#or the manga at the rate the anime seems to be ending :')

[gunstellations]

"お前は失ってばかりじゃねえ"

"you haven't only received loss"

[pumpkinpaix]

Chapter Spotlight 8:

"'Censorship Made It Better': Anti-Fans and Purity Culture in English-Language Chen Qing Ling Fandom" by Abby Springman

Describe your topic/chapter in one sentence/one meme/140 characters.

Rejoice! MDZS has been cancelled!

What drew you to this topic?

When I got into CQL fandom and started lurking on its outskirts on Twitter, I started getting this weird sense of déjà vu. There was this bizarre similarity between the arguments I was seeing about the aspects of CQL/MDZS and their fandoms being "problematic" from a progressive, social justice point of view and the demands for censorship in American libraries that conservative groups were (and still are) making at an alarmingly increasing rate. In an attempt to make sense of this, I fell down what ended up being a really long rabbit hole, and, well, here we are.

Was there anything you were surprised to discover while researching?

I was surprised by the wide variety of fannish backgrounds found amongst members of English-language CQL fandom! I'm not used to seeing so many different "areas" of fandom intersect over a single piece of media like this. Some folks are primarily into the live action movies and TV shows side of things, some are mostly in bandom, some (like me) are traditionally a part of the anime, manga, and gaming contingent, etc. I think that's fascinating, honestly.

Did researching/writing your chapter change how you saw the text, the fandom, or the media? How so?

I didn't use the block button on Tumblr or Twitter for anyone in the fandom while I was working on my chapter. It definitely changed how I saw fandom on those platforms—literally. It really highlighted how much power social media algorithms have over what kind of content is presented to us front and center.

If there’s one thing you hope the fandom takes away from your article, what would it be?

I'll be thrilled if it makes people think about "problematic" content in less black-and-white terms. They don't have to necessarily agree with my conclusions! But if my words make even one person stop and think more about context before posting a reactionary comment, then that would be great.

If you were isekai-ed into MDZS/CQL, what sect affiliation would you choose and why?

The Lan. My existing skills are most likely to be applicable there (see: the library), it seems easy to find some peace and quiet when you need it, there are bunnies, and Hanguang-jun is there.

Chaotic one-sentence pitch to get your friends into MDZS/CQL?

My elevator pitch for CQL has historically been, "It's the adaptation of a book about a gay necromancer, except they can't actually show the gay romance or the zombies on screen."

What is one (1) book/media you would recommend to a MDZS/CQL fan? Tell us about it.

Strange Tales from a Chinese Studio by Pu Songling. It's probably the most accessible collection of Chinese stories of the supernatural available in English. If MDZS/CQL was your first exposure to traditional Chinese cultural beliefs about ghosts, exorcisms, and the like, this is a great introduction to the less xianxia-specific aspects. If that isn't the case for you, I still highly recommend it on its own merits!

Character you keep getting in those "which MDZS/CQL character are you" quizzes?

Wen Ning

Anything to say to potential readers of the collection?

Thank you, and I'm sorry—no, that's a joke. More seriously, I really am thankful for anyone interested in the collection. It's the product of years of hard work by many people, and I'm sure there's an interesting chapter in there for everyone.

(FAQ) (all posts on Catching Chen Qing Ling)

[etrangeres]

The Curious Case of Kaitou Kid

We love alliteration in this household.

To start with an anecdote, I went to the main Animate store in Ikebukuro some 2-3 weeks after M27 began showing in theaters. I had two reasons to be there: hopefully grab some copies of the Magic Kaito Treasured Editions, and grab what movie-related merch I could. The former I managed, but the latter was a lot harder. Despite them devoting nearly an entire wall on the right side of the first floor to Detective Conan merch, every single piece of non-blind box Kaitou Kid merch had been snatched up already. This trend of Kid’s merch being sold out seemed to continue for at least a couple weeks afterward, at least in and around Tokyo.

This demonstrates something I think we all already know: Kaitou Kid is a crazy popular Detective Conan character.

…Detective Conan character? Yes, but… No. But definitely yes. But… yes?

Kaitou Kid - real name Kaito Kuroba - is such a funny character if you think about him for more than a few seconds. So I chose to think about him for a few, uh. Days.

When I say he’s funny to think about, I don’t necessarily mean in terms of who he is as a character - which is admittedly also fun, because I think Gosho Aoyama is the king of gap moe - but more in terms of his placement in the greater DCMK canon. I mean, the fact that we have the “DCMK” acronym at all signifies the importance of tying these two series together. Even though they technically take place in different worlds. You know. Technically.

So I want to (mostly) chronologically go through Kid’s history in Detective Conan, how it relates to his origin as Kaito Kuroba in Magic Kaito, and amuse myself with the strange relationship he (and his source manga) has with the juggernaut that is Detective Conan.

Before we jump into this, some basic notes:

-I don’t mean for this to come across like some academic thesis. Nor did I actually think this would hit nearly 17k words. I’m just Like This.

-Any translations you see here are done by me, from the source Japanese.

-There will be concrete mentions of events from M27. They are comparatively trivial in terms of the mystery the film offers, but there will be spoilers for certain major parts of the plot as they relate to Magic Kaito elements. This will be clearly demarcated, should you wish to avoid those spoilers.

The MK to DC Pipeline

So I don’t know how many people actually need this information, but for completion’s sake:

Magic Kaito is Gosho Aoyama’s debut serialization (important distinction), and it began in June 1987. Though roughly the first two volumes’ worth of chapters were published at a fairly consistent monthly rate, it grew more and more irregular after that due to the popularity of both Yaiba and (more importantly for our discussion) Detective Conan. Due to it still technically being an ongoing series, it is currently Weekly Shonen Sunday’s longest running manga. This just so happens to be followed by Detective Conan, and they lead this particular ranking by a fairly wide margin.

The manga as it currently exists came out of the one-shot “Nonchalant Lupin,” which he submitted to Shonen Magazine’s manga contest after his editor told him to “draw the story you most want to draw” (Treasured Ed. V5). The one-shot won an honorable mention. His comment in Treasured Ed V1 also mentions that he “all but became a mangaka because I wanted to write about a high school kaitou,” so he’s clearly attached to the concept. He’s also clearly attached to Magic Kaito itself; a number of excerpts from the Gosho Aoyama 30th Anniversary Book, for example, talk about how a greedy part of him immediately thought of Kaitou Kid on the silver screen when he heard about the first movie being greenlit, or how he thinks Detective Conan will one day end but Magic Kaito may not because that’s what he really wants to be writing.

Back to our timeline: the Kindaichi Case Files were gaining steam in the early 1990s, and Weekly Shonen Sunday wanted its own version of the boom. Gosho himself was approached by the editorial team at Sunday to do a mystery series, and he accepted, not thinking it would last very long - not only because he wasn’t all that interested in the idea, but because he didn’t think there would be enough material to last more than three months.

It has lasted 30 years.

I say all this not to indulge in the depressing truth that Magic Kaito only has just shy of 40 chapters, but to specifically highlight the synergy Magic Kaito has with Detective Conan - despite the existence of magic in the former - due to their shared inspiration of Arsene Lupin. Things like Sherlock Holmes and Kogoro Akechi are pretty obvious inspirations for Detective Conan that I don’t need to go into in much depth, but the idea of a “high school kaitou” still very much bleeds into aspects of Conan’s character. Many of the things Kaito is either capable of naturally or has to deal with due to the inherent nature of his position are things that are also reflected in Shinichi.

Feats of physicality (Comes naturally to Kaito due to genetics and practice; enhanced for Conan via Agasa’s inventions)

Master of disguise (A practiced skill with makeup and voice changing for Kaito; use of a voice changer and aid from people in his life to deal with disguises)

Secret identity (a flipped perspective version: Kaito has a straightforward secret identity, while Shinichi has to keep his survival a secret)

The “bumbling police” (A good kaitou story will have a morally upstanding but kinda dumb detective that demonstrates the sheer skill of the kaitou in question while putting a contrast to their morals. Nakamori is this to Kaito; though not a one-to-one, characters like Megure or Kogoro serve similar roles to Shinichi to demonstrate his skills as a detective.)

“Why are you like this????” (Admittedly the most Vibes of the list, but there’s a level of gray morality. We root for the main character while knowing that what they’re doing is at times questionable. Kaito goes without saying, but Shinichi is more likely to engage in suspicious behavior like breaking into cars, bugging people’s houses, or even stealing evidence after becoming Conan.)

Motive (The most interesting - and sometimes the funniest - overlap is the fact that they’re both after a shifty organization. It’s a bit surface level at first, but there’s a suspicious level of overlap between not Shinichi and Kaito, but Shinichi and Toichi.)

All of this is to say that pushing DC and MK into DCMK is almost comically easy once you adjust for tone (and, uh. remove Akako, I guess) because Shinichi is BUILT from the kaitou framework and tweaked into a detective. So it’s no wonder Gosho decided to throw in a Kaitou Kid cameo that turned into the character asserting himself as a recurring sub character, as opposed to a quirky crossover character.

Even if he’s still both. And also a secret third thing.

The Last Wizard of the Black Star

So, there’s not much to mention about Magic Kaito’s early run. All chapters in the pre-DC era are stand-alone stories, with the plot starting and concluding within the span of a single chapter. It was a bit of an “anything goes” era, with the genre fluctuating all over the place and a lot of things we consider “standard” in any given Kaitou Kid story not yet being fully codified. Many of these weirder chapters have their own charm if you allow the gag manga energy to take you for a ride, but if gag manga isn’t your thing then it feels like these chapters are where Kaito himself is at his most…incongruous with the character that would eventually show up in Detective Conan. (Let it be known for the record that I personally find these early chapters SO silly and would kill for an animated adaptation of Clockwork Heart, the truly bonkers third chapter.)

The biggest “what do you MEAN that wasn’t there from the start?!” is by far Blue Birthday, which is the chapter of Magic Kaito that was published immediately before Detective Conan began serialization. It took about half of the currently released chapters to introduce Pandora, a now fundamental concept that is likely to be included in ANY one-paragraph summary of Magic Kaito’s plot. It isn’t the only thing, of course; though Kaito’s card gun debuts in the very first chapter, his hang glider doesn’t show up until Chapter 10.

The other major thing worth pointing out in the pre-Black Star era is the general pacing and fundamental makeup of the stories themselves. Very few case-only (or heist-only, as it were) characters show up in these chapters. When they do show up, they tend to be pretty flat, are often ridiculous, and are there to facilitate the hijinks of the day (the gun-crazy detective, the weird robot inventor, the irresponsible prime minister).

This changes with Green Dream, and it’s an immediate change. Detective Conan has been in serialization for over half a year by this point, and already its formula is bleeding into Magic Kaito. There are multiple new characters per heist, and multiple pages with two to three times more text than before are dedicated to setting up a fundamental conflict. Kaito is also more likely to take a stance in this fundamental conflict and use his talents and status as Kaitou Kid to lead it to a conclusion. Behind all of that, though, Kaito himself is still the cheeky little agent of chaos we all know and love throughout these chapters. (As an aside, the Kid mark used on his advanced notices debuted in this chapter!)

The big watershed moment is very obviously Black Star - the Detective Conan version, in this case. In both this and the Magic Lovers case (despite his very little screen time in the latter), readers of Detective Conan are introduced to a FAR more serious version of the Magic Kaito character. This is largely because what we’re seeing in Black Star specifically is a 100% outsider's perspective. Though we’ll very shortly find out this is not Shinichi’s first meeting with Kid chronologically, it is the first time he not only hears his name, but also has any real interactions with him. Kaito wears the mask of his father in his performance as Kid, and you could very much argue his guard is WAY up around probably the weirdest child he’s ever met. So in a story from Conan’s perspective, we have no way of seeing behind that mask.

Personally, I always put a bit of an asterisk next to DC’s Black Star. This is the case that feels the most like a “crossover” than any other Kid case after this, and of course it would. It’s the very first one! It’s the Kaito and Aoko cameos that really bring this vibe for me personally; great care is taken in Detective Conan not to pull much of anything from Kaito Kuroba’s personal life except in a few stand-out cases, and those  almost never involve anyone in our core cast directly. And I don’t even mean in the “he’s only ever shown in his Kid costume” way, because there are plenty of times where he shows up not wearing that. They key for me is that Kaito is always “at work” as a disguised Kaitou Kid as opposed to as Kaito Kuroba - the hat, the darker clothes, the low-effort disguises as police or staff. That kinda thing. But the appearance of Kaito and Aoko in their casual wear or school uniforms here really makes this case stand out in a way that later cases simply don’t joke about.

Detective Conan shows us Kaito at work. It’s why he comes across as so difficult to grasp and almost intimidating in these earliest of appearances. Those vibes obviously continue into The Last Wizard of the Century, the third theatrical release and Kaitou Kid’s very first movie appearance! His grand total screen time is only a fraction of the movie’s full run, but the vibes have a heavy overlap with that first conversation Conan has with Kid on the roof in Black Star. Though there are debates regarding the movie’s canonicity, this also marks the point in at LEAST movie continuity where Kaito figures out Conan’s identity, so there’s that precedent set. (Put a pin in that, by the way.) This also marks the first time Kid disguises himself as Shinichi.

What’s more amusing to me is that Magic Kaito’s Black Star seems to have been published to coincide with the movie’s release. Magic Kaito’s very first chapter after Kaitou Kid’s appearance in Detective Conan brings Shinichi Kudo to Magic Kaito. This is his only appearance in Magic Kaito to date, whether it be as Shinichi or as Conan. Gosho mentioned in his note on the Yaiba vs Kaito chapter that he really likes crossovers (same hat), so I have to think that the limited run of Magic Kaito is likely why we don’t see more DC characters in MK. Though in a Q&A he did toy with the idea of Conan showing up in Magic Kaito one day, so…

All that said, every time I think of MK’s Black Star my brain shoots off in two directions. The first and easier to articulate direction involves Akako’s presence, but we will get to that in the next section. The second direction is the very existence of this chapter at all.

As I mentioned above, this is the first new heist for MK after Kid showed up in DC. It is also the first multi-chapter heist, which indicates even more influence is bleeding over. It was also published alongside the movie, probably as part of a promotional stunt. Something about it feels like a doubling down of sorts on the stapling of these two series together. Kid showing up in Detective Conan is a fun reference; Shinichi showing up in Magic Kaito instead of the more recognizable Conan feels like a statement of shared worlds, largely because of how it makes you think about the timeline. The Akako issue aside, it really feels like he wanted these worlds to collide. If you have your own Lupin analogue AND your own Sherlock analogue, why wouldn’t you want to pit them against each other?

Add More Staples!

It’s at this point that updates to Magic Kaito get… particularly sparse. But there are a couple of things I find personally interesting about these few years despite that.

We start off with a back-to-back bang. The Twilight Mansion case introduces Hakuba into Detective Conan. Which would be fascinating by itself, but this was also Hakuba’s first appearance in EITHER DC or MK in TEN YEARS if you don’t count his one-panel cameo in MK’s Black Star. The framing of his introduction in Detective Conan is interesting, because the paneling and composition very clearly tell the reader that the character that’s about to be introduced is either 1) important, or 2) already known. In Hakuba’s case it’s clearly the latter, but this would make very little sense to someone that isn’t as aware of his place in Magic Kaito. 

Enter The Gathering of the Great Detectives, the animated adaptation of the Twilight Mansion case that was turned into a two hour special and opened with MK’s Black Star. There are ways in which it’s an odd choice, given Hakuba barely appears in Black Star at all. But I think Hakuba’s status as yet another Magic Kaito character being introduced into the narrative provided an opportunity for them to adapt a Magic Kaito heist for TV broadcast, and the chapters featuring Shinichi were the easy choice. The Yaiba vs Kaitou Kid vs Conan OVA had come out shortly before this, so it’s technically not the first time a Magic Kaito chapter had been adapted. But that was more of an altered gaiden OVA compared to this, and this TV adaptation seemed to hit you over the head even harder that there was merit to delving into Magic Kaito if you were a fan of Detective Conan.

But now we finally get to talk about Akako. Oh, Akako. Bane of the DCMK world. Sole reason we must argue that they take place in parallel worlds despite how ridiculous that sounds.

In the manga, Akako gives Kaito her premonition about the Demon of Light coming after the White Sinner. This is also in the episode, if memory serves. But in the episode as aired on TV, Akako features very little after that… because they fully cut the scene of her attempting to use magic at the base of the clock tower. Magic does not exist in Detective Conan, after all. It was eventually put into the episode another ten years later on the bonus DVD that came with certain versions of the Treasured Edition of Magic Kaito Volume 4.

More broadly, Akako is clearly a sticking point for the combining of these two “worlds” into one. Gosho himself takes the easy way out by ignoring Akako’s existence entirely in the Detective Conan canon, just as the TMS adaptation of Black Star did. He’s often brought up the concept of the two taking place in parallel worlds where the only major difference is the presence of magic in one and its lack in the other, as in his comment on Akako’s intro in Treasured Ed. V1: “In truth, the biggest bottleneck when it came to introducing Kaitou Kid into Detective Conan was the inheritor of Red Magic herself! So please just accept the two series as parallel worlds (lol).” He’s much more straightforward in his comment for Sun Halo in Volume 5: “You really gotta have Akako use Red Magic! (Please just assume Akako does not exist in the Conan world…lol)”

Despite this insistence she doesn’t exist, Sky Walk features an almost blink and you’ll miss it reference to her. Nakamori brings up the idea of Kid’s assistant being in play, to which Conan shows surprise at him having an assistant at all. Nakamori replies that there are multiple reports, some of an “old man” and others mentioning a “young woman.” The old man is obviously Jii, but the young woman is very likely meant to be a reference to the stunt Akako pulls in Akako’s Delivery Service, a very early Magic Kaito chapter.

As you’ll notice, Akako is still very much a practitioner of sorcery as of something as recent as Sun Halo, so it’s not as though Gosho has simply opted to phase her or her magic out of Magic Kaito. But considering there are MULTIPLE DC cases that deal with debunking the supernatural, her presence would most certainly complicate things. That being said, Magic Kaito’s world and plot do not seem to hinge on magic in an intrinsic manner (unless Pandora is literally a magic gem, as opposed to the tale of the gem being a metaphor for something), so I personally don’t see too much of an issue with magic being very rare, even in Detective Conan’s setting.

To keep with Magic Kaito for a little while longer, Golden Eye was the single heist released during this period. As far as its significance is concerned, I actually think Gosho said it best in his comment in the Treasured Edition: “Magic Kaito may be a thief story, but it’s also a magic story, so it was incredible to finally be able to mention the actual legend Harry Houdini. Even so, there’s an awful lot of deduction going on, so in this story you can also really feel how it’s been corrupted by Conan (lol).” It was a thought I had about Golden Eye even before reading his comment, so I’m a bit amused to find he actually called it out to be honest.

The following Detective Conan cases - Sky Walk, Three Instruments, and Four Masterpieces - and the movie Magician of the Silver Sky are all more along the lines of Black Star in terms of Conan and Kid’s relationship, but with an extra added pinch of “coming together for a common cause” in the movie. Sky Walk specifically also introduced Jirokichi to the mix, and he becomes the only Detective Conan character whose purpose in the narrative is tied exclusively to Kid. It’s in this way we begin to create a Detective Conan-exclusive environment for Kaitou Kid, which in turn establishes him more and more as simply “a Detective Conan recurring character” as opposed to the main character of another story that’s here for crossover shenanigans.

