#or maybe not consciously

[cacw]

hi people who have seen the movie, maybe read the prequel book, do you think bruce would have ever made any attempt on his own life

[maxgicalgirl]

Being a “Fun Fact !” kind of autistic is all fun and games until you get halfway through sharing an interesting tidbit and realize that it probably wasn’t appropriate to share in polite company and now you have to deal with the consequences :(

[noe-clara69]

Can you imagine how fucking angry Neil was when he heard Jean say “So Drake’s not a biter then.”

Because I can.

In that one sentence Neil learned 2 things.

1) That Jean was sexually assaulted

2) What he (Jean) went through was something akin to what Andrew went through with Drake.

I also think that reminded him of everything (that he knows) Drake did to Andrew. I think it reminded him of the time when Drake ambushed him and was paid by Riko to do so. I think it reminded Neil that both of those bastards got of way too fucking easily.

I think Neil put a hit on Grayson not only for Jean, but also for Andrew, Kevin, himself and anyone else who was hurt by Riko, Grayson and Drake (that last one might be a stretch but you get my point).

I think Neil felt so angry and helpless at that point and when he was presented with an opportunity to properly get rid of someone’s abuser, he took it.

[literallyjusttoa]

"A Jester can mock, and the King cannot fight

For the gift of free thought is the jester's one right."

A sweet golden prince who lived up in the sky,

Listened to his families' terrible fights,

The ceiling would rumble, the tile would shake,

The throne room was fragile, and soon it would break.

He'd attempt to speak, but it never went right,

His father would rage, and he'd lose every fight,

As decades passed by, it soon became clear,

The King saw his son as a monster to fear.

The Prince quickly followed every command,

Only to be trapped by his father's cruel hand,

Years of destruction with no end in sight,

This war would not end with a large act of might.

And so the Prince stopped fighting fire with fire,

And instead he pulled out his golden stringed lyre,

Since he had no respect, he would leave the King's cage,

And swap out the throne room for a shining stage.

He taunted with wit and he giggled with guile,

And even his sorrow he shared with a smile,

His father's gaze lessened, his temper was tame,

As his once "Golden Prince" treated life like a game.

The centuries passed and the mirth never ceased,

The sun never set on the first son of Greece,

He danced for his siblings and bit down his pain,

Since each peal of laughter meant there'd be less rain.

There's only one role for which there are no rules,

So who is the jester, and who is the fool?

[uncanny-tranny]

A lot of cis people may not want to hear this, but here goes:

You are going to have more in common with trans people who have a similar gender identity to you than you think. Trans people are reliable narrators of their own experiences, and whether you like it or not, we will have similar or even identical experiences to yours. Cis people don't have a monopoly over their gender or the experiences people have as a result of their gender.

[ruzhuzhu]

things i called pandemonium: pandemic, pancreas, pancake, pants, pantaloon, paracetamol (the list goes on)

thoughts on anthropomorphic pandemonium below!

i may have misinterpreted the wiki page (most likely) but thought that it said something about pandemonium being a creature made of unknown substances resembling rotting flesh and mechanisms (?), thus the robotic parts.

my personal ideas:

the beign has mysterious origins. at first it was a blob of matter it erupted from, and as it absorbed organism around itself pandemonium gained their properties. it was a hybrid of various plants, seaweed and fish that resided deep below the surface. the semi-oraganic and partially living beign evolved and adapted at shocking speeds, obtaining abilities by changing and enhancing those that had been absorbed. without external interference it became a catastrophically dangerous and potent anomaly due to its main and only own property: extreme adaptability.

when urbanshade intervened, the amalgamation got access to technology and copied properties of certain machines it consumed, which it manifested at need. unfortunately, proper investigation on pandemonium's nature began too late and the hypothesis about it's adaptive and destructive potential was proven only past the point of no return: pandemonium evolved to be a biomechanical weapon and seemingly artificial intelligence.

therefore, it's behavior was determined by something that wasn't yet consciousness, but which had already developed beyond animalistic instincts.

the worst was yet to come. after consuming human flesh, pandemonium unlocked new branch of evolution and assimilated "mind". no one knows what "mind" is and how it operates, and neither is there information on how it transformed during consumption. one thing is certain: pandemonium became sentient.

[pinkeoni]

S1 and s2 (but especially s1) feel so intimate and grounded and personal. I am watching these character’s lives.

