1 PV that had literally all the events. There was a drop in quality of the anniversary PVs over the years and it really shows this year. Sorry if you find this too negative I don't mean to hate I just wish Twst would do better for it's ANNIVERSARY.

[For everyone's reference, here are the anniversary PVs in order of release: 2021 / 2022 / 2023 / 2024]

Mmm, now that you mention it, I noticed this trend with the Halloween PVs 🤔 For year 1, there was a video that showed all members of the NRC casy, even those that did not receive cards at that time. There were then several short variants of the PV released for year 2/Endless Halloween Night (part 1 / part 2 / part 3 / part 4). Altogether, they feature all of the characters, including the students from year 1 but heavily shadowed and with glowing eyes to indicate ghostly possession. Even Glorious Masquerade features all of the students that get new cards for the event plus Rollo, although there are notably more still shots here. The Stage in Playful Land CM, by comparison, is significantly shorter and only shows us the three SSRs (Ace, Ortho, and Kalim) as well as the two new characters (Fellow and Gidel).

As this anon has said, the anniversary PVs have changed a lot over time too. The first one was the most animated and integrated several event outfits. The second one was also animated a fair amount, but you can tell corners were cut in some places where they transition to photographs/still images. This alone works thematically given that the player is a photographer, but you can still catch dips in quality when it comes to the art style. I remember finding Deuce running and the Kalim + Silver flying scene odd, as well as Jade and Trein's faces strange in general. Then the third PV rolls around and it only features the third years; the animation also seems to be much more sluggish (although this could be a stylistic choice; not sure). A friend actually recently pointed out to me that Lilia's pose looks like he was pulled straight from other assets; his artwork in the animation is almost the exact same as his smiling expression in the game. This year's is the most different (+ most static) and, like year 3's PV, only provides "new" content for a select few characters (the dorm leaders). They also reuse pre-existing illustrations already found in the game that don't seem to be picked for any particular reason (like, there are random Master Chef/Culinary Crucibles groovies in there). This direction, I'm guessing, is less costly and more efficient than making an entirely original animation, which is what was done in previous years. (Not that Disney or Aniplex is hurting for money to fund this, lol) Would I have preferred another PV in the style of year 1's? Yeah, for sure. I want to see other events and their outfits animated! Was what we got this year bad? Not necessarily; I think the production and editing was very technically impressive, but I'm still sad we didn't get anything substantially "new" to chew on (as someone who isn't a fan of most third years or the dorm leaders). Maybe it's just something we perceive as a deficit only because year 1 set the bar so high. It is what it is; whoever was in charge of the anniversary PV was probably doing the best they could with whatever budget they were given 😔 Let's hope that next year's will be a return to form, or that at least the money/effort is being redirected to other bigger projects (maybe the anime?).

[6nipplesisanormalamount]

Ben Florian x Reader

“Right this way, ma’am.” You looked up from your phone to see a well-dressed woman pointing her arms in the directions of the conference room.

Your parents were grooming you to take over the company. They’ve been dragging you to meetings since you were 16, hoping you would soak in some information, and as your father put it “learn from the best”. You were in college now but your father still had you sit in on certain meetings.

Today was one of those meetings. A yearly negotiation with their fiercest competitors. It was basically a civilized version of a turf war- who would have what area of the land, who could sell what. Each year, they switched which building it was held at, so no one could claim some sort of an unfair advantage.

You sat down next to your father, flanked by lawyers, assistants and other important people. The other half of the mirrored yours, including the man who sat across from you. Ben Florian. His parents were the rival CEOs, grooming him to take over the business. He had also been coming these meetings since he was 16 as well.

You smiled at him through your lashes and he gave you a smile back. You grabbed your phone and stealthily started texting as the room around you erupted in talk about yearly profits, collaborations, other things you were quickly drowning out.

You-

“A three piece suit? Don’t you look appetizing.”

You shot off the text and waited for his response, feigning interest in the current topics. He grabbed his own phone off of the table and you watched as his eyes flicked over your text. He smiled and his own hands went under the table to text you back.

Ben-

“I have to make an impression, don’t I?”

His hands pause, he looked up and then back down again.

