#ot3: into time and space

[grandadtwelve]

nine and rose being so into each other and their flirty swaying while they talk about how hot jack harkness is that they don’t even notice they’ve been teleported….. dw scenes with the highest sexual tension of all time……. if they had not been interrupted…..

[ghostfacerseffect]

I would love a bingo-ed ninerosejack 😊

MY SWEETIES MY SCRUNGLIES!!! WHAT IF I WANT TO PRETEND EVERYTHING IS FINE AND HAPPY!!! Also sorry but rose would not have let the doctor leave jack behind in 1.13 and i will stay mad about it. Devastatingly abandon him for Plot Reasons later but not on her watch!!!

[k-kipper]

happier in the middle

[reinanova]

Consider:

Harry walks in on Parker kissing Eliot to comfort him (or vice versa) and he backs out of the room in a panic because this poor precious child is unaware of polyamory and the leverage OT3. So, in support of the Bro Code, he goes to Breanna and asks her to send a message to Hardison so he can talk to him.

Now Breanna, the wonderful little sis she is, asks Harry what’s so important that he feels the need to contact Hardison immediately. So Harry confesses that he just saw Parker cheating on Hardison with Eliot and that he needs to tell Hardison about it.

You cannot tell me that Breanna, our gay ace gen Z icon, is not aware of her brother being in a polyamorous relationship. And okay yes, maybe she “accidentally” found evidence of their relationship when she “accidentally” hacked into their phones but that’s hardly her fault. That was just the proof for her suspicions.

Back to Harry. Breanna is just holding back laughter at Harry’s obliviousness and of course she’s here for the drama (and listening to Hardison rant about the interruption) so she sets up a video call with Hardison, secretly sharing the video screen to the room Eliot and Parker are in.

So Hardison shows up on the call, visibly busy with lots of chaos and going ons behind him and is all, “Breanna, what’s wrong?”

And then Harry is all, “Hardison, I gotta tell you something” and tells him what he saw and is very apologetic that he’s informing Hardison that his girlfriend is cheating on him.

Hardison stares into the camera like he’s on The Office, visibly annoyed before going “Really man? Really??? You interrupt me while i’m dealing with [lists like five things he’s got going on right now] for this?”

And then turns to Breanna and says, “You let him call me for this?”

And she gives no fucks about it and just shrugs and is all “I thought it would be funny.”

Now Harry is growing more and more confused and he’s like, “Umm excuse me, are we just ignoring the whole girlfriend cheating on you thing?”

At this point, Parker drops in from the ceiling or something behind Harry and is like, “It’s not cheating when they’re both my boyfriend.”

And Eliot also pops up and says, “I should hope I’m able to kiss my girlfriend when our boyfriend isn’t around to kiss us.”

After Harry recovers from his mini heart attack after getting startled twice by Parker and Eliot, he’s like, “Cool, cool. Wait, what??”

But Eliot and Parker have already wandered off and Hardison is distracted with his stuff and Breanna shrugs at Harry before picking up her laptop and leaving to go catch up with Hardison while she has him on the call. So Harry is left standing there in confused but supportive spirit.

[obizenyukii]

zen’s relief to see obi and shirayuki safe and healthy is going to be the only thing i think about for the rest of my life

[muiromem]

Just... repeatedly rotating An Idea around in my head

(and yes it's still Tom/Harry/B'Elanna OT3 because I'm obsessed with them, but I also love Janeway's and Tom's weird friendship)

Basically, something Big and Insane and Sci-Fi happens, and somehow all of the known universe in time/space is just sort of.... gone. Or dying, or being destroyed. Stars are going out, everything is vanishing out of existence. Planets, galaxies, creatures and anomalies and time/space itself - all completely gone.

Of course, Voyager is in the eye of the storm (so to speak) of this catastrophe that happened around them, and therefore one of the few things that remains for now (much like Kirk and the crew still existed after McCoy accidentally changed the timeline in "The City on the Edge of Forever"). Obviously, they're trying to stop it - to fix whatever this catastrophe was that could unmake all of existence.

With the wonders of Science-Fiction, there is a theoretical way to fix things; a jump-start essentially, to reset everything to what it was before this catastrophe and repair the wound it created. But even with this theoretical plan, there's something missing: a blueprint, of sorts. If they set off this insane spatial-temporal reaction, everything would be reset, but there's no telling what state the universe would actually be in after it was done. It would be like setting off a Genesis device on a war-destroyed Earth and hoping it would magically return everything and everyone to how they once were. There was nothing to guide this theoretical process of rebirth - and literally everything was at stake.

Even the great minds of Tuvok, Seven, B'Elanna and everyone else are at a loss for what to do. Unless they had someone like Q, omnipotent as he was, how could they feed something into this reaction of theirs to tell it what to do? How could they ever have enough information to rebuild all of existence from scratch?

It's Tom, of all people, who comes up with the answer: let him go.

At first everyone just sort of looks at him like he's insane because, what? What could he possibly be talking about? But even though he can't really remember, Tom still has a theory: the Warp 10 flight.

For a brief time, he was literally everywhere in time and space, all at once. Existing throughout all of existence simultaneously. Could his body, his unconscious mind, have somehow remembered that time? Could it have imprinted something onto him? Perhaps his very cells? He figures if there was a chance, even a small one, that his theory was correct - they had to take it. Because if he was right, then technically he was a living, breathing blue-print of all the known and unknown universe... and their only chance at saving everything.

That's when the riot starts, a great uproar of arguments. Facts and theoretical probabilities from Seven and Tuvok, horror and concern from Harry, even more from B'Elanna and the Doctor. They're startled, angry, because even if that were true the process would almost certainly kill him. And then there's Janeway, putting a stop to all the noise with a hand and saying that if there was a chance this theory would work, if the Doctor or someone could find even a speck of evidence to support it, then she would do it. Because even if everyone else forgot, she'd passed the transwarp threshold too.

Tom tries to argue, Chakotay and the Doctor too, but Janeway insists. She sends Tom to be looked over by everyone for proof of his concept, but says that if the time comes, she'll be the one to do it. As Captain, it's her job to keep everyone safe, no matter what. No one can argue, but no one is happy. Even this one chance at survival feels like it will come at too great a cost.

