#only some of these are based on her actual dolls while most of them are just random
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evilmagician430 · 8 months ago
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clawdeen wolf kidpix doodles. the butch dog girl of all time
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dunmeshistash · 5 months ago
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Why did Milsiril adopt Kabru
Milsiril might be one of the most misunderstood characters in dungeon meshi and I see people making assumptions of why she adopted Kabru based only on their races and not in the characterization, so I wanted to think about some of the "theories" I see the most often about what made her take him in and why I don't agree with them
(read more cause as usual I ranted a lot)
1 - Attention (white elf savior)
This is the one I have the hardest time understanding so I'm starting with it, I've seen people compare Milsiril to irl white wealthy women that adopt "exotic" kids to keep an altruistic appearance. Like a white mother adopting a chinese child because of white savior complex and for everyone to compliment them on how good they are but this idea ignores a core aspect of Milsiril: she doesn't like attention of her peers
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Her bio reads: "The people around her teased her, calling her Gloomy Milsiril; partly as a result, she hates elves. (...) She secluded herself deep in the mountains and intentionally lives apart from other elves"
Milsiril is the type of person that has trauma related to her own kin, she was ostracized by everyone including her own family that sent her to the canaries, and as a result she herself refuses to engage with them even when they extend a hand as you can see with past Mithrun. The only other elf she's seen speaking to is Mithrun when he's sick and Helki. Her interest in raising short lived kids isn't seen as altruistic by other elves it's seen as another weird side of her so there's no incentive in elf society for her to do that. So she didn't adopt Kabru because of optics, she clearly doesn't care what other elves think of her and she hid herself from their judging eyes as soon as she was able to.
2 - She wants to feel superior to someone
Another one I find baffling but I can understand a little better since she's constantly seen in the caretaker role. But the evidence I see for this is literally the type of people she surrounds herself with.
The people we know she interacts with willingly are:
Her adopted short lived children
One of her prisoner partners (Helki)
Mithrun when he's in recovery
Based on these I can see how a very uncharitable view can interpret as "she surrounds herself with people that she's superior to" and it is somewhat true. But she's never shown mistreating or actually acting superior to any of them, if anything Helki is constantly hanging out around her (he was pardoned after Utaya and might be her servant now but their interactions seem very casual), Kabru says she teaches her children everything they want to know and she eventually let him go even if before she was hesitant to (as a overprotective parent) and Mithrun was still a noble with several servants when she cared for him so even if he was sick socially he was still the same. (considering both are noble outcasts)
The evidence both for and against the idea that she adopts children to surround herself with people "inferior" to her are all circumstantial so I guess it depends on how you want to see it. I myself think there's no evidence she thinks of them as inferior considering all we see she seems to treat them either as her babies (would you word your feelings for a baby as them being inferior to you?) or as someone she wants to nurture
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3 - She wants to be in control of someone (Kabru is her doll)
Related to the above reason but slightly different, in this interpretation I see people assume she doesn't see Kabru as his own person but as one of her dolls to be controlled. As if she raises her children so she can play house and dress up with human dolls.
Honestly that's pretty cool and an amazing visual for an evil mom but there's zero evidence that that's the case. Starting with her actual dolls themselves they aren't dress up dolls or something she puppeteers in an evil way, they're literally her comfort toys she runs to when she's sad
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She's making them by hand while crying cause she feels like she doesn't belong, her bio says the dolls are her only friends so it makes me a little sad when people act like her doll hobby is somehow a creepy aspect that makes her seem evil, since that's exactly how the elves think of her (creepy and gloomy)
Milsiril is clearly someone that enjoys taking care of others we see it both with her children and with Mithrun, but how to know if that's actual altruism or some twisted sense of superiority? How to know if she isn't the toxic nurse that just wants to be in power of someone? How to know she is actually helping the people she cares for?
Easy, she helped them until they didn't need her anymore.
She trained Kabru and taught him everything he knows, he's where he is because he had her help even if at first she wanted to prove he wasn't strong enough to go, he was. She sees Kabru as a small child because of their race differences but she still respected him enough to take the training seriously.
