#or at least three more parts :)

[dansemacabre]

i’ve been thinking about “sixer, it would eat you alive” since i read it and. man. every layer you peel back makes it worse. im not a bill apologist but. shit

if you (1) take it at face value, it paints bill as an apologetic murderer in his single (and maybe sole) open moment of regret. he doesn’t let his walls down often- only with ford do we even get to see the remnant of his galaxy, see the “actual remorse” ford describes, get just a hint of his origins. but he does it, because he thinks ford should know.

if you (2) take it from ford’s point of view, as something he committed to journal three, like. wow. imagine being so committed to a being that you’d hunt down and kill the monster that destroyed his home, only to (assumably) figure out later that that being was the monster. the small moments of trust, the “good times”, are so key to manipulation. how long did ford hold onto that one shred of vulnerability? no wonder ford stayed for as long as he did. in his eyes, bill was a survivor. ford wanted to survive too.

(slight tw below for unreality- any time i mention our reality, i mean “our reality” as a narrative device used in the book of bill as a proxy for the idea of bill being in our reality, since he can’t actually be in our reality. all of this is a fictional theory about a show/book with fictional contents!)

but if you (3) remember that “even his lies are lies” and absolutely Nothing bill says should be trusted. Whoo boy. if i read tbob right the book itself is being created in the theraprism (even tho it shows up with the ciphertologists at some point? idk that’s a whole other post). it’s meant to show what the reader wants to see; it manifests in our reality as what the collective fandom wants to see. so if we want to see truth, if we want to see where bill ended up and who he actually is, there’s a non-zero chance that the whole interaction was a complete fabrication.

imagine bill, stuck in the actively harmful, probably earth-illegal theraprism, once again being forced to be “fixed” and molded into something more palatable, being forced to conform no matter how much it hurts. (i know natural uncontrollable mutation ≠ just so much murder and destruction and chaos, but. you can’t ignore the similarities. bill has obviously been thinking about those silly straws.)

he looks back on everything that went wrong, back on his relationship with ford, back through every dimension where he wins. would that one moment, that one truth amid centuries of lies, have saved him from purgatory? if he had just been open? shown his damage? maybe he did think of his parents, or his henchmaniacs (especially the oracle). people who he might have once opened up to. maybe he just wanted to open up to someone again.

so in his own weird way, stuck in a cell, he reshaped reality again. in this reality, for this fleeting moment, he had been someone worth believing. and ford had listened, hell, ford had wanted to help. looking back, knowing how he treated ford, knowing how ford ended up because of it, maybe bill would have said the most honest thing he’d ever told ford: i am the monster, i am not worth your time or belief, and i will eat you alive.

[serpentface]

Don't get too attached

[cable-salamdr]

“I want a kids cartoon with more diverse main character body types than just skinny teen” you guys couldn’t even handle Steven Universe

(Or Dead End Paranormal Park, or She-Ra)

[theminecraftbee]

Just reread the whole scs tag and now I want to see Three's first meeting with Etho (Iirc the clip of Grian being scared of Etho sneaking around and then seeming to teleport outside the ice shop is Grian's first meeting with Etho? (And it was season 7.) And I think the "two nervous animals stare at each other" vibes could fit.)

Three is nervous.

It has heard of Etho before. Etho is very high on the threat rankings it had memorized; Etho is considered more of a threat than is currently worth taking out; Etho is, apparently, a legend even around Players who do not understand quite how much of a threat he is. There are standing orders and plans still programmed into Three on how to take him out in a way that would not make a martyr of him. Three thinks many of these plans are stupid.

Three--

Three is nervous. It has heard of Etho before, and it does not know if Etho would have heard of a Blade before, or if any of that would get in the way of it conversing with Etho. Three is relatively confident it could beat Etho in a fight. For all Etho is a threat, he is merely a Player, and Three is a Blade. That had never been why Etho is a threat. That had...

Mumbo had promised Etho was not mean. Three had asked Mumbo what that had to do with anything. Mumbo had mumbled something about how, well, if Three was worried about Etho yelling at it, then Etho wouldn't. Etho would actually also worry, Mumbo assured Three. Etho seems cool at first, but he's actually kind of awkward, Mumbo assured Three.

Three had commented that 'seeming cool at first but actually being kind of awkward' is, apparently, a common problem. It can understand why.

None of that really solves why Three is nervous, but going over the ways Etho is a threat, and the plans it has to mitigate that threat is... nice. It should not use them, because Mumbo has promised that Hermitcraft is safe. Three finds it does not want to be the reason it is not safe. Three will not mitigate the threat of Etho. Three should not have to mitigate the threat of Etho.

Three is nervous because it wants something from Etho, and doesn't have anything to offer in return.

It stands in the jungle and waits. It sees Etho arrive, because it is watching for him, but Etho seems surprised, backing away nervously on seeing Three.

"Oh. Um. Hello there. You're Mumbo's scary friend. The new one he brought here. That one. That needed help? Um, I'm Etho."

"I know. Does Mumbo describe me as scary?"

"Not usually?" Etho says.

"Oh," Three says. It does not give away its disappointment. Etho is not a handler and not another Watcher, but it is best not to give away emotions like disappointment when it wants something from him anyway.

"Is there a reason you're, uh, lurking in my base?"

Three does not fidget. It is too well-trained to. "I am here to ask a favor."

"Shoot, uh, I guess I can hear it," Etho says.

"You are making your base out of interiors, you said, in the meeting," Three says. "I--I want. I want to do that. I want--I want you to show me how to do that." The words are harder to pull out of its mouth than it thought they would be. "I do not have much to offer you. I could take care of one of your enemies, but Mumbo says Hermitcraft is safe, and I do not know if I want to do that, I just know that I want..."

Three trails off.

"Apologies. I am unclear. Will clarify," Three says.

Asking for things it wants is--hard. It's still hard. It is not good at reporting on what it wants. Etho is staring at it. Three stands perfectly still, because it is well-trained.

"Most builders aren't a big fan of interiors," Etho says slowly, "let alone a base entirely out of them. That's, uh, a big favor you're asking. Can I ask why?"

Beneath the mask, Three opens its mouth. It closes it again. It does not know how to say: because I am the thing that replaced someone who built big empty shells. Because I filled one of those empty shells. Because I could have been one of those empty shells. Because I do not want to leave behind empty shells. Because if I am gone, I want the things to leave to be knit socks and cozy rooms and laughter, not a big empty temple with a farm in the middle. Because I am Three, and I am a person, and I want the world to remember that.

What Three says instead is: "I can pay you back. I am useful."

Etho looks at Three. He rubs the back of his head. "You know, normally no one is dumb enough to give me an IOU this early in the season?" He laughs almost nervously. "Sure, man, I can teach you to make a base out of interiors. Why not."

"Thank you," Three says, and its shoulders do not slump, because it is well-trained.

"No problem. Say, what do you think about pranks?"

"I would like to learn to do those too," Three says promptly.

Etho also wears a mask. This does not stop Three from being able to tell the man is smirking.

"You know what? We're gonna get along just fine," he says. Strangely, Three believes him.

[aroaceleovaldez]

the PJO -> Voltron -> My Hero Academia pipeline is so funny to me. like yeah we all know - you were into PJO, got into VLD in ~2016 when the entire pjo fandom moved over there, and in the last two seasons you jumped to BNHA, right? right. bonus points if you were in Homestuck too. we all know how it goes.