But s3 and s4 (ESPECIALLY s3) feels fake and removed. I’m watching a tv show.

[2004hitalbumsevenswans]

I really enjoyed Batman: Caped Crusader. I was worried (like everyone else) that Bruce Timm would push his Bruce/Barbara obsession, but they barely interact when Bruce is out of costume, and he’s all business as Batman. Barbara is (presumably) about the same age as Bruce in this adaptation, she’s a young public defender, who still lives at home with her dad. Commissioner Gordon is mentioned to have 30 years on the Gotham police force at one point. And the series is loosely based on Batman: Year One by Frank Miller, and has Matt Reeves as a producer. It’s definitely an interpretation of the early years of Batman.

The setting is vaguely and aesthetically set in the 1940s, mirroring the original Batman and riffing on DC comic stories and character interpretations from that time. Clayface’s story and appearance is based on the original interpretation of the character, which I really enjoyed - especially as someone’s who’s read the first couple years of the original Detective Comics/Batman stories. (There’s also a lot of great references to the Adam West show, and a couple of its themes are reimagined for this more noir story.)

I could see the series setting up something between Bruce and Barbara potentially, but their interactions are really blink-and-you’ll-miss-it. There’s a moment where Bruce’s is climbing back onto the Iceberg Lounge yacht and he uses a pick up line on her, which she scoffs at, then he proceeds to use the line on two other young women. There’s another moment that you could say is pre-flirting, or is at least setting up a foundation to further a relationship between the two. Where Barbara makes a comment about Batman letting himself into her office unannounced whenever he feels like it, and she tells him she needs a way to contact him, and he gives her the Batphone number. At this point I think you could make more of an argument for a Harleen/Barbara pairing than her and Bruce.

I think the characters would both individually need a lot more development to be in a romantic relationship. I’ll say this even though I know it will be an unpopular opinion: in this interpretation I wouldn’t mind putting Bruce and Barbara together. I know that’s practically sacrilege coming from someone who’s favourite character is Oracle but hear me out.

My main issues with Bruce and Barbara together (especially when it comes to Timm’s work) is the age difference. It’s often debated but Barbara in most iterations (including current comic canon) is around the same age as Dick, usually a couple of years older, 2-3 at most. Bruce is depicted as having at least 15 years on her, if not more. And most stories that have Bruce and Barbara together also fixate on her being batgirl. Then there’s the tendency to make a Nightwing-Batgirl-Batman love triangle which I don’t want to get into but I hate completely.

None of that is happening here. Barbara has her own storylines that are just as prominent as Bruce and Harvey’s. She’s an adult with agency and flaws and is just as fleshed out as any of the other characters are. I wouldn’t be surprised if the show takes a season or two to develop a romantic relationship between the two of them. Bruce is completely focused on being Batman and sees Bruce Wayne as a persona. He’s callous with peoples feelings (Harvey, notably) and is shown to struggle with smaller acts of empathy, opening himself up to people, and honestly, social skills. The last of which doesnt doesn’t affect him too negatively because he’s a rich and well known man in Gotham.

Compared to the Bruce Wayne of BTAS it was a smart choice to show a Bruce/Batman who struggles with people and emotions. It reminded me a lot of Reeves’ the Batman. In wider Batman media you usually see two types of depictions: a compassionate Batman (which is where I would place BTAS) or a more emotionless, be-stoic-and-punch-the-bad-guys-and-look-badass version that is usually just a male power fantasy.

This version of Batman sets up the foundation for a storyline that is relatively unexplored, and I’m sure they’re going to explore it more in the next season (which has already been greenlit).

I was surprised at the lack of adult themes in the show, it was marketed for an adult audience but could easily fit into a PG13 rating, but that was probably on purpose. I was impressed they managed to have so many strong, fleshed out storylines in only 10, 30 minute episodes. But I wouldn’t expect anything less of Bruce Timm, or some of the other names I recognized attached to the project in various ways (Greg Rucka, JJ Abrams, Matt Reeves, and Ed Brubaker).

While there are a lot of critiques of Timm I agree with, I generally enjoy his work and the care he puts into it. I love Greg Rucka and was really excited to see that he wrote the episode that was more Renee Montoya centric. And while I have my issues with Ed Brubaker, I do enjoy his work.

