#or that he only wants to kill Actually Evil people and is always right in his assessment of them;

[gammija]

post adressed to like 5 people but ive been reading the martin blackwood tag cause i miss my man, and theres a few posts bemoaning martins UWU-ification in some fanon. Which, fair enough, but i do think the pendulum can swing too far back to 'the guy has no morals and will kill without hesitation' - for the biggest part of the show, while he mightve not always been nice, he did want everyone to get along. by the time he starts advocating for murdering 'monsters' he has literally been through several hells

[stairset]

Love the idea here that the other rebels' problem with Saw is just that he blows shit up and not the whole "torturing prisoners and endangering civilians" thing

[cruel-seduction]

Tom Riddle Headcanon || 18+

(୨୧) 6’3 | Tall, intimidating, and he knows it. He’s tall, but not towering—it’s the kind of height that lets him loom over you just enough to make you uncomfortable in the best way. His presence is magnetic, commanding, like he’s taking up more space than he actually does. (You think you can hold eye contact with this man without second-guessing your life choices? Good luck.)

(୨୧) Lean, but it’s that sharp, calculated kind of lean. Like he was sculpted out of pure ambition and dark magic. His cheekbones? You could slice your finger on them, and his jawline looks like it was chiseled by Salazar Slytherin himself.

(୨୧) He doesn’t have He’s not bulky—oh no, Tom believes muscles are for people who need to physically overpower others. His strength is in his mind, but don’t mistake that for fragility. He’s all sharp edges and taut sinew, like a blade just waiting to cut. Tom has power. Subtle, unassuming strength that hits you when he casually pins someone to the wall or clenches his fist during an argument, making every vein in his forearm pop. (And suddenly you’re wondering if you enjoy being terrified of a man.)

WE LOVE A MAN WHO COULD STRANGLE US WITH ONE HAND AND STILL LOOK PERFECT DOING IT!!!! 

(୨୧) Abs? Oh, he has them. But they’re not flashy gym-bro abs—they’re carved out of years of silent rage and perfectionism. You’d only see them under candlelight, the shadows teasing you just enough to make you question every moral fiber in your body.

(୨୧) Tom doesn’t work out. Ever. He’s too busy reading ancient texts and rewriting the definition of “overachiever.” Yet somehow, he has the kind of body that looks like it was sculpted by dark magic itself. His posture is impeccable, every movement deliberate and precise, like he’s constantly two steps ahead of everyone else.

(୨୧) Long fingers, veins visible, nails always perfectly kept. These are the hands of someone who can cast a killing curse with chilling accuracy—or caress your skin like you’re the most fragile thing in the world.

(We LOVE a man who could both destroy and cherish us with the same hands!!!)

(୨୧) His face? The blueprint for the resting evil smirk. He doesn’t even have to try to look dangerous. One glance, one slight quirk of his lips, and suddenly you’re doing whatever he wants without thinking twice. (You: “Why am I holding this cursed object?” Tom: “Because I asked nicely.” …And now you’re smiling like an idiot while the Horcrux slowly sucks away your soul. Love that for you!)

(୨୧) Hotness Level: Nuclear

Tom doesn’t just walk into a room—he owns it. His hotness isn’t in your face; it’s insidious, sneaking up on you until suddenly you’re wondering how you got trapped in his web.

His energy? He doesn’t need to ask for your soul. You’d willingly hand it over while thanking him for the privilege.

And when he’s angry? Oh, you feel it. That piercing stare, the slight tilt of his head, the way his voice drops an octave just to let you know you’ve made a very, very big mistake.

THERE’S HOT, AND THEN THERE’S TOM RIDDLE HOT—THE KIND THAT MAKES YOU WANT TO APOLOGIZE FOR BREATHING TOO LOUDLY.

(୨୧) A Walking Manipulation Manual Tom doesn’t ask for things. He makes you want to give them to him. Every glance, every word is carefully calculated to pull you into his orbit. He’s not just charming—he’s dangerously compelling. (One conversation with him, and suddenly you’re questioning your entire moral compass. Like, “Oh, you want me to help you break into the Restricted Section? Sure, Tom. Anything for you.”)

(୨୧) Validation is His Drug Let’s be real: Tom craves approval like it’s oxygen.Tom will deny it to his last breath, but he needs to be the best. He doesn’t just want to succeed; he wants to be the only option. It’s not enough for him to win—everyone else has to lose. (And don’t get me started on how he reacts to praise. Compliment him in the right way, and you’ll see that flicker of pride in his dark eyes before he schools his face into that unreadable mask again. We love a secretly vulnerable king.) He’s spent his whole life proving he’s better than everyone else, and it’s not just for pride—it’s because he doesn’t know how to not seek validation. He thrives on being the teacher’s pet, the top student. Maybe it’s because he never got his parents validation. But trust me when I say he is a bitch for teacher’s validation. (But let’s be clear: the second you start overshadowing him, he’ll knock you down a peg faster than you can say Avada Kedavra.)

(୨୧) Control Freak Everything about Tom screams precision. His desk? Immaculate. His spells? Flawless. His plans? Perfectly executed. He doesn’t just like control—he needs it. Chaos makes him itch, which is ironic considering he’s the embodiment of quiet destruction. (And He will make sure you’re oriented too) 

(୨୧) Manipulative but Subtly Possessive He doesn’t say you’re his. No, Tom makes it clear in subtler ways—like the way he rests a hand on your back just as someone else looks at you too long. Or the cold, sharp glare he gives anyone who dares speak to you without his permission. (A man who makes you feel like a queen while also terrifying everyone else around you.)

(୨୧) Unyielding Ambition Tom doesn’t just want success—he wants power. He wants to be remembered, revered, and feared. He’s the guy who’ll smile sweetly at a professor while planning to steal their research for his own gain. He has a goal. He will do anything to get there. Anything can include from threatening someone to killing someone. He is, as poet says a psycho. 

Tom Riddle | The Duality

(୨୧) The Charm is a Weapon His voice? Silky smooth, with just enough edge to keep you on your toes. He’s polite, refined, and utterly disarming. But behind that charming smile is a predator watching his prey. (You’re falling for him, and you don’t even realize it until it’s too late. And honestly? You don’t even mind.)

(୨୧) Dark, Brooding, and Mysterious Tom’s the guy sitting alone in the library, surrounded by ancient tomes, quill scratching quietly against parchment. He’s untouchable, aloof, and yet somehow you can’t stop staring. (You just know he’s plotting something, and you want in on it. Even if it’s dangerous. Especially if it’s dangerous.)

(୨୧) The Possessive Gentleman He’ll hold the door open for you, pull out your chair, and offer you his arm as you walk. But don’t be fooled—this isn’t just gentlemanly courtesy. This is Tom Riddle subtly marking you as his. (Imagine him offering you his coat and then hexing anyone who dares comment on it. THAT’S the energy.)

Tom Riddle|| Personality 

(୨୧) He’s the Most Dangerous Kind of Asshole—Polished and Calculated Tom isn’t like Mattheo, who might yell across the hallway for a laugh. No, Tom is refined, cold, and deliberate. When he doesn’t like you, you won’t hear him shouting about it—he’ll make you feel it. He’ll dismantle your self-esteem with just a few carefully chosen words delivered with a sharp smile. (“A shame you couldn’t understand the assignment. I suppose not everyone’s meant for greatness.” Translation: You’re an idiot, and he’s better than you.)

(୨୧) He’s Addicted to Control Every aspect of Tom’s life is planned. His work is immaculate, his appearance is flawless, and his ambitions are unshakable. He thrives on structure because chaos reminds him of what he came from—something he’s desperate to leave behind. Don’t ever try to surprise Tom; he’ll take it as a personal offense. He hates unpredictability because it’s the one thing he can’t manipulate.

(୨୧) A Master of Masking His True Self Tom can charm anyone. Teachers adore him. Classmates admire him—or at least pretend to, because who wants to get on Tom Riddle’s bad side? He wears his “perfect student” persona like armor, and it’s nearly impenetrable. (But let’s be real, you know he’s sneaking into the Restricted Section at 2 a.m., whispering spells under his breath like it’s his birthright.)

(୨୧) Unhinged Beneath the Surface Tom doesn’t snap in loud, dramatic outbursts. No, his anger is a quiet, simmering thing, so much worse because you never see it coming. He’ll stare you down with a look so cold you’ll swear the temperature dropped, and then suddenly— “I suggest you choose your next words carefully. You won’t like what happens otherwise.” (And when he does lose it? You better pray you’re not in the blast radius because that’s some “destroy-everything-in-sight” level fury.)

Tom Riddle | Relationships and Obsession

(୨୧) Emotionally Unavailable, But Intensely Possessive Tom doesn’t do feelings. Or at least, that’s what he tells himself. He views relationships like he views everything else in his life: something to control. But when he does fixate on someone? It’s all-consuming, suffocating, and terrifyingly intense. He won’t shout “you’re mine” from the rooftops. Instead, he’ll show it in the way he glances at anyone who gets too close to you, the subtle squeeze of his hand on your waist, the icy calm he maintains when someone dares flirt with you. (“You’re being watched, princess. I’d think twice before entertaining fools like that again.”)

(୨୧) Manipulative in the Most Beautiful Way Tom has mastered the art of making you think his darkest ideas are your idea. He’ll twist your words, your emotions, until you’re second-guessing yourself and believing that he’s the only one who truly understands you. (“You don’t need them. They’ll only disappoint you. I’m the one who’s always been here, haven’t I?”) (Yes, it’s toxic, but are we complaining? Nope. Absolutely not.)

(୨୧) Softness is Reserved for You and You Only Tom is cold to everyone—except you. When it’s just the two of you, he lets his walls down just enough to show you glimpses of the boy beneath the monster. He’s still composed, but his voice softens, his touch gentles. He’ll sit beside you in the library, his hand brushing yours as he murmurs, “You’re brilliant, you know. Far more than they deserve.” (That’s right. You’re his weakness, and we’re eating that up like it’s our last meal.)

Tom Riddle | Dark Habits and Quirks

(୨୧) Obsessive Overachievement If Tom gets less than perfect marks on anything, he’ll lose sleep over it. He’ll re-study every detail of the assignment until it’s engraved into his mind. (If you try to comfort him, he’ll glare and say, “Mediocrity is unacceptable.” …Okay, Tom, calm down.)

(୨୧) No Time for Fun or Friends Tom doesn’t “hang out.” He doesn’t do parties or casual drinks with the boys. His version of “fun” is solving an ancient magical riddle or perfecting a spell no one else has dared attempt. (Though I imagine he secretly finds your mundane activities fascinating. He’ll pretend he’s annoyed, but he’s watching you decorate a cake like, “How… how does one enjoy this?”)

(୨୧) Petty in the Most Refined Way Tom won’t call you out in public, but he will ruin your life in ways you don’t even realize until it’s too late. (“Oh, did you fail the test? Strange. I suppose all that time gossiping didn’t leave you much room to study.” Cue his perfect grade plastered on the board.)

(୨୧) Refuses to Eat Like a Normal Human Being He’s the type to skip meals because he “doesn’t have time for such trivialities.” When he does eat, it’s methodical, quiet, and eerily polite. (You could be scarfing down chips, and Tom’s over here delicately slicing his food into perfect pieces. Honestly, it’s infuriating and hot at the same time.)

(୨୧)  When Tom Realized He Was in Love Tom was the last person to admit he was capable of love. He didn’t need it. In fact, he despised the very idea of vulnerability. At first, he simply enjoyed the control, the power he had over you, the way you seemed so easily ensnared in his web. But then something changed.