[ingravinoveritas]

martinsharmony replied to your post “Another tidbit from Rob Wilkins at Ineffable Con…”

!!! I did not know that David would not let go! WHY DID I NOT KNOW THIS

@martinsharmony I don't think any of us knew! At least not besides the folks who attended Ineffable Con last year. I don't remember this ever being mentioned after the event, and I'm floored at how it somehow didn't come out until now.

And now I can't help thinking of what else we don't know about the kiss, even though so much of what we do know and have heard has already painted an incredible picture. This new information also has me thinking of Michael's comments on The Assembly with a fresh perspective...

That maybe the reason Michael and David didn't talk about it beforehand was because there was so much emotion involved. Because they both knew exactly what to do to bring what was needed to that kiss, without saying a word. And that the reason they don't talk about it now is because they both already know exactly what it meant, to the characters and to themselves.

For my part, I would've thought for certain that it would be Michael who couldn't let go. But David. David is like the dark horse that no one ever saw coming...and yet somehow this feels so much like him, like what we have seen before with David more often expressing himself through actions than words. David, who very possibly knows too well what it's like to have such powerful feelings pent up for so long, feelings that he could only pour out into one beautiful, sorrowful, perfectly imperfect kiss.

And that also makes me think of something else David said about the kiss, about the most difficult part being other people's awkwardness. The kiss kept going and going, and David wouldn't let go, and maybe that's what others were seeing. The reason why he wouldn't let go. That there was something so deeply intimate happening between him and Michael--beyond the physical--and in that moment, there was no hiding it or disguising it or playing it off as a joke. Maybe David wouldn't let go because somewhere along the way, he stopped acting and started being, just the same way that Michael did five years ago with Aziraphale.

So yes, I am very much blown away by what we've learned today, almost exactly a year after seeing the kiss in GO 2. I can only imagine what we'll continue to find out in the weeks, months, and years ahead...

[ask-the-pioneer]

// i hope you guys like reading essays because the next answered ask is going to be +1000 words long lmao

-- admin

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[harmoniouseclipse]

Mlp jeanlisa redraw they're so cringe *grabs throat and starts retching*

[smimon]

Giant K series #14: you can always count on Jesse 🧡

Okay this episode is a bit different so the text part goes in the beginning! Fair warning that this story is not comedic but very emotional, however with a hopeful conclusion 😊

Change of tone! Today we cry 🤧

[interstate35south]

i love when people draw all the mxtx protagonists together but i’ll be real the generic anime boy face curse is alive and well

more often than not the art itself is fantastic it just takes me like a solid minute to figure out who’s who. bonus points if lbh is robbed of his wavy hair and the only way i can tell him apart from wwx is his forehead

[nanomooselet]

My Brother's Keeper (I)

So, uh, I have seen the complaints that Stampede is "poorly-written". Often enough, really, to get... somewhat overly bent out of shape about it. Stampede was my entry into the story and I may have mentioned once or twice that I like it. You know. Just a little. This is not to say it's without its flaws, but it's technically very skilful, at least to my eyes. It's just… skilful in roughly twenty-two minute chunks, so it crams a whole lot into those chunks.

Vash tells Wolfwood he can "see [kindness] in his eyes" half an hour tops after hitting him with a truck. It's assumed that they're relying on previous characterisation of the two to carry this beat.

They're not.

See, animated shows or films (and definitely in the case of Stampede) aren't only written. They're story-boarded, rendered, scored etc. and all the parts interlock with the other parts. It has to be taken as a whole: spoken, written, visual, musical, situational, compositional. These are twelve instalments of a single story where everything in it develops, comments on, or reflects what lies at the work's thematic heart, but you have to figure out how. It's not going to explain it to you. If the relationship between two characters appears strange, that's because there's more to it. And whenever you see something in it that visually echoes something else in it, get out your pasteboard and stick in two thumbtacks connected with string because the show's letting you know it's important.

Now, because I viewed Stampede first, my reaction to this part was very much like Wolfwood's ("???") but the more of the show I watched, the more sense it started to make, and the more I appreciated what it did for Vash's characterisation. Having since read the manga, in my opinion the boys aren't at all interacting like they're accessing past-life memories. Vash is too busy silently reeling over Jeneora Rock and dreading his confrontation with Knives to keep up the whacky act that the older WW pierced. Wolfwood is too young and trapped by his own hurt to empathise by seeing through Vash's false smiles.

There's something else going on with these two, and if you think carefully, it's clear what it is. There were two loved ones that Vash lost tragically early in life, and we can assume it's not Rem he's thinking of.* The heart of this series is "the song of the brothers."

Whose side are you on?

I have to choose.

Lo and behold, through that lens the character interaction made a whole lot more sense. And I want to talk about how.

So, according to the show's language, right from his very first appearance Wolfwood has a connection with Knives.

In the ensuing scenes/episodes, it was then clear to me that Wolfwood isn't just connected to Vash's brother. He's a representative, serving as a sort of understudy while Vash journeys to confront the real thing. Anything and everything Wolfwood does or says is with that role in mind, because he's either playing along or fighting against it. It dictates his development as the show unfolds. He's got a job and he'll do it, but which of the twins' agendas is he ultimately serving as he does? Even he can't yet be sure.

This is a significant change. It has a huge effect on Wolfwood's characterisation; it's why he comes across as less confident, more surly - he's rebellious, but conflicted and immature. In the manga, the first time we meet Nick he's (mostly) his own man and he (mostly) makes his own decisions. While he isn't honest about his agenda, he is trying to temper Vash's idealism for honest and well-meaning reasons, albeit in a bitchy way. When he reveals himself, throwing down the coin halves, you feel the man is protesting too much so it'll make what's coming easier on Vash. Despite how deeply the two came to love each other they couldn't communicate their forgiveness, but Wolfwood is at his core a good man first who lost his way, then finds it again in Vash. **

Again by contrast in Stampede, Nick's identity isn't his own to shape (yet). He standing in for Knives, and he doesn't much like it. He does know more about the actual shape of things than the reporters - for instance, he doesn't bat an eyelash when Brad mentioned how long they've known Vash. So he can readily talk with Vash and test his convictions. They basically both know each other's biggest secrets already, so they don't have to make a whole production of getting to know each other.

But standing in for Knives is also why the introductory aw-look-he's-nice-really scene is so quickly revealed to be staged. Knives is the primary antagonist, not a neutral agent - he's the most dangerous and personal opponent the protagonists face. He's also cruel, controlling and manipulative. His "help" is anything but. Any gift he seems to freely give, like a protector, will either extract an awful cost down the line or have some hidden purpose (if he isn't "solving" a problem he himself created). Approach with caution.

(You know how Nick did something no one asked him to do then hit Vash, Meryl and Roberto with a massive bill for it like a dick? You know how he then violently rescued them from a situation he himself engineered so they'd have gratitude? Those are Knives's most basic manipulation tactics, when he isn't just hurling verbal abuse: I help you/I love you so I'm entitled to take this from/do this to you. Wolfwood is causing problems on purpose by acting out because it's funny, and knows he won't get whatever he's demanding. Knives thinks he's helping, and rarely hears when he's told "no".

Also, both the English and the Japanese have Roberto calling Wolfwood someone who kills with a smile on his face. He doesn't, really, but we have met someone else who does.)

That means like every other character, Wolfwood isn't quite himself. Not yet.

And that's actually awesome. Because it speaks to who the other characters are - specifically, about Vash.

