#or until it’s a culture that’s not main stream

[scuderia-hamilton]

seeing people on my dash STILL not understanding why that whole trophy breaking situation was such a big deal makes my blood boil. people took their time and explained it to y’all, fucking spelled it out, but still haha so fun, so cunt. SHUT THE FUCK UP.

[alexistalkscomics]

Why Is The Jewish “Representation” In Agatha All Along So Problematic???

When it was first confirmed that Joe Locke was going to have a role in Agatha All Along, most fans quickly came to the conclusion that he would be portraying Billy Kaplan AKA Wiccan which unfortunately ended up being correct.

The problem with that casting you ask?

Joe Locke isn’t Jewish and he is playing one of Marvel’s most prominent Jewish characters. Whilst many goyim (non-Jewish people) often inaccurately perceive Jewishness to solely be a religious identity which is a massive oversimplification of what it means to be a Jew, Jewish people are actually an ethnoreligious community which means that we’re our own distinct ethnic group and culture that have a traditional religion that is intrinsically tied to our identity and culture regardless of individual Jewish people’s levels of observance.

And because we are an ethnoreligious group, that makes the casting of Joe Locke, who is not ethnically or religiously Jewish, inherently problematic to say the least, especially when placed into the wider context of Jewish representation in the MCU.

Marvel Studios has previously been criticised for the way that it’s approached adaptations of Jewish characters for the MCU with the two main examples being casting Elizabeth Olsen as Wanda Maximoff, who is Romani and Jewish in the comics, and Oscar Isaac as the Ashkenazi Jewish Marc Spector in the Moon Knight streaming series and in both cases, the heritage of the characters were either downplayed or just outright erased. So for anyone who understands the issue, it should be clear that the MCU has a poor track record when it comes to representing Jewish characters and that Agatha All Along’s adaptation of Billy Maximoff/Kaplan is just another addition to the list of disrespectful adaptations of Jewish characters.

What is the specific problem with how Billy has been adapted in the MCU?

Well, in order to answer that question, the answer has to effectively be split into two parts:

In the most recent episode of Agatha All Along, we finally learn the backstory of Billy (who had previously only been referred as “Teen” due to a spell that prevented his identity from being found out) and as part of that, we are shown a flashback to the day of Billy KAPLAN’s (the capitalisation will make sense in a bit), Bar Mitzvah, a sacred Jewish ritual that marks the transition into adulthood and the responsibilities that comes with being a Jewish adult. In this flashback, Billy (who if you’ve payed attention, is being played by a non-Jew) is shown wearing traditional religious garments and handling what is potentially an actual Torah scroll.

Within Judaism and Jewish culture in general, handling a Torah and then reading from it is seen as both a great honour and responsibility for any Jew who is called for an Aliyah so seeing a non-Jewish actor who has no experience as a Jewish person and in interviews, has mocked fans who criticised his role in the show, wearing my culture and religion as a costume to advance his career just felt wrong to me. I love Marvel and I take great pride in superhero comics being an art form that was created by Jewish immigrants so seeing one of the biggest franchises in history cast a non-Jewish actor to appropriate Jewish culture just felt disgusting to me. At least with Moon Knight, all we got was the smallest references to his Jewish heritage rather than being subjected to seeing the christian Oscar Isaac partake in sacred closed rituals.

And now, moving onto the second part of the answer to the above question, after we see Billy reading from the Torah and are then shown the party following the ceremony, we learn that the flashback takes place concurrently with the final episode of WandaVision. Because of that, the party has to end early so that guest can evacuate and soon, Billy and his parents are in a car accident where Billy dies…

…until his body is quickly revived after the soul of Wanda and Vision’s artificially constructed son, Billy MAXIMOFF possesses and takes control of Billy Kaplan’s body whilst erasing everything that made Billy Kaplan who he was. The reason why this is especially problematic is because of the great importance of the soul within Judiaism. According to Jewish laws, one of the most important things that distinguishes Jewish people from goyim is a Jewish soul and in Agatha All Along, one of the main protagonist who is an adaption of a Jewish character who was created by a Jewish writer is reimagined as a non-Jewish soul that hijacks the corpse of a Jewish teenager to use as a meat puppet. It becomes even worse when later on in the episode, “Billy” is shown rejecting his identity as Billy Kaplan which effectively takes the undertones of ethnic erasure and cultural appropriation of Joe Locke’s casting and makes it an essential part of the characterisation for this incarnation of Billy.

In Conclusion?

In the Marvel Comics, Billy Kaplan is a proud queer Jewish man who was partially based on the lived experiences of his creator who is also a gay Jewish man. Becuase of that, he holds a special place in the hearts of many fans who see a piece of ourselves in him and we deserved to see the really Billy Kaplan be brought to life in a way that would honour the source material that we love and introduce mainstream audiences to a really cool and fascinating Jewish superhero who can open up so many possibilities for the more supernatural side of the Marvel Universe to be explored in further MCU instalments.

But instead, we got the bare minimum of Jewish representation followed by the complete erasure of that “representation” with the ultimate end product being a show riddled with the underlying rot of antisemitism.

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[dailyrothko]

Are you a Mad Men fan? I'm curious what your thoughts are on the Rothko centric episode

Forgive me for being overly digressive about this instead of just simply answering.

I always have a feeling of trepidation when something I love is worked into the popular culture. I think it's a throwback from before the Internet when things felt more precious and personal because they were not as widely distributed. When I was a kid if you had $10 you had one record, if you have $10 now you have the whole history of music on Spotify ( we will temporarily forget that they are destroying the music business and using the money to make robots for the army).

But if you had an Os Mutates or Mulatu Asake record back then chances are you were bringing it from a different country and it was as if you had fetched the sword from the lady of the lake and were bringing it back to the common people. The effort required to be interested in certain things seemed to make them extra special due to your devotion and labor. I think maybe that's why one can feel protective of certain things like "I hope everybody doesn't get into this now and ruin it."

It's actually counterintuitive, but that's sometimes how it works. I loved Ghost World but was nervous that one of my favorite artists Skip James, was a feature of the movie . I thought they might diminish it because it's Hollywood, but actually of course they did a perfect job with it partially because of the director is also a legendary record collector of early music.

All of this is to say that I was pretty worried about how they would treat a Mark Rothko in a main stream television show. But honestly, I think they did a pretty good job. When I finally saw it I thought it was good they used a reproduction of a real painting ( even though someone on Reddit misinformed everybody saying it was invented) . I thought what was good about it is that the reactions of the characters on the show to the painting pretty much track with my experience of people discovering Rothko.

One person thinks it's for the monetary value, another one doesn't understand it and still another person sees something in it that they can't describe. And I thought that was pretty good, I think for a Rothko specifically that's realistic. Also as conservative as the 1950s was, in some ways people were more receptive to new art. The media treated art as something that was culturally important rather than a waste of time and money. Life magazine had a circulation that reached a quarter of the American public and they would have articles on people like Jackson Pollock.

So I thought it was not bad and also so many people who had never heard of Rothko discovered him through the show so that was an accompanying felicity. 

I still find it a little strange the TV is the main communicator of culture but millions of people had never heard Nick Drake until a Volkswagen commercial so I suppose that was a net positive for the world that they did .

[spanktony]

prologue. | WHERE DO YOU SLEEP? — YU JIMIN.

𝘀𝗵𝗼𝗿𝘁𝗲𝗻𝗲𝗱 𝘀𝘆𝗻𝗼𝗽𝘀𝗶𝘀 — y/n, a rising music producer, has built her dream career while keeping her personal life under wraps. karina, aespa’s leader, is preparing for a huge comeback with a mini album produced and written by the one and only y/n.

karina knows this is the opportunity of a lifetime, and she has to nail it. the only problem is, she may be a bit distracted by her producer.

something about their connection feels different—like maybe it's worth the risk of prying eyes. but how much will they give up to chase after what they want?

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 — none.