It wasn’t dramatic. No hearts aflutter, no sudden epiphany. Instead, it was little moments—the way your laugh made his heart tighten, the way his thoughts lingered on you when he was supposed to be focused on his next conquest. It started to feel like something deeper. The first sign? He found himself doing small things for you, things that felt personal—that were not for his image, but just for you.

Like when you were late for a class, and Tom “accidentally” got your notes for you—notes he knew you didn’t need but knew you’d appreciate. Or when he made sure the books you wanted were always ready for you in the library, despite the fact that he despised wasting his time on “mundane tasks.” He would act as if it was no big deal, but his eyes would linger on you a moment too long, watching you with a touch of something he refused to name.

(୨୧) When He Realized He Loved You

Tom didn’t have some grand epiphany. It was a slow, torturous process of denial. But the moment he knew? It was after you smiled at him after a particularly heated argument about something inconsequential. You stood your ground, refused to back down, and still looked at him like he wasn’t the monster he feared he was. He walked away, but later that night, when the castle was silent, he whispered the words into the dark, testing them out as if saying them aloud would make them feel less… dangerous. "I love her."

(୨୧) His “Confession” Was Terrifyingly Intense

Tom doesn’t stumble through his words like Mattheo might. No, when Tom confesses, it’s calculated and deliberate—but still deeply unsettling.

“You’ve done something to me,” he said, his voice dangerously low, his gaze piercing. “I don’t know what it is, but I can’t stop thinking about you. And I won’t. So you’re going to stay by my side, because that’s where you belong.”

(Translation: We are gonna stay together forever. And we belong with each other. )

(୨୧) Tom’s Denial and “Caring” Moments When Tom started feeling what people call “love,” he fought it. He refused to let himself admit it, convinced that emotions were a weakness. He never said “I love you”—not in the way that other people did. Instead, it was subtle. Insidious. He’d show his affection in the smallest, most frustratingly subtle ways. He wouldn’t bring you flowers or offer grand gestures. No. Tom’s “love” was found in the way he’d drag you into the darkness of the restricted section when no one was watching, the way his fingers brushed yours for a split second before he pulled away, pretending he didn’t want to touch you.

And he definitely wouldn’t say “I love you” unless absolutely necessary. He didn’t need to. His actions spoke louder.

But then, one evening, it just… slipped out. You were sitting together in his private little corner of the library, your laughter echoing in the otherwise silent space. Tom, for once, seemed genuinely relaxed, his usually tense frame at ease. He was looking at you, his gaze dark but softened—something that wasn’t there before.

“You... make everything easier,” he muttered, almost to himself. When you raised an eyebrow, he didn’t immediately elaborate. Instead, he just leaned in, his lips brushing your ear as he added, “It’s ridiculous how much I care about you.” and you just smiled and pecked his lips.

There was no "I love you," not in so many words. But you heard it, and it made your heart do something strange—flutter, maybe? But you weren’t sure if you were imagining it because Tom's voice was still so casual. Like everything he said was just... a matter of fact.

(୨୧) Praise Where It Matters Most

Tom doesn’t throw compliments around lightly. When he says something nice, it’s like being struck by lightning. His words carry weight.

“You’re brilliant,” he’d murmur, his voice low, his gaze intense. “More than anyone else here. Don’t ever let them make you think otherwise.”

(And yes, you’d be a puddle on the floor because Tom’s version of praise feels like a rare, precious gift.)

(୨୧) Tom’s Trust and Relationship Dynamics Here’s the thing: Tom doesn’t get jealous. He’s above it. It’s not in his nature. If you’re his, you’re his, and no one dares to get in the way. He doesn’t need to question your loyalty, because in his mind, the moment he chose you, he is gonna trust you more than anyone. For him you’re never at fault but the other person is gonna die. It’s not that he’s insecure—it’s that he knows you would never cheat on him. Why would you? You have everything you could ever need in him.

He doesn’t even feel the need to keep tabs on you, though don’t get it twisted—he is watching, but he does it from the shadows. If you’re not at his side, he trusts that you’ll come back. You always come back. And if you don’t, well… that’s where things get a little interesting.

He’s not showing you off like Mattheo might; he’s staking his claim.

If anyone so much as looks at you the wrong way, you’ll feel the shift in his demeanor immediately.

“Do they think they’re worthy of your attention?” he’ll whisper, his tone deceptively calm. “They’re not. Let me remind them.”

(Spoiler: He will. And it won’t be pretty.)

(୨୧) Acts of Service, But Darker

Tom will do things for you, but it’s always with a hidden motive. Did someone upset you? He’ll “take care of it.” Did you want something rare or hard to find? He’ll get it for you, no questions asked.

“Consider it handled,” he’ll say with a ghost of a smile. But you know better than to ask how he handled it.

(୨୧) The Gaslighting Is Unreal

If you ever try to put distance between you and Tom, he’ll make you question everything.

“Why would you leave? After everything we’ve built together?” His voice will crack just enough to make you hesitate.

And when you falter, he’ll pull you back in with a kiss so intense it leaves you breathless, murmuring, “I can’t lose you. Don’t you see? You’re my weakness.”

(୨୧) First Kiss

It happened in the library, of course. You were studying, lost in your notes, and he was pretending to read while stealing glances at you. He didn’t plan it, but you looked up and caught him staring.

“What?” you asked, tilting your head with that infuriatingly perfect smile.

He leaned in before he could stop himself, his hand cupping your cheek as his lips met yours. It wasn’t soft or tentative—it was intense, consuming, like he was staking a claim. When he pulled back, his expression was unreadable.

“You’ll be the death of me,” he murmured before returning to his book as if nothing had happened.

(୨୧) The Reality of Tom Riddle’s Love

With Tom, everything is earned. He doesn't just give his heart away, and certainly not without demanding something in return. But for you? You’ll always have his trust. You’ll always have his attention. You’ll always know that beneath that cold exterior, he’s obsessed.

Tom Riddle | Intimacy and the Smut

(୨୧) With Tom Riddle, intimacy is an art—meticulous, calculated, and suffused with a dark intensity that leaves you trembling in its wake. He isn’t one for rushed encounters or fleeting passions. No, when Tom takes you, it’s deliberate, almost ceremonial, like he’s claiming something he already knows belongs to him.

(୨୧) The Build-Up Foreplay with Tom is a slow burn, a game of control that he always wins. He knows exactly how to make you crave him without even laying a finger on you. His voice, low and commanding, is enough to send shivers down your spine. He has this way of leaning in close, his lips brushing against your ear as he murmurs things that are simultaneously a praise and a promise.

“You look exquisite when you’re begging, darling,” he whispers, his hand ghosting along the curve of your neck, stopping just short of touching you fully.

Tom thrives on anticipation. He’ll spend what feels like an eternity trailing his fingers across your skin, watching your reactions with a sharp, almost predatory focus. Every gasp, every arch of your body—it’s all cataloged in his mind, stored away for when he decides to unravel you completely.

The way he kisses you is enough to leave you breathless. It’s not hurried or frenzied; it’s controlled, methodical. He tilts your chin up with a single finger, his lips slanting over yours with a precision that makes your knees weak.

When he finally touches you, it’s overwhelming. His hands are strong, commanding, but there’s a certain reverence in the way he holds you, like he’s savoring every inch of your skin.

(୨୧) The Act Tom is not gentle, but he’s not reckless either. He knows exactly how to toe the line between pleasure and pain, how to push you to the edge without ever letting you fall. He’s all about control—his control over you, your body, your mind.

His stamina is almost otherworldly. Where others might falter, Tom thrives, his focus unwavering as he pushes you past your limits. He doesn’t stop until you’re completely spent, your body trembling beneath his, your voice hoarse from calling his name.

“Look at you,” he murmurs, his tone laced with dark amusement as he brushes a strand of hair from your face. “Falling apart so beautifully for me. Are you even aware of how perfect you are?”

He loves to whisper things into your ear, things that make your cheeks flush and your heart race.

“You’re mine,” he growls, his voice rough and commanding. “Every part of you. Do you understand that?”

And when you nod, he smirks, his lips ghosting over yours.

“That’s a good girl,” he murmurs, his voice soft but firm.

(୨୧) Pet Names and Praise Tom isn’t overly creative with pet names, but the ones he uses are potent.

Darling: His go-to, spoken with a dark edge that makes your knees weak.

My love: When he’s feeling particularly possessive, usually whispered against your skin.

Good girl: Said in a way that makes your heart race and your mind spin.

Perfect: Because to him, you are, and he never lets you forget it.

(୨୧) Roughness and Domination Tom doesn’t shy away from being rough. His hands grip your hips hard enough to leave bruises, his teeth graze your neck in a way that makes you shiver, and his pace is relentless. He loves the way your body reacts to him, the way you cling to him, desperate and needy.

“You can take it,” he murmurs, his voice low and commanding. “I know you can. You’re stronger than you think, my love.”

And when you finally break, when you can’t hold back the cries of pleasure that spill from your lips, Tom smirks, his satisfaction evident in the dark gleam of his eyes.

“Such a good girl for me,” he whispers, his lips pressing against your temple. “Always so perfect.”

(୨୧) Aftercare Despite his roughness, Tom isn’t cruel. Once the heat of the moment has passed, he softens ever so slightly. He doesn’t say much, but his actions speak volumes. He’ll run his fingers through your hair, his touch surprisingly tender, and press soft kisses against your forehead.

“You did well, darling,” he murmurs, his voice a low rumble. “Rest now. I’ll take care of everything.”

And he does. Because while Tom Riddle might be a lot of things—manipulative, calculating, and intense—when it comes to you, he’s nothing short of devoted.

[yannisdesk]

On Arcane & Antivillains

One thing I really enjoy about Arcane is how it handles antivillains.

For one, most of the characters (main ones) would actually fall into the category of antivillain at one point, or in the case of our two protagonists, become one. Arcane is arguably ripe with them.

An antivillain is essentially the opposite of an antihero. Simplified, antiheros do good things out of selfish or questionable motives, antivillains do things that are objectively bad or evil, but for noble reasons or for a greater cause. Another term for them is "sympathetic villain" however that term is too vague (there are villains out there who are sympathetic, but are none the less traditionally evil and therefore do not qualify as antivillains), and "antivillain" is a much better term mirror to "antihero." A common thread I've noticed among antivillain characters is some level of a Machiavellian approach to achieving their goals - the ends justify the means type of philosophy is something you'll always find characters that fit this category. At the very least, they dabble with it. In their eyes their actions are always justified because they're fighting for a good cause.

To put things into perspective, I'll use two examples. Harley Quinn shifts around, but she is frequently an antihero, take her depiction in both Suicide Squad movies. She does take down bad guys, however she's not doing so out of a sense of altruism, but to get a reduced prison sentence. Very cut-and-dry example of antiheroism.

On the flip side you have Magneto. Now from what I've seen (I've dabbled in the comics, but haven't dived in all the way) in the comics he gets very dark with the antihuman action. But in the Xmen movies, he definitely does some down right villainous stuff, but his intention remains the same - he wants mutants to live in a world free of bigotry and he's willing to do anything necessary to achieve that, including committing atrocities.

Now if this sounds very confusing to you and you swear you've heard these terms interchangeably or that you can think of several characters that are labeled as type A when they should be type B or vice versa, that's pretty normal. These aren't archetypical heroes and villains we're talking about, so it can be hard to categorize them, and honestly most characters in general will go back and forth or shift at one point or another, so all you need to know is that those definitions are the ones we're working with in this post.

