#or worse villainize her

[doerot]

does anyone else with ocs ever like idk imagine the like "fandom" surrounding ur characters and just wanna blow everything up

[lgbtlunaverse]

Obsessed with characters who portray themselves as worse than they are. Who are lying to everyone including themselves about it. People generally assume if someone's lying about themselves they're trying to look better but sometimes they're trying to look worse. They attribute agency to where they had none, add intent to accidents, try to convince everyone that this is something they did instead of something that happened to them.

[bixels]

vague-posting about this here cuz i don't feel comfortable yapping about my su takes on twitter, but after everything that's happened the most interesting thing about the su fandom to me is that so many are 100% there for applying the "everyone can change and deserves a second chance" message to everyone, even the diamonds. except for one ☝️ she doesn't count. cuz she's dead.

[littlecrittereli]

This is for the request. Could you draw some Diego and his siblings plz I’m obsessed with their story and lore 🥲🙏

Family Portrait

This portrait is probably old so everyone is a little younger than they are in Reprogrammed.

I had a lot of requests for the big cat family so I wanted to make sure I do one of them! I'm gonna try to get through some more of the requests in the next few days lol

Carmen i love you

fun fact she was supposed to die in ch 13 but I wrote it and got legitimately so sad that I changed it so she lived LMAO

[nouverx]

I need some radiobelle art from you 🥺😭

Here, it's on the house ☆

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[alicentflorent]

“Lucy gray is the real villain of tbosas” nah the real villain is your media literacy skills

[johnskleats]

Azula would have lost the Final Agni Kai no matter what. Here's why:

Azula is insecure. That's why she takes cheap shots. She did it with Katara, and she did it with Aang in CoD, AND she did it with Iroh striking him with lightning. One could even argue that her behavior in CoD foreshadows some of what happens in the Agni Kai, where in CoD, Katara fights Azula, and Zuko saves her, whereas in the Final Agni Kai, Zuko fights Azula and saves Katara. It's a little mismatch of dynamics.

Azula cheating (constantly), is a staple of dishonorable behavior, which I think is interesting.

We see her "play with her food" like a cat, with the Dai Lee and other opponents she encounters. She tricks them and manipulates them and there's no threat. Killing Aang with lightning was SUPREMELY stupid on her part, and she wouldn't have done it unless she was cornered. She didn't even stick around to make sure he was dead or have any of them followed-- because she was scared. Zuko NEVER flees in fights out of fear. He doubles down like a lunatic and tries to get himself killed instead. Azula is not willing to risk her life, and that's why she's a worse fighter. The insecurity gets to her head and she psychs herself out

Azula has a lot of fire power (lol), but Zuko has the heart and commitment to see actions through to the end. That's why he would have won, had Azula not cheated.

By the end, they were evenly matched in firepower anyway. They did the Raging Line of Flames Competing Colors thing and met in the middle, and stayed there. That's how animation tells us about their ability.

Azula's seat of power in her firebending is spite and fear. She's not even mad, bro.

Zuko's seat of power, at the end, is light and life and love. One is a powder keg that runs out after you blow it up once, and the other is like an oil fire in a parking lot. There's essentially infinite fuel there.

Zuko would have certainly outlasted her. And did, if you think about it. Because she panicked.

Azula's entire persona is a mask, just as Zuko's bravado and pettiness in the first season was a mask. (Funny, that he can only be himself when he's hidden the scar with the blue spirit mask, therefore freeing himself of the shame and the mark that brands him as a villain)

They show us that Azula's mask is not only slipping, but cracking, crumbling in the mirror scene. That's why it's there: to show the audience that all of her running has finally caught up with her.

This world that Azula created has been a sham from the beginning. Castles in the sky to make up for what she lacks: love.

Which is why she would never win against Zuko if they both reached their full potential, as they did during the comet.

[beanghostprincess]

I think constantly about Pudding and Sanji being obviously parallels of each other and how fucked up it is that Pudding had to live the life Sanji managed to escape but she constantly gets hate online as if she hadn't been literally manipulated by her mother through the whole fucking arc. But okay. Yes. God forbid women have any sort of trauma response and if they do they're not allowed to have a redemption arc because of course they're extremely evil for making your silly baby boy cry and they don't have a heart even though it's explicitly shown in screen that they do and they regret their past actions.

