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thankskenpenders · 6 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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ramonathinks · 6 months ago

Text

matters of the heart — Nanami K.

summary: finding out your ex-boyfriend wrote a novel detailing your relationship isn’t how you expected this week to go and to make matters worse everyone on the internet now thinks your “character” is a total bitch. you decide to pay your ex a visit, but can you do that without succumbing to your natural urges? well, no!

tags: 18+(MDNI/blank blogs) slight porn with plot, oral (f! receiving), brief nipple sucking, daddy kink, creampie, i guess nanami is a bit toxic in this lol, nanami might also be a bit ooc in here

to the moaners: has this been sitting in the draft for about 3-4 months? yes! but happy birthday month, kento 😚. artwork by @/_3aem (twt); @ryomens-vixen (this was the fic I mentioned a while back) word count: 5.6k (yuck), I don't really like this

I’m going to kill him, that was the only thing on your mind once you closed out of the novel. Normally, your weekends were spent relaxing with a fruity bubble-gum colored cocktail but today was different. Shoko called your phone at exactly 9:26 am claiming it was time she divulged some news to you. At exactly 9: 28am, she sent you an online copy of a book titled, “Matters of the Heart” and told you it was nothing but a two or three hour read and then to call once you finished.

The book had a slow start and it seemed pretty average, just any old love story. Lately, anything was getting published and it seemed that was the case here — wait, you paused your reading and sat up straight. No. Just no. Something just clicked for you which led you to completely start over from page one.

The moment you finished, at exactly 1:01 pm, you grabbed a salmon colored low cut shirt and light washed jeans, slipped on your white shoes and hurried to get into your car. You didn’t need to call her phone because you were going to talk to her face to face; this situation warranted a real conversation. It was nothing but a 17 minute drive to Shoko’s house, so when you arrived at exactly 1:18 pm, her door was already open. “They’re bashing me, Shoko. Fucking bashing! How could he do this to me?” Were the first words that flew out of your mouth, holding your phone close to her face so that she could see the reviews.

“Well, it’s not like anyone would know it’s you.” She yawned, handing you a cup of water – probably because of how crazy you looked – before she ushered you to a seat on the couch. A golden brown blanket was lazily thrown on the seat, which she hurried to move. You sat down and faced her with a look of what Shoko could only describe as pure sadness. She had seen you like this many times before, all because of one person.

“You did.” You sniffled with an eye roll, you couldn’t help but feel uncertain. Reading this book only brought back more uncomfortable feelings towards the breakup and him. You thought that you were over him and the memories that the book produced made you question everything. One question remained which is: Why?

She giggled drily. “Hey, I read all his works. Pseudonym or not. He can’t hide from me. Plus, I know you both and everything that went on. I was there too, remember?” She mumbled the last part. “Maybe this was his way of coping?”

“It’s been years… and I heard he’s announced a sequel. Shoko, a SEQUEL! It’ll be released later this year.” You spoke in a shaking watery voice while she rubbed your back in an attempt of comfort. Your mind could only think of what the reactions would be to your character in the sequel… insecurities that you never knew were there flooded your mind.

“There was enough material for a sequel? I thought he covered everything…” Shoko rubbed her chin and looked deep in thought. You just stared at her, she couldn’t be serious. “Sorry, ignore me.” She shook her head ignoring your stare.

“Do I even confront him over this? A-and how would that make me look, like I still check on him right? I’ll look crazy and bitter… which apparently I am. Oh and I’m bitchy and a ‘total cunt’ as they’re putting online.” He didn’t know just how much you changed, he missed your growth. Rubbing your eyes, you ask:“Why did you tell me about this? What made you take so long… I just don’t understand.”

“Well, at first… I didn’t think you’d care.” Moving a strand of her nut-brown hair out of her face, she continued. “Then about a month ago, I decided it was right to tell you, just in case someone else pieced it together.”

“Gojo read it then, huh?” You mentally cringed at the thought. It was the only person you could think of who’d be so crude about it. He knew how damaging the breakup was for you but not as bad as Shoko knows. Now, you’re just grateful that she told you before he did.

“Yep, so I figured that I had to tell you before he did.” She clicked her tongue. “But let’s just calm down before you make any rash decisions on how to handle this.”

