#or at least had the potential to be

[asheanon]

Somewhere in the room, there is a presence...

This presence has been known to be summoned by the powers of good tea (again, curiositea, if you will) and other such goodies; it may or may not have been drawn in for similar reasons today or it may have simply been passing through. Whatever the reason(s) may be, however, it now lingers...

For the entertainment value.

[sophfandoms53]

Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches

Just an 11 year old pissed off at the world it seems😭

[cookieshapedrat]

She deserves the universe…

[dandelion-roots]

[ID: a digital drawing of riz gukgak from fantasy high. in the front is a relatively small drawing of riz juggling books that are falling out of his hand and a phonecall, and he has a huge backpack on. he looks a bit overwhelmed, hair flying in all directions, and has a nervous smile on. in the background is a large shadow of riz, only one glowing eye and a shining gun visible. the background is red, giving an eerie feel. End ID]

Kill your best friend

Cheat your way to your rogue teacher

Announce your presidential campaign

Don't let them know how angry you are

LEARN TO RECOGNIZE A MONSTER

[radicalcircuit]

Some headcanons.

[courtmartialme]

forcing myself to post more just so the world has more riza in it

[cloud-ya]

magnaslayyyyy

[canisalbus]

I have a phobia of dogs like can't stand seeing images of them phobia but I love your work so much, I don't know what it is but there's something beautiful about how I can look at it without feeling that phobia. Like being on top of a mountain and seeing the view of the world below or how fire looks pretty close up. Your art to me feels like that scene in fantastic mr fox with the wolf.

Ah, that's both heartwarming and very interesting, I've never heard of any cynophobes liking my work! Thank you!

(I won't bother you about it of course, but I can't help but wonder if it's the same thing for all furry/anthro art you see or for some reason just me, and if it's the latter, what could be making my stuff more palatable for someone who is that intensely uncomfortable with canines. My style isn't realistic but it isn't super stylized and exaggerated either. Is it about the anthropomorphization and the humanlike features, expressions and behavior? When I draw actual dog-shaped-dogs, are they harder to look at?).

[dimensionzero]

ALSO v tiny detail but I love how the lighting + peter's ripped shirt makes it look like he's wearing the classic spiderman red and blue,,,

[mtreebeardiles]

Every so often I’ll see interpretations of Liara’s N7 armor display as creepy/obsessive behaviour — and that’s a fair interpretation! But it got me thinking about my own interpretation and, well

It kinda makes sense, doesn’t it?

Whether you romance her or not, she still has that armor display. The archaeologist. Displaying the armor of someone Important™️, someone whose most recent importance was downplayed by the Alliance — support for Shepard’s Reaper theory was waning, the Alliance sent them off to more remote spots, Alchera happened…

Liara is first and foremost a student of history, and an Asari one at that. She’s trained to see those patterns of history, and knows a legend when she sees one — beyond whatever else Shepard may have been known for before ME1. And in the aftermath of Alchera, I’m sure she got her first real experience with how humans, and the Alliance in particular, will try to bury or gloss over inconvenient truths — if they can be bothered to acknowledge those truths in the first place

They didn’t memorialize Alchera until Shepard was back, two years later. They didn’t want to keep a spotlight on Shepard, on why they were even out there. But Shepard didn’t stay buried, and, well, maybe other ghosts wouldn’t either

All this to say I personally see Liara’s display as her own way of honoring Shepard as a historical symbol, as someone Historically Important™️, and part of that history is a part the Alliance wanted to forget, was happy to forget until they couldn’t anymore

But Liara wasn’t going to forget, and she’d make sure galactic history broadly wouldn’t, either. And in ME3, she takes that conviction one step further, seeding Shepard’s story, the story of the Reapers, all throughout the galaxy

That just reads as more narratively consistent to me, anyway 🤷‍♂️

[grimstrawberry]

If I don't make light of everything, I'm gonna explode.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[zundely]

Having more dragon age thoughts- this time about my dwarves, and partially about Varric.

So, hot take to lead with- Oghren is actually a much better and more insightful character to criticse dwarven cast system and culture then Varric. The best dwarven companion we ever got is obviously Sigrun but I feel like this one is pretty much self-explanatory, so I feel much more compelled to talk through our two lovely dwarven gentleman.

First thing I want to say is that, while I usually feel need to say that I do not hold anything against Varric as a character, his disdain for dwarven culture is something that bothers me a little. Especially since he is one of 3 dwarven companions we get across whole 3 games, and by far the most popular one. He is actually pretty similar to Sera at times in a way he views his own heretige but the games refuse to address it. Which is a shame because I think his view on the culture he was basically excommunicated from before he was even born should be a bigger deal then some quips about beards and getting antsy any time he steps near a thaig. Like Varric clearly has some very very complicated feelings about all things dwarven- something that no so subtly is a mirror of his very very complicated feelings on his brother who was much more of a 'real dwarf'. It feels like in an attempt to distance himself from what his brother represented Varric also felt a need to distance himself from anything too dwarven. But at the same time we see that it's something he never really let's go off- he is moved by his ancestor's fate in Legacy dlc questline, he keeps up with dwarven politics, he will get a bit miffed at mere mention of him not looking your standard dwarf.