𝘄𝗼𝗿𝗱𝘀 — 1.3k

𝗮𝘂𝘁𝗵𝗼𝗿𝘀 𝗻𝗼𝘁𝗲— dude, i've been writing this series like crazy to the point im almost finished. and i HATE the first 3-4 chapters because they're kinda boring bruh. but happy new years guys! enjoy!

taglist — open!

series masterlist. main masterlist. next.

the first few months back in seoul were nice.

actually, more than nice, it was everything you hoped for after being on the road bouncing from city to city.

you had just gotten off a mini u.s. tour, with a big emphasis on mini because it was only around seven cities in total. but even that small stretch was a whirlwind of airport terminals, crowded venues, and late nights in hotel rooms that all started to blend together.

you had missed seoul, specifically your grandmother's house, because that is where most of your childhood memories took place.

born in new york, you were adopted by two of the kindest people you'd ever known. your parents met in the city, fell in love, and decided to start a family through adoption. your mom, who was korean, made sure you spent every summer in seoul with your grandma so you could stay connected to your roots—learning the language and culture firsthand.

it was her way of preserving what mattered, and you were grateful for it. those summers with your grandma was something you'd cling onto till eternity.

your parents did an amazing job of raising you—big props to them.

now, at 22, you were five years into your career in music. producer, singer-songwriter, performer—if it involved music, you were all in.

things had moved fast: two grammys out of the four nominations, three spotify 1 billion streams plaques that all hung proudly in your studio, and countless music festivals under your belt. you had done everything, from coachella to lollapalooza to bonnaroo and a slew of others.

though you were proud of all you'd achieved, the constant performing was beginning to take its toll. you needed a break from the spotlight, from the endless cycle of promotions and tours. you loved the hell out of your fans, but man you were tired.

so, when you told your management you wanted to step back from performing and focus on writing and producing, they were hesitant. they had their plans for you, but they knew better than to argue when you were so adamant. they respected your decision, and now here you were, doing exactly what you wanted. helping others create music, being behind the scenes rather than on stage, where you could breathe easier.

after months of your team sending your demos out to various artists, you finally got a callback from smtown. saying you were nervous was an understatement. the nerves had settled in your chest and stayed there, a heavy weight that didn't want to go away.

you had written this demo with a friend a few months ago, and it was one of your favorites. it was a little different from the usual songs you produced, and it was a risk. but when the call came, your team couldn't have been more supportive. you were excited but terrified at the same time.

that brings you to today, a month later, sitting in the lobby of the smtown building.

your legs bounced uncontrollably as you stared at the clock on the wall, counting down the minutes until the meeting started. you were early—not too early—but the wait was killing you. the lobby was quiet, which was unusual since the building was constantly buzzing with artists coming and going. the company was big on privacy, though. they always tried to make sure no one was photographed, and you respected them for it.

your manager sat beside you, cool as always, one hand scrolling through his phone while the other rested casually on his knee. you had known him since you were 19, fresh to the music scene and pretty much a mess. he was assigned to keep your career on track, and while he took his job seriously, he didn’t have the whole uptight vibe that most other people in the industry did. he was cool, collected, and a little sassy, which you appreciated more than you'd like to admit.

"seriously, can you stop moving so much?" he said, not even looking up from his phone. "you're making me dizzy just watching you."

"i'm just... excited," you mumbled, forcing yourself to sit still. "i can't help it."

he rolled his eyes dramatically and shook his head. "excited? you look like you're about to pass out. you do know that they already liked your song, right? they called us in."

"yeah, i know," you replied, trying to shake the jitters. "but, you know... they could change their minds. or something."

"or something," he mimicked. a glare shot his way, one that he didn't seem to mind at all. he was used to your glares. he had dealt with them for the last three years, after all. "please. just relax, okay? i'm sure it'll go well."

you nodded, taking a deep breath.

glancing down at your phone to see your mom's text, smiling to yourself. she always knows how to make you feel at home, even from halfway across the world.

mom ❤️: tell your dad that he's too old for tiktok. he keeps trying to dance.

you snicker. a response from your father quickly comes, adding another grey bubble to your screen from your family's group chat.

dad 💙: tell your mom to mind her own business and to get off my phone!

you slip your phone back into your pocket as your manager taps your shoulder, his hand lingering on your shoulder before he gestures for you to follow him.

you rise from the seat, following behind him as another figure begins leading him. lots of leading. so many twists and turns. and then an elevator, which the three of you step into, where you immediately blow a quick raspberry, the sound loud and a little childish. the corners of your mouth twitch as you try to stifle a laugh.

you glance up at your manager, who doesn't seem to mind the odd noise at all—he's used to you and your little ways. when you look at the other man, he looks surprised but intrigued. you think he's trying not to laugh as well.

stepping off the elevator and rounding a corner of the building, you pull the brim of your hat down a bit more with your right hand, hoping to cover a little more of your face. it's a nervous habit that's stuck with you since the beginning of your career.

your manager, walking just ahead, casts a quick glance back at you. his expression is neutral, but there's a certain glint in his eyes that tells you he's as excited as you are, if not more. the other man—a member of the smtown staff, you assume—keeps pace, a very fast pace, as he's much taller than either of you.

curse tall people and their long legs.

the three of you finally stop outside a room marked 115.

your manager turns to look at you, a smile on his face.

"this is it," he says. "are you ready?"

silence.

karina's eyes are unfocused, staring after your footsteps that are moving further and further away. it's an early morning, and the group has been called into the company's building for an important meeting revolving around their upcoming comeback. it had been a long couple of months since their last project, and everyone was eager to dive into new material.

the sound of her manager's voice, calling her name, pulls her out of her reverie.

"karina?"

she blinks, her gaze snapping back toward the voice that is holding the boardrooms' main door open, awaiting her entrance. karina blinks a few more times, her eyes refocusing as she shakes off the lingering thoughts of the stranger she had just seen.

she's usually good at recognizing people in this building, but she doesn't know who the person is. the black new york yankees hat was pulled so low over their face that she couldn't make out any features.

"karina," her manager calls again, a little louder.

"yes, sorry, i'm coming."

she steps into the boardroom, a small room with a long, sleek table and a whiteboard at the front of the room. several of her fellow members are already seated at the table, along with their managers and a couple of other staff members.

series masterlist. main masterlist. next.

[colorful-white-ideas]

Is Bill Skarsgård only in remakes ?

This will be long. Really long.

After the relase of The crow 2024 , a lot of comments have surfaced saying that Bill only do remakes and nothing else. That he is where he is because of nepotism and that he only plays dark characters.

How about we review his trayectory according to his imdb page ? Lets see his eldest credit, how long it took him to position himself in america ( his big break) how many remakes has he done and what genres he explored.

If we go all the way down we will see that his career started in Sweden. His first credit come from the 2000's movie Järngänget where he worked with his brother Alex. Bill was 9 years old aprox. Since then he worked ocationally until his teenage years ,when he took the job more seriously , in consecuense he started to gain fame for himself in scandinavia, even nominations for some roles. Like with simple simon (I rymden finns inga känslor)

In The crown jewels ( Kronjuvelna) we have Alicia Vikander and Bill skarsgard sharing the screen, both are swedish, and later both participated in the 2012 american adaptation of Anna Karenina (Leon tolstoi novel) sadly for Bill ,being Stellan Skarsgård son did not help his small role from being cut out of the movie. Alicia is the one who gets her big break from this by playing Kitty.

Role: Captain Makhotin

But things don't end there, he may have not done it in american movies yet but he did land the role of the vampire / upir Roman Godfrey in Hemlock Grove (series), another adaptation from a book with the same name, on netflix ( small streaming plataform in the early 2010's) he did a total of 3 seasons.