Mithrun actually recovered once she could take the time to help him, I keep reminding it but it was years after he was rescued that she went to help with his recovery (his bio says Utaya was what motivated him to finally come back and she was the one that went to tell him about Utaya and help out) right now Mithrun is able to follow a routine and live by himself, Milsiril isn't even someone he talks about as he is now.
Both people we know she cared for are completely independent of her now and neither of them even thinks about her much. A controlling person that wants to keep you within their grasp and keep you needing them would never actually help you be independent of them.
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4 - Then why did she adopt Kabru?
I think it's an easy answer the way I see it: shared trauma.
What Kabru went thru is 100 times worse than what Milsiril went thru during Utaya, especially since he was just a small child back then and he lost everything, But Milsiril is still a war veteran, the things Kabru describes, people turning into monsters eating the others, all the death and destruction, Milsiril was there to witness it all and she failed to save them. her bio reads "After the incident in Utaya, she left the Canaries in disgust. She secluded herself deep in the mountains and intentionally lives apart from other elves" she was so traumatized by the events she both left "in disgust" and became a hikikomori. Earlier in her bio it also says "(...) The people around her teased her (...) partly as a result, she hates elves" I sure wonder what's the other part that makes her hate elves. (Probably is the way they dealt with Utaya)
I think she adopted Kabru because she wanted to give a good life to the only survival of the war she fought, the other destiny Kabru could have has would be the same Rin had, a traumatizing stay with the elves, Milsiril saved him from that fate when she adopted him. He wasn't a random brown kid she picked up, they share a traumatizing experience (once again: even if it was 100 times worse for Kabru).
The reason she adopted the other kids is also pretty obvious to me: she likes caring for people and she wants to feel loved. That's her ulterior motive to raise short lived children, she has elf trauma and she wants a family.
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That doesn't make her a perfect mom or a perfect person tho*, she's just as flawed as anyone, I feel like people sometimes forget mothers are also human beings with flaws. Being flawed doesn't make her a monster, being loving doesn't make her an angel, she's just a person doing her best.
*She still has the ingrained elf socialization and clearly thinks of her children as babies, she treats teen Kabru almost like a toddler in some interactions. There's also the thing about her not fully understanding the importance of his cultural background. Struggles that I assume are common in interracial adoptions
Disclaimer cause this is the reading comprehension website: This is my interpretation of the character, some of it is very charitable towards Milsiril and I'm not talking about how Kabru might feel about her. I'm trying to think of their relationship thru her perspective and how she treated him because some interpretations seem to come out of nowhere to me. Kabru has complex feelings about elves and about his elf mom but overall I still think "overprotective foster mom" really summarizes his feelings. I don't think he resents her even with her flaws.
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crumb-crumblet-s-crumbington · 11 months ago
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the woobification of the lords is something ill never be able to wrap my head around 😭 its insane to me how people can have such a horrible interpretation of events and characters based off of what we have in the actual game
let me start off by saying that ALL FOUR LORDS DID HORRIBLE THINGS (INCLUDING THE DIMITRESCU DAUGHTERS) !