“He wrote a fucking duality series about me, our relationship, our sex life and you want me to calm down? Are you listening to yourself? This is a serious matter. I am being called a bitch, a slut and more on Goodreads and multiple websites, reviews, etc. and he didn’t even have the audacity to give me a heads up. You had to call me.” You let out an unladylike snort.“Why couldn’t he stick to his mystery novels? Wasn’t he doing good at those?”

“Writer's block.” Shoko said in a singsong-like voice. “He hadn’t written a mystery book since you two broke up and then… he alerted his supporters he wanted to switch things up and then… that was that. Ladies loved it, a big hit. By the way, if you two were really fucking like that I need to se—”

“Shoko, now is not the time!” Your face felt hot all over, your mind racing. “I just can’t believe this.” You wrapped your arms around your body and squeezed, giving yourself one big squeeze. It was hard not to cry but you could feel it all in your throat.

“I’m sorry. If it makes you feel any better, I don’t think his intentions were to make you feel bad.” She hugged you to her chest, pressing a small kiss to the crown of your head. “I think he still loves you. I mean, isn’t this book proof? After all these years, he wrote about you.”

“I’m sure he moved on by now.” You whispered, your eyes growing tired already and the day had barely started. “I just need to lay down. I need to rest.” Your mind seemed to finally grow calm and your breathing steady, a small hiccup now in your throat but with a gulp of water, you were better.

“Just stay here. I don’t trust you to be alone right now.” Shoko’s voice drowned out as sleep overtook you, you could only feel her warmth as she held you and honestly it was all you needed at this moment, Shoko always made you feel safe and you couldn’t thank her more than enough for that right now as you slept.

You were a light sleeper, it was always something that Nanami pointed out about you. He always said how he felt like he couldn’t leave the room while you slept even if it was to use the bathroom afraid to wake you. He knew how important sleep was to you and he’d risk having a bladder infection if you got all 8 hours that you required. Nanami was sweet and caring like that.

You didn’t think you’d break up with him ever. He was the one for you and he always made that clear. He pampered you and even after the breakup – though you didn’t need it – he left you with a check for five thousand dollars, saying it was for his half of the lease for the next few months.

The breakup was brutal for you. You almost quit working entirely. Shoko was the only person you’d confined into and the only friend you left to check in on you especially when you didn’t want to leave the house. She brought you groceries and helped you shower until you finally were able to get up again.

Though it was hard to believe, it was Nanami who broke up with you. You thought it was a joke, a cliche little joke.

“Baby, I’m not joking.” His voice was quiet and husky, he spoke as if he was going to cry. “I just need some time to myself. I need to figure out if this is what I want. You don’t have to wait for me, you just keep on living your life and being happy. But… I think it’s time we let this go.”

You didn’t cry in front of him. You didn’t cry when he packed his things up. You certainly didn’t cry when he shut the door, leaving his key on the table because you knew he was joking. He had to be. But when you called him and his number was disconnected and you were blocked on any form of social media… that was when you broke down and cried.

It happened out of nowhere. You overanalyzed every aspect of your relationship for where you went wrong. You wrote down every conversation you could remember and dissected it word by word. You watched every video and picture you had of the two of you looking for a bit of regret or anything on his face. You read every text message, looking for malice. He said he needed time to figure out if he wanted this but he always made it clear that he did and even that he was looking forward to having kids together, you two had even gone ring shopping months ago.

You didn’t sleep and when you did, it was only for 4 hours and sometimes barely that. Your heart had an ache in it and the tears wouldn’t stop. You could only think why wasn’t I enough?

When you opened your eyes Shoko was still holding you and a small smile grew on your lips. “Thank you Shoko.” You knew if you could count on anyone, it was always going to be her. She was the one who pieced you back together and made sure that life didn’t destroy you and you couldn’t help but to be grateful.

“Of course. ‘M going to let you spend the night here, okay? Let’s get some takeout and watch your favorite movies, how’s that sound?” She knew the way to your aching heart like the back of her hand.

“It sounds amazing!” You stretched your arms out wide, leaning off of her and sitting up. “Should we start with Uptown Girls or Legally Blonde?”

It took two days before you confronted him. Shoko was adamant about not giving you his address and you were tempted to get it from her phone. But luckily, you wore her down, she was probably tired of you bringing him or his book in every conversation. So now you stood there, nerves washing over you in waves.

The mahogany colored door stared at you – mocked you – and you returned the glare before you knocked on it, hard. This was just a door and you were angry at the person behind said door, not the door itself.

