#or a wrong way to write for that matter | Explore Tumblr posts and blogs

silverwhittlingknife · 6 months ago

Note

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have. If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one. (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him. When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

#i enjoyed thinking about this so much i wrote a novel with All My Thoughts sorry sdfsdfs #tim drake #dick grayson #somewhat tangential but as i was writing this i was thinking about zahri's post #about how different types of stories offer different kinds of emotional payoffs #and i think for me for dick and tim the main two payoffs are:#1) someone who sees & understands your grief for deaths that will never get fixed or get better #and who will face your ghosts with you EVEN WHEN you're also mad at each other #2) someone who you look at and you see all the ways that you suck & he's better & you're a loser who's failed him etc etc #but it turns out that you're wrong. that you're good enough. not that none of the failures were real or that they were all in your head #but it turns out that it's okay that you didn't always immediately do or feel the right thing #and it's okay that you weren't perfect. you can fuck up six thousand ways & everything you did right will still matter #not because of making excuses or allowances or somebody pityingly trying to make you feel better #but because in the end the things you did right are just Genuinely More Valuable than anything you did wrong #all the times you tried & everything that you tried to give - everything you think wasn't good enough - it was.#IN OTHER WORDS they are both convinced they're not good enough & they are both wrong <3 #anyway dick and tim are both INCREDIBLY SIMILAR and also CONSTANTLY misreading each other and i love that for them #and like. they will sometimes totally misread each other & then never figure out the part that they misunderstood #but then they manage to keep going anyway. we love each other on purpose <333 #ask tag #dick&tim

478 notes · View notes

beneathsilverstars · 6 months ago

Text

been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.

but. that doesn't have to mean it's a different universe entirely.

maybe that's just what happens after a thousand loops.

the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.

like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)

through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.

so they made a wish. and the loop restarted. not just a reboot, but something more complete.

the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.

#but NO MATTER HOW FAR LOOP WALKED they would STILL BE MADE OUT OF MUD!!!#sorry i love writing metaphors about loop i guess #here's a couple i had to cut. for cohesion. :#you ever sing along to a song so many times you could sing it in your sleep? you no longer use the same kind of music player that you first #listened to it on. but you still sing it in the shower and tap it onto your steering wheel and whistle it in the rain #and then one day you re-find the original on another platform and realize that somewhere along the line you'd started getting it wrong?#it was a little like that.#siffrin changed and the house changed and the script changed. one board of the deck and one thread of the sail at a time.#until one day that wreck of thesues could no longer recognize himself and made a wish.#in stars and time #isat loop #loop #isat #isat spoilers #in stars and time spoilers #sasasap #anyway. thinking of it this way makes it make a lot more sense to me why loop can't get magicked back to their old timeline #it doesn't exist. not any more than any of siffrin's 108 failed loops do.#siffrin is siffrin is siffrin #thoughts #thoughts about loop #thoughts about worldbuilding