(Part II)

(Part III)

(Part IV)

(Part V)

(Part VI)

(Part VII)

* OR COULD IT BE, as inevitably assumed on tumblr when two men are in proximity, unspoken romantic desire????

I'm not saying it can't be a factor, but it doesn't explain why they start having discussions over their principles like they've known each other for years. Or at least, to me it doesn't. As I've said I don't ship them. If you disagree, it's totally fine! Hear me out and decide for yourself. There's no reason to believe both can't be true.

** By what's coming, I mean the same development that eventually comes to every iteration of Wolfwood. You know the one. And by "they loved each other" I don't mean necessarily mean romantically. My personal belief is that there were mutual feelings along those lines, but they're both too emotionally reticent to acknowledge them and might not have regardless. But that's just me!

[keepswingin]

"How many fingers am I holding up? ... I don't have six fingers." —skz

"Fuck," Seungmin spits, fear nearly choking him as he pulls the prince closer to him. This wasn't supposed to happen, not like this, not because of him. "Jeongin-yah, look at me."

The prince's eyes had closed after his mumble of an answer, and he's not responding to anything else. Seungmin has never felt so terrified in his life.

He's ruined everything, let every single lie he's told been seen, and now the one person who was meant to pay the price from the very beginning has left a mark on Seungmin's life that he won't be able to replace.

What has he done?

"Jeongin," he calls again, louder this time, one palm pushing hard against his cheek in an attempt to wake him back up.

Rain drips from his hair, mixing with the blood that sits at the top of the prince's clothes, watercolor against his pale skin. Seungmin's chest hitches, and the sob that tears from his throat is nearly inhuman.

"Jeongin, please," he begs, thunder swallowing his words and spitting them back out until it's the only thing he can feel. He thinks he's crying. He thinks he would rip his heart out and offer it to the sky on a silver platter if it would reverse time. He thinks he would give his life to go back and stand in Jeongin's place before the younger could beat him to it.

The blade was meant for him, after all.

The shouting from the castle has grown quieter as soldiers march into the distance after a culprit that's long made his leave, unaware that the threat to the crown sits within their own ranks, an imposter from the very start. Seungmin has never thought himself dangerous, but for some reason he feels deadly, sitting here with someone's life hovering in his hands.

He looks to the wound again.

He's tried to clot it the best he could, but between the rain and what's already been stained, it's hard for him to tell if it looks any better. Jeongin needs to wake back up for him to have any type of hope in this situation.

He hates this. Hates himself for not seeing what his people were planning, the way they were so eager to use him as a red herring because that's all he's ever been good for. Was it ever a home, if he was simply used because he was smarter than the rest?

You know, you could stay. If you wanted.

Seungmin leans forward, and presses his forehead to Jeongin's. His heart is beating fast, and the rain doesn't slow. One hand clutches at the torn sleeve of Jeongin's shirt like it can anchor him as he closes his eyes and tries to breathe.

It can't end like this. Anything but this.

I don't belong here.

"Innie," he whispers, desperate. "Wake up. Please wake up. Come back." He hesitates, his next words on the tip of his tongue. Is he allowed to say such a thing, when all he's done is lie? Jeongin doesn't know who he really is.

If he looks close enough at himself, Seungmin doesn't think he knows who he really is either.

"Come back to me."

The next bout of thunder feels like it shakes him down to his very core. The sky is alight with a branching bolt of lightning. There's shouts closer to where they rest, just outside the prince's window. If he lifted his head, he'd be able to see the royal lien blowing in the storm's breeze, curtains curled around the windowsill. Maybe they've finally realized who the real threat is, and how he's holding the prince like he's something that's about to break.

I think that you do.

"I'm sorry for everything, Innie. I'm sorry for lying. I'm sorry for not being who you think I am. I'm sorry for - for getting you hurt."

He can see the blade clear in his mind's eye, the moment replaying over and over. Jeongin's hard glare at the stranger suddenly before them, inching closer to Seungmin and spitting nonsense.

Jeongin stepping in front of Seungmin without hesitation.

Jeongin's quiet gasp, the stutter of his breath. His hands clutching at the wound as if that alone would be enough to stop the blood flow. Seungmin moving to catch him before he hits the ground, arms wrapping desperately around his waist, shock propelling him forward.

"Your people need you, Innie," he whispers, the words poison against his throat. The same people who had run him from his home, the same kingdom that had looked at him like was no better than the very dirt on the ground - but no, not Jeongin.

Jeongin was different than his people, and he was different than the king. He was kind, and curious, and greeted strangers with an open palm. He was the change everyone was afraid of, the change Seungmin's people didn't understand and feared.

The change he was supposed to kill.

"I need you, Innie," he murmurs, heart pounding. He lifts his head and stares down at him like the words themselves will reanimate him, and waits. One heartbeat. Two. Three.

You don't know anything about me, your highness.

"Get away from him!"

Arms callously wrap around him from behind and violently yank him back, Jeongin's sister shrieking his name as she falls to the her knees beside his limp body, her nightgown smearing with dirt and gravel.

She's shaking her brother's shoulder far too roughly, Seungmin thinks, before he's thrown backwards, face hitting the ground. The storm grows worse as he's held there, arms wretched painfully in a way they shouldn't twist, rope tied tightly around his wrists. Maybe they'll hogtie him and leave him out here to drown in the storm.

He'd deserve it, wouldn't he?

His sister turns to Seungmin, tears streaking down her cheeks. "What did you do?" she cries, holding her brother close to her chest. His blood stains the front of her gown. Seungmin's stomach churns. "Tell me what you did to him," she all but begs, hiccuping, far from the prim and posed princess she is supposed to be. "Please!"

Mud and tears clog his throat. His chest heaves with a breath he cannot push out. The guards don't bother to pull him up, instead sending for the doctor who lives on the cusp of the village, far out of reach.

"Seungmin-ah!" his sister shouts amongst a clash of thunder. "They'll hang you for this! Don't you care?"

She stares at him, lips trembling. The cold has chilled Seungmin by now too, his own limbs borderline numb. Or maybe he's just shutting down now that he's failed the one person who meant something to him.

Seungmin's eyes slip back to Jeongin's face. His sister isn't covering him well enough, rain trickling across his lax features, the sharp curve of his jaw.

Seungmin would cover him.

"Not about myself," he whispers as the prince's sister turns back to him, shaking him once more.

He closes his eyes, and wonders what Jeongin would think, when all was said and done. Would he be kind still? Or nurture a hatred even Seungmin couldn't touch?

"Take him away," the princess sobs, curling closer to her brother. "Please."

Jeongin's soft laughter rings in his ears, a memory he can't forget. The knowing curve of his smile, the brush of his warm fingers against Seungmin's skin. The words he whispered after leaning in close to his ear, almost as if they were meant for just the two of them.

I think I know just enough.

[dangans-ur-ronpas]

Chapter 24

why did this chapter kick my ass?? damn!!!

SEE HERE FOR GENERAL WARNINGS AND FIC SUMMARY

Some pre-chapter notes:

soz for the unexpected delay i was moving + starting a new job + lost my grip on byakuya's slippery psyche

playing with my own headcanons for hiro and his backstory actually. bc. well. the original just is not very good at all now is it

tyyy @digitaldollsworld as always!!