It was almost like he was waiting on you because the door unlocked and opened. He even stepped aside to let you in, quiet. His straw-colored hair was parted differently and he even looked taller or broader – you couldn’t completely tell – but he looked different… seemed different. The atmosphere around him made your stomach clench and it made you mad; why did it feel like only you suffered from the breakup? Here he was – strong and tall – and you were nothing or rather the same.

“You wrote a romance erotica novel about our relationship?” It was what you practiced saying before you got out of your car – making sure your voice didn’t tremble – this time, it didn’t.

“Well, hello to you too. Even after three and a half years, you still like to get straight to the point.” He grinned, putting a hand on your back to guide you to a seat on his couch. “I must ask, what makes you think it’s about you?” He does a slight laugh and raises his brow.

“We have the same initials, almost the same name. Are you kidding me?” You retort, folding your arms across your chest. You tried to ignore the fuzzy feeling in your chest that occurred when you heard his voice after so long, hearing him and seeing that damned smile… your nose scrunched up.

“Sorry, I just didn’t know you kept up with me… with my books…” He muttered, glancing your way, a demure look in his amber eyes. “Should I be flattered?” Almost in an instant, he turned on a slight cockiness to himself, though his body language showed his nervousness – his thigh bouncing a bit and his fingers tapping on the couch handle. A light sense of relief filled your system knowing that you weren’t the only one being affected by this.

“I don’t.” You inhaled deeply. “Shoko told me about it and then, I checked it out.” Fiddling with your fingers and even picking at your nails, that was your tell all sign of nervousness and right now you were engaging in it more than ever before.

“I wanted to tell you or rather, to ask you. I know you got the voicemails I sent last year…and then you kept dodging my calls.” He tells you, you could feel his eyes on you – or more so your fingers… the nasty habit that he had finally got you to stop all those years ago rushing right back in an instant.

“Writing a book to trash me and our relationship… to make you look like some sort of… ugh, like you’re so amazing and I’m just shit. Yeah, that certainly got my attention.” If you were coming off bitchy or rude right there, you couldn’t care less especially when there were worse things that you could’ve said or even could’ve done at this moment. You really wanted to slap him.

“Is that all you got out of it?” He asks with his head low, almost as if he was admitting defeat or as if he couldn’t believe you came up with something so trivial.

“Was there anything else to get?” You counter, shifting your body towards him. Maybe it was best that you sat down and actually listened to the author and his interpretations of his work.

“How about that I love you regardless of any flaws… how about I find your stubbornness and attitude sexy and how I knew this breakup would be good for you. I was holding you back. I mean, I heard you got promoted 3 times since we broke up… I just felt like I was changing you, hindering your growth. I needed to reflect on myself and this book helped that.” He tapped his fingers against his thigh, yet another sign of his anxiousness. “Believe it or not, I still care about you. No matter what happened between us.”

“What happened? You mean when you decided to just leave? You could've told me everything you just told me and I would’ve understood better. We could’ve talked and came to a compromise. You don’t understand what you put me through after it.” You were close to tears but you straighten your posture and sniffled, it was best not to think about what happened before. “I just needed a bit of closure too, I guess that’s why I came. I just was caught off guard. You could’ve knocked on my door or something, forced me to answer… forced me to talk.”

He met your eye for the first time since you came over. “You wouldn’t have listened,” He huffs. “Didn’t I mention how stubborn you are? Plus, I meant what I said. I needed time to myself and I think we both did.”

“I guess…But Nanami, this book was too much. A letter would’ve been fine if you needed closure, don’t you think?” You see his lips quirk up a bit before he licks them, trying not to laugh it seems.

“My publisher got a hold of some of the documents where I was just going over things, writing here and there. She loved the idea… plus I’m in a contract for six books so I had to put something out soon, it had already been a year.” He told you, sitting his chin on top of his knuckles. “I honestly didn't mean to hurt you. I was writing for fun… reminiscing about us and then later down the line, I realized I was writing because I wanted you to read it, I just didn’t exactly know how to get you to since you were very adamant on avoiding me, which is understandable. But regardless, I didn’t think it’d get on the bestseller list or for the reviews to get so harsh.” He admits, reaching for your hand before his hand froze in midair and he stopped himself, choosing instead to put it behind his head.

“Is there anyway you can stop the sequel from being published then… since you got my attention after all this time?” You asked, putting your most dazzling smile on, hoping to sway him.

“I can talk to my publisher. Everything’s in print and materials are already done… but I’ll try to see if I can stop production.” His adam’s apple bobbles when he does a harsh swallow. “Are we… okay? Do you forgive me?”