In 2016 he gets another small role but in the Divergent series , in 2017 Atomic blond ( as Merkel). Now it's in 2017 at 27 years old when his first remake and big break comes: IT (pennywise) . But first lest define briefly what is a remake?

wikipedia says: A remake is a film, television series, video game, song or similar form of entertainment that is based upon and retells the story of an earlier production in the same medium—e.g., a "new version of an existing film".A remake tells the same story as the original but uses a different set of casts, and may use actors from the original, alter the theme, or change the flow and setting of the story. A similar but not synonymous term is reimagining, which indicates a greater discrepancy between, for example, a movie and the movie it is based on

It is a novel by stephen king ,the first adaptation was for tv miniseries of 2 episodes in 1990 with Tim curry as Pennywise. In 2017 another adaptation is released and here is where we open the main debate: The 2017 movie was a remake or another adaptation? I guess is matter of perspective, while is true that the first popular reference we have about the subject is the 90'series , the new production based his storyline and character design in the book... So if you are more familiar with the book you'll call it an adaptation but if you have never read it then it'll be a remake "with differences".

The contrast beetween both vertions of IT is too big to consider the latter ( 2017) a re-do/ remake of the miniseries. You can notice that just by the approach Bill and Tim took on Pennywise. Tim's version was more human, a psycopath like in John Wayne Gacy-esque type. Bill's was a monster, not one trace of humanity in his character, it was out of this world and enjoyed playin/ torturing its meals cause it tasted better basically.

My own take is that IT CHAPTER 1 AND 2 are not remakes of It (1990). But due to pop culture they are considered as such.

Between the IT- MANIA he was in the following productions: Battlecreek , deadpool 2 ( short role), Villians, Assasination nation and Castle rock ( series). He also participated in shortfilms like: A stone Appears, Alteration and Do you like the taste of beer?

Is in castle rock where he plays another creepy role as the kid .For battle creek he is an artistic vulnerable depressed dude. In assassination he plays a misogynistic teen asshole. And with Villains we see him explore his comic side.

This is what I would like to call the transition period, besides Deadpool and castle rock, all the projects previously mentioned are in some way small projects , that he for some reason decided to take on ,maybe for scheduling reasons cause by the end of 2019 IT CHAPTER 2 was premiering.

2020- 2022

The pandemic hit and changed things, he losses momentum. The whole industry was shaken actually. Movies that were supposed to be released in cinemas went to streaming, projects were cancelled and others got delayed.

For example Bill was set to work in The northman with his brother Alex again , he was already in Eggers radar, but due covid he had to drop out: Here

He left that project because something else was scheduled: Clark. (netflix nordic) a series he helped to produce too.

From this time we got Nine Days, The devil all the time (one of his best works and one of his most underrated film. He plays Willard a traumatized ww2 veteran), Soulmates (a series - one ep. He plays a uptight gay man who finds love while vacationing in Mexico), Naked Singularity ( he's an lawyer with adhd and a weird obsesion with ears) , Eternals ( KRO) ,Barbarian (horror movie where he is just a good guy who's in the wrong place at the wrong time )

By this time he was still under the shadow of " pennywise" but he had built a reputation for himself, he was a good actor before the critic and public that followed his work. Not as popular as Alex ,for example , but he was known by now.

2023 -24

After the pandemic we enter the period I woud like to call : COMEBACK.

The projects we find here are more "commercial" because these are action films, which is not bad , it was about time, most of his films usually dont get too much of exposure or are small projects. If someone said Bill Skarsgård automatically people thought in the clown 🤡 and not in Kro, mickey, willard or Clark for example. So we see here some sort of rebrandig he's now a killing machine, a cartoonish villain and anti hero.

John wick 4.

This offer came to him thanks to a previous work he did in Atomic blonde. Chad stahlesky let him choose what character play ( here) , and he went for the bad guy. A cartonish kinda old school villain , with funny accent and great suits: The marquis de Gramont.

Now, a very common observation people do is that roles are offered to him and his just takes them. That he is like a passive actor who only plays what he's tell to play, but since Pennywise he has always talked about how much he gets involved in the making of a character. The marquis was not the exception. That annoying accent was , for example, his idea. here more about it

This participation was a breath of fresh air, and brought new eyes to him. New fans arrived, people saw more of his work and he stepped a bit away from the IT shadow. Later was confirmmed that his next project would be BOY KILLS WORLD a pure gory action film with some comedic touch for which Bill prepared hard.

Moritz Mohr: Bill is a terrific actor. The only thing we weren't sure at that point was, "Can he deliver on the action?" He basically just promised, "No, I'm gonna put in the work, I'm gonna get ripped, I'm gonna train, and I'm going to learn the choreography." Which is a huge commitment, because it's just months and months of training and rehearsing, and I'm so glad that he did it. He overdelivered sometimes, he was really committed to it, and I'm very lucky that he was, because I think the results are just phenomenal.

In BKW we see Bill has good comedic timing, as if that wasn't clear with previous projects like Villains , but here he delivers comedy without talking. Conclusion : he can also be funny.

So far we are very into 2024 and NO MORE REMAKES in sight for him besides IT and we have talked about how many movies- series ? Almost 20 since his first big job in America (Hemlock G.)

The recent fame of " remake actor " comes from the next two jobs he landed. The crow 🐦‍⬛ and Nosferatu. 🦇

The crow 🐦‍⬛: How Bill got the script on his hands? it was given to him because he is known for remakes, because of his lastname , because no one else wanted to do it ? Luckily for us , Empire magazine tell us the following:

The project was conceived to be a separate work from the 1994 movie the crow, the source of inspiration was THE CROW graphic novel of J.O Barr. Again, by this and more interviews around we see Bill as an actor who played and active part in bringing a unique version of eric. From the physique ( something he kept from filming BKW) to the aura he's nothing like Brandon lee's Eric Draven.

The big differences between the 2024 and 1994 version, are confirmmed now after its release with heavy critics of people claiming it to be a "bad remake cause it looks nothing like the original " Here I ask rethorically , so is Bill a remakes actor or not?

Remakes are in full force lately, examples are whatever Disney has been doing lately, the ghostbusters, robocop , etc. Movies that go frame by frame , super close to their media source.

The same way Dune 2022 is not considered a remake of the 80's movie , The crow 2024 shouldn't be considered one either. Not even IT. Because, primarily, the source material is not the previous movie or series, but a book or a novel. So the best term to use is , I believe, adaptation or reimagining.

But what about Nosferatu?

I'm glad you asked random tumblr reader. I'm almost finishing and this is where I want to suggest that this upcoming film is actually the first remake Bill Skarsgård has done.

Robert Eggers ( director of this new remake ) shares with anOther magazine, that he planned to film Nosferatu after The witch , that's how he met Bill , who was 25 by then ( at 25-26 he was also auditioning for IT) . Eggers recalls Bill's audition being excellent for Hutter . Unfortunatelly the project fell but they stayed in contact and planned to one day work together , Bill was later set to work in the northman , we already know how that played out.

As we see here Bill was the one trying to get the opportunity to work with the director, having another role in mind ,until Eggers proposses to him the opportunity to be Count Orlok thanks to the work he did as Bob Gray in IT chapter 2.

Eggers knew about his capacities as an actor to embody darkness while having a youthful and pretty exterior that's why he tought of him as the right choice for the project.

Once again we read an interview that highlights the joint work of the director and Bill on the character, from the psyque to the make up. He was very proactive, long conversations, audio tapes, isolation, voice coach , etc. All of which finally paid off

Bill Skarsgård has proven his desire to become a versatile actor, just by reading his imdb page we see a variety of works forming his resumee , but he has a particular preference for dark, scary , creepy roles. In this review since the Hemlock grove days he has played a total of 7 obscure characters ( from antagonist to conflicted ones). This alone is not bad, and they aren't that many either. Every actor have a genre they prefer , characters they feell more pulled to work with. Bill is a goth king and I respect that.

His career itself also proves to be the result of organic growth, although he was lucky to be part of one of the most successful and respected acting families in sweden , that alone couldn't have granted him is current success. He started in America with a small show that most people haven't heard of till this day, and was in his late 20's when he got his first big opportunity. He sent emails, he sent tapes, he auditioned, he gave his word promising to deliver a good job. He works his ass off for what he wants. He doesn't seem to be the classic textbook nepobaby.