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lady dimitrescu isnt some gentle giant who only hates men and loves women and treats them like queens and she just loves living a quiet life with her daughters, she kills and tortures people 😭😭 she like actively killed her maids and drank their blood 😭 they have a basement that has so much blood in it that it goes up to ethans THIGHS
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they are muderous and SADISTIC, including the daughters
the woobfication of the dimitrescu daughters is always the most confusing to me. their faces are literally covered in BLOOD 😭😭 they chase ethan around and stab him will laughing and giggling, cassandra literally calls it a HUNT, it is fun to them and they enjoy it
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people always try to frame it as ethan breaking into their homes while they are scared and afraid 😭 i can assure you that nobody is afraid of him at first 😭 they dont think hes an actual threat, thats why they toy with him. and dont act like they were unaware of what he wanted. they were all present at the family meeting with miranda, they were all present when they JARRED rosemary 😭 they know what ethan wants, they know who ethan is, to frame them as "minding their own business" is the most absurd interpreation you could make of them
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they were all involved, they all knew what he wanted, and they all HAD what he wanted
you can feel sympathy for lady D, when she cries for her daughters with tears in her eyes, she loved them, they were her family, but you cannot deny the hypocrisy. "how can you kill my daughters for your own!" you have his daughters head in a pickle jar! her daughters werent innocent defenless babies who were scared of big ol ethan stomping around in their house, they have weapons! they wanted to hurt him, and they did, and when he fought back he won
i cannot stress enough that in every single fight, ethan is not the first to strike. he is either backed into a corner where its either his life or theirs, or he is literally being tortured/ chased around, what do you want him to do? these people have pieces of his baby, should he have lied down and died?? 😭
whenever ethan is in a situation where the other person isnt stabbing him in the abdomen 100 times he tries to HELP them 😭 he tries to help absoulute strangers of a village he doesnt even know while he knows his own daughter is missing, even when the stranger is also a jerk to him 😭 he wants allies, he isnt actively trying to make enemys, and before you cry "karl heisenberg!" im getting there...
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the thing that bothers me with how people treat donna is that although she isnt the WORST she gets woobfied the MOST imo, like she is the ONLY lord (other than karl but hes a outlier because he wanted ethan to come over so they could make out on his bed) who actively lures ethan in, miss dimitrescus, yeah sure u could say that he trespassed, same with moreau, but donna literally LURES HIM IN with hallucinations of his DEAD WIFE, then OPENS THE DOOR for him and TAKES HIM DOWN THE ELEVATOR
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she is literally one of the people who ACTIVELY leads him to where she is
she also uses psychological puzzles , like making ethan perform surgery on a wooden doll of his wife and making him run away from a monster that cries like a baby and calls him "dada" 😭 she did not need to do any of that... like at all 😭 she did it because she wanted to 😭 she is by no means innocent at all
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she toyed with him for literally no reason other than her own desire and then ethan doesnt even intentionally kill her. he is in a situation where is his trapped in the house and has to find angie, the doll, to avoid being attacked by dolls with like 100 knives stapled onto them
its only when he defeats angie its revealed that he had actually stabbed DONNA. he didnt even intentionally kill her 😭
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then moreau... poor moreau... 😭
moreau in my opinion is one of the more sympathetic lords. whoever he was in his life pre cadou has no influence or impact on his life post cadou, the cadou just wrecked his brain functions
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all he is is just mirandas minion at this point, he only wants to please her and doesnt really think about anything else for himself 😭
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i dont have much to say about moreau because theres not really many people who woobfiy him or pay him any attention really 😭 though i will say he was very unabashedly evil 😭 he did horrible things, such as eating the fishermen and his experiments with the cadou on the villagers, he did it for mirandas approval but its not a excuse for it, hes still a villian 😭 now we are onto karl.... this guy... the woobification of him is insane 😭 first of all, something i dont see people acknowledge is that he actually HAS killed villagers! no he doesnt just use dead bodies (which btw isnt really a step up 😭 some of u set the bar too low man) the lycan gauntlet that he made ethan run through? yeah, he used that before! he has an entire PA system set up in it! he has lights and huge spikey metal death traps! he did not make all of that just for ethan just to "play appearances" for miranda. there were other people who went through that. and they DIED!
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their deceased bodies are still in there! karl is messed up and eccentric 😭 it makes him fun, let him be messed up and evil 😭 and yes, karl used DEAD bodies instead of killing people who were alive, so surely that makes him far less evil right?
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WRONG! 😭
HE CONSIDERED USING LIVE BODIES FOR THE SOLDATS 😭
karl really isnt a good person, he has reasons for the things he does, he wants to take down miranda and i dont think hed be creating undead zombies in the first place if it werent for her ruining his life but that isnt justification, its just an explanation for why he does what he does. he has a sympathetic back story and motives but you cant erase what he did, hes a villain! he tries to use a baby as a weapon!!! all 4 of the lords are villains, and instead of making other characters worse to uplift your favorite character that did something bad, you can just accept that the character you like did bad things 😭 they are all fictional, if i like moreau it does not mean i endorse eating fishermen 😭 you can like a character that is flawed, or evil, or did insanely messed up things because its RESIDENT EVIL. they are EVIL! they do bad things! like im sorry! but if your fave has a villains wiki it probably means they did some bad things! 😭
i wish people would be able to enjoy a character without entirely dismissing the bad things they did. its okay to like a character that does bad things, its ok to find them interesting and fun! but you cant deny what actually happens in games to try and make them appear as innocent. you dont have to justify every little thing that they do, just accept them as a whole!