265 notes · View notes

uniiiquehecrt · 3 months ago

Text

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

#(i am incredibly passionate about this)#(and seeing celebrity voice actors in what should be a voice actor's role completely burns my buns it doesn't matter WHO it is)#(hemsworth as optimus? someone tell me one good reason why they couldn't get a good v/a to replace mr. cullen properly for the future)#(ben shwartz as sonic? dude literally isn't even a good voice actor OR actor anyways-)#(- A N D jason griffith AND my boy roger craig smith are still RIGHT HERE)#(jason griffith IN PARTICULAR would have pulled back SO many sonic fans that went to watch the film anyways. if not /more/.)#(and on top of that he has the same tonality and energy they tried to force this moshmo to try and emulate anyways so GET THE REAL THING)#(chris pratt as mario? i can at least defend /him/ and say that barring his failure to do a NY accent consistently he wasn't terrible)#(but mario's new voice actor could've been used instead and people would've clearly appreciated that WAY more)#(vanessa hudgens as sunny starscout in mlp g5's pilot movie? literally why. they replace her and hitch's va in the show.)#(don't even get me started on the concept of hiring celebrity singers to do musical theatre roles or not letting musical theatre singers-)#(-dub the celebrity voice actors you just HAD to hire for your film bc you're so worried about not getting enough clout to get ppl in seats #(that you're putting it all in this (1) big name hire bc turns out that you have no faith in your writing ability much less-)#(-animation as a medium.)#(and no before anyone says anything : no this is not me saying that ALL celebrity voice castings are bad.)#(there are some that aren't that bad and others that are actually pretty good.)#(i especially appreciate it when actors are damn well aware they aren't voice actors and try to LEARN from voice coaches-)#(-and/or their va predecessors if applicable.)#(that does not change the fact that the celebrity shouldn't have been hired just because the film wanted to have bragging clout-)#(-oh look at this FAMOUS PERSON we were able to hire — yeah ok. sure wendy. i want to know if this film is quality or not.)#(and 9/10 times the SECOND there is money spent on a non voice actor to voice the main character especially)#(that usually means somewhere along the way animation IS going to get shafted. if not w the animators themselves then in the way of-)#(-the actual animation itself and ESPECIALLY the screenwriting because it's especially been so dogshit lately even before the strike.)#(a celebrity being hired to fill a voice actor's role is such an immediate red flag to me and it is VERY rare that i get to be proven wrong

106 notes · View notes

eloquentsisyphianturmoil · 7 months ago

Text

Maedhros built up a high pain resistance from Angband; particularly to the burning sensation. Considering how low he thinks of himself, it’s likely he expected the Silmaril to burn him. He didn’t think he was redemptive, he thought I can take it.

Part of why Maedhros acts so viciously is because that’s how life treated him. I can take it if my brothers die. I can take it if I’m damned for eternity. I can take it if everybody thinks I’m a monster.

He’s proud, and he’s suffering. He won’t back down, he will succeed or be martyred.

#Alexis rants #Swear I could hear my English teacher snapping at me to avoid passive voice while writing this #I have been thinking thoughts #Something so miserable and ghastly about someone who says ‘I know this is wrong #and I don’t care’#And the anarchic part of me is saying it’s justice #because this pain has been wrought against him too #What does it matter they’re innocent? So was he #He’s miserable and he wants the valar’s attention #And in many ways he was the one who finally got them to listen. Earendil only had the Silmaril because Dior was slain. Maedhros’ plan worke #He spilled blood and ruined his soul #That part that just wants to burn everything is doing it as a cry for help: ‘see what you did to us’#It’s piteous but beautiful #Shall I go on #Maedhros #silm #the silmarillion #silmarillion #silm fandom #the silm fandom #the silm #tolkien #maitimo #maitimo nelyafinwe #russandol #war of wrath

116 notes · View notes

shannonsketches · 8 months ago

Text

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

#dbtag #I do not understand this writing it's so bad aklsdlkasjd #Toei wants Goku to be Clark Kent SO bad and he SO isn't lmao #they're so good and dumb and rounded and complex in the manga what is the anime so afraid of #Toriyama said 'no no this man is a detached faux-immortal who has a dear pure heart but he's childlike and selfish even though he's kind'#and toei went 'got it goku's never done anything wrong ever in his life'#toriyama said 'Vegeta's gone through a lot and he's finally settling into his more mature leadership role with the confidence he's earned'#and toei said 'got it vegeta has the confidence of a high school bully except now he can interact with his family as a comedy bit'#girl hWHAT #Toei trying to group Goku and Vegeta as two people who would rather train than be with their families and Toriyama said NO Vegeta wants #to be HOME this is the first time in years that he's HAD ONE and it makes him HAPPY to be with his wife and children!!#Vegeta trains so that he can protect the things he doesn't want to lose again and Goku trains because it's the thing that makes him happies #They are NOT the same lmao And yeah Vegeta still wants to beat Goku but he also knows that Gohan could dogwalk both of them if he wanted #He also knows Trunks and Goten are going to surpass them it's not about being the best anymore he's past that he just wants to Not Need Gok #He just doesn't want to have to rely on Goku to save the day he wants to be Enough on his own he just wants to know he can be #because every time it's mattered he WASN'T and people he loved were lost to his inability to protect them and he carries that #Like Whis diagnosed him with anxiety and cptsd out in the open and Beerus said he was self-centered for feeling guilt #+ he lowkey enjoys the rivalry it keeps him goal-oriented so he can't get complacent and lazy which is what triggered his Buu Saga breakdow #realized how Fucked Up it was that having a home and loving family made him feel like he was failing and went 'wait no I won actually??'#now he's chill as fuck in the manga. cool confident leader.#and sometimes he is childish and dumb with Goku as a treat #you know what rocks about his rivalry with Goku in Super though is that it's Playful. Vegeta is learning how to Play.#You ever seen a shelter dog get introduced to a really playful dog and it takes a minute for the shelter dog to understand it's safe here #And then they're both running around the backyard playing hot potato with one braincell?? That's Goku and Vegeta's relationship #and the way the anime sleeps on that dynamic is so fucking criminal especially when it's literally canon it's in print it's out there #you had the playbook how'd you fumble it this bad #anyway that's my 25+ year blorbo thoughts I love Geets a lot okay #And I love Goku in the manga a lot I'd forgotten that he's actually a great character when Toei's not fucking up his whole vibe

