#op stay winning

[legitimateluffy]

I clowned myself

[soranatus]

OPLA Season 2 casting calls!

The link:

[lowqualityonepiece]

sniper king wouldn't have missed.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[kacievvbbbb]

I think it’s interesting characters like Big Mom and slightly even gear five luffy or even Homelander or just generally any superhero from the boys. Who are insanely powerful but find fights difficult or hard against weaker opponents because they lack battle I.q and are easily distractable.

Very might doesn’t always make right.

[pumpkinrootbeer]

no bc the lavabending nerf in the comic was CRAAZY like actually insane. In the series the lava disc was this like, clever way for Bolin to keep such a devastating power under control in a closed off environment.

In the comics it's all he uses?? EVEN WHEN HES BEING MIND CONTROLLED TO BE EVIL??? like.

why would that be all he goes for and not say.

This.

I hate it this is something I am always going to bitch about they're sooooo afraid of having to address the implications of what giving Bolin a power no one else possesses does. also ur telling me after being brainwashed to be EVIL and trying to KILL AND MURDER his friends he's going to hold back??? JAIL! JAIL FOR 1000 YEARS

[demonio-fleurs]

i wish i was able to enjoy robins new look for what it represents (her journey of healing from two decades of trauma and a call back to who she was a child before the buster call) instead of being tired of people acting as if she’s been “gone” just because they didn’t like her design (which was also part of her journey of healing her trauma) because it didn’t match what they thought she be

[chromotps]

Emmyyy that winged Ace art😭 it made me think of an icarus/apollo au, cause there’s a reimagining of the myth with icarus and apollo as lovers and icarus built wings to reach apollo, and i’m just imagining a sorta tragic au where luffy becomes nika, losing his humanity and becoming the sun, and Ace builds wings to fly up to him😭 anyways, i upset myself and wanted to share haha

Merry.... how could you do this to me, personally,,,, (lmao)

whatever you do don't imagine luffy watching what's happening, knowing that there's no way he can help as he is now, anymore... he sees ace falling into the water, right in the middle of a reflection of the sun--and ace says "it's okay, luffy" because, at least like this, he can "touch" luffy one last time as he breaks the surface

gosh i'm having to restrain every instinct in my body to let the AU stay tragic... you have to understand i have Trained myself to make things fluffy. this is me working against years of stubborn fix-it headcanons and happy, everyone-lives AUs 😂 but I'll do it for the symbolism... the poetry...

[princess-of-purple-prose]

[ID copied from alt:

Black and white drawing of a scene from chapter 494 of Omniscient reader's viewpoint. It depicts Secretive Plotter right after striking down Poseidon. The are standing in the dark water reaching up to Plotter's thighs. Plotter is wearing a black coat and a black veil full of stars, his face entirely hidden from the viewer due to the angle. He is looking longingly into the distance, where, behind a black castle, is an endless wall of text spreading out.

Black and white drawing of a scene from chapter 495 of Omniscient reader's viewpoint. It depicts Han Sooyoung, Kim Dokja and Yoo Joonghyuk, with their backs to the viewer, watching the Great Dokkaebis disappearing, sucked into a crack in the sky. From that crack a hand is descending, as if someone on the other side is reaching for something they dropped - something resembling a sketch with a star in the center, leaving a trail of pages behind it.

Black and white drawing of a scene from chapter 497 of Omniscient reader's viewpoint. It depicts Anna croft seeing through Kim Dokja and Han Sooyoung's pebble disguise. She is holding her hand up with two small stones floating above her palm. She looks serious, determined, her Great Demon's Eye floating where her left eye would be, hidden under hair with only scars peeking through. Behind her is a vast starless sky, all the stars laying on the ground, bleeding, pierced through by various weapons.

Black and white drawing of a scene from chapter 498 of Omniscient reader's viewpoint. It depicts Yoo Joonghyuk and Kim Dokja running across the rainbow bridge that is changed under the stage transformation in front of them, appearing as a generic, if half destroyed, earth road. Yoo Joonghyuk is running at full speed with an incredibly smug expression, one hand holding shocked and surprised Kim Dokja by the lapels of his coat: he is about to throw him like he did back in the beginning. Behind them a shining object - a spear - flying at them.

Black and white drawing of a scene from chapter 501 of Omniscient reader's viewpoint. It depicts Jung Heewon praying to Uriel to save Kim Dokja. Jung Heewon is at the lower part of the art, looking up, her hands folded in prayer. Above her, framing the whole art with her wings, is Uriel's white silhouette. Between them, pierced by Jung Heewon's halo, is Kim Dokja. He is standing atop of a destroyed stone throne overgrown with a tree curling behind him. Several fruits are growing on the tree, and around it destroyed shelves and discarded weapons and objects of previous scenarios are scattered. In front of all that there are many dead black stars laying. End ID]

[ganzfeldsyndrome]

thinking about how the character im so so attached to literally cannot win. he is too evil for him to win and not ruin the theme. he has to die forever or i rewrite the whole thing.