of course this doesnt apply to AUs or just posting for fun. you can change media to be what you want to make it more fun. im going to draw lady dimitrescu treating ethan like a unwanted family pet. does that mean that i think she would really do that in canon? no! she would bite him and then tie him up like a pinata and give her daughters blindfolds and bats!
but people need to be able to recognize that fanon is NOT canon.
this post is about canon interpretations,
this is just addressing people who genuinely believe that those kinds of portrayals of the character is an ACCURATE portrayal, because its not.
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adhdtsukasa · 5 months ago
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tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.
please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.
also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.
anyways, with this a little bit unprofessional and messy introduction, let's get it started!
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1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR
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i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!
in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.
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these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.
FORGETFULNESS
i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.
EXCESSIVE TALKING/PHYSICAL MOVEMENT
while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.
in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.
oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)
he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.
LITTLE OR NO SENSE OF DANGER
this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.
does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.
update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.
DIFFICULTY KEEPING QUIET
while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)
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tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.
and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.
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(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)
if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.
IRRITABILITY/QUICK TEMPER
again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.
it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.
another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.
INABILITY TO DEAL WITH STRESS
if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.
other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.
so, yeah. take this one with a grain of salt, actually.
from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.
however, there is obviously one more thing...
HYPERFIXATION/SPECIAL INTEREST
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obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.
is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.
i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.
2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL
those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).
of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.
won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)
THE WORLD HASN'T EVEN STARTED YET
besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).
other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.
TONDEMO-WONDERZ
since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.
from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.
88 SHOOTING STARS
another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.
aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.
you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.
tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.
MR SHOWTIME
mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff
there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.
also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.
from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.
i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.
oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.
to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.
i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.
3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS
listen, i know how it sounds.
i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.
for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...
he gets a little bit too carried away with his acting during the actual performance.
and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.
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(tl, once again, by the awesome tsukasa's #3 fan)
and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.
nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.
tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?
if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?
and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.
however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.
aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!
is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.
feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao
...i hate ending analyses.
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tiredandoptimistic · 30 days ago
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No but listen. Abed sees Britta as "Britta Bot" while everyone else describes him as cold and robotic. People assume that his problem is being distant and lacking empathy, but that's Britta! We see it every time that Abed has a breakdown, she stops treating him as an individual and instead defaults to what she thinks is the appropriate response. It's all therapy talk with no understanding of who Abed is as a person or what would actually help him, because as soon as he starts displaying symptoms he stops being her friend and becomes a person she must help by picking the correct responses out of her psych textbook.
I am not saying this out of hate for Britta! I love Britta! I just think it's really interesting that one of the things she struggles with most throughout the series is her inability to be empathetic, and no one sees it but Abed. Her focus on political correctness and activism seems emotional, but it's more often about her wanting to do The Right Thing (which she sees as a monolith) than her actually feeling invested in helping individual people.
What's especially interesting is that Abed characterizes her weakness as "no faith in herself or friends," which implies that one reason she's so focused on doing the correct thing is that she doesn't trust her genuine responses to help anybody. She's afraid of making things worse, so she goes with what she's been told she should do in high stakes situations (like her friend hallucinating stop motion dolls or lava floors). In season one especially she always baby-talks to Abed, because her brother works with autistic kids so that's how she thinks you talk to autistic people. She's trying so hard to be accommodating, but it's from a perspective of "I know The Correct Way To Talk To Autistic People" rather than "let me learn how to best connect with this person." It could be called robotic, following her memorized paths for interactions even when they're clearly hurting people she cares about.