136 notes · View notes

combefier · 4 days ago

Text

the thing that really gets me about how bad the writing for rook in particular is is that it would take so little effort to make it better. and it would probably make the writers' jobs a lot more interesting, too. you should be able to piss off your companions. in every other dragon age, you can piss off your companions. you can piss them off so badly that they try to kill you. if you just sort of fail to impress people one way or another in da2, you can end up having to fight your best friends to the death, or have one of them peace out after prompting an invasion of your city. the ability to have conflict with your companions wasn't always handled WELL (trying to talk to cullen about mage rights in dai comes to mind, as does trying to talk to dorian about slavery beyond the one conversation), but the option was there. it seems like the only way you can piss off your companions here is by making tactical disagreements they don't like. there's no room to have a personality some of your companions find off-putting, even though there are multiple points where your companions are put off by one another. purple hawke we're so not back. and the reason can't be "well you had to be someone varric would choose," because varric's best friend was hawke and there can be very many different kinds of hawke.

you're given a fascinating backstory and it will not come up beyond occasional comments relevant to your faction. mourn watch rook why does your backstory almost never come up i would tell people that story all the time. it's like dming for a player who came up with the most rich backstory you've ever seen and then watching them ignore it every time you dangle plot hooks in front of them. bioware do you remember what you wrote. bioware u good???? the sanitization of various factions aside because that's its whole own post, it would be so easy to give a dialogue here and there where rook could show more of what sort of rook they are by letting them reflect on their backstory. it would be so easy to write aggressive answers that are actually aggressive.

i've spent enough time in editing that i've just been trying to figure out if there's any possible motivation beyond a lack of investment in their own story, or a shocking paucity of good editors in their work environment. is it because the way they designed the game necessitates that everyone be there at the end? but you can still fuck up the ending by making the wrong choices there, à la me2, and you were allowed to piss people off in me2. if you can get people killed at the end anyway, why not let the choices you made and the responses you chose matter beyond "did you do enough sidequests?"

at a certain point, it's just confusing. they know how to do this, even if they don't always do it well. the lack of any real room for agency or personality or conflict is just... odd. this is also leaving aside how easy it would have been to incorporate SOME past choices from past games per their previous work. bioware i just want to talk

#datv #dragon age: the veilguard #datv spoilers #dragon age #don't get me wrong i enjoy the game #it has fun combat and pretty colours and i enjoy what IS there of the companions #but i'm also acutely aware as i finish a second playthrough of just how bad the writing is compared to the other games #(and the other games certainly did not always have great writing in every case)#it's just so strange and hollow #i didn't notice it the first time because i was playing a very nice rook #so i noticed that the romance was a little underwhelming but that was about it #this time trying to play a cold bitchy unsettling rook i realized there is absolutely no way to do that whatsoever #this goes beyond the 'it doesn't matter what your inquisitor's personal faith is they WILL be referred to as the herald of andraste' thing #this rook essentially has the same personality as my first rook because they really only wrote one personality for rook in the end #this rook is on good terms with pretty much the whole of the team just like the last rook because so long as you do sidequests you will be #there's SOME variation depending on plot choices you make but really not that much #if you choose taash for the big construct she throws a rock #if you choose davrin for the big construct he throws a rock #if you choose emmrich for the big construct HE throws a rock #did you save minrathous or treviso? doesn't matter end battle's in the same place #there is schoolwork i desperately need to focus on this weekend but here i am preoccupied with how genuinely baffling #bioware's writing choices are #why do all this work to set things up and then decide 99% of it is irrelevant #datv critical #bioware critical

