#or want to talk about why they disagree

[catcake24]

I think I finally figured out why so many “rewriting x” fanfics bother me.

Just to preface though: if you write those fanfics, go ahead and ignore me. Fanfic and writing is all about creative freedom, whatever hang ups I might have don’t really matter to most people. I kind of just want to put something into words I’ve been struggling to, and maybe talk about it with people.

So, I’ve been in quite a few fandoms where I see people try to rewrite elements or even full stories they don’t like in media. Whether they hated the recent season, or just a part they think was handled poorly, or even they dislike the whole show/movie/book’s writing and want to make a better version with the ideas.

And usually I’m all for it, trying to identify and correct what you see as “poor writing” is admirable! But whenever I read them, I always get this weird niggling feeling in the back of my head. It was hard to identify, but I think in the end it’s just disgust. I feel bad for the original work for being deemed so bad it needed to be rewritten, or that the author obviously isn’t enjoying the process but is writing out of spite rather than passion for a story they want to tell.

I’m not saying authors are bad people for writing them, more that I can feel the lack of love for the source material coming through. Whether it’s a joke making fun of the original, or having a character the fandom obviously hates die so they’re not in the story anymore, or even writing characters OOC out of a sense of revenge for what they did or were written as rather than as a more interesting direction. It feels like the story was made to spite or make fun of the original, not improve it.

I think another thing that comes in is that everyone’s “perfect” idea for media is different. Some media is better than others in writing, but when you’re dreaming up your perfect version there’ll obviously be things you want to change. But some people might be really attached to those things in the original, so it feels like someone is saying “that part you like isn’t good, and you’re wrong for enjoying it” even when no one is saying that!! Which is likely why some rewrites, even if they don’t feel like hate projects, feel odd to me because they change or remove ideas I liked and then proclaim it’s better than the original.

I also feel like at a certain point it feels artistically hollow? Maybe I’ve also just gotten way too attached to the idea of artistic intent, idk. I guess I feel like some people don’t actually understand what the original is going for, and then at that point you’re changing what the core of the story is actually about and it feels like a parody rather than a tribute? Like if someone rewrites Lord of the Rings to have them fly on eagles the whole way and avoid all the trauma the character’s go through, you’re actively insulting the original since Tolkien wrote it from his own war trauma (among other things).

And even then, I’ve started rethinking my stance on “improving media” because I think it’s generally an unhealthy way to look at creation. You’re not writing a story you want to tell, you’re writing a story that you feel like someone else failed to tell. It’s a subtle difference, but I can clearly feel it throughout.

I’m not innocent either! My big writing project that I want to eventually make a novel out of was originally “Harry Potter but the MC is trans lol” when I was pissed at the author of that series and just generally sick of seeing it everywhere. But as I wrote, I realized I liked creating a new story and new world with some of the base ideas a lot more than I liked trying to remake a world and story out of spite. Now it’s completely different aside from some basic ideas. I still don’t like Harry Potter or the author of that series, but I’m just having more fun writing my own thing rather than writing out of spite for the original.

I don’t really know where I was going with this but I hope it makes sense?? Again, don’t feel like you have to stop a rewrite project if you really want to go ahead with it, I’m just voicing my opinion to the void.

TLDR; I think I don’t like rewrite fanfics and other rewriting projects for existing media because I feel like it’s kind of mean to the author, ignores artistic intent, and just isn’t fun to write which makes it not fun to read.

[zukosdualdao]

bryke: “people only shipped zutara because it was dark and intriguing”

me:

[un-pearable]

only ninja funding options i’ll accept

odd jobs and miscellaneous shenanigans that result in them ingratiating themselves with a handful of salesfolk around ninjago. e.g. the people of jamanakai having a fondness for lloyd after experiencing both Shitty Little Kid attacking them in s1 and The Green Ninja™ saving them in s4

actual real life jobs between seasons (s2 and 4 ily)

pixal’s investments

residuals from licensing (the ninja video game from s1 and s4 <3. and the movies and the actual merch made by dareth from s6 lmao)

residuals from jay’s TV-Show-Which-Will-Not-Be-Named (now on streaming. it’s real-kid-now-unagami’s favorite show)

ideally all at once. but also? they do not need traditional funding. this is an urban fantasy. they are not paying rent (when living on the bounty/monastery). they can and do grow a significant amount of their own food when they do have a place to live. they have multiple times explicitly started businesses?? after they already were publicly known for saving people? when would the government have started funding them if not then. the ideal ninja state is not worrying about money unless it’s funny, and then they’re spider-man.