Time passes, with everyone rushing to do what they can before Voyager is also consumed by the nothingness. But eventually the verdict comes - Tom's idea has merit. His very atoms are somehow encoded with cross-temporal chronotrons and other signs that the theory may work. Once he knows what to look for, the Doctor scans Janeway and sees that she has these markers too, though hers are... fainter, for lack of a better term. She theorizes that it's because she only went through the Warp 10 process once, while Tom did it twice. The Doctor admits that there is a possibility Tom's the better candidate for this mission, only because he has a stronger "imprint" so to speak. Janeway still insists, refusing to send one of her officers to die in her place.

When everyone finally gets this complex and theoretical "reset" device figured out and constructed in one of the cargo bays, Tom begs to come with Janeway. He says that after everything she's done for him, he wants to see her off one last time. She relents, and once B'Elanna has started the reaction up from the safety of Engineering, shining beyond the doors like an imploding star, the two make their way there.

The entire deck has been cordoned off to keep chroniton and other radiations from killing the crew before they can set this whole thing in motion. It's just the two of them there. Tom takes a moment - as the doors open and they're both hit with a wave of heat, energy, and the unknown - and he thanks Janeway properly. For giving him a second chance, for believing in him, and for everything that followed after; like meeting Harry and B'Elanna, and finding a home aboard Voyager. Then he says "get them home" and before Janeway can realize what's happening, briefly thrown by his intense sincerity, he's shoving her aside - hitting the mechanism to shut the cargo bay doors. Inside, Tom grabs some tool and smashes the console so the door won't open without a manual override. That would probably buy him enough time.

Inside the cargo bay, it's like being trapped with the birth of a star; plasma, light, and colors all swirling in strings and shapes and a great sphere of something. There's no special switch for Tom to flip, no complicated sequence he has to follow. The best Voyager's brightest minds could figure out was for him to simply... walk into the singularity and hope for the best. He thinks of his family on Voyager, he thinks of his father and so many things unsaid, he thinks of B'Elanna and Harry and hopes that they'll still take care of each other when he's gone. And to keep them safe, to preserve everything that ever was or ever would be.... he walks into the fires of rebirth.

Outside the cargo bay, Janeway is screaming - trying to get in, to override the doors. She gets them open, only in time to see a tall silhouette disappearing - almost disassembled before her eyes, like dust being scattered away on the wind. Then there's just light - so bright it feels like it somehow pierces through her skin and bones and the very atoms of her being. Then.......

She wakes up. There's no telling how long it's been; all Janeway knows is that she's on the cargo bay floor, ears still faintly ringing, and Chakotay is gently helping her sit up. All around her it's... quiet. The cargo bay looks untouched - no crumpled bulkheads, no scorch marks, nothing. Even the vast, cobbled together machinery for the reset is simple gone. Once her head finally clears, Chakotay asks if she's alright, if her plan worked - but Harry's comm. from the bridge interrupts the question. Excitedly, Harry announces with great relief that the nothingness, the catastrophe, seems to be gone. His scans, Voyager's databanks - everything seems to be showing up normal. As far as they can tell, the universe was back to how it should be.

Back, except for one thing: Tom Paris.

As far as Janeway can see, Tom isn't in the cargo bay. She asks the computer to locate him; the reply is that Lieutenant Paris is no longer aboard. This is announced just as B'Elanna is running in through the cargo bay door, no doubt to see the result of all her hard work. She comes to a halt, looking at Janeway - staring because she wasn't supposed to be here, she was supposed to... After only a fraction of a moment, the computer's announcement finally registers and suddenly B'Elanna is running at Janeway with fists flying, screaming about how could she let him do this? Where is he, dammit, where the hell is Tom?!

She gets a few good hits to Janeway's chest and shoulders before Chakotay holds her back, and Janeway just lets her do it. Because this is her fault - she should have known Tom would try to pull that stunt with the doors, should never have let him come to see her off. She barely registers that B'Elanna's fury soon devolves into angry, choked back tears which Chakotay tries to soothe. When Harry arrives soon after and sees her expression, probably sees Janeway's too, it's all too easy for him to put two and two together. He and B'Elanna end up clinging to each other in their grief. Though Chakotay comes to Janeway to try and comfort her too, to reassure her that she's not responsible, all she can do is look at the cargo bay and see the silhouette where Tom last was - lost now to the ether of the universe.

The next few days are... hard. Harry might as well have aged a decade, and instead of the righteous fury that Janeway had expected, B'Elanna's just gone quiet. When Janeway stops by Sickbay, even the Doctor has become subdued, staring wistfully into the distance at nothing when he'd normally be working on some experiment or other. She still asks him, and Seven, and anyone who might be of use, if there was anything that could be done. But as far as anyone can tell, Tom Paris is gone - he'd sacrificed himself to save everyone else.

But Janeway feels like something is still wrong, like Tom's ghost is... haunting her somehow. It's a figure of speech when she admits it to a concerned Chakotay, but one night, she startles awake from a dreamless sleep, and there he is - standing in her quarters. Tom looks confused, exhausted, and he's... well she can see right through him. He looks at her, seemingly just as startled as she is, and she swears she hears him whisper "Captain?" But then suddenly he's convulsing, curling in on himself with a cry of pain and Janeway is horrified as she watches him.... unmade. It's like he's nowhere and everywhere, born and dying, unraveled but stitched together all at the same time until he's once again vanished into nothingness.

Janeway's heart is racing and she doesn't understand what she just witnessed. A dream? Hallucination? Some alien interference? She goes to the Doctor at 0400 and demands he scan her for a virus, temporal misalignment, anything. She's terrified that this was nothing more than the aftermath of radiation from being so near their "universal reset" as it went off. But there's also a tiny sliver of the smallest, most fragile hope, that this is something else - that there's a chance Tom isn't really gone.