Here are the characters from Arcane that I think suit this label, and others that I think will.

Disclaimer: this is not me hating on the characters. I love all of these characters for this layer to their character. This is not a "oh, look, this character is bad actually," post. If anything, consider it a celebration of their gray morality and how well its explored in the show.

Silco

Duh. Silco is objectively pretty evil. Setting up a drug empire that destroys your own people, getting in-cahoots with corrupt cops, killing kids, and aiding in destroying a young girl's mental health is multiple levels of foul. However, for him, all of this was part of an elaborate plan to liberate Zaun, which is being aggressively oppressed by Piltover. They were necessary sacrifices made to the cause, and worth it because it will bring forth better days for him and his people. Now obviously, a lot of his actions definitely have to do with his own ego, however the only time Zaun isn't prioritized is when it comes to Jinx, who is like a daughter to him, and even that realization comes to smack in the face late in his arc.

Sevika

I'd argue she's even more noble than most since she truly is rooted in the cause for Zaun. Not only is she willing to do some pretty bad things for the "greater-good", she's even willing to betray people who she views as unfit or incompetent. And what's even more telling is that she doesn't do this for power (which is arguably a part of Silco's prerogative). Sure, she's his #2, but he doesn't exactly show any favoritism. And Sevika seemingly isn't even trying to become the new leader of Zaun after Silco's death from the season 2 clips, but will support Jinx, despite the fact that she probably could dethrone her. She's no true blue hero, but she's not a megalomaniac either.

The Entire Council of Piltover (Minus Mel & Jayce)

As obnoxious as they are, none of them are mustache-twirling villains. As we see with characters like Sheriff Grayson (not a council member, but they share the same sentiment), they legitimately think they're protecting the city with their neglectful leadership and oppression of Zaunites. Yes, this includes Heimerdinger, who seemingly only started caring about Zaun once he was booted out of the council, so that places him firmly in antihero territory in my opinion.

Why did I exclude Mel and Jayce? Their plots are actually upward in terms of morality, especially Jayce who by the end is closer to being a traditional hero by prioritizing peace and progress over the status quo or war, and actively makes the first move of trying to right Piltover's wrongs. Mel's arc has also moved this direction as well, as she went from arguing that Jayce and Viktor should build Hextech weapons in case of war with the Zaunites, to fully embracing peace. You could argue that Mel wanting the weapons means she was at some point an antivillain, and I might agree, but as it stands, she's firmly in the clear.

So, why are the rest of the council still considered antivillains? Honestly, we just don't know much about their motivations to say. They ultimately did a good deed in voting for peace, but you know, one good deed doesn't wash-out the bad and vice versa. They're not even on thin ice for me, they're still fighting for the surface.

Marcus

Questioning your actions does not mean you can't be an antivillain, and Marcus is a good example of that. He's is kind of like Caitlyn if she were way less compassionate and very incompetent. Marcus does not think his actions are evil, according to show runners he only places Vi in Stillwater to protect her from Silco; he gets involved with Silco because he wants justice for the building explosion and it goes out of hand. That said, he also threw a child into a dangerous prison with no charges and with the intention of keeping her there for life, and worked with a kingpin who was actively antagonizing his own people while reaping benefits from an abusive system. So yeah, Marcus falls more into being an antivillain than full-blown villain, he's still firmly an antagonist though.

Ambessa

I know it's very popular in the fandom to call Ambessa a traditional bad-guy type of villain, but she is actually very nuanced. For one - she does not see her actions as evil, nor are her motivations behind doing them rooted in it. Ambessa, as she states in Mel's flashback, was raised in the Noxian way. Her grandfather literally made her search the dead bodies of the people they massacred when she was a youth, and she was indoctrinated to believe that this was in the best interest of her family and the Noxian people. By showing strength and ruthlessness, she's telling the rest of the world: "Stay away from House Medarda and Noxus." Hence, why Kino's death wrecks her, because she values herself over how effective she is at warding people off from messing with her family. Her main reason for getting involved with the war between Piltover and Zaun will 100% be because Mel's life was nearly lost due to Jinx's bomb, and this is coming straight off of her son's death mind you. So, while Ambessa may definitely be one of the most ruthless people on this list, she is not at Palpatine levels of evil yet, not by a long shot.

Jinx

You guys saw this coming, right? This barely needs an explanation. Jinx grew up in the Lanes, was a victim of Piltover's oppression multiple times throughout her youth, was willing to fight for their freedom as seen in episode 2, and in the end, that desire, along with her being adopted by Silco, manifested in her doing multiple acts of violence, including terrorism against Piltover, which frequently hurt people who weren't guilty of anything. (No, blowing up the building in episode 3 doesn't count as one of her evil deeds because it was an accident.) We understand completely why Jinx does what she does, even though it hurts to see her slip farther and farther into this mindset.

Vi

Way more subtle (for now) but I'd argue she's there come episodes 8 and 9. Hell, you could argue that her arc is about her sense of morality breaking down due to realizing how impossible the situation between Zaun and Piltover is, and embracing an "ends justifies the means" type mindset that Vander tried to sway her against back in episode 2. Wanting to stop a kingpin from using this new dangerous drug to destroy your city and sister? A noble cause, indeed. Not really caring that (or being passive over the fact that) children die in process because of their approximation to said bad guy? Yikes. [EDIT: Since we're on this topic: here's a link to where I explored this aspect of her character. I did this a while ago, but I thought it best to include it here too for added context). Now, I know what some of you are going to say - how is this any different from, say, Steve Rogers telling Wanda Maximoff that sometimes there's collateral damage when doing hero work? The difference is that Steve didn't argue that those people had it coming because they're associated with the bad guys/or in their way, which Vi does. That's some dangerous conviction right there, and we'll probably see that elaborated on in season 2 given that she's becoming an Enforcer which is a position that lends itself to abuse of power (and if it goes anyway like things do with her game counterpart, she will engage in police brutality and not see an issue with it, but given that Arcane's Vi is way more well, nuanced, than her game counterpart I don't think it will go on for long). While we're on the topic of Vi, according to her prison records, she had a notorious reputation while doing time to the point that I find it funny Silco didn't put 2-and-2 together that the girl with short pink hair beating the shit out of and attempting to murder all of his goons that went to Stillwater was possibly the same girl that wiped the floor with those same goons the night Vander died.

Potential Antivillains of Season 2:

These are characters that I predict will become antivillains at some point during season 2 based off of where their season 1 arc left and clues from season 2 teasers and clips. This is not me saying for sure this will happen, only a prediction. But if it does come true, I will gladly collect $5 per accurate plot point.

Viktor

Two words: glorious evolution.

We all love Viktor. We all love good-guy Viktor, and we will also more than likely love not-so-good-guy Viktor due to how complex that arc will be. If it will go anything like his game-lore (which I suspect it will) his noble intentions will never leave him, just simply evolve to include some less-than-heroic actions and justifications. He still wants to improve the undercity, and well, humanity overall, with hextech, motivated by the injustices he's been put through his own life and his illness, but he will go about it in some very unorthodox ways, and his arc in Arcane is about him confronting if he wants to "evolve" his morality for the sake of his ultimate goal, which is progress. Viktor would definitely agree with the sentiment expressed by Gloria Steinem (character depiction, not a real quote) in Mrs. America - "Revolutions are messy, people get left behind."

Caitlyn

I'm pretty sure she actually will become apart of the antivillain roster in season 2, but noting is for certain. Caitlyn is perhaps the saddest version of this there is, because we see where she starts out. She doesn't want to be like everyone else in her circle, she tries to break free and be better. She wants to do good by both Piltover and Zaun. She has hope, gentleness, and doesn't place herself above even those who occupy the lowest levels of Zaun. She puts herself, her status, and her life on the line to discover the truth, and comes out her time with Vi steadfast in wanting to help heal Zaun. She can be a little naive and ignorant, but she never does so with malicious or ill intent. She is the kindest person in Arcane.

But, given that her mother was killed in a terrorist attack set off by the new Head Zaunite in Charge, things will change. As we see, Caitlyn becomes a sheriff on the Enforcer squad, and now her goal is no longer to sow peace between Zaun and Piltover, it's to avenge her mother by assassinating Jinx. Of course, this will be due in part that Caitlyn thinks snuffing Jinx out will solve the problem, which will be ironic and hypocritical because she told Ekko that getting revenge on Silco won't solve anything in Zaun, but now that she's in the same predicament, the tables have turned and now diplomacy is off the table. She still has that hero-complex, as she lives by the lessons of Sheriff Grayson, but now it's with a twist. The idealistic Caitlyn who believed in giving peace a chance through reform is gone, and she now believes that there's little to no cost too great for her to achieve this, even if that (possibly - again season 2 hasn't come out yet, so we shall see) means hurting innocent Zaunites. And what's scary is that Caitlyn has the intelligence, dedication, talent, and efficiency to pull it off. Truthfully, I believe we won't just be getting Sheriff Caitlyn in season 2, but also Dictator Caitlyn.

[celaenaeiln]

On note of the Blockbuster thing and Dick’s over working himself, I can recall a time when after the first time Blockbuster got taken out, Dick was so lost emotionally and mentally, he went for months on end getting the absolute hardest cases and capers imaginable, getting more illnesses and injuries so much and frequently. It got so bad Bruce and Alfred had to drag him to the Batcave and Bruce had to get some tough love across.

He let Dick know that he was upset at him for failing to take care of himself and self forgive for what happened to Blockbuster. He forgives Dick for the latter case but will not tolerate Dick losing the value of his own life in self pity and guilt

Thoughts on this?

YES!!!

Dick overworks himself so hard that he kinda passes out and dreams so vivid that they're almost hallucinogenic but when he wakes up-

Nightwing (2016) Issue #117

Bruce is PISSED. Ofcourse it's gotta be because Dick let Blockbuster die right? He just stepped aside and let Catalina take the shot despite the no kill. He broke the OATH the two of them had forged. That's why Bruce is mad right?!

Nightwing (2016) Issue #117

WRONG WRONG WRONG!!

Nightwing (2016) Issue #117

"You have no right to expect me to excuse you - for losing sight of the value of yours."

CMON BRUCE!!

He basically said "I don't care if you killed someone. If you want me to forgive you fine. But don't you dare fucking think for one second that I'll forgive you for almost dying."

Bruce is crazy about Dick. I've already talked before how he has control issues regarding Dick life but I want to reiterate that Bruce wants control of Dick's everything. His life, his relationships, his death.

You can see the visible rage in Bruce's body. You can see how hard he grips Dick's chin. He's furious that Dick would put his life below anyone's.

This isn't the only time Bruce gets furious at Dick almost dying either. Remember Forever Evil?

Nightwing (2011) Issue #30

His sole reason for beating Dick is LITERALLY beat his frustrations and fear that Dick almost died!! He's the one that died Bruce!! Why are YOU mad?!

The thing about Dick and Bruce's relationship or rather Bruce's relationship with Dick is that Dick could literally be standing in a room of blood and corpses and the first thing Bruce would do is rush over to him and check if he's okay. And then scold him because "what if they're blood accidentally got into you, Dick? Haven't I told you the dangers of bloodborne pathogens and other transmittable viruses? How dare you let them hurt you!"

Bruce has a no kill rule but sometimes when Dick's life is in danger he definitely looks the other way. No punishment if Dick does something to someone else but he travels at the speed of light when Dick lets something bad happen to him.