Ben-

“You’re one to talk, wearing that dress.”

You smiled down at your phone. You might have chosen your outfit with a specific intent in mind. A black dress, just short enough to be provocative, but long enough to be not entirely inappropriate for a business setting.

You-

“I think it’s more notable what I’m not wearing.”

You sat your phone in your lap and let the conversation hang while Ben’s father gave some sort of pitch on product placement.

Ben bit his lip and adjusted his legs and you had to swallow a satisfied smile. You knew he would be thinking of that for the rest of the meeting.

When he was finished, your own father turned to you. “The rest of this is just shop talk with the lawyers. You can head up to the sky lounge if you want, get some lunch?”

You nodded to him and tried to act like you weren’t tingling with excitement. Ben’s father turned to him and encouraged Ben to do the same. “Why don’t you go with her, Benjamin? We can handle it here.”

He made a sound of acknowledgement, stood up and strode over to the door, holding it open for you. You thanked him and bid the room goodbye.

Once you were down the hall to the elevators, past the prying eyes of the glass office, Ben grabbed your hand and brought it to his lips, giving it a soft kiss. He kept eyes to yours as he did so. You blushed but held his stare.

The elevator dings, giving warning the doors were about to open. Ben steps back and you hope you look as composed as he does. The doors open to reveal the elevator is empty.

Ben grabbed your hand once more and pulled you softly into the elevator. You followed him, your heart fluttering at the contact. Ben uses his other hand to pick the button for the roof.

The doors had barley closed before Ben was on you, his lips smashing into yours. He pinned your body to the wall with his, one of his hands resting on your waist, the other cupping your cheek. You squeaked in surprise before pulling your mouth reluctantly from his.

“What about the camera?” You asked, pointing to the device in the corner.

“It’s the weirdest thing, it stopped working this morning.” He gave you a naughty smile. “Techs can’t make it out until tomorrow.” He punctuated the last word with a kiss to your shoulder, kissing his way up your collarbone to your neck.

You moaned softly and relax, the threat put out of your mind. You grabbed a handful of his hair, and forced his head up, his lips meeting yours. He kissed you hungrily, like a man starved. You open your mouth, letting his tongue rub against yours. You could feel his clothed cock rubbing against you. His hands were roaming, as if he was studying every curve of your body. You savored his touch. Your own hands were busy loosening his tie and unbuttoning his vest. His hands were headed under your dress when the elevator dinged, alerting you that you had reached your destination.

Ben groaned but pulled his mouth from yours. He put his hand out to stop the doors from shutting and let you lead the way.

The roof was mostly empty, to make way from the helipad. The only other things up there were three utility sheds, one of which Ben’s father had given him free range of, as they were rarely used.

When Ben was a teenager, he made it into his own little hidey-hole, a place to go when his father dragged him to his office. Now that Ben was older, he had had it upgraded.

When he had to stay at the office too late or needed a break, he would head up to the roof. He outfitted it with a bed, a tv, air conditioning. It was truly his own little home away from home. It was also where you would go to have mind blowing sex.

It became a tradition of yours years ago. It started out as simple kisses, curious teenagers who were left to their own devices. A friendship that became more.

But as you grew, so did your relationship. You would slip away together, at every shared conference, meeting and charity ball. He was your first and you were his.

You had both had relationships in between, with a mutual understanding that either of you could put this on pause, and it wouldn’t damage your friendship. Though you hadn’t had to put it on pause for 3 years in a row now.

You led Ben to the door and Ben stood behind you, kissing your neck as he entered the code. The door opened with a beep and before you could step in Ben flipped you around, he grabbed your hips and walked you into the room backwards, his lips connected to yours the whole way.

The back of your knees hit the bed. Ben cupped your ass, lifting you without breaking your kiss. You kick off your shoes. He lightly tossed you on the bed, and you giggled in response. He stops for a moment and removes his suit jacket.

He stood in front of you admiring your disheveled state. You took the chance to do the same, you leaned on your elbows and took all of him in. He was truly beautiful. His pupils were blown, his normally hazel eyes almost black. His hair was wild, his tie hung loosely off his neck. He was just in his very wrinkled undershirt and pants now. Pants with a very prominent tent. You couldn’t help but smirk at how hard you had gotten him. A smirk that was not lost on Ben.