The Doctor does find something, a strange resonance of sorts, connected - or perhaps coming from - Janeway. He theorizes that it's an effect of being so close to the singularity during the reset. As far as he can tell, she's not suffering from radiation damage, but believes that her guilt over Tom must have caused the hallucination. He offers to devise a treatment, and Janeway begrudgingly agrees. For him to say that what she'd seen was a hallucination though... it felt wrong somehow.

For the next few days, she hardly sleeps, too busy pouring over anything she can find - old Federation logs, complex theories, and all the research and schematics for the device they'd created. All in the slim hope to understand what had actually happened to Tom. Was he simply dead? He couldn't have been wiped from existence or surely, no one would have even known he'd existed. But had he been scattered throughout existence itself, a fundamental building block of the universe now? Seven helps her eventually, though it takes a good deal of persuasion. Chakotay and even Tuvok (though he'd never admit it) become increasingly concerned that she's grasping at straws, just trying to absolve herself of the guilt she feels because Tom took her place - but she knows it's more than that.

And eventually, she's proven right. The so-called hallucination happens again - but this time she's not the only one there. Seven and the Doctor were working with her on some experimental simulations on the holodeck when there's suddenly a terrible noise; something between electro-static and the wails of a dying creature. The holo-grid starts sparking, a console blowing out completely, until suddenly they all watch Tom Paris form out of nothingness before them. Whatever process was involved in his... reassembly, is obviously painful. Just watching the strange tangle of unidentifiable mass contort itself until it could become Tom was sickening. And when he finally takes form, still only semi-opaque, he collapses to his knees, shaking.

Janeway runs to him immediately, unsure what to do but calling his name. Here's there, he's there - it wasn't just in her head. The Doctor and Seven follow shortly, taking tricorder scans in shocked fascination. They ask questions, trying to understand what happened, but Tom doesn't know any more than they do. He says it's like he's everywhere but nowhere - and yet something keeps pulling him back into reality, back onto Voyager. He thought he would die, had come to terms with it, and yet he's still coming back. Even if he'd been completely tangible he looks awful, like he's dying every minute he's there. Janeway tries to reassure him that they'll find him, that they won't just give up, and that manages to make Tom smile. He says he knows she wouldn't give up on him - but as he starts to shift out of phase again, face clenched with pain, he asks her to promise him something. Janeway doesn't want to, knows she won't like what he has to say, but she nods anyways. "If you have to - let me go," is what he pleads. "Don't risk Voyager or anyone else for me. Just promise me that."

Janeway can't even form a reply, doesn't know how to let go, how to admit defeat. She's never given up on a crewman before, how could she possibly now? Out of habit she reaches out to touch Tom's shoulder - and even as he's fritzing, starting to disintegrate before her very eyes, she is surprised to make contact. The sounds of tricorders going haywire are behind her, but all Janeway can focus on is the fact that despite Tom literally unraveling in her hands, for a moment, just one moment, she could feel him. Then he's gone.

Everything is different this time - there was proof now, witnesses. B'Elanna and Harry are no longer withdrawn, instead racing full-steam ahead to do anything they can to help. They ask her about Tom of course, about how he's looking, and whether or not she thinks that they can save him. Janeway doesn't know what to say, how to tell them that Tom's clearly in pain and that she has no idea what even happened, let alone how to fix it....

Unfortunately, she doesn't have to. During some experimentation, Tom reappears again - much more violently this time, just when Harry and B'Elanna are present. The very air around them seems to crackle with energy, the temperature changing from too hot, then too cold, and back again. The atmospheric readings are going haywire and when Tom reappears, somehow less corporeal than before, he crumples to the ground in a heap. Harry is openly crying as they run to him, begging him to open his eyes - but when he and B'Elanna try to touch Tom, somehow their hands go right through.

Janeway is completely flummoxed. She'd touched Tom before, she knows she did. But it seemed he was becoming less and less stable each time he returned to a corporeal form - perhaps that explained the change? As the Doctor and Seven are once again running complex scans, Janeway goes to Tom's side and slowly reaches out a hand. As it lands on his shoulder, as Tom tries to sit up, she does make contact. The tricorders instantly go haywire, and Harry and B'Elanna wonder in despair - Why now? Why her? Why can't they touch him? But all Janeway can think is that this is progress. It must mean something, especially since Tom seems to regain consciousness as she maintains contact, becoming a bit less transparent - a bit more real. When Tom sees Harry and B'Elanna this time, his eyes begin to water too - and Janeway wonders how tears could form in whatever state of flux Tom has become entwined with. But when she removes her hand to give them some space, to ask Tom if he's alright, he starts to fade once more.

This time Tom tries to reach out, to touch Harry and B'Elanna - but is just as unable to make real contact. Instead he tells them he loves them, begs them to take care of each other, to let him go - and it's painful to watch as he's once again gripped by whatever agony has been tearing him into reality and back. Hoping it might do something, Janeway grabs Tom's hand and this time she makes a promise she's going to keep: to bring him home dammit, no matter how long it takes. Just her hold on him seems to stabilize him a bit, taking the floating sands of his dissolving form and pulling them together for just a moment longer... but then the temperature goes haywire, energy crackles around them and Tom is gone once more. With him goes every sound as even the beeping of tricorder scans finally cease. In the silence, Janeway can barely seem to breathe and knows that Harry and B'Elanna must feel infinitely worse. Even more terrifying, each time Tom appears, he seems to be getting weaker, losing whatever cohesion he's managed to retain. She has no real basis to understand anything that's been happening, but Janeway has the sinking feeling that if they don't do something soon, Tom will be lost to them for good.

But then the Doctor clears his throat and holds up his tricorder, and suddenly hope floods back. "I believe I know what's happening to Mister Paris," he says, with not an ounce of boastfulness for once. Instead, the Doctor is as grim-faced as the rest of them, but holographic eyes no longer seem so empty. "And I think there's a chance we can fix it."