[thatswhatsushesaid]

i think fandom spaces would become much more enjoyable across the board if people stopped flipping their pancakes over other fans enjoying characters that they don't like. or, god forbid, like them but in 'the wrong way.'

[saphira-approves]

Something something professional artist jargon something something insert art knowledge here—whatever I want to talk about the book covers

So you’ve got Eragon, with a 3/4 portrait of Saphira; she’s giving a benevolent side eye with almost a Mona Lisa smile, she’s got that gleam in her eye, she’s looking at you but not head on—listen, this was the whole reason I picked up the book in the first place when I was eleven, she was so clearly full of life and personality and I just really wanted to meet her. It’s a really good glimpse of her character before even opening the book. She’s engaging you, but also maybe judging you a little bit, and she has a lot of thoughts but she’s going to keep them to herself for right now, thank you.

We’re skipping Eldest for right now because I have a point to make. Shush.

For Brisingr, we get a perfect side portrait of Glaedr, the grumpy old man. He’s not even side-eyeing the viewer like Saphira does; he is eyes forward, goal-oriented, noble and regal and, unless you’re worth his time, not really going to bother with you because he has Important Business to attend to. He is The Last of the pre-Fall dragons, his Rider is The Last of the pre-Fall Riders, he represents a bygone era that will never fully be resurrected, but can still inspire the present to fight for the future; he is no longer fully his own dragon, but a Relic, a Memory, a Symbol. He’s not anxious about it the way Eragon or Saphira might be; he has grieved for a century, he couldn’t be anxious about it if he tried. But he knows that keeping his integrity intact is important, and so this is how he presents himself: Noble. Regal. The Survivor. The Last.

Fírnen graces the cover of Inheritance, bookending the original series by almost perfectly mirroring Saphira—and seriously, it is so satisfying to line the books up with these two at the ends. Though he’s got a 3/4 profile like Saphira, Fírnen is much more reserved. No Mona Lisa smile, no mischievous gleam in his eye; he simply looks at you, and you look back, and you wonder what he’s thinking. He is, in fact, a lot like Arya—anyone who’s read the previous three books up to that point and hasn’t been spoiled for the ending might be able to guess, just from this portrait, who the final egg would hatch for. It’s also a perfect expression for the Final Book, with the fate of Alagaësia and the dragons hanging in the balance: what world does this mysterious dragon emerge into? A war-torn apocalypse? A hard-won victory? What does his future entail, and thus, what do the futures of our favorite characters entail? You ask him so many questions, but all he will ever do is stare deep into your soul with his somber, too-knowing gaze.

And now for the main event:

My beautiful precious son, the red-scaled Thorn, staring you down from the covers of both Eldest and Murtagh. I have loved the cover of the second book ever since I first picked it up, and my appreciation has only grown with time; needless to say I was very excited when the Murtagh cover dropped, and I got to see both of my favorite characters in one place. For both of these, Thorn takes the same stance: a full-frontal combative position, looking You, The Viewer directly in the eye, daring you to judge him, daring you to get in his way. I’ve always had my own opinions about what lay behind this show of force, and the context we get in Murtagh does not disappoint. He may be terrifying, he may be the scourge of the war, but underneath all that, Thorn is terrified. He’s traumatized, he’s claustrophobic, his body is too big for his age; he is painfully young still, and yet treated like a dragon ten times his age because that’s how he looks. He’s also sweet, and playful, and cares so much about his Rider, and wants desperately to keep Murtagh safe and happy. Just like Murtagh, he hides all of that—the fear and the softness both—behind a visage of ferocity, playing into the fears and preconceived notions people have of him, warning enemies away so they can’t get too close to what will actually hurt him. He dares you to try. He’s terrified you will try. He will fight tooth and nail if you do try.