Then there's Abed, who does have some troubles with empathy which often show up when he manipulates people around him in order to achieve his goals, (ex: "Introduction to Film," "Contemporary American Poultry," "Anthropology 101"), and is always seen as cold and distant, safely removed from thr situation. He leans into that intentionally, acting as though he's "not in this scene" or giving logical trope-based reasons to avoid facing his fears (like when Troy wants to move in with him and Abed calls it "jumping the shark"), but deep down he's incredibly emotional. He's the one who willingly risks his life in "Epidemiology," he and Troy give up their bedroom for Annie, he lets his friends matchmake for him because he knows it's important to them.
Even when he is being all supposedly logical, it's often because he doesn't want to acknowledge his own feelings and feels safer acting as though sitcom tropes are the only thing making him act that way. In the argument about living together, Troy was right that they could just not put a line of tape down their floor, Abed knows that real life is different from TV and doesn't always escalate to the most dramatic possible conflict, but he doesn't want to say that he's afraid of Troy getting sick of him so it's easier to use shark jumping as an excuse.
They're such interesting foils; Britta who flaunts how much she cares to conceal how insecure she is about not caring, and Abed who puts up his lack of investment as a shield to protect him from how deep his emotions run. I don't think it's accurate to describe either of them as robots, but that metaphor really does ping off both of their insecurities about not performing humanity correctly. They both just want to do the right thing and help people, even if they get it wrong sometimes.
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therantingsage · 8 months ago
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This is riddled with spoilers so it's under the cut, but here's my theory:
Doll was never in as much danger as she thought she was.
Doll is down in the labs because she wants to cure herself of the Solver. But I don't think she actually even needed to. I think her solver wasn't a threat to her at all (or at least in the way she thinks it is).
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The only two Solver users alive to use for reference here are Nori and Yeva, but if you see that list it says that Yeva had a version of the Patch installed. Reasonably speaking, we can assume that she was patched before the core collapse, because if this happened after, why would Nori still be down there looking for it? They would've known where it is cuz Yeva used it.
But:
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Yeva still uses her Solver right before the collapse. I think most people are under the assumption that the Patch completely removes the Solver from the host drone, but this doesn't seem to be the case based on this? While I think it's possible the Patch that gets thrown around by Nori in the flashback is a more recent version than the one Yeva has installed, I'd like to propose an alternative idea.
What if the Patch doesn't remove the abilities associated with the Solver at all? What if it just removes the ability for it to possess you?
You'd likely still overheat and need oil to soothe it, as we see with Doll, but Doll never gets possessed by this need on screen like Uzi does. Uzi's murders are all done under direct influence of the Solver, while Doll is very much in control of herself every single time she kills someone.
Yeva passed down a patched version of the Solver to her daughter, but Nori didn't.
But I don't think Doll knows this. I think Doll just assumed she was better at managing this than Uzi was. That needing to drink oil at all was the curse given to them, and needed to be fixed based on that. And then she sees (since she was there at camp) how Uzi lost control and figured that could probably happen to her too.
So she goes down into the labs, trying to find the cure because she fears that same loss of control, and what does she get told by the one who'd be doing the possessing?
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Doll can't get possessed. The Solver has no use for a vessel it cannot control. Therefore, all Doll is is someone who could cause problems if she helps cure the others.
Doll had all the benefits and only some of the drawbacks, thought that was because she was just really good with her powers, and then got killed for not having enough information to do proper risk assessment. The moment she decided to go down there she was on the chopping block.
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rockwgooglyeyes · 3 months ago
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rock's thoughts on ivantill (nsfw edition)
trigger/content warning: open and uncensored discussion of nsfw content (smut specifically) I'm not tagging this as mature and leaving it up to the reader's discretion whether or not they're able to handle this. I'm not incredibly explicit but I am talking about something inherently nsfw.
the thing about nsfw is that, when it comes to fandom, it often is based less on the characters themselves and more on whatever the fans want to see. I say this about fandom in general, btw, not ALNST in particular- in my experience with nsfw (fanfic anyways) in fandom, is that a lot of it comes down to writer preference rather than the actual characters themselves. It's literally playing with dolls and this isn't necessarily a bad thing! It's pretty much what fan content is for, right? It's just something that doesn't sit super well with me and it's something I don't really understand- if you want to make a specific dynamic, why not just make ocs that can similar or the same personalities as the characters that you enjoy and yet their dynamic fits with what you want.