41 notes · View notes

lord-squiggletits · 2 months ago

Text

Semi related to the other day's post about people calling OP a hypocrite for not wanting to kill people, it also really annoys me how often this fandom (even in corners like MegOP where OP is ostensibly one of the main characters) just disregards or does not care about how Optimus feels. Or seemingly doesn't even comprehend that OP having his own emotions/goals besides validating Megatron/whoever else he's being shipped with or interacing with. Or they think that every time OP is "mean" to someone else it's bad and awful, but when any other character does bad things it's justified because they were upset/hurt.

It's not really a commentary on character apologism or morality so much as it is annoyance that the spaces I've been around in near universally don't give a crap about how Optimus feels ever. Like, to use MegOP as an example since that's my main context of seeing Optimus content, I always see takes like this that only center Megatron's experiences/feelings while completely ignoring anything Optimus feels.

Like. TF One? It's okay for Dee to turn on Orion because he feels betrayed by him "siding with" Sentinel and Orion is such a jerk for banishing him from Iacon. But god forbid that OP might be a little upset about being dropped down a pit by his own best friend (and then said best friend immediately tries to kill him again when he comes back) and want Megatron to get the hell away from him if he's gonna be so violent.

Can't even count the number of examples in IDW1. Megatron is traumatized and oppressed so that means he can do as many crimes as he wants and hurt Optimus as much as he wants because "Optimus should've just listened to him better" never mind that OP literally did listen but no one besides dedicated IDW OP lovers ever points out that OP has a right to be pissed off at Megatron for some of the shit he did to him. People get mad at IDW OP for making Megatron give a speech denouncing the Decepticons because it's mean/controlling/anti-revolutionary or whatever (never mind that OP letting Megatron go free on a space adventure is incredibly permissive and informed by his personal bias towards Megatron) but they could care less about the fact that OP is staying on Cybertron dealing with the remaining Decepticons + shit with the neutrals and might maybe want Megatron to pull his weight deescalating the post-war situation so that Optimus has an easier time trying to manage.

It's very much a thing that heroic characters are held to higher moral standards than villains and grilled over doing similar things that villains are cheered for. But this isn't even some strictly moral thing, it's just. So fucking bizarre how ready people are to demonize Optimus because "he hurt X" or "he got in the way of Y" or "he sided with Z when he should've sided with A" but completely disregard all of the many, usually valid reasons Optimus has for doing what he did! It's all about poor woobies who suffered so much and are doing bad things because they're upset and justified from their perspective. But all of a sudden when it's Optimus, his feelings don't matter and how things look from his perspective (his goals, values, obligations, what he feels is right or wrong, the depression he often has across continuities) doesn't matter either. He did something that made someone else feel bad therefore he's the literal worst who only does things out of hypocrisy/self-righteousness.

It's not like Optimus could ever experience emotions like depression, anger, frustration, fear, loneliness, urgency, etc etc that drive him to do what he does. Optimus has no internal struggles between what he desires as a person versus what he feels is the right thing to do/what he's obligated to do. Getting sympathy for the very real hurt and struggle he experiences is just for every other character except Optimus, I guess. Swear to god the majority of the fandom doesn't actually see Optimus as a character and instead just sees him as a prop to either validate their fave or to act as a scapegoat for whatever's wrong with the plot.