Not only that, he doesn't mind other people dying if it means saving Dick's life. Between the world surviving and Dick, he will always choose Dick. And how do I know that? Because he's done it before.

Forever Evil Issue #5

"No, this is a search and rescue mission first--"

"Richard Grayson?"

"Yes, Luthor. Once Nightwing's safe, we can take down the syndicate."

The world is in SHAMBLES.

Central City

Forever Evil Issue #3

Metropolis

Forever Evil Issue #3

The justice league is gone.

The villains who actually wanted the end of the world are so shocked by the state it's in now that they've decided to become heroes. But none of that matters. It doesn't matter to Bruce that half the population is gone, people are killing, stealing, and dying. As long as Dick is alive - it's okay.

In fact an entire world could be corrupted beyond saying but as long as Dick isn't then it's a world worth saving.

Forever Evil Issue #3

Do you realize what this means? It means that Bruce's scale of measurement for evaluating the quality of a whole fucking planet IS Dick Grayson.

Even an hyper-intelligent construction questions what happens if his favorite, Dick, dies.

Infinite Crisis Issue #3

What happened after Blockbuster, where Bruce completely ignored the death of him. Ah-I said ignored but the reality is created an excuse for - is completely in line with his relationship with Dick and more importantly highlights two things.

Breaking the no-kill rule is acceptable if it's Dick Grayson or relates to Dick Grayson.

Bruce is crazy about Dick and he will go crazy for him.

[raidark]

One thing I find funny from Show Dany haters is how much they call her an egomaniac tyrant who just wanted to control everything and everyone to obey her, that she only cared about the throne and power. How much they laugh at the idea of her trying to help common people, break the system and in general, give power to powerless people, etc. That she would only want power for herself and would loathe democracy more than any other character.

These people are also the ones who laughed along Season 8 Sansa, Tyrion, Arya and others when Sam proposed democracy as a system for Westeros at the end of the show.

To all that people, I'd like to kindly remind that before leaving for Westeros, Daenerys established democracy in Meereen (and the rest of the Bay of Dragons, I suppose). She and Tyrion spent some undetermined time to plan it and then left Daario and the Second Sons to keep the peace while people chose their rulers and a new government was appointed.

Now, while I'm sure we all would have liked to know the aftermatch of that, how things worked there after her leaving and especially after her death, we won't ever know thanks to certain writers who kinda forgot about it after S6, only remembering the Bay when deciding that slaying slavers was apparently a sign of madness and evilness ?¿

If you ask me, with Dany dead, most of her army destroyed as well, and no one else strong enough to protect the Bay, slavery will return and way worse. But that wasn't something D&D wanted people to think about because that would add some grey to the situation and they wanted Dany to be irremediably unjustifiable in her acts and her death the only option with only good consequences. Just to be clear, I think S8 Dany, a total different character from previous seasons, deserved to die after what she did. But go and visit the Bay in ten years, Jon and Tyrion, and ask them if what you two did was good. Surely and certaintly there were consequences.

In any case, since we'll never know what would happen, the series ends with Daenerys being the only ruler who actually cared for her people enough that she actually gave them total power to choose who should rule them... just 12 episodes before the writers decided she should mass murder innocents for literally no reason at all

She remains the only one who established real democracy that considered people no matter their origins or status (and not merely in a organization like the Night Watch) while the high nobles of Westeros laughed and considered the idea ridiculous. What a tyrant, right?

I'd have liked Sam to know the one who actually established his idea in a different place was the queen he hated so much, while all the others laughed. I'd have also liked if he was told what his family did and how many people died because of their betrayal, how many chances were even then offered to them, rather than just "they didn't bend the knee so i killed them lol". But the goal in Season 8 was always to paint Dany as a villain with no gray in the middle, just like they made Jon lie to his family and the lords and say Dany forced him to bend the knee in order to help the North when she actually swore to defend it without any commitment to her cause the moment she realized the threat was real and no fantasy. Yet no one, not even Dany, ever blinked an eye about this. Like it was retconned to frame her as evil.

[honeycreammilkshake]

as both a sukuita and sukuna fan, chapter 268 killed me. at first i thought it was because we finally got another really intimate and highly emotional scene between sukuna and yuuji, and that sukuna chose to die over accepting yuuji's kindness, but now i can't stop thinking about how this entire chapter was such a good character study and a metaphor for one of the most important themes in the story.

in chapter 21, there's a really interesting conversation between junpei and mahito, where junpei disagrees with the quote "the opposite of love isn't hate, it's indifference." he knows how evil people can be so he chooses to feel indifferent about human suffering instead. mahito's view on this is also really intriguing, especially considering how he is a curse born from the hate people share for each other.

i could be wrong but it sounds like the basic message here is that deadening yourself to such intense feelings — love or hate — is a type of retaliation for being hurt or consumed by them. which makes me wonder if sukuna had a similar story to junpei, and if that explains how he became what he is.

we know that sukuna wasn't wanted as a child. he was more than likely rejected by both normal society and the jujutsu world. like junpei he was probably treated cruelly or strongly made aware of the many people who hated him. sukuna claimed to know what love is, but i think what he actually understood was the absence of love. he understood maybe what it means to others, but he had never felt or experienced it himself.

which brings me back to junpei's idea that indifference should be the solution. this is kind of the same philosophy sukuna has: he believes in this unshakable hierarchy of strength where the weak should have no right to lament their suffering. his idea was that the strongest were indifferent to suffering, that it's greedy to be lonely because of this. he calls it his "nature" to live in this self-indulgent way that is completely uncaring and selfish.

but then there's yuuji.

yuuji has been alone for a lot of his life. at the beginning, he doesn't have any really close friends, since even the other occult club members don't know him all that well. his only family was wasuke, who was difficult and pushed people away, including yuuji.

after his grandfather's death, he wanted to do right and fulfill wasuke's request of helping people, to be able to die surrounded by those he cares about. he pretty much gave his life to help other people by accepting responsibility as sukuna's vessel, and shows concern and kindness even to strangers.

he seems the exact opposite of sukuna and he stands for all the things that the king of curses hates... so why is it that someone sukuna considers so weak has so much power over him?

the only one who's really managed to make sukuna rethink his ideas of the world has been yuuji. even sukuna acknowledged that he was affected more by yuuji than anyone else.

to him, those who challenged him 1000 years ago were "other people." his relationship with yuuji was and always has been so special that even he admits it.

sukuna mostly strived for indifference his entire life. consuming so many humans was merely a way for him to pass the time until death, as he said, and those tastes were passing and unmemorable for the most part. everything was so unfeeling about the way he made his philosophy sound during his conversation with kashimo, and he couldn't answer as to why he would decide to cross the ages into modern life if his life before had been truly satisfactory. it's like he wasn't even moved to support his own ideals.

but here yuuji is... an annoying brat he called weak and boring, yet every time they fought sukuna looked thrilled and even impressed, though he resented it. and every time yuuji challenged him, sukuna was bothered enough to challenge him right back.

"the opposite of love is indifference." if this is true, sukuna was most likely forced into his indifference due to the fact he was never wanted or loved. but yuuji awakened so many feelings inside of him, too many. living as sukuna's vessel, they shared such a close connection while still opposing each other in every single way. yuuji represented the intense feelings of both love and hate in the way he fought so hard for others while sukuna's own indifference started to break the longer he spent inside of yuuji. he was far more reactive to yuuji than with others, and had even given him special treatment. there were many times he could have killed yuuji or his friends, but he didn't.

yuuji has made it clear that he hates sukuna's indifference to the value of people's lives.

sukuna's indifference towards life is against everything yuuji believes in but strangely enough, yuuji was still willing to accept sukuna. to not only pity him, but to have genuine empathy and compassion for such a monster as well.

he even says to sukuna that they are the same, despite seeming to be complete opposites of each other.

to me, yuuji saying that the monster sukuna became was a matter of chance, shows that he understands how indifference cut sukuna off from having a different fate.

there is a vast area of shades between love and hate, unlike the overwhelmingly static state of indifference. yuuji was showing those shades of love and hate to sukuna, telling him that they could live in the mixed shades of both.

and i really wished sukuna chose to coexist with both that love and hate and remain with yuuji. but he was too used to being indifferent and rejected that offer.

i'm really hoping we get to see yuuji's thoughts on this in the next few chapters, because he looked truly disappointed by sukuna's rejection.

[damian-al-ghul-wayne]

H h h hey...! Damian mun here with another certified YAP because I keep seeing posts about this specific thing, and I need to talk about it....!!!

So. A while back, I had seen this post talking about how Talia's first punishment for Damian would be that Damian had to kill a horse. Which seemed bonkers to me because she absolutely wouldn't force Damian to do that. If you didn't know, the Al Ghuls are eco terrorists. They want to make the world better by focusing on plants & animals more than the actual people. That's just one thing btw...

Anyways, back to my yap that will sound absolutely fucking crazy in the end because it won't be written good. (This is a warning)

I saw another post talking about how Damian only finally expressed his love for animals when he started living with Bruce and that he would only know the heartbreak of an animal death when living with Bruce. Which is... not true at all. I don't think people tend to realize that Damian's compassion for animals comes from Ra's and Talia. They're the reason he's compassionate about animals and why he ends up saving Bat-Cow.

Maybe it's just me, but people seem to keep crediting Bruce ( or other bat family members ) for things that Damian has like his love of animals, artistic ability, anything to do with the arts, etc. It feels like a tad bit racist because it's like nobody can accept that Damian's non-white family members gave him those characteristics when, in fact, they did. I don't know. That's just something I've noticed.

Going more off of that, but I've also seen people argue that Ra's and Talia were against animals, the arts, and all those types of things. It just irks me so badly when people mischaracterize them like that JUST because they're not counted to be "heroes" or on the "good side." Even then, Talia is very much a grey moral character, yet they always depict her as a terrible mother, evil, etc. Ra's is counted a supervillain, yes, but that doesn't mean Talia is? Even then, it's just weird to push those kinds of stereotypes on people just because they're "bad." I never see people say stuff like, "Oh yeah, the riddler would soooo kill a puppy." I only see people say that about the Al Ghuls, and I'm so tired of it.

I saw a post today, and it was about Damian experiencing his first heartbreak over a pet death. Legit one of the first sentences read was, "Ra's would either force Damian to kill the animal or give it away." Why is it between those options, like, what! The post overall was sad because of the meaning, but I just didn't like that part. Ra's is known to be an animal lover in the comics. He has a pet wolf. I don't think he would have forced Damian to murder an animal if he so happened to sneak it inside of the league.

Maybe that's just me, but it bothers me when people say these things.

I have a platform, though, and I'm not afraid to share my thoughts on this. I've been a very big advocate against this type of mischaracterization, and I'm sorry that I do it so much. I know it may get annoying, but I feel like it needs to be expressed. 😭

Also, you guys can definitely block these posts by blocking the tag "Damian mun yapping about Damian" 👍

That's all I have for right now... thank you for reading....

[cosmerelists]

Cosmere Protagonists as Villains

As requested by @idontknowanametouse :)

Let's talk about what Cosmere protagonists would be like if they decided to play for Team Evil!

[Spoilers for book series mentioned in titles--but no Wind and Truth spoilers included]

1. Kaladin [Stormlight Archive]

What turns him evil: I think Kaladin could honestly go down a Moash road, where he decides to take justice into his own hands and punish people who have hurt him, his friends, or What's Right.