Content warning tags: blood, mention of razor (not in intentional self-harm context), minor injury, nausea, panic attack, toxic obsessive stalker Toko, insecurity, mentions of self-starving

< previous - from start - next >

Byakuya drops his straight razor, and it splashes into the basin of his sink. Followed by a few droplets, hot and ruby-bright as it tracks down his jaw, vanishing almost instantly upon contact with the water.

For a moment, he doesn’t move, frozen, one hand still half-raised to his face, still curved in that loose grip. Then he braces his hands against the porcelain edge, knuckles tensing as he tries to keep them from shaking. The cut on his jaw stings, still slowly welling blood; his razor, silver and distorted, warbles in and out of sight with the water’s ripples, his eyes struggling to track its shape. He makes no move to fish it out of the water.

This was his second attempt at shaving. The evidence of his first attempt still throbs on the opposite cheek, near his ear. Despite moving glacially slow, other hand pulling the skin as taut and still as he could manage, the hard edge of the sink digging into his hip as he leaned as close to the mirror as he could, it was still proving to be a fruitless effort. The elegant blade that his mother’s family had gifted him, that he had been using since he became heir, was now simply too large and awkward for him to use. A task that should have been easy after all of Pennyworth’s guidance was now fraught with pointless danger.

…Maybe it’s not worth the trouble, he thinks, numbly. But the hollow, shattered defeatism that comes with the thought is so unfamiliar that it makes him grit his teeth, and then reach slowly into the tepid water to pull the razor out. His stubble was patchy already, especially near his jawline, and any more delay would almost certainly warrant someone commenting on it - maybe Hagakure, who couldn’t seem to keep anything to himself, or Celeste, who would delight in pointing it out while masking it as polite concern - but, at the rate he was going, he was going to draw more attention with a bloodied face.

His fingers scrape the basin, searching at a glacial pace until the edge of his thumbnail taps against the handle. He draws it out gingerly, shakes off the stray droplets, then wipes the blade with a silk cloth. Drying it carefully, meticulously - as Pennyworth had taught him, ‘it’s as good as useless if it rusts’ - before folding it and replacing it in the cupboard behind his mirror. He dries his face with the towel hanging around his neck, ignoring the way the Turkish cotton scraped against raw skin.

I could always just try again later, he reasoned with himself. Not so much as a surrender as it was a tactical retreat; and the results were bound to be better when he was calmer, more composed. He could still do it - he just needed some time.

And as for anyone who might notice it…

…Well. It wasn’t like he was spending much time around anyone else these days anyways.

—

Even if he wasn’t trying to seek out anyone else’s company, he couldn’t help but take note of their own routines, how they settled into their lives after feeling the world shake around them. 

It doesn’t surprise him that Celeste and Yamada have continued on as if nothing had happened at all. Celeste still maintains her airy simulacrum of a mysterious princess, occasionally inviting Byakuya to tea or dinner or a game of Othello, which he declines each time. Yamada, when he wasn’t offering himself up to be bullied and ordered around by her, would be in the newly-opened art room, and Byakuya could occasionally pass by to hear sounds of shuffling paper and the scrape of pens, and the harrowed, heavy breathing of a man possessed.

Ogami and Asahina are similar, returning to their athletic routine, though clearly more affected by the deaths of their classmates. They were attached at the hip before, but now Byakuya never saw one without the other, always in each other’s company, often holding hands - if Ishimaru were here, he might have decried it, ‘No PDA in the hallways!’ in that annoyingly shrill, school-bell voice - once, Byakuya had even overheard the two of them occupying the bathhouse together, when he had passed by with the intention of checking on Alter Ego’s laptop.

(He’d left quickly when he realized what they were doing, leaving the locker unchecked, his face hot and uncomfortable. It was all well and fine for them to cope how they pleased, but couldn’t they have some more decorum about occupying a public space? He was almost beginning to miss Ishimaru.)

…Speaking of Ishimaru. Even Mondo had found something to occupy his time with, these days.

It seemed that after that night with Alter Ego, something had shaken loose inside him, and he was an entirely new person. In some ways, he was even more troublesome than when he was depressed and languishing; loud, piercing, and always appearing when he was least expected, or at least it felt that way to Byakuya. Somehow materializing nearby, demanding to know what you were doing, why you weren’t adhering to some vague, obscure rule that he might’ve made up on the spot. An overgrown hall monitor that acted like every little infraction could mean life or death.

(It was all in the name of protecting the AI, but it was also getting on everyone’s nerves, and it almost made Byakuya regret ever involving himself in the biker’s business in the first place.)

Makoto and Kirigiri were doing whatever it was they were doing. Byakuya rarely saw them, and when he did, he never made any attempt to speak to either of them. It didn’t make much of a difference from his previous dynamic with Kirigiri, but with Makoto, it was almost like a repeat of what had happened just after the first trial. But this time, Makoto never made any attempt to approach him.

Which was perfectly fine by him. Regardless of Makoto’s intentions, his betrayal was unforgivable. There was no reason to associate with him any longer.

And lastly, there was Hagakure.

It’s not clear if the self-proclaimed clairvoyant had given up on Mondo, given the overnight change in personality (at the very least, there was no more need for a suicide watch anytime soon), but he seems to have latched on to Byakuya, for no clear reason. Frequently calling out to him whenever they crossed paths, dogging in his steps like a very determined stray. Chattering incessantly, even when Byakuya refused to deign any of his ridiculous stories with a response, often trying to herd him into the cafeteria so they could “lunch together, bond, maybe share a cup of joe? Even rich guys like joe, right?”

“...Did you mean ‘coffee’,” Byakuya replies in a flat, deadpan tone that was more resigned than irritated, during what must be the dozenth time that Hagakure had intercepted him, and maybe the third time he conceded to the other man’s insistence; if only because Hagakure had been particularly persistent recently, and would probably end up following him and broadcasting to Fukawa or Monokuma or anyone else exactly where Byakuya was seeking refuge, when not in his room.

(Not to mention that he was a little hungry himself, though he could only imagine the kind of common swill someone like Hagakure might consider coffee.)

“Hey man, to-MAY-toes, po-TAY-toes, right?” Hagakure just shrugs, and half-guides, half-pushes Byakuya by the shoulders into the cafeteria.

It’s midday. The place is empty, with even Celeste missing from her favored spot at her table. Hagakure shuffles him into the kitchen, tells him to wash his hands, and then-

-shoves two things at him. One, round, pale brown and still damp, with a slight papery texture beneath the moisture. The other, a piece of smooth, green plastic shaped like a ‘T��, with something silvery running parallel to the top. He skates his thumb lightly over it, and finds the edge of it sharp; a tiny blade.

“Whoa, careful! Don’t hurt yourself!” Hagakure tugs the tool back out of his hand, inspecting his fingers. “Like, come on. I even gave you the vegetable peeler, this is easy mode.”

“...What?”

Hagakure doesn’t explain right away, instead occupied with rolling up his sleeves, tying the brambled mass of his hair back with a strip of white. Arranged on the kitchen counter is a selection of tools, a colorful assortment of vegetables, and a hunk of something dark and pink, occupying the cutting board. There’s already a pot on the stove, and Byakuya watches Hagakure’s hand fiddle with some dark, invisible button across the top of the oven, and a telltale blue flame clicks to life. “We’re making gumbo! And you’re my assistant for the day.” He announces, with the same cadence of a cooking show host. He’s beaming, as if he hadn’t just said something utterly, completely insane.

“...What.”