[lucienne-thee-librarian]

Just to minimize my chances of being genuinely misunderstood OR deliberately misinterpreted, and crucified for something I don't think, How Dare You Say We Piss on the Poor website etc...I'm gonna say this right up top. I absolutely understand why people don't like Thessaly as a character, if anyone does completely unironically stan her as some kind of feminist hero who Did Nothing Wrong uwu, I personally see it as a bit of a red flag. I don't like terfs real or fictional. In a vacuum, I could even completely sympathize and agree with the people who want her cut.

HOWEVER.

It's really something to me to see people clamoring for her to be cut, because she carries and expressed an ugly indefensible prejudice (transphobia) in words towards (1) person. Meanwhile Hob fucking Gadling enacted one of the most violent forms of antiblack racism I can even think of against thousands no, millions of people, the ripple effects of which still affect billions more today. Just a little light idk, profiting off the fucking slave trade and had to be told by someone else that it was bad...and he's a fan favorite.

People are saying Thessally being Dream's love interest reflects badly on him or is somehow endorsement by the narrative (?!?!?!?!?!? Didn't she (SPOILER ALERT AS IF IT MATTERS BY NOW) help participate in his extended assisted suicide? She's not painted as a great person to me just another character what are y'all SMOKING whatever fine. It's fine this is fine.) But shipping Dream with Mr. Former Slaver is not only not verboten or frowned on widely in the fandom but its THEE most popular pairing by far. So...why the difference?

Like where are the same fans who are saying Thessaly shouldn't just be more clearly shown to be wrong, she shouldn't even be in the show at all when it comes to Hobert's crimes??? Yes, transphobia is indefensible. Isn't racism?

And I hear the cries of "it's fiction!!!" Already rallying (if anyone who needs to hear this even sees it lol) to which I say:

HORSESHIT. I KNOW you don't, deep down, really agree because if you did, why get upset about Thessaly being included??? Why does what she said to one person matter if it's Just Fiction You Guyze. Fictional characters are allowed to do bad things and fiction isn't reality sweaty....except when you only apply that standard to fictional racists you like and simp for, but fictional transphobes you don't are SO HARMFUL they shouldn't even be portrayed in fiction.

Like. Give me a big fat BREAK. This looks like bullshit, no? I'm sorry, but I'd love for someone to try and give any other explanation besides one personally offended you or hit home for you, and the other doesn't.

And if that bothers you or you feel like it says something negative about you...idk what you want me to say??? You can't control how other people perceive you and that's how people outside this majority-of-the-fandom bubble see it. You don't need to respond, I just wish and genuinely hope this gives you a moment to think about why fans who ARE bothered by both (and not just paying lip service to being bothered by the one but railing against the other) are so frustrated with people saying everyone is welcome but in practice only bending over backwards for the comfort and emotions of themselves, and people they can easily relate to.

You don't have to like Thessaly (I don't. I find her an interesting antagonist, I don't stan her. And frankly imo likability is not. the point of her character) but you'll pardon me for feeling more than a bit cynical and side eying people's motivations for what seems a...pretty obvious double standard, on what fictional crimes related to real world issues matter to y'all, and which clearly don't. Either actually bring the same energy to the table for fictional people who committed atrocities, even if against a group you're not part of and thus don't feel the need to empathize with, or just carry on, but accept that you don't have the SLIGHTEST room to talk about cutting characters who do immoral things. And you also need to accept that you look like a hypocrite when you do.

[the-way-astray]

alright everybody can we please stop tagging me/talking about me in the notes of pro keefe/sokeefe posts. i know strieefe has made it so that it's really funny to talk about how much i love him and how much i'm in denial when i say negative things about him under those posts (and that's all in good fun and not the problem), but we have to think about the fact that the ops are just trying to make a positive post and probably don't want a keefe hater in their notes /srs

[yelow-heart]

I've been seeing a growth on hatred towards Tubblings (Tubbo's community) in here. Aswell as some explicit hate towards Philza.

It's not a huge issue yet, but before it is: know that we don't tolerate plain hate in here and u will be reported. Tumblr HAS a report system that works.

You ARE responsible for the things you say online.

Doesn't matter if you're famous, or a public figure, or just a jane-doe. You're not just another number or comment and u will be held accountable.

Be gone trolls

[artheresy]

I haven't finished the quests from 2.4 just yet, but I have already so many thoughts that I can just barely keep contained especially about Huaiyan, Yunli, Yingxing and just sm too much in fact, I'm dying rn

[fyodcrs]

BSD 111.5: A Complaint (again)

All right. So.