What he'd be like: Abso-storming-lutely terrifying. Imagine a Pursuer-esque figure, but it's Kaladin coming to kill you. I mean, you'd die. He once ripped a guy's head off by lashing it to the floor. He never loses a fight. He wouldn't sneak up on you assassin-style, either. He's blowing the front door off its hinges and entering like a glowing Angel of Vengeance to MURDER you.

2. Vin [Mistborn Era 1]

What turns her evil: I can see a few possibilities: like she does take up the power in the Well of Ascension and becomes the new Lord Ruler, or Zane is just a lot more persuasive than he is in the original. But I'm gonna go with "Ruin gets to her so completely that she becomes his agent."

What she'd be like: Vin already has some...villain-esque actions in the original, like when she pretty much slaughters an entire Keep with Zane. But always in the original she was doing it to protect, and she had friends to give her moral and emotional support. But if she was Ruin's, then she really would be a Natural Disaster Made Flesh, bringing Utter Destruction and Ruin to the whole world. Like, she's taking down whole cities single-handedly.

3. Shallan [Stormlight Archive]

What turns her evil: Listen, Shallan already kills a lot of people. We know this, and we still love her. But perhaps she gets a little too into killing people and just goes straight serial killer.

What she'd be like: You ever seen Hannibal? I'm seeing the most beautifully artistic but horribly deranged Murder Sculptures. You know, where she's killed someone and but then turned their corpse into Art.

4. Tress [Tress of the Emerald Sea]

What turns her evil: It's hard to imagine Tress being evil, tbh...but, I mean, she does sell Crow into slavery to avoid the same fate, so there's something there. I'm gonna say that either the Sorceress does kill Charlie or Tress believes that he's dead, and she turns totally to the dark side.

What she'd be like: She already plays with hugely destructive powers and captains a Pirate Ship--plus her crew is actually loyal to her. She'd be what Crow wanted to be.

5. Yumi [Yumi and the Nightmare Painter]

What turns her evil: I mean...Yumi faced religious abuse for like thousands and thousands of years. She took it pretty well, all things considered, when she found out. Imagine if she didn't...

What she'd be like: Yumi is, like, the most invested being in the Cosmere. She's nigh unkillable. And she likes to stack things.... In this case, mountains upon mountains... of skulls.

6. Adolin [Stormlight Archive]

What turns him evil: I think Adolin could break from the combination of (a) finding out his father burned his mother alive and (b) killing Sadeas with virtually no consequences. Maybe he figures that if his dad can do all that and still be a beloved political figure, then he might as well do whatever he wants too.

What he'd be like: Adolin is great with people. As a protagonist, this makes him the sort of guy who makes friends easily, remembers everyone's name, and wins over even people determined to dislike him. Evil Adolin takes those skills but goes straight manipulator. He's winning people's trust only to poison them with lies, turn them against each other, make them think he's the only one they can trust. And if manipulation doesn't work, well, he can always challenge you to a duel...in a dark hallway with nobody around...

7. Sarene [Elantris]

What turns her evil: She just gets tired of not being in charge, considering that she's smarter and more strategic and just better than the men actually in charge...

What she'd be like: Honestly, Sarene would be a fantastic Evil Vizier, the real power behind the throne who is actually controlling everything for her own evil whims. I can see her doing it to Iadon, but that's almost too easy. I know in canon they love each other and are actually good 'n' all, but imagine her controlling Raoden from the shadows and tell me it's not kinda cool...

8. Marasi [Mistborn Era 2]

What turns her evil: She gets the Bands of Mourning...and decides she's never gonna give them up.

What she'd be like: Ultimate Power Marasi would decide that SHE knows what will keep a society happy and healthy, and that's her control. I see her creating a terrible police state where everyone's actions are very tightly controlled and every infraction is punished...but only because she wants what's best for you, you know?

9. Jasnah [Stormlight Archive]

What turns her evil: I mean, remember Jasnah's Philosophy Lesson to Shallan where she baited out some robbers and then murdered them in Cold Blood since they were hurting people and no one else would do anything about it? Now imagine that Jasnah takes it upon herself to fix all societal problems through whatever means are necessary...

What she'd be like: Jasnah could be a sort of Vigilante, who makes sure that "bad people" and "political problems" are dealt with swiftly and murderously. Like imagine the Urithiru coalition of monarchs, only Jasnah's is gonna assassinate you and replace you with a puppet if you're not persuaded by her arguments.

10. Spook [Mistborn Era 1 / Secret History]

What turns him evil: I mean, Spook had a lot of voices talking to him--first Ruin, pretending to be Kelsier, and then Actually Kelsier. And the voices were always pretty darn pro hemalurgy. I'm not 100% sure Spook wasn't evil by the time he was in charge...

What he'd be like: Spook suggests in his book that old people should let themselves be killed via hemalurgy to make sure their powers get passed on. Think that, only it's not a suggestion and it's not just old people and oh my god Scadrial is Hemalurgy Power Planet now.

11. Navani [Stormlight Archive]

What turns her evil: She just gets lost in the sauce, the "sauce" in this case being Scientific Advancement and Discovery.

What she's like: I see her as an Evil Scientist who is simply making terrible weapons of mass destruction more or less because she can...and no longer worrying about the consequences.

12. Ulaam [Tress of the Emerald Sea]

What turns him evil: Listen, he TRIED asking people politely for their organs and limbs after they died, and NOBODY ever said yes!

What he's like: Let's just say he got tired of waiting. And asking.

[yandere-3-sagau]

Genshin Cult AU but reader really doesn’t wanna be creator

warning(s): mental-health issues, mentions of suicide, mentions of death and killing, angst

Isekaied reader who always dreamed of going to teyvat but when they actually go, they realize they took for granted their life before. They’re homesick and want nothing more to return to their family.

They hide and no one recognizes the creator’s face. Reader makes friends with people and becomes close. However, they’re devout followers of the creator. Reader goes to “mass” with them and when they’re there they can hear their prayers. They decide to help them out in their own way.

Someones missing, they goes out to find the missing person and since none of the creatures hurt them, it’s relatively easy.

Someone’s sick, reader buys them medicine or helps heal them.

Reader accidentally helps too many people and they begin to suspect them. Their very close friend apologizes before cutting reader and their golden blood is shown to all. Reader feels heartbroken at their close friend being distant out of respect. They just wanted to help people, they didn’t want to be put on a pedestal. They wish no one ever knew. And all of a sudden everyone forgot about reader being the creator.

That’s when reader finds out they can erase memories/control minds. They decide to leave since nothing is the same.

They become depressed and starts drinking. Reader heads over to mondstadt and drowns themself in alcohol and gets heavily drunk in front of diluc. He figures out that they’re the creator after ranting to him in their druken state. However, they erase his memories.

For years, reader lives while erasing the memories of those who discover them. During this time, they’ve tried to off themself several times only to fail. Finally, after the boredom and loneliness sinks in, they finally decide to give being creator a shot. They think it can’t be that bad and reveals themself. They were wrong.

Now reader has a suffocating pressure on them at all times. So, instead of erasing their memories (since they’ve been doing that for years), reader tries to do something different. They try to be evil.

Reader kills people off/orders their execution at the slightest of things. They hope that their evilness will spark the people’s will to kill them. However, no one bats an eye. All of the acolytes believe that they’re right no matter how cruel reader is. Even the families of the people they’ve killed think that there must have been something wrong with their loved one for the creator to sentence them to death.

Because they are so blind with devotion, reader tries to manipulate them into hating them. Poisoning the acolytes mind against themself. That still doesn’t work. Even if reader blatantly tells them that they don’t give a fuck about any of them, the acolytes just become more determined to fix themselves so that reader approves of them.

Next, reader tries to use mind control to force the acolytes into killing them. But no amount of damage they do can kill them. They are immortal. When it fails, reader erases their memories.

Finally, reader tells them that they’ve seen of a future where a powerful god/creator from a different universe is planning on invading. They urge everybody to create the most powerful weapon that could kill a creator/god. When they finally create one, reader uses it on themself.

Sad ending: The weapon doesn’t work on them because the acolytes made a safe guard to ensure no harm comes to the creator. Reader is so despaired that they kill everyone and is doomed to live an eternity in an empty universe.

Alternate Ending: Reader manipulates the acolytes to remove the safe guard and then uses it on themself, finally succeeding in killing themself after years of being trapped. But they don’t return to their home-world and remain dead. The entirety of Teyvat suffers from the knowledge that their beloved creator offed themselves to escape the world they created.

[otomehoneyybearr]

Ikemen Prince 4th Anniversary Eve

Gilbert & Azel: The Relationship Unbeknownst to Anyone

Somewhere on a certain day—

Gilbert: "---I've always wondered if the conqueror beast and the sacred beast were one in the same."

Gilbert: "Both being evils of the world that control people and manipulate them as they please."

Azel: "I agree with the evil part. You and I would be better off not existing."

Azel: "We are both nuisances to the world, after all."

Gilbert: "Should we die together then?"

Azel: "You mean kill each other."

Gilbert: "That’s right."

Azel: "Disgusting."

Gilbert: "Agreed."

Azel: "So?"

Gilbert: "Hehe, no need to rush. I've went through the trouble of preparing food and drinks, so why not enjoy it first?"

Azel: "I'm having alcohol, while you're having water?"

Gilbert: "Oh, so you noticed."

Azel: "I am a god, after all."

Gilbert: "More like a con-artist, right?"

Azel: "That's another way to put it."

Gilbert: "Haha, you're not denying it."

Azel: "The title isn't that important."

Gilbert: "Really? I thought you’d be particular about it."

Azel: "Not at all. At least with you, being god or con-artist doesn't matter."

Azel: "I'm just a 'nuisance’ in the end, aren't I?"

Gilbert: "So you realized that."

Azel: "Just how many times do you think I've confiscated the weapons you smuggled into my country?"

Azel: "Can't you stop that? It's increasing my overtime and it's annoying."

Gilbert: "It only takes time because you carefully disassemble the firearms and send them back each time."

Gilbert: "Is that your hobby or something?"

Azel: "Do you want to be called a carefree rich boy?"

Gilbert: "Oh, so it was actually a declaration of war."

Azel: "If you understand that much, then don't bother asking. Tanzanite is the land of the gods,”

Azel: "So you should’ve realized by now that your spies and schemes are powerless in my sacred domain."

Gilbert: "Hmm, that's troublesome."

Gilbert: "It seems I miscalculated how difficult 'cleaning up' Tanzanite would be."

Gilbert: "Or perhaps I should say I underestimated you."

Gilbert: "Tanzanite has the lowest return rate for spies among the major countries."

Gilbert: "Currently you’re the only one from your country that's noticed my plans—No, more like, you're the only one at all."

Gilbert: "I thought that I could gather some information from you by sharing a drink, but..."

Gilbert: "You're quite hard to read. Is this what a god is like?"

Azel: "Donations are always welcome."

Gilbert: "Unfortunately for you, I only believe in myself."

Azel: "I figured as much. Spending time on you could be considered a waste."

Azel: "...Though a free meal does have its value."

Gilbert: "Haha, if you get along with me, there might be even better things in store for you."

Azel: "Not happening."

Gilbert: "Oh, that was an immediate answer. Despite us being somewhat similar."

Azel: "That's just slander."

Azel: "I don't distrust human potential as much as you do."

Azel: "Humanity doesn't need gods or beasts."

Gilbert: "...Is that so?"

Azel: "Want to bet?"

Gilbert: "Sure, sounds interesting."

Gilbert: "Your schemes are like mirages, vague and hard to grasp, but..."

Gilbert: "I'll bet on the foolishness of humans."

Azel: "Then I'll bet the opposite."