That's why I think that considering him just a remake actor is unfair and narrow minded. Said statement reduces a still growing career full of exploration to just opportunistics cashagrab roles ... and this guy is far from being that. Also because not everything that shares a tittle or character's names is a remake. It dependes on what the creators are having in mind for the new work.

That's so , after reading the most recent AnOther magazine interview , that I came to the conclusionI expressed before: Nosferatu is his first remake . Both Bill and Robert Eggers have always in mind the 1922 movie as source of reference and they worked Count Orlok and the story around that.

He's still a rising star, and has a lot more ahead, im confident the general public will see what directors and fans have seen in him: A good mfucking actor who wants to leave a mark but in his own terms. Taking risks , exploring, chosing roles that may not look right for him but always improving himself to expand his potential and keep taking on new and more promising challenges.

Its intersting how everything connects , IT oppened the door of Nosferatu. After all the issues that came to him at the right time , and I can bet my left arm he will deliver !

*Im sorry if this was too long it took me 2 days finishing it ,i'll go to sleep now .

[tiramissu09]

Morning Glow

synopsis: you (y/n) wake up before your husband on a Sunday morning and study him, wondering how you both even got together.

song choices to listen to while reading: 

Body by Summer Walker

Orbit by JONGHYUN from SHINee

Natural by G-Soul

warning(s)/story notes: gender neutral y/n, nostalgia, hints of last night’s activities (iykyk), silent serenading, naked imagery, a little nod to the JJK lore, POC y/n

MINORS DON’T INTERACT

author note: My first fanfic, y’all! I feel like, instead of using janitor ai (don’t use it, it’s hella addictive and made me burn through my money), I could use my imagination and potential to write something for my main beloved, Nanami Kento. I love this man and in my head, we are living together in Malaysia, having the time of our lives, haha. Also, I thought I was going to do a quick drabble, but I got into my feels, haha. 

Please, please give me feedback and critique so I can improve on my writing. Thank you and enjoy!!! <3

The chirping birds started to grow louder and more annoying outside the large French windows with the soft, peaching-colored morning light streaming in, faint flapping of the pale curtains echoing with shared breaths. You groan softly against your white silk pillow along with your blurry vision, from your deep slumber, as you rub your eyes and look around, dazed. You felt the light breeze of the open ajar window on your bare leg, out of the fluffy blanket, contrasting with the deep warmth soaked into the mattress from the sleep. 

Your eyes move around, to anchor yourself into reality, until they settle down at a large, ivory back which had light red scratches along with crescent moon shaped indents littered over his rugged muscles, rippling with each soft breath. His messy golden blonde hair that you loved to run your fingers in, slightly swaying with the early dawn breeze, along the warm yellow sunlight, giving him that morning glow that made him look…like a god, a figment of your imagination. 

Last night’s memories were reeling in like a blurry movie, reminiscing on your stomach with your head and facing his back, as you remember his sweet deep chocolate eyes, his slightly pink blush on his face, and…my god, those large, veiny hands all over your body, rough but gentle on your soft skin. 

Sighing softly, not wanting to wake him up yet, go down this deep spiral with your fingers itching to touch him….how did you even meet this man? Was it at the office Christmas party where he was wearing that ridiculous, fluorescent green elf costume as your white-haired boss had made me for a pay raise? Or when you both bumped into each other in the hallway before math class during senior year, your nose bleeding as you bumped into his chest too hard and he assisted you to the nurse’s office?.....no,no…..oh my god! How could you forget?

It was that night…..that night where you all were freshman in high school and it was the camp site trip that you all had to go to as a bonding activity for all the new students which you were part of. You remember you were really nervous as a tiny, little 13 year old. You were new to Tokyo and Japan, overall, not looking like the others and the culture so vastly different from yours which made it difficult to fit in, your family or teachers help you with. This was nicely added with you going through puberty, the whole nine yards of acne and changing body, made you more quiet and shy to talk to others. 

In your ensemble of light washed jeans, your oversized purple flannel shirt and black Converse high tops, you were sitting on the wooden benches near the camp-fire under the starry, twilight sky, shivering slightly from the cold, autumn night in the forest near Kyoto. You were alone, with everyone talking to each other excitedly, with some others playing games and singing karaoke, and watching all the kids with a small smile on your face. 

Then, you felt a warm blanket around your body, causing you to have goosebumps all over your skin. You looked up with wide eyes from the brushing of their fingers on your neck to the warm presence behind your back, surprised and making you jolt up, but a soft hand pushed you down to sit back. “Sorry, did I scare you?” His soft and low voice, almost purring, caused you to shiver more but you held back your reaction as you turned your head completely around, wanting to know who it was. You caught those soft, brown eyes, reminding you of that deep brown honey under the sunlight, making you feel more awake than any other coffee.

You quickly get out of your reverie and stutter out as you brush your hair back, looking away. “No! Not a-at all…just got surprised.”,offering him a smile as you try to not to fluster even more. You notice his blonde hair, straightened to the T and his bangs covering his eyes which you didn’t like but didn’t say that out loud, and his black shirt with a band name you never heard of with his black skinny ripped jeans. 

You clear your throat as you look into his eyes, “H-hi, my name is f/n l/n….what’s your…name?” You were fidgeting with the soft, baby blue wool blanket with your fingers, as you both sat next to each other with your knee brushing against his, ever so slightly. He grins a little more as he had a deadpan face before, making your heart and insides all melted and mushy inside, showing his pearly whites. He says in that voice that you could just listen to all the time. “Kento….Nanami Kento…but you can call me Ken.”

You memorize that name, as it was tattooed to your naive heart, as you nod slowly and say quietly. “Nice to meet you…Ken.” You both sat there in silence with all the loud commotion around you both. You didn’t know what to say as the tense silence was swallowing you up and you quickly ask and at the same time, looking at the bright scarlet camp fire, “You should go hang out to your friends…”, peeking to the side to look at his face longer, but looking away when he caught your eyes and your face becoming hot with each passing second. 

He sighed loudly as he stretched his legs out and watched the white-haired hyper kid screaming happily at the black-haired boy who looked so done with him, but had a small smile. After some moments of more silence, Kento spoke with a small smile and turned to face you, “You looked….lonely….like me and…”, now looking away as you caught some peach-colored blush on his cheeks. “You looked like you were glowing…like the fire.” 

You remember how you became quiet, flustered and frozen by the compliment and you remembered you thanked him meekly which was so cute and how you hit yourself internally for how dumb it was. However, the rest of that night, you both started to talk more freely and understood that you both had a lot in common, in terms of family background and not really fitting in due to your particular tastes. 

Despite being amicable acquaintances all through high school and losing contact when entering university, once you both reunited, it felt right. You both were meant to be together and glowing in each other’s arms and affection. 

You were shaken out of your deep thoughts as you felt the bed rustling lightly. You looked up and saw his face turned to you now. You were slightly surprised by the sudden appearance of his handsome and rugged face, but you quickly smiled widely, “Good morning, honey.” Snuggling closer to him and him taking you in his buff arms, making you all so warmer, he murmured in your messy hair, his morning voice low and reverberating through your body, “What were you thinking about so hard, darling? You laugh softly as you nuzzle your face in the crook of his neck and your arms around his shoulders, and whisper muffled against his warm skin that smelled like sandalwood and musk, that was so unique to him, “I was just thinking…..how you were glowing…..like the sun.”

[here-be-descriptions]

The Naga Innkeepers of the Beast Nations, from “Codex Inversus”. Artwork by Luca Vanzella.

“Nagas, the snake folk, own and run many of the taverns of the Beasts’ Nations. The “snake innkeeper” is a cliché born from biological, cultural, and historical reasons.

Nagas are not cold-blooded to the same degree as other reptiles, but they are sensitive to low temperatures. The cold makes Nagas sluggish, and it is generally uncomfortable for them: for these reasons, Nagas prefer indoor occupations, possibly near fires and hot temperatures.