I have criticized the S5 finale extensively, and now that the manga is following the same storyline almost exactly, I feel I want to air my grievances one last time, because it's just so bad. At least in my humble yet correct opinion (to quote Fyodor from the BSD dub). And it only gets worse the more I think about it. 

The writing here is...not good. I’m talking about the big “Chuuya was never a vampire to begin with” reveal, the retconned hand injury and what absolute contrived nonsense that is - and most of all, I’m talking about Dazai’s speech about why he “won” the "game," and how it makes no actual sense because what he says happened is not what actually happened. 

All of this is stuff I've talked about in other posts (I'll be repeating myself a lot here), but I really want to focus on Dazai's speech and why I just. Don't like it.

"You don't trust anything you can't control," Dazai tells Fyodor.

This is supposed to be the reason Dazai "wins": because he trusts people, and Fyodor does not. He relies on others he considers friends; Fyodor just uses others that he considers pawns.

And this is fine in theory. Indeed, it's been heavily foreshadowed. Personally, I think "Dazai wins because he has friends, Fyodor loses because he doesn't" is a super boring way to go with both Fyodor's character and with the conflict between him and Dazai, but whatever, we all knew something like this would be the reason for the ADA's victory over the DOA. Theoretically, it makes sense.

Except, it doesn't actually work the way they did it. It doesn't work because Fyodor's plan apparently hinges on the vampires, and Fyodor does not actually have control over the vampires.

In fact, Fyodor does not have direct control over any aspect of the Decay of Angels plot.

Fukuchi does.

First of all, the Decay of Angels plot doesn't begin until after Fyodor is already in prison. Fyodor is not the one who writes on the Page, and Fyodor is not the one in possession of the Page. Fyodor is also not the one who is in possession of Bram. All of this falls to Fukuchi.

Now, there is one interesting scene where Fyodor tells Dazai that he "added a line to the page":

But - unless I have my timeline mixed up - since the Page was not stolen and used until after Fyodor was sent to prison, this only suggests he told Fukuchi what to write. There is still no point where he actually had possession of the Page himself.

Fyodor is the one who set up the entire plot and arranged for all the pieces to be in place, but once it actually starts to unfold, he is no longer in a position to directly manipulate his pawns, because he's locked up underground thousands of miles away.

Of course, this does not mean he has been removed from play entirely; he is still communicating with the outside, and he is still able to manipulate the course of events to some extent, as we see when he (somehow; it's never explained) killed the pilots so Fukuchi could get his hands on the One Order:

But how is this any different from what Dazai is doing? Dazai lets himself be captured and locked away, too, to keep an eye on Fyodor and read his moves as things unfold on the outside. He is also in communication with his allies, and he is also able to do some string-pulling, as we see when he stops Fyodor's assassination attempt on Fitzgerald and the neutralization of the Eyes of God:

Basically, both Fyodor and Dazai have the same level of control over what is happening.

Dazai being superior to Fyodor because he "simply had faith" in Ranpo (and the rest of the ADA) implies that Fyodor did not have faith in Fukuchi. But that implies that Fyodor had some means of direct control over Fukuchi throughout the unfolding of the DOA plan and therefore did not have to leave anything solely in Fukuchi's hands. Or it implies that Fyodor had a plan independent of Fukuchi. Except he didn't. On both accounts. At least not that we know of.

In fact, in the anime (which I assume will be repeated in the manga in later chapters), Fukuchi says that Fyodor didn't have any direct control. Fukuchi tells Fukuzawa that he had Fyodor sent to prison for the purpose of preventing him from interfering in Fukuchi's actual plan. And Fyodor agreed to this. He got himself arrested on purpose. The reason he does this is suggested to be that the prison is essentially the safest hideout in the world. Except Fukuchi tells us that this action also severely hindered - though not outright neutralized - Fyodor's ability to influence events.

And I'm not trying to downplay Fyodor as the spider at the center of a complex web of manipulation, not at all. I'm simply pointing out that: a) Dazai is exactly the same, and is countering Fyodor move-for-move, and b) the plan still heavily relies on Fukuchi's independent actions.