The process is... complex. Even for a mind as scientifically adept as Janeway's. The only important part is that Janeway wasn't just imagining that there was something connecting her to Tom. In reality, it was the other way around. Tom wasn't just being pulled back to Voyager - he was specifically being pulled back to her. It was all down to the the second transwarp flight, which they'd taken together. Crossing the barrier had created a sort of tether between them - a connection point across the vastness of reality. When Tom had entered the singularity to "reset" all of existence, in a manner of speaking his very existence was used to rebuild what had been lost. The price for this was Tom himself - every atom and molecule destroyed like the fuel necessary to keep a fire burning. But Tom and Janeway had gone to Warp 10 once together - existing everywhere in time and space at the same time. Because of that, a part of Tom still existed in Janeway, safe from the "reset" aboard Voyager within the eye of the storm. Janeway had unknowingly become a sort of temporal anchor, pulling Tom back into existence where he belonged.

At the moment though, he was trapped - pulled between reality and the strange purgatory of nonexistence. But with the magic of incredibly complex Science-Fiction and Technobabble, the crew essentially find a way to use Janeway's own Warp 10 resonance as both a magnet and a waypoint - to pull Tom back, and then reintegrate him into their time and space with the help of B'Elanna's ingenuity and a lot of Borg-enhanced technology. Harry describes is as being "like a temporal transporter" and that's already enough to give Janeway a headache, so she doesn't try to ask for details. The main idea boils down to grabbing onto what's left of Tom's "pattern" of existence, which has been imprinted onto Janeway, and using their newly constructed technology to "rematerialize" him back into reality.

Once they've found the method and jurry-rigged some machinery, the Doctor is standing by, both for Tom and for Janeway should anything happen. The others are farther off, manning the various machines while Chakotay and Tuvok have evacuated various decks in case of any explosions. The risks are immense, and this time Janeway had actually assembled the crew - asking them if they thought it was worth it. They'd potentially be putting the ship and everyone onboard it in danger, in a last-ditch attempt to bring one lost crewman home. It had warmed her heart when not a single person balked at the danger; Tom Paris saved them, their homes, their families and futures. Why shouldn't they try to save him too?

When the process happens, Janeway feels a sense of déjà vu; the light, the swirling mass of indecipherable colors and shapes and feelings, all cascading before her. This time she's strapped up with various bits of technology, hoping against hope to become the lighthouse that guide's Tom's way. In the very same cargo bay, bulkheads rattle and crumple this time, machines start screaming their warnings, and Janeway can feel the heat and pain and dizziness as radiation tries to eat away at her. But she can't stop yet, she won't stop. Even as the Doctor is yelling that the radiation levels are reaching critical, even as she hears Harry calling out that there's a new singularity opening and it's becoming completely unstable, Janeway sees it - a silhouette. It's only just forming, scattering in and out like a dance of lightning and sand, but it's there.

This time she won't be thrown through a cargo bay door and left to rebuild in the aftermath. This time she listens to her gut, and runs forward. She'd been the only one able to hold onto to Tom before because of whatever this bio-temporal tether was that had connected them - she sure as hell wasn't going to let him go now.

So she runs and sees an outstretched hand, breaking and reforming and scattering like light through a prism, everywhere and nowhere all at once. She ignores the pain and the feeling like she herself might be consumed by the fires of the unknown.

Kathryn Janeway takes a leap of faith, she grabs that outstretched hand, and for the sake of every person on her ship, she pulls.

Watching from afar, all the others see is a gigantic explosion of light and colors and sound. The cargo bay had been nearly cleared out before this process, but every piece of newly-made machinery has been completely destroyed. Bits and pieces scatter the floor, bulkheads have been wrenched open, sparks are flying, and Harry and B'Elanna find their ears ringing as they choke on smoke. They'd erected a level 10 forcefield for protection before starting the procedure, but in the aftermath it's been completely torn away. Even as the environmental controls kick in and start clearing out the haze, they look up from where they'd been thrown to see a massive scorch mark, spread out like a starburst across the cargo bay deck.

At it's center, they see.... something. Dizzy, confused, and still trying to see through ash and debris, initially they can't make it out. Even the Doctor is nowhere to be found, his emitter lying on the floor. It's fritzing but, after a brief inspection, seems repairable. Whatever happened must have shorted out many different systems, as Harry's attempt to use his combadge goes unanswered. He and B'Elanna make their way instead towards the center of the scorched cargo bay floor and behold... Captain Janeway.

She's covered in ash, with burns on her skin and uniform, and as they watch she kneels to the floor. There's something in her hands and after a moment it becomes clear; she's draping an emergency blanket over a long, familiar form. One with a head of messy, tawny blonde hair.

Harry and B'Elanna are running then, falling to their knees as they reach Janeway's side and behold Tom Paris - naked save for the blanket Janeway has brought to preserve his modesty. He's overly pale and clearly unconscious, but he's there, he's alive.

Harry cradles Tom to his chest, rocking him gently and bawling like a baby. B'Elanna runs her hand over Tom's hair, his face, his bare shoulders - anything she can seem to reach. They don't even know if he's fine really, but at least he's breathing. They didn't blow up the ship and they didn't have to lose him. Janeway looks exhausted and it's obvious her burns are painful, but she just stares at her three crewman, clutching onto each other with such love, and she smiles.

It feels like she sits there for an eternity, just watching them, basking in their reunion and the knowledge that they did it. In reality, it must only be a few minutes before the cargo bay doors are being forced open and Chakotay, Tuvok, and Neelix come through, bringing medical supplies and asking if everyone is alright.

By then, Harry is finally wiping his eyes and asking B'Elanna if she can get the Doctor back online because they're probably going to need him. For once, she looks reluctant to work, clearly wanting to stay there with him and Tom. In the end she agrees, but not before pressing a kiss to Harry's knuckles and Tom's forehead before taking the holo-emitter and leaving.

Afterwards it's all a long process of scanning, repairing, and treating everyone's wounds. Janeway tries to shoo Chakotay away once they bring her to sickbay, far too worried about Tom's condition, but he pulls out the big guns. Chakotay knows that she can't say no to Neelix when he gives her those big concerned eyes and tells her that "the crew needs their Captain to be taken care of too". So she ends up lying on a bio-bed for half an hour while the Talaxian carefully treats her burns and radiation poisoning as best he can. Unsurprisingly, B'Elanna gets the Doctor's program and holo-emitter working in record-breaking time, and they're all relieved when he checks over Tom and the prognosis is good; Tom's exhausted, dehydrated, and a bit worse for wear, but he'll be fully recovered in no time. Whatever madness they'd pulled off had worked.