While Nagas are omnivores, able and willing to eat everything humans would, their teeth are underdeveloped, making chewing difficult. This food restriction encouraged nagas to step into the kitchen of many institutions (armies, monasteries, courts, guilds, crew) to grant themselves pleasant meals. Many of these cooks eventually started their businesses, and slowly “nagas’ cuisine” became the foundation for the whole Beasts’ Nation's culinary traditions. In those lands “a viper nest” means a cozy and comfortable place to eat.

Some of the hallmarks of the Nagas’ Cusine entred in the common traditions:

the habit of pre-chopping the food, serving bite-size pieces;

the ample use of egg both as the main ingredient (pancakes, omelets, frittatas, crepes) and in batters for fried dishes;

serving sauces always to the side, as dipping;

strained or pureed soups of various kinds (very famous is the Giant Crab Bisque from Getaberhan).

Nagas are not connected to cooking only to make a virtue of necessity, but also for a real knack for it, given by their physiology.

The taste and smell of nagas are superb, thanks to their very sensible tounges.

They can also see temperatures as a sort of “eighth color”: many snake poets tried to communicate what “heat” looks like but that elusive hue remains indescribable.

The nagas’ reputation for innkeeping and hospitality is an outsider’s stereotype, but one cultivated as a point of ethnic pride. Many snake people wish to live up to the fame of “the best hosts in the continent” which surrounds them.

If you visit some of the bustling harbor cities of the western Beast Nations, like Loghap, the snakes’ hospitality can seem a bit oversold- naga inns are usually nicer and better-run than the pragmatic minotaurs’ canteens or the flashy catfolks’ taverns, but nothing to write home about.

To find true naga hospitality, you must venture inland along the Stone River- the main highway of the Beast Nations. A long stretch of the Stone River lies in Hayeli, the sovereign state governed by the Serpentine Dynasty. The road stretches from the Ghost Forest in the east to Getaberan, one of the main ports on the west coast. It also sports the most viable mountain passes to the Holy Infernal Empire, making it a national and international artery of trade. Hundreds of small roads running down the mountains or up the plains merge into the main road like tributary streams, with an inn at every intersection.

When you enter one of the Nagas’ inns, you will be welcomed as a revered guest, even if you are wearing nothing but rags. Although comforts and pleasantries abound, you’ll soon notice some peculiarities in the staff’s behavior.

Snakefolk tend to possess a particular lisp, so they avoid words with the “S” sound, believing it will sound unpleasant to their guest. If an accidental “S” is uttered, they will cover their mouth and apologize (naga maids often carry a fan on their person specifically for this purpose). They will continue to do so until the guest tells them not to worry. Compliments should be indirect and are always reciprocated. You don’t say “you look nice” to a snake maid. Instead, you may ask what fabric her dress is made of, or the name of the tailor, to which she will answer and praise something of yours- fully aware of your intent. Same with tips- you are expected to leave a tip for good service, but you must not be seen leaving it. Instead you must put the coins beneath a dish, in an empty tankard, or under the bench.

This extreme and idiosyncratic politeness baffles first-time travelers and can cause misunderstandings- sometimes hilarious and harmless, other times with serious ramifications. If you gift something to a naga innkeeper, they must reciprocate, pestering you if you don’t accept. They may even challenge you to a duel, as the matter can become a question of honor.

This behavior is an over-the-top manifestation of some general virtues of naga culture- politeness, generosity, modesty, and humility.

One explanation for this attitude is that the nagas are the least humanlike of the beastfolk, and are aware that many humans suffer an instinctive phobia of reptiles. The naga people have witnessed the fear and discrimination that some animal-human species- such as centaurs or harpies- provoke, and don’t want to meet the same fate. Innkeepers and other professions that deal with foreigners take this ancestral need to make a good impression at heart.

This courteous behavior does possess a dark side. Some nagas will utilize hospitality to exploit their guests while keeping face. Flattery, passive-aggressiveness, and guilt can coerce someone to pay too much for too little and not complain. Some nagas will outright scam travelers, who will realize only days later, bamboozled by fake offenses and hollow praises. There are far too many cautionary tales about naive merchants who ended up working for free in nagas’ inns for years, crushed in a vice of moral obligations and emotional blackmail.

“Beware of the coils of kindness- they are soft, but can strangle you nonetheless.” -Naberius Vox, traveling scholar of the Holy Infernal Empire”

[watchdogfanclub]

This was written in response to someone thinking WOY never took off because streaming was getting popular in the 2010s:

Nah, as someone who watched from when the SDCC trailer came out that wasn’t it. For most of it’s airing it had a small fandom that was roughly as active as the current fandom. The main reason it didn’t get popular is because Disney treated it like trash.

(Sidenote: Streaming services didn’t become major players in the cartoon game until the late 2010s. Voltron, one of the early hits, didn’t “air” until 2016. Wander’s last episode came out during the same month and it had been cancelled a bit after season 2 started airing. Cancelled because Disney had an unofficial 2 season limit to all but it’s biggest hits.)

Before I start talking about that I’ll link ratings reports. I was planning to show the airing schedule too (focused on reruns) but I can’t remember who posted it.

First off: The episode aired at 5 PM on the west coast (when kids are often eating dinner) and it was worse for the rest of the US because it aired simultaneously. So that meant it aired at 6 PM mountain time, 7 PM central, and 8 PM eastern time. How many kids are watching then?

Frankly, after acting as a third parent to my baby brother for a few years, I would not have let him watch Wander Over Yonder after dinner because it’s too high energy for winding down. That’s when kids watch calming shows like Sesame Street and Arthur.

Another thing: If you didn’t have cable the only way to watch it legally was on iTunes. They took awhile to add it too. And then they cut the seasons in half without prior notice to double bill people with a season pass.

Then there was their airing schedule. It would go on long hiatuses for no good reason before returning with minimal if any promotion. Which meant that it was hard to tell when it aired unless you constantly checked the tv guides. (To be fair: Every Disney series got this but…)

The American Disney Channel dragged their feet so long that some episodes first premiered in France (The Hero), Russia, and the UK if I recall correctly. Heck, a sizeable amount of episodes that first aired in the US leaked on On Demand first.

And then it got booted to Disney XD halfway through season 1. Which is a premium channel where shows go to die. So that didn’t help…

Anyways, about that promotion: Maybe it’s just me, but if I got an animation legend who created two pop culture phenomenons to make a show for me I’d shout his name to the high heavens. But Disney was so quiet about it that most of the fanbase only heard of it while checking out his other works. How would the target audience stumble upon it when it aired at dinner time or later with few reruns and scant advertising?

(Somehow Netflix was worse about it and I didn’t even know Kid Cosmic existed until I got back into WOY a year after it ended. Granted, Netflix and other streaming services turned producers make Disney look good. Many cartoons only get one season and the crew laid off before it’s even posted. He got 3. But about the same advertising as others around the same time such as, say, Dogs in Space. Never heard of it? Yeah. Thanks Netflix.)

Finally, a few complaints about how the show was presented:

The Picnic wasn’t a great choice for a promo episode and they should have aired The Greatest first (as intended by the crew) because the latter both introduced the characters and better represented the tone of the show. A lot of people were initially turned off by the Looney Tunes type antics and thought Wander was annoying.

Some of them continued to give the show a chance. But who knows how many didn’t? And in hindsight, as much as I love the theme song, I can see why it made a lot of people change the channel before it even ended. (Especially parents trying to find a show that won’t mess up their bedtime routine!) The original theme song, the one in The Little Guy’s credits, would have worked much better.

[ghostly-shenanigans-in-progress]

Any headcanons you have about Ghost Writer?

So, sorry it took forever to reply! Here’s a couple I had saved;

Ghostwriter did serve his time while in Walker’s prison after the Christmas truce episode. Surprisedly, he managed to get out early after convincing the warden on starting a book club with some of the good behavior inmates to prevent a potential boredom spurred prison riot. Even after getting out, Ghostwriter still hosts the book club for the prison on a biweekly basis along with his usual one he hosts at his library.