However since dwarven culture doesn't come up half as much as elven one in later games we never really get to do anything with Varric's internalized issues. It's just sort of becomes a running joke that he is "not like other dwarves, that guy he HATES deep roads and he doesn't have a beard". And while that in itself is fine, not all characters have to focus on their relationship with their culture it becomes an issue when Varric is the only companion representative of said culture through 2 out of 3 games. It means the game has much less opportunities to present us with fun lore in an organic fashion because Varric is too busy making sure we know he hates it here. Like why I am more tempted to take Iron Bull to a dwarven ruins the Varric.

Oghren was ultimately a much better point of reference for dwarves because he is a product of this environment and he is surprisingly insightful and self-aware about it. And despite the multitude of ways in which Orzammar failed him he still cares about it. He still takes a lot of pride in his heretige even if all it really brought him is being rejected for becoming the thing it wanted him to be- a killing machine.

And now I am stuck on one hand wishing that there will be SOMETHING done with Varric's not feeling dwarfy enough- on the other however if Varric will be the only dwarven companion in DA:D I am going to scream. I am sorry all the Varric fans, he is either coming back in an advisor style role or I do not want to see him . It sometimes feels like the writers are not comfortable with writing dwarves and they use the 'least dwarfy dwarf' Varric as a get out of jail card and I just want something new.

[mrs-gauche]

I beat Veilguard.

It's 4am. I'm a mess. I'm in tears.

[quibbs126]

So today I decided to try and draw Skyfire, in the same sort of vein as I did the War Dawn trio, to try and practice him

I mostly chose Skyfire since I made a couple posts about him/skystar, so I figured might as well draw him, especially since he shows up far less than his counterpart

To be perfectly honest, I think I still need a lot of work in drawing these guys, as I’ve said many times before. I think I can get the heads, but I start to get wonky with the chests, and I really didn’t know how to do his shoulders

Anyways, so this design is based on his g1 design, mostly this one image I got of him

But I also wanted to take some liberties with his design, at least in the head area. I’m realizing I didn’t actually change much of the rest of the body outside of omitting bits, as per usual

I don’t know, I think I like the head design, I just need a slight bit more consistency with it. Also in my head, he’s got a visor that drops down to completely cover his face, but the issue there comes in his colors. His glass is blue, so logically his visor mask would be blue too. But the top of his head is also blue, and it’s really the only other place the blue shows up in outside of the glass. So either I’d have to make his mask red and break consistency, or change the top of his helm to be another color (probably red) and get rid of one of the few pops of blue he has

I also just don’t know how to draw his chest things, the sides that pop out. So that’s why they look weird

And also, his shoulders are like the one part of him that’s circular outside of his helm, and it really annoys me because it sticks out so much to me, with basically the rest of him being rectangular

Also also, I don’t know how to do the arms either, in part because of the circular bits and also I don’t know how to make the triangular prisms

Where was I going with this? I don’t remember. All I know is that while I like his head, I’m well aware my drawings of him aren’t the best. I still need to learn how to draw Transformers properly. Which I’ve been saying for quite a while now, but I’m not sure how much progress I’ve made on that front

But anyways, last thing to talk about I suppose is the design itself. I quite like it, but because it doesn’t belong to any continuity, only being me tweaking his g1 design, I’m not sure what to use it for. I could use it for my own if I really wanted to, but of my random AU ideas, I don’t really know where to fit Skyfire in them. And would I make all subsequent designs for this hypothetical AU based on their g1 designs? I don’t really want to do that with Megatron, I don’t really like his helm design in g1 (it’s weird and ill defined to me)

But for now I guess, I have made this Skyfire design. Not the best work of mine, but I’m still trying to learn Transformers, so I’ll take it

[hballegro]

"A lot of very touching songs came outta that war..."

s2e5 "Dr. Pierce and Mr. Hyde"

previous piece

next piece

another piece for the pile. this one took ~25 hours, ish? i regretted it as soon as i picked it lol. still CSP, still gouache brush [my beloved] and various blenders. when i got to the rain poncho i had to bribe myself with sweets to do all the texturing, it was hell on earth and that alone took 6ish hours. i am most proud of the right [his left] eye lol i think i nailed that sucker

if anyone has recommendations for the next one, speak now; i am very bored over summer break waiting for college to begin and this damn show is swallowing up my life, so might as well lol

and like last time, heres some WIP snapshots [with numbers this time] to show what order they came in

put off that ear for 12 years and then nailed it first try, c'est la vie