#ooc: not by himself

[jonahmagnus-research]

jonah LOTS of adults go to and love build a bear. you should go to build a bear. go live your best life

It... all seems a little much, though. Overwhelming, I suppose. Modern shops can be a little too taxing at the best of times, even when nobody is paying attention to me. And it's not as though I could take Jonathan with me—I'm quite certain he'd only find such an experience worse than I do.

[spookberry]

this came to me in a vision

[spaceistheplaceart]

more ford and mabel bonding because i said so :)

bonus ford under the cut:

[crumb-crumblet-s-crumbington]

"You and me, Ethan. Together we go save Rose, and then we can grind Miranda into paste!"

[msmimundo]

In which Angel Dust gets big on politics

EDIT: Part 2

[qweenofurheart]

timmy with dami and kon !

[krissis-averted]

not alone read left to right contextless thang i just wanted to draw it... smth smth twis big bro mentality

[yaksha-lover]

You were made in the image of the angel.

That’s what Rollo believes when he spots you, a speckle of light, amongst your tainted peers. You’re truly captivating to him; one so untouched by all the disgusting, dark miasma that swarms you, swirling it’s depraved fingers through your hair.

Despite magic’s presence in your life, it’s never taken root inside of you. For that, you are beautiful; the antithesis to the wicked fae that he so loathed.

He should have known Malleus would try to corrupt you. The dragon was alluring: dark tresses spilling around his broad shoulders, his piercing green eyes, and those magnificent horns upon his head. As gorgeous and charismatic as the fallen angel himself; that was what made him so dangerous.

It’s not your fault you gave into Malleus’ temptation. Rollo knows even he could have strayed from his righteous path had he been less disciplined than he was.

Still, he can’t end the burning rage when he sees the way you’ve been seduced by that man, the mark he’s begun to leave upon you.

He calms himself for a moment.

He’ll have to deal with it. For every drop of himself that Malleus has put into you, Rollo will have to cleanse you by doing the same.

Every kiss, every nip at your neck, every skirting of hands across your thighs will need to be replaced with a touch of his own, that of a pious man.

He’s sure you’ll understand - it’s only the price to pay for salvation.

[factual-fantasy]

XD I found another meme base!

Now this is out of character for Octo.. but I just imagined this is Louis, Octo and Seafoam talking about all the health problems they have and/or their terrible diets. And Spidercrab, (being the ships medic) is just freaking out XDD

"Captain-- you've never had BROCCOLI BEFORE?? Louis you have CHRONIC BACK PAIN?? WAIT- OCTO WHY DIDN'T YOU TELL ME ABOUT YOUR FAINTING/DIZZY SPELLS??" XDD

(Base below the cut! :} )

[trashogram]

Alastor to Reader: “I love you. It’s ruining my life.”

[ruporas]

post ep 11

[tuberculosis-burger]

😴

[carlyraejepsans]

Do you think Sans have tears. On that topic, what would make him cry?

i think he can, after all payrus seems to be able to cry just fine (post asriel battle when he thought frisk was dead), sans just. doesn't. ever, lol. i think he's much more likely to shut down and go aloof—if not completely unresponsive—than to outwardly show his emotions in situations of extreme stress.

however! i also like to think that his dialogue dropping his font and shaking during the lost SOULs battle meant that he was crying. it's not just a matter of that segment making the characters confront their deepest regrets/problems/faults, it's the fact that they're all very clearly not lucid as it happens. one of sans' distinctive character attributes is the iron grip he has over himself. it's what makes him desperately slamming you against the walls of the battle box at the end of his fight hit so hard. sans doesn't lose it. that's just not what he does. and you have to push him to the edge of his powers, to the edge of his energy resources, at the brink of exhaustion, with his back pressed against the wall and universal annihilation as an alternative, before his grip actually falters.

so. uh. other than that and having his consciousness overtaken by the power of a literal god?

a really bad high probably. wouldn't count on it tho

[54prowl]

arranged marriage to a reformed womanizer husband on your wedding night. and he scares you at how adept he is with his fingers in unbuttoning your dress. each clasp released is a relief from a long day of celebrations. reformed womanizer husband who suddenly feels ashamed about it all when you freeze under his touch, face flushed and breathing ragged, but he promises it'll feel good. he promises this with wine in his breath and a worry on his brow. it'll be special because it's you. he promises this because you're the only girl he cares for. the prettiest in the world. and he means it this time.

[grimalkinmessor]

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

[third-king-of-salmonids]

THOUGHTS AND PRAYERS FOR OUR NEWLY TWO DIMENSIONAL COLLEAGUE SMALLFRY #47903 AND A REMINDER TO ALL EMPLOYEES THAT OUR HEALTH INSURANCE POLICY SPECIFICALLY EXCLUDES COHOZUNA RELATED ACCIDENTS FROM COVERAGE