In his past life, he was a librarian, ghostwriter/copyeditor and archivist in the same library that is now is his lair. He died in the 1980s.

Ghostwriter died after being hit by a car on his way to work. it’s basically an isekai situation for him when he discovered his new powers and believes to be the main character/narrator in his own story. Until you know the real main character shows up lol.

I think his name was originally Stephen (Pronounced as “Steven”) Woolf Ellison, he will get annoyed if you pronounced his name wrong. His name is a combination reference to his favorite writers Virginia Woolf, Stephen King and Harlan Ellison.

Loves all genres but has a soft spot for science fiction, horror, thriller, and any thing that evokes a stream-of-consciousness prose style in the reader.

I see him and Danny making amends on their last encounter by Danny visiting his library and begging him to let him read a book that he originally had but got stolen/destroyed by Dash and he could not a find a new copy anywhere else. GW has a heart for kids that got bullied obviously and for ones that go the extra mile in being dedicated to their studies. He allowed him to use the book on two conditions, Danny read the book in the library until he finished it and that GW could edit/review it afterwards. And his form of payback was giving Danny the most scathing constructive criticism he had in his life for a book report.

Has pretty much memorized all the books in his lair and always accepting new additions but he’s super selective in the condition and content bc he’s a snob about literature. His skills in typing would make Technus jealous given his ghostly ability allows him to type faster than a normal human and even ghost.

His lair is also connected to a theater that belongs to an oc of mine known as the Director. Their lairs became connected due to their love for the arts and culture behind the creative arts. It has helped significantly in getting more people to visit their area to learn and enjoy that stuff ever since (Just be careful, the Director has the ability to make anyone he wants sing and perform if he thinks you can, think music meister but more well meaning).

He now hates oranges ever since the Christmas Truce incident. If you wanna befriend him, bring him a muffin or pear instead.

Only reason he goes by Ghostwriter than his original name is because he thought it was a requirement for ghosts to come up with a new name for themselves similar to a pen name.

[jessicas-pi]

the sheevery ends and the shenanakins begin????

This is one of my oldest fics--I believe I wrote the part I'm gonna share here about two years before I even got an AO3 account! It's sort of an introduction story to the Problem Children AU, a fix-it where the Clone Wars ended, the Jedi saved the galaxy, and the fight for clone rights was won in a frankly ridiculous way...

---

To literally everyone’s surprise, though, the thing that truly reached the people was not an Amidalan speech. It was not a dramatic act of heroism and humanity. It was not the work of a thousand voices crying out for justice. It was a single pen on flimsi. It was a young woman with flights of fancy and a fluttering heart.

It was a book.

And not just any book. A really, genuinely, honestly trashy flimsiback penny-store romance novel, full of purple prose and gratuitous descriptions of fancy outfits.

And it was about the Jedi.

More specifically, it was a romance between a “Twi’lek Knight of ethereal beauty” and a “bold yet caring clone commander”, also starring a blatant Dooku expy as the villain and a ridiculous portrayal of the Jedi life and culture. It was called Remember the Midsummer Night, and it was a smash hit.

The Author’s Note was what really hit home with the people: it told the story of the author’s experience in the war. She claimed she owed her life to a Jedi and a clone “working together in perfect synchronization, like a droid-destroying dance”, and that it inspired her to write a story based on the experience. She followed it with a plea to fellow victims and survivors, to remember what sacrifices the clones made, and to honor them as they should be honored—as people, not cannon fodder.

(Regardless, ever since that book came out, Aayla Secura has been using a “You Will Die By My Hand If You Even Think About Mentioning That Accursed Novel” glare on giggling initiates and Skywalkers, a compilation video of Bly being flustered called Proof Clones Aren't Emotionless Meat Droids appeared on the Holonet, and of course Anakin memorized long passages of the book to quote them at inappropriate moments. What was he supposed to do, not recite the main character’s five-page inner monologue about how handsome her clone commander was in the middle of a council meeting?! Puh-lease.)

And it didn’t stop there. There had always been holofilms and novels featuring fanciful depictions of Jedi, but from the moment Remember the Midsummer Night hit the shelves, “Jedi Romance” became its own genre. The copycat books that followed the original publication were progressively worse. Publicly, the Jedi refused to comment on the stories, but privately…

Well, the Jedi Council meetings (which had begun to feel rather long and empty after the chaos of the war ended) became the Jedi trashy book club.

(Most members of the council weren’t aware Master Windu could laugh until Yoda read aloud a particularly painful passage from Heart of a Hero in the way only Yoda could and Master Windu fell out of his chair, tears streaming down his face, clutching his sides. To be fair, the rest of the council were in similar positions.)

(Anakin loved being on the council.)

[weaselandfriends]

in your opinion do there exist any ambitious fiction writers active today with interesting/good prose? other than you ofc :). re: your recent post i'm trying to think of plausibly ""great"" recent novels and there's i guess. the pale king (dfw [dead] 2011), middle c (gass [dead] 2013), against the day (pynchon [dead, for all we know] 2006). i think in the past few years the only long-form fiction i've been reading is yours which is yknow a deeply embarrassing thing to admit

by the way speaking of dfw have you noticed how modern cannibals (bavitz 2017) is like westward the course of empire takes its way (dfw [dead] 1989) in that theyre both antimetafictional(??) road trip stories written about (in response to? in the margins of...) another metafictional work (homestuck [hussie 2016], lost in the funhouse [barth (dead[!]) 1968]) and then the author of said other metafiction shows up as a character at the end of the road trip. which i think is a neat connection but maybe doesn't mean anything. oh i suppose dfw is namedropped in modern cannibals as well ("David Foster Wallace killed himself, you should consider it too" :/) anyways i don't think i ever bought into the whole new sincerity thing, i think it's basically fine to just dick around with cute formal experiments forever, masturbate fearlessly to death as you say, as the main character of デデデデdestruction says, i forget her name. idk if you'd agree. you seem to write a lot of characters who try to pose an alternative and then end up not getting what they want.

It's a dire state, I'd say. Anything past the 2666 cutoff that I'd even entertain as possibly of interest was written by an ancient author at the end of their career, like the late works of Pynchon or McCarthy (or Pale King, as you mentioned). Authors who became big at a time when literature still had cultural reach and simply persisted into a time when it no longer did.

Even ignoring the question of great prose, what works since 2666 have even been culturally notable, penetrating a broader cultural awareness and enduring even the brief span of time since their publication until now? The Road? Knausgaard's Struggle? Are there any other candidates? Even if we extend this question to just pop culture, after publishers went all in on the YA model, the stream of books that reached phenomenon level dried up in the early 10s after Twilight and Hunger Games. Has anything been written in the past decade to suggest literature isn't a culturally moribund art form in the anglosphere?

It's a meme that people always think art is worse today than it used to be, but with film, no matter how many slop Marvel movies there are, you can point to great, ambitious, culturally-penetrating films that came out recently: Parasite, Everything Everywhere All at Once, Oppenheimer, etc. Video games? AAA might be in a death spiral (and even there, you get stuff like Mario Odyssey or God of War) but there's some new adored indie game every year. Music? It might vary genre to genre, but there are songs coming out today, artists active today, that will be remembered 30 years from now. Can you really say that about any book from the past 10 years? How many books written in the past 10 years do you think the average person could even name? Maybe I'm overly pessimistic. Do keep in mind I'm someone who mostly reads literature written by dead people. My perspective might be skewed.

If I did have to point to anyone writing recently who might be worth reading - and I wouldn't call either of these authors great, just worth reading - I'd point to Marlon James (Brief History of Seven Killings) and Ottessa Moshfegh (My Year of Rest and Relaxation). These are mild endorsements.