Like overall when it comes to my opinions (and these are opinions, preferences if you will), I might as well be up front- when it comes to the ships that are common in the ALNST fandom, I think that while mizisua and hyunamizi definitely switch, out of mizisua? Sua is the top imo. on the other hand, I think that it would be a lot more interesting if either hyunamizi were switch-centric or Mizi topped, just because of what that would say about her relationship growth as well as her character growth. With hyunaluka (which is not a ship that I enjoy but I respect those that do obviously) I think Hyuna tops mostly. With ivantill, I see Ivan as a bottom and Till as the top. Sometimes they switch, no one is exclusively one or the other- and I am fully in support of them being switches because I believe most relationships are fluid and have the inherent capacity for switching, top/bottom is about preference but I do think it's rare. I don't know, smut can be part of the relationship to me and the dynamic when it comes to sexual encounters is important to me with a couple.
I don't know, maybe it's because I'm one of those people where my headcanons have to be related to the text somehow (and I don't say this in a way that's derogatory to people who don't have that- honestly I kind of admire you guys, it seems freeing. I'm just extremely autistic about this) but idk the way people intrepret Ivan in the ALNST fandom is super interesting. This is mainly going to be talking about ivantill because to be perfectly honest, I think people are weirder about mlm ships than they are about wlw ships, when it comes to their characterization? But I haven't read as much wlw nsfw so I can't fully speak to this. But when it comes to Ivantill, I have found some people who's opinions I love. Some people I agree with even if I don't agree with everything. But then there are some folks that are so out there like I wanna study you guys underneath a microscope y'all are so peculiar. yeah yeah he's King Yaoi the Third, he's tall dark and handsome, whatever. he's a little freak, I want to put him in a jar and shake him up, I understand, but at the same time sometimes the reading comprehension with people seems not so bueno.
In the fandom overall, (not just on tumblr dot com) people like him as top and I think that, to a degree, that is supported by the text. At least, some of the additional art from Vivinos/Qmeng, that’s supported
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(^ the amount of horny comments on this image *sighs*)
But for me? I don’t like that as much (even though I’ve read some fanfic with it that I liked just fine.)
This is because of the way that this interpretation of their relationship feeds into that surface level analysis of both Ivan and Till's character? Ivan is the violently jealous lover, the one who watches from afar and seethes with envy, he’s the unfeeling pretty boy who only loves one person, he’s willing to do whatever it takes to keep that person. Till is the tsundere, the person who plays at strength but weakens at the first touch of someone stronger, easily flustered and even easier to cow into submission- but the thing is? We know that's not true for either of them, it's not supported by their backgrounds, their other actions, the context of their trauma. which makes that characterization super funny (to me) when this series is kind of about peeling back the edges of outward perception, with Mizi, Ivan, Luka and Hyuna especially.
While top/bottom isn't necessarily a power dynamic, when in the context of certain relationships, it can definitely take on the connotations of power. In Ivan and Till's relationship, the person who has the power is Till.
Out of the two of them, Ivan is not the person with the power and that's honestly the main issue that I have with the way that people portray him. In the top Ivan fics that I actually like, he's not the one with the power, he is only where he is because Till wanted them to get this far, he is at Till's mercy and he's loving it. The issue I take with those who portray him as domineering and controlling is that he doesn't try to control Till in canon. He might have concocted the incident with the wagyein and Mizi but after that? Ivan isn't trying to force Till into anything, he isn't controlling the situation, he isn't even trying to get Till to do anything but react. Ivan would do anything that Till wanted him to, no questions asked. For those who take the possessive angle with Ivan, the problem I have is that Ivan has no desire to own Till. He's obsessed with Till, yeah, but it's in the way that you love your favorite band- you love them to bits, you listen to all of their songs, you go to a concert, you have their merch- but you would still respect their choices, right? You would be disappointed if they decided to break up but you wouldn't force them to get back together. That's the difference between Ivan's obsession and Luka's- Luka thinks that he deserves Hyuna's affection in exchange for loving her (it's transactional), whereas Ivan is under no illusion that he is entitled to Till's affections.