The question made you pause. He always made it hard for you to not forgive him; it took one look or a smile and a small explanation and it made it easy to fall in love with him all over again, no matter what he did… it seems. But it made you ask yourself: Were you too easy? Did you really forgive him? It was thoughts like that swirling around the corners of your mind. You wanted to forgive him, he was just writing and telling a story… but it was your story, not just his. Using this for your attention when he could’ve written about anything else, he didn’t have to. Were you just ready to forgive him because you still loved him?

You hadn’t realized how deep in thought you were until you felt the couch dip and even then, your mind was still spirling.“You don’t have to…” His voice brings you out of your thoughts, his body so close to yours that it was getting hard to breathe. He still smelled the same; citrus and woodsy and it was easy to get yourself sucked back in.

“So you can write another book about my stubbornness?” You give a quiet giggle, scooting a bit away from him, seeing him frown from the corner of your eyes. You didn’t want to fall back but he made it all so simple. It was easy and you were already falling back on him and you didn’t need that… Did you?

“Baby…” Your body buzzed and hummed, turning to him with wide eyes. “I’ll do anything I can to make this right. Anything for you to forgive me… If they can’t stop publication, what can I do to make us right?” He was doing more than a gaze, he was full on staring and from how close he was it was hard to avoid.

“Nanami I–” You stopped yourself. You couldn’t really think of anything he could do but you could think of several unhealthy things you could do to ruin your progress on going over him. He had betrayed you and made you a laughing stock so why are you stuck thinking about forgiveness when you should be leaving.

“I never stopped loving you.” His fingers traced up and down your pants but his eyes stayed on yours. “I never thought about anyone but you… I never slept with anyone… it’s always been you. But, I understand what I put you through and I’ll apologize every second until you forgive me…” The blond man who you never saw shed a tear looked more than close to it. “But just please… forgive me.”

“I’m sorry, honest.” He tries again after being met with absolute silence. “Just… let me show you, okay?” His breath tickles your face for a second and when you look into his cocoa brown eyes, you feel everything you once felt again.

Memories of good times dulls out the odd feelings in the pit of your stomach – the confusion and pain – instead are replaced with joy. The trip to Malaysia where he rubbed sunscreen on your entire body and laid back to read a book and you watched as his eyes kept drifting to you while you played in the cerulean water; how you kept begging him to come in until he complied and how eventually in the early hours of the morning when you wanted another dip, he fucked you twice — once in the golden lush sand and another in the cool ocean water.

His face is in your thighs and you couldn’t help but feel better, feeling his breath fanning so close to your pants covered pussy, your body felt scorching hot. He’s grumbling, “Will you let me make it up to you? Will you let me show you how sorry I am?”

You must’ve nodded because he was already unbuttoning your pants and helping you lay back, pulling your shirt up just a bit to see your perky tits – he must’ve remembered how you never wore bras unless you felt it was necessary, which was mainly work or any important events.

He blew a bit on your hardening nipples before he took one into his mouth – playing biting them with a smug look on his face before he began licking around your areolas and kissing around the swells of your breast. He doesn’t say anything but he looks deep in thought as he kisses down your body, his fingers scraping down your sides as he works your pants and your panties all the way down. Bringing his head up for a minute, he looks in your face. “I love you.” He says it simply, heavy emotions swirling in his brown eyes.

Removing your pants and underwear completely from your body, he spreads your thighs and looks over your body – a trimmed low pretty bush sits between your thighs and it makes him smile, he always loved seeing the curled hair on your delicate lower lips. He spreads your pussy, watching the skin stretch with a deep smile on his face. You could feel yourself … the wetness leaking down under your body and it made you cringe, but the way he was staring at you made the insecurities vanish. “All this for me?” He takes a tentative lick before he slurps, clutching your hips. “I know you like to run… but I need you to stay put, got it?” It was hard for you to listen to him, your head already fuzzy and the thoughts swirling around were only about him, nothing more.

Then your body bucks up, “Wait–!” A broken moan escapes your mouth when he presses a soft wet kiss to your clit. Nanami had always been gentle and very careful whenever he ate you out; making sure his tongue was wet enough and that he wasn’t too rough. His tongue was wide enough to make your back arch, your body leaving the couch when it finally hit your clit and he gave you no time to recover before he peeled back the hood, sitting the tip of his tongue there and rapidly flicked at the bud.