There's more interesting stuff being written online, authors who show promise. Nostalgebraist is the first I'd point to, a lot of sharp ideas and with every work he seems to be figuring out his game more and more. He also has some impressive prose passages, which are usually missing from even the ambitious and thematically interesting web fiction I've read. Almost Nowhere was particularly good, I wrote an essay on it somewhere in this blog. I've been really impressed by Farnham's Questing Beast in terms of prose. Most of the other webfic I'd recommend would be more for its ideas and thematic ambition than its prose. For instance, I love Alexander Wales' Worth the Candle (unfortunately stubbed recently for an actual publication), but I would describe its prose as Sandersonian.

Regarding Westward, I've actually only read DFW's long fiction - Broom, Infinite Jest, and Pale King. Long fiction is certainly my interest, I'm not overly fond of short stories, especially not in the contemporary milieu of disposable entertainment and brief, gimmicky, unambitious literary fiction.

[antoschauniverse]

The X-Files is one of those cultural phenomenon series that existed before streaming and before the internet, and that would never happen today, but that maintained a huge and unbelievable fan base, extremely loyal. With a few adjustments to the script, it would still be very profitable and interesting. There are rumors that if Gillian Anderson agreed to continue, there would be a possibility of continuing the series after season 11. And that Duchovny, faced with Anderson's refusal (and rightly so, her character was violated in several ways), and with the support of Chris Carter, tried to make it on his own, selling the idea of ​​a macho and virile Mulder 007 (we know who he was trying to impress). Only after the network refused to even talk about The X-Files without the duo, did Duchovny declare that he would never do Mulder without Scully.

In my opinion, the idea of David and Chris to make Mulder a macho badass ruined the series, but the main thing is that this idea ruined the role of Scully. Scully wasn't needed next to Mulder when he was posing as Agent 007. Agent Mulder 007 needs a young girlfriend in every episode. I think Gillian would have agreed to play the role of Scully for a couple more seasons, but Chris just killed her desire with his scripts. I can imagine how Gillian felt when she received the script for the last episode. What was there to play? 10 minutes of mindless running after the tough Agent Mulder? I think Gillian realized that this would be the case in season 12, season 13, and so on, until she would eventually be replaced by a young actress to David's delight. David does not adequately assess himself. It was after the end of the series and it continues to this day. Despite the fact that David's kept woman is 33 years younger than him, he has not attracted young fans for a long time. They have other, much younger idols than David. Young girls don't like wrinkles and a saggy ass if they don't get paid for it.

[phocidine]

I just want to lend a perspective to this situation for people who are lucky enough to not have gone through something like this before.

I used to be a huge fan of the Yogscast. The Yogscast went through a shitstorm in 2019 because 3 separate pedophilic content creators were removed from their company.

The Yogscast did not handle these situations well at all.

The most talked about case, Sjin, had allegations against him since at least 2012. Thats seven years of no action against him, but not seven years of no action at all.

Infamously, Lewis Brindley, another content creator and one of the main managers of the company, brought up the allegations during a stream in 2016 and literally said “fuck you” to the people speaking about them, while implying that Sjin sexting teenaged fans was “not serious” and “just being flirty”.

Sjin was never technically publicly kicked from the Yogscast, either. He mysteriously made an announcement he was leaving and for awhile it was unclear whether his leave had anything to do with his allegations at all. On top of this, Yogscast promotional material continued to feature Sjin for another year.

I stupidly went back to the Yogscast fandom in 2020, believing all the problems were fixed. It was my comfort pandemic media for most of the year until I just couldn’t take the toxicity anymore.

That community went completely rancid after Sjin’s departure. He left, but his fans didn’t, and they were given so much ammunition from the Yogscast’s past and continuing failure to properly handle Sjin’s disgusting actions.

It’s easy to victim blame when just a few years ago the manager of the company did it for you. It’s easy to say it’s not a problem and everyone’s overreacting when clearly nobody thought it mattered for 7 years and Sjin is still present in the most recent highlight reel. It’s easy to claim the Yogscast was forced to make Sjin leave due to over-sensitive feminazis and cancel culture when other Yogscast streamers are constantly giggling about how they’re gonna get cancelled and some are making jokes about how they can’t talk about Redacted anymore.

The Qsmp team may be handling this situation with Forever quietly, but they reacted fast and made it perfectly clear where they stand on this issue. They’ve done a very good job so far. I think we’re all allowed to find some relief in that.

[redstringraven]

probably not important to anyone but me, but i'm becoming increasingly convinced that traximus is a 1w2 like leo. which delights me for a number of reasons.

firstly, in that it shows off the whole comparison of the core types to colors. there may be an infinite variations of the color 'red', but they are still variations OF red. you might not see the immediate similarities between leo and traximus at first glance; i think most folks are likely to group raph and traximus together (which DOES make sense, of course, given they spend more time directly interacting in-series). but leo and traximus both have a powerful sense of justice and service. they both have a temper. they both want to do what's right, they have an ability to organize, and others are willing and eager to follow them. and they both go through a period of severe, consuming depression that warps their sense of motivation and purpose. i'm simplifying this a lot because this is more a stream of consciousness post than one of my giant analysis posts or whatever; if it feels vague, that might be why and i apologize jkfldsg.

secondly, leo was the one who 'got through to traximus'. he was IN his own "season 4" headspace when we meet him below the gladiator arena, all doom and gloom. "mister sunshine", i believe is how raph refers to him. that is until leo spared his life and then extended a hand to help him back to his feet (cue me vibrating through the floor for reasons that only make sense to me due to comic that only exists in my head right now). this turn-around happened a lot 'faster' than leo's s4 arc buuuuut that's the life of a minor character compared to a main character. still, i'm happy to work with scraps. it's part of my brand.

thirdly, i like how you may at first think traximus is more of an 8 like raph is--maybe because the anger he has is more on his sleeve than leo's or he spends more time with raph overall. but traximus's "visible" anger and confrontation makes sense for him, as the thing he's angry about is not only active and worsening, but he's also an adult. he's had more time to know that this anger he has isn't "bad"--that he should be mad about this, actually, and he can turn that anger into something productive. he doesn't go out of his way to hide it or identify it as anything else (there's also obviously cultural/nurturing differences here, as well). leo, still a teenager, is likely still prone to labeling his anger as 'less bad' things ("i'm just trying to get it right" or "i'm not mad, i'm just trying to understand"). he's also grown up hearing how master splinter talks about raph's anger, and likely feels a stronger need to hide or disguise his own.

note to self: trax and leo should have a conversation at some point. because i said so. i think it'd be good for both of them, but especially a little enlightening and maybe even further healing for leo.

but ye, this has been me chattering about something i've been thinking about that makes me happy. i just think it's neat. and i like that the fact raph and traximus get along so well kind of gives us a taste of what his interactions with leo--when the pressure's off or it's just the two of them chilling--may be like.

[clairedaring]

/surprise leap out from your screen! Hahahha!

Yo Claire, first! I gotta say, I didn't expect to read BL meta essays when I followed your blog, but now that it's part of my dashboard, I like it! I'm not familiar with BL culture and stuff (the only BL stuff I really like is this Japanese manga named The Summer Hikaru Died, and even then I'm more sucked in by it being of the horror genre with interesting philosophical explorations), so these essays are so interesting to read!

And another thing! This post about the highest-grossing GDH movies mentioned The Medium (which I liked!), and that reminded me: I need Thai horror recommendations!

I don't know if you're into it, but maybe some of your friends do? And they can give me some good stuff? It's been so long since I've watched Thai horror—I grew up with that shit, man. I figured that someone who watches a lot of Thai media probably knows quite some newer Thai horror films I can watch on a weekend or something. Thanks!

(P.S. I realize I still have so many thoughts about สาธุ. I'm rewatching it when I have the time and realized there are still more details I forgot from the first viewing. A lot of them is embodied by the actors so well! I hope to find the time to write some essays/rambles about those things these days! Honestly... this is the only thing I can contribute to the สาธุ/The Believers tag 🫡🥲)

Hiiii Lyn! You are always welcome in my humble inbox.