Azel: "I'll bet on the potential of humans."

Azel: "They have the ability to cleanse themselves. They can recognize and atone for their mistakes."

Azel: "Make sure to prepare your money, Disaster boy."

Gilbert: "You too."

Some little notes I had:

*: There's a possibility of Azel being older than Gilbert, seeing as he would attach things like (ーくん)-kun or (ーちゃん)-chan to the nicknames he gave Gilbert…That or Azel's was just trying to antagonize him.

**: Alternative interpretation of the nickname carefree rich boy could be 'airheaded/thoughtless young master'

***: Alternative interpretation of the nickname (厄災くん or yakusai-kun)Disaster boy could be 'Mr. Calamity'

I wasn't sure which of these interpretations would fit Azel's dialogue more, so I wanted to leave these notes so that everyone can get a general sense of the word/nickname.

Master List

▼・ᴥ・▼

[thegoldencontracts]

He Is...

Summary: In another universe, your boyfriend is a bit... Odd, to say the least? Why do you stay with him? U-uh, because canon said so (ortho is just platonic ofc)!

Notes: Pure crack based off of popular fanon things that I honestly don't find accurate. No hate, just a bit of joking. Minor spoilers. Also, if you're touchy about popular fanon headcanons you have, you might want to avoid this post. I have no hateful intentions, but I understand it may be take that way. As always, I am open to constructive critiquing and discourse.

Riddle is going to collar you if you so much as breathe wrong. He does absolutely nothing nice for you. But then when you want to leave him, he breaks down crying...? Weird.

Trey is disturbingly obsessed with teeth, but he's completely perfect other than that. Literally perfect. No, really.

Deuce is incredibly dumb and well-intentioned. He's never done anything wrong in his life! Biker gang? What biker gang? You're just hallucinating.

Ace is an absolute asshole. He's never apologized for anything in his life. Just- a complete douche, somehow.

Cater is incapable of speaking on anything other than pure slang. You tell him you're going to break up with him, and he just says "yikes". Who does that?

Leona is literally the worst person you have ever met. Depression? What depression? He's just lazy! But yeah, he's the scum of the Earth. Trust. At least he respects women?

Ruggie is communist. You don't know where it came from, but he is. But he's also a scammer. Yeah, good luck.

Jack is a tsundere... You thought there was something else? No, that's it. He's a tsundere. He's cute, though.

Azul is a little baby boy. He's just that same little octopus he was. Scams, contracts, business? What are you talking about? He's just your little baby boy who'll break down crying if you don't tell him you love him every five seconds!

Floyd is a serial killer. What do you mean he's only seventeen? He's a serial killer! He kills people. That's right, he kills them. He's a merciless, remorseless killer.

Jade is completely sick and twisted. He'd kill you for a single corn chip, and he's never felt any emotion other than schadenfreude in his life. He's not seventeen, he's, uh- he's been lying to you! He's actually a demon who thrives off of souls (and being one hell of a butler).

Kalim is nice. He's also an idiot. That's right, this man has literally never had a critical thought in his life! Can you believe it? He's never had any hardships, either. Poisoning attempts? What poisoning attempts? There's nothing to see here!

Jamil is an asshole. There's no justification for it. His life was so amazing, it's not like he was basically a slave or anything. Why couldn't he just talk to Kalim before going through with his plans? It's literally that easy!

Vil is a mean girl. That's right. He's selfish, manipulative, and lazy! What do you mean 'he wants people to work and be the most beautiful they can be'? He's just a mean girl, guys. Nothing more to it. And I can't believe he ruined Rook! It isn't like Rook chose to move into Pomefiore or anything!

Rook is creepy, and a stalker, and an irredeemable piece of shit. You see, he used to be a shining beacon of perfection in Savannaclaw, but then the EVIL Vil had to RUIN him! The horror! He was so happy there, too! Everyone knows that dull, lifeless eyes are the number-one sign of happiness!

Epel is a perfect, dainty little boy who can do no wrong. He's just- a shining beacon of dainty and perfect ideals. So fragile. So perfect. So helpless. He has absolutely no autonomy. Trust me on that. Just a perfect little angel boy.

Idia is an unhygenic, depressed softie. He's never showered in his life! It's not like STYX had a lot of focus on systematic hygiene that Idia's used to or anything! And he's never looked down on others in his life! You can trust me on that!

Ortho is a kind, soft little robo-boy who can do no wrong. That time he tried to fire a laser beam on the school? Ignore that, he's just a little baby!

Malleus is sooo in love with you. No, he's not acting oddly due to being unused to friendship, he's in love, damnit! He's in love! He's making this an otome!

Lilia is a dad. And he thinks you should get together with Malleus. Really, he's just there to set you up with the dragon man!

Silver is the perfect, most noble and well-liked gentleman. Awkward? Unused to people wanting to hang out with him? Nope, none of that. Just perfection here!

Sebek is the scum of the Earth. Why, you may ask? Simple! He's loud and arrogant. I don't know why he hates humans so much, really, it's not like he's dealing with internalized species-ism or anything...

[cringefailvox]

my ultimate fantasy for hazbin s2 is a reveal of something in alastor's past that he can't explain away or justify, something genuinely morally reprehensible, and he and the other residents of the hotel have to navigate around each other with the renewed sense of "right, he's actually a bad guy."

i feel like the show and the fandom both sometimes forget that alastor is actually legitimately morally corrupt because he's superficially nice and abides by certain rules and social mores. but he like, does murder people. that's a real thing that he does.

i feel like he can get woobified a little and portrayed as like, a byronic hero who's always actually in the right but judged and misunderstood. there's an element of truth to that, but he's mostly a selfish and cruel person who does awful things because he doesn't care.

it would be personally EXTREMELY satisfying to see him face real consequences for the way he treats people, especially from the hotel that he seems to have grown to care about. fuck that deer UP!!!

REAL AND TRUE. it's always interesting to me the way murder is evaluated in fandom next to like, sexual assault, as being the more redeemable crime somehow, which i think is quite evident in the way people talk about alastor vs valentino -- neither of these characters is remorseful or even particularly in a hurry to justify the horrendous things they do, and yet i've noticed a general tendency towards letting alastor off the hook for the serial killing but not budging on the line that val is irredeemable. and like, ofc with the caveat that this is fiction and neither of them are real, but it's interesting sometimes how people measure crimes with a value system predicated on distance, where serial killers are so removed from the average person that it's nearly outlandish, definitely a spectacle, but sexual assault is real and immediate in a way that hits people harder. there's also the matter that alastor is part of the main cast and val is a secondary antagonist -- but anyway this is getting off topic from what you were asking

i absolutely agree that i'm excited to see the show really begin to grapple with the ethics of the main cast, esp alastor, because it's like. we know he's a terrible person. the gang knows he's a terrible person. but it really comes back to the bit in episode five, when lucifer (rightly, in this case, but unhelpfully) points out that alastor represents all the worst things about sinners, that he epitomizes everything lucifer loathes about hell, and charlie's response pivots neatly away from that ethical problem: "he's defending this hotel. it might be a bit more sadistic than i'd hoped, but he's doing it for me." alastor can be as morally bankrupt as he wants so long as it's in the service of a cause that charlie perceives as good

this actually makes perfect sense for charlie's character and it's sooo fascinating. she doesn't actually seem to care about how horrific everyone in hell behaves all the time -- what she cares about is those people dying en masse without any value judgment from heaven, she's affronted that it's all numbers to them, she really seems like she's only spearheading this redemption program because she thinks it'll bring down overpopulation and stop heaven, not because she was genuinely bothered by the rampant sin before. "happy day in hell" is all about how much she loves hell and keeps putting an optimistic spin on all the property damage and cannibalism and public bdsm. she doesn't care about alastor being evil because he's not her redemption poster child, but she DOES care about angel getting into turf wars and doing drugs in the hotel because it reflects badly on her. girl i need to see your personal ethics and values get cracked the fuck open so bad

[sleepy-steve]

@steddieangstyaugust 05/08 // ‘Please Please Please, Let Me Get What I Want’ by The Smiths

wc: 2.2k // rating: M // cw: language, negative self talk // tags: YEARNING, post-s4 but vecna dies, eddie has some self-esteem issues, mild references to sexual content

divider credits @steddiecameraroll-graphics

Eddie isn’t sure when it started. When this… obsession took over his life. When he suddenly couldn’t think of anything but Steve Harrington.

It could have been when they started hanging out every day, the threat of otherworldly horrors gone and the Big Evil defeated. When they realised that while they don’t necessarily have much in common, they both care to learn about what the other likes.

It could have started before that, when Steve continually showed up to help him through his physical therapy, never wavering in his kindness despite how many times Eddie snapped in frustration or lashed out at him. Steve always took it in stride, but never patronised him. Or was it even before that? When Steve showed up everyday to his bedside in the hospital, at first appearing to just be chauffeuring Dustin, but then visiting on his own. Spending hours talking with him or letting the silence settle between them, filling the hours where Wayne couldn’t be there.

Shit, if Eddie really thought about it, it went further back than that too. Before Steve carried him out of hell and quite literally saved his life—though that alone was enough to make a guy swoon—and before the moment Eddie flirted with him in the RV (and really, what was he thinking with that?) and even before their little heart to heart in the aforementioned hell after the first bat attack.

No, if Eddie was honest with himself, it all went back to Steve’s surprise appearance in the boathouse, shoved up against the wall with a shard of glass pressed to his neck and fear in his eyes. Eddie remembers feeling Steve tremble as Eddie held tight to his jacket, watching as he swallowed, skin of his throat pressing against the glass. Eddie’s own hands shook around the broken bottle, from exertion and fear, and god help him he was not going down without a fight in that moment. Their all too literal colliding of worlds was not something he could have been prepared for, nevermind the fact that Eddie almost killed him. But it was that brief moment, so miniscule, right before Eddie let him go, that he realised Steve really wouldn’t hurt him. Despite being held up and almost having his throat slashed, Steve had dropped the oar.

It was the first hint he got that all those things Dustin had said about Steve were actually true. That all the ideas he’d previously had about Steve Harrington were undeniably false. And Eddie only continued to be proven wrong by the sheer magnitude of Steve’s kindness, his patience, his unending love for his friends. Which now, by some miracle, Eddie was a part of.

It had grown. Out of something that should have just been a trauma-bond that then dissolved once they were quote-unquote healed and realised they actually had nothing in common besides the shared experience of almost dying in an otherworldly dimension. It had grown into something much more than that, something that Eddie never really had before. He’d had friends before, sure, his little sheepies and his band mates, but nothing quite like this. It was both his fault and also not. When he arrived in middle school and was immediately bullied for daring to be a little bit different—despite the differences having more to do with his class status than anything he had truly picked at that time—the walls came up. People could get somewhat close to him, but ultimately Eddie decided just how much he would give to people, and arms length was always safest. They wouldn’t be able to hurt him at arms length.

And yet. Steve Harrington had somehow wormed himself past the walls, beyond the arms length barrier, and settled himself neatly within Eddie’s rib cage. Not only that, Steve brought along the rest of his little group, a family that knocked down Eddie’s walls and forged a space just for him. It went beyond the trauma bond. It had grown into something that almost felt like Steve cared about him. Actually, that wasn’t fair. Steve absolutely did care about Eddie. He’d shown it time and time again. Shown up and held tight and given his time and space and love, being the kind of best friend Eddie only dreamed of having.

And here he was, greedy. Desperately craving more. More of the connection, more of the love —platonic though it is—more of which he has already been given. Arguably he’s received far more than he ever thought he deserved (despite what his new friends might say). But Eddie can’t help it.