#squiggposting #the way i described it in chat wrt tf one was basically like...#it doesn't really matter who you think is right or wrong (nevermind that they both have reasons to do what they did)#but if you're gonna defend one of them with the argument of 'but he felt like this from this perspective'#it naturally follows that the other is equally defensible on the basis of what he feels/perceives #but the problem is hardly anyone does it #OP's feelings p much never matter in this fandom he's only ever a satellite to what someone else wants/feels #it's how you have ppl unironically writing MOP content where OP apologizes to M for being so 'wrong'#but M never has to apologize to OP for his moral wrongdoings or the ways he deliberately tried to hurt OP

26 notes · View notes

slytherinshua · 4 months ago

Text

I hate shippers sm it’s so weird 😭😭

#﹒zanna speaks　𓈃　ⵌ #it doesn’t matter if it’s two members from the same group or two different idols #they’re both so bad #but esp shippers from the same group 😭😭#why do u genuinely want them to date romantically why are you writing smut abt them #one of the many reasons why I’ll never venture onto ao3 properly #that whole genre of fanfiction rubs me the wrong way #even western celebs who are shipped with other celebs #it’s so weird #but its such a big thing in kpop #the bts ships… the fucking taegyu shippers pls stop #they make it so weird 😭😭

28 notes · View notes

carnivalcarriondiscarded · 1 year ago

Text

hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows

but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there

(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in

& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)

"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"

but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.

and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.

(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)

and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know

i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4

However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.

which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!

all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself

(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)

#this is a very disjointed ramble but when are they ever put together!#i have to start at point a to get to point 36 yk yk #trying to write down my thoughts is like trying to keep a firm grip on a lubed up ferret #SOAPED!!! SOAPED UP!!! I MEANT SOAP yk that doesnt make it any better. anyway moving on dont look at me #its. its. the more i think about wally the more i go insane #like he's got neurosis stacked on neurosis stacked on-#there is something soooo wrong with him <3 #homebogging #welcome home speculation #wh speculation #i do think his heart is in the right place. i do think he's trying to achieve something he thinks is good & best for everyone #but... despite being aware of more than his friends... technically knowing more Truth than them #he's more trapped by that knowledge. he's ruled by it. and he doesn't really have the -#i dont want to say capacity bc i have to believe that he Can change. he just doesnt know how / currently doesnt want to / is too scared to #but he doesn't have the freedom the others have. bc in their ignorance they can ignore their confines #in a way they're more real than wally despite living in a fabricated world as fabricated people with fabricated lives #they're authentic in their ignorance #and ive said it before and ill say it again - wally was created as a blank slate while everyone else already had a Foundation #no matter how false their memories are they Have them. they have the tools to change and want change #they already perceive themselves as more than what they were made for. they think they're People (not humans - people) dont they?#so if they learn theyre trapped... they'll want out. meanwhile wally is already stuck bc while they have - in a way - More #the neighborhood & the show are all wally has. he knows there's outside but he doesnt have any reason to Want that outside #bc why would he want to leave home? why would he want anything to change? it's his sole purpose isnt it?#idk i just think wally would benefit from being told 'you dont need a purpose / you dont need to adhere to a purpose / you are enough as Yo #doing what You want. you can just Be'#but yk. what was i talking about again #oh yeah - wally is so so aware and yet so in the dark #he's got one half of the puzzle but they're all corner/edge pieces and he's trying to fill the inside space with Nothing #hm. i wonder if he'll end up needing the other neighbors to help finish the puzzle... who's to say who's to say!!#FUCK YOU TUMBLR I HAD MORE TO SAY. CUT OFF AGAIN AGH