Eventually, he wakes up, still very weak but every bit the Tom Paris they know and love. When he sees how distressed both Harry and B'Elanna are, he even jokes that they put an awful lot of effort in "just for him". B'Elanna looks like she wants to punch him for it, but instead throws her arms around him in a hug, and the three of them share a teary, heartfelt reunion. When the lovebirds have to split off so everyone can get some rest, and once the Doctor has given her a clean bill of health, Janeway goes over to Tom's biobed to see how he's doing.

He's obviously tired but he smiles up at her. However, the first thing she tells him is that she should court-martial him and throw him in the brig for the stunt he pulled in the cargo bay by taking her place. For a moment, Tom nearly believes her. But then Janeway smiles back and pats his hand with hers and says that he may be a reckless idiot, but she's proud to say he's one of her bravest officers. She also sincerely thanks him for what he did, to which Tom replies that she risked everything to get him back, so that probably makes them even. Janeway doesn't bother trying to make him promise never to do something that risky again, since she knows he'd only break the promise anyways if the circumstances required it. Instead, she says that if he's going to continue doing insane, reckless stunts for the good of her ship, then she'll just have to keep doing insane reckless things to keep his sorry ass alive. She receives the patented "yes ma'am" for her troubles, and Tom says that after all, he learned from the best.

The last thing she does before telling him to get some rest though, is tease him - threatening that, even if she understands why he did it, if he ever tries that switcheroo he pulled with her again, she'll have to tell the gossip mill about all the places she hadn't realized he has freckles.

Janeway can see by his slowly-dawning expression that Tom does recall something about emerging from the nothingness, naked on the cargo bay floor. The last thing she hears as she walks, grinning, away from Sickbay is a sputtered yell of "You wouldn't actually... Captain? CAPTAIN!" before the automatic doors swish shut.

[eldritcheden]

Ok so did anyone notice when Parker stopped drinking??

So obviously as of the last couple of episodes of LevRed S2 she's isn't consuming alcohol- we see it highlighted when she cheerses the others, once with a taser and later with a coke, so.... Does anyone remember when this started?

She definately drank in Leverage 1.0 and maybe I just haven't been paying enough attention to redemption but if she's been sober this whole time I don't think it's been highlighted the way it was in the past couple of episodes??

Is this recent?? And is this plot?? If so, there's obviously many things this could be connected to.... But I'm just gonna say it..... Leverage baby?????

[adamwarlock]

I'VE MISSED THEM SOOOOOOO MUCH

[volant-endeavor]

"Last time I saw ÿou, you said you would feed me prices of my flayed skin"

Ok, so ed is traumatized by threats of autocannibalism from his previous captain. [Aka boss] And when he is spiraling in self destruction, he does that exact thing to his close friend (+whipping boy?)

In his death images, the electrical activity happening as the body dies, his big radical shift in perspective is to place his behavior in the identity of his former abuser. And continue his own identity, "ed" in contrast, and at the whims of that person.

Now, the captain continues his life forward. Nourishes his body. Does what he has to do. And even, in this moment, treats him with respect! Dignity, even.

But underlying, there is a threat. Ed is afraid.

I think Ed has sought power to escape the abuses of hierarchy, and used those violences himself to get there. To build an image.

This made him lose himself, in a lot of ways. It's extreme masking trauma. It's made him feel so trapped that he has become suicidal, long before canon.

Ed realizes that to continue to be a pirate, he would rather himself be dead.

...or he can retire?

[wantedplantlife]

maybe i will be motivated to change the template, i say, immediately opening the file to make some changes

[grandadtwelve]

has anyone done this yet

[1980ssunflower]

missing them...

[iamthelowercase]

Been looking at furniture, For Reasons, and we came across this thing:

https://www.amazon.com/dp/B0BZCP9K74

Those are apparently twin XL mattresses, so over six and a half feet by just over three feet.

I call this the "the entire triad is sharing an apartment, and don't have the space for a king-size/queen-size bed".

[son-of-gaza]

Urgent Appeal to Support My Family in Gaza: Critical Need as Winter Approaches

Donation link (GFM)

Dear Friends, Supporters, and Kind-hearted People,

As the cold winter months approach, I am reaching out with an urgent appeal to help my family in Gaza. The challenges they face are immense, with limited access to basic necessities like food, water, medical supplies, and warmth. Their situation has only grown more difficult as the cold approaches, putting them at even greater risk.

Why Your Support Matters

Life in Gaza is challenging at the best of times, but winter brings an entirely new level of hardship. With frequent power outages and a shortage of fuel, heating becomes nearly impossible, leaving families exposed to the harsh cold. Many homes, including my family’s, lack insulation and proper heating, putting children, the elderly, and the sick at serious risk.

Your support can make an immediate and direct difference. Donations will be used for:

• Warm clothing and blankets to protect against the cold.

• Basic food supplies to sustain them through the harsh winter.

• Medical essentials to care for the sick, especially with scarce resources.

• Heating materials and fuel, when available, to make their living space safer and more comfortable.

How You Can Help

Any amount, big or small, will make a significant difference in helping my family endure the winter with dignity and hope. Here are a few ways you can contribute:

1. Direct donations: 🙏

2. Spreading the word: Share this appeal with your networks to help us reach more people.

3. Raising awareness: By increasing awareness about the ongoing crisis in Gaza, we can help generate long-term support for families like mine

A Message of Gratitude

From the bottom of my heart, I thank you for your time and consideration. Your kindness and compassion are a beacon of hope in these difficult times. Together, we can make a real difference in the lives of those who need it most.