He wants. He craves.

He fucking aches for it.

It grips him in a chokehold, this desperation with which he begs to receive more. To have more. To be more. It wasn’t enough to have Steve’s friendship, Eddie wanted his whole heart. His whole soul, even. Every tiny speck of stardust that came together to create him, Eddie wanted it in his possession. Wanted it all to himself, to hoard like a dragon’s greatest treasure. To lock this man away and keep him safe and shower him with love and devotion every day for the rest of his life. He longed for it to the point of feeling more animal than man, a slave to his own desires. Helpless against his own hunger for a connection that would run bone deep between them, etched into his skull, woven into his blood. Eddie burned to fucking consume Steve Harrington and be consumed by him. To have their souls merge together in a supernova and, and, and…

And nothing. Because it would never happen. Not for Eddie, not the way that he wants it to. He reminds himself constantly that he should just be grateful to have the friendship, to cherish it for the special thing that it is. That guys like Steve Harrington didn’t want guys like Eddie Munson, at least not in that way. Not in the way Eddie wanted, because Eddie never got what he wanted.

Well, not never. But rarely. When he goes down this spiral, he struggles to remember times he has actually gotten what he wanted. In love, in romance? Never. Kisses—too fast, too hard, too scared—shared with boys who met him behind the bleachers and didn’t know what they wanted. Or rather, did know but wished they didn’t. Those that ended in the boys running away, or worse, threatening to hit him—to kill him—if Eddie dared to speak about what happened. Not that anyone would believe a jock would ever turn to Eddie The Freak Munson, even as an experiment. That’s all he ever was when he was younger, an experiment. It was all he thought he deserved, at least until he got a bit older and was able to venture out of Hawkins. Then came other stuff. Quick, filthy hookups in club bathrooms and dark alleyways in Indy. A stranger’s tongue in his mouth and their hands in each other’s pants and maybe their mouths on each other and the flash of a smile before leaving and he’d never see them again. It was fine. He got what he set out for in those moments, but nothing more. He never felt like he was owed more, never felt worthy of more, so why would anyone give him that? At least they didn’t end in threats of violence. At least he felt desired, somewhat. But, if given the chance, he’d trade all those experiences for one night of feeling like he was the prize, like he was the one worth fighting for, like someone wanted his heart.

And the craziest part was… sometimes he did feel that way. Sometimes Steve made him feel that way. Like Eddie was the most special person on the planet. Like no one else could draw his attention away. Like they were the only two people in the world. Like Steve could actually…

No. It wasn’t like that. Eddie had to remind himself endlessly. It wasn’t like that. This love wasn’t reserved just for Eddie, who watched Steve share it with all of them. When he picked up Dustin to take him wherever he wanted to go, despite the squabbling they shared. The way he and Robin seemed to read each other's minds, attached at the hip whenever possible. How he helped Max after she got out of the hospital, ready to drop everything at a second’s notice if she needed him. Spending afternoons training basketball with Lucas, giving him all of his tips and shining with pride at his skills.

Still… there was something. Something in the way Steve’s eyes lit up whenever Eddie arrived. Something in the way he was almost always too close, fingers brushing as beers were passed, arms and legs pressed against each other during movie nights, arms held tight when nightmares returned, and one glorious evening of warm cuddling and dreamless sleep after sharing a joint. Eddie lived in those moments, let them play on an endless loop in his mind, reading deep into each tiny interaction. Thinking about every smile sent his way and was it any different from the smiles anyone else got? God, he wanted to believe Steve had a special one just for him. One that was a little bit softer and sweeter and shyer.

The idea is nice, but it’s washed away by the cold reality of the fact that it would never happen. Even if, by some miracle, Steve was anything other than straight, why would he want Eddie? He could have anyone he wanted. And Eddie wouldn’t get what he wanted because that’s just how life was for him. Though he may beg and plead with invisible entities for it, though he might crave and ache to the point of feeling feral with it, though he might promise—swear on his life—to himself and anyone up there listening that he’d treat Steve so well if given the chance, Eddie knew it just wasn’t on the cards. The sooner he accepted that the better.

His resolve in place—forget about it, or at least bury it until it could be forgotten—Eddie makes his way up the driveway to the Harrington house. He wouldn’t think about it for the entirety of movie night. He absolutely would not.

“Hey, man!” Steve answers the door with a perfect smile and joy in his eyes. Eddie’s resolve wobbles. “Just in time.”

Eddie takes a moment to steel himself, firmly reminding himself of his goal, as he follows Steve into the house. And it lasts for all of two minutes before he’s pulled down onto the sofa, thigh pressed against Steve’s. Was there truly any reason for Eddie to be tortured this way? He tries to remember that Robin is on the other side of Steve, and that there’s limited room on the sofa but fucking hell… Their shoulders brush, the soft grazes through layers of fabric sending Eddie’s mind spinning, until Steve places his arm around behind Eddie on the sofa-back, not quite touching but close enough to feel the heat of his skin. And god, this is so much worse. The desire to lean in and cuddle him, just nestle right in and have Steve’s arm around him, drives him crazy. The idea that they could… that this could be normal for them, domestic even. It went beyond the physical, Eddie wanted to take care of him. To show him the love Steve had so willingly given to him, and give it back ten-fold, hundred-fold. To create a life with him. To be proud of him and show him off and love him endlessly. To go to the ends of the earth to grant Steve his every wish, if he could just have one chance, he was begging—

Get it together! Eddie’s internal voice hisses at him, and he tries to shove all his thoughts back down into a vault, feeling a bit like trying to get water back into a broken hydrant. He does his best, managing to get it back down to a simmer, rather than a rapid boil.

Steve shifts slightly, suddenly a bit closer. It all comes rushing back. The warmth where their thighs are touching becomes burning hot and all the aching, craving, yearning, wanting that Eddie tried to shove down and out of his mind is suddenly front and centre and focused on the way Steve laughs and those glorious moles dotting down his neck. He feels insane with longing, desperate to press his lips to those moles, as if that could ever convey the depth of his feelings for the man beside him. Overcome with the need to drag his fingers through that beautiful hair and maybe even pull on it a little, just to see what kind of noise Steve makes, Eddie hears the tiny voice in his mind telling him off for staring. He just can’t seem to drag his eyes away. Steve throws his head back with a laugh, exposing his throat, and Eddie might as well perish right then and there, distraught with how much he wants to bite it. To just sink his teeth into the skin and feel Steve’s pulse beneath with his tongue. To leave bites and bruises all over his body, everywhere Eddie thinks is beautiful…

Before he can summon enough shame to look away, Steve catches his eye, and just grins, eyes lit up with that same brightness he always seems to have when looking at him.

Eddie’s a fucking goner.

[annakaspring]

Officially the longest rant I've ever posted

Snater mauraders fans literally being the most shallow people on earth.

I will see them saying Snape deserved to be targeted and bullied. And the reason is always the same.

"he was creepy" how was he creepy? "He was obsessed with Lily and possessive of her."

oh, you mean like how James threatened to physically assault Lily if she didn't go on a date with him while simultaneously bullying her friend? While Severus did as Lily asked and left her alone when she said their friendship was over.

"He was racist." No, comparing the word mudblood a fictional slur to a real life racial slur is so ignorant, problematic and also completely disregards that there could be actual racism in the Harry Potter universe. And Snape is not a pureblood in fact he is way more muggle born than half blood as he grew up in a muggle neighborhood, wearing muggle clothes. Is what Snape called Lily right? No. could she have still been hurt? Yes. But I see the same people who bash Snape, Stan Malfoy who is canonically a pureblood who hates muggle-borns. Like be so for fucking for real rn.

"He was a nazi" Again, comparing a fictional "cult" to real life devastating history is ignorant and frankly ridiculous. But let's just humor that idea for a moment. Then why do I see maurader fans idolizing characters like Barry Crouch Jr? Or Regulus Black? Who not only joined the death eaters just like Severus did but were privileged purebloods who unlike Severus had money, a proper home, family. And in Barty Jr's case he is literally canonically evil.

"He was a bully." So was James, so was Sirius.And both James and Sirius are canonically described as being obviously well loved and privileged while Snape "so obviously lacked" that. Severus had reasons to be cold, stand offish and rude. had a terrible home life, neglectful if not straight up abusive parents, a single friend, depressed and was poor. What was James's excuse?

And I will see ppl who loooove Draco Malfoy yet despise Snape. Draco Malfoy, who is repeatedly voiced his pureblood prejudice so much as saying he wished death upon Hermione Granger simply for her blood status, was a HUGE bully, surely bigger than Snape ever was if he did ever bully (he didn't). Severus Snape used a slur once, once when he was a child while he was being SA'd and regretted it so much he never used the word again. While Draco literally never even apologized for his fanatical white supremacist behavior. "Well he didn't want to kill Dumbledore" I'm sorry but being too cowardly to kill someone does not equal being a good person.

"Oh well they changed, they grew up and became better." Did they? Where's the proof? Where's the evidence? I never saw Sirius own up to his actions. Remus still excused his friends bullying. "Well actually Draco actually liked Hermione the whole time. And that's why he was so mean to her" So? If anything that makes even worse. If a guy wished me dead, was openly vile to I wouldn’t suddenly be okay with it because he was actually attracted to me the whole time.

So what arguments do the Snaters have left?

Nothing, absolutely zero justification other than shallow, half baked reasons.

Severus Snape commits the most unforgivable sin. Being poor, morally grey AND ugly.

Because being poor can be forgiven as long as you're hot i.e Remus Lupin. But forbid they actually show signs of their class. Being malnourished, having hand me clothes, not being able to have proper hygiene. These are all things that actually happen to severely lower class individuals. Being a pureblood snob can be forgiven as long as you're hot. Being actually evil with zero justification is forgiven as long as you're hot.

People will twist and headcanon characters we get two pages of information on into fully fleshed out people with intricate backstories and believable justification for all their evil behavior.

Meanwhile bashing Snape who is one the most complex, dark, interesting character in the series. All because Snape is "ugly".

Because god forbid a character does not fit their rigid beauty standards and is actually complex and human.

And we're not gonna get into how literally not once was Snape ever explicitly described as ugly or how Draco Malfoy in the books described as having a pointed, rat like face.

And just to clarity I'm not trying yuck anybody's yum. Love the characters you love, stan evil ones, ship all the characters you want. I do! I ship character who make absolutely no sense in canon. create intricate stories for background characters all you want That's what fandom is all about. But don't act you have an actual reason for hating Snape while simultaneously stanning Voldemort and Barty Crouch Jr.

Be straightforward and say you don't like him because he does not fit your rigid cookie cutter beauty standards and you have no compassion.

Cheers,

[lizzaneia-elizalde]

you do historical au right? So how about a Villainess who actually is a regresser but she saw too much hardships in her previous life that this time she's all set on herself (you can add revenge or not if you don't want). A tyrant disguised saw her real self which is extremely kind to general public (she built orphanage, hospital and schools for her people) (she's the heir but got scammed in previous life, so she used all that knowledge to get even more riches with beneficial businesses so she's practically richest aristocrat). She's evil and rude on the looks (because she hates limelight and does all good will anonymously). So yeah. The tyrant is real deal evil and he's obsessed with our Villainess now. Oh dear. What a plight..

Sorry for the request being all over the place, i didn't know how to put it better :(

Yandere! Villain x Regressor! AFAB! Villainess! Reader

Anon, you know how to capture my attention. And the request is comprehensive, don't worry!