On the flipside, when Till is portrayed as the tsundere who cares but refuses to show it because of his pride, well, that one's a little tougher because the main problem is execution. Till does really care about people but his affection isn't shown out of a matter of pride- he shows his affection for Mizi quite freely, after all, if he was really worried about vulnerability, I feel like he might be a little more conservative with his adoration. Often times, he doesn't show his care for people clearly because he doesn't really know how, defaulting to blushing and stuttering, gifts and acts of service to get his point across. He's not a super verbal-affection oriented guy and I think this is actually portrayed pretty well in the gen fics but not so much in smut because it's not as applicable lmao (comes with the territory ig). When Till is written as really timid, fumbling, innocent (@bluemoonscape called it woobifying), I hate that with a passion because he might fumble and he might get shy sometimes but he is not a pushover. He is not meek and if he doesn't like something, he'll voice his complaints, he'll let you know. I mean why else would he yell at Ivan in their version of My Clematis when Ivan gets too close? Admittedly, Ivan doesn't listen, lost in his monologue, and Till kind of just accepts it- but I am certain that if they were even intimate with each other, that Till would object were he uncomfortable and Ivan would listen. Like, whether Ivan was top or bottom, if Till's not having a good time? Ivan is no longer having a good time. Ivan's pleasure is very much contingent on Till's pleasure, at least, in my mind.
That's all the characterization centered stuff and kind of the reason why I think their relationship just works better with this dynamic *but* one of the biggest reasons it's a preference for me that Ivan bottoms is because of the inherent nature of that dynamic- it's a lot harder to end up fucking someone unwillingly than it is to get fucked by someone. There's a far greater likelihood of reciprocated feelings or at least, consent, when it comes to this version of their relationship and that's what I prefer because I really do think that they love each other.
(tagging @atrophiedemotion because I asked him if he wanted to be and he said yes! Blue is already tagged above too so all of the known interested parties have been notified :D love you guys)
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leahsgirl · 10 months ago
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celebration night | alex greenwood x reader
based off this request except i kind of went off script a little, only a short 1.3k for because its currently 4am right now - hope you enjoy!
mentions of anxiety (only briefly), suggestive language, smut sort of??
it was times like these, where you were sat in the back of a car, dolled up to the nines, when you wondered how you ended up with your girlfriend.
the two of you was en route to another awards ceremony that would be celebrating her (and her teammates) contribution to the footballing world.
you was her plus one of course, having dragged you to a couple beforehand over the course of your relationship. you weren't exactly the biggest fan of these events considering you was a very introverted person with an almost constant pit of anxiety in your stomach, but you knew how much they meant to Alex and what kind of girlfriend would you be if you weren't there supporting her?
when you first met her, at a club match you went watching for your childhood friend chloe, you already had a massive crush her. what you didn't expect was for the blonde to offer getting drinks sometime when kelly introduced you and the rest was history really.
so yeah, back to the present where you, a bartender, was keeping a strong grip on your football sensation girlfriend's hand, trying your best to keep your nerves under control. "i'll say it once i'll say it again; how do you do this all the time? how do the nerves not knock you sick?"
the older girl chuckled, "nerves turns into adrenaline - and adrenaline helps me play better." stating it simply and turning her head to press a light kiss on your temple. "you'll be fine baby; you always have me remember?" alex was aware of how your thoughts could spiral to the point of no return, how you would psychoanalyse certain situations and how you anxious you could get when in big groups like tonight will be. she knew exactly how to calm you down and for that you was thankful.
the car now pulling up outside the steps that lead to the building, a chauffeur opening the door for the blonde and you, alex got out and once again held her hand out for you to take. there was a few paparazzi/photographers outside behind the rope fences calling out your girlfriends name. "alex! alex!" "alex! whose the girl with you?!" "over here alex." after a few shots you was ushered inside where the place was already buzzing with people.
they'd gone for all white and gold decorations you gathered, having noticed the balloon arch mixed with the two colours, as well as white decorative roses scattered around in bunches and a champagne tower slap bang in the centre. you never understood the point of them if you was honest, the glasses are far too dainty to remove from the pyramid and just one accidentally nudge to the poor thing and it would come crashing down.