There’s a Pandora’s Box reference in Three Instruments that makes me want to pull my hair out because don’t say Pandora that word is important, and Four Masterpieces is a lot more “murder mystery involving Kid.” They happen very rarely in Detective Conan, but they happen basically NEVER in Magic Kaito (Dark Knight doesn’t count), so this lowkey feels like another way we’re shoving Kaitou Kid into the rules of Detective Conan.

In Magician of the Silver Sky, Conan expresses a level of shock when “Shinichi” passes the pinch test. This then marks the first time (in movie continuity, at least) that Conan is aware that Kid naturally resembles him.

But the funniest thing about this series of cases (and the movie) for me is the cracks in Kid’s mask, whether that be for Conan himself or for the reader. The final confrontation in Sky Walk ends on an almost comical note with Kaito being blasted off again via gasoline fire, and there’s a stinger at the end of Four Masterpieces showing a pathetic Kaito after Conan has just shot a mecha-powered soccer ball directly at his stomach. And that’s not even getting into the movie, whose entire first act drops us into a tense confrontation with a very suave Kaitou Kid before rewinding back to when he put on the least convincing act ever as a disguised Shinichi Kudo.

Have I mentioned he contains multitudes yet? King of gap moe. 

But we aren’t truly there yet. He’s a little silly for sure, but there are still times where the mask is on about as tight as it can be in Conan’s presence.

The last two stories mentioned here - Detective Koshien and the movie The Private Eyes’ Requiem - are actually a lot less about Kid and a lot more about Hakuba. So let’s talk about the cosplay detective for a little while.

Hakuba is interesting to me, for a couple different reasons. One is the cadence of his appearances in Magic Kaito. He is introduced late into the pre-Blue Birthday run and is in a total of three chapters. Those three chapters speedrun his discovery of Kid’s identity… and then he’s gone until his first Detective Conan appearance. Golden Eye is his return to Magic Kaito in a short but fairly significant scene that fills out the contours of his relationship with Kaito with regards to that identity, at which point he is in all but one case thereafter.

The other reason is that he seems to slip through the cracks of “significant Kaitou Kid relationships” unless you consider yourself a Magic Kaito fan. But I think this is largely due to the line in the sand we shall not cross: Kaito Kuroba’s personal life is off-limits in Detective Conan. As a result, Hakuba is framed far more often as a detective in his own right that just so happens to have some manner of connection to Kaitou Kid in his few Detective Conan appearances.

This connection is made fairly obvious in Twilight Mansion by both having him introduce Kid’s presence in the case, and having him and Conan highlighted as the two people that are after him at the end of that case. But his next appearance, Detective Koshien, only implies a connection in passing and chooses instead to focus on contrasting him with Heiji in preparation for the movie. In an interesting move, the plot developments of the case actually give Hakuba an excuse to avoid wearing a school uniform like the other students because he ultimately settles into the “foreign detective guest” role. There are, as a result, zero indications that he and Kaitou Kid’s civilian identity are actually classmates - or that he attends a Japanese school at all.

As for the movie itself, Hakuba was Kid in disguise the entire time, so there’s very little we can discuss when it comes to Hakuba himself. But after Kid’s frankly poor performance as Shinichi in M8, his performance as Hakuba in M10 is almost uncanny levels of spot-on (which admittedly turns into a very funny contrast with his Hakuba disguise in Green Dragon).

All in all, this selection of chapters, episodes, and movies pulled more of Magic Kaito into Detective Conan (when those details weren’t flying in the face of it), while Kid himself began to more closely resemble the Kid of Magic Kaito in the small moments. In Magic Kaito, meanwhile, we’re starting to see far more obvious influence from Detective Conan in the writing and pacing of its heists.

But the gates have not yet been thrown wide to truly allow the silly in.

Throw Wide The Gates That We May Sillie

The collection of chapters that start this portion of the list are, in a word, fascinating from a Magic Kaito perspective. 

We start with Shinichi’s Childhood Adventure, which does a couple of notable things. First, it confirms that Toichi was the magician that taught Yukiko how to use disguise makeup for her acting career. It was implied to be him in a very “if you know, you know” fashion in the Golden Apple case over 200 chapters prior, but this makes it inarguably clear. The extension of this confirmation is that Toichi also taught Vermouth the art of disguise, which is a particularly interesting connection to think about. As obvious as it sounds to say, this chapter is also the start of confirming that many things we know of Magic Kaito’s plot and backstory remain consistent in Detective Conan as well. The case ensures you don’t need prior Magic Kaito knowledge to pick up on Toichi being the first Kaitou Kid. That he meets Yukiko with Kaito in tow also means (unless my memory is failing me) that this is the first and only time Kaito’s name is spoken within the Detective Conan manga. It also confirms that the author that named Kid was, in fact, Yusaku.

The big part of this case that people tend to bring up in the wake of the M27 reveal is the “I’m your younger brother” conversation from Toichi to a young Shinichi. Now, 2006 is earlier than what meager sources I’ve managed to find that seem to indicate he had the familial relationship in the back of his mind, so I’m personally not sure how much stock I place in this conversation as any form of foreshadowing. What the entire case does seem to indicate regardless, though, is that Toichi and Yusaku are aware of each other on more than a surface level. At the very least, we’re meant to take away a passing of the baton, from father to son, in their relationship as friendly rivals. It has, apparently, always run in the family.

All in all, this case is a far more intentional mixing of Magic Kaito with Detective Conan because it deals with past events. It says “these things were always here, intermingling” and concretely refutes the idea that the modern Kaitou Kid was the first point of contact, retroactively entrenching the character even more into the world of Detective Conan.

We switch back to Magic Kaito for a heist with Dark Knight, which Gosho acknowledges in his Treasured Edition comment is “another story with a strong mystery feel, and a dark conclusion that isn’t very Magic Kaito-esque.” This also happens to be the first Magic Kaito case to feature Superintendent Chaki, a Detective Conan character and Nakamori’s boss as introduced in Black Star.

The following series of four Detective Conan cases all look at slightly different aspects of Kid that haven’t really made themselves known in DC yet. First is Purple Nail, a personal favorite and the case that arguably leans the most into the idea of a magic show. The focus on having an audience and the employing (and challenging) of Thurston’s magic principles give it a slightly different vibe to other cases. In relation to Thurston, Kid actually opts to approach Conan ahead of the heist to personally challenge him. In the manga, it’s the first clear look at Jii in Detective Conan. But the thing that stands out to me is the sheer level of emotional expression on display from Kid. It’s not in a small moment at the end of a case anymore, but in various moments throughout. You see his panic when Conan shows up above the building, or his sense of satisfaction when running through the crowd in the middle of his trick. All of it combined makes it feel much more like, by this point, Conan and Kid are engaged in a game.

After that is Iron Tanuki, an amusing oddball of a case. That Jirokichi used a fake notice to send a secret message to Kid pleading for help is interesting enough, given it displays a level of begrudging trust the former has in the latter. But more amusing is Conan’s choice to facilitate this upon realizing the truth of the situation, as well as his choice to stay behind and ask Kid if there was anything he could do to help to open the titular safe. If Purple Nail was their first real game, then Iron Tanuki is the first time they really came together in anything resembling a cooperative stance.

Kirin’s Horn seems like an outlier at first - and it sort of is, since Kid thought a little shock and awe was in order - but the case also demonstrates a level of familiarity. Conan remains flat on the ground because he knows how Kid works, and knows figuring out why he’s chosen to knock him out this time is the key to the case. There’s also a level of gag to this case via Kid’s choice to disguise as Genta, and the stinger of Conan getting the last laugh via something as silly as a paper taped to his back.

The fourth case, Ryoma’s Gunbelt, is where the real fun starts. Despite the rather nonstandard premise of Kid opting to return stolen goods, the general flow of the case is fairly standard for a Kid case in Detective Conan. The standout of this case, in my opinion, is the final conversation between Conan and Kid. They speak of their respective mothers in a conversation that reveals key details about each other, and do so surprisingly candidly. There’s an argument to be made that Kid knew of Conan’s identity by this point; regardless of that argument, that Conan spoke of his mother with such identifying details once again indicates a level of trust. Kaito implying Phantom Lady is his mom, while not particularly identifying, returns that trust. And that’s not even getting into the fact that a Kid case in Detective Conan is introducing a pretty important fact about Kaito’s mom.

Skipping ahead a bit, what makes this case notable is not the case itself, but rather its pair: Phantom Lady, a Magic Kaito heist published a year later that serves as an immediate prequel to Ryoma’s Gunbelt. This is the first time since Black Star that Magic Kaito picks up on a Detective Conan case in any capacity, and arguably the first time at all it does so with such a direct connection. The mentions of the Black Star served as a vague framing story for the clock tower heist, but Phantom Lady ends with a shot of the three treasures that assumes you know exactly where things go from here.

All of these cases do much more to peel away the mysterious veneer from Kaitou Kid, and give him a more candid and open relationship with Conan.

But the big thing of this stretch, and a turning point as a whole for Kaitou Kid in the franchise in my opinion, is The Lost Ship in the Sky. Now this? THIS is a Sillie Movie. Kid is playing around with goats, smirking like a fool with Conan before jumping out of a helicopter, and making the most inappropriate sounds when Conan’s hand wanders a little too far. He and Conan are actively seeking each other’s help and indulging in silly banter, even as Kaito makes a fool of himself with Ran. Speaking of Ran, this is the movie where she first fully realizes that Kid naturally resembles Shinichi. And as a cherry on top, we also get a shot of Kaito Kuroba himself.

And I think it’s worth considering what aired the very same day the movie came out: Secret Birth of Kaitou Kid, the first episode of TMS’s adaptation of Magic Kaito.  After years of teasing the door open on who Kaitou Kid is behind the mask, TMS adapted the first chapter of Magic Kaito and aired it in the Detective Conan TV time slot. It, too, is an incredibly silly episode of an incredibly silly first chapter of an incredibly silly gag manga. THIS IS KAITO KUROBA, Detective Conan said. OBSERVE HOW SILLIE HE IS.

Testing the Waters

TMS eventually made 12 of these episodes. Based on the air dates, I can only assume Secret Birth of Kaitou Kid was meant to be a one-off, or at the very least it was a testing of the waters. Whatever the case, the remaining episodes got greenlit and were aired over 2011-2012. The most interesting change to the second half of these episodes is the addition of new plot points related to Magic Kaito’s organization, chiefly the new member Spider. They were introduced alongside Hakuba, who I imagine they wished to give a larger role in the episodes he did show up in. Another major takeaway from the TMS adaptation is their decision to animate Akako’s Delivery Service in The Witch, The Detective, and The Phantom Thief, albeit edited and extended to deal with the new anime-only plot points. In terms of Akako’s feelings for Kaito and Hakuba’s discovery of his identity, it’s a fairly significant chapter. Despite that, this is the only animated adaptation. I have some… complicated feelings regarding this, but now is not the time. 

As for the manga, we have a major arc in Mystery Train. This is not, in all technicality, a Kid case. If anything, his presence is pure coincidence, given he was only there to stake out the train ahead of the actual heist. Though this is a purebred Detective Conan plot, with the Black Organization’s involvement, Kid winds up a key part of their plan to convince the Organization that Sherry is well and truly dead.

Though his appearance in this case would be referenced in the future, this would be the first and last time Kid was directly involved in a major Detective Conan plot beat. This chapter was released before I had an active interest in Detective Conan, so much of what I’ve seen are second- or third-hand accounts from Japanese fans who went through the arc’s release. In short, reception was very mixed to Kid being such a major part in the resolution of this conflict. While there are those who enjoy his inclusion, either because they’re fans of Kid or because they accept the manner in which he was dragged into the plot halfway through, there are also those who consider him a “cheat” character who taints the worldview of Detective Conan by his presence alone. Gosho himself has also mentioned that he won’t be involving Kid in Black Organization plots anymore, either, due to the backlash.

My personal view on Kid’s involvement in Mystery Train is that the arc felt very much like a capital-E Event, so I bought it. There was a clear amount of luck involved in his presence there, so I could see how some may think the entire thing contrived, but it’s that coincidence that sells it for me. It’s Conan needing to fly by the seat of his pants to ensure Haibara makes it out alive, and further impresses upon us that they were half a step away from potentially fatal consequences. Nevertheless, this seems to be a case of an attempt to integrate Kid into the greater Detective Conan narrative that ultimately failed, so he returns to being largely divorced from the overall plot.

Despite this, though, there appear to be multiple chapters after this that focus on systematically introducing Kid to members of the extended cast. This starts with Blush Mermaid, Sera’s first presence at a Kid heist. What’s also unique about this chapter is the small but significant scene at the end that actually does continue the overall main plot - in this case, Sera’s misgivings over the death of Akai. Though Kid will not be overly involved in the main plot from here on out, his chapters do start featuring B Plots that touch on said main narrative. It’s… a half victory, of sorts, in terms of integration.

The other major takeaway from this case is a continuation of Conan and Kid apparently keeping a score of sorts. Due to Kid’s assistance during Mystery Train and the lack of a real theft, Conan lets Kid go. We’re in real “friendly rival” hours now.

Twin Bets pits Kid against Kyogoku, a frankly long overdue confrontation considering he’s Sonoko’s boyfriend. There’s a half-argument to be had that this also involves Kid in a major B Plot for the series as a whole, since this is a romance plot with a major recurring character. There’s also a level of intrinsic amusement in a Kid vs Kyogoku confrontation, since it comes down to (to quote my girlfriend) “guy who is literally from another manga but feels like he belongs here vs guy who somehow belongs here but definitely should be in another manga.”

Twin Bets also serves as the very first time Kid looks at the gem of the day under the moonlight in a Detective Conan chapter. It's the first case post-TMS Magic Kaito where it's applicable for him to do so; he's a bit busy with other things in Mystery Train, and he calls out Blush Mermaid for being a fake. This trend would continue in every case afterward where the plot wasn't otherwise preventing him from doing so (like the murder in Azure Throne).

Normally, this particular stretch of chapters would include quite a few more due to how many of them follow this “Kid, meet [Character]” format. But some of you may have noticed that, despite all the ample opportunities I’ve had to speak of it, I’ve avoided mentioning a certain number…

1412

Thousands of words earlier in this retrospective, I mentioned that Detective Conan’s Black Star felt the most like a crossover chapter. What I didn’t mention at the time, however, was that it also feels like one of the most fundamentally necessary Kid cases in Detective Conan. Not because it’s Kid’s first appearance, but because it introduces a piece of information about Kaitou Kid that eventually becomes baked into his identity despite the fact that it was introduced outside of his source series.

1412, the Interpol criminal code assigned to the internationally renowned phantom thief that was subsequently transformed after an author misread a journalist’s hasty scrawl as ��KID.”

It feels like no small coincidence that the A1 adaptation of Magic Kaito added “1412” to the end of its title not just to differentiate this adaptation from TMS’s Magic Kaito specials, but to also indicate that this version of Magic Kaito would be the marriage of its namesake manga and Detective Conan.

In this regard and more, Magic Kaito 1412 modernizes aspects of the original story.

Technology, for example, was updated to reflect what a high school student like Kaito would be doing. Instead of reading the news in the papers, he’s scrolling through news sites on his phone. This is the most common kind of update that you see across adaptations of all stripes, so it’s the less interesting change.

The anime also modernizes with regards to itself, looking inward to find out what people associate with Kid in the modern day and adjusting the story - and the order that story is told - to account for that. This is expressed in ways both large and small. Blue Birthday, for example, is pushed way up to episode 2 of 1412 to introduce Pandora to the audience as soon as possible. Given Blue Birthday is also an Aoko-centric episode, it’s equally fitting that she gets the second episode. Jii’s significance is heightened by reworking the scrapped chapter Hustler vs Magician, a chapter that also coincidentally focused on an aspect of Jii’s past, into episode 3. This focus on major characters continues into episodes 4-6, which introduce Hakuba (chapter 15), Akako (chapter 6), and Shinichi (chapter 23), in that order.

There are also minor changes, likely made for pacing or simply content reasons. One small but frankly fairly significant change involves Kaito’s card gun. He’s shown using it in the first chapter of the manga, which also means he’s using it in the first episode of TMS’s adaptation. Since it eventually comes to be a signature weapon for Kaitou Kid, 1412 prevents Kaito from using it while in his civilian identity (like when he’s panicking about the fish with Aoko). Due to moving Blue Birthday up to episode 2, heists that originally weren’t really bothered with holding the target up to the moon include scenes of Kaito doing just that. Jii is suspiciously absent for most chapters until Black Star, so 1412 inserts him into animated adaptations of older heists, such as helping Kaito prepare the fireworks for Blue Birthday or providing an anime-original explanation of magic vs sorcery. There are similar one-offs with other characters as well, like a short scene of Hakuba being inserted into Akako’s introductory episode.

As a proper series in its own right, as opposed to a series of animated specials, 1412 also had to decide on a unified tone. Though TMS’s adaptation fluctuates wildly, 1412’s tone is a bit more even across the board. It’s comedic and dips its toes in gag vibes without taking it to absurd levels. While TMS’s adaptation of the first episode includes an entire apparatus outside the classroom window in episode 1, Kaito simply jumps out the window and makes it to the ground after running around the classroom in 1412. Though it also pulls away from some of the more atmospheric moments of TMS’s adaptation, it pulls back far more from the gag energy.

As a result of the above two points, many chapters are shuffled around or cut entirely. Chapters like Clockwork Heart, Japan’s Most Irresponsible Prime Minister, or I Am The Master are a level of absurdity that doesn’t fit with modern Magic Kaito’s energy, so they were completely cut. The Police Are Everywhere (chapter 2) was pushed back and adapted as The Princess and the Thief’s Improv (episode 15), because the emotional core of Nakamori potentially getting removed from the police force simply doesn’t work that early in the story outside the gag context. Akako’s Delivery Service was also unfortunately cut… Whether it be because of Akako’s appearance as Kid and the subsequent punchline or because of the technology Hakuba used to ascertain Kid’s identity, they apparently determined it was either too outside the tone or too difficult to adapt. Hakuba’s call in Golden Eye truly comes out of nowhere as a result, though, and that’s one fewer episode for a character that already had a bit of a spotty appearance record early in the manga’s run.

When the anime was announced, there were 30 chapters out. Seven of these were ultimately not animated, and many of the two chapter cases could be easily adapted into a single episode. They needed more material to fill out the remaining episodes, so they did this in two main ways.

The first is by reaching into some key Detective Conan cases. Black Star is a bonafide Magic Kaito case, but shifting it and Shinichi’s appearance in this adaptation to episode six - right after a series of core cast introductions - is actually very telling. 1412 was not only concerned with adapting the manga for modern sensibilities, but also with adapting Detective Conan for a Magic Kaito audience and further strengthening the connection between the two. This “adaptation” resulted in anime-original retellings of Ryoma’s Gunbelt, Sky Walk, and Purple Nail from Kaito’s point of view. Personally, I wouldn’t be surprised if this was a decision early on in the anime’s development, and if it was their existence that necessitated the tone of 1412 be evened out via not adapting the more “out there” chapters of the source manga.

The second thing they did to fill the run time was for Gosho to write an entirely new heist to function as a finale for the anime. This was Midnight Crow, the first heist to really touch on the driving plot of Magic Kaito (outside of Snake showing up to be ineffective) since Blue Birthday. Gosho’s comment on this case in the Treasured Edition is… a lot.

After a standalone anime adaptation was greenlit, the topic of what we should do for the final episode came up at our first meeting, so I said “Why don’t I write the ‘Black Kaitou Kid’ story I have saved as a trump card in Sunday and use that in the final episode?” Thus I wrote Midnight Crow! I’ll never forget how surprised the members of staff looked when I bluntly told them that Toichi is actually still alive (lol). (…) Though Chikage made Kaito work as Kid in Phantom Lady, she tried to get him to quit in Midnight Crow because of everything that happened in Las Vegas… But that’s a story for another time (lol).