While the series is visually and technologically based around the 1940s, the politics are more modern. Harleen asks Renee out on a date and she talks about it with Barbara openly. I saw one review call the show “race blind” which I would not agree with. Most of the racism is implied through euphemism (the scene with Lucius Fox and Gentleman ghost), but it’s still felt as a point of friction for multiple characters, it affects how they interact with the world around them. There’s also a line spoken by either detective Flass or Bullock that implies no one in the GCPD wants to follow Renee because she’s gay. It’s cut off before the last word, but again, the meaning is implied.

An issue I always had with the Timmverse is its depictions of female characters. They always feel less real than their male counterparts, less important and less visually stylized. All the important (read: desirable) women have the same body shape. They’re thin and extremely, unnaturally curvy. I’m aware that these characters are supposed to evoke that 50s comic pinup imagery but I always thought it was a bit much. Male characters - even before the animation downgrade in BTAS season 4 - were always way more unique from each other than the female characters. That wasn’t something I felt with Caped Crusader. The three most prominent female characters (Barbara, Renee and Harleen) were all different from each other, with different heights, body shapes, hair and clothing styles. They also all had 3 distinct personalities that were built up through the series. I would argue that the show was as much about the “supporting cast” (characters like Harvey, Commissioner Gordon, Renee and Barbara) as it was about Batman.

Overall I was really impressed by the show. I was disappointed with how short it was. I hope that Renee’s personal life gets a focus with the next season, and I hope they bring back Greg Rucka to write it. I love how he wrote her in Gotham Central. I was a little annoyed that they introduced the Joker at the end of the series (as a peak into the next season). I think he’s too over saturated as a character, and sometimes his introduction into a Batman story takes over everything else, and he’s depicted as Batman’s Moriarty. I do have hope that this won’t happen in Caped Crusader, because it seems that villains will be reoccurring, but there’ll be a large cast, just like in BTAS. That aspect did remind me of the way characters were introduced in those early Batman comics, it really has the same vibe. I also really really do not want Harley to be involved with the Joker in any way. Please keep her as a separate character, this new interpretation of her is great as is, he doesn’t need to be involved.

I would also be interested to see if the show develops Barbara’s character into Oracle. I could see that happening with the introduction of the Joker at the end of season one. Maybe they’re going to rework the Killing Joke? I couldn’t see them having her as batgirl, but I would be interested to see how they worked Oracle into a world with 1940s technology. I’m thinking back to her as Oracle in the Doom that Came to Gotham, and how clever that was. I’m sure they could do something just as interesting with her here. Something more supernatural feels like a long shot, because Timm usually sticks to the more “realistic”, street-level versions of Batman, but they did introduce Gentleman Ghost. So it’s a possibility.

One thing I did think could have been better was some of the voice work. Not the voice acting itself, but the design. It felt too polished alongside the score and the animation. I wish the voice acting had been more atmospheric, had more depth. It felt too clean. Hamish Linklater was great as Bruce/Batman. Following Kevin Conroy is no small feat, and Linklater’s performance felt reminiscent of Conroy without sounding like an impression. It was quiet and unassuming, yet strong.

I’m not usually someone who watches things more than once, but I’m definitely going to be rewatching Caped Crusader soon.

[xf-cases-solved]

mulder vs. scully and her period

-first off, he 1000% keeps track of her cycle - it's vital to his survival - but he would never ever ever ever tell scully that

-he learned to start keeping track after too many blunders during their first year working together. like, he'd had girlfriends in the past, obviously, but he didn't travel the country constantly with them day in and day out. even diana was rly reserved about her period, preferring to keep that sort of thing to herself. but scully is a medical doctor. while she may take issue with any emotional aspect, and be uncomfortable and embarrassed about that part, she is completely nonplussed by the physical aspect, and talks about it very bluntly and openly, and that took mulder by surprise at first. he wasn't used to being around a woman who wasn't bashful about it, and it made him uncomfortable at first, but eventually he was like "ok, this is going to be part of working with her, i need to get over myself and up my game"

-in their entire time working together, mulder has made one (1) "are you on your period or something?" joke. it was about six months into their partnership, and scully was (rightfully) irritated at him about something and he had tried for some levity. let's just say that he, ah... he has never made that mistake again