With heartfelt thanks,

Momin Alostaz

kahin

@timetravellingkitty @meaganfoster @briarhips @mahoushojoe @mazzikah

@rhubarbspring . @schoolhater @pcktknife @transmutationisms @sawasawako

@figur @irhabiya @commissions4aid-international @wellwaterhysteria

@deepspaceboytoy @post-brahminism @junglejim4322 @kibumkim @neechees

@mangocheesecakes @kyra45-helping-others @marnota

@7bittersweet @tortiefrancis

@toiletpotato @fromjannah @omegaversereloaded @vague-humanoid @heritageposts

@aristotels @komsomolka @neptunerings @riding= with-the-wild-hunt @ot3

@amygdalae @ankle-beez @communistchilchuck @dykesbat @watermotif

@stuckinapril @violentrevolution @mavigator @lacecap @socalgal

@chilewithcarnage @ghelgheli @sayrug

@northgazaupdates2 @revindicatedbyhistory_

@appsa @anneemay @dailyjermasparkle

@rainbowsnowflake110-blog @saint-oleander

@jackironsides @f4rfields

[amjad-danaf99]

In the heart of war-torn Gaza, where devastation and loss have become daily realities, lies the poignant story of Amjad Danaf and his family. Amid relentless airstrikes,And it wasn’t just my home that was destroyed. Years of effort and dedication were wasted in moments, and here I am standing in the ruins of my home, as I stand in the ruins of my life, trying to collect the remains of my dreams and memories. This house was a source of safety for me and my family, but the war left us nothing, and we face an ambiguous and difficult future.

Now, after all this destruction, my family and I live as displaced people, homeless and unemployed, with no clear future for us. Every day is a struggle to find food for my family, who have been deprived of every chance at a normal life by this war. Once upon a time, we lived in Gaza, in northern Gaza, where we had a home, a life,But now, after being displaced more than nine times, we find ourselves in the refugee camps in Deir al-Balah, and the war has stripped us of everything: our homeland, our security, and our future. Our daily lives have become a constant search for basic necessities, a far cry from the life we ​​knew before.

The dreams I had for my family now seem like distant memories, overshadowed by the relentless challenges of survival. Each day brings new doubts, as we navigate this harsh new reality, clinging to the hope that one day we may be able to rebuild what we have lost.We urgently call on everyone who stands in solidarity with us, and every supporter, to help save what remains of our lives. Your help, even in small ways, can make a big difference in helping us rebuild and restore our broken world. Rebuilding seems like an insurmountable task, but with your help, we can begin to piece together what we have lost. Your contributions, no matter how small, can provide the foundation we need to start over, and provide hope and a chance for a better future for our family. Your solidarity means the world to us as we face these difficult times.

Thank you for your compassion, your time, and your commitment to freedom and justice.

Please help me to Share the post

@sar-soor r @appsa @akajustmerry @annoyingloudmicrowavecultist @feluka @el-shab-hussein @sayruq @tortiefrancis @flower-tea-fairies @tsaricides @7bitter @riding-with-the-wild-hunt wild-hunt @vivisectionmoth @belleandsaintsebastian @ear-motif @ibtisams @animentality @kordeliiius @raelyn-dreams @troythecatfish @ot3 @the-bastard-king @pcktknife @4ft10tvlandfangirl @queerstudiesnatural al @northgazaupdates2 2 @90-ghost @skatehan @awetistic-things @baby-girl-aaron-dessner

@variantsofblue @schoolhater @thedigitalbard @socalgal @paper-mario-wiki @ibtisams @magnus-rhymes-with-swagness @nabulsi @lesbianmaxevans @crapscicle @transmutationisms @buttercuparry @malcriada

@dlxxv-vetted-donations @mangocheesecakes @thatdiabolicalfeminist

@paper-mario-wiki @pcktknife @piedaho @here-sean-once-was @triptrippy @punkitt-is-here @sar-soor @ot3 @opencommunion @official-big-gay-fish @marxism-transgenderism @malcriada @yelyahwilliams @soon-palestine @gaza-evacuation-funds @gazagfmboost @turtletoria @schoolhater @i-spilled-my-soup @imlizy @ibtisams @imjustheretotrytohelp @irhabiya @buttercuparry @90-ghost @fox-guardian @fleshdyk3 @fictive-explosion @decolonize-the-everything @drusies @closetfullofghosts

@dlxxv-vetted-donations @dlxxv @90-ghost @marxism-transgenderism @littlegermanboy @lamuliz

@lamuliz @paper-mario-wiki @punkitt-is-here @ot3 @opencommunion @butchfeygela @rickybabyboy @wizardarchetypes

@palipunk-blog @self-hating-zionist @star-and-space-ace @rainbowywitch @sayruq @palestinegenocide

@shellofashadow @revcuse @imlizy @tamamita @triptrippy @turtletoria @northgazaupdates2

[idiopath-fic-smile]

this one goes out to all my Singin' in the Rain ot3 truthers—

Cosmo Brown had always known it would end like this.

Cosmo was a lot of things—in fact, you could argue he was too many—but he wasn’t dumb.

From the early years, when Cosmo and Don were just kids playing for pennies in pool halls, to their stint dodging rotten vegetables on Vaudeville stages across the very backwaters of America’s backwaters, to their first real breath of success in Hollywood (and then the second and the third and the fourth), Cosmo would catch a glimpse of his handsome, charismatic friend from the corner of his eye—a flash of dark hair, that perfect tooth powder ad smile—and know that for all Don’s protestations, someday the guy was gonna meet a wonderful girl and get married, settle down, and very gently slip off to the far edge of Cosmo’s life.

So yes, Cosmo had seen Kathy Selden coming. Not the details, not her sense of humor or her musical little laugh or the madcap way she really threw herself into dancing with them around Don’s place at 1:30 in the morning—and okay, certainly not the part at the beginning where she had jumped out of a cake at a party, but he thought a fella could be excused for not correctly divining that. 

The general outline of the thing, though, how Don’s eyes followed her around a room...he had been preparing for Don to propose to Kathy ever since she’d tried to throw a pie at Don’s face. And when the happy day came, Cosmo had been ready with his best man suit, his best man speech, a slightly updated version of “Here Comes the Bride” that’d had Don and Kathy laughing all the way down the aisle.