“Proud of yourself?” He asks. You nod in response. He licked his lips and gave you a wolfish smile. He finished taking off his shirt before he falls to his knees in front of the bed. He grabbed your legs and drags you to the edge of the bed. “God, you are….” He seems to consider a moment. “Delectable.” He finished with a kiss to your ankle. He kisses up your leg, teasingly slow. You squirmed, trying to push yourself up towards his lips and he tightened his grip on your ankles. He made a tsk-ing sound, chiding you for your impatience.

“You know better than that, princess.” He said, placing a single kiss on your thigh. “If there’s something you want-“ Another kiss, just inches away from your entrance. “I need to hear that beautiful voice of yours.”

“Please, Ben.” You begged. “I need you.” Ben groaned in response but didn’t move.

“Need me to what?”

“Ben.” You whined, frustrated by his teasing. He chuckled then gave in, finally giving you what you needed. He dove his face into your thighs, his tongue immediately finding your clit. You moaned at the contact, pleasure blooming through you. The noises spurred him on and he started licking more enthusiastically, working hard to make you come undone under him.

Ben loved hearing the sounds you made. He loved being the one to make you make those sounds. He had power, money, and to be honest, girls often threw themselves at him. He was an accomplished man. But nothing made him feel more accomplished, more powerful, than when he was able to make you dizzy with pleasure. To feel you shake beneath him. Which is exactly what he was doing right now.

Ben slid a finger in you, earning his loudest moan yet. He groaned as you squeezed around him. “Fuck, I can barely get a finger in you.” He pumped his finger into you, while continuing to flick your clit. Ben pulled his face away from you, and his chin glistened with your juices. You grabbed his chin, lifting his head up to meet yours. He looked so beautiful, so perfect.

You kissed Ben passionately, his fingers still pumping into you. You reached your own hand down and began stroking Ben, trying to reciprocate the pleasure he was giving you, back. He stalls for a moment, hissing at the new sensation.

After enjoying your touch for a moment more, Ben pull away. You frown at the loss of contact, but aren’t waiting for long when Ben picks you up, laying you back down on the bed, at a better angle. He then climbs on the bed himself, caging your body in with his. He lines his head up with your clit, then slowly thrust himself forward, teasing you. “Fuck, baby.” You groan. You thrust your hips forward, hoping your entrance would find his cock. Ben ignores your attempts. You swallow hard.

“Please, fuck me.” Ben follows your orders immediately, sliding himself into you. You both gasp, then you curse as Ben continues to work himself inside you.

Ben had learned, over time, that he was too big to just push in all at once. However, on the list of problems to navigate, this was one he had no problem remedying. Your breath caught in your throat as he bottomed out, then he sat for a moment letting you both adjust.

He always made you feel so full. It felt like you were made for each other, his cock hitting every space, just right. After a beat, Ben gave an experimental thrust.

When you responded eagerly, his thrusts grew deeper, finding a rhythm that pulsated pleasure through both of you. Waves of euphoria crashed into you, and threatened to send you over the edge. Ben caught your mouth with his, keeping his thrusts steady.

You clawed your nails into Ben’s back. Ben knew you well enough by now to know that meant you were close. He groaned and began thrusting harder. Your orgasm hit you all at once, like a truck. You all but screamed, lost in pleasure, your walls fluttering around Ben’s cock. Ben follows right behind you, his own hips stuttering as he fills you.

You both sit still for a moment, trying to catch your breath. Ben pulls back taking in your flushed and panting form before he kisses you, passionately, tenderly. He continues to kiss you as he pulls out of you, you both groan as he does so.

He flops down next to you, pulling you into his chest, kissing you on the forehead. You snuggled into him, savoring his touch. You hear his strong heartbeat thumping loudly through his chest.

“You know,” you began. “They’re going to get suspicious if we keep disappearing together.” You giggle.