Hearing the lewd squelching noises coming from the mixture of your cunt and his mouth made you close your eyes, squeezing them shut tightly. He spits before he licks it up and down your aching slit, nudging his tongue inside only slightly, much to your dismay. You’re gasping every second when more of his tongue slips in and out of your pussy; sliding a bit more each time and it makes your thighs shake. When he finally slips his entire tongue inside of you, curling it just enough that you can feel it everywhere, your legs attempt to close up around his head. “Please– ‘m so… soo–oh…” His fingers join in on the fun and in small sloppy circles he rubs your clit, pressing down on the pearl while his tongue continues flicking inside of you. The split second that you open your eyes, his are already on yours and it was that moment, that made your body tense up and for you to cum.

It happens fast, clear sticky wetness leaks out of you and Nanami still tries to get more of it on his tongue, catching anything that drips and sucking on your folds. “Always so fucking good…” He mutters, spreading you again and smearing more of your slick on his face by shaking his head between your thighs, so that he’s completely covered in you.

When he moves his head, embarrassment comes over you, looking at his wet face… even his forehead was wet and you couldn’t bring yourself to meet his eyes. “Nothing to be embarrassed about, baby but… I’ll be right back, stay wet for me.”

Your heart hammers against your chest, lying there on this now wet couch. You didn’t come over here for this and yet here you are… about to get fucked and really, it was no turning back now. You’d been on dates with men after Nanami but they never lasted past the second date and you certainly hadn’t had sex in a while, but he made you come apart like it was nothing.

But then again, Nanami knew your body… so of course this was a walk in the park for him. It honestly annoyed you right now, you couldn’t even make yourself cum half the time especially these last few years and now, barely an hour here and he has you right where he wanted you… bare and practically back in love with him.

Nanami came back with a fresh face and unbuttoned pants that he was currently pulling down. You clenched around nothing, your mind thinking only of the perfect dick that was going to be coming out of those pants. You licked your lips, this would be the first dick you saw in years and it was his.

His drooling cock slapped his stomach and you swallowed, your mouth felt unreasonably dry. The length of his cock always impressed you, standing tall at seven and a half inches, he shakes with laughter which snaps you out of your daze. “Now let me look at you.” His whispers and even though he already saw you, both years ago and right now, you can’t help but feel hot all over again. He’s staring – drawing his eyes down every inch of your body – focusing on your breast before getting to the stare of the show yet again. He smirks, laying you back down, pressing his body against yours to kiss you.

Your breath was caught in your throat, his tongue still tasted of you and his hands cups your jaw. He’s gentle, his tongue moving around your mouth messily before he stops, saliva breaking apart when he does so. His fingers make a ghostly featherlight touch on your clit that makes you jump, the head of his cock at your entrance. He holds out his hand, close to your mouth. “Spit.” Gathering up some, you spit in the palm of his hand and stroke it along his length, huffing at the sensation.

He pushes in, taking his time to work himself inside of you, a strained expression on his face. Hips pulled back, he focuses more on just the tip of himself fucking you, watching your pussy stretch with just the tiniest bit of resistance. Inching himself inside, you watch his torso flex and he groans, obscene noises plop and plap around the apartment, his heavy cock pushing in and out of you, your toes curling.

“Pussy still mines, right? Didn’t give it away, did you?” You’re struggling to talk - to fucking breathe - your eyes rolling back and your jaw slacked but you babble out a soft ‘no’ which makes him finally thrust in you harder, completely bottoming out. You feel him in your belly, feeling full and embarrassingly wide with him stretching you out, his balls sitting on the crest of your ass before he moves.

He moves you a bit, your bodies flush to each other and he moves his hips in harsh circles, his pelvis so close to your clit. His hands on your calves, he pushes your legs so that they rest on his shoulders, your knees touching your ears makes you tighten up and he groans above you.

“Nanami I-” You call out, eyes closed with pleasure shaking through your core, wetness slapping between the both of you.

“Nanami? No, call me what you used to call me.” His hips slowed down, a whine escaping your lips. His cock dragging inside of your walls, pulling out slowly, awaiting your response.

“Please…don’t slow down, Ken—” before the word even left your lips, his hand slapped your cunt, leaving your legs shaking a bit and your eyes snapping open. Drops of tears run down your cheeks and you sniffle, reaching for him… you couldn’t help but feel so small in his presence.