You cannot imagine my happiness knowing you will soon fill he สาธุ/The Believers tag with insightful metas/essays. No pressure though but I am now indeed impatiently waiting for more สาธุ posts.

Aw, I'm so happy to hear that you've enjoyed the BL metas I've put on your dash even though queer love series are not usually ones you would watch because they're mostly romance based. ಥ_ಥ

Okay now onto the main part of my answer. Even though romance and comedy are indeed my favorite genres of series, as an enthusiast and follower of Thai actors and their works, it is inevitable to come across horror works (films or series) starring my favorite actors. Even though I'm not the biggest fan of horor (i'm a huge scaredycat), the genre has never stopped me from watching works of my favorite actors before -> I've definitely watched more horror media than I wanted to (┬┬﹏┬┬). I'll separate my recommendations into two part: one for series and one for films.

Thai Horror Anthology Series Recommendations

1. Girl From Nowhere Season 1 & 2 (2018 -2021)

Synopsis: A mysterious, clever girl named Nanno transfers to different schools, exposing the lies and misdeeds of the students and faculty at every turn.

Thoughts: although it would qualify more as thriller than a horror, girl from nowhere offers sharp commentaries about violence, sexual assault, bullying and various social issues. The series is more like an anthology with each episodes presenting a different story. The way my jaw dropped when I found out that the storylines in the episodes are inspired by actual real news reports/stories. Watching both seasons, you may feel that S1 is less budgeted than S2 which is true because S1 wasn't funded by Netflix Thailand. After picking S1 for streaming, Netflix decided to invest in a S2 for GFN and the cinematography for S2 is just immaculate.

2. After Dark (2020)

Synopsis: When the night falls, humans are more of a threat. Composed of 4 interlinked horror stories:

"Blind Date": Pink, a dating app addict, meets Q, a mysterious handsome guy. They establish a deep connection that ends up with Pink having a strange pregnancy which haunts her until the end.

“Requiem of the Adolescent”: Lada, a nurse hired with a vast amount of money to take care of Her Serene Highness Srisaang. Her terrors awake when her patient abnormally gets better.

“Death Channel”: Off and Boat, a successful youtuber and an idol team up to create a paranormal activity channel that has been sponsored by an anonymous user, they never know what is waiting.

"Into the Hole”: Chai, a charismatic person is a one-night stand expert in hopes to record a sex tape to earn a dime. Then he meets Dao, a charming woman. His mischievous behavior continues, but this time it would not be as easy as before.

Thoughts: it's gory, gross, raw, rough and scary as hell. some of the most visually traumatic series i've ever watched. incredible acting performances.

3. Angkhan Khlumpong The Series (2021)

Sypnosis: It is made based on ghost stories that people called and shared on the "Angkhan Khlumpong" radio program.

Thoughts: Episode 5 'Imaginary Friend' is scary as hell. All the episodes are quite scary in general. The stories rely a lot on jumpscares but Thailand is really good at making scary ghosts, the makeup team is always going all the way.

Note: Netflix Thailand is producing the sequel series Terror Tuesday: Extreme (2024), which comes out in 10 days (August 20). Netflix Thailand has never really disappointed with their budget so I'm pretty sure it'll be spooky.

Thai Horror Films Recommendations

1. Hoon Payon (2023)

Synopsis: Tham searches for his brother Te in order to deliver the news of their parents' passing. Te is ordained as a monk at a temple on Don Sing Tham Island. On arrival, Tham meets Jes, the grandson of the former abbot. Jes makes hoon payon, enchanted effigies of the dead. Tham learns of a rumour that Te vanished after murdering the abbot. Tham doesn't buy the story nor does he respect the villagers' strange reverence for the sculpture of Pho Pu Sing Tham. Though his appearance is unsettling to Tham, Pho Pu Sing Tham is said to protect them. Soon, a girl goes missing, a wild predator roams the island, a vengeful ghost is rampant and worse yet, the figure of Pho Pu Sing Tham is destroyed. The enraged villagers prepare to curse and hunt down the unknown culprit.

Thoughts: I watched this for Up Poompat who plays Te and I was genuinely shocked by his performance. Not scary enough as old Thai movies but still very thrilling.

2. Shutter (2004)

Synopsis: Tun, a young photographer, and his girlfriend, Jane, were driving home after drinking with friends, when suddenly they crash into a girl that was walking in the street. Panicking, Tun tells his girlfriend to run away. The next day, Tun discovers mysterious shadows in his photographs, and his girlfriend start seeing strange things in his house.

Thoughts: This is a classic Thai horror film and arguably the best horror film Tong Banjong (the director of The Medium) has ever directed. Director Tong's forte is really horror so please don't mind that the next 3 recommended films are all from him. They are truly THE classic horror films of Thailand.

3. Alone (2007)

Synopsis: Conjoined twins Ploy and Pim are very close until Pim meets a boy named Wee, causing her to decide to separate from Ploy. The surgery is performed but Ploy does not survive. Years later, Pim and Wee are living together in South Korea when Pim suddenly has to return home to take care of her mother after she has a seizure. While back home, Pim is haunted by a ghost from her past.

Thoughts: I really don't know what Director Tong is lacing in his horror films but they're always keeping me on the edge of my seat and most of the time my hands glued to my eyes 😭

4. Phobia (2008)

Synopsis: A horror movie anthology containing 4 stories-Loneliness: a woman confined to her apartment starts to receive texts from a stranger, Deadly Charm: a group of high school delinquents get cursed by a student that they bullied, The Man in the Middle: Four friends go on a camping/rafting trip that turns out far differently then they had planned, The Last Flight: A flight attendant has to accompany the body of a princess, the wife of her lover.

Thoughts: Another horror classic from GTH studio. I can't remember the details to all these stories but I can assure you when I was closing my eyes through half of this film because of how scared I was. I wanna say it's because I was young when I watched it but I'm sure I'd still be keeping my eyes close shut if I watch it again.

5. Phobia 2 (2009)

Synopsis: A horror omnibus consisting of five stories - Novice: a teenager takes refuge at a Buddhist sanctuary after committing a crime, Ward: a biker has to stay overnight in a hospital room with a strange man after an accident, Backpackers: a Japanese couple hitchhikes across Thailand until; they accept a ride from the wrong person, Salvage: karma visits woman who has successful business fixing up cars that were involved in fatal accidents, In The End: the movie crew working on a horror sequel experience a night of real fear.

Thoughts: They're all scary but I think the scariest segment is 'In The End'. I would say this is one of those rare occasions where the sequel outdid its predecessor Phobia.

6. Sick Nurses (2007)

Synopsis: A group of sexy nurses who harvest organs are haunted by the vengeful spirit of one of their dead patients.

Thoughts: this is more slasher than horror but i remember watching this when i was younger and i was scared as heck. I don't even dare to search up the trailer to embed here.

Bonus: 'not purely horror, only has creepy elements but deserves a honorable mention on this list because it's super underrated' film

Malila: The Farewell Flower (2017) dir. Nuchy Anucha Boonyawatana

Synopsis: Former lovers Shane and Pich reunite and try to heal the wounds of their past. Shane is haunted by the tragic death of his daughter, while Pich suffers a grave illness. As death approaches, Pich dedicates his remaining time to making Bai Sri, a ceremonial ornament. Meanwhile, Shane decides to become a Buddhist monk until one night at a graveyard, he encounters his lover in another form.

Thoughts: not horror but i think this film is the first that pops into my head while watching The Medium. Similar feels in their portrayal of Thai rural village lifestyle and Buddhism being a big part of both stories.

You may notice that most of these horror films from GTH Studio share similar directors, screenwriters or other creative staffs with The Medium. And that's because GDH 559 is basically the successsor of GTH Studio (which got dissolved in 2015). I've always a big fan of GDH films and I do try to watch as much GDH/GTH works as possible, but horror is really not my forte so I can only offer you these humble recommendations. I hope you'll enjoy at least one among the ones in this list.