113 notes · View notes

corpsentry · 4 months ago

Text

it’s so funny to me when people make posts that are like i hate it when fandom mischaracterizes my favorite blorbo/fandom needs to stop reading the story this way/fandom reduces my blorbo to xyz trait when they actually contain multitudes bc they clearly have things they like and care about re: the topic but instead of simply sharing their thoughts they have to preface their joy with this kicking at the table leg bit that emphasizes how correct their opinion is and how everyone else is Lame and also Wrong like mein gotte it’s barbie dolls on some 35 year old who works in software engineering’s macbook you have contributed nothing to society by telling jessica from ohio software engineer to deepen their understanding of sakusa kiyoomi haikyuu. ‘fandom always ignores/forgets that’ ok and? your problem is? ? ? maybe people are happy writing chilfuck as a babygirl or marcille as something other than a girlfailure in which case good for them!! it sparks joy yahhhh!!! i’ve blocked enough people on twitter to mostly be at peace these days but tumblr is Not Safe everywhere i go on my dash there are these weirdos who think everyone else is doing fandom wrong. you silly man. you absolute buffoon. you mysterious moralist

like listen i am the most literaturepilled mf out here so i think i’m entitled to yap about this i like my characters fucked up and bizarre and quadruple-faced and so only read very particular fics but maine gotte i will not complain about it publicly because that’s my business! other people are here for other things. escapism. joy. Oviposition. and that’s great because life’s boring when it’s just you and 10 other guys like you. i’m telling you morally outraged random 18 y/o the oviposition guy is the key to the universe and i’m Old and Tired now so every time someone puts that ‘marcille is more than a genius and people need to stop writing her like awooga booga whatever the fuck’ shit on my dash they’re catching that block like a fist flying out of a can of tuna oh yeah i’m closing my eyes i do not see your dumb ahh shit i go to bed

#fr…. let people live….. there is no right or wrong way to engage with stories we’re literally just hanging out….#worst part is when i click on op’s blog and they’re like 26 #please please go and cook some vegetables you will be happier #as for me i’m hard at work massaging that block button like a flaccid cock #i Will make tumblr a place that doesn’t raise my blood pressure (determined)#man like fr what is the point of trying to change how people hang out in fandom #just find people u like and hang out with them #mayne goat i usually disagree with the most popular characterizations of my homies but so what you know #does it matter? no? will i think about it? no! i will go find things i like #and if i can’t find them i’ll write em myself #or draw em. or fuck em. whatever #it’s just so silly to me to waste energy being a hater on randos when you could be having fun #that’s how i try to live anyway. look at pretty face and have fun #no one is wrong in fandom. some may be stupid. but they’re not wrong! what do you know. you’re just a guy #we’re all just little guys #so live ur best life fr my guys spend time on the things u love not the shit that pisses u off #like me. i’m going to go look at pics of bailu now

23 notes · View notes

aphelea · 2 years ago

Text

first time we see alvar he chugs a glass of wine in a sip, talks about his 3 girlfriends and proceeds to call known facts a hoax. truly what a guy

#also why is every vacker described as 'dark-haired' except for della. what does that even mean #kotlc #august's adventures in rereading canon #<- is that what that tag was? tumblr seems to have forgotten apparently #well no matter. i just find alvar's intro scene hilarious #ok technically it never specifies that hes chugging a whole glass my bad. but he 'swallows his wine in one gulp' which i personally believ—#—can be interpreted many different ways (i actually read it wrong the first time. rip)#keeping the post though because i think its funny. why not i love misinformation #(this is like when you put important recontextualizing information in the footnotes of a paper instead of the actual thing. whoops)#you know i vaguely recall writing an alvar fic in the middle of the night once but ill talk about that later. these tags are long enough

396 notes · View notes

captain-lovelace · 8 months ago

Text

#my poetry #Horuspoetry #This one’s never gonna get professionally published so here it is #I usually hate writing lowercase poetry but I thought the unfinished look it gives #poems worked with the subject matter #I also wanted to work in a space detailing the experience of growing up neurodivergent #where you are functionally gendered as a failure #A lot of the details (the burying or the hands-to-eyes) are based on my own life. As is like. The general feeling. Which was basically my #standard from ages 3-9. the description of things outside is based on the memories I have of my old backyard when I was really little #And of the park I used to go to #I have a lot of memories of thinking of myself as basically already dead but also not really *understanding* the difference between being #dead and alive?#Idk. I think the perspective I am writing from is that of the child #but also in some ways I’ve noticed the way I behave towards my memories of my past self resembles the ableist way adults treated me when I #was a kid #As if somehow #There was something just… wrong with me and me only and so I deserved it #So this was also an attempt to show compassion to that child and break from that belief. To say ‘this was fucked up’#And that I don’t believe that there was something wrong with me after all and even if there HAD been I wouldn’t have deserved that treatmen #No one does