-he always has a tampon on hand. like, always. it is more reliable to ask mulder if he has a tampon than it would be to ask another woman in the bathroom if she has one. he started keeping them on him when she got her period on a three hour long flight that had an hour delay on the tarmac, and she'd accidentally forgotten to take a couple tampons out of her checked luggage, so he'd watched her shift around uncomfortably with a makeshift pad made of thin, coarse airplane bathroom toilet paper, and he felt really bad that he couldn't do anything about it, so on the flight back, he bought a travel pack pack of like, six tampons when he went to get sunflower seeds, just in case. then at some point he was like "mb i should keep a couple in my overnight bag for her," and that led to, "she's in my apartment a lot, i should throw a couple under the sink," until eventually he was King of the Tampons

-(he even has different absorbency levels, okay? like, he is on top of his shit)

-he used to buy chocolate for her on long drives when he knew she was on the rag, always saying something like, "it was two for one, don't worry about it," even when it wasn't, until he started to pay closer attention, and he realized she actually tended to crave salty foods instead of sweet ones, so he switched from chocolate to potato chips and pretzels. (he would play it off as though he got them for himself and then would keep offering her some, bc he knew that would help her not sit there and (completely needlessly) dwell over eating junk food)

-she gets really bad cramps the first day and a half or so, and he haaaates it, bc even tho she waves it off, he can see the way she clenches her jaw, and is hunched over whenever she thinks he's not paying attention. if she's over at his place when they're happening - even if they're working - he makes her sit with a heating pad and encourages her to drink the whole glass of water when she takes her midol. he has massaged her lower back on more than one occasion

-she stopped getting her periods regularly when she was going through cancer treatment, her body too sick and weak. about two months after going into remission, she bled through her slacks on some rural highway in arkansas, and although mulder listened to her complain and validated her frustration, he was secretly so relieved, bc he knew it meant that her body was really and truly starting to heal

-her periods become kind of a taboo subject in a way they hadn't ever been before once she learns of her infertility. she doesn't talk as openly about them anymore, but he's still always prepared and after four/five plus years together he doesn't need her to tell him how to make her feel better. he can intuit it. she doesn't say it, but he knows that she's grateful

-her periods become a dark topic when the ivf fails. the period that confirmed it didn't take was hard on both of them, and she spent every night of it at mulder's apartment letting him hold her and allowing him the privilege of caring for her, which she usually resisted

-he actually noticed that she missed a period before he was taken in oregon, but he had no reason to suspect it was anything but just a fluke, so he didn't say anything. when he glanced at his calendar and saw what week it was, though, he did have a fleeting moment where he was like "what if?" not in a serious capacity, but in a wistful way. i mean, they'd been going at it like rabbits and had never once even considered using a condom. like, why would they, right? but in his brief fantasy, he thinks about how she would react seeing a plus sign on a pregnancy test. it would be familiar - that look of disbelief and awe she got whenever they witnessed something unexplainable - and he would be the cause of it, and how amazing would it feel to be able to give that to her? to give that to both of them? but he knows it'll never be anything more than a pipe dream (bitch, you thought!)

-we won't get into sad later stuff, but i'll just say that he really, really resents the fact that he wasn't there to take care of her during her pregnancy. and he would have been fantastic at it. he would have toed the line between supportive but not overbearing perfectly. she would have had a beautiful nine months, like she had more than earned. he'll never totally forgive the universe for taking that from them

-and to conclude, let me just say for the record, mulder is all about period sex. orgasms help cramps, right? he's just being altruistic. ("YOUR orgasm doesn't help my cramps, mulder" "hey, we'll never know for sure unless we try")

-lay down a towel, lay down your woman, and get to it. bro eats crime scene evidence. there's no way he'd let a period stop him from fucking. god bless and amen

-the end

[tears-of-taelia]

How many times have we done this, Interceptor? You betrayed me at one point.

composition

[nandorsrelentless]

there seems to be far too many fans who can't seem to wrap their head around the fact that no relationship in the Vampire Chronicles is healthy. every relationship includes an element of abuse/power imbalance by normal standards. literally every single one.

they are all monsters who are no longer constrained by societal rules. so I don't think it's too crazy to expect them to do mosntorus things. the genre is Gothic HORROR. the show really prioritizes the HORROR element more so than other adaptaions, which i love.

i don't need louis to be a liar to enjoy lestat. if louis lied or misremebered things about the fight in episode 5, i literally do not care because it's never gonna make me hate louis. the baseline of what constitutes "evil" or "bad" is so different in iwtv because of the fact that they are NOT HUMAN. Claudia is literally a serial killer and she's still mother to me. ykwim?