Don and Kathy would buy a house together. They would have a swimming pool and a dog and then inevitably, a small parade of adorable little snot-nosed kids who would call him Uncle Cosmo, and they would spend less and less time with him, not on purpose but busy with the rest of their lives, and ultimately Cosmo would learn to make his peace with it because he’d have no other choice and he would have to try to move on and not live too much in his memories. He could picture it so clearly, he figured if the songwriting gig with Monumental didn’t pan out, he could always return to the backwater circuit with a new act: The Amazing Cosmo of the Cosmos—ladies and gentlemen, he sees the future, he reads the stars, he silently pines for his best married pal and all the while tap dancing!

Don and Kathy inviting him along on their honeymoon, though—that part was a surprise.

“What?” said Cosmo, hands frozen over the piano keys. He’d been busy with a brand-new assignment; on the heels of The Dancing Cavalier, offers were pouring in and he’d taken the first one scoring a movie that didn’t star anyone he was secretly in love with.

Don had looked a little wounded when Cosmo broke the news last week, but a guy had to start making his own way in the world. Besides, orchestrating layers of strings to swell as the camera zoomed in on Don and Kathy blissfully locking lips in radiant monochrome, oblivious to the rest of the world—well, Cosmo knew that dance, he had mastered the footwork, and he didn’t especially feel like a reprise.

It wasn’t lost on him that Kathy had dropped by his rehearsal space alone today. Of course, he had no idea what this meant—he didn’t think it was about the new job; Don didn’t tend to stay sore at him for that long—but Kathy was acting perfectly natural, and so probably the smart thing was to follow her lead.

“It’s a two-week transatlantic cruise,” she said now, gracefully dropping beside him on the piano bench. “We thought it would be nice to see Europe, take in the sights, get away from all the cameras.”

“Ah yes, such a wallflower, our dear Don,” said Cosmo solemnly. “Besieged on all sides by the love of his public, a tragedy of our times, up there with Lear! Hamlet! Caesar! The one with all the Greeks and the giant wooden horse, nay, nay, neigh.” He played a tragic little trill, for effect. Kathy huffed a laugh and smacked his arm.

“You know that’s not it,” she said. “Being watched all the time—we can’t always do what we want. It’s rotten.”

Tell me about it, thought Cosmo.

He was sort of seeing a fight choreographer named Archibald, who came from old money and was a “the third” or a “the fifth” but nice enough Cosmo might even forgive him for that. Archibald was trim and athletic, with dark brown hair that was just starting to go gray at the temples and enough discretion that Cosmo didn’t think they’d get caught. The only problem was that he didn’t laugh at Cosmo’s jokes, seemed to just tolerate them.

“What do you two even talk about, then?” Don had asked, when Cosmo had let this slip over drinks the same night he’d explained about the new movie project. (Cosmo had been trying to spend less time with Don and Kathy since the wedding but Don had said, “C’mon, pal, we miss you” and Kathy had laid one hand on his arm and peered up at him with her big green eyes and Cosmo was only one man.)

Cosmo had frowned, because Don hated Archibald, for reasons that were frankly mysterious. Then he’d looked up and grinned a grin he didn’t exactly feel and said,

“Tell you when you’re older,” and then Don had choked on his dry Martini even though Cosmo knew Don knew about Cosmo’s tendencies. It wasn’t something they discussed, and Cosmo had never properly gone with a guy before, but whenever a big-shot producer started complaining about all the degenerate queers in showbiz, Don always sharply steered the conversation someplace else. It was all very gallant and noble and knightly, and someday Don would play King Arthur and Kathy his lady Guinevere—

“Honestly, sometimes it feels as if we’re living in a fishbowl,” said Kathy now, in the present.

“And so your solution is to relocate,” said Cosmo, “to the biggest fishbowl on this here magnificent earth. The mighty ocean!” He struck up a sea shanty. “Oh blow the man down, blow the man down / way ay, blow the man down…”

Not everyone appreciated his musical flights of fancy, but when Cosmo turned, she was leaning with her elbow on the side arm of the piano, watching him with her chin on her hand and laughing. 

“Just for two weeks,” she said. “So, are you coming?”

“With you two,” said Cosmo, just so there could be no misunderstandings. “On your one and only honeymoon.”

“Yes,” said Kathy.

“As what, your first mate?”

“Sure.” She grinned and threw him a quick salute. Cosmo was almost never attracted to women but in this case, he understood the appeal.

He swallowed. “You are aware of that ancient saying, ‘Two’s company and three’s a fast track to divorce court’?”

“You’re hardly a threat to our marriage, Cosmo,” she said, and he agreed, of course, in both directions, even, but it still stung to hear her say it out loud. For want of anything better to do, he gasped, clutched a hand to his chest and reeled backwards so hard, he threw himself off the piano bench, landing in a somersault on the floor.

Kathy spun around fluidly on the bench to face him, pleated skirt whirling a little, heels of her shoes clicking together. 

“Oh, I said that badly,” she said. “I only mean that it’s more fun when you’re around. We have a better time, Don and me both. Remember the night we decided to make Dueling Cavalier a musical?”

“Do I remember the best night of my life?” Cosmo peered up at her from the hardwood. “Why yes, madam, now that you mention it, I believe it might ring a bell or two.”

“The best—” She frowned for a moment, and he remembered then that as a newly married woman, a newly married woman to Don Lockwood, no less, she’d no doubt experienced any number of evenings that blew that one out of the water.

Even besides that, it felt awfully revealing all of a sudden. Cosmo threw an arm over his eyes. He felt naked. He wished he was naked, because that might at least distract from whatever his face was doing.

“So it beats your time with Archibald, then?” said Kathy shrewdly.

Cosmo uncovered his eyes. He forgot, sometimes, that new as Kathy was to the moving pictures business, she was still a city girl, with a city girl’s worldliness. Also, Don had probably told her; that seemed like the kind of second-hand secrets married people shared with each other. He wasn’t sure how to feel about that.

“Hardly a topic for mixed company,” he said.

There was a pause.

“So yes,” she said and smiled with a smugness that would’ve been unbecoming were she not as cute as a button.

“What do you and Don have against the poor man anyway?” he groused. “He’s never done so much as sneezed in your direction, and if he did, I’m sure he’d use a handkerchief.”