As I mentioned, the DOA plot doesn't begin until after Fyodor is arrested and sent to Meursault. Fyodor was using vampires planted as guards as his means of communication (which doesn't even make sense itself, because when exactly would this have happened? When does Fyodor communicate with these vamps? Why did Dazai not notice this?), but Fyodor himself is not controlling those guards, Fukuchi is. Because Fukuchi is the one in control of Bram, and the vampires can only be controlled through Bram. It is certainly conceivable that Fyodor might have had these guards planted before his arrest, but the vampires are only usable as pawns as long as Fukuchi has control of Bram, or at least as long as Bram isn't in control of himself.

Using Chuuya as a pawn also requires Fukuchi to be in control of Bram. Therefore, Fyodor's entire escape plan relies on Fukuchi.

Fyodor literally cannot do anything with the vampires without Fukuchi. And if his entire plan rested on the vampires, that means his entire plan rested on Fukuchi.

In other words, Fyodor's entire plan rests on him having faith in Fukuchi.

It doesn't matter that Fyodor and Fukuchi are not "friends"; it doesn't matter that Fyodor thinks of Fukuchi as a "pawn" instead of an "ally" (although I should note we've been given no evidence of this, because we have never actually seen them interact and we don't know their relationship; we're just meant to assume this). The point is that Fyodor structured this plan of his to be centered around the actions of someone else. This is no different from Dazai. In fact, this is how the both of them usually operate. They just tend to have different ways of going about manipulating their "pawns"/"allies."

Then there's the "hand full of uncertainties" line:

How, exactly, was Dazai's hand "full of uncertainties" in a way that Fyodor's wasn't? How exactly did Fyodor have "the world in the palm of his hand" in a way that Dazai didn't? How exactly was Fyodor in more control of what was happening than Dazai was? As I've already pointed out, what we've been shown suggests they both had equal measures of influence on the outside, and therefore equal levels of manipulative power and equal amounts of uncertainties.

In fact, if we are to believe that Fyodor was surprised by Nikolai and Sigma, that was a whole hell of a lot of uncertainties being thrown at him. And just like Dazai, he just ran with it.

And the reality is that Dazai actually had a whole hell of a lot less uncertainties than Fyodor did, and a whole hell of a lot more control, because Chuuya was never a vampire to begin with. The moment Chuuya arrived, Dazai had the upper hand. It's not like he was ever in any actual danger from the point Chuuya showed up. He was in full control of the situation from that point on.

And you can say that's the whole point, Dazai was in control because he had an ally, but the point I'm making is that the only control Fyodor thought he had over the situation was also because of an ally that he believed he had. If he believed he was controlling Chuuya, he also had to believe that Fukuchi still had Bram and was still on his side. He was operating on faith in pretty much the exact same way Dazai was.

You can also argue that Chuuya showing up was proof for Fyodor that Fukuchi was still in control of Bram (even though he wasn't by that point) and that things were going according to plan. But I'd counter-argue that if at any point before Fyodor managed to escape Bram had had his will restored, Fyodor would have been fucked (had Chuuya actually been a vampire). The very act of using Chuuya as a pawn was a huge act of faith on Fyodor's part.

It's important to stress here that Fukuchi was not under Fyodor's "control" at any point, at least not so far as we've been shown. He is not brainwashed like Nathaniel. He is also not a throwaway piece. He is vital to the plan. And he has his own motivations. We aren't quite there yet in the manga, but we know from the anime what Fukuchi actually wanted, and we also know from the anime that Fyodor approached Fukuchi and propositioned him. They made a deal. Of course, Fyodor always had his own plan, but he knew what Fukuchi's real motivations were. Even so, he trusted that Fukuchi would carry out the plan as he instructed, at least so far as we've been shown.

The argument can be made that Fyodor doesn’t actually have any trust in Fukuchi, he simply trusts that he knows exactly how Fukuchi will act and that everything will go as he predicted. But how is that any different from Dazai? Ranpo negotiating with Bram and Bram ordering the vampires to attack Fyodor might not have been something Dazai and Ranpo set up beforehand, but it is certainly something Dazai planned for, because he purposefully set Fyodor up to be in a vulnerable position, anticipating that exact scenario. Again, they are both operating in the same exact way: not directly controlling their allies, but assuming that their allies will act as they expect. The only difference is that Fyodor’s “allies” did not meet his expectations and Dazai’s did.