The story itself has plenty of hints that Kaitou Corbeau is a Toichi-Chikage tag-team, but actually seeing him spell it out so casually sure is something.

Speaking of spelling things out, though, I also want to take an aside to touch on the Magic Kaito 1412 novelizations. Six volumes were published roughly concurrently with the anime’s run, and though there isn’t anything drastically different from what we already know from either Magic Kaito or Detective Conan, sometimes the narration can be quite enlightening. For the purposes of this, though, I specifically want to touch on that pin from earlier.

In the movie continuity, there is very clearly a moment where Kaito figures out Conan’s identity in The Last Wizard of the Century. There is no concrete equivalent to this in either Detective Conan or Magic Kaito, and 1412 doesn’t really expand on this either. I mentioned the possibility that Ryoma’s Gunbelt would have given Kaito ammo to figure out who Conan might be, but it’s not the most compelling argument. I’ve heard tell that Gosho once implied Kaito may have simply come to this conclusion on his own outside of the movie continuity, and I’ve personally always taken this stance given he seems to recognize Conan as a “high school detective” in Fairy’s Lips - and simply DOES know, no arguments, by Azure Throne.

Taking novelizations like these as fully canon is always a bit of a risk, but there’s a very interesting expansion on this particular issue in Volume 3, during the Ryoma’s Gunbelt adaptation. After Kaito runs into Conan while under disguise at the museum, the novels go into a brief explanation of how Kaitou Kid came to be known as such (aka the 1412 thing), followed by a flashback to Kid and Conan’s first meeting in DC’s Black Star. The narration then turns to what happened after the fact. This is fairly long, but as far as I’m aware these novels aren’t available in English, legally or otherwise. As such…

***

Kaito investigated the child that was on the roof of the Beika hotel - the young boy who called himself a detective, and with whom Kaito fought during the Black Star incident.

His name was Conan Edogawa.

He was a distant relative of Hiroshi Agasa, inventor and scientist, and was currently freeloading at the house of Kogoro Mouri, the famous detective “The Sleeping Kogoro.”

…And that was all he really figured out about him.

Conan Edogawa was full of mysteries.

But there was one thing that bothered Kaito.

Kogoro Mouri had a high school daughter named Ran. And Ran Mouri was the childhood friend of Shinichi Kudo.

That Shinichi Kudo.

The very high school detective that cornered Kaito during the clock tower heist.

Before his run-in with Conan, Kaito had looked into the young man that had aided the Metropolitan Police Department.

At a certain point after that clock tower incident, he had apparently gone missing.

He was not officially registered as missing, nor did it become a massive incident. But he stopped attending Teitan High School and disappeared from his home. He was apparently gone because he was busy chasing after some case a client had requested of him, but…

The elementary schooler Conan Edogawa appeared before both Ran Mouri and Kaitou Kid as if taking his place.

Shinichi Kudo, and Conan Edogawa.

Due to their mysterious nature, the two detectives continued to fascinate Kaito.

By the way…

The certain young novelist who had given Kaitou Kid his name was currently a world-renowned mystery writer.

His name was Yusaku Kudo.

Shinichi Kudo’s father.

Then there’s his mother, Yukiko Kudo, who was an essayist. She was a former actress, and once studied under the magician Toichi Kuroba to prepare for a role. Kaito had even once met her alongside his father in his childhood.

A strange turn of fate connected the Kudo and Kuroba families across multiple generations.

Did Kaito realize…?

Did he know that Conan Edogawa was actually Shinichi Kudo, who turned into a child after being forced to take a strange medicine?!

-

Professor Agasa was aware that Conan Edogawa was actually Shinichi Kudo… and it was likely only a select few others knew this. Not even Ran Mouri, his childhood friend, knew.

If Shinichi Kudo was keeping his identity a secret… then the reason he became a child must be pretty dangerous. Something that involved crime and the underworld. Just knowing the truth could put your life in danger.

It was only obvious that Kaito kept his identity as Kaitou Kid hidden.

But Shinichi Kudo must be living an even more troublesome life.

***

The narration of these novels knocks on the fourth wall fairly often, explaining that middle bit of this particular excerpt. It never confirms for sure whether or not Kaito managed to connect the dots, but the aforementioned questionable canonicity of novelizations like this means that was probably the safe choice. That there’s extra information here at all about Kaito looking into both Shinichi AND Conan is a pleasant surprise, as far as I’m concerned. But it’s also a bit frustrating that we don’t yet have even a hint of how this occurred in the manga when we now have two potential sources of that knowledge in the movies and these novels.

Which you opt to take as the more likely canon is probably up to personal interpretation, but I think I’m personally a bit more willing to go with a version of the novel’s events. I prefer to include the movies as a level of canon unless they outright contradict the manga (like M10 does, tragically), but the novel’s versions of events is probably the safer option.

But it’s the inclusion of extra scenes like these that further connects Magic Kaito - especially this particular iteration - to Detective Conan. They are holding hands so tightly now.

This all eventually culminates in Sunflowers of Inferno. Though M14 is the more obvious turning point with regards to Kid’s general behavior and personality in Detective Conan movies, Sunflowers of Inferno is a slightly more interesting turning point: all three movies after 1412 airs involve aspects of Magic Kaito, whether it be in its story or in its theming.

For this movie, it’s a very obvious example of the former. I think the plot of M19 is… strictly okay, but Kid’s motivation throughout being related to Jii is something I really enjoyed about the film. You know, assuming you don’t think too hard about Jii’s age as it relates to the timing of the flashbacks. Outside of that, Kid’s behavior in the movie almost looks as though it’s walking back from M14, but that’s only because Kid is playing the villain for most of it. Once that facade is dealt with he’s fully cooperative with Conan, to the point that the latter trusts the former with Ran’s safety. The opening scene with Kaito in his dark heist garb is also a nice bonus.

All in all, I think 1412 airing actually has the biggest effect on the movies. I’m not sure if that was intentional - movies 23 and 27 have the same director, so it could just be that her artistic vision includes MK in it - but for Sunflowers of Inferno it was almost certainly intentional as a show of fireworks after the ending of the anime. As for the manga, 1412 airing actually seems to have had very little influence on the Detective Conan chapters featuring him. Though Kid is a lot more likely to resemble the version of the character from Magic Kaito now, the manga seems a bit more concerned with introducing him to the new guard.

Meet The Fam

The Detective Conan cases in this section continue the general trend from after Mystery Train of either 1) introducing Kid to a significant sub character, or 2) running parallel to a B Plot that is concerned with the main narrative.

Luna Memoria does a couple of interesting things. First, this is the first time Conan explicitly asks Kid about investigating the jewel of the heist, since he knows Kid is on the search for a “special jewel.” Kaito is very candid in his response, telling Conan he ran into the deceased owner as the readers get a small flashback to Kaito Kuroba reverse pickpocketing the necklace. It’s an interesting conversation to have in the first Kid case since 1412 aired, especially since this aspect of Kid’s MO hasn’t really been discussed in any concrete way in DC before this point.

The second thing it does is have a small but nonetheless amusing B Plot with Okiya. While taking pictures of potential targets for his disguise, Kaito inadvertently gets a picture of Okiya’s voice changer. So Okiya joins Conan in confronting Kid in the bathroom and Very Nicely requests they get that picture back. Kaito has an “oh shit” moment, gets the heck outta dodge, and the chapter ends on a comical note when Kid can’t escape because Nakamori refuses to stop looking for him.

The next DC chapter, Fairy’s Lips, does a little bit of 1 and a little bit of 2. Surprisingly enough, Heiji has not had a significant confrontation with Kid in the manga before, and now Kid is getting himself involved in his and Kazuha’s romance plot. This chapter is retroactively significant because it’s the key jumping-off point for Heiji and Kid’s relationship in M27. But it’s also surprisingly significant for the MAIN main plot of Detective Conan by bringing in Koumei as a secondary detective that’s working to capture Kid… because he’s in Tokyo to receive a mysterious envelope addressed to him. The truth of the envelope’s contents is an Extremely Big Deal, and though by this point in the manga I was fully aware that plot developments would often happen in otherwise standalone cases now, I was personally not ready for that in a Kid case. So there’s that.

Between these two cases is the Magic Kaito heist Sun Halo, which puts a focus on Aoko for the first time in a while. It’s also very minorly a Magic Kaito version of a suspicion arc - the first one since Kaitou Kid’s Busy Day Off - though it ends with a return to the status quo. This chapter, as mentioned way earlier, also features some magic shenanigans from Akako in a more concrete way than we’d seen in a while. There’s some stuff about these chapters that are more disturbing the longer you think about them (what do you Mean Kaito just carries some blood neutralizing spray around with him so people can’t figure out his identity based on his blood), and the general tone is a lot more somber because Kaito is suffering from both pain and blood loss. It feels like an extension of Midnight Crow’s tone, in that regard.

After these three chapters is our next Kid movie, Fist of Blue Sapphire. This movie features a romance subplot between Sonoko and Kyogoku, and thus brings Kid back into it via certain aspects of the movie plot. As a post-1412 movie, the major feature of this movie is not the plot, but the thematic underpinnings of said plot.

Many post-Blue Birthday Magic Kaito heists tend to overlap aspects of Kaito’s situation with that of the characters introduced in the heist. The feature character of Red Tear is a woman who has grown to hate magic after the untimely death of her parents. The titular Dark Knight lives a double life as a notorious criminal for his son’s sake, and Kaito works to make sure his son never finds out about that double life. The thief in Golden Eye is attempting to salvage her father’s legacy. If they aren’t straight parallels, then they present what-if scenarios or twists on what Kaito is going through.

Fist of Blue Sapphire pulls something similar with Rishi, one of the movie-original characters. He’s torn up enough by his father’s death that he chooses to dirty his hands in order to get his revenge. After Midnight Crow, where Toichi himself wants to ensure that revenge is not Kaito’s only driving force, this presents a what-if scenario - an alternate path that Kaito might have chosen, had his admiration for his father not won out over his grief at his death. It’s interesting to see this particular thematic through line in a Detective Conan movie because it’s never been shown in a Detective Conan manga case before, and it’s one of the reasons I’m particularly fond of Chika Nagaoka’s Kid movies.

Another major aspect of this movie is how the sheer amount of screen presence Kid has gives the movie ample time to show what more involved cooperation between Kid and Conan looks like. The second Kid is framed for the crime, he chooses to go to Conan; if Kid looks to be in genuine danger, Conan begrudgingly comes to his aid. They spend time talking over the aspects of the case, and work seamlessly together during the climax. It’s by far the most actively cooperative they’ve been before or since, but it doesn’t come out of nowhere (and the spirit doesn’t quite go away, either). The clearest indication of this change in relationship is the line spoken by Kaito after he’s dealt with his wounds on the roof: “A magician makes you believe he holds something within his clenched fist, and a detective guesses correctly what they hold before it’s ever revealed.” It’s a stark contrast to probably his most famous line from Black Star about phantom thieves being artists and detectives being no more than critics.

Fist of Blue Sapphire happens to be one of those movies that I personally have any concrete info about via things like guidebooks. I don’t want to bloat this more than it already is, so there’s only two things I read that I want to share. 

The first is Kappei Yamaguchi’s seeming reaction to the script during recording, specifically in regards to his laugh. Normally, Kid in Detective Conan has had a sort of booming, open laugh, but twice during the recording for Fist of Blue Sapphire he opted to go for a version of the laugh as written out in Magic Kaito - an “ahaha” vs a “kekeke” kinda difference. He talks about this in the Kaitou Kid Secret Archives, but an online article on the movie from Movie Walker expands on this from Nagaoka’s point of view:

This time, we have a lot of aspects from “Magic Kaito” and Kaitou Kid’s true face in this movie. The moment I thought “This is just Kaito” was during ADR, when Yamguchi Kappei-san laughed like ‘hihi!’ Kappei-san said to me “I did it even though I thought it’d be struck out.” (lol) I could tell in those words that he met this movie with his own interpretation. I was impressed. We have a very cool Kid as a result.

It’s also in the Secret Archives interview that we get the “His speed may be at 100, but he has zero combat ability at all” comment from Gosho to Nagaoka, which is… extremely funny.

The other major thing from the Secret Archives interview (and elsewhere) is an anecdote about a certain regret. Nagaoka herself seems to be a big fan of Magic Kaito, but after M23 was released to theaters, Gosho lamented that he should have had Kid allude to Aoko. This was brought up again in a more recent Animage article: “Actually, back during Fist of Blue Sapphire, Aoyama-sensei had told me something akin to ‘We should have had Kid say “I have a better sapphire (Aoko) already” when he returns the blue sapphire,’ and I responded ‘You’re going to tell me that now, Sensei?!”

This is all to say that, despite the lack of any obvious elements akin to Jii in M19, they were clearly thinking of Magic Kaito while making M23.

The subsequent DC chapters continue the “Kid, meet [Character]” trend with Amuro (and Kazami) in Queen’s Bang. He’s a fairly active part of the process, not the least of which because Kid belittled his card trick skills as they were lining up to enter the museum. Though this chapter doesn’t have a relevant B Plot, it is the first reference to Kid’s presence in Mystery Train since Blush Mermaid - and a pretty significant one at that, since Amuro was the one that actually had to deal with “Sherry.”

Siren Splash’s main character introduction is actually Azusa, which feels a bit like a follow up on the minor role she had in Queen’s Bang. This case has a couple of fun things that sort of cover the entire spectrum of ways in which a Kid case could be fun for our purposes. The least significant of these is Kid’s skates, which (if memory serves) haven’t been seen since chapter 10 of Magic Kaito. Gosho mentions wanting to use them again in his Treasured Edition comment on that case, so it’s a lot of fun to finally see them show up again.

Going up to slightly more significant, there’s a Very Ominous Comment from Kanenori about his left eye, which serves as foreshadowing to information we find out about him about a volume later. And then we have the end of the case, which is a little difficult to talk about because we don’t have any elucidating information yet. Regardless, I’ve always been amused that, despite Conan being the talk of the various police departments, he’s largely avoided being in the news… except where Kid is involved. It seems that’s finally coming to a head with the older gentleman that is none too pleased about the news story covering Conan’s victory. We don’t know what role this man has yet, but if this has ties to the main plot, then this is a very amusing way in which Kid has affected the main plot.

There’s not much else of note to say about this series of chapters, because it’s largely continuing the trends of the era that led to 1412’s release and codifying a less mysterious Kid, and an (at times) more cooperative Conan. But it’s also a comparatively sparse number of chapters; in the over seven years since 1412, Kid had only featured in four chapters here. You probably wouldn’t expect any major developments from a precedent like that, right?

…Right?

Erasing the Line in the Sand

We have now entered the modern era - specifically, the immediate lead-up to M27. Recency means some of these things are going to be a little bit harder to extrapolate on, largely because we have no idea if this is the start of something new, or perhaps just an outlier in the general trend. Regardless, some of this stuff fully makes my brain spin. Never mind brainworms - I have brain bees, and they will not stop buzzing.

We start with the most-recent Kid case in Detective Conan as of this writing, Azure Throne. This particular case is significant for multiple reasons, besides just being a good time. First, it’s Hakuba’s first appearance in Detective Conan since Detective Koshien, which means it’s been a whole seventeen years. Help. It’s arguably also the closest it comes to a proper Hakuba vs Kid case in Detective Conan, since Twilight Mansion is a little too busy with other aspects of its plot to spend much (if any) time on Hakuba’s relationship with Kid. Hakuba is also just a little insane, given his plan was to airlift the entire observation deck and sink it into a pool to trap Kid… There’s some minor Magic Kaito gag energy in that idea, and Hakuba’s never done things by halves.

Next, we have yet another reference to Kid’s presence in Mystery Train. Queen’s bang was only a couple years ago, and in Conan Publishing Time that’s no time at all considering Mystery Train was back in 2012. It’s interesting to get two references to that particular case so close together. 

And speaking of references, my third point of interest for this case is that it straight up references Golden Eye. There’s even an illustration of Cartier, the security company manager that Nakamori is thinking about when he responds to Jirokichi’s comment. Magic Kaito has certainly referenced Detective Conan before, and 1412 itself pulls heists whole-sale from it to fill out its runtime. But this is the first time it’s gone the other way around.

It’s also, somehow, the very first time Kid has assumed the Shinichi Kudo disguise in the manga. And even more surprisingly, it’s done so at Conan’s request. Sure, Kid was the one begging Conan to free him of suspicion for the murder that just happened, but “disguise yourself as me and make sure Ran doesn’t find out” was the condition Conan put forward for his cooperation.

This connects to the fifth and sixth points that I’m concerned with. The fifth point is Ran herself; she has a comment toward the end about how she can’t forgive Kid for “disguising as Shinichi every single time.” Which is, you know. Kinda weird, if all we’re considering is manga continuity. This is his very first time assuming this disguise in the manga! So in Gosho’s mind, at least, the movies aren’t not canon. Considering more recent movies are more likely to require “homework” to fully enjoy them, I wouldn’t be surprised if they were more carefully written to slot into canon more easily than early movies were.

The sixth and most hilarious point is a single aside in a conversation Kid and Conan have.

Actually, why do you look so similar to me?

Why would I know?! Maybe we have a shared ancestor or something. (To be honest… I’m not even changing my voice much, either…)

Now, the addition of that voice comment makes the whole thing sound like a gag - they do have the same seiyuu, after all - but their similarity has always been a bit of a gag… In the movies. Thinking back on it, I’m not sure it’s ever really been brought up in the manga, so this is a joke that feels almost necessary after Conan requested Kid to disguise himself as “Shinichi,” which Kid managed to do despite being not at all prepared for it.

And, you know. It’s also foreshadowing now. Not by much, considering the movie was only a few months out, but still.

tl;dr: There’s a lot going on in Azure Throne. It is probably the densest of the Kid cases in terms of its relationship to itself and its relationship to Magic Kaito. As a result of that, there’s something about this case that feels like the purest mix of Magic Kaito and Detective Conan. It also feels pretty clearly written with the movie in mind, considering it not only had the aforementioned foreshadowing, but also brought in ideas from previous movies into the manga to create synergy between them.

After that we have Green Dragon, a Magic Kaito heist that ran through M27’s theater release. Meeting Aoko’s mother is certainly a standout of this particular heist, but what I personally find more interesting is the tone. It eschews the steady creep of drama into the narrative by pulling back to something more comedic, and in some ways feels a little like a return to form. Kaito’s fear of fish is brought up again for the first time in ages, and Midoriko gets a whole host of muscle men to corner Kid.

The chapter also opens with a reference to the crimes (as Midoriko would prosecute them) Kid committed in Queen’s Bang. In terms of time, it’s been over ten years since the last MK heist referenced DC in any meaningful way. But in terms of heist count, Phantom Lady was only three heists ago.

It is at this point I must discuss the movie, The Million-dollar Pentagram. As the movie is not yet out on Blu-ray as of this writing and the international offerings were a bit spotty (especially outside of Asia), I want to give another spoiler warning for the information I’m about to go into. I mentioned earlier that later movies require a bit of “homework” for full enjoyment, and M27 is no exception. It has also turned into one of the more common complaints I see from casual DC movie enjoyers, at least on the Japanese side of things - because yes, there is a whole audience of people whose only exposure to the franchise is the yearly movie. While the most easily recognizable pieces of “homework” for this particular movie are clearly cases like Fairy’s Lips or even M21 for familiarity with Momiji and Heiji’s attempts to confess to Kazuha, it is also very much arguable that the second major pillar of this movie requires a working knowledge of Magic Kaito. Like, not just knowing who Kaitou Kid is, but knowing who Kaito Kuroba is.