“For one thing, we know you could do better,” said Kathy, folding her arms.

Cosmo elbowed his way back to sitting, brushing himself off with dignity. “Well, better’s not exactly knocking on my door right now.”

“This town doesn’t have an ounce of sense.” She reached down to offer him a hand up, pulling Cosmo to his feet; she was stronger than she looked. “Listen, two weeks away, it’ll be good for you.”

“What about you two?” Cosmo protested as he reclaimed his spot on the bench, Kathy sliding to make room.

“What about us?” said Kathy with wide eyes.

“Two newlyweds might want some alone time?” he offered weakly.

Kathy shrugged. “I told you, there won’t be reporters or cameras. It’ll be plenty private.”

“What about your matrimonial needs?”

“Which needs?”

His eyes narrowed; she was a terrific actress but suddenly he wasn’t sure he was buying it. Kathy wasn’t dumb either.

“You have to know what I mean. Don’t make me play Cole Porter at you,” said Cosmo. She hesitated, and Cosmo began to pluck out a melody: “Birds do it, bees do it / even educated fleas do it…” He wiggled his eyebrows.

“Let’s do it,” sang Kathy, finishing the stanza in her lovely alto, “let’s fall in love.”

Cosmo stopped playing.

“I do know,” she said simply, “of course I do, and we’re not worried about it, alright? Listen, do you want to go?”

Cosmo, who had been carefully not asking himself that question, stared down at the piano keys. Did he want to go? He thought back to that night at Don’s, the three of them giddy with excitement and inspiration and sleep deprivation, running through the house, clowning around and dancing with no audience except each other—he hadn’t felt like a hanger-on then, like a third wheel or an extra limb or a chaperone. He’d felt like he was exactly where he was supposed to be, one note of a perfect chord.

Still.

“I can’t swim,” he said.

“They’ll have lifejackets,” said Kathy.

“I’ll have to work.”

“We’ll bring a piano.”

“All my houseplants will die,” said Cosmo.

“All your houseplants are fake,” she said. This was true, although he wasn’t sure how she knew since she’d never been to his house. She sighed. “Remember the night of that first screening, when you were about to expose Lina and instead of explaining what was happening, Don told me I had to sing, that I didn’t have a choice?”

He winced, thinking of Kathy’s heartbroken, tear-stained face before they’d pulled up the curtain and revealed who was really singing when Lina moved her lips.

“Yes, and I feel just awful about it.”

“Well, Don doesn’t,” said Kathy. “Because he knew it would take too long to convince me to do something that mean to her.”

“Mean?” Cosmo echoed. “She tried to trap you in a lifelong contract and steal your voice. A common sea witch wouldn’t stoop so low.”

“But there wasn’t time,” she pressed. “And anyway, he knew how it would end.”

“What’s your point?”

“We already bought your tickets,” said Kathy.

Cosmo gaped at her.

“We’ve cleared the trip with everyone at Monumental and anyway, like I said, we’ll have a piano on the boat.”

Distantly, he was aware his mouth was still hanging open. Kathy reached over with one light finger under his chin and gently closed it. 

“That’s better,” she said, folding her hands daintily in her lap. It was around this time she seemed to realize it wasn’t some routine, that Cosmo really was well and truly stunned. “Of course, nobody is going to force you to go with us if you truly don’t want to,” she said into the silence.

“These tickets,” he said at last, “are they refundable?”

“Gosh,” said Kathy easily, “I can’t imagine they are, no.”

The thing was, none of them were hurting for money or work anymore, so the fact that Don and Kathy might be out even a few hundred dollars didn’t catch at him the way it might’ve some years earlier. No, the thought that really seized his imagination was the mental image of Don and Kathy planning this together, Don and Kathy discussing the matter with each other, maybe over breakfast—toast and coffee in their dressing gowns, so sure it was the right thing to do that they’d decided to just go ahead and make preparations: oh and a ticket for Cosmo, of course.

He could do it, he realized. He could go. He wanted to go. It was foolish, but Cosmo was an entertainer; he’d been doing foolish things in front of a roomful of witnesses since he was in shortpants.

“I’ll pack tonight,” he said.

“Perfect!” Kathy hopped off the bench and straightened out her dress. “And bring something nice to wear at dinner for a night or two; it doesn’t need to be black-tie formal, a good suit will do.”

He nodded. “I shall leave the top hat and monocle at home. Two weeks, you say?”

“Yes, and another half-day on either side flying to the harbor and back.” She reached into her coat pocket, and pulled out a folded sheet of paper. “The itinerary,” she said. “Don and I are so glad you’ll be coming.”

“Uh-huh,” said Cosmo. “Say, where is that fella, anyway? What’s the big idea, can’t even stick around to ask his best pal to his own honeymoon?”

“He’s planning the trip,” said Kathy brightly. “Last-minute details. Anyway, he thought you and I should have a chat, one on one. He thought it might help.”

He blinked. “Help what?”

“Help us,” she said.

It was all starting to feel like a farce, like one of those old Vaudeville acts with a lot of fast talking.

“Did it?” he asked.

“I think so,” said Kathy warmly. She turned and began to walk towards the door. “See you at the airport tomorrow. Six AM sharp.”

“Six AM,” he said, and then, foolishly, “You know, I can see why he likes you.”

Kathy dimpled. “Oh, likewise!” She tossed him another smile and then she was heading out of sight down the hallway, shoes clacking rhythmically on the tile.

“Well,” said Cosmo to no one. He felt pole-axed, he decided. He wasn’t sure he had ever felt pole-axed in his life before, but there was no other word for it.

He played a chord, then another chord, then a few more.

“Pole-axed,” he sang, “out of whack, when you are near there’s only one drawback: I can’t be clever, no I lack the knack, Darling, I’m pole-axed, out of whack around you!”

It wasn’t exactly Cole Porter, but he’d take it, he thought, reaching for his pen. There was still an hour or two left before he’d need to race traffic home and dig out his suitcase. Apparently, he had early morning plans.

(ETA: if you didn't see, there is now a second part here!)

(ETA THE SECOND: the whole finished thing is now here!