It’s hard to make out, but he swears Hagakure rolls his eyes at him. Which would be infuriating enough to comment on, if he wasn’t also holding out the aforementioned vegetable peeler out, handle first, towards him. “Gumbo. It’s kinda like, curry I guess? But it’s a lot more soupy.” Apparently not put off by Byakuya’s unresponsiveness, he pushes the peeler into his slack hand. “I mean, I guess I’m not surprised you haven’t tried it. It’s not Japanese, or like…fancy, rich guy food.”

That snaps him out of it. “What,” He repeats, emphatically, with feeling. “Do you think you’re doing?”

“Um, like I said, making gumbo-”

“No, I mean-” Byakuya waves the objects in his hands, and feels only a little ridiculous in doing so. “I’m not- using these.”

Hagakure winces at that. “...No offense, Toga, but, uh…” He hesitates. “It’s…not exactly a good idea to give you a knife right now, you feel me?”

Byakuya can imagine his eyes tracing down his face, to the still-pink line on his jaw from this morning, and feels his face grow even warmer, with nothing to do with the open-flame stove not a meter away from him. “That. Is. Not. The. Point.” He hisses, emphasizing each word. “And - don’t call me that - you said we were here to get coffee.”

He spits these words like they’re poisonous, and Hagakure is still for a moment. He thinks that he’s managed to get his point across, but:

“Aww, Togster…you really did wanna get coffee with me?” Hagakure sounds genuinely touched, one hand pressed to his chest. Byakuya was about two seconds from throwing the stupid root vegetable in his hand against Hagakure’s equally stupid head. “We can have coffee after we make food. Besides, aren’t you sick of the meals we’ve been doing recently? Like I’m not a picky guy, but ramen and bread every day for the past few days is getting kinda…bleh, y’know?”

The worst part of this was that Byakuya agreed with him on that front. Even with his newfound habit of only eating when there was no one else around, or when Alter Ego threatened to stop reading for him until he took a meal, the selection was paltry to begin with and had only grown more unappealing with time.

“Your job is easy,” Hagakure continues, and grabs something hanging off the handle of a nearby oven, and drops it over his face, obscuring his vision for a moment. He jerks backwards in alarm as it settles to hang around his neck, only to realize that it’s an apron - a pale, mint-green thing that’s one size too small, with some still-visible stains splattered across it, and Hagakure had somehow gotten behind him and tied the thing in place already  - “You just gotta peel the potatoes, and I just gotta cut everything up. The roux’s already done, so all we gotta do is dump the ingredients in and let it do its thing.”

Byakuya is still reeling a little from being forced (though, there wasn’t much he could’ve done in protest, with both his hands occupied) into an apron. The things in his hands are so unfamiliar to him that they may as well be OOPart pieces in the making.

Besides him, Hagakure was whistling away, chopping meat with the silver blur of a large kitchen knife. Completely oblivious to anything around him; and Byakuya realized, he could leave right now if he wanted, and it wasn’t like the fortune-teller, of all people, could stop him.

He’s about to do just that when the other man looks up, knife stilling. “Something wrong?” He asks, with a tilt of his head. And before Byakuya could explain that, yes, there was something very wrong with this entire situation: “D’you need help?”

“No.” He says automatically, and immediately kicks himself for it.

“Oh, then-?”

“I don’t-” Byakuya says at the same time, and frowns sharply at the interruption. “I. Don’t do this sort of…thing.” It comes out a lot less assertive than he would like, and sounds a lot more pathetic than he means it to be.

“Oh. Well, yeah, I figured.” Hagakure shrugs, as he scoops up the mess of pink on the cutting board with the edge of his knife and drops it into a metal bowl. It lands with a loud, wet slap, and the bowl rings as it shakes against the counter. “No time to learn like the present though, right?”

Byakuya feels his eye twitch. In some ways, talking to Hagakure was more frustrating than negotiating with most white-collar businessmen, and more akin to arguing against a very enthusiastic wall. “I’m not supposed to do this kind of thing,” He tries again. “I’ve never had to prepare my own food in my life.”

It echoes what he told Makoto, that night he dragged Byakuya to the kitchen to prepare him a meal. But this time, it feels much less like a boast, and more like an admission. Like he couldn’t even do this much.

If Hagakure noticed the grimace passing over his face, he made no comment. Instead, he plucks the items out of Byakuya’s hands. “No time to learn like the present, my man.” He twirls the peeler between his fingers, and it spins, a foggy green circle. “It’s like a pattern, you pull the peeler down, turn it again, and repeat.” He demonstrates, hands moving quickly, with practiced ease. “Don’t worry if you miss anything. We don’t need it to be super clean, we just need most of the skin off.”

And he offers the peeler back to Byakuya, a gleam of white teeth on his face. Deceptively kind, poisonously pleasant. “Think you can handle that?”

Byakuya shoves his hand away, his patience thinning to a thread. “Take the hint,” He snaps, reaching behind himself to try and undo the knot. “I’m not doing this.”

“What? But it’s easy!”

“I don’t care,” He yanks at the ties, feels them come no closer to being loosened, and feels his face reddening with frustration, humiliation. He needs to leave, now. “I’m leaving.”

“Aw, Toga, come on-”

Byakuya reaches for the knife, left abandoned on the cutting board, and there’s a clatter as Hagakure backs himself against the ovens. “O-okay, okay, sure! Sure, jesus, okay!”

Byakuya rolls his eyes at the overreaction, already tuning him out, then starts awkwardly maneuvering the knife to try and cut the apron off. Arms twisting awkwardly to catch the bladed edge against the side of the knot. It’s not easy - he could swear, the blade seemed sharp enough when Hagakure was using it to dice meat, but now it slides clumsily against the twisted cotton, dull as a stone -

“Jesus,” Hagakure says again, but less panicked now that it was clear his life was under no immediate threat. “Okay, you’re gonna hurt yourself.”

“I am not-”

“You totally are, man. Just - don’t slash me, please, and hold still -”

Hagakure gives him a wide, cautious berth, as if still worried he would suddenly turn into some violent, knife-swinging killer, edging until he’s out of Byakuya’s peripheral and standing behind him. A slight tug around his midsection later, and the apron is flapping loosely against his stomach.

To show his thanks, Byakuya sets the knife down before he pulls off the apron, not so much as handing it over as simply dropping it in the other boy’s direction.

He makes to leave, but Hagakure stops him - or tries to, throwing one hand out while scrambling to catch the apron with the other - “Wait, wait,” He still sounds jovial, but there’s a thin edge of nervousness to it now, residual after the earlier scare. “Listen, you don’t hafta help if you don’t want to, but like…can you just hang out? Here?”

“...You want me to stay. In the kitchen.” Where it was overly warm with a pot of water building into a steady boil, heavy with the smell of various condiments and spices, and pervaded by a general stickiness on the tile. “Why?”

“U-um, well…”

Byakuya sighs. He’s wasted too much time already. The coffee he was promised earlier was looking like a lost cause, and frankly, he wasn’t interested in eating anything anymore either. It would feel too much like accepting undue pity, somehow.

Apparently sensing his impatience, Hagakure finally blurts out: “Because-! I’m, um, scared! To be alone! So…”

Byakuya only stares. Even with his hair tied back, the shape of Hagakure’s head is still a round, dark splotch, albeit smaller than usual. And it bobs up and down like a dandelion as he ducks his head, hands clasped in an exaggerated plea. “Please, man, I literally can’t ask anyone else,” He begs. “Mondo’s all psyched-out and freaky serious now, Hifumi and Celeste were weirdos to begin with, and I’m sick of third-wheeling for Hina-chi and Saka-chi! And there’s no way I’m hanging out with Toko!”