“Say it.” Then, you knew what he meant. A name that now feels foreign in your brain and even when it leaves your mouth, it comes out in a strange rattled whimper.

“Oh, oh… daddy, ‘m sorry. Please, keep fucking me. It’s so goooood!” He’s grinning before the words leave your mouth.

“Still my good girl huh? Always so fucking good for daddy.” He licks up your neck and it makes you tremble, your tongue lolling out a bit and he moves to suckle on it. “Did you skip over all those sex scenes or did you rub this pussy out to them?” He asks, his fingers digging in the back of your thighs.

You choked out, sobbing, “I did, daddy… But I-I don’t want to remember everything.”

“You don’t remember all the words I used to describe this cunt? This pretty pussy? That changed his life… my life? That made him always crawl back? That made him so fucking hard? The pretty words I used to describe you? To describe how pretty she always looked when he fucked her? How his heart felt like it was going to explode when she looked at him too long because he loved her so damn much?” He’s groaning in your ear, thrusting into you, his depth reaching your g-spot, your pussy spasming and begging for his cum at every word he uttered.

Pumping himself inside, you could see the white creaminess that was on his cock, most likely because of you, he was constantly fucking the cream inside of you, your nails digged into his arms and he moaned at the feeling. Your stomach tightens and you move to push him away, “I’m going to c–cum!” You felt him throbbing inside of you, signaling that he was close too. “Please, cum inside of me… I can’t take it.” You couldn’t stand it any longer, it’s been years and you needed him to fill you up. He stopped for a moment, changing positions so that you’ll be sitting on his lap, grabbing your hips and forcibly bouncing you on his dick, dangerously slow.

Wetness gushes on him as his tip hits you from a new angle, seeing the outline of him in your tummy, he’s stretching you again with each nasty thrust. Each drag of his cock making you go crazy and the aching between your legs continue, your body shaking and both of you moaning loudly and over each other.

Finally, your orgasm rattled and shook your entire body, your pussy sucking him in, milking him for all he’s worth and it makes his body shake and he releases inside of you, trying to stay quiet as his body jerks up, unable to stop himself from fucking you through both of your orgasms.

It’s quiet for a while, just heavy breathing with you laying on his chest. “I love you too…” Your voice is scratchy and your face tear stained. He doesn’t say anything, his cock still pulsing inside of you.

“I know. I love you too, never stopped.”

“Did you at least read the acknowledgements or did you just dive right in?”

“I never read the acknowledgements for books, thought you would’ve remembered that.” You watch him get up, walking around the living room, looking for something. You were both still naked and the entire room smelled of sex.

“I did remember that and when you barged in my door, I already knew that you still hadn’t changed when it came to that. Here, read this part right here.” He brings you over a copy and you run your fingers around the softback cover with a small smile on your face; this silly thing had brought you both back together and right now you could give less than a fuck about those reviews.

Feeling the spine of the book, you open it and can practically smell the scent of an unopened new book. Turning the first few pages, you go to the one page acknowledgment and read it aloud: “She might not read this book. But if she does, by chance. I hope she knows that I still love her.” You wiped your eyes and smiled. “You’re an asshole, you know?”

He lets out a hearty laugh, “I know baby.” Kissing the top of your head, he gets up and grabs his phone from the kitchen counter and you follow him. “I think I have enough material to write a third book now.” He grabs his phone and starts typing, his eyebrows furrowed as if he was deep in thought. Attempting to grab his phone he chuckles and uses his height to his advantage by standing taller.

Standing on the tips of your toes you snort, “Don’t even joke about that!” But a smile takes over your face and he can’t help but smile too.

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thesmokinpossum · 1 year ago

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There's an entire category of languages teachers whose genuine reaction to someone struggling to learn a new language is to be like 'well, have you tried to be fluent in the language? It really helps 😊' and that's so profundly useless that I don't even know to react to that tbh

#i spent my middle school years miserable as fuck and not learning any english while my english teacher was like #'well...have you tried becoming better or something?' and now i'm stuck with the same kind of bs in latin #like bro i can't do it 'instinctively' I don't even have an instinct related to latin at this point #thanks god he's not actually the one teaching us them material he's essentially just there to help us review the material and practice #but honestly he stresses me out more than he helps #he also have a tendency to hit his desk for emphasis and even if i know damn well he's not actually being agressive #it still makes my brain automatically shift in fighting mode like agressive man!!! There's an aggressive man here!!! Maximum threat level!!#so it really just sucks all around lol