30 notes · View notes

msfcatlover · 2 months ago

Text

Putting both hands on your shoulders. Hey, listen. Sometimes, characters have tragic backstories. A lot of villains are victims. It’s reasonable to see that, and it’s good to acknowledge what made them the way they are. I completely understand wanting to give them a happier story, where they get the love & support they needed to live a healthier, more fulfilling life. Especially if you relate to their troubles, giving them an unhappy ending can feel like the author is condemning you for what you’ve gone through.

But—listen—I need you to understand: You are not the character. You can connect with them, relate with them, love them even, but you are not them. And a lot of the time, the thing that drives them to that unhappy ending isn’t actually the trauma they went through—it’s an inability to change. They don’t grow, they don’t get better, they don’t learn the thing the story is trying to say. And it sucks to see yourself in a character like that, but you are not the character, and you can change, learn, grow, and constantly be bettering yourself. Because humans have that capacity.

But also, the same way you cannot save someone who doesn’t want saving, it’s important to recognize that in fiction. Would this character want to change? Can they see anything wrong with their methods? Their goals? Because if the answer is no, while you can feel free to write happier AUs (I certainly do!) then they were never going to get ‘better’ in canon.

Because they don’t want to.

#Been thinking about Calla again.#You cannot fix her. She doesn’t want to be fixed. She doesn’t see anything wrong with her behavior. You cannot change her mind.#She’s been through some horrifying shit. I wouldn’t say it /broke/ her but it definitely rewired her brain #and she learned all the wrong lessons about human connection from those experiences.#Calla is a tragedy and the tragedy is the cycle of abuse.#Hurt people can hurt people.#Calla’s trauma taught her control & power are the only ways to feel safe in any kind of relationship #and if you tried to convince her otherwise she would only see it as you trying to take that control & power away from her. To hurt her.#And she so desperately wants to feel loved. Valued. Cherished. /Safe/. It doesn’t matter to her if she hurts other people to get that.#She’s a victim. She’s been hurt. That explains it but doesn’t justify it. And unless someone stops her she will not stop hurting people.#//#tv tropes #my writing #mine

11 notes · View notes

ozuzo · 3 days ago

Text

Lots of people are trying to outsmart me/explain Homestuck to me on that Dirk room drawing and like??? Does anyone realize that I voluntarily drew that and that the caption was a joke? Anyone? No???

#delete later #For real though I know this literally does not matter but a good chunk of tags are random people going “gotcha” one way or another and ...#Why #I can't say I'm enjoying that kind of attention #Also this is straight up petty but most people Explaining To Poor Old Me How Life or Homestuck Works are wrong #Jade is not tidy. Rose is not tidy. And Dirk isn't the defenseless and resourceless guy you're making him up to be!!!#+ This might be the most shocking thing yet but some of us don't write captions to bait the “actually ☝️🤓” crew

19 notes · View notes

dyaz-stories · 2 months ago

Note

With the latest chapter out, what are your thoughts on it? Other than how they mentioned Gojo. I remember hearing something about a faceless(hidden) character that kind of looks like Kenjaku/Geto at the end.

Spoiler-free opinion is that I generally enjoyed the chapter! It's very in line with what to expect from a shonen epilogue. That's what I thought we were going to get immediately post-Sukuna defeat, mostly because that's usually how that goes.

We're starting to close the curtains on the characters, we see that life goes on, what's changed, etc. It's cute, it's a sweet farewell to the characters. I don't care about some of the ones we see in the chapter, but I love most of them, so I'm happy about that! I'm still really upset with the way Gojo is handled, so I'm going to get a little more in depth with all that under the cut.

We conclude really quickly on Tengen but it's not super clear to me what's going on, nor do I care too much to be frank. We do see Gakuganji telling Utahime and Nitta 'not to worry' because they're still young, so that's a definite shift from the beginning of the manga — less urgency, less responsibility on their sole shoulders, the cycle is broken, all of that.

