#or a thousand miles away?
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spacebugarts · 1 month ago
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Man how tf are yall finding jobs bc this shit SUCKS
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feluart · 11 months ago
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I just need him to be happy thank you
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demonictacobeard · 1 year ago
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Charlie, trying to cheer Adam up: Hey I know Hell can be a bit much, and we do have bad stuff happen to us but it’s not all bad! There’s parts of Hell that are just so different, and it can be amazing. And hey, your son Cain is here! He’s actually kind of a big deal, the very first overlord and all. He’s retired now and is the leader of the biblical settlement outside of pentagram city if you want to……Adam?
Sinner Adam, staring down at Charlie with wide eyes because Heaven told him all his kids chose to be reincarnated because the winner and sinner system hadn’t been set up yet until when Adam died: Cain’s here?
Vaggie, going ice cold from surprise as she sees desperation on Adam’s face for the first time: Oh shit he was human underneath all that asshole
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kreechur-croft · 1 year ago
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A funky dude I made for my most beloved coworker
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Her favorite animal and color are, of course, zebras & bright dandelion gold.
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mewniemoon · 4 months ago
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So yknow how people with Demi Narinder headcanons will make Lamb his first ever crush, so much so that he doesn't understand his emotions towards them because he's never gotten close enough with a mortal to feel that way before?
Okay so what if this, but also he actually has had the very occasional crush throughout his thousands of years of being a god, but he has equally no idea what to do and is an awkward mess about it. Like Mr God of Death had one to many private partys with his disciples to boost moral and all the sudden he's feeling really odd about Dave from accounting. But instead of focusing on what those feelings might be he sends them away as far as possible so he never has to see or think about them again, and everyone thinks Dave must have done something terrible but it was actually just their cat god experiencing gay panic
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emopulco · 3 months ago
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Comfort between two Necromancy Enjoyers (tm)
— (Emmrich & my Rook Mortimer Ingellvar)
commissions are open!
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thelaurenshippen · 2 years ago
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junonomenon · 3 months ago
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I know you wanted me to stay But I can't ignore the crazy visions of me in LA And I heard that there's a special place Where boys and girls can all be queens every single day
I'm having wicked dreams of leaving Tennessee Hear Santa Monica, I swear it's calling me Won't make my mama proud, it's gonna cause a scene She sees her baby girl, I know she's gonna scream
"God, what have you done? You're a pink pony girl And you dance at the club," Oh mama, I'm just having fun On the stage in my heels It's where I belong down at the
Pink Pony Club!
rip benzaiten steel you wouldve LOVED chappell roan. anyways happy birthday benten and juno AND HAPPY RELEASE DATE TO THE JUNOVERSE FINALE FANZINE :) you can find the pdf here and a printable version in our cute lil promo post here. you can also find my other piece i did for it here
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a-gay-bloodmage · 6 months ago
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Been thinking a lot about how the casteless are described in DAO as "the dirty secret staining Orzammar's perfect society"
And I've been thinking about how it probably means that Surfacers aren't really... aware that the casteless exist? Like, if you've never been to Orzammar, what reason would you have to know about this entire underclass of people so socially disadvantaged that they're not allowed to even hold jobs, who are only seen outside of Dust Town as some rich dwarf's weird paramour?
Idk, I've been thinking about the casteless a lot lately as I write more Brosca and Cadash content
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sapphosclown · 8 months ago
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tj kippen loves chappell roan btw. he told me.
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fookinhellcurlyyy · 20 days ago
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he’s giving cunty. he’s giving IT girl ✨
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stickdoodlefriend · 4 months ago
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Considering how 911 has forgiven every terrible parent of the main characters, not forgiving Eddie who has devoted his entire life to Christopher since he was born would be absolutely ridiculous. Like Buck's whole speech to Chris on why to forgive Eddie is him forgiving his own parents who drove him to self-harm to gain attention? Which is way worse than what Eddie did. We've been told time and time again how much Eddie's parents messed him up in canon, and now suddenly they are the more 'stable' choice to parent a kid?
Another point if we continue with Eddie losing Chris is it would reinforce the very harmful lie that Eddie thinks: he cannot have joy, forgiveness, and identity outside of his son.
The blowout with Kim only happens once Eddie tries to find closure with Shannon in a very messed up form on non-consensual therapy. Eddie recognized what he was doing wrong and tried putting a stop to it. He was not going to go to Kim again after telling her about Shannon. But once he finds some sort of closure, he is punished harshly by his son walking in and then walking out of his life, making his worst nightmare come true.
He finds forgiveness with the help of the priest and joy in a very very long time? The newest clip seems to punish him immediately with now Chris might not even come back.