Ben grabs your hand and kisses your engagement ring softly, chuckling. “I think it’s perfectly natural for me to want to hide away with my future bride, especially when she’s so beautiful.” You roll your eyes then kiss your fiancé, long and hard.

“The future Mrs. Florian.” Ben smiled down at you. “I can’t wait.”

[yamy-brett]

Happy 91st Birthday, Jeremy. You are sorely missed.

From JEREMY BRETT PLAYING A PART by Maureen Whittaker. Quotes by Jeremy Brett.

"It all started for me on 3rd November 1933. I began life with everything a child could wish for. We had a huge, glorious, country house on the outskirts of Berkswell, near Coventry, with tennis courts, squash courts, horses and dogs and a wonderful, terraced garden created by my artistic mother, Elizabeth. The family was spoiled rotten, for we had three live-in staff, plus four other people who came in to help. We always seemed to be entertaining a houseful of fascinating people; the door was always open.”

The Grange, where Peter William Jeremy, was born, is a beautiful house with sweet smelling flowering wisteria on the front elevation and nestled in a magical vista of gardens, landscaped by Elizabeth, known as “Bunny”, who was the centre of this loving family.

The Huggins family was a significant part of the delightful Berkswell village in Warwickshire. William and Elizabeth had decided to move to the rambling, attractive Berkswell Grange in 1929 to accommodate a growing family. The three boys, John, Michael and Patrick, needed somewhere to play and to ride, so a large, impressive house was chosen in nearby Truggist Lane. The house featured seventeenth century timber framing, and nineteenth century additions, including a tiled roof.

Due to its grandeur and welcoming hostess, the Grange was the centre of village events, of Christmas parties, of afternoon teas and of music and entertainment.

William and Elizabeth were both keen archers, so it is no surprise that Jeremy took this seriously and belonged to the Woodmen of Arden, a notable club for the sport. “The whole family were taxophilites. Actually, my mother was a brilliant archer, won many awards. She had a special lightweight bow, and when I was growing up, I used her hand-me-downs. Looking back, I must have been about four or five when my father gave me my first lesson. The outfit is really glamorous – Lincoln green cut-away tailcoat, buff waistcoat with gold buttons, shite slacks, shite shoes and a New Zealand style hat that turns up at the side…”

Archery Week was hosted by the Huggins family at the beginning of August each year and to accompany the competitions on the extensive grounds at the Grange, they featured special balls for about 30 or 40 people for dinner, followed by dancing in the ballroom. “The dancing finished so late that breakfast was often served to the guests before they left for home the following day.”

“Naturally, I’d been practising like mad for the occasion. Firing at 100 yards I nervously let the arrow go. It wobbled in the air and my astonishment landed smack in the middle of the target. I was made Master Forester on my first day – a title which carries with it sitting at the High Table. Socially, archery can be pretty heaving going. That day the lunch ran to 12 toasts and I remember staggering out afterwards full of venison and summer pudding, cheeks pink from the port and nose still twitching from my first pinch of snuff…”

He told one interviewer that he had “a marvellous youth with every kind of animal under the sun, from ferrets to rabbits to mice to horses, to monkeys even. It was like a paradise, and a gorgeous home.”

Jeremy had a very special relationship with all animals. He welcomed dogs as earnestly as he welcomed his friends and often on his knees to greet them, face to face. His own dog, Mr. Binks, was a Jack Russell terrier that he affectionately called his “hound of heaven”.

Elizabeth’s reputation was always one of kindness to others, especially towards the homeless in the community. Gypsies and vagrants were frequent visitors expecting to be fed, have a wash or receive fresh clothing, and Williams shirts or trousers, could often be seen on these visitors leaving the Grange. Mrs. Huggins would go out and find Gypsies, taking them back to the Grange – the Colonel would come home from work to find a “Gypsy encampment with great cauldron in the walled courtyard, and clothes being dried in the saddle-room.”