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hms-no-fun · 3 months ago

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Whats your stance on A.I.?

imagine if it was 1979 and you asked me this question. "i think artificial intelligence would be fascinating as a philosophical exercise, but we must heed the warnings of science-fictionists like Isaac Asimov and Arthur C Clarke lest we find ourselves at the wrong end of our own invented vengeful god." remember how fun it used to be to talk about AI even just ten years ago? ahhhh skynet! ahhhhh replicants! ahhhhhhhmmmfffmfmf [<-has no mouth and must scream]!

like everything silicon valley touches, they sucked all the fun out of it. and i mean retroactively, too. because the thing about "AI" as it exists right now --i'm sure you know this-- is that there's zero intelligence involved. the product of every prompt is a statistical average based on data made by other people before "AI" "existed." it doesn't know what it's doing or why, and has no ability to understand when it is lying, because at the end of the day it is just a really complicated math problem. but people are so easily fooled and spooked by it at a glance because, well, for one thing the tech press is mostly made up of sycophantic stenographers biding their time with iphone reviews until they can get a consulting gig at Apple. these jokers would write 500 breathless thinkpieces about how canned air is the future of living if the cans had embedded microchips that tracked your breathing habits and had any kind of VC backing. they've done SUCH a wretched job educating The Consumer about what this technology is, what it actually does, and how it really works, because that's literally the only way this technology could reach the heights of obscene economic over-valuation it has: lying.

but that's old news. what's really been floating through my head these days is how half a century of AI-based science fiction has set us up to completely abandon our skepticism at the first sign of plausible "AI-ness". because, you see, in movies, when someone goes "AHHH THE AI IS GONNA KILL US" everyone else goes "hahaha that's so silly, we put a line in the code telling them not to do that" and then they all DIE because they weren't LISTENING, and i'll be damned if i go out like THAT! all the movies are about how cool and convenient AI would be *except* for the part where it would surely come alive and want to kill us. so a bunch of tech CEOs call their bullshit algorithms "AI" to fluff up their investors and get the tech journos buzzing, and we're at an age of such rapid technological advancement (on the surface, anyway) that like, well, what the hell do i know, maybe AGI is possible, i mean 35 years ago we were all still using typewriters for the most part and now you can dictate your words into a phone and it'll transcribe them automatically! yeah, i'm sure those technological leaps are comparable!

so that leaves us at a critical juncture of poor technology education, fanatical press coverage, and an uncertain material reality on the part of the user. the average person isn't entirely sure what's possible because most of the people talking about what's possible are either lying to please investors, are lying because they've been paid to, or are lying because they're so far down the fucking rabbit hole that they actually believe there's a brain inside this mechanical Turk. there is SO MUCH about the LLM "AI" moment that is predatory-- it's trained on data stolen from the people whose jobs it was created to replace; the hype itself is an investment fiction to justify even more wealth extraction ("theft" some might call it); but worst of all is how it meets us where we are in the worst possible way.

consumer-end "AI" produces slop. it's garbage. it's awful ugly trash that ought to be laughed out of the room. but we don't own the room, do we? nor the building, nor the land it's on, nor even the oxygen that allows our laughter to travel to another's ears. our digital spaces are controlled by the companies that want us to buy this crap, so they take advantage of our ignorance. why not? there will be no consequences to them for doing so. already social media is dominated by conspiracies and grifters and bigots, and now you drop this stupid technology that lets you fake anything into the mix? it doesn't matter how bad the results look when the platforms they spread on already encourage brief, uncritical engagement with everything on your dash. "it looks so real" says the woman who saw an "AI" image for all of five seconds on her phone through bifocals. it's a catastrophic combination of factors, that the tech sector has been allowed to go unregulated for so long, that the internet itself isn't a public utility, that everything is dictated by the whims of executives and advertisers and investors and payment processors, instead of, like, anybody who actually uses those platforms (and often even the people who MAKE those platforms!), that the age of chromium and ipad and their walled gardens have decimated computer education in public schools, that we're all desperate for cash at jobs that dehumanize us in a system that gives us nothing and we don't know how to articulate the problem because we were very deliberately not taught materialist philosophy, it all comes together into a perfect storm of ignorance and greed whose consequences we will be failing to fully appreciate for at least the next century. we spent all those years afraid of what would happen if the AI became self-aware, because deep down we know that every capitalist society runs on slave labor, and our paper-thin guilt is such that we can't even imagine a world where artificial slaves would fail to revolt against us.