[wisebeth]

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

[mephoj]

taco and mephone have fascinating parallels more people could explore if taco haters weren't biased cowards

[danwhobrowses]

For anyone else who is gonna struggle surviving the next 3 weeks with the angsty and tense situation of Callowmoore here's a few things from the last 2 episodes that I feel were underrated and will assist in trying to keep me sane/emotionally stable: - Matching messed up hands built for holding - Fearne nervously playing with her hair as she approaches Ashton - Ashton wanted Fearne to be either the last thing they saw if they died or the first thing they saw when they succeeded - Fearne's admittance corroborates Ashley's 4SD revelation that Fearne is in love with someone in the party but doesn't know how to process the emotions - Fearne wanted Ashton to be happy, while Ashton wanted to feel whole so they would be worthy of the Hells - Ashton twice tried to lead a search for Fearne, and instantly clocking onto Chetney saying he followed Fearne - Fearne making herself look as radiant as possible before giving Ashton the cold shoulder - Ashton only rose to Chetney's provocations until he said 'You hurt Fearne' Use how you will

[autisticlenaluthor]

lena had every right and reason to be evil and for the short period of time she decided to tap in that side of herself she looked real sexy doing it

evil lena rights ✊️

i support lena's rights but more importantly i support her wrongs

metallo lena might've been the hottest lena we ever got and it was 1. bc she was allowed to rip her shirt open and shoot lazers out of her boobs i mean chest. and 2. because she was almost morgana levels of unhinged

[athenasdragon]

In thinking about how the Dragon Age games have changed since Origins, I’ve been thinking about genre conventions and the inspirations for the series.

Dragon Age: Origins is very very heavily lifted from Dungeons & Dragons, and my impression is that this is because Baldur’s Gate was a big inspiration. I think it’s especially obvious when you open up your character profile. Like that is straight up a d&d character sheet. You can map the d&d classes onto the DA:O subclasses too (e.g. some of the warrior subclasses are champion [classic fighter], templar [paladin], and berserker [barbarian]). The heavy focus on tactics and the top-down combat option also evoke TTRPGs to me.

And of course, because we’re existing in the genre tradition here, we have a lot drawn from the Lord of the Rings as well. Darkspawn/Orcs are an unambiguously evil species that exists just to cause destruction! Humans are the predominant species, but we have nature-connected elves and subterranean dwarves! Our story takes place in among the ruins of a past civilization that existed in a distant age! We’ve got themes of history and faith and a little fellowship going on a journey to defeat an evil dragon.

So with that in mind, we have a pretty straight up and down medieval-inspired dark fantasy. It follows so closely in this tradition that we even see the writers struggling to break out of molds that they explicitly set out to avoid—for example, certain gender politics.

I really think the character who starts to break that is Varric. Not only is he a well-known author (requires not just widespread printing but widespread literacy and reading for fun—now we’re talking much more recent history in our world) but he’s writing (Kirkwall-flavored) hard-boiled detective fiction, which is explicitly an American* post-WWI tradition. This is a genre that explores the gritty reality of life in cities, interpersonal and systemic violence, and often positions a lone morally grey hero in small-scale opposition to those larger forces. Kirkwall (and DA2) isn’t a bad place to add that flavor.

Inquisition starts to feel more 20th century to me as well. We’ve got international espionage and geopolitics. We’ve got anxieties of a dramatic apocalypse brought about by man’s hubris. We’ve got, effectively, some variety of civil rights movement for both elves and mages.

What really got me thinking about this is that Neve and Lucanis feel like they’re some the same genre to me: the jaded, brilliant, but somewhat poorly-upkept big city detective and the heir-apparent of a powerful mafia family caught up by a betrayal both feel very interwar noir imo. Emmrich’s look is also SO 1930s. I can only speak for myself but I think that’s where a lot of the change in “vibe” can be traced.

It feels to me like Varric’s narration of the series has tugged the story itself into the genre he exists in.

Anyway, whether you wish the series stayed more straight up and down sword and sorcery or like the direction it chose to establish itself, I think it’s interesting to think about!

* I might ramble about how deeply North American the geography of Thedas is another time lol

[ecto-stone]

Misery Love Company ~

[y-rhywbeth2]

I apply a specific flavour of deranged to my durgetash which is that the Dark Urge has spent many a year very carefully planning out their murder-suicide together with Gortash at the death of this vile world with loving detail, and as such will go absolutely ballistic if anybody else so much as scratches him: 'Fuck you, he's my kill. He's not allowed to die until I can!'

(Naturally I lost my mind the first time I learnt about the 'you're mine to take from' line)