During the Coventry bombing on 14th November 1940, in which more than four thousand homes were destroyed, including the 14th century cathedral, Jeremy’s mother, alerted by the sirens, the noise of exploding bombs and the sight of leaping flames across the open countryside, left her family to drive to the nearby town to what she could to help those who were caught up in the devastation. “The whole city was ringed with leaping flames, bathed in brilliant moonlight and a few searchlights were sweeping the smoke-filled sky.” Consequently, one family was taken into the Grange and 42 members of the extended family lived there until alternative accommodations could be found. There was no question in her mind about the decision; it was simply her first and characteristic response to suffering. “She was a dazzling woman, half Irish and fully Quaker, and ran our home, a large country house deep in the Black Country outside Coventry, in a sort of Flower Power way, always filling it with people that she’d picked up. I remember her bringing home a whole family called Weston during the war, and all of them stayed in our stables.”

Elizabeth Huggins had an enormous effect on the growing Jeremy and some would say that he was very like her in his response to others. “My mother had this extraordinary way of making us flower, and she had open doors and windows in her soul – that’s the only way I can put it. Everybody came to my mother. She was like a light of great warmth.”

What an amazing beginning to a brilliant gentleman.

This is just the very beginning of JEREMY BRETT PLAYING A PART by Maureen Whittaker.

[gloomy-prince]

SUPER OLD RAINBOW! ART THREAD!!! Open only if you are brave enough to face teen me's cringe art...

(mostly joking but fr white Mimi and skinny Boo jumpscare below)

Very first digital piece of Boo and Mimi circa 2011!! I was 14 when I drew this. Usually I'm able to look back fondly at super old art of mine but this one does make me cringe a liiiiittle bit. Mimi girl what are you wearing, why are you white. Boo also had pink eyes in the beginning, which she would continue to have for several years to come (even in the current iteration of RAINBOW! they were pink at first, I later recolored those pages) but it was only later that it was due to the color scheme of the comic and not because they were literally pink. I'm pretty sure they were meant to be contacts, because their hair is and always have been dyed rather than anime-esque natural colorful hair, so that was some crazy dedication from Boo back in the day.

More 2011 art showing off Mimi's goth/scene-ish style and green eyes. They were initially meant to have pastel and neon fashion senses, respectively. The story was already named at this point, only a few days or maybe weeks into its inception, which is impressive considering it has taken us literal years to name other stories (I'm looking at you, Phantom Pains)

this one is from super early 2012! Interesting to think that this was less than 9 months later since it feels completely different to me. The first version of the comic had started at this point, and the pink and green color scheme was just starting to develop. This lineup features some characters that would later be cut. Lucian and Lily were friends of Boo, and Cecilia was Mimi's ex girlfriend. Notably Clarice is not on this lineup, and frankly I'm not sure why.

A picture I drew to commemorate 50 fans on RAINBOW!'s smackjeeves page, mid 2012. Boo's outfit resembled a recolored version of her 2011 outfit, but I have no idea what Mimi is wearing. What. are. you. wearing.

Chibi-ish drawings of Boo and Mimi cosplaying various characters, from early 2013. Homura Mimi is very funny to me, I really don't know why I didn't draw her as Kyoko. I assume I was trying to keep them as paired characters, but I didn't do that with the Sailor Moon or Disney ones, so I who knows why I did it with PMMM. Mimi's hairstyle changes to a shaved cut somewhere around this time, but it is much more dramatic than her current undercut, and her hair is still pretty long. Boo is wearing a closet cosplay of Fluttershy that I myself wore once. These also resemble the chibi-ish drawings on the chapter intermission pages of RAINBOW! Vol 1.

A character study I did in late 2013, which would be shortly after I made a major style shift into the art style that would eventually develop into the one I currently have. At this point, Boo was meant to be fatter than Mimi, but the execution wasn't really there at all. There is also a doodle at the bottom of me and Sunny at the time (I am the one with long hair), expressing thanks for 300 fans on smackjeeves. Considering it had 50 in mid 2012, the readership was pretty slow growing back then.

outfit exploration for Mimi, circa 2014. At this point I started to expand the color scheme a little bit more so that not every character would be paper-white, though she is still very pale even though she is no longer meant to be white anymore. None of these outfits really resemble her current style, and I don't particularly like any of them either. It took me a very long time to settle on a fashion sense for her.