(peep the really cute panel of Noritoshi with his family — he wasn't my favorite but I thought that was sweet. He's no longer chained to his clan, yet another change from the beginning of the manga.)

Then we close a few plotines with characters I, honestly, didn't care for (the mangaka Hakari fought with, Yuuji's acquaintance who used to be a bully, the sumo/samurai that helped Maki have her awakening), but there is an interesting line about how they've gone public with the existence of curses.

So things have changed, and with the public knowing about it, maybe a future where humans learn to channel their cursed energy, like Yuki Tsukumo hoped for, is an option? There's hope.

(It is quite random since we hadn't heard about that before, but I can accept something like that because clearly a lot of weird stuff had happened and there needed to be some explanation for the non-sorcerers)

I like the Megumi and Angel interactions we get — she was always an interesting character to me and I wish we'd seen more of her. I also like the idea of characters deciding to help each other out. It seems that Megumi does it partially out of guilt, which I'm not a huge fan of, but supporting a character who's lost an arm in battle feels, again, like an evolution from the start of the manga. She's not going to be left to fend for herself like Geto was, and isn't that a great thing?

And I like that the chapter ends up with them taking up a new mission — we know that curses couldn't disappear, so life goes on. Yuuji goes back to helping people, like he's always wanted to do, and honestly I'm quite happy with that. There wasn't a permanent solution to curses unless people were willing to commit a genocide, but there were ways of making things easier. Because non-sorcerers know about curses, they can reach out directly to sorcerers before anyone dies (...well we'll see about that next chapter, but that's what it looks like), which should in turn limit curses' opportunity to get super strong undetected. Ijichi actually starts by talking about a "victim", but then we see everyone's okay and they take the cursed person to get a physical, so they should be fine. Lots of evolution shown in the chapter!

(the trio back togetherrrrr, they're so cute!)

Now, to the things I wasn't a fan of.

Like you said, there is something about Kenjaku. I don't know if you'd read this plotline, but there was this character, Fumihiko Takaba, who was this unfunny comedian. He's the one who fights Kenjaku and distracts him enough for Yuuta to kill him without too much of a struggle. Kenjaku has this whole thing about how this was the first time he'd had this much fun in centuries, being in a 'comedic duo' with that guy. Now it was a really weird couple of chapters, and it looks like he gets someone to join his duo. We don't see his face, but yeah, it looks like Kenjaku in Geto's body.

Now I don't think that's him but it is imo something about... idk, reincarnation, cosmisc alignment, whatever. I'm pretty indifferent to that — I didn't care about that guy nor about Kenjaku. However, to see both of them get a closure that I don't feel we've gotten for Gojo kills me. At this point I feel confident that Gege feels the airport scene was all the closure needed, and I just... yeah I just disagree.

The chapter actually opens on a gravestone — Tsumiki's. Shoko and Megumi are there, paying their respects. But we don't see a headstone for Gojo or a funeral of any king, which I'd been hoping for if it's because he's alive I'll eat literally all of my words but at this point I think there's a 0% chance of that

In fact, we're told that Shoko dealt with Tsumiki's remains, which were cremated. And then this.

...I'm just tired of this at this point. When I was reading the manga, I was talking to a friend and said that it didn't feel like anyone liked Gojo. People can have respect for him, admire him, hate him, etc. but it never felt like anyone liked him. Even the characters that I think would have had the better chance of having some reaction to him (Shoko, Yuuji, Yuta, Megumi), from what we see, just... didn't care for him that much, you know? [I think there are solid arguments against that and I know for sure that's not how I'm going to write them, but imo that is what we are seeing play out at the moment] So, in turn, it's making me feel silly for caring as much as I do. It just... feels like he never mattered. He's been erased from the narrative, and I hate it.

The scene ends with Shoko throwing away her cigarette. It probably has a lot of symbolical significance — we know that she stopped smoking in high school and picked it up again in Shibuya because she was nostalgic of her high school days.

I guess this means those days are fully behind her now. Because there's no one left.

11 notes · View notes