CHRIS'S POV
Even from Chris's POV, it doesn't make sense that somehow both the Diaz grandparents suddenly gained emotional intelligence and maturity to raise Chris in a healthy environment to get over his trauma when they couldn't do that for more than 30 years?! Chris is avoiding, I doubt he is getting therapy there to deal with it. It was traumatic and he is valid for being mad but staying mad is hurting him. Eddie's whole arc and issue stem from the toxic masculinity that he needed to unlearn which makes him the king of repression. You know who caused a silly goofy man (Eddie at his core is very silly and is forced to be serious) to repress? His parents who are now somehow better options to deal with Chris's complicated emotions?
They think Chris loves the water, but they don't know the enormous work Eddie did to help Chris get over the tsunami. Chris breaks down during COVID because he misses Carla and his friends which dredges up his abandonment issues? They don't know that it was Buck who supported him through it and how Eddie adjusted his relationship with Ana to make him more comfortable. They don't know that Eddie quit the job he loved so Chris wouldn't be scared of losing him. They don't know how scared Chris was when Eddie got shot. We often focus on how Buck broke down and how Chris hugs him but Chris is breaking down with him together.
THE WILL (DISREGARDING ROMANCE)
Eddie's not stupid. He didn't put Buck instead of his parents in his will out of spite. Because really when it comes down to it, Buck was the best option for the will in canon. In the very beginning, we were told Tia Pepa and Abuela can't take care of Chris full time (thus, Carla). But Carla is paid for her job, she won't be on the will. Eddie has no other family in LA and we don't know how his situation is with his sisters. However, considering canon implies then to be younger (thus his parentification), Eddie would consider them too young (subjective) to raise his son. None of the 118 is as involved with Chris as Buck is. In fact, a big reason is the fact that is that Buck allows the Diaz boys a safe space which Eddie was not allowed to have growing up.
Buck has respected Chris's autonomy (admires it even- canon from s2), supports and listens to him without making him feel bad, expresses his emotions and finds ways to support him (like finding equine therapy, accessible skateboard) and respects his decision even if he doesn't like it (going to Texas). And I'm not saying because of Buddie or anything. Even if they remain platonic co-parents (co-parenting as described by Oliver Stark and Ryan Guzman), they serve as parallels to things Eddie wouldn't have gotten from his parents if he was in Chris's position.
Eddie was forced to manage his mother's emotions while his father was absent. Chris has a dead/absent mother but never has he had to manage Eddie's emotions. When Eddie has a mental breakdown, he calls Buck and is told to focus on his own healing (equine therapy). Time and time again, Eddie has said that his problems are not on Chris to help.
When Chris wakes up crying from a nightmare about the tsunami, Eddie gets him help and never criticizes him. What do you think happened when Eddie would wake up from his own nightmares after being discharged from the army? He was living with his parents, Shanon and baby Chris, there's no way his parents didn't know about it. We have proof in canon that Eddie never received any help and Shannon was at the end of her rope until she abandoned him. All his parents did was fight him for custody and applaud him for almost dying (aka silver star).
POSSIBLE FIX
One way to maybe fix this is by working with the theme of Eddie reclaiming his agency. If he goes to Texas to fight for his son, to have that communication, group therapy even, letting Chris know he is working on making himself better and that Chris needs to confront his issues and how running away and not feeling with grief is how the Kim situation happened in the first place.
Or, I understand that Gavin McHugh might want to take a break and return to the show except a few scenes. We can give him the Denny or May Grant treatment, where they are there but we don't see them anymore, just referenced. Like have a video call saying he wants to come back, show Eddie ecstatic and ready to hug someone at the airport, fade to black, and next time we can have Eddie on cloud nine but also scared of losing Chris again.
TLDR; It's unfair to punish Eddie when every main character's terrible parent has been forgiven and reinforces the idea that he isn't allowed to have joy, forgiveness and identity outside of Chris. Keeping Chris with his parents implies they are a better choice when they're the reason Eddie has these issues. There are better ways to handle the situation while minimizing Gavin's screen time.
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sarahsartistportfolio · 3 months ago
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"Kon's jacket doesn't need the spikes he's flashy enough as is-"
WRONG
wrong wrong wrong put MORE bling on this boy I wanna hear his dumb little accessories jingling from miles away I want him so reflective that other people need to put on shades around him
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snarky-wallflower · 7 months ago
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Ipomoea, Reach For The Sky: The Dakkar and Margaret Essay
(spoilers for Searcher Part Two!)