[throwaway-settings]

having a moment tonight about the cyclical nature of time and identity………

[stupidstupidratcreatures]

just found out about lost box

[pigeontakeover]

Get you a girl who will lend you a knife so you can decapitate a roadkill deer, help you drive 10 hours home with it, and then dig a hole for you at 1 am so you can bury the head to decompose cause you want the bones

[osaemu]

GOJO SATORU: ❛❛ BEGINNER'S LUCK ❜❜

.ೃ࿐ streamer!au: you beat him at his own game on livestream, and it's your first time playing

contents: fem!reader. gojo gets slandered by everyone </3 but he slanders toji. again. vague descriptions of what game you guys are playing, imagine whichever game u want.

author's note: thinkin' about making streamer!gojo a series, stay tuned ...

"so you're gonna want to click that when someone attacks you," satoru informs you, hand on your shoulder. his chin rests on the top of your head as he watches you learn the in's and out's of some game he's well-known for streaming. "no, not that one, silly. the other one."

you groan and make a face at the screen in exasperation. "why do all the buttons look the same?" you grumble, drumming your fingers on the table next to his luminescent keyboard. "you better go easy on me when we go live."

satoru laughs and kisses the top of your head before strolling over to his own plush seat next to you. "don't worry, sweetheart. i will, i promise."

a couple minutes later, satoru starts chatting with his thousands of viewers as you puzzle over how to join his co-op lobby. 

toji-fushiguro: is your gf gonna join? ;)

you hear satoru scoff and see him lean closer to the monitor, squinting at the message that mentions you. "i remember you," satoru huffs, white hair falling into his eyes. "you better stop bringing her up or i'll block you, fishface."

a small laugh bubbles out of your lips as satoru continues addressing the flood of comments asking about you. in his last stream, he had mentioned thinking about teaching you to play the game he got famous for, and his viewers reacted more than enthusiastically. "wow, you guys really want to see me win against my own girlfriend?" satoru tsks, wagging his finger at the screen. "nah, i promised i'd go easy on her. i like her more than you faceless strangers on the internet. i'm looking at you, toji."

"satoru?" you whisper, scrunching up your nose when he immediately turns to you, all thoughts of publicly humiliating toji set aside. "how do i... join a co-op session?"

your boyfriend grins and leans over, clicking a couple buttons in too fast of a sequence for you to follow, and soon enough, your avatar stands next to satoru's. "there!"

"thanks," you huff, watching him slide back into his chair and banter with a couple more comments. and moments later, the game starts. satoru starts out with a play-by-play of his actions, making it really easy for you to piece together the strategy and techniques of the game. to your surprise, you don't die that easily — in fact, you eliminate five other players before retreating to the top of a tree to hide.

a couple kills later, you and satoru are some of the last people on the map. satoru makes quick work of the leftovers before stretching his arms and grinning smugly. "looks like i trained you well, darling," he calls, briefly turning to you and blowing a kiss. "now, where are you? come out and let me catch you, baby."

you hum in response, not bothering to come down from your tree. thankfully, the leaves are thick enough to obscure your avatar from satoru's view, and he walks right past you without even bothering to check. you grin and lean in closer to the computer, aiming at his blissfully unaware avatar and—

"what the fuck?" satoru yelps when his avatar crumbles to the ground. a message noting his death appears on his screen, and he turns to you immediately, betrayal evident on his shocked expression. "you shot me in the back!" he whines, getting up and looking at your screen in disbelief. "how could you?!"

you stick your tongue out at him smugly. "i win!" you cheer, and satoru splutters in disbelief, stumbling over his words as he watches you reap the rewards of your win. "i can't believe you lost to a beginner," you muse, rubbing in your victory. "maybe i should take over your stream," you continue, fluttering your eyelashes at satoru as he gapes at your screen.

"it's only 'cause i went easy on you!" satoru huffs, walking back to his chair and requesting a rematch. "this time, i won't be so nice."

the next game, satoru doesn't say anything, ocean-blue eyes focused on his own screen. from the stream opened in the corner of your monitor, you see his comments blow up.

suguru-geto: wow you're really off your game today

inumaki: he just sucks wdym

toji-fushiguro: deserved 💯

you think about hiding in a tree again, but decide against it. satoru would probably expect you to repeat that strategy, and for all you know, he might have an item that could help him sneak up on you. so you run off to an area that's relatively flat and keep an eye out for other users. you eliminate two before you catch a glimpse of satoru in a tree, but just a second later, he vanishes. 

from the corner of your eye, you see satoru mouth "got you" to his screen, and just in time, you dodge an attack you wouldn't have seen otherwise. somehow, your finger slips, and you shoot without aim. and somehow, your aim was on-point — satoru's avatar falls to its knees once more, and satoru groans in defeat.