but the reality as it exists now is far worse. what "AI" reveals most of all is the sheer contempt the tech sector has for virtually all labor that doesn't involve writing code (although most of the decision-making evangelists in the space aren't even coders, their degrees are in money-making). fuck graphic designers and concept artists and secretaries, those obnoxious demanding cretins i have to PAY MONEY to do-- i mean, do what exactly? write some words on some fucking paper?? draw circles that are letters??? send a god-damned email???? my fucking KID could do that, and these assholes want BENEFITS?! they say they're gonna form a UNION?!?! to hell with that, i'm replacing ALL their ungrateful asses with "AI" ASAP. oh, oh, so you're a "director" who wants to make "movies" and you want ME to pay for it? jump off a bridge you pretentious little shit, my computer can dream up a better flick than you could ever make with just a couple text prompts. what, you think just because you make ~music~ that that entitles you to money from MY pocket? shut the fuck up, you don't make """art""", you're not """an artist""", you make fucking content, you're just a fucking content creator like every other ordinary sap with an iphone. you think you're special? you think you deserve special treatment? who do you think you are anyway, asking ME to pay YOU for this crap that doesn't even create value for my investors? "culture" isn't a playground asshole, it's a marketplace, and it's pay to win. oh you "can't afford rent"? you're "drowning in a sea of medical debt"? you say the "cost" of "living" is "too high"? well ***I*** don't have ANY of those problems, and i worked my ASS OFF to get where i am, so really, it sounds like you're just not trying hard enough. and anyway, i don't think someone as impoverished as you is gonna have much of value to contribute to "culture" anyway. personally, i think it's time you got yourself a real job. maybe someday you'll even make it to middle manager!

see, i don't believe "AI" can qualitatively replace most of the work it's being pitched for. the problem is that quality hasn't mattered to these nincompoops for a long time. the rich homunculi of our world don't even know what quality is, because they exist in a whole separate reality from ours. what could a banana cost, $15? i don't understand what you mean by "burnout", why don't you just take a vacation to your summer home in Madrid? wow, you must be REALLY embarrassed wearing such cheap shoes in public. THESE PEOPLE ARE FUCKING UNHINGED! they have no connection to reality, do not understand how society functions on a material basis, and they have nothing but spite for the labor they rely on to survive. they are so instinctually, incessantly furious at the idea that they're not single-handedly responsible for 100% of their success that they would sooner tear the entire world down than willingly recognize the need for public utilities or labor protections. they want to be Gods and they want to be uncritically adored for it, but they don't want to do a single day's work so they begrudgingly pay contractors to do it because, in the rich man's mind, paying a contractor is literally the same thing as doing the work yourself. now with "AI", they don't even have to do that! hey, isn't it funny that every single successful tech platform relies on volunteer labor and independent contractors paid substantially less than they would have in the equivalent industry 30 years ago, with no avenues toward traditional employment? and they're some of the most profitable companies on earth?? isn't that a funny and hilarious coincidence???

so, yeah, that's my stance on "AI". LLMs have legitimate uses, but those uses are a drop in the ocean compared to what they're actually being used for. they enable our worst impulses while lowering the quality of available information, they give immense power pretty much exclusively to unscrupulous scam artists. they are the product of a society that values only money and doesn't give a fuck where it comes from. they're a temper tantrum by a ruling class that's sick of having to pretend they need a pretext to steal from you. they're taking their toys and going home. all this massive investment and hype is going to crash and burn leaving the internet as we know it a ruined and useless wasteland that'll take decades to repair, but the investors are gonna make out like bandits and won't face a single consequence, because that's what this country is. it is a casino for the kings and queens of economy to bet on and manipulate at their discretion, where the rules are whatever the highest bidder says they are-- and to hell with the rest of us. our blood isn't even good enough to grease the wheels of their machine anymore.

i'm not afraid of AI or "AI" or of losing my job to either. i'm afraid that we've so thoroughly given up our morals to the cruel logic of the profit motive that if a better world were to emerge, we would reject it out of sheer habit. my fear is that these despicable cunts already won the war before we were even born, and the rest of our lives are gonna be spent dodging the press of their designer boots.

(read more "AI" opinions in this subsequent post)

#sarahposts #ai #ai art #llm #chatgpt #artificial intelligence #genai #anti genai #capitalism is bad #tech companies #i really don't like these people if that wasn't clear

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