the nature of vampirism is they have to kill to survive. so it would be really cool if people could accept louis, armand, and claudia as complex characters who are fundamentally not good people (because they aren't people!) without being racist about it. THEY ARE ALL KILLERS

im more interested in this exploration of the complexities of memory and seeing how the show integrates the other books into this story in a way that hasn't been done before than I am in discoursing about whether louis is a liar or not. who gives a shit???? grow up and realize that there are no good guys here and that's OKAY

[hidingoutbackstage]

Something about Tucker being held to a higher standard than all of the other Reds and Blues in the later seasons. Sure he likes sex and makes “that’s what she said” esque sex jokes, but like, especially during Shisno trilogy, the show seems to really like putting him down or treating his love for sex like a comedic punching bag. Oh, Tucker’s a single dad who genuinely loves and cares about his one alien kid despite how that kid was forced upon him? Well actually he had sex with a TON of women on Chorus by using the fuck temple and now has a ton of kids that he’s reluctant to pay child support for. And speaking of the temple, despite it being said to make everyone on the planet super horny and sex obsessed, Tucker says he didn’t feel any different, because making him hypersexual is funny (why is it funny, RT?). And remember how Tucker’s arc during Chorus had him emotionally dealing with Felix’s betrayal? Well now he falls for the most obvious manipulative lies from Temple, I guess he’s just dumber now. And you remember that funny scene in season 5 where Doc is giving Sister a physical exam, and Tucker obviously really wants to see her naked, but because Doc keeps telling him to not come in, and likely out of respect, he doesn’t, while Red Team is secretly perving on her (which they never fucking get called out for), plus all the funny moments of him trying to flirt with her, and her either being receptive or so fucking weird that it takes him aback? Well Tucker still REALLY wants her, but he’s now a childish asshole who can’t stand the idea of her not wanting to sleep with him, and is now super self centered despite the arc he went through showing how he values others, and the series basically keeps fucking with him and making him miserable and barely ever giving him a moment of relief. And you know how he was mercilessly tortured for M O N T H S during Restoration? Well he doesn’t get to process that trauma, and despite all the growth he’s supposedly gone through throughout the series, his last moment is an offscreen sex joke because Tucker’s the perv, get it? We can’t let him have a fucking break despite literally everyone else being treated comparatively nicer or given some kind of levity. Why specifically Tucker, Rooster Teeth? What has he done that’s so bad to you that you continually treat his character this way despite the fact that he’s truly the best (and should have been main) character in this whole series?

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[violent138]

Obviously, Dick's Robin suit (and likely Jason's) is exempt from this, as they were modelled off the Flying Grayson's suits, but Tim's (or whoever first debuts the black cape with the yellow inner lining) Robin suit may actually have a role in camouflage. There's a principle called countershading, and it's usually seen when an animal's colouring is darker on the top/upper side and lighter on the underside, and you'll see this in sharks, mammals, birds, et cetera.

In theory, the lighter underside of the cape, particularly as the Bats spend a lot of time descending from rafters/backlit/operating under variable light conditions, could be useful as camouflage under the cover of darkness.

[yandere-daydreams]

On the topic of good horror books

The Haunting of Hill House by Shirley Jackson is beautifully written and has plenty of things for your brain to chew on, both while you're reading, and after you've turned the last page (and yes, there is mind fuckery that progressively gets worse in a good way)

I first read it roughly three years ago and I still think about it to this day and want to re-read it

i actually read the haunting of hill house this year!!! it's legit one of the best haunted house and unreliable narrative narratives i've come across, and there's just suck a flow to the writing and a charm to the characters (between all the fucked up shit i mean),,, i think i binged the audio book in one or two days and just. immediately restarted it because i was simply Still Reeling and not ready for it to be over.

i would also highly recommend 'we have always lived in the castle' (also by shirley jackson), which is more murder mystery than haunted house but still has that kind of uncanny, 'something is clearly wrong here but we simply must get to brunch' tone that makes hill house so compelling. i think shirley jackson just slaps in general, would love to know what her deal with fucked up houses is but i'm willing to continue on in ambiguity.

[sunnyyzzbeatzz]

Can u guys make me tumblr famous so I don’t have to shift just for that 😞