I love how blasé the gemini twins look most of the time. Like so absolutely unamused by most people. It's one of my favorite aspects of the comic.
that's part of their brand.
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Beach episode but the anime kind so nothing really goes wrong and they actually get to relax and they just have some good summer fun!
my piece for @startrekswimsuitspecial 's latest edition!! it's full of fun summery pieces, I highly reccomend getting it!! ! It's free or pay what you want and the proceeds will go to the Palestine Children's Relief Fund!!
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First art of the new year is all about re-structuring your internal monologue.
In my early 20s I was working full time in London with many social commitments and a variety of hustles and side projects.
In my later mid 20s I cater to many sensory and social drain needs I have and indulge in special interests while respecting my lower energy reserves and celebrating my different way of processing the world.
Did I get more autistic? Nah. I got less fake.
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[Art description: Three panels showing figures on a black background. Long descriptions follow.
1. A drawing of OP as a person with hip-length hair and a dress standing sadly with her hands clapsed together in front of her. She is coloured a muted rainbow gradient. Behind her, two pairs of nondescript figures chat while smiling. White text says, ‘I’m getting more and more autistic the older I get.’ 2. OP’s colours are brighter, and her expression looks happier. Crayon-like scribbles have crossed out the text from the previous panel. 3. OP’s colours are vibrant, and she balances on one leg and throws her arms out as she dances. The text above has changed to say, ‘I’m becoming more and more myself the older I get.’ \End descriptions]
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“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.
Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."
If you can feel the hand of the author becoming too heavy that's bad.
For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.
The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.
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I dont get people who write a Wyll that gets nervous and an Astarion who doesn't. Wyll gets tortured in front of the group and still doesn't miss a beat, aside from if you let his father die, I think there's only one or two lines where his dialogue strays from "affable/charming". Good luck trying to get through that shell, lol. Meanwhile Astarion has dozens of shrill, nervous, panicked dialogue lines. Astarion is a character who is influenced strongly by player choice and never goes it alone whereas Wyll leaves the camp if you fuck him around too much.
I feel like if you make Astarion cool and suave you are falling for the façade that is supposed to be deconstructed by the viewer and if you make Wyll fumbling, naïve and nervous you are forgetting that this man has been locked in a 24/7 one-on-one psycho-sexual mental battle with a billion-year-old demon from the 9th circle of Hell for the entirety of his adult life at this point, so. Jot that down.
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Because I have just seen this specific thing for the second time, I would like to say:
If I reblog your art, I do not expect you to reblog (or share!) my fic in return
If I comment on your fic, I do not expect you to comment on (or read!) mine in return
My enjoyment of anyone's work does not come with strings or expectations
My friendship is not a bill that you will have to pay later
That's it!
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some people: ughhh the bigeneration totally undermined Ncuti’s entrance!!!
Ncuti, probably: teehee I get to call David Tennant honey
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I'm still not over the fact that in the book, Aziraphale and Crowley are supposed to look 30 and 24 years old...
This is what they would look like
That's David in 1995 in The Bill and Michael in 1997 (not quite 99 like it's supposed to be) in Wilde.
Those are children! Mere babies!
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