He doesn’t mention Makoto or Kirigiri. Which, Byakuya assumes, makes sense, so he doesn’t bother to ask about it. “How do I know you aren’t trying to kill me,” He says instead, deadpan. 

Hagakure snorts. “Have you seen me?” And then immediately winces. “I mean - shit, sorry - but seriously, I’m pissing my pants every time Monokuma shows up. And at every crime scene, and every trial. You really think I could get over myself to off someone?”

“None of Monokuma’s motives struck a chord with you?”

“Well - I’d be lying if the first one didn’t make me nervous,” He nods. “But I divined how my parents were doing a bunch of times, and they were always alright, so that didn’t worry me too much. And the thing about secrets; well, mine is that I’m actually on the run from this yakuza boss I accidentally pissed off. I owe him a debt of eight million yen.”

Byakuya is certain he doesn’t miss the way Hagakure glances at him then, based on the way his ponytail twitches as his head turns imperceptibly. He decides to ignore the obvious bait, and moves on: “Fine, then. Then what’s your reasoning that I won’t try to kill you?”

“Oh.” Hagakure pauses. “...I didn’t, uh…think about that.”

Right. Byakuya can’t find it in him to be surprised about that either, though some bruised-up part of his pride does rail against the implication that he wasn’t dangerous. Like being blind meant he was harmless, helpless, defanged - he struggles against the implication, but only sickens himself more with the truth of it.

“I mean…do you want to kill me?”

Byakuya snorts. “I want to leave,” He leans back against the counter, feeling the hard, smooth edge of the marble dig against his back. “Obviously, I’m not crazy enough to spend the rest of my life here, waiting to kill or be killed.” He pauses. “And…I’ve been looking into possible causes for my…circumstance, and it’s looking more and more like it would require the work of a trained doctor, using specific equipment to resolve. Which this place,” He gestures around him. “Isn’t exactly equipped to handle.”

The other boy scratches his head. “Um, yeah. I mean I know that much. We all wanna get out and all, but like…do you want to kill someone to make that happen?”

Not in the slightest. He probably held responsibility for the deaths of multiple people at this point, but he had never had to kill them himself, nor witness the moment of their end. Dirtying his hands with someone else’s blood never appealed to him, and it was far more sophisticated to orchestrate someone else handling the messy work.

But his answer must show on his face, because Hagakure nods, satisfied. “Well, there you go! Also, I ran a divination on whether one of us would die today, and it’s not in the cards or the stars or divine intention, so we’re good!” He claps his hands. “Anyways. If you don’t wanna help, that’s all totally cool. All you gotta do is stick around.”

“You can’t be serious.” He scoffs. But he was getting sick of the earlier conversation - sick of talking about himself, sick of thinking about himself - so he stays where he is, crossing his arms as Hagakure busies himself with the ingredients. “How do your divinations even work, anyways?”

“What, you interested?” Hagakure flashes another white smile, and even through the haze Byakuya gets the impression that it’s a salesman grin. He could practically hear the cartoonish chime of a register. “My current going rate’s ten-million yen a reading, but for you I’ll throw in a buddy’s discount of twenty-percent!”

Byakuya gives him the most unimpressed look he can manage. “I’m not interested in wasting money on frivolities.”

“It’s not frivol-anything, man. They’re a hundred-percent legit! …Thirty-three-percent of the time,” He amends, sheepishly, at Byakuya’s withering stare. “But when they’re real, they’re real! With a hundred-percent accuracy!”

As he talks, his hands blur, moving with practiced ease. The small pile of potatoes changing from brown to pale yellow, to small, misshapen chunks, the green stalks of celery disintegrating under a knife, sharp-smelling and darkening the wood beneath it with its moisture. There’s a steady, fluid grace to it, and Byakuya watches on, feeling a sense of deja vu - faintly envious, partly entranced - the last he felt this way, he recalls, was being a child and watching his mother work in her studio, hewing faces out of stone.

He hasn’t thought about that memory in years, and he clicks his tongue sharply, irritated. Hagakure jumps at the sound. “M-maybe it’s more like a ninety-eight percent accuracy?” The fortune-teller tries, hurriedly. “Uh, it depends on how clearly I can convey it, I mean. Like how good the client is with understanding me…dialect differences and all that, though my English is pretty solid-”

“Why fortune-telling, anyways?” He cuts off Hagakure’s rambling. “I can’t imagine it’s an inherited position. You don’t seem the type to be taking up someone else’s legacy.”

“Oh! Well…” He turns to the pot, scrapes a bowl of brown slurry into its bubbling contents. “It was my dad who got me into it - not that he was a fortune teller or anything - but he knew stories about fortune tellers and priestesses and stuff, from where he grew up. It was pretty interesting, and I guess that’s what got me started.” He stirs, sniffs, tosses a handful of green shapes into the mix. “He actually bought me my first crystal ball, though it was just a cheap souvenir thing. I couldn’t’ve been older than, like, six or something.” He laughs. “Wow, I haven’t thought about this stuff in forever.”

“Am I dredging up bad memories?” Byakuya drawls, and Hagakure shakes his head.

“Nah, just old ones. But I got super into it; started begging my Ma to read me divination textbooks for bedtime, she thought I was going crazy. Dad just said it was normal for little kids to be a little crazy about something they like, though.” He shrugs. Another sniff, a sprinkle of red seasoning. “He was the first person I did an accurate divination for, actually. Like a real divination, not just for pretend.”

He goes quiet for a moment, wooden spoon scraping against the inside of the pot. Byakuya frowns. “And what did you ‘see’?” He asks, though only about half as sarcastic as he intended.

“Saw him in the hospital. And then leaving.” He replies simply. He turns, and scoops up the chopped ingredients in his hands, tossing them in with a hiss. “It was clear as day in that little glass ball, like I was watching a TV screen, except also kinda…I don’t know, wiggly? Like a dream. But I got shook up so bad I dropped it and broke the damn thing, and the next day my Dad went to the doctor for a check-up, and they shipped him to the hospital right after. Some genetic, hereditary thing, they wouldn’t even tell me what it was. I think Ma thought it’d freak me out if I knew, but I was just more freaked out not knowing.”

He reaches blindly behind him, searching hand patting at the counter, the cutting board. Byakuya hesitates, then grabs the bowl of chopped meat and passes it over. Its contents splash into the pot. “Thanks. Anyways, the weirdest thing was that I wasn’t, like, scared he was gonna die, or anything. For some reason I knew he was gonna make it, but I was more worried that he was gonna…hurt? Get even worse?” He pauses. “I kept on doing divinations afterwards with a tarot card set, just to see how he was doing, and each time it told me he was gonna be fine.”

His voice sounds a little thick, indistinct. Byakuya was beginning to regret bringing up this topic; he would hate it if he was suddenly expected to have to comfort a grown man. But instead of bursting into tears, Hagakure leans to the side, tucks his face into his elbow, and sneezes, gunshot loud. “Phew! Jeez, the paprika.” He sniffs, and Byakuya’s unease turns back into a comfortable sort of annoyance. “Anyways. Where was I…?”

“...Your father.” He hesitates for a moment. “When he passed away.”