"why are you good at this?" satoru grumbles, jumping off his seat and strolling over to wear you sit with a cocky smile on your lips. he all but abandons his stream as he walks over and pokes you childishly. satoru watches you eliminate the last two users, and he scoffs at the emblem of victory that lights up your screen. he kisses you begrudgingly and mutters something about losing a bet, to which you kiss his nose affectionately.

"but really," satoru whines, plopping back down in his chair and swiveling it to face you. "how are you so good?! and shut up suguru," he snipes, leering at the chat. "i'm doing fine, she's just insane! and you too, inumaki. there's a reason all your fans are regulars on my stream! because you suck!" at that, you snicker, spinning around in your own chair and half-watching the chat blow up with more of his viewers' thoughts. 

inumaki: SHUT UP U JUST LOST TO A FIRST TIMER

megumi-fushiguro: real 

"oh, shut it, other-fushiguro," satoru scoffs, narrowing his eyes at the chatbox. "at least my hair doesn't look like how little kids draw grass."

you cover your mouth with your hand to stifle the laugh threatening to slip out, but when satoru turns and pouts at you, you can't help it. he's so petty and stubborn, but his eyes soften when he sees how big your smile is. and, not to your surprise, he matches your grin with one of his own. satoru draws a heart in the air with both his index fingers and scrunches up his nose at you, and your heart melts.

"you're so stupid," you mumble, watching him kick his feet like an antsy five year-old. satoru opens his arms in response, and no more than two seconds pass before you're nestled in his lap. he's wearing a light blue hoodie and white sweats, and nothing could make you more comfortable than that in the world. you turn your head and make eye contact with satoru's camera, and smile at the flood of comments on how cute you two look together.

yuuji-itadori: awww its kinda cute

suguru-geto: sooo down bad tbh

toji-fushiguro: you gotta be f*cking kidding me

satoru kisses the side of your face while glaring at the screen, and eventually he presses his lips to your ear and whispers, "wanna end the stream? there's too many people watching and i wanna keep you all to myself."

"hehe, let's do it!"

[olive-recs]

screaming, crying, throwing up!!!!!!!!!!!! this fic was everything to me, op!!!!!!!!!!!!

if ever there was a chapter more catered to my specific love language it was this one. asdghjklkaghjkjhg you start out with them cooking together???????? reader is just there while hao quietly shows them how to cook the soup??????????? how did you know that is precisely what makes me all soft and yearning in this hallowed Chilis 😔✌.

and then you don't stop there!!!!!! them painting together!!! the hands!!!! them dying their blindfolds the same color!!!! stooooooooop it's a little too much for this antiromantic to handle.

it's just!!!!!! so gentle! so easy! so comfortable! so soft and seeping in slowly with no need for acknowledgement for the longest time <3. this part is by far my favorite of all the individual fics thus far, it just gets me.

under the sun [the8]

pairing: non-idol!the8 x gn!reader

prompt: darl+ing inspired fic.

word count: 10.5k~

warnings: food mentions. skinship. minghao + reader have a disagreement. someone gets injured (sprained ankle). also someone gets killed in a game of mafia but it’s fun. talks of (unfounded, but it’s acknowledged as such) fears regarding another person getting hurt and/or abandonment. someone disappears for a few days.

daisy’s notes: hey i have an eye appointment in less than 12 hours and i still need to shower before i go to sleep. here’s hao fic.

summary: It all starts when you wake up in a field without a name or any memories to define yourself with. Thirteen men take you in as one of their own, and slowly you begin to wonder what is going on within this world… and between you and one of them.

< day 3 || masterlist  ||    

Out of pretty much everyone there, Minghao was positive he was the only person who wasn’t entirely warm to you yet. If he had to pick another, he’d say Jihoon–more from a lack of knowing pretty much anything about you. In his opinion, you were fine. You worked hard and Minghao deeply appreciated that. Sometimes you could be a little more quiet, too, but you’d come more into your own over the past week. He attributed part of that to Chan keeping you close by every time you weren’t doing chores and learning the ropes: Chan was younger than all of them, sure, and the newest member before you. He had yet to fully settle into this way of life like he had (but Minghao couldn’t blame him: he was uncomfortable and likely would have grown more attached to the next newest person had Seungkwan not shown up half a year later), and Minghao knew making the adjustment to living with thirteen other people must be hard. It was better that you were being more social than he had been, since he only imagined that helped the process along.

You approached him a little after you’d been there for a week while he was making soup for dinner. Seokmin was meant to be working on another part (a salad, Minghao thought, but Seokmin had gone off to see what they had available that went with the soup he was making), but maybe you’d been waiting for Seokmin to step away. Minghao was waiting for the vegetable stock he made beforehand to boil, all the vegetables he needed were already sliced and ready.

Keep reading

[aminta]

BADHAAI DO IS ON NETFLIX LFGGGGGG