Which means I’m going to be talking about a lot of this movie in concrete detail. The main thrust of the movie is, to put it very simply, a treasure hunt. What I discuss will give you very few clues as to how or why that mystery is solved, but it will end up touching on key events, motives, and emotional beats. If you’d rather keep yourself unspoiled so as to enjoy those aspects as well, please skip to my discussion on FILE.0. You can find that by scrolling to below the second horizontal line, or doing a Ctrl+F search on “FILE.0.” That being said, there will also be more concrete references to the post-credits scene everyone knows about by this point in the final section of this retrospective as well.

——

There’s a lot I want to discuss with regards to M27, but it’s frankly hard to conceive of how I’d go about it. Going through the movie chronologically would take far too long, so I think I largely just want to list up a few interesting elements and then dive into what significance I think those elements hold. For the curious, I saw this movie twice in theaters: once about a week after premier, and again when they were running English subtitles at certain locations.

Let’s start at the beginning, with the most amusing thing this movie did before it was even released: the lack of a pre-screening. Movies like these usually have a seiyuu event of some kind attached to an early screening of the movie that fans can attend via lottery a little while before the official release, but they used the framing device of Kid “stealing the pre-screening” to avoid holding one at all. This isn’t strictly related to anything I’ll discuss further, but it is amusing to think that they believed the information presented in this movie was important and significant enough that they didn’t want to risk people talking ahead of the official release. And, you know, it WAS, but we’re not getting into that just yet.

Also somewhat minorly was the cover of an-an being Shinichi and Kaito, as opposed to Conan and Kid or even Shinichi and Kid. There’s also been a handful of DC merch that includes both Kaito and Kid in the lineup, and I don’t think stuff like this has happened since 1412 aired. It’s clear in hindsight they were focusing on his civilian identity because of his motive in the film and the reveal in the stinger.

As for the movie itself, I want to start REALLY basic, and actually talk about the score of the movie. The Million-dollar Pentagram is the first Kid film since Yugo Kanno took over from Katsuo Ohno for the movie soundtracks. This normally wouldn’t matter too much, except for the fact that Kaitou Kid has utilized a variation on the same two themes since The Last Wizard of the Century. There was apparently quite a bit of back and forth as to how to handle this aspect of the soundtrack, but in the end they went with a completely new theme: The Grand Circus (華麗なるサーカス). If you’re reading this and somehow haven’t heard it before, I highly recommend you give it a listen. It serves as his calling card throughout the movie and is a much more playful tune. I can’t help thinking about Toichi’s conversation with Kaito in Hustler vs Magician about how the pierrot is the most important member of the circus (yet another reason I’m glad this chapter got salvaged in the 1412 adaptation). I definitely don’t dislike his old themes, but I do enjoy that the vibe of this one expresses a side of Kid in Detective Conan that has seen more screen time lately, but has until now had no musical motif to express it.

Another amusing part of this soundtrack is a certain melody, only a couple bars long, that repeats throughout the entire score. This melody just so happens to play during the final major reveal of the movie: that Toichi had been disguised as Yoshihisa Kawasoe the entire time. Kawasoe is a local detective that is in and out of the movie for almost its entire runtime. Toichi was, in essence, with us the entire time. Just like this melody was, weaved in and out of the soundtrack. It’s a nice touch. Kanno mentions in the Toho Cinemas guidebook that there’s very little impact to a melody introduced in the final moments, and that he wanted to inspire a sense of deja vu alongside surprise by accompanying that final reveal alongside a melody that had played the entire time. It’s kinda neat.

As for Kid’s behavior in this movie, it’s informed entirely by his desire to discover why his dad apparently went after this “potentially world-destroying” treasure, found it, and then left it alone. There’s an overlap between this and his motive in M19, considering both are more personal in nature, but M27’s motive is also far more fundamental to Magic Kaito. Kid is mentioned multiple times to have an assistant of some kind in Detective Conan chapters, but the only mention of his dad is that 1) he exists, and 2) he was the previous Kid. He’s not at all connected to Kid’s search for Pandora or his reason to be the second Kid in the first place, so bringing his dad into things as a motive feels more poignant if you know Kaito’s always been chasing him. Which is to say, it relies a bit more on knowing Kaito’s personal story from Magic Kaito.

The plot leans into this “if you know, you know” vibe by having Kaito only ever indirectly refer to his dad. When he explains why he’s searching for these swords to Conan and Heiji, he only refers to “a certain thief.” In a moment of respite, he only just barely gets to say the first sounds of “dad” before he’s interrupted by one of our culprits. It’s not said in any capacity until the very end of the movie, when the treasure is found alongside Toichi’s glove and a notice from Kid the first: “Wake not a sleeping lion.”

Going back to Heiji and Conan, he’s not openly cooperative with them until they save him from near death. It’s at that point they share info and Kid ropes them into solving this puzzle because it’s what they do best. The rest of their cooperation in the movie usually takes the shape of a “2+1” format. Conan and Heiji are obviously working together while Kid comes in and out via a number of disguises. There’s a comedy to his disguises in this film, since they’re almost too easy to see through. It’s likely in part so Heiji and Conan can be aware of his presence, since they’re technically working together. Minami Takayama also picks up on this in her movie pamphlet interview, adding that he “seems more open and honest this time, probably because that’s just how badly he wants to solve this mystery” and that it feels more like “Kaito Kuroba and Shinichi Kudo have taken a step closer” as opposed to it just being Kid and Conan this time around. Kappei Yamaguchi in the same set of interviews says he’s “basically Kaito” with Conan, even if he still mostly behaves as Kid with Heiji.

To summarize, Kid’s behavior in this movie is far more open due to the goal being tied to his dad, and with Conan specifically the mask is basically off. Add this to the comedic touch of his disguises throughout, and you’ve got some good Magic Kaito vibes despite his reduced screen time compared to M23.

But that only lays the foundation for those vibes. There are plenty of other reasons why it feels more Magic Kaito-y, given key aspects of this movie bring in more aspects of Kaito’s civilian life - and certain emotional beats rely on your knowledge of that.

To start with a more minor beat that wraps up things mentioned above: Toichi’s glove. Kaito takes it with him after discovering the treasure, and there’s a short scene while he’s flying through the sky (after a more significant moment we’ll discuss later) that sees him looking at the glove with a frankly mixed expression. The novelization of the movie mentions him smiling happily as he soars through the sky, but that is not the expression we actually see in the movie. He has Thoughts about finding his dad’s glove there, but the audience is left to guess what they may be. It’s a hole that’s nearly impossible to fill without knowing Kaito’s backstory (and, arguably, without knowing about Midnight Crow).

And we’ll get to Midnight Crow’s significance, just you wait.

The second beat I want to talk about is Nakamori. First (and more minorly) is his engagement in some true gag Magic Kaito energy. A short scene with a disguised Kaito at a hotel alongside Conan and Heiji ends with Nakamori up against the window, looking in with multiple police officers behind him, as he realizes he’s found Kid. Kid then runs, and Nakamori and his officers run across the screen as Conan and Heiji continue their conversation. Real goofy hours.

But the actual most important story beat with Nakamori is him getting shot by one of our antagonists. He’a shot while on duty and escorting another principle character, and the framing of the movie puts us in Kid’s shoes as he discovers a gun aimed at the both of them just a little too late. This decision carries with it a couple of interesting tidbits, whether they be for our purposes or for how it seemed to affect the people that worked on it.

I want to do the latter first, since the snowballing is less extreme. Yamaguchi has talked about this scene a number of times, whether it be in interviews or during seiyuu events. As a voice actor, he was surprised at his own performance as Kid yells out Nakamori’s name. It was desperate and loud in a way he’d never been before, but it still felt natural to him; he thought it was indicative of just how important Nakamori is to Kaito, and that this was less Detective Conan’s Kid and more Magic Kaito’s Kaito Kuroba.

Related to this is a comment he made at a stage event that in his heart, he’d wanted to say “ojisan” instead of “Inspector Nakamori.” But he felt that it would be too difficult to display their relationship that way, so he went with the latter. There’s a lot of character interpretation you can do with regards to what Kaito chose to say in the moment, but I also can’t deny the possibility that it simply comes down to the “Kaito and Nakamori” dynamic not appearing in Detective Conan at all. Well, at least in part.

The other major ramification of this narrative decision is actually Aoko’s appearance in the movie. Nagaoka recounts in multiple interviews, such as in Febri or Animage, that she originally felt the tension in the movie was a little too slow-going, so she suggested someone get shot. The original plan suggested shooting Nishimura, the Hokkaido police detective, but Gosho said Kid wouldn’t save him if that was the case. It was here Nagaoka suggested Nakamori, to which Gosho agreed. He then added, though, that if he was in the hospital, then Aoko would likely show up.

Thus we have Aoko’s first theatrical appearance, and her first appearance in Detective Conan at all since Black Star. Her appearance in this movie grounds Kid’s emotional narrative in Magic Kaito; it implies the existence of Kaito Kuroba in ways Hakuba or Nakamori never could, because her significance rests entirely in his civilian identity. There are scenes dedicated to Kaito watching over her in disguise as she waits for her father to wake up, only leaving once she seems to be okay. He’s on the phone with her in one of the last scenes in the movie, and his smile when he ends the call is the softest it’s ever been in Detective Conan.

That’s not all, though. In a cute example of the movie affecting the manga, Gosho told Nagaoka later on that a gesture Aoko performs - a two-handed clap to the face that helps her psych herself up - was brought back into Magic Kaito for his April serialization. We see Midoriko do the very same gesture when she wakes up after her quick nap, as it turns out.

There’s something else I want to mention about Aoko, but that fits better elsewhere. So before we talk about the elephant in the room, I want to mention the theme of the movie. Both Nagaoka and Takahiro Okura, the script writer, have described the movie as dealing with “parent-child relationships” and “inheritance.” All of the antagonists follow after their forefathers in some way, but it’s an idea most obviously expressed by Hijiri Fukushiro, the main movie-original character. The complicated feelings he has about following in his father’s footsteps, and the things he does as a result, can all too easily be compared to Kaito’s own struggles. As I mentioned earlier, Nagaoka does something similar with M23, but it’s even more powerful here because Kaito is just as determined to chase after his dad as the many other characters in the narrative are to deal with the legacies their forefathers left them.

So. 

Elephant in the room. 

The ship-breaking shot heard round the world.

Shinichi Kudo and Kaito Kuroba are cousins, and their fathers are twins.

I want to just trace this thread throughout the movie, in as brief a form as possible.

It starts with the very first confrontation between Kid and Heiji. When Heiji gets the upper hand and knocks Kid’s monocle off, cutting through the brim of his hat in the process, the moon peeks through the clouds and gives Heiji a clear view of Kid’s face. He’s immediately shocked to discover he resembles Shinichi.

Heiji has a couple of moments following that clearly illustrates he’s ruminating on this. When he first sees Conan, he crouches down and takes Conan’s face by the chin, examining him. When Kid and Conan banter on the train, Heiji sits behind them, a confused but thoughtful look on his face.

Shortly after the above, Heiji confronts Conan: “Do you have any siblings?” He brings up the physical and vocal resemblance Kid has to Shinichi, but Conan brushes it off. “It’s a coincidental resemblance. It happened by chance.” Heiji drops the subject, but there’s an argument to be had that the way Conan says that last line sure is suspicious.

The movie follows the main plot until Aoko’s introduction. In one scene with her, Heiji, and Conan, she watches the latter two talk with interest. She crouches to the ground and stares at Conan, telling him that she’s reminded of her childhood friend’s younger years when she sees him. This is the first time their resemblance has ever been phrased as “You look like Kid/Kaito,” as opposed to the more common reverse. Nagaoka remarks in an interview that Aoko’s presence in this movie presented the perfect chance to further thread the foreshadowing of their resemblance throughout the film, and personally I rather enjoy that one aspect of this foreshadowing comes from the Magic Kaito angle.

Post-credits. Yukiko is surprised to discover Yusaku has an older twin brother. Yusaku is a little…cagey, in my opinion. He expresses mild surprise he hasn’t mentioned it before, says they keep in regular contact despite not seeing each other in over 20 years, mentions he receives gifts every once in a while (including the extremely plot-relevant missing sword) and hints to Yukiko that she’s likely met him before. As she continues to guess who it might be, Yusaku attempts to change the subject to his new book; he wants her opinions on it. This is when he receives a text praising his most recent novel, signed by “TK,” and Yusaku smiles. The scene cuts to a skyline view and Kawasoe standing atop a tower of some kind. He looks at his phone: “Thank you, Nii-san! YK.” He laughs, and the disguise comes off, revealing a smiling Kaitou Corbeau.

Now, I mentioned Midnight Crow earlier, so I want to recover that pin now. Midnight Crow is a Magic Kaito case. It is the case that very strongly implies Toichi’s survival. Absolutely none of this is brought up in Detective Conan in any capacity whatsoever. Not even a REFERENCE to a “Kaitou Kid in black.” I’ve seen multiple stories, whether they be about themselves or about others they went with or saw in the theater, about people that were simply confused as to why THIS was the stinger in this film. I even have a personal anecdote myself, given I dragged my roommate with me to the movie and what surface knowledge she had did not do anything to help her understand what the heck was going on in the post-credits scene.

Within the film, in the vacuum of this one movie, the connection between Kawasoe and “the guy that wears a monocle like Kid who seems vaguely threatening” is actually really well foreshadowed! It’s even BETTER foreshadowed if you know Magic Kaito, because the relationship between Hijiri and his dad has parallels to Kaito and his dad. Because Kaito’s first disguise in the movie and Toichi’s disguise throughout used the exact same method: taking advantage of someone’s vacation, and thus their absence. Because you know this man is Kaito’s dad, the thief who found this treasure before and chose not to steal it, and is now taking advantage of Kawasoe’s klutzy nature to give Heiji and Conan information so they can find and protect it.

As far as Kaito and Shinichi’s resemblance is concerned, it was always used as a joke in previous films. Considering how long this running joke went, I imagine that made their blood relationship that much harder to accept. It was clear they were doing something different with it from the very start of this movie, though, when Heiji’s reaction to the resemblance isn’t played for laughs and it just kept coming up.

This also doesn’t necessarily come out of nowhere. The earliest piece of info that I can personally confirm is from a six-page interview with Gosho in a 2011 issue of Hayakawa Mystery Magazine celebrating the release of M15. After the interviewer implies that the similarity between Kid and Shinichi may be due to Kid being written first as a protagonist (further implying it’s a stylistic “protagonist” thing), Gosho replied, “Their resemblance is not just because of the order they were written in, but because there’s a secret backstory. There’s no way someone that looks so similar exists, you know? (lol) As for why, look forward to it, I suppose.” In the No. 22-23 2024 issue of Shonen Sunday, Gosho also has a little cheeky comment saying he’s relieved he was finally able to talk about Kid’s secret…

The other comment complicating the timing of when Gosho would have first considered this is a comment from Yamaguchi during a later screening of M27 alongside the seiyuu. According to fan reports, he mentioned being told that Kid had a “secret backstory” when he was given the offer to voice him. Combined with the fact that Gosho had apparently specifically chosen Yamaguchi despite the latter already being onboard as Shinichi, and Gosho choosing to go with a Kid cameo in DC in the first place because he wanted to introduce a regular rival… Maybe the idea of them being related existed well before that 2011 interview.

You might be able to tell, given how much I have written about M27 alone, that I think it’s a very interesting movie from a Magic Kaito perspective. It borrows from it the most by far, and I have to agree with the Febri interviewer when they said this movie has the biggest crossover between the worlds of Magic Kaito and Detective Conan by far. Because aspects of the theme, Kid’s motivations, and the entire post-credits scene are frankly lost on you if you’ve never bothered to read Magic Kaito. It’s a very funny thing for the “yearly event movie” to do, if I’m being honest, but this movie relies on the strengthening ties the two stories have made over the years. It sure did break box office records, though, so it seemingly worked out for them.

My only question at this point is whether further media, manga or movie, will pick up on the movie’s main revelation.

——

Since merch releases and promotion for M28 are ramping up, I wasn’t expecting much out of the Magic Kaito or Kaitou Kid mines for a while. Imagine my surprise, then, when FILE.0 was finally released as part of the special rerelease of Volume 1. At a mere four pages, one could barely call it an extra chapter; if it could be called anything at all, it’s more like an omake of sorts. Here we have Shinichi taking a trip to Tropical Land to plan out his date with Ran - and with Fate, of course.

It’s honestly pretty cute, the way he’s likely taking way too many notes on what he could do there. But what ends up happening is Shinichi stumbles upon a scene from Magic Kaito (Kaitou Kid’s Busy Day Off, to be exact), right as Kaito says his embarrassing line about ice cream being as sweet as it is cold. Shinichi is taken aback at how cringe this guy’s being, but he likes the idea of ending his date here by the fountain, so he takes notes regardless.

Did we really just put Shinichi in a scene from Magic Kaito for a rerelease of Detective Conan’s inaugural volume? With Kaito and Aoko, right there? It feels so small and so silly, but I still can’t get it out of my brain. The last time Kaito and Aoko showed up just as normal people in front of our main cast in any capacity was in Black Star, and I’ve already mentioned that this appearance makes the chapter feel even more like a crossover. But now, after everything that’s happened, they show up again. Maybe the line in the sand is still there, but I think it’s moved.

Final Thoughts & Hot Takes

The very nature of Kid originally being from another older series means I have no idea where we actually go from here with all of this. I have no major expectations at all for when or how or IF Shinichi and Kaito being related will be brought into the manga in any capacity, largely because there’s very little precedent for it. You have things like Ran already knowing Momiji in the manga even though they only ever had a “first meeting” in M21, or James Black knowing about Akai’s survival first being confirmed in M18, but stuff like that that’s a pretty rare occurrence. Even so, Takayama and Yamaguchi discuss the idea themselves in an Animage interview. She mentions that the movies seem more connected to the manga nowadays, while he muses at the idea of Fairy’s Lip leading into M27, which may very well then lead back into the manga.

Regardless, I don’t think anyone would argue if you said Magic Kaito felt more integrated into Detective Conan now than it did 20+ years ago, when Kid was first appearing in the manga and movies.

So to cap everything off, I think some Hot Takes are in order.

The cousin reveal isn’t actually all that bad. I’ve admittedly been on this particular train for a decade, so this was like every national holiday and then some rolled into one. I definitely have some questions about things like Shinichi’s Childhood Adventure or Yukiko’s relationship with Toichi, but for me personally none of them really snap this reveal in two. Nor do I think it dampens the way they were brought together as detective and thief, especially since I think you could reasonably argue that Toichi and Yusaku maintained their distance not only due to the divorce, but because of Toichi’s new profession. “Over 20 years ago” puts them at probably no more than a couple years before Toichi became Kid, when he was likely traveling for his magic show, as opposed to the young age they apparently were when their parents divorced. It’s also made fairly clear in DC that Yusaku knew who Kid’s civilian identity was… or at the very least, that’s how I read that interaction. If they intentionally kept their halves of the family from meeting, then it’s pretty incredible Shinichi and Kaito met at all. If the manga touches on them being related in any capacity - and again, I have no clue how likely that actually is - then it’s not going to suddenly supersede the relationship they have now. It’ll just add to it, assuming they chose to entertain it at all, and that complexity could be fun. This is all admittedly personal, of course; my shipping preference leans very heavily into “weird platonic relationships,” so that informs this particular take by quite a wide margin.