an Adventure Time-eqsue drawing of Mimi and Boo that I actually drew less than two weeks after the previous image despite the difference in things such as the way the hair was drawn. I had to include this one because it blew up overnight, which was a huge deal for highschool me, I remember checking my phone at school a lot because it was just getting hundreds or even thousands of notes over the span of the day. I think it has something like 16,000 notes. Still the post with the highest number of notes I have by far, so I guess I peaked in high school, whomp whomp

More fashion exploration, this time of Mimi and Boo, from early 2015. The color scheme is starting to approach what it currently is, but much more dull since I used to be afraid of bright colors. Mimi's fashion sense is starting to get closer to what it currently is, but the pastel goth influence that was popular in early-mid 2010s tumblr is apparent. In chapter 1, Boo wears an outfit that is extremely similar to the one with the bear shirt, except it's a rabbit instead. The dress that Mimi gives to Boo is also almost identical to the depiction of it here. This drawing implies that Mimi was originally going to be present in the film noir scene where Boo finds her mom, which is interesting...

Another cast lineup! This one is from late 2015-early 2016. Mimi is wearing an outfit pretty similar to what she wears in chapter 1 but with the colors altered. The execution of Boo's body type is starting to improve but she's still kind of pear-shaped. Mimi is also a little more square, and her hair finally looks like the style she has now. Clarice gets to be in the lineup this time and she is SUPER tall. I think she is still taller than Milo. And Mimi is around 5'7"-5'8", so Clarice must be around 6 foot by that logic.

The original version of chibi-ish Boo riding a bike in her Kiki outfit, from 2016. I think it was meant to be a banner of some kind, possibly for tapas or tumblr. A newer version of this drawing features as a chapter intermission drawing in the physical book.

The original cover for RAINBOW! from 2017. The color scheme is finally starting to get a little brighter! This is actually a redraw of an older drawing from 2014, I want to draw it again someday. Also, I was going by Rain at the time.

A drawing I did in late 2017 for a class in which we were meant to try digital painting and I went for a very simple approach. I like that Mimi's legs are a little noodle-y. This is also the first drawing where Mimi's eyes are no longer green, but dark pink instead. By the language of RAINBOW!'s color scheme, that means they are brown. Boo's eyes are still pink, however.

Another drawing for a class, this time from 2018. I can't remember the specifics of the assignment, but I used the opportunity to draw the playground and Max, the dog, for the first time. I like the way the trees look in this. That little snip of hair by Mimi's ear also made a reappearance here for some reason.

The original version of the drawing that would become the cover of RAINBOW! Vol 1, from mid 2019! I believe I drew it to be a banner on Tapas, but I used it for tumblr as well.

And lastly, Boo and Mimi outfit sheets from 2019-2020. I messed with them for a while, hence the timeframe. Boo's eyes are finally green, which I changed since I liked the idea of Mimi having green hair and pink eyes, and Boo having pink hair and green eyes, as if they are reflected a bit in each other. Outside of RAINBOW!'s color scheme, Boo's eyes are actually blue though. It took about a decade, but I finally settled on a fashion sense for Mimi.

BONUS ART!!! 💖💖✨✨ I thought these would be better grouped together rather than chronologically with the rest.

RAINBOW!'s banners from its era on smackjeeves! Smackjeeves didn't have square/circular icons but rather these thin long banners which could also be animated. I thought that was so fun, so I always animated them at least a little, even though one doesn't seem to work. It was customary to write girls love/boys love on the banner of mlm/wlw romance stories then, so almost all of them say that. I still see that trend on some comics on webtoon and tapas nowadays. They are from 2011, 2012, 2013, 2014, and 2017. I don't believe the 2017 one was ever used.

And RAINBOW!'s icon throughout the years! I always refused to change it, only update it, because I thought it was really cute. They are from (approximately) 2017, 2018, 2020, and 2021.

And finally, art from 2021 of Mimi with her cousin August, who will be the protagonist of our next comic, Phantom Pains. Weird to think that we'll be on that comic in foreseeable future, since it is also over 10 years old now. Bit of a passing the torch type drawing to end on. 💕 If you made it all the way here, thanks for reading! Hopefully it was fun and didn't hurt your eyes.