I get that the point of this is supposed to be that Fyodor is undone by his cruel manipulation of others and his ruthless attempts to impose his own order upon the world. And that's fine. It's good, even!

The problem is...that's not what happened. Fyodor lost because he relied on something that was outside of his direct control: the vampires. Fyodor lost because he put too much control in the hands of Fukuchi.

And this in itself is a problem, because Fyodor should not have so heavily relied on Fukuchi. All of this would work for me just fine if everything didn't revolve around the goddamn vampires. You cannot have Fyodor's entire fucking plan hinge on the vampires, over which only Bram and the person who has possession of Bram have any control, and then try and tell me that Fyodor lost because he didn't have faith in people. Why would he use the vampires at all if he had no faith in Fukuchi?? Why would he get into a helicopter with the vampires piloting if he had no faith Fukuchi was still his ally and Bram was still under Fukuchi's control?? Why would he have agreed to go to prison in the first place if he had no trust in Fukuchi????? It doesn't make any sense.

And don’t try to tell me, “Well, Fyodor��s just arrogant.” That is the laziest fucking excuse you could possibly give to justify why Fyodor’s IQ points have been cut in half this arc. And, for the thousandth time I ask—how is this any different from Dazai, who also just assumed everything would go his way? Why is it "faith" when it's Dazai but it's arrogance when it's Fyodor?

Personally, I think BSD made a massive narrative mistake in putting Fyodor and Dazai in Meursault in the first place. It's over-complicated things.

Also, one thing that really bothers me about all this is that it's supposed to be a big character moment for Dazai, but...I don't see how this is any different from how he usually operates. Hell, this ruse Dazai and Chuuya set up is even something that SKK did before when they were a team in the Mafia. We've seen Dazai do this shit a thousand times. What's supposed to be the big deal here? The fact that he made a friendship speech this time?

It's just fallen really flat to me, and that's a bummer because I think Dazai is one of the most well-written and interesting characters I've ever come across, and I want to see great character development for him.

I've complained endlessly about Chuuya being in a Halloween costume the entire time so I'll just say here that it's really fucking dumb that Fyodor just. Didn't notice. That he was fooled by fake fangs and contact lenses. Dazai would have noticed, if their roles were reversed. Ranpo would have noticed. It really is just a case of Fyodor being made stupid out of nowhere so Dazai could win.

The retconned hand injury is also incredibly dumb, because first of all, in the manga it didn't exist until the last two chapters when it needed to exist. And second of all, the hand is clearly shown to be usable after the incident that is supposed to have injured it so severely that Fyodor needs the vampires - who, again, are not under his direct control - to pilot the helicopter so he can escape, and this is true for both the manga and the anime. It conveniently only becomes a problem when Dazai needs it to. Because plot, I guess. Because the universe is chaos unless Dazai is pulling another deus ex machina.

I really hate being so critical and so negative, especially about BSD, because it's been my favorite series for years now. But ever since the S5 finale I've been finding more and more things about this arc and it's conclusion (?) that make no sense to me. And considering that Fyodor and Dazai are my favorite characters and a large part of the reason I'm invested in this story, to see them both so poorly handled has left a very bad taste in my mouth.

In conclusion:

[hella1975]

i cannot stand the aot fandom this is not a new take at all they are universally intolerable but oh my dayssss u are FORBIDDEN from making ANY take about the show it's actually insane to watch. 'aot is perfect' no show is perfect. 'tell me you didnt get the show 😂🫵' people have different opinions/interpretations about things. 'eren is a good guy they could never make me hate him' i think there's actually 4 seasons and two movies explicitely using him as a tool to show that no one is 'good' or 'evil' they are only trying to survive. hello. the fandom r all so far up aot's ass that they actually discredit its writing in the process and it would be laughable if it wasn't so frustrating

[applestorms]

FUCK IT. DEATH NOTE CLASSPECTING. GO:

LIGHT: prince of light. both class and aspect are non-negotiable here. moon-wise i’m actually inclined to assign him derse, if only cause of the whole “accessing the powers of dark gods” thing (guess that makes ryuk a horrorterror? hmm), though prospit would probably fit better personality-wise.