1412 is the ideal way to consume Magic Kaito. I don’t know how much I even like this hot take, but I can’t help thinking it’s true regardless. It more closely resembles Detective Conan in tone and vibes than it resembles its own source manga in a couple of key ways, so I do actually think this - over either the manga or the TMS adaptation - is the way they want people new to Magic Kaito to consume it, especially if they’re coming in from Detective Conan. That Gosho created a new finale for it, and did so by pulling out the “Toichi is actually alive” card, is also fairly telling. And if people like it enough and want more, the manga is still plenty available.

Magic Kaito has become a Detective Conan spin-off. I think I also hate this take, but I also believe it to be true in any way that functionally matters. We must respect that Magic Kaito came first - that Kaito and Aoko and Hakuba came first - but Kid’s modern popularity can be almost entirely attributed to Detective Conan. And honestly, I have to wonder if it’s still running, albeit irregularly, because of that. Phantom Lady jumps off of Ryoma’s Gunbelt, Green Dragon references Queen’s Bang and takes a quirk from the movie for both Aoko and Midoriko. The tone does a clear shift after DC begins serialization as well, and goes even further into mystery solving after Kid makes his first appearance in DC. If you didn’t know any better, you might think it was similar to something like Zero’s Tea Time: a spin-off for a crazy popular character. It’s not, and it never actually will be, because Magic Kaito came first. But I think it sort of has become one.

The line in the sand is not bad, until it is. I don’t actually mind the parallel worlds argument, largely because I can understand what kind of slippery slope Akako is for the logic-driven Detective Conan. There’s also a part of me that doesn’t really mind Kid plots being largely stand-alone, with little to no involvement with the main plot. I could even also buy the two shady organizations actually being different, if and when we ever get information about MK’s organization. But after coming this far, and developing Conan and Kid’s relationship to the level that you have, I think not delving into who Kid is when he takes off the costume becomes the more contrived option. Gosho’s said before that solving the DC plot will not simultaneously solve the MK plot due to those organizations being different; I don’t think that means Kid should be verboten from Black Organization plots entirely. I don’t think it means Kid shouldn’t maybe suffer a consequence or two for being so open and casual with Conan, or that we can’t have a running side plot involving him. But then you run into the problem of Magic Kaito being its own series, and if you erase the line in the sand - if you let Kaito Kuroba be in Detective Conan - what do you do with Magic Kaito? The two worlds have overlapped so heavily with M27 that I almost wonder if we’re at a breaking point. Maybe this is the real Pandora’s box.

Kaitou Kid is a Detective Conan character, but Kaito Kuroba might not be… yet. I think DC has claimed Kid for its own. Especially the performance of Kid as displayed by the man behind the mask. But that mask has been chipping away, and Kaito himself is usually the one speaking to Conan at this point in both the manga and the movies. Even so, to so many people, that’s still just Kaitou Kid. I’ve seen disappointment expressed at that suave gentleman thief from the Black Star and M3 era being nowhere in sight in modern times, and it’s because it was always an act. You can’t keep up that act when you choose to trust someone, and they trust you back. You just… start becoming yourself. But he’s not truly himself in DC yet, despite the few scant appearances of Kaito himself we’ve received. For some reason, Kaito Kuroba still feels like a crossover character, and his appearance some special event, compared to Kaitou Kid. FILE.0 was a surprise in this regard, but in relation to the above, I have to wonder: Should Kaito himself ever feel as entrenched in DC as Kid is?

Kaito Kuroba - who many and more know as Kaitou Kid - is such a funny character if you think about him for more than a few seconds. His popularity in the Detective Conan vacuum is more than warranted, given his back and forth with Conan, but I really do want to believe that it’s the duality of his appearances in Magic Kaito and Detective Conan that contributes to this popularity. If M27 and some of the recent trends in both DC and MK are anything to go by, maybe I’m not so far off the mark.

We’ll likely get more stuff to enjoy in the meantime, but I’m currently looking ahead to Magic Kaito’s 40th anniversary in 2027 and hoping we get another movie… Or maybe another major manga arc. If you’ve managed to read all of this, you have my deepest gratitude! I hope this adventure was as enlightening for you to read as it was for me to write.

[paper-mario-wiki]

i have now watched all of what has been animated of Overlord, here is my review:

okay i'll watch the fifth season but if Renner doesn't act like a fucking freak openly on-screen in at least half of the episodes im gonna be pissed. to be quite frank, and quite self indulgent, there are SO few yandere women that are given proper screentime these days-- and that's in manga AND anime. why is nobody brave enough to go full yuno gasai? what's wrong with these people? have they forgotten one of the core dere archetypes? my god. the only time girls get to act crazy on screen in anime is when they're an abusive guardian, a power ranger tier villain, or traumatized into helplessness. i want to watch someone whose derangement gives her power and i dunno, maybe she wields them selfishly for the one she loves! and that SEEMS like it's whats been promised to me in the 5th season, but ive been wrong before!!! theyve strung me along with the promise of seeing her do some real insane shit with no more than 6ish minutes spread thin over the 1248 minutes of animation the show's runtime has been composed of thus far. but god dammit. im still gonna watch.

anyway, everything else was pretty cool too, at least enough to keep me interested in the meantime. the animation was pretty bad for most of it. but the writing, voice acting, and overall direction were able to keep the story enjoyable despite that. to compare it to another isekai with a similar premise, though executed very differently; the politics are more interesting in this show than in Slime Show, but Slime Show's world feels more consistent, and the events contained within more justified, where Overlord does ass-pulls often. but i like this world too. i like these characters. i like how complicated they are. much of it is very edgy, and it's chock-full of what i'd call "anime bullshit", but that's a seinen story for ya.

my ratings for the seasons are as follows

6/10

7/10

6/10

7/10

Overall verdict:

this show is hard carried by its sprawling cast of deeply insane women, and god dammit they carried my girl-loving ass through 52 episodes. and probably 13-26 more depending on whether or not the studio really does end up wrapping up the story in the next season. due to the shamelessness of this shows content, i don't know that i can think of many people who i would recommend it to without feeling embarrassed about it. HOWEVER. if you're the kind of person who kept reading this because of the multiple mentions of really, really insane women, and that was enough to get you to read this whole thing, you'll like this show. i mean. as long as you can tolerate all of the *blech* Heterosexuality.

[reikorun]

KlubOutside Q&A 501-600 [Translation]

Translated by @reikorun

Q501.

2023.08.14

How old is Riruka? (At the time of the Lost Agent of the Shinigami arc.)

A501.

She's 15 years old.

Q502.

2023.08.14

Sensei, when drawing manga, do you pretend to be the central character at that moment, before drawing? Or do you always maintain an objective perspective? 

A502.

Rather than getting into the role of the character, I draw them as if they were right in front of me. When I try to fully embody a character, I feel that the range of the character narrows because there are limits to my own perception. 

Q503.

2023.08.21

Why is it called "Karakura Town"?

A503.

The name comes from the mental image of an empty body with a missing soul (in other words, a corpse). 

Q504.

2023.08.21

Among the Shinigami, there are some who hide the abilities of their own Zanpakutō, and there are some who remain silent about the fact that they can perform Bankai, but aren't there any rules that require them to declare this information?

A504.

Of course, they have an obligation to report on these things.

Q505.

2023.08.21

With respect to BLEACH, I get the impression that there are few explanations of the situation or a character's abilities which resemble a 'voice from above'. Is there something you're particular about with regard to this aspect? 

A505.

I feel like it kills the immersion so I make an effort to avoid using it. Though, I don't particularly dislike this aspect when it comes to reading.

Q506.

2023.08.28

I love the Visored! While there may be differences in the balance of mastery or ineptitude over the Zankensoki, strictly speaking, who is the strongest among those eight when it comes to battle? If the ability of the Zanpakutō is direct attack type, I somehow feel that the user may not have an aptitude for Kidō too, so I would be glad if you could also tell me who is the most adept at Kidō, putting aside Hacchi!

A506.

If we take "adept at Kidō" to mean "a wide range of Kidō variations can be used" then after Haachi, it's Rose. As for who the strongest is, that's hard to say because it depends on the conditions.

Q507.

2023.08.28

How did the Visored previously make a living? Also, Hiyori has a part-time job, but are Love and Hacchi working too?

A507.

Hacchi collaborates with Tessai to develop Kidō goods for use in the Soul Society. Love works part-time at a second hand clothes store.

Q508.

2023.08.28

What specific tasks does Kubo-sensei do when taking on the role of "supervisor" for things like Brave Souls, movies, anime, etc.? For things like Brave Souls, do you check and make corrections to the designs that have been submitted to you?

A508.

The degree of supervision varies depending on the case, and that's the way it is for Brave Souls too.

Q509.

2023.09.04

It was explained within the story that Zaraki Kenpachi took a sword from a Shinigami, but if the Shinigami who had their sword taken were still alive and had achieved Shikai and Bankai, would they end up having a similar ability to Zaraki's Nozarashi?

A509.

That wouldn't happen. Abilities can be overwritten prior to Shikai acquisition (and depending on the person, even after its acquisition).

Q510.

2023.09.04

Rukia and Renji are a working couple, but did Ichika go to nursery school or a daycare center when she was very young, prior to entering the Shin'ō Academy?

A510.

Even though they both took childcare leave, several nannies dispatched by the Kuchiki clan were always stationed at the Abarai residence.

Q511.

2023.09.04

Is the marriage rate low for the Captains and Vice-Captains of the Gotei 13? Are there any Captain class Shinigami we don't know about who are actually married?

A511.

There is no one among the current members. I feel like there aren't many among that lot who seem capable of maintaining a married life…. 

Q512.

2023.09.11

Previously, in response to a question about the names of Hollows, you answered that "there is a person in charge of naming them", but do they name each Hollow one by one? Or are these names only given to Hollows who have murdered Shinigami, or caused a great deal of damage to the Human World 

A512.

It's the latter. Other Hollows are assigned numbers and such based on what is captured. 

Q513.

2023.09.11

About Unagiya Kaoru, he is the son of Unagiya Ikumi and who else? My personal prediction is that it's Tsukishima-san! 

A513.

What a frightening prospect.

Q514.

2023.09.11

Are all the artwork which appear in Guidelines on KlubOutside drawn by Kubo-sensei while your assistants draw the background and other elements?

A514.

That's right. Characters, drawn lettering and effects are my job, while the background, motion lines and screentones are my assistant's job. I thought that if I continued drawing the motion lines by hand, I wouldn't be able to finish the whole piece so halfway through the series I decided to hand that over to my assistants.

Q515.

2023.09.18

It is mentioned that Urahara created his healing hot springs by imitating Kirinji's baths, but do these baths still remain in Soul Society? Or did he go to the Soul King Palace and analyze them?

A515.

A few still remain in a remote area of Rukongai.

Q516.

2023.09.18

Why does Bakudō #81. "Dankū" possess the anti-Hadō capability to "completely block Hadō numbered 89 and below"? Hadō is meant to be used by fellow Shinigami,  in other words, by allies, therefore the anti-Hadō capability is presumably based on the premise of defending against attacks from allies. I speculate that in the past, Shinigami who were skilled in Hadō numbered 89 and below had turned hostile, so Dankū was created as a countermeasure to that. 

A516.

That's a good guess.

Q517.

2023.09.18

Why does Orihime call Grimmjow "Grimmjow" but Ulquiorra "Ulquiorra-kun"?

A517.

That's because the atmosphere on their first meeting was not one where she was able to address Grimmjow with the -kun honorific. Though, I also think Ulquiorra is the same in that regard.

Q518.

2023.09.18

Please tell us the gender of Nianzol Weizol. 

A518.

You'll know when you hear his voice in the anime, but he's a man.

Q519.

2023.09.25

Are the attack methods which utilize Gintō and the Medallion chant used by Ebern all techniques which are classified as "Kirchenlied"? 

A519.

"Kirchenlied" is the equivalent of a Shinigami's "Kidō", therefore that is the case for most techniques which correspond to a spell.

Q520.

2023.09.25

Does Driscoll's Overkill become stronger based on the number of people killed from the time he received his Schrift to now? Or does the buff expire at the end of the battle or some other point? 

A520.

The buff is removed by sleeping, eating, or loss of consciousness.

Q521.

2023.09.25

Are there any characters among the BLEACH cast who wear perfume, or has an image of their scent been decided upon in Kubo-sensei's mind? Recently, perfumes and fragrances that capture the image of one's favorite character or idol have been released regardless of whether they are fictional or real, so I wonder if we'll get some released out of the BLEACH universe as well.

A521.

I've been asked quite frequently to release perfume, so I'm starting to think it might be nice to do so. I don't use perfumes but sometimes I'll buy them when I want the bottle….

Q522.

2023.10.02

Nimaiya Ōetsu makes the Asauchi, but did he create them with Shikai and Bankai in mind from the very outset? Or did he realize that the shape and properties of the swords changed with each individual as they used it, and that phenomenon was then given the name Shikai and Bankai by the Monk?

A522.

That is the correct order of events.

Q523.

2023.10.02

Shishigawara-kun's Fullbring "Jackpot Knuckle" has a characteristic where the probability of hitting the jackpot ends up decreasing with continuous use, but will the probability of a jackpot be restored once it has already been decreased? If it does, I would also like to know what the conditions are.

A523.

There is a gradual recovery from misfortune (taking damage, etc.) Full recovery occurs when crossing over to the next day at midnight. 

Q524.

2023.10.02

When did Hirako Shinji get his tongue pierced? It wasn't pierced during The Past arc, was it…?

A524.

I always forget to draw it, so I may not even include it anymore.

Q525.

2023.10.09

Is the hierarchy of strength for the Bambies: Liltotto > Giselle > Meninas > Bambi > Candice? 

A525.

If they engage in battle with Blut, then that's probably the order. If it's a bare-handed fight then it's: Liltotto → Meninas → Candice → Gigi → Bambi.

Q526.

2023.10.09

Vice-Captain Madarame comes from a distinguished family, but what about 3rd seat Ayasegawa? 

A526.

Yumichika was an abandoned child from Rukongai.

Q527.

2023.10.09

When I look at Rickenbacker, I get a buddy-like vibe and at the same time a faint sense of some maternal quality, but do Dragons even have things like gender?

A527.

They do. By the way, Rickenbacker is male.

Q528.

2023.10.16

The Kōtotsu was completely destroyed by Aizen, but after that, didn't any problems arise within the Dangai? Are there multiple Kōtotsu, or perhaps it was restored through a self-purification function or something?

A528.

It will be restored within the next seven days.

Q529.

2023.10.16

Urahara-san runs a small-time candy shop in the Human World, but is there some specific reason why he chose to open up a candy shop? 

A529.

It's because Kisuke thought that candy shops were the best in that he could open and close the shop as he pleases, and even if he stocks strange items, it's harder to suspect anything is out of the ordinary.

Q530.

2023.10.16

Will there not be a BLEACH themed pachinko machine released? I'm just allowing myself to imagine that the staging effects and so on would be so fun, LOL.

A530.

There are no such plans, but the staging aspect certainly sounds entertaining. ×[1]

Q531.

2023.10.23

When Ichigo wears his sword, he carries Zangetsu on his back, but how is it held in place?

A531.

The sash on the hilt is wrapped around the chain along with the blade.

Q532.

2023.10.23

Is Yukio unmarried in the Echoing Jaws of Hell arc?

A532.

He's unmarried. It doesn't seem very likely that he'll marry….

Q533.

2023.10.23

When I was looking at the art of BLEACH, I got the impression of ballet movements, like the way in which characters use the tips of their toes and the lower half of their bodies. Sensei, do you ever watch ballet?

A533.

I sometimes watch Lausanne on TV, but I'm not very familiar with it. If anything, I suppose the sharp-tongued humor is the thing that I find interesting to watch.

Q534.

2023.10.30

Kotetsu Kiyone and Kotsubaki Sentarō share the same birthday, are they twins related by blood?

A534.

They're unrelated, but every year, they were made to sit side-by-side by Ukitake and celebrate their birthdays together.

Q535.

2023.10.30

How do Arrancar acquire a Zanpakutō? Do their broken mask pieces transform into Zanpakutō after they become Arrancar?

A535.

I'll tell you because I don't particularly feel like drawing it, but the torn part of the mask becomes the sword. So you are correct.

Q536.

2023.10.30

During the Quincy invasion, Mayuri modified his room and clothes to make them glow so that they wouldn't cast shadows, but wouldn't a shadow be created in Nemu's cleavage if left like that? This is a serious question.

A536.

Now that you mention it, that's true…. I should have placed a glow stick or something between her breasts. 

Q537.

2023.11.06

How did you feel when BLEACH was parodied in Gintama?

A537.

When we first met, I was the one who told Sorachi-san "you can do whatever you want"…. Yet, he still apologized to me.

Q538.

2023.11.06

Is Hikifune Kirio-san's Tree of Life based on a similar principle to Kidō?

A538.

It's similar, but since it can only be used by one individual, I guess it's something closer to Ganju's Seppa….

Q539.

2023.11.06

Findorr Calius adjusted his own strength by breaking his mask, but is it also possible to restore his broken mask and strength back to their original state.

A539.

It's possible. Even if it's left alone, it will gradually return to its original state. It's kind of like an injury.

Q540.

2023.11.13

My prized possession is a copy of KaraBuri+ which I bought when I was in the 6th or 5th grade. Would you consider composing something like another official spin-off that is drawn in a light-hearted and humorous manner? I'd even like to see something similar to a Hueco Mundo version of KaraBuri!

A540.

If someone else were to draw something amusing, I'd also like to see it.

Q541.

2023.11.13

I have a question about Ayon and Orihime's abilities! After creating Ayon, if the arms of Apacci and the others were healed via Orihime's powers, could something like an 'Ayon duplication bug' occur? If the arms of the three individuals who create Ayon are restored through Orihime's abilities, would Ayon also disappear? It's just a hypothetical scenario, but I'm intrigued.

A541.

If the bodies of Apacci and co. can endure the rapid continuous regeneration process, a duplication bug is possible. 

Q542.

2023.11.13

I was curious about the differences in size between Minazuki's first appearance, published in volume 18, and the time they landed on Sōkyoku Hill, published in volume 21. Can Minazuki's size be changed at will? Or did they become smaller as a result of the lifesaving measures Unohana gave Hitsugaya and Hinamori at the Seijōtōkyorin? (*The enclave where the Central 46 reside.)

A542.

The size can vary considerably. The smallest size is around the size of a puppy.

Q543.

2023.11.20

I totally want the shoes that Rabu is wearing in the new artwork (color version) from the art exhibition. They're exceedingly stylish, are there any plans to turn them into merch in the future!!!!?

A543.

I love shoes, so I'd be happy if merchandise in the form of shoes that a character is seen wearing could be sold, but I wonder if that can happen.

Q544.

2023.11.20

Quilge Opie used Ransōtengai, but no other Quincy were seen utilizing this technique. Is this simply because Quilge Opie has both the talent and understanding, and has therefore mastered Ransōtengai?

A544.

That's right. Quilge is the combat instructor of the Sternritter, and Quilge's students can also be found among the current Wörtlich.

Q545.

2023.11.20

Gin's Bankai, Kamishini no Yari, had the ability to leave a piece of the sword within the body of his opponent, and then dissolve and break down cells with the poison inside the sword, but will the part that was lost through this process never return to its original state again just like other Bankai? Also, assuming it doesn't return, if this ability is used frequently, will the blade eventually be reduced to nothing meaning his Bankai is rendered unusable? 