Another historical AU for the roster. This time, rather than starting off with the villain, let's start of with the MC/you! (Because most of the time it doesn't really focus on the ML now, does it? Hope you don't mind.)

Yandere! Villain name: Eros

You don't remember how you got here, except for dying by a stupid woman who can't aim for jack shit.

You just got home from a grueling day's work. Always getting ahead of yourself and working yourself to the bone just to please your boss who's a major asshat, and loves when his employees curry favors with him.

It's a dog eats dog world, so you curried favors with him.

You're his favorite employee. Always giving you snacks and an extra day for your vacations. But that meant working harder than what's needed. Overtime, going home late, it drained you. But hey, it's worth it.

Yet, this wouldn't happen, and you would still be living like a young princess if it weren't for the damn mistress your fiance, the crown prince, has.

Elysia, a daughter of the baron, spent the night with the crown prince, Yuno. Earning the affection of the prince since...

Actually, you don't remember how Yuno became infatuated with Elysia.

Is the fuck really that good that Yuno neglected his fiancee?

And you, the daughter of the second Ducal household (who's not related to the royal family, of course) was blinded by rage and betrayal that you made Elysia's life a living hell.

Erm, why not the crown prince's too, then?

Remembering your past life made your head hurt. From the cliche love story down to the way you were treated made you scream to the oblivion.

After all, after Yuno figured out how you treated Elysia, he made your family kick you out. Powerless against the royal family, they had no choice but to exile you.

You got employed by your employer by then, an eccentric man who spoke of other worlds called 'Earth' and is bringing 'modern day capitalism' here. Whatever that means. But hey, he developed these things called 'cellphones' that made him skyrocket with money.

He's a weirdo, but at least he's easy to please.

But the bitch Elysia "accidentally" blasted light magic to your way, killing you instead of an assassin. Great.

But, then, you're only the minor villainess. The main villain was someone named Eros. The other Ducal household and your father's rival.

As young as 16, he already conquered the ducal household he's in and then, 6 years later, he had wealth rivalring that of the royal family's. Heck, maybe even surpassing it.

"Hello? Where's the checks and balances of this world?" That's what you usually ask yourself.

You never saw him outright, since he's always been so busy. But you clearly remembered when you're in and out of a coma back then after you got struck with the magic, a war broke out due to him.

Fortunately, you regressed into a baby still, so you could avoid being engaged to Yuno, and being involved with Elysia.

Growing up again with your mature mind was weird. Unlike last life, you weren't a brat, but a proper, cold, and an unattainable standard of what a noble woman should be. Well, if you exclude the coldness and the bitchy attitude sometimes.

In all honesty, your family loved you dearly. A clear contrast from your last life. You're a role model, perfect in every way. Beautiful, smart, talented, and shows clear interest in politics and business.

The previous life, you were only a mouth to feed with a pretty face and a political pawn to integrate yourself into the royal family.

And as usual, you got engaged to the crown prince, much to your dismay.

Yuno was easy to read. He doesn't like clingy women, and he likes the chase. He's dumb, and only knows how to spend money.

"Ah, he's worthless."

What did you saw in him in the previous life, really?

Since you were unattainable to Yuno, he became attached to you. Wanting to conquer you.

And you always returned his advances with a flick of your fan and covering your face with a glare with your sharp eyes.

You're the thorned Rose of the Kingdom. Beautiful, yet prickly. It brought you to the limelight, but also, not. Due to you being closed off, news of you rarely get out.

So in the free time you had, you always disguised yourself with your dark magic and filled up your own coffers with the help of your knowledge of business last life (from your employer.)

You built hospitals, made schooling accessible... You were basically the saintess rather than Elysia.

Oh, did I mention that Elysia, with light magic, was the saintess, and you with dark magic was the prophesied Villainess? It's complicated.

But right now, with Elysia failing to bed Yuno in his crown prince coronation, due to him being only attached to you, you were free to do what you want while thinking of your next plan.

What you didn't know is that a certain pair of crystal blue eyes followed you.

You walked along the street of the outskirts of the Kingdom, inspecting the newly built school.

You just got out of the ducal household and immediately went here after being confronted by Elysia once more, who "accidentally" stumbled into the chateau and into you and Yuno. Can she get more obvious, really?

You never used your dark magic here in the outskirts since you felt safe in the people's arms. They never judged you, nor used you for your money. They're just glad more and more accessible facilities are being erected by the young lady.

While walking around, you got into the councilor's office who's busy with enrolling the children. He's the chief of the town, and is one of the few people who graduated fully back in the capital.

He graciously accepted the position of being the councilor after you approached him, since you genuinely wanted to help the outskirts.

You saw children happily playing around while the parents lined up, excitedly talking to one another.

When they saw you, they immediately curtsied and said hi.

"My lady! Hello!"

G-greetings my lady..."

"Oh my stars! It's the lady!"

"Look over here, my lady!"

You giggled and decided to mingle with them more, talking about mundane things in life and what other facilities can you put here.

"Okay, so a shopping center, huh? Okay, that's noted. Also, I think a gymnasium would work well also, so that there will be a place where all of you can have meetings, and also have children play."

They all excitedly nodded and bid you goodbye as you went out.

You felt like yourself here in the outskirts.

Maybe you can convince your father to give you this part of the territory, and your brother can manage the main household?

Your thoughts were interrupted by children pulling your skirt to play, cheekily grinning and playfully pushing a ball up to your arms. You grinned and chased them around, roaring loudly like a monster and pretending like you're a dragon.

The giggles and screams of delight of the children filled the lively streets, along the chatter of the townspeople.

"Sir? Are you okay? What are you looking at?"

"..."

Eros' eyes widened, then softened as he saw you, chasing the children around, playing with them and not minding the dirt clinging to your outfit.

He gulped, suddenly feeling his heartrate pick up as he cleared his throat. Red flushed his cheeks, as foreign yet also the familiar feeling of infatuation filled his heart.

The noise that surrounded him faded into the background, and somehow, everything seems so bright and colorful. All he could see is you, and you, and you...

You...

You...

Beautiful, thorned you.

Eros.

The name itself sends shiver down the spine of people.

Of fear? Love? Or arousal?

He's a man of few words, only letting his actions talk to other people.

Such an otherwordly beauty like him garnered unwanted attention since he was a child.

Other than being extremely handsome, he's also very talented with politics and business, also with physical activities like horse riding and hunting.

Due to this, his mother developed a twisted inferiority complex, and also an almost incestious relationship with him.

She always hurled words that hurt his soul and emotions.

Then she'll hug him while saying sorry.

This cycle would continue on and on until he's 16.

It was supposed to be a joyous day, not until his mother forced himself on him.

Disgust, fear, and rage filled his body that time, and all he remembered is awakening his dark magic and consuming his mother.

After that, he was knocked out cold.

When he woke up, he remembered his past life on Earth.

He's a business man of such a high position, CEO.

He clawed out of his way from poverty. Stealing, investing, selling, he did everything just to get out of the clutches of being a plebian.

And, when he struck gold when his stationery business thrived, his genius made it possible for him to talk to investors and convinced them to invest in his work.

God, he's rich.

And once he reached the age of 24, he's a rich man.

Then he died due to being assassinated by his rival.

With now his previous life in his roster, he became a formidable business man. Eccentric even.

By some weird cheat, he developed cellphones.

Something so revolutionary was first met with skepticism, but it boomed in popularity when his friend, the crown prince Yuno, bought and used it.

it was weird, really. Yuno approached him to employ his ex fiancee in his company and take care of her.

Eros, who didn't mind, employed you.

Sweet, lovable you.

It was funny seeing you struggle to curry favor with him. Not used being the one who had to try to get close with him. The way you struggled to hide a frown when he mentioned over time, the way you hide your disdain when he talks about extra work...

God, you're so cute.

He spoiled you in the best he could do. Extra vacation days, snacks, all he could do without being too obvious.

Then you died.

You... Died.

By the hands of his friend, well, ex-friend's mistress.

Elysia.

That damn bitch doesn't know her place.

Then and there, his eccentricity died down, and all he knows is revenge back then.

You were in and out of coma, and seeing you swim between life and death made his heart roar out in pain.

He felt so helpless seeing you pale and vegetative, something that wasn't you.

So, with a soft promise leaving his lips, he waged war in your honor.

He fought blood, sweat, and tears in your name.

All he could think is you.

All he could see is you.

And as he ignored Yuno's plea, he beheaded Elysia.

The damn bitch raised the notion that dark magic users are evil, despite dark magic being only an another element.

She turned the tides on you.

Why should she live?

Yuno also. He betrayed you.

Once the royal family was dead, he brought your comatose body to the throne, and killed himself with you at the throne.

He made you ingest poison, something that doesn't cause pain to your already pained body.

Meanwhile, he killed himself by striking a sword down to his chest, and to his heart. The very same heart that loved you dearly.

Then he woke up,

a child again.

Back in time.

Getting away from the busy bustle of the ball, you got out to the garden and sighed. Letting the cold air bite into your skin.

Dread filled your heart as you realized once more that Elysia was nowhere to be found, and so did Yuno.

Your nerves got to you and you left the scene, overthinking the worse of the worst.

Did Elysia actually bed Yuno successfully?

Albeit just a bit late?

You covered your mouth, shaking dreadfully. The pain of your last life was getting to you once more. Trauma trembling you to the core.

"My Lady? Are you okay?"

A deep voice broke you out of your reverie. Something so silky, smooth, and familiar.

You turned around, your heart pounding as you saw your employer, Eros. He's dressed in noble clothes, gold, black, and blue.

He looks more uptight and strict this time around. What happened? Why does he look like that?

You never connected the dots, since you thought your employer and Eros were two different people.

But this?

Your heart trembled.

"G-greetings, your lordship." You curtsied, fighting back a frown just like how you did with him last life.

"You're still the same as ever."

"What is it?"

"Oh nothing." Eros waved his hand.

This life, Eros was more brutal than the previous life. He exposed his mother, a pedophile who touched him and stole money from the household, letting her get beheaded by a rusty axe in the middle of the colosseum. After that, he joined the interkingdom war, and won it much earlier than before.

He's basically a warlord. A tyrant to his territory who imposed such strict rules that you doubted yourself if this was the same Eros you knew.

You both silently stood in front of each other before he took off his coat and gently draped it on your shoulders.

"It's cold out here, my lady." He whispered. His long eyelashes fluttering as he blinked.

He inhaled your scent, his lips trembling.

He missed you so much.

His precious rose.

He gently brought your hand to his lips, kissing it softly and lingering there, with his eyes screaming obsession.

His grip was strong yet also loving.

It made you blush.

"My Lady, if my friend, Yuno, hurt you, approach me."

Your eyes widened.

"Approach you?"

Eros smiled. His handsome face blinding you momentarily.

"Yes, i'll help you take revenge."

Eros eyes swiftly looked at the balcony up above.

"Like this."

Eros swiftly dipped you and kissed your lips.

God, you tasted so divine upon his lips.

His tongue delved into your mouth, sweeping and tangling with your much more timid ones. He cupped your cheeks, bringing you impossibly closer to him.

His eyes were glaring at Yuno back at the balcony, who was naked on their bottom half with Elysia, shielding you from the scene.

Yuno's eyes widened, and he hastily dressed up, his eyes boring into Eros', and you.

This life, he'll protect you from pain.

He'll protect you from Yuno and Elysia.

He'll burn down the ground for you.

Just say the word.

---------

Hmm, twist upon twists. I love it. HEHEHEHE