Hi, hello, I predicted this and I’ve never felt more like a prophet in my life. Allow me many, many moments of screaming over this, please! But, to more serious analysis: Can't you see me? Can't you see me reaching out? Am I not one of your own? We're together, but alone. We would have staring contests like we were children, like we are in this moment, and I would never cease to be the first to blink.
Margaret…she’s talking to Dakkar, isn’t she? 
Staring up at the moon, staring at her brother. It's the closest she can get to seeing him from here. He's her whisper in a daydream, her melody that lingers - he's a face that she recognizes.
These two have been reaching out to each other this whole time, and we never even knew it. Margaret and the Moon, Destiny Strange and Sublime - they're speaking to each other, waiting for each other.
It was never only about the moon she was looking up at. It was never only a mystery he was haunted by. It was about looking up at the same moon, about the mystery that only one of them knew the truth to. 
But I’ve been on my own for so long! Please, I beg of you. How can I search when I don’t know what’s missing?
But she was. That’s what we all can see! Margaret was always searching.
She modelled her room in New York after her brother’s in the Blazing World!  We hear her leitmotif in Dakkar's room, after all. She searched through thousands of scientific books, just like the ones her brother would have loved. She stared up at the moon, and was reminded of him. Even without knowing, she was looking. She was reaching out. Staring at her brother from a distance. She knew, she knew even talking to Samuel, that she had once not been alone in this life. I would even venture that when she took in Rose and Samuel, she looked at them and felt something familiar. She recognized a face, a relationship, siblings who loved each other so deeply, in people she'd just met.
Dakkar was her phantom limb.
But while Margaret was lost because she knew nothing of who she once was? Dakkar was lost because he was alone, and he knew exactly why. Here I am, as promised. I’m ready. 
He’s been waiting. Dakkar was left. He was left alone. Left as the only one with the weight of the memories the two of them shared. He took on the history that Margaret had to forget, left alone with every memory that Margaret has been so hungry to have back. He knows the destiny the two of them shared, the plans they’ve made - and he wants her to know them once more, too! Burdened with knowledge. We know he trusted her to have his back, even when she had no idea who he was, because that’s his sister. He trusts her wholeheartedly, even in the midst of his desperation and rage. What else could he do but that?
These things remind, to make the most of time, now let me find the answer to the test of time. It’s all that I can see, in the faces in my dreams, in the moonlight and its beams.
Dakkar is speaking to her! He’s been trying to find an answer to the test of time, the time he spent alone. Time is so central to him, moving within the moving element! He's been moving in the world without Margaret by his side. He’s been trying to find an answer that will bring his sister back to him! He's so focused on finding that answer. It's all that he can see, the chance to see his sister in more than dream. To see her in person once more. He has his promises to keep, and he will see them through. To know his sister once again, and to have her know him in turn.
We see him calling out to Margaret - I can see you, I can see you reaching out, Margaret, you’re one of our own! He sings out her theme, one we’ve known since The Great Moon Hoax, something that’s hers. Hoping she’ll recognize him enough to reach back.
But, not yet.
The scene moves on, but...
Something tells me Margaret’s got my back on this! 
Dakkar is tired, and he has been filled with so much rage. Because he is first in line, first to know exactly what he needs to do to have her back. He’s getting his hope back, no matter what it takes. 
The test of time rarely comes at the best of times! 
The first time we hear them harmonize, and it’s them agreeing that this needs to happen. Dakkar will do anything just to have her back. He’ll risk his own life to have her look at him with that love, that recognition again. That recognition he’s missed for years and years. Margaret has lived in only his memory for so long. Here she is in front of him again. How is he supposed to wait any longer? He needs to bring her home.
Margaret is so determined to find her answers, and to know the weight of the history she’s been missing. A part of her is searching, reaching out. Her voice is unshakably confident - and I have to wonder if a part of that is because she knows Dakkar is by her side again. 
The two of them are in perfect harmony once more, as they do whatever it takes to get Margaret’s memory back. They’ll share their plans once more, come out of the shadows together. Even before Margaret fully remembers, that connection is there.
And then, Sia strikes.
Dakkar's plan works.
Margaret, after so long, remembers. Remembers everything. Remembers exactly who she is standing next to. 
You know where to find me.
The theme of Margaret’s we’ve heard since The Great Moon Hoax. Margaret has been adrift in the world, a child throwing stones in the firmament. Dakkar has been waiting, as promised, with his destiny strange and sublime. Their destiny.
And how does it end?
Sister. You found me.
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invixtus · 1 day ago
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currently trying to manifest a recording of the ghost quartet cemetery reunion...please dave pleaseee
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two-entire-bits · 2 months ago
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guys did you know. I love my best friend. sosososoosososososoososososososososososososososoososossoososososososososososososososososososososo much.
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