A545.

The part left inside the body is made of poison, and since the poison is a secretion of the sword, it will return to its original state after a certain amount of time.

Q546.

2023.11.27

Each Division among the Gotei 13 has its own Squad Flower and a set meaning within Hanakotoba (*the Japanese language of flowers), but are there opportunities to study Hanakotoba as part of a Shinigami's cultivation at the Academy, for instance? (I was curious because there was a scene in chapter 323 where Kira talked about the 3rd Division's Squad Flower.)

A546.

They learn about the Squad Flowers, but Izuru seems to be well-acquainted with things like Hanakotoba in a general sense.

Q547.

2023.11.27

Are there any characters that you wanted to present as enemies even though they are allies, and are there any characters where the reverse is true?

A547.

There isn't any. Each character can only come to fit into their role because of the relationship they have with those around them. 

Q548.

2023.11.27

Before the establishment of the Shinigami Research and Development Institute, was there no research institution in Soul Society?

A548.

At one point, there was a group who, though unofficial, were close in that regard (in the sense that they created things). That group disappeared and there was a period of time where no similar organization existed. What was formally established after that is the Shinigami Research and Development Institute. Mayuri belonged to the first group. Senjumaru was their leader.

Q549.

2023.12.04

It is explained in the manga that Lloyd R, the younger brother, can imitate physical likeness and memories, but why is he able to use Yhwach's abilities and weapons? Please tell us if he inherited his elder brother's ability, or if Yhwach granted him some of his own power, or perhaps there is some other reason? 

A549.

Each Lloyd brother can either 'perfectly' copy memories, or 'perfectly' copy powers respectively, any aspect outside of that can be copied on a scale of 70-80%. This is because being able to copy only memories or only powers is of little use. 

Q550.

2023.12.04

Do you have a PS5?

A550.

I don't have one.

Q551.

2023.12.04

What are the future plans for the floor of the 9th Division barracks which Mayuri destroyed with his eye beam in the one-shot? Will Hisagi and Kensei pay for the repairs?

A551.

They'll submit the bill to the 12th Division, and if that does work, they'll submit the bill to the 1st Division, and if that still doesn't work, then one way or another Shūhei will probably end up paying for it.

Q552.

2023.12.11

Who is the President of the Shinigami Women's Association by the time of the Echoing Jaws of Hell arc? I think the President is Lisa and the Supervising Chairwoman is Isane….

A552.

The President is Rangiku and the Chairwoman is Yoruichi. By the way, Soifon calls herself Vice-Chairwoman without asking anyone.

Q553.

2023.12.11

Is the aspect of death governed by the Espada the same for different people, as long as they have the same number, like Harribel and Nelliel, for instance? If it's different, I'd like to know what it was for Nelliel when she was an Espada!

A553.

It's the same. Nelliel is also "sacrifice".

Q554.

2023.12.11

Q: Does sensei have an ability to sense the supernatural? 

Q: When I read Bleach for the first time, I allowed myself to think “the author definitely has a sixth sense!" But do you really?

A554.

I don't. But I've been told a few times "you must have a sixth sense, for sure!" But, I don't.

Q555.

2023.12.18

Thank you for the wonderful posters at the art exhibition. I bought both the A and B collection. If the posters will be expanded on in the future, will the designs from the Shibuya poster takeover be made into merch? It was super cool and I was walking around Shibuya at the time while becoming all the more proud that BLEACH is my favorite manga. If there is even the slightest possibility, please consider it...!!

A555.

I like those posters too, so I'm hoping they'll sell well in the FC.

Q556.

2023.12.18

Does the blade grow as a Zanpakutō develops? 

A556.

The length of an Asauchi does not change, however when Shikai is used it will change in accordance with its development.

Q557.

2023.12.18

Is there some special relationship between the Komamura family and the Shihōin clan in BLEACH given that they are dogs and cats?

A557.

"Komamura" is the surname given to him when he was taken in by Genryūsai, it is not associated with his family lineage.

Q558.

2023.12.25

Were Yumichika and Yachiru's hair ornaments (or other accessories) made by Ikkaku?

A558.

Yachiru's hair ornament is handcrafted by Ikkaku. Yumichika bought his accessories himself. 

Q559.

2023.12.25

Did Mizuiro's parents pay for his high school tuition? 

A559.

It was paid for with child-support payments from his father.

Q560.

2023.12.25

Does the position of Substitute Shinigami come without compensation? Do you gain some sort of reward? Ichigo is a high school student and doesn't seem the type to accept rewards as far as his personality is concerned, but I'm curious if there has ever been any offer of reward from the Gotei! I think other Shinigami fight while receiving a salary and incentives as part of their job, so I'd like to know how the Gotei's substitute positions are handled.

A560.

In the beginning, the position was without reward. After receiving the Substitute Badge, it's now come to be that a reward will be deposited within a Seireitei account. Ichigo hasn't been informed though.

Q561.

2024.01.01

Will sensei be eating osechi* during New Year's? (*Assortment of traditional New Year foods.)

A561.

I eat it every year. Currently, I'm in the process of searching for osechi that suits my tastes. After all, you only get one chance a year. If only we had a New Year holiday like three times a year.

Q562.

2024.01.01

When Don Kanonji first appeared, he was performing an exorcism at an abandoned hospital, was it Ishida who tried to stop Kanonji's exorcism at the beginning?

A562.

Yes.

Q563.

2024.01.01

I noticed something in the Echoing Jaws of Hell arc section of BLEACH EX. the "Taka" (*hawk) which came out with Rindō Atau's Zanpakutō ability was "Washi" (*eagle) in the rough draft, right? What was the reason for the change? Is it because the hawk seems faster…?

A563.

I believe this was because eagle in sign language is the same as hawk and was derived from hawk to begin with, and also because hawks have a stronger Japanese image. 

Q564.

2024.01.08

Ayon ended up being defeated both times in the story, but let's assume he wasn't defeated, would he continue to exist forever…? If so, that would be awfully frightening. I'm curious about what he got up to when summoned in the past!

A564.

After a short while, he will self-destruct, and not long after that, the arms of Apacci and the others will grow back.

Q565.

2024.01.08

Due to the actions of PePe Waccabrada, Shūhei and Byakuya fought each other, but Byakuya behaved as if he were trying to avoid hurting Shūhei as much as possible. Personally, I think that Byakuya before he met Ichigo would have killed Shūhei. It might be presumptuous of me to talk about Byakuya like I understand him, but as I read on, I feel that Byakuya's views and personality have changed. What do you think?

A565.

I think you're right.

Q566.

2024.01.08

What time does sensei wake up every morning?

A566.

I've been quite busy lately, so ten o'clock. I can't even watch Love It! in real time anymore….

Q567.

2024.01.15

Was it because her five older brothers had passed away that Soi Fon succeeded as the head of Fon family? Or is there some kind of custom where a woman always becomes the head in the Fon family like a "queen bee".

A567.

The strongest person in that generation becomes the head of the family, regardless of gender.

Q568.

2024.01.15

I would like to know the Shikai abilities of the three seated officers of the 3rd Division who were instantly killed by Bazz-B in volume 56!

A568.

Those abilities which never got a chance to be showcased are a secret because I may use them somewhere else.

Q569.

2024.01.15

Kubo-sensei, you mentioned that you draw illustrations on the larger iPad pro, so I also want to try an iPad for the first time, but looking back do you ever feel like… there is something about it that could have been done better? Additionally, I would like to hear about the types of brushes you use in Clip Studio Paint when line drawing and when adding color, and also how you divide your drawing into layers!!!!

A569.

I hope it becomes lighter. As for pens, I often use a pen called Kasure Kashi (*machine translated as “Casper pen” in Clip Studio) and for brushes I use one called Muk01. I separate the layers depending on my mood.

Q570.

2024.01.22

I would like to know the name of the technique that was used when Kirinji Tenjirō got behind Soi Fon. Although she's supposed to have top-class speed among the Gotei 13, Soi Fon couldn't read his movements at all, thinking "what was that move just now…!" Is this because the Hohō used by Kirinji Tenjirō was not "Shunpo"?

A570.

It's the same Shunpo. Shunpo consists of a three stage process: Joritsu, Bakkyaku and Shunpo. Tenjirō is incredibly skilled at the second stage, "Bakkyaku", which allows him to achieve unbelievable speeds. ×[2]

Q571.

2024.01.22

Can't Orihime heal Izuru's body?

A571.

She may be able to heal him, but Izuru probably likes it that way….

Q572.

2024.01.22

Did sensei have any involvement in selecting the songs and characters for Burikon: Bleach Concept Covers? Also, is there one in particular that you liked among the Burikon covers?

A572.

I wasn't involved at all, but I remember liking Mayuri and Nemu's part.

Q573.

2024.01.29

What material is the Substitute Shinigami Badge made of? I want to make one myself as perfectly as I possibly can, so please tell me what it would look like in reality! 

A573.

The Substitute's Badge is made of metal. Iron would be too heavy for something of that size, so maybe aluminum would be a closer fit…?

Q574.

2024.01.29

Does Ise Nanao wear glasses because her eyesight has deteriorated by reading too many books? Or is it that the Ise clan are by nature a family with poor eyesight?

A574.

It's a family with poor eyesight.

Q575.

2024.01.29

In volume 62, Urahara-san mentioned that the Quincy are "a race that have no 'antibodies' at all to defend against Hollows." However, Ishida Uryū was at the receiving end of Fornicarás's abilities during his battle with Szayelaporro, and he had his lower arm torn off by Ulquiorra. Was this at a level that is not applicable to the "erosion" that Urahara-san talks about? Or is Uryū special?

A575.

Uryū is special.

Q576.

2024.02.05

Why does Akon have horns on his head?

A576.

They're implants (transdermal implants).

Q577.

2024.02.05

Dordoni, Cirucci, Luppi and Chuhlhourne were all revived at the hands of Mayuri-sama, but while the former three had suture marks on their faces, Chuhlhourne is the only one who had suture marks on his abdomen, is this perhaps the benevolence of Mayuri-sama? 

A577.

I too looked at and thought "who knew Mayuri could be so kind!" 

Q578.

2024.02.05

In the scene where Ichigo is taught the Final Getsuga Tenshō by Tensa Zangetsu, Ichigo is told "you feared taking on this form in which your mind is suppressed by your own destructive impulses, and as a result you've even become incapable of properly Hollowfying." However, if he were able to Hollowfy properly, would he have been able to manifest the mask with horns that covered his entire face as shown in the battle against Ulquiorra?

A578.

If he were able to "properly" Hollowfy, then he would take on that form.

Q579.

2024.02.12

While in the Dangai, what mechanism did Ulquiorra use to show Orihime the situation in the Human World as images via Garganta?

A579.

There's no lore about this at all!! What kind of system is it!? Ulquiorra!!?

Q580.

2024.02.12

Among the spirits of her Shun Shun Rikka, the ability belonging to Orihime, Tsubaki is the only one who is rebellious towards his master. Is that a reaction stemming from Orihime's dislike of conflict and hurting others given her personality? Tsubaki is her only means of attack, but Orihime does not want to use him too actively. Deep down, she hesitates (fears) to attack her opponent, that is, she unconsciously rejects her means of attack, which contradicts the reason for Tsubaki's existence, and I thought for a moment that maybe he was irritated by that fact.

A580.

That's correct. How impressive, I didn't expect someone to read so deeply into Rikka like this. 

Q581.

2024.02.12

Regarding Orihime's ability, Shun Shun Rikka: Sōten Kisshun, it is weak at recovering Reiryoku because Sōten Kisshun is based on the rejection of events and Orihime rejects the form of a wounded individual, in other words, the underlying force is her desire to restore their condition to its original state, to make it out as though it never happened, could another reason be that it's difficult for her to recognize how much intangible Reiryoku needs to be recovered? Is it that Shun Shun Rikka's abilities come from Orihime's own feelings of rejection and denial, or to put it another way, does it stem from wanting things to be a certain way? 

A581.

You are more or less correct. The things that can be restored with Sōten Kisshun are, for the most part, what is visible to the eyes and what can be touched with the hands.

Q582.

2024.02.19

Kubo-sensei, is there a character in BLEACH that you consider to be closest to you in terms of your own personality? 

A582.

There isn't. No one that I draw resembles me!

Q583.

2024.02.19

When Kūkaku sends Ichigo to the Soul King Palace in the Thousand-Year Blood War arc, she appears to be aware of the connection between Ichigo and Isshin saying "even if it means making uncle sad." Did Kūkaku somehow sense this, or was there some interaction between her and the Shiba clan or Shinigami she was acquainted with in places that are not depicted within the story, after the situation with Aizen was resolved, for instance? 

A583.

Kūkaku has been aware of this through Ichigo's Reiatsu since the beginning (volume 9). That's why she let Ganju go with him. Of course, she also received a message from Kisuke at a later time.

Q584.

2024.02.19

The masks of Loly Aivirrne and Menoly Mallia appear to have a design that forms a pair with the left and right eyes, perhaps they are Arrancar with a relationship like that of twin sisters?

A584.

Although these two are not sisters, they have taken a sisterly vow and shaved down their masks in order to resemble each other.

Q585.

2024.02.26

I believe there are works which publish illustrations drawn by readers in the tankōbon of the manga. Bleach didn't have that, but is it that you have a certain preference towards your own tankōbon, Kubo-sensei?

A585.

As a child, I was the type of kid who thought "I didn't buy this to see drawings from readers" when looking at the illustration segment of the manga I used to read, so I didn't do it with my own manga. However, I have kept all the illustrations that were sent to me during the series.

Q586.

2024.02.26

The Captains of the Zero Division are each given one of the five cities atop the Zeroban Riden (*the disc-like structures which are their estates), but if the number of Zero Division captains increased, will a new Zeroban Riden be added? Or is the capacity for Captains limited to 5 individuals in accordance with the number of Zeroban Riden?

A586.

The upper limit is 5 people.

Q587.

2024.02.26

What does the "chain" in Tensa Zangetsu (*Heavenly Chain Slaying Moon) represent? Is it the Chain of Fate? 

A587.

"Tensa" means "to lock the heavens", and it's a chain used to link and secure two things together.

Q588.

2024.03.04

What material is the black part of Riruka's clothes made of?

A588.

It's stretch cotton.

Q589.

2024.03.04

I would like to know the nationality of the Sternritter!!!

A589.

In order to avoid a fixed nationality for the group as a whole, I name them in a way which appears to contain spellings from various regions.

Q590.

2024.03.04

In what way did Yamamoto and Unohana come to meet?

A590.

I might draw it someday, so it's a secret.

Q591.

2024.03.11

In his KaraBuri profile, it is noted that the food Hisagi dislikes is sea urchin, but where did he eat it? Or perhaps he came to dislike it because he was teased about the fact that his hairstyle resembles a sea urchin?

A591.

He ruined it for himself after eating the cheap sea urchin he could afford on his salary.

Q592.

2024.03.11

When Rangiku woke up from Hakufuku, she said "this sensation… it's Hakufuku…" I don't think there were many instances of fellow Shinigami fighting each other in Soul Society before Aizen's rebellion, so it seems unlikely she'd recognize the sensation of being put under Hakufuku. Could it be that she is acquainted with the feeling because Shinigami experience it during their time at the Shin'ō Academy in Kidō classes?

A592.

They experience this in class, but Rangiku also has the experience of falling victim to it. 

Q593.

2024.03.11

In the Thousand-Year Blood War arc, I believe Captain Komamura takes on a human-like form through the Humanization Technique, however, did he suddenly turn into a wolf after the battle because the technique's time limit had expired? Or is it because Captain Komamura himself was consumed by a desire for revenge? If the reason is the latter, is it correct to assume that as long as Komamura had maintained good intentions such as "protecting Soul Society", he wouldn't have turned into a wolf?

A593.

You are pretty much correct. The "Humanization Technique" is a technique that allows him to maintain a human form while withstanding his great-grandfather's curse. The moment the purpose of Humanization becomes a selfish desire, the curse is forcibly fulfilled, and one transforms into a beast.

Q594.

2024.03.18

No matter how many times I read the manga, I still don't quite understand the relationship between Nelliel and Nnoitra. I would like you to explain it in a way that even an idiot can understand. 

A594.

Even if you don't understand, it doesn't mean you're stupid. Just enjoy it when you do understand.

Q595.

2024.03.18

If "Qualkreis" is broadly classified as a Quincy tactic, could it also be considered one of the Kirchenlied? Please let me know if there is any lore around this.

A595.

"Qualkreis" is one of the Quincy spells. "Kirchenlied" is not a classification, but a "chant" for "Sankt Zwinger".

Q596.

2024.03.18

During the Decisive Battle of Karakura Town, is it because of an illusion created by Kyōka Suigetsu that Mashiro's mask broke away without her noticing the depletion of her own Reiatsu? 

A596.

It's because Mashiro is just that kind of person who would allow a slip-up like that to happen.

Q597.

2024.03.25

Izuru was quite cheerful during his student days, so why did his personality become gloomy?

A597.

Wait, he was cheerful…? Izuru has been gloomy since the minute he was born.

Q598.

2024.03.25

Captain Unohana named herself "Yachiru", but her current name "Retsu", is that originally her real name? Or is it that, after becoming "Yachiru", she named herself once again, this time to "Retsu"?

A598.

"Retsu" is the name given to her by her father.

Q599.

2024.03.25

After absorbing Ayon, Quilge's appearance steadily returns to its original form, but could this be because his Heiligenschein was destroyed by Ichigo, causing the abilities of his Vollständig to gradually wear off?

A599.

It's because his Heiligenschein was destroyed and thus his "Piskiel" collapsed. The essence of Quilge's "Piskiel" ability lies in the fact that he has the highest capacity for the capture and enslavement of Reishi among all Quincy.

Q600.

2024.04.01

I'm debating whether or not I should have my son take lessons in English conversation. Is sensei able to speak English? 

A600.

Since being able to speak English is an advantage, please allow him to learn it. I can't speak it myself, though.

Translation Footnotes:

×1. Staging in this context means staging of the frenzied screen/sound effects of the roulette for stirring up the gambling spirit of players.

×2. These are terms which appear to be coined by Kubo: 序立(じょりつ) - "Joritsu" means "opening stance". 抜脚(ばっきゃく) - "Bakkyaku" means "to draw out one's leg", and judging by the way we use 抜 in other terms, it alludes momentum that is created suddenly and rapidly by lifting or drawing out one's leg from the starting position. For example: the word Battōjutsu (抜刀術) - “the art of drawing out one's sword”, that is, getting the sword into action as quickly as possible in response to a sudden attack or some other situation which requires the rapid drawing of one's sword. I believe Bakkyaku is a similar concept except in the context of Hohō as opposed to swords. 