“When he-?” Hagakure turns fully away from the pot to stare at him, mouth open, before breaking into a laugh. Doubling over so and wheezing like he just got punched. “Dude! No way, are you- did you really think that?!”

“What? Am I wrong?” Byakuya feels his face heating red again, with nothing to do with the steam. “Shut up. The way you were talking about it, you were acting like he kicked the bucket,” He snaps, and Hagakure stifles another laugh. “It’s the logical progression of things. You saw him get sick and die, and then-”

“No, no, dude, I said I saw him in the hospital, and then leave - oh, yeah, I guess I can see how you’d think that now.” He stands up straight again, swiping a hand across his face. “Oh man. No, I meant ‘leave’ as in literally leaving, like at an airport? He got better and swung back around, but got a job offer overseas right after, so he never really came back to settle permanently in Japan.” He turns back to the pot, turning the heat down low. “He sends postcards for me all the time, and he and Ma vacation together every year around the holidays.”

So that was it. Byakuya feels an irrational surge of exasperation, as if all his previous pity had just been wasted. “What does he even do? Your father?”

“He teaches quantum mechanics.” At Byakuya’s stunned expression, he snorts. “What, I’m not kidding! He test-runs all his lectures and speeches and stuff to me, and now I know way more about that stuff than I think most people ever need to!”

‘Prove it’ is on the tip of Byakuya’s tongue, but he holds back. He probably would never recover if Hagakure did somehow manage it and make him look like a fool. Hagakure stirs the pot in silence for a moment longer, before asking: “What about you?”

“What?”

“Your parents.” A shot of cold immediately runs down his spine. “Like, I know your dad’s a big rich unmarried bachelor hotshot, but what about your mom? Ah- ” Hagakure presses hand to his mouth. “She…is she, like…?”

“She’s not dead, if that’s what you’re trying to ask.” He replies, stiffly. “We’re estranged.”

“O-oh. Um. I’m sorry?”

“It’s fine.” He pauses, looks down at the tile floor. It was a mutual disavowment, around the time he made the decision to try for Togami heir. She was relieved to be rid of him, he was sure, and he was glad to be out of her house full of stone statues and hollow eyes. “I haven’t been in contact with her for several years. We’re as good as strangers.”

He really should just leave it at that. There’s no reason to elaborate any further, nor does he want to; he glares down at his feet, trying to count the tiles, and watches as the dark lines dividing them squiggle and disappear the moment he loses focus. And finds his mouth moving against his will. “My mother is Genevieve Delasol.”

“Cool.” A pause. “Wait, what!?”

Byakuya scowls and looks away as Hagakure turns back to him. “Like, the Delasol?! World-famous artist lady? With the sculptures? Miss Modern Michelangelo?!”

“Don’t call her that.” She had always hated that stupid nickname that the press forced on her, and so did he, though not for her benefit. It was a tasteless, and frankly disrespectful moniker. “But yes. Her.”

“Dude…” There’s awe in his voice, as if it were something impressive. “That’s crazy.”

“It’s not. She birthed me like any other human.”

“Still! Like, they talked about her in my elementary school art class. Her stuff is so-” He splays his fingers near his head, puffs his cheeks to mimic the sound of an explosion. “Like, I remember seeing pictures of her stuff for the first time, and it freaked me out. One of the older kids in the neighborhood told me she was freezing people into rock, that’s how real her stuff looks.”

“She’s a good artist, but she was an awful mother.” Byakuya says flatly, immediately draining the rest of Hagakure’s enthusiasm. “We’re not continuing his conversation.”

“Right, right. Um. Sorry.” He taps his fingers against the spoon, ladles some of it into a little dish to taste. “Okay, um. Could you pass me some dishes? From that cabinet in front of you - to the left - yeah, thanks.”

The concoction he scoops into the shallow dishes Byakuya hands him is…unappealing. At least visually - a muddy brown sludge that glops thickly off of his ladle - but it smells good, spicy and warm. One of the bowls is passed back, and there’s a conflict of sensation as Byakuya tries to decide if he’s hungry enough to risk it, something that he couldn’t even clearly oversee the process of making.

“You’re surprisingly well-versed in the kitchen.”

“Yeah, well. I get into hot water a lot when my fortunes don’t work out, especially with my, uh…higher class clients, so I had to get used to taking care of myself. Didn’t wanna bother my parents with it, ya know?” He flicks off the stove, covers the pot, and reaches to the right for the rice cooker. Opens it with a sharp smack to the lid. “Like, I don’t think I’ve seen my dad face-to-face in…it feels like two years. Maybe longer.”

He holds out his hand. Byakuya passes over his bowl, and he plops some rice into the center of it, before handing it back.

“I can’t finish this much.”

“Sure you can, you’re a growing guy.” There’s the roll of a drawer being pulled open, then a clatter before a spoon is being dropped into his bowl as well. “You better eat all of it, by the way. Every grain of rice has seven gods, so you gotta eat them all so you don’t get cursed.”

“...What kind of saying is that?”

“Dunno, but my Ma used to say it all the time. Come on, let’s go into the caf-”

He halts suddenly, halfway to the door. Byakuya nearly runs into his back, and just barely keeps from spilling his bowl. “What-”

“Um. Hold on.” The previous casualness of his voice is gone, and there’s a hard thread of unease running through it again. “Uh…wait out here for a moment, okay?”

“Why-”

“Dude, please. Just for a moment.” He sets his bowl down on the counter. “I’ll be right back.”

And then he’s out the door before Byakuya can make any protest, leaving him alone in the kitchen, now uncomfortably quiet without the soft hiss of the stove. He stands there, stunned, feeling a little bit stung - no, irked - at the sudden dismissal.

He wasn’t about to take orders from Hagakure, regardless of whatever weird pseudo-symbiotic-relationship the other boy thought they had going on. He walks towards the door, moving to elbow it open-

“I’m telling you, just leave him alone.”

He freezes, ducking his head down. Hagakure’s voice is high and scratchy with nervousness, but firm despite that. “For the last time-”

“I-I-I-” Someone else stutters. The voice is familiar, and Byakuya feels his gut drop in recognition. The last he heard it, it was seething with malice, spit like venom at his feet. “I j-just wanna l-look at him…”

Hagakure lets out a long-suffering sigh, indicating that this wasn’t the first time he’s had to deal with this. “Seven hells, Toko, I really don’t get you,” He grumbles. “You said you hated him, right? I mean, you said so at the trial, and you did…all that.” He coughs. “He wasn’t interested to begin with, and there’s really no way to turn it around after that.”

“I-It was t-to prove that we’re th-the same!” Fukawa shrieks, trigger-sudden and indignant. There’s a sharp thump as she stomps her foot, hard enough to rattle some nearby furniture. “If I d-didn’t do that, he w-would’ve never a-accepted what h-happened to him!”

Byakuya frowns at that, and sets the bowl aside in favor of sinking into a half-crouch, ear pressing up against the door, beneath the tiny window. What was she talking about? Not accepting my own condition? Don’t I know myself better than anyone else?

“That’s not up to you to decide,” Hagakure starts.

“I-It’s not up t-to you to p-protect him either!” She spits back. “Y-you’ve been keeping him a-away from me recently, wh-what’s with you? D-did you have some k-kind of awakening, or something?!”

“Hey, I’ll have you know that my type is none of your business - and anyways, ain’t it logical to wanna keep away from you?” He grumbles, then yelps. “C-calm down-! I just mean - you know, you…you don’t exactly give off warm and fuzzy feelings about hanging out with people!”