L: prince of void. i’m quite confident in the aspect for this one, though the class is a little more iffy. having them both be princes feels oddly fitting though so let’s run with it. moon-wise i’d actually like to give him prospit, mostly just to be complementary to light, but also cuz it’s funny to imagine him cloud-watching in the piss pjs.

MISA: page of doom. i’m quite proud of this assignment actually, i think it fits quite well w/ her whole thing in canon about being loved by death (though here the terminology would be more like “served by doom”). prospit dreamer for sure probably maybe, to be honest i have no fucking idea how dream moon assignment works? fuck it, i’m giving up on that from here onward.

MATSUDA: knight of hope. again, less certain on class, but i think it’s very sweet if he’s a hope player <33 esp since his Belief in light lasts (almost) the whole series…

MELLO: thief of light. making him & light both light players is fucking hilarious to me so we’re rolling with that. also assigning him thief is making me think of vriska parallels now which is vaguely horrifying to consider but he did kidnap sayu and kiyomi so let’s move on quickly now.

NEAR: heir of void. take a wild guess who he’s inheriting that void from, fellas. this one kind of breaks my heart to think about, which i think is a good sign that it fits well. not much else to say, i’ve had this one pretty cemented since one of my earlier astronaut rambles on near, so…

MATT: knight of breath. as we all know, this bitch only shows up for like 2 seconds so there’s probably a lot of room to consider other options here. i just kinda like how this reflects his role in helping mello + being a pretty chill, laid back dude most times we see him, but i’m certainly open to other takes for this one in particular.

NAOMI: sylph of mind. this is incredibly vibes-based. she’s got that interesting mix of brutality paired with loving motherhood-esque associations that feels very sylphy/kanaya to me, plus an analytical approach that feels fitting of a mind player.

BEYOND: heir of heart. there’s a lot of aspects that could fit beyond, honestly— blood, rage, doom, and time are all other considerations that could easily work as well. i just like heart for how he mimics L, and heir makes an interesting connection between him and near, though i considered mage too. also heart to match naomi’s mind etc. etc. (you may notice i’m quite partial to good connections/pairings like that, even if it doesn’t fit the individual perfectly— classpecting is just as much a social thing as a personality test, in my mind. but i digress.)

KIYOMI: maid of life. i haven’t essay posted about kiyomi much but this one seems kinda fitting, though she perhaps interprets this title in a slightly different way than jane. someone go angst about kiyomi a little more so i can get a clearer read on her. life is also to match misa’s doom, as well as…

MIKAMI: knight of doom. i’m kinda hesitant to have two doom players on this list since they’re supposedly somewhat rare, but really, what else would fit for mikami? serving light his doom is basically his most notable action in the story, ultimately. guess it makes sense that DN would have a lot of doom about it, or at least it seems more like a doom series than, like, a rage series. in my humble correct opinion.

SOICHIRO: knight of blood. one final one where i’m more confident in the aspect than the class, but i think this one ultimately works— albeit in a very different way from karkat, ofc ahhakdjf. he serves his family, he works for the benefit of People. the tired dedication of blood just feels very soichiro all around.

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[everythingsinred]

trying to make teachers' (global) complaints abt kids theyre supposed to be teaching about "generational politics" and saying stuff like "people always complain about the young generation" is so dismissive and ridiculous. atp yall are being purposefully obtuse. these kids cant read. they cant write. they cant think critically. teachers GLOBALLY are begging parents to care, to no avail. kids dont respect their teachers, they dont respect their schoolwork, they dont respect their education, theyre severely behind across the board. to try and write that entire problem off as "complaining about the young generation" is so dismissive i have no words. obviously its the fault of the kids' parents but we are looking at an entire generation of people who are graduating high school with no skills. these people are joining society and dont know how to think. yall should be furious and instead youre trying to write it off as "hating on gen alpha". please get over yourselves

[ouidamforeman]

it actually doesnt matter what your political beliefs are. if u yell at people online especially people who are largely allies with only nuanced differences in opinion OR people you will not change the minds of you are just acting like a not very good person and you are not good at activism OR community building lol

[fiona-fififi]

The way people sometimes refuse to acknowledge that writing choices that clearly go against established canon should mean something is endlessly frustrating to me. We don't have to agree on the interpretation, but these writing choices SHOULD mean something.

Otherwise, it's shitty writing.