[exo-raskreia]

hey.... i wanna know your honest Thoughts on the jjk ending? Give a rating out 10. Honestly i'm ranting. I mean the good things in the chapter were sukuna's conclusion, the flashback with gojo , queen utahime being alive yay and the nice art with everyone at the end. Usually i would wait for a story to finish before ranting/judging but my god this kinda sucked. I don't want to be too critical but god I am just disappointed and kinda mad. Overall it is an okay/mid manga ;). Gege is not worst writer but ughh. Aot or mha sure they have their flaws but my god..These should never be compared to THIS. so now we could really say that gojo stayed south. With the full chapter, this does not change my opinion cause it still kinda sucks overall even with the whole north vs south meaning. Nothing really changed in the society or lessons maybe except for yuji and sukuna. The kiddos all really went back to missions huh after everything. I have alot to say with relationships and bonds, wasted potential on many aspects but that is a whole other discussion. i totally understand we can't write a backstory for every single character but that is not what i am insinuating here and yes there should be room for a little literary interpretation . That a whole different topic... Anyways I agree with alot your rants. i would like to hear your opinions. In the end we never got to see a gjhm flashback unfortunately. Ok so let say gojo is dead dead I find it hard to believe no was like remembering or acknowledging not even his comrades ( examples shoko, utahime etc_ or the students (i mean i am pretty sure these characters would but i would like to SEE it you know) and so many hints were gearing for gojo's revival but it is meaningless... and was used for pr ngl that's sad. Maybe the anime would do better at some aspects but i will be salty anyways. i will see uta's dance ;) animated so that i looking forward to and ig the maki's massacre. it looks like it's open ending but really!? They are some loop holes but HEY FEAR not we will probably see answers to our questions in the q&a segment! sigh. I lowkey do not want a "jjk part 2" it is draining. Gege when i catch you. I think gege intended this story to be short oh well. I have alot to say but this gonna be a novel lol. Sorry for errors i was in a moment and i hoped you understood what i wanted to say. Hope the gojohime fandom would not die and looking forward to see some nice content.

Thankyou

I already went on a mini rant here. If I have to rate the ending, I'd say maybe 2-4 out of 10?

JJK really did turn out kinda mid. It has an easy anime to get into (the anime carries it mostly 🫣), to recommend for newbies, but that ending will make one hesitate to recommend it now. Maybe wouldn't even bother to.

I'm also disappointed & mad. I don't even wanna consider that Gojo is fully dead (cuz Gege went about it so terribly). Gege skipped Gojo's whole month after his unsealing then killed him off-panel a few chapters later. The north & south thing was pointless. We didn't even get to see Gojo make a choice. There were so many hints about his potential revival but they amounted to nothing.

Summed up in this image:

This Tweet sums up the terrible mishandling of Gojo's character too 😡. This other short thread pretty much says that his "death" didn't make sense for Gojo either; accepting to stay at the airport is him regressing to his teen self. It doesn't properly conclude Gojo's character arc at all. He was meant to MOVE ON from the loss of his "springtime of youth" & continue to strive for a better future with his comrades & students; the future that HE DREAMED OF 😤 (oof, don't wanna rant further on Gojo; don't wanna make this longer 😅).

Honestly, the fan theories made the story seem much better than it actually was. At least with this ending, people can finally start seeing & admitting that Gege isn't a great writer. I've certainly never thought he was 😒; I once went on a rant here about most issues with this manga, one of them being how terribly fast-paced it is. This story is the definition of wasted potential. So many missed opportunities.

Whatever Gege comes up with for the databook, it'll be infuriating. He'll try to fill in the plot holes but man, I don't think it'll be satisfying. He might not even answer the burning questions everyone has (just like Kub0 never answered everyone's burning questions about the Bl3ach ED, or more like, no one dared to ask. Maybe he himself didn't allow those questions for his interviews 😒). Hope ppl don't give him any more money, especially cuz he's still milking Gojo, such as with that Hidden Inventory movie no one asked for.

I kinda wanted a Twilight: Breaking Dawn Part 1 ending (lol) & then on to the supposed JJK part 2, esp cuz of this sketch here but Gege fumbled hard.

Wonder if Mappa could deliver but we'll see. I only care about GojoHime's 200% Hollow Purple now. Gege made me lose most interest I had for other things getting animated. Just thinking about that ending will mostly ruin my experience... 😞

I also hope the GojoHime fandom continues to thrive. We've always lived off of crumbs... Hope ppl continue to make headcanons, fanfics, fanart, etc... I wouldn't want ppl to leave such a beautiful ship with so much potential 🥺 (I've been thru this type of thing before with Bl3ach, so despite the disappointment, I've stuck around in my ship fandoms only. I don't engage with anything else in that series. Another beloved series of mine also ended terribly but unfortunately, the fandom kinda faded or became inactive cuz it's a manhwa 🥺; if it at least had a proper anime adaptation, then...).

Let's stay strong, GojoHime fam! 🥹❤️‍🩹

[honeycreammilkshake]

Yuji can finally have his own Human Earthworm with blobkuna haha

it seems to me that gege is really fond of metaphors and stories within stories, so i took a closer look at the human earthworm series that was given to us in the anime/manga and i found a lot of interesting things that, as usual, i'm going to turn into a sukuita essay. (sorry for the overly long rant coming up, anon ;-;)

the basic plot of the 4th movie is that an ordinary man is transformed into a half-worm, half-human creature by an evil scientist/doctor. the human earthworm manages to escape but is forced to hide from the outside world as he will be perceived as a monster because of his appearance. however, his hiding place also enables him to meet an animal rights activist who ends up falling in love with him. she is a very understanding, compassionate, and empathetic person (remind you of someone?) and although she is scared of him at first, she looks past his "monstrous appearance" to find the true person within, and he is ultimately more human than other humans are.

in the end, though, he is killed by the girl's friends, who only see a monster. before they attack him, though, she tells them that they will be the monsters for killing him.

this theme of the humans being more monstrous than the actual monsters themselves, such as in literature like frankenstein by mary shelley or the metamorphosis by franz kafka, is a theme used to invert and reframe the popular myths and stories of monsters both looking abnormal and being unnatural.

so... what does this mean in relation to sukuna and yuuji's story?

i think it's pretty clear that sukuna was perceived as monstrous from his birth onward. in historical japan, during the heian era, there was a lot of conflict between different religions and very rapid changes in culture and lifestyles as people began breaking away from chinese influences. this era is sometimes called the "golden age of the imperial court" because of the court's growing power and cultural prosperity, and a lot of this power resided with the Fujiwara clan who had intermarried with the imperials. however, for the majority of ordinary people, this era saw a lot of suffering, hardships, low quality of life, and a high infant mortality rate.

sukuna was born into this starving world and would have died had he not eaten his twin in the womb. but he was unwanted and unwelcome from the moment he was born. i've written this before (so i'm sorry if it's getting a bit repetitive) but i think a lot of fans don't realize how much more demanding and cruel life was during this time (compared to modern day japan) in terms of life expectancy and quality. and those factors shaped sukuna into what he is, or at least make up a part of his becoming a monster.

in sukuna's own words his existence itself is anathema. the literal definition of this is "vehement disliking" and is a synonym of abhorrent. in religious usage it means "exclusion from the society of the faithful because of heresy" and it is described as being "cursed."

sukuna was perceived as being a curse before he even became cursed objects. whether or not he was born with extra limbs and/or lots of cursed energy, he was still seen as something unnatural and inhuman.

in other words, his unusual appearance and origin is monstrous to others. and i think he took this to heart and decided to just go with it, because he refuses to be seen as human by anyone even though he was in fact born one. he would rather be feared and despised as an imaginary demon than treated like a real person who was essentially cast out of the normal world.

but yuuji doesn't treat sukuna like just another monster in the end. instead, he offers him such selfless acceptance and honest empathy. and i don't think sukuna can take something like that.

sukuna is very aware of his own nature. he seems really proud to be an unfeeling, indifferent entity of chaos.

hm.....

lots of thoughts on this one panel alone. but i'll try to keep my ideas short. i believe that sukuna embraced what others saw as his "cursed nature" and became the strongest so he could be above all the hatred and ignorance that made others perceive him as being a monster. so he matched his actions to what people feared from him.

he became the monster so he could look down on those same people and also so he could isolate himself from ever being affected by those feelings again. after all, those others are nothing more than weak prey who shouldn't lament their own suffering, just like he shouldn't lament being seen as cursed from birth on. just like he claims he isn't lonely because only the most selfish can be on top.

but still. people want to destroy him for just being the role they more than likely forced him into. he never became more than what people saw him as, and yet they still hate him.

he claims to be above that hatred, but i think it might actually get to him. while else would he reflect so much on it during his fight with yuuji. yuuji, who he lived inside of, who he looks down on for being "weak" because he is far too emotional and caring for others, yet that's one of the biggest reasons for yuuji's strength. strength sukuna tries to undervalue because he can't stand the idea that strength can ever be compassionate as well.

yuuji hates sukuna's ideals and his indifference to the value of life. but he still accepts sukuna. he sees past the monstrous appearance and realizes sukuna was made into a monster by chance. what if someone was there for him, like wasuke was there for yuuji? even though wasuke still pushed yuuji away and was all that yuuji had, he still kept yuuji tethered to being a good person and caring for others. wasuke served as both a lesson in what not to become and a reminder for yuuji to realize the importance of life.

sukuna probably didn't have that, or if he was given that chance, it was far too late for him.

yuuji actually wanted to live with sukuna. he wanted to the animal rights activist to sukuna's worm monster, but in the end, sukuna chose death.

the humans killed the monster they made, yet again. sukuna would rather live and die as a curse than be anything different. yuuji loved him even as a worm, but sukuna couldn't take it.

and yuuji looks so heart-broken and disappointed for it.

also. i didn't notice this until now. but yuuji cradles sukuna's remains so so gently... in the hand that looks monstrous.

monster to monster. yet yuuji was so tender. he didn't seek to mock sukuna. instead, he said that they were the same. that sukuna is him.

yuuji was created for the purpose of housing sukuna inside of him, for being his vessel. he was made into a "monster" but instead of letting that turn him into something evil, he used his abilities to save other people. and he even wanted sukuna to come back to him!!!

again, i'm sorry for making this into yet another paper-long incoherent rant. i probably should have stuck to my original reply which was "sad we couldn't see their halfling children ;-;" but then this happened instead. thank you for bearing with me if you read through the mess of my thoughts. ty for your wonderful ask anon <3

[dreamerwitches]

Rating labyrinths: Gertrud!

Okay! Let's go with the labyrinth ratings wheeee!!!

What I'm going to do is rank separate parts of labyrinths (eg. anthony's labyrinth from ep 1 is separate to gertrud's from ep 2) but I'll also give an average at the end.

I will (most likely) only be doing labyrinths that are in colour (so maybe not manga witches)

Anthony's labyrinth from episode 1

I think this is a really good one, especially as the first shown (not including walpy's). It really shows of the cut-out style of the labyrinths and the deep blue-hued colours are perfectly moody. The use of runes in the background is also really fun for secret messages. I feel the only downside is that it doesn't really scream Gertrud to me. Like, if you didn't know the series well and was shown this, I doubt you'd think it belonged to her. HOWEVER... I think this does work for Gertrud since all her precious roses are in her room with her. It makes sense that she'd keep them close.

You could say that it's weird that this labyrinth doesn't share colours with the main one but I think it works because it's a familiar's labyrinth. The photorealistic buildings also match the main labyrinth. I wonder if the butterfly and anthony traffic signs are meant to be a subtle warning to madoka and sayaka hmmm

I really like this one. A 5/5 for me

Gertrud's labyrinth from episode 2

There's a lot to it so it's kinda hard to summarise in images lol. But it's another great one. Great imagery, lovely colours and has themes brought over from Anthony's labyrinth. I think the orange tones, although relaxing, also give off this sepia feel that makes it a little unnerving too. Like looking through a tinted view makes things seem unreal.

One of my favourite parts are the doorways that lead to black nothingness. Really helps with the labyrinthine feel. Small touches like the portraits with slight things changed in them to make them scary. It's the kind of thing you don't notice unless you pause. I also like how it seems the labyrinth becomes more luscious as you get deeper. The trees start bare, then with black leaves, then Gertrud's room is fully in bloom.

I wasn't sure whether to rank the boss room separately, maybe I will... I think the ceiling that doesn't quite make sense works well to make it feel disorientating and it's a fun contrast to the kinda pretty garden around Gertrud. It's messy but in a good way. I also think having the boss room have a different theme to the rest works. Just as before I mentioned that roses are only in her boss room, I think it would make sense that her special place may be better taken care of or just look overall nicer. It's very good but I'd say, not my favourite segment. Maybe just because it's only one room?? That makes it a little unfair to compare to the rest...

I'll give the labyrinth a 5/5. Boss room is a 4.5/5

Gertrud's labyrinth from Magireco episode 11

Yeah... this one isn't it, chief... like, it has the things of her labyrinth but it's just not... uhhh I dunno it feels more like a set piece than a proper area...

Let's start with what I like: of course, I love the Gertrud motifs. The butterflies, the cut out images and the hidden text (although it's no different than the original anime iirc). I really like the halo above Gertrud's area. And the hanging loops. It's weird but pretty. Suits Gertrud!

Sadly that's where my positives end. The stark white is NOT Gertrud it's so weird... I guess the stone rose works better but not the rest. I kinda hate in the zoom out where... it just looks like a video game level, like I'm looking at mario 64 or something ToT that is not a labyrinth..! Just the overall layout is meh. I dislike the random fluff pile below it too. Just felt like they didnt know what to fill it with...

It's a dud but has some good things... I'm giving it a 1.5/5. I know there's worse which is why it's not a 1.

So overall Gertrud get's a.... 4/5 wow!!!

[singingforthepromises]

Since we're getting the showdown between Sebastian and Undertaker next episode, I want to talk about the scene where they face off in the manga. This is still one of the most intriguing and frustrating moments for me because I can't decipher Undertaker's intentions for Our!Ciel at all, and thought it would be great to hear some opinions!

Put under a read more for an easier read.

First, we get this page. Which.... is interesting. What could Undertaker possibly mean by different goals? At any rate, it seems to make something click for Sebastian.

Right after this, he seems to legit hallucinate (or could he possibly have PTSD from the Campania? I know, he's a demon, he's likely that he can't be traumatized, but he's legit envisioning Undertaker ensnaring our!Ciel again and it's not even happening).

He then abandons his order to capture Undertaker and runs to our!Ciel's side because "protecting his life comes first." Okay, but... protecting his life from what? Sebastian said at the end of the Campania arc that he was certain that Undertaker didn't want to cause our!Ciel harm, and if we're all to believe that to be true, then why is Sebastian freaking out that Undertaker is going to do something to hurt our!Ciel?

Sebastian completely abandons his order, Undertaker finds Sebastian endlessly predictable and our!Ciel is confused af because he wasn't party to whatever the hell it was that Sebastian has come to realize. Whatever it is, it DOES seem to involve our!Ciel's life and Sebastian being 'robbed' of it.

I don't know, guys... I hope seeing it animated next week will help me make some sense of this scene and it's something that I don't think has come back up in the manga as of the current chapters. Let me know what your theories are.

[volleypearlfan]

Where are the teenage/YA cartoons?

Recently, two cartoons that were slated to be on Cartoon Network, Unicorn: Warriors Eternal and My Adventures With Superman, are now going to be on Adult Swim.

To me, this move makes no sense. These shows could have diversified Cartoon Network’s very barebones lineup, but they were shoved to Adult Swim. I sorta understand Unicorn, as it is dark (but definitely not on the same level as Primal, one of Genndy Tartakovsky’s other shows), but My Adventures with Superman? That show seems pretty innocuous. It has a bright color palette and doesn’t seem similar to Harley Quinn or the later seasons of Young Justice.

This reminds me of the desperate need there is for teen/YA-oriented western cartoons. In western animation, there are three primary audiences:

Preschoolers; anything rated TV-Y, shown on PBS Kids, Nick Jr, Disney Junior, or Cartoonito. Example: Doc McStuffins.

Big kids/elementary school crowd; anything rated TV-Y7, can be seen on Nickelodeon, Cartoon Network, and Disney Channel. Example: The Amazing World of Gumball.

Adult; anything rated TV-14 or TV-MA, seen on Adult Swim, Comedy Central, or the prime time Fox lineup. Example: Rick and Morty.

That’s it. Despite what the rating of TV-14 might lead you to believe, the stuff on Animation Domination or Adult Swim isn’t targeted to teenagers, obviously.

This leaves teenagers in a weird spot when it comes to watching cartoons (western ones, that is. They definitely watch anime). They tend to stick with big kids and/or adult cartoons, like Avatar. With all of the heavy subject matter it and Korra tackle, they definitely feel more like teenage cartoons, especially since they were inspired by anime.

I bring up anime because they have clearly defined demographics, including teenagers. They have manga/anime for teenage boys, shonen (Naruto, One Piece, Dragon Ball Z), and teenage girls, shojo (Fruits Basket, Kamisama Kiss, Yona of the Dawn).

Shojo anime (except Sailor Moon) pretty much never air on American TV, but when shonen anime are exported here, they end up on Adult Swim’s Toonami block. For example, Demon Slayer aired on Toonami (they had to stop airing it because it got too expensive), and in America, the Mugen Train movie was rated R. This despite Demon Slayer being aimed at teenagers, and also being enjoyed by small children in Japan. They even had a Japanese Happy Meal promotion that ran alongside Pretty Cure, a show that actually is aimed at small children (kodomomuke).

With America’s teenagers flocking to anime, I believe that the American animation industry should keep up with the times and try to capitalize on the teenage demographic instead of shoehorning shows to be for elementary schoolers or adults.

Here are some western cartoons I believe could be classified as YA/teenage shows:

Avatar and Korra, as mentioned above.

Most cartoons aired on MTV, such as Daria, Beavis and Butthead, and Clone High. It helps that MTV itself was aimed at teenagers. Aeon Flux is an exception however, as it is clearly for adults. They’re often shoehorned into the category of “adult animation,” but their subject matter is more appealing to teens.

6teen. It’s right there in the title! Canada knows what’s up.

Total Drama, another Canadian cartoon. I know that they made the younger-skewing DramaRama spin-off because teenagers weren’t watching cartoons anymore, but now that the main show is coming back, it will definitely be aimed at teenagers again.

Sym Bionic Titan, yet another Tartakovsky show, pretty much is a teen/YA show, minus swearing. If I remember correctly, it aired on Toonami for a little while.

Regular Show. The most obvious example of a YA cartoon disguised as a kids cartoon.

Infinity Train. Never forget that it was cancelled because “no child entry point.”

As Told By Ginger is essentially a teen drama in animated form.

Invader Zim - Nickelodeon asked Johnson Vasquez to make a show directed towards older audiences, got exactly what they wanted (most of the viewership was from teens and adults, especially of the shops-at-Hot Topic variety) and cancelled it anyway.

Arcane is technically an adult series, but League of Legends is rated T by the ESRB, so I’m putting it in the teen/YA category (there IS a distinction between ‘young adult’ and ‘adult’)

I highly doubt that the likes of Nickelodeon will add a teenage animation block to their lineup (and TeenNick is nothing but iCarly reruns), but I hope that streaming services will start capitalizing on the YA demographic for western animation. Bee and Puppycat is a good start, featuring relatable young adult situations while technically being watchable for all ages. At least Unicorn is gonna air on ACME Night, which isn’t too late in the evening (currently, the block starts at 5:30 EST). And with Clone High and the aforementioned Total Drama making a comeback, I’m holding out hope for more YA animation.

[raven-at-the-writing-desk]

I don't know if you've discussed this before but I don't really get madols/thaumarks in terms of value.

I thought it was like yen as in the anthology Azul is fretting over a 100(100 yen is 0.65 usd) coin and they all think he's paranoid, making 100 madol seem insignificant.

But then 50,000(yen to usd is 316 usd) madol for an item is supposed to be crazy expensive? As shown in the prologue.

Which isn't much for the exchange rate.

At the end of book 3 it states that the menu in the mostro lounge is then priced at 5-16 thaumark an item????

It makes no sense

I talked about the difference between thaumarks (in EN, similar to the American dollar) and madol (in JP, similar to the Japanese yen) in this post. You will find many examples there as well!