Toko barks a laugh, shrill and mirthless. “Wh-which makes him perfect for me,” And Byakuya feels disgust roll down his back. “I-I know I’m m-miserable, a-and unfriendly and unloveable,”

“Hey,” Hagakure says, a little more gently than before.

“B-but s-so is he! H-he’s just b-better at hiding it, p-pretending to be a, a perfect, white-horse prince,” She spits the words vehemently. “I-if he was p-perfect, th-then maybe, I c-could just be s-satisfied with - with being n-near him, with b-being used…”

She trails off. Byakuya fights the urge to physically cringe at the mere suggestion, instead gritting his teeth, nails scratching lightly against the door’s tacky surface. “B-but, he’s not perfect. S-so, that means I c-can reach him - i-it’s possible for someone l-like m-me to actually be with him,” She giggles, and the sound is far too childishly delighted to suit her mouth, and far too chilling to have innocent intentions behind it. “I-I dragged him off his p-pedestal, s-so now I can actually touch him.”

It’s vile, listening to her. The sound feels like a filth that clings to him, sliding into his ears, contaminating him from the inside out. Poisoning him, paralyzing him.

He’s only vaguely aware of his body sliding down lower, unable to maintain the awkward pose, curled over and unable to brace himself properly against the swinging door. He sinks into a squat, ears straining.

“...Um, ew.” Hagakure mutters succinctly. “Okay, first of all, no you can’t. Pretty sure Monokuma would have some problems about that, he’s all gung-ho about decency and stuff. Second, Toga’s still not gonna be into you. You blew that chance when you, uh…”

“When I w-what? S-strung up Chihiro?” She snorts. “H-he would’ve done the s-same if h-he was a-actually as perfect as h-he said.”

The contamination sinks deeper, claws curling cruelly into his chest. I would have never, He thinks through the tinny, lightheaded hum in his skull, but there’s a sickening sense of dread that twists in his stomach as he realizes he can’t even be sure of that. He might have. He would’ve had no use for Chihiro if he wasn’t blind, he would have barely even hesitated if the opportunity was there - to defile someone else’s corpse for nothing more than his own self-righteousness.

He’s probably had this realization already, but it’s revolting to hear it come from Fukawa. He should go out there, tell her to shut up, to leave him be-

“-a-and anyways, y-you still didn’t t-tell me why y-you’re so obsessed with p-protecting him.” She’s still saying, distantly, and it feels as if the door is suddenly several times thicker than it was previously, muffling the sound dramatically. “Y-you don’t have a-anything in c-common, I don’t s-see why you’d want t-to be near him, u-unless…y-you’re doing it for someone else, aren’t y-you?”

Hagakure doesn’t respond. Makes no sound to confirm or deny it. Byakuya waits, ringing intensifying, disease festering into his lungs. It was getting hard to breathe. His pulse thrums in his ears, too loud to think, not nearly loud enough to drown their voices out.

“I s-saw you with Makoto,” She continues, and the confirmation of Byakuya’s suspicion does nothing to make him feel better. “He- he asked you t-to do this, right? To protect him, h-how nice,” She snarls, disgusted. “L-looking out for his p-precious boyfriend, when he won’t d-do it himself-”

“That’s…that’s not it,” Hagakure protests, but he doesn’t sound convincing, voice so hesitant and soft that Byakuya barely catches it. “Mako-chi’s just…busy, right now-”

“Y-yeah, too busy trying to g-get out of here so Byakuya c-can get fixed, so he can s-stop f-feeling guilty - h-he doesn’t want to have to look at him, b-but he can’t help s-sticking his nose in anyways, he’s s-so sweet it makes me sick.” Byakuya legs shake, cramping, but he forces himself still, keeps his ear flattened to the door despite the nausea building in his gut, the light-headedness in his temples - “B-but it’s too much work t-to comfort him or drag him a-around, s-so he has to get s-someone to do it, right?”

He wouldn’t, is Byakuya’s immediate thought, but it’s weak, even in his own head. Makoto hasn’t sought him out all since that night in the bathhouse because Byakuya had requested it; had demanded that he leave him alone with as much vitriol and firmness as he could muster, and as with so many other things, Makoto had obeyed. But while Fukawa’s words are acerbic and biting, they’re also painfully, terribly logical.

He wonders now, how he must have looked to the others. Slowly falling apart, barely eating, rarely showing his face. So utterly different from how he tried to portray himself at first, an ill-fitted facsimile of how he used to be, how he should be; it’s no wonder Makoto would go behind his back to take care of him. Between disobeying him again and trying to keep him alive, the choice must have been easy.

The fact that that choice had to be made at all, however, made Byakuya want to…

There’s a thud as his legs finally give out, his knees smashing against the tile, but he hardly notices. Not while the sickness spreads, a physical decay in his torso eating away at him, swift and insatiable. He’s not hungry anymore, but he feels emptier than he’s ever been. 

The door swings open suddenly, bumping against his shoulder, and he sways, unsteady. Hands reach out, catching him before he can fall over.

“Whoa, hey,” Hagakure sounds muffled, underwater. He hooks his hands beneath Byakuya’s arms, trying to pull him upright, and only then does Byakuya realize that he’s not really breathing. Probably hasn’t been for the past few minutes. “Toga- I mean- you okay?” 

Of course not, he wants to snap, but talking would mean opening his mouth, and that would mean breaking down into tears like a petulant infant, so he clamps his mouth shut and tries to get as much oxygen as he can through his nose. Slow, stuttered, wheezing breaths, teeth sinking into raw, just-healing skin and breaking it bloody all over again. He leans away from Hagakure’s grip as much as possible and tries to brace himself against the wall, shaky hands against the cool bumps of the tile. Trying to count them, one by one.

“I,” He manages to grit out when he was marginally more calm, ignoring Hagakure’s worried clucking. His voice quavers, and he swallows hard around the shrapnel lodged in his throat. “I’m going to go.”

“Dude, come on-”

He lurches forward, clumsily dodging Hagakure’s attempts to support him, and walks as steadily as he can out of the kitchen. The moment he crosses the open space of the cafeteria and into the hallway, he breaks into a sprint for his room. As far away from prying eyes as he can manage.

__

(When he opens his door later that night, he finds a plastic container and a spoon sitting by the threshold, its contents long cold.)

(He eats it anyways and scrapes it clean, and leaves it sitting empty outside of his door again.)

< previous - from start - next >

[piracytheorist]

WAIT

I just noticed something really cool

In the third chapter of the SxF manga, when the Forgers visit the opera, we get that short panel:

Though we don't get a music staff, the notes I circled in red include what we call "ledger lines" (aka lines above or below the staff). As you can see, the notes with ledger lines in the panel are the same with the ones in the actual sheet music I added, and their duration is the same.

It's a presentation of the actual sheet music. Endo (if he was the one who drew that particular panel) drew an opera singer in a costume and makeup fitting the Queen of the Night from Mozart's Die Zauberflöte, and then drew notes from the actual sheet music of that role's most famous aria, Der Hölle Rache kocht in meinem Herzen (yes, that's the one aria that goes incredibly high, and those notes are from that specific passage you probably know of).

THIS IS BRILLIANT AND THIS CLASSICALLY TRAINED MUSICIAN ADMIRES THE DEDICATION 👏👏

[dungeons-and-dragon-age]

solas approving of june's constant questioning is so funny bc he Will be regretting all his life choices about it later