You might be confused about the value of thaumarks and madol because currently the yen irl is weak. For reference, right now 100 yen is 0.65 or 65 cents in USD (not even a full dollar). However, I believe that the “true” exchange rate for thaumark to madol is more accurately described as 100 yen for every 1 dollar/1.00 USD. This results in a "cleaner" converted number and is closer to the value of the yen to dollar (100 yen to 1 dollar) when TWST first came out in 2020–though EN would not come out until a few years later. In 2024, the conversion is closer to 150-160 yen for 1 dollar, and this difference is probably what resulted in your confusion.

Knowing this, a thaumark is actually 1/100 the value of a madol. Just move the decimal point of the numver over to the left by two spaces to do the madol to thaumark conversion! This would make the value of a 50,000 yen/madol item actually closer to 500 dollars/thaumarks.

It should be noted that the broken chandelier in the prologue is stated to be worth “a billion” or more in both EN’s thaumarks and JP’s madol. Some numerical values like this are left unchanged between the two servers.

In real life, the value of currencies fluctuates all the time! But in a game like TWST, the currencies can be stabilized and unchanging regardless of what happens in the real world. That's likely the case in this situation.

In the anthology comic you referenced, the whole joke IS that Azul is fretting over what is a miniscule amount of missing money because he is just that stingy. The 100 madol coin and its 1 thaumark (or 100 sorcents) equivalent are supposed to be seen as not a lot of currency. He's overreacting over some change in both JP and EN currencies.

Edit: In the official English localization for the anthology manga, Azul states that “100 thaumarks” are missing. I believe a different translation team handles the manga, so this inconsistency may be an error. The error implies 100 dollars are missing. In reality, it should probably be “1 thaumark”, or a $1 coin, which is the equivalent of a 100 madol/yen:

As for the pricing of menu items at the Mostro Lounge, I don't think the values are strange at all. The prices quoted, however, are a little off. The items mentioned in book 3 actually range from 6-15 thaumarks or 600-1500 madol.

Azul explains that the drinks on the menu are 6 thaumarks/dollars (600 madol/yen). This is even more expensive than asking for a glass of juice or soda at a restaurant (a few dollars or a few hundred yen). It’s about the same price as a specialty drink (think like a mocktail or something). Putting that another way, that’s about the same cost as a tall Starbucks drink.

Azul also says that there is a limited menu with items for 15 thaumarks/dollars (1500 madol/yen), which I imagine are like the lunch sets or desserts. Many cafes and especially anime/manga collab cafes (which are notorious for being costly) have similar pricing for their dishes; in some cases. Here is an example of a menu from a Tokyo Mew Mew collab cafe (although you can find several others with matching prices or cost even more):

Let's also keep in mind that Azul only stated that items on THIS particular limited collab menu were 15 thaumarks/dollars or 1500 madol/yen each. We don't know if other limited collab menus or if the regular item menus are higher/lower cost. We should be cautious of using the 6-15 thaumarks/dollars or 600-1500 madol/yen range to cover the entirety of the food and drink prices that Mostro Lounge offers. For example, in Azul’s Dorm Uniform vignettes, he specifies that he’s selling the Mystery Drink for 1500 madol/yen or 15 thaumarks/dollars, which is significantly more than (/over double) the usual cost of a Mostro Lounge drink. If you got the mystery drink with your lunch, you’d already be in at $30 or 3,000 yen for a single meal—and again, this is only if you don’t count extra costs for tax and/or tip.

Let's do some math terrifying, I know... Deuce is shaking for what I assume is the regular order for a student dining in. We will order 1 drink and 1 item from the limited menu. Without tax (and tip, if Twisted Wonderland has that), this alone would cost you $21 or 2,100 yen. It'll cost even more if you order extra drinks or dessert. I imagine that just the 1 drink and 1 limited menu item together already cost significantly more than what you can get to eat at the school cafeteria. Because NRC is based on a British boarding school, let's use the irl cost of the average British high school's lunch costs (2-3 pound sterling, according to Google) to compare. 2-3 pound sterling is about 3.70 USD or 370 yen. Even if we were to assume that a private British boarding school would charge significantly more for food (because it's a "fancier" institution)—be it double, triple, or quadruple the price—students would still be paying a fraction of what one casual meal at the Mostro Lounge would cost. Not only that, but NRC students are getting more bang for their buck in the cafeteria, since food is served buffet style. You get a lot more variety and amount of food for much less initial cost. Comparatively, Mostro Lounge is the expensive option 🤡 (even if most of the main cast and NRC student body seem to be from pretty well-off families and could probably afford eating there daily, no problem). The average high school student has no income, has limited allowance, or earns minimum wage, so that cost of a fancy Mostro Lounge meal would take quite a bite from their personal spending budget.

[coyotecrackers]

‧₊˚❀༉‧₊˚. Love Blooms ‧₊˚❀༉‧₊˚.

Hi! I’m so excited to share that I participated in Enmity: A ZoSanZo Bang 2024 this year!

I worked with @/Zauberkohle (sadly not on tumblr), who created some amazing art to go along with this fic, coming soon! Thank you for making it come to life! <3

I also have to thank @clood who beta’d for me and caught all of my silly little mistakes!

—

Love Blooms is a Hanahaki!AU that follows Sanji as he struggles to come to terms with his (seemingly) unrequited love for a certain green-haired swordsman, all while navigating the perils of the Grand Line with the rest of the Straw Hat Crew. Chapter 1 is out now, with more to come!

—

SUMMARY AND TAGS BELOW THE CUT

Chapters: 1/3

Fandom: One Piece (Anime & Manga)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Relationships: Roronoa Zoro/Sanji

Characters: Roronoa Zoro, Sanji (One Piece), Monkey D. Luffy, Nami (One Piece), Tony Tony Chopper, Emporio Ivankov

Additional Tags: Hanahaki Disease, Pining, Unrequited Love, Not Actually Unrequited Love, Light Angst, Hurt/Comfort, Canon-Typical Violence, Blood, Swearing, Smoking, Pre-Time Skip, Post-Time Skip, Vomiting, Language of Flowers, Happy Ending, Angst with a Happy Ending

Summary:

At first, Sanji thought all his smoking was finally catching up to him. In the aftermath of Thriller Bark, he found himself burning through more than two packs of cigarettes a day, and he developed a sharp cough that ached deep in his lungs, but Chopper was too busy taking care of that shitty swordsman to spend time on anyone else.

After the disaster of Sabaody, Sanji needed to get back to reunite with his crew, but those damn Kamabakka pirates seemed to have taken an interest in him. Or more accurately, they were very curious about the nature of Sanji’s cough. When he coughed up a bloody flower petal one day they were very quick to ask him who he’s in love with. But Sanji didn't understand; he wasn't in love with anyone, and what would that have anything to do with mysteriously coughing up a flower petal?

Well, as it turns out, it could all be summed up into one word: Hanahaki.

[watermelonsloth]

Should Shikamaru have become a Medic Nin?

Back when I made my post about Ino on the Sasuke Retrieval Mission, I ended up returning to the manga to review some info. While reviewing, I returned to Shikamaru’s reaction to the failed mission/his comrades being okay. I could talk about how fucked up Temari and Shikaku’s reactions to Shikamaru’s very reasonable self-doubt/guilt was, but for now I’ll just talk about his interactions with Tsunade following those reactions. Specifically how (and I might just be reading into this) their interactions seem to hint at him becoming a medic ninja.

First, some review/background info for anyone who hasn’t read the manga/watched the anime in a while. The scene starts with Shikamaru and Temari sat outside Choji’s hospital room. At this time, Choji and Neji are under intensive care, Kiba has barely woken up, and Naruto and Sasuke are both still missing in action. Shikamaru feels guilty for, despite being team leader, walking away mostly unscathed and tells Temari that he’s considering quitting being a shinobi altogether. Temari tells him off for being emotionally “delicate” and Shikaku tells him off for being a “coward” (specifically saying that him leaving the field won’t actually protect anyone). Then Tsunade shows up to say that Choji is stable, Shizune says Neji is stable and Naruto’s returned alive, and Tsunade says she couldn’t have asked for more than them all getting out alive. Shikamaru promises the next mission will be perfect and the chapter ends.

This is a nice moment, but it’s not really relevant to my point outside of Tsunade mentioning that the “Nara Clan’s Sacred Medicine Guide” was helpful. The main reason I brought this up is because of how it frames the next scene.

So, the last scene was Shikamaru anxiously waiting outside the ninja icu for his best friend to survive feeling so useless that he wants to quit his job, something he only decides against after hearing that his team isn’t dead and being told that if he doesn’t want his friends to die, he should work to better keep them alive in the future. The next scene is him talking to Tsunade about how every team should have a medic nin and what it takes to become one. For the people who framing isn’t their strong suit: it’s following up a scene about a character realizing that to reach their goal (keeping their friends alive) they need to step up and work harder with a scene explaining how hard medic nin have to work to step up.

You can't even argue that Kishimoto doesn’t know that the previous scene will impact how the following scene is interpreted because he does it for the literal next scene transition. Almost immediately after Tsunade ominously saying that first-rate medics need a “special something” (literally only 2-3 panels apart) it cuts to Sakura, future medicine extraordinaire. At most, you can argue that Kishimoto intended for the scene to be interpreted as Shikamaru becoming a smarter strategist or that Kishimoto wasn’t considering transitions between chapters. But unintentional readings are still valid, so I think my point still stands.

Now that I’ve talked about the story structuring that started me down this rabbit hole, let’s talk about the actual story. Should Shikamaru become a medic nin?

I first want to go over whether or not Shikamaru has what it takes to become a medic nin according to Tsunade. She lists the qualifications as follows: a light and precise hand, an enormous amount of expertise, an adeptness at practical application, patience, and a “special something”.

Taking her first point literally, Shikamaru is pretty precise in all that he does and I don’t think shaky hands will be a problem for him considering all of the awkward positions he maintains for his different shadow jutsu. Taking it in a more metaphorical “gentle but efficient touch” sort of way, I also think it applies, at least when it matters. The best example of this is when he dragged Naruto out of his depression after Jiraiya’s death, but I’ll also mention how he became friends with Choji by standing up for him (in his own way) and how he deferred to Ino in the Forest of Death about protecting Sakura. Expertise is easily yes because it’s just training and Shikamaru has shown his willingness to put in the work if it’s for the people he cares about. I don’t think practical application will be a problem for two reasons: 1. Considering he’s able to translate shoji, a board game, into on-field strategies, he seems pretty good at translating practice into practicality, 2. Shikamaru just got out of a conversation with Temari about how he was too naive and that there’s a difference between training and doing, it wouldn’t make sense for him not to try getting better at the doing part after saying that. Patience is probably the most obvious. Asuma literally described him as doing everything at the pace of an old man. The “special something” isn’t explicitly defined in-manga, but it’s implied to be a person’s personal drive to do something/reach a goal. While it isn’t exactly something I’d describe Shikamaru as having at this point in the series, I would say him gaining it would align with his character arc of gaining that drive and learning to follow it.

Speaking of character arcs, I also want to get into how I think him becoming a medic would impact his character quality. I’m not gonna detail how him becoming a medic would be better payoff to his two scenes with Tsunade at the hospital because I’ve already gone into them and I think you’re smart enough to figure that out yourself. I also won’t get too into the other main benefit to him becoming a medic because I’ve already made a post on the topic. OGs of this blog may remember my post about Shikamaru’s sexism and how it should’ve been addressed in-series. Shikamaru becoming a student of Tsunade would absolutely do this. Not only would he be acknowledging her prowess as a ninja, but it would also give him a positive female role model (one who didn’t shame him for his feelings and would absolutely understand his fear of his loved ones dying in the field due to his failure). Plus, depending on your conclusions about the ninja world, by becoming a medic, he might be entering a female dominated field. I also think that him becoming a medic/doctor/surgeon would be a good (and potentially better) end to his character arc about motivation and self discipline because the medical field is absolutely ruthless and slackers aren’t gonna make it.

Some miscellaneous thoughts I had are also that expanding on the Nara clan’s ties to medicine would be interesting, Shikamaru probably has the chakra control for the job considering his clan jutsu, the series is in dire need of more male medic nin, there would be way more tragedy to Asuma’s death if Shikamaru couldn’t save him even with medical ninjutsu, I think Shikamaru killing Hidan using his knowledge of the human body (like irreversibly paralyzing him or just slowly cutting him to bits with the chakra scalpel rather than blowing him up) would be cooler, and Asuma wanting Shikamaru specifically to take care of Kurenai and Mirai would make more sense if he was a doctor.

If nothing else, I think Shikamaru becoming a medic ninja would make more sense than Ino and arguably Sakura.

[yanderes-for-everyone]

Title: Yakuza Fiance

Status: Ongoing

Summary:

Yoshino’s engagement is far from a dream come true. Her grandfather, head of the largest yakuza group in Kansai, has arranged her marriage to Kirishima, grandson of the Miyama Clan leader, as part of a truce. To Yoshino’s surprise, Kirishima seems kind and charming for a yakuza member. But his warm facade only serves to mask a dark and dangerous truth. (Crunchyroll)

My Feelings About It (No Spoilers):

I'm honestly shocked that I haven't recommended this manga yet. Luckily now is the perfect time to rec it because...THE ANIME IS OUT!!!!

When I heard about the release I was kinda shocked. You wouldn't think that it would be greenlit because the Ml is batshit crazy. I'm sure most of you have consumed some yakuza/mafia romances before. This has a pretty classic premise. Yoshino is the granddaughter of a yakuza, and in order to form a truce with the largest yakuza group in Kansai she get's engaged with Kirishima (the future heir of the group).

At first he doesn't really have any interest in her, but that doesn't last long. He falls fast and he falls hard. He's super clingy (he puts a tracker in her phone and he follows her around everywhere). He gets super jealous (I don't want to spoil, so you'll have to take my word). And he goes feral if anyone tries to hurt Yoshino.

There is one little thing that might bother some people: He's a bit of a womanizer. I know that's a deal breaker for a lot of people, but I still think he's worth it. Once his obsession begins to deepen he only thinks about her.

Plus even if you end up hating the ML and FL is so cool. She doesn't take ML's shit. (she's also pretty hot tbh).

Yandere Rating: 8/10*

Overall Rating: 8/10

*Meaning the ml’s yandere intenseness

[manicpixieyandere]

Our Top 5 Systems In Media

As we all know DID/OSDD rep has never been the best in media. So we figured we'd share our favorite systems in media! This will be characters diagnosed with DID/OSDD or just plural coded. Gotta spread the positivity you know?

Number 5: Venom & Eddie Brock

Marvel Comics / Venom

Venom and Eddie were the reason we started reading comics in the first place! They're an amazing love story. But also an amazing system story. Learning how to share a body and work together. It's self love but also romantic love! And yes it's canonically romantic don't you dare try to deny it. They have like 8 kids bro.

Number 4: Heart, Mind, & Soul

Chonny's Charming Chaos Compendium

Now these songs are fire that we have on so so many playlists. As far as we know Chonny isn't plural but still ended up writing a story about human duality that also encompasses plurality quite well. This system feels most relatable to us and how we operate as an OSDD system.

Number 3: Shimada Kayn & Rhaast

League Of Legends / Heartsteel

Specifically we want to mention their Heartsteel versions where it is heavily hinted that Kayn has DID in this universe and Rhaast is an alter. This does a cool thing we like in League where they creatively use magic to code in disabilities in the main universe but then actually keep those disabilities in the more realistic skinlines. Like Aphelios staying mute In Heartsteel for example. We just love the banter Kayn and Rhaast have. And also their part in the song is the best.

Number 2: Asa Mitaka & Yoru

Chainsaw Man

We absolutely love these two! We originally read the manga for Makima but were pleasantly surprised when Denji took a backseat in arc two and Asa and Yoru became the protagonists! The way they both start to care for each other more overtime is very sweet. It's nice seeing them embrace each others' sides a bit more. Asa becomes more confident while Yoru learns compassion. We can't wait until they make it into the anime one day. Even if that's in 20 years at this rate.

Number 1: Marc Spector, Steven Grant, & Jake Lockley

Moon Knight

Specifically we want to talk about show Moon Knight. The comics are fine but we absolutely prefer silly sweet cinnamon roll Steven over Bruce Wayne wannabe. But more importantly the story of DID in Moon Knight is so incredibly important. We actually rewatched it soon after discovering our system. Seeing Marc and Steven learn how to integrate and work together to be Moon Knight is so emotional and powerful. It serves as inspiration and hope that we could achieve that one day. Obviously there's some stuff played up for Hollywood, but for the most part it's a very accurate representation of plurality based on our own experiences and other's we've seen online. Obviously not everyone agrees, but it seems rather well received for the most part!

Edit:

Honorable Mention: Sun, Moon & Eclipse

FNaF

Oh my god! How could we forget Sun, Moon, and Eclipse? The literally "us frfr" characters! Everyone's favorite canonically autistic skrunkly! We've seen some debates on if The Daycare Attendant perpetuates the "evil alter" stereotype. We can certainly agree it's a fine rope to walk, but the way Sun and Moon are written is interesting enough. It's hinted Moon isn't exactly himself at the moment. Moon is also just supposed to play the villain in theatre shows! They're theatre kids, quite fun!

[glanceart]

Seraphic_gate Yuumori Fic Masterlist

There has been an interest in my yuumori fics lately, so I tried to write up a little reference for all of them.

Some of them are pretty old at this point and how well I write seems to fluctuate a lot, so please forgive some rough spots. I don’t really do historical accuracy very well either, it’s just for funsies anyway. I think my strong point is in the character writing.

Ships: they’re all sherliam 😂

Please check the tags on the Ao3 pages too. It’s pretty vanilla, but some stuff might be more than you like.

Law of Gravity

Rating: General/Teen

A canon-divergence starting right at the fall of manga chapter 55. Anime Only’s can also go in with not too much difference.

Synopsis: Sherlock and William are on the run from the law together, stumbling into mysteries and life experiences they’ve never had. Along the way, they develop as people and come to terms with the complex feelings they have for each other.

(What I found funny about this in retrospect is that the source material ended up doing a very similar thing, although mostly off screen.)

Status: It is pretty much concluded, I’m just trying to come up with a final chapter as a proper send off for the series.

Warm Nights in Winter

Rating: Adult/Explicit

A companion piece to Law of Gravity that goes into the sexual content I didn’t feel was appropriate for the main fic. More space to explore the sexual development of this specific iteration of the characters I ended up with.

Status: complete unless I get more ideas

Big Easy

Rating: Adult/Explicit

One-shot of Sherlock/William staying in New Orleans and how they’re dealing with the heat. It’s a fluffsmut vibe.

That Man

Rating: General

One-shot. This one has Louis in it, wow 😂 It’s basically me playing with the idea that maybe Louis sees what is going on before everybody else and how he processes that.

Absolute Pin

Rating: Adult/Explicit

Started out as just me needing some top!liam content, but ended up more of an exploration into what might happen if sherliam entered a situationship long before the reveal, what kind of games they’d play, what it would do to them emotionally, etc.

Status: ongoing, maybe 1-2 more chapters.

No Names

Rating: adult/explicit

“What if they fucked on the Noahtic” the fic.

One-shot

Perfect Blood

Rating: Adult for violence/gore (possible smut one day idk)

A vampire AU where the Moriartys are a vampire family. Sherlock has been solving mysteries with morbid commonalities, and this trail leads him to an underworld full of creatures that defy logic and science.

Status: incomplete. I would love to continue this series, but my fic brain has been in off mode for over a year now. Idk who wrote this, it’s like they possessed my body. If they ever come back, I’ll let you know.