"y/n, alex, hiya." turning around to the familiar voice you see lucy, one of the blue-eyed girls national teammates. you liked lucy, she was one of the girls you clicked with the most when visiting alex at her european and world cup tournaments. "oh my god i feel like i haven't seen you in ages" you say as you went in for a side hug. "its only been two months y/n, has alex over here been boring you that much?" the brunette smirked while your girlfriend rolled her eyes playfully.
"she's been keeping me busy actually, last week she forced me to learn how to rollerstake for no reason." its true, the thirty-year-old was always convincing you to do the stupidest, most cheesy stuff but you don't mind. In fact, it's probably one of your favourite things about her seeing this goofier side compared to the more serious and reserved ones the fans got.
"don't act like you don't secretly love it." she said crossing her arms over her chest while you just giggled in response and pecked her lips. "i do sweetheart don't worry."
after some mindless chatter with the barcelona player, staff came out to escort people to their seats. the set-up was tables of six and you was happy to find out accompanying you on your table was mary, lucy, ella and her boyfriend joe.
complimentary alcoholic beverages were being given throughout the night which you indulged in as you watched the awards being presented one by one.
alex was up for some sort of team award if you remembered correctly, not exactly understanding the drabble of words she was saying when she first told you the news, you think its eleven people getting the same award or something if you took anything from the conversation. what you did know is that she had to go up against international players which makes the award even more special if she is to win.
the night dragged on as you listened to speech after speech after speech. eventually, the time had come for 'FIFPRO Women's World 11' "that's it." you thought to yourself as the man read the title of the honour, now recalling alex telling you about fifa's women starting eleven.
"now introducing your women's starting eleven team!" the massive sliding doors opened up, revealing the ladies one by one. An overwhelming sense of pride engulfed you as you watched your partner stand on stage in her very sexy suit (if you do say so yourself) with trophy in hand. with a quick few lines from each girl, they made their way back to their seats. standing up, you beamed at alex and placed your hands on her cheeks "i'm so so proud of you." she leans in and kisses your lips, smudging your red lipstick slightly.
"you in the mood for celebrating later?" parting away from your lips, she whispered in your ear. you could see her eyes filled with lust which meant only one thing. offering to get out of there, alex and you say your goodbyes to your friends/her teammates. To be honest the ceremony was dying down anyways so it was only a matter of time before you actually did leave.
as soon as your front door closed hands grabbed your waist and pressed you onto the wall. lips attached to your neck, biting and sucking at the skin as you gave in to the quiet noises of pleasure before they found your mouth once again.
the kisses were sloppy and eager as the defender swiped her tongue across your bottom lip gaining entrance into your mouth, tongues in a fight for dominance.
she stopped. dragging you by the hand into your bedroom and pushing you onto the end of the bed. this time, she snaked her hand under your top, reaching up to massage your breast. "you're beautiful you know that?" alex watched in amusement as you tried to stay quiet while she pressed her knee up against your centre. "tell me what you want princess."
literally just the words she was saying was enough to send you over the edge if you let it. "i want- i want you lower." the breathlessness in your voice made the blonde smirk, complying with your wishes. she made her way down to your pants menacingly slow, undoing the button and sliding the silk material off until they were disregarded somewhere in the room. "can i just say, I'm practically naked and you're out here still in your suit." as much as you loved the suit, you'd much rather be seeing her toned abs right now.
taking the hint, she quickly thew the outfit off, now hovering over you in just her black lingerie. "better?" she asks and you nod, shamelessly raking your eyes down her whole body.
the man city player busied herself with tracing patterns up your thighs, getting dangerously close to your centre without actually touching it. "alex please."
toying with the elastic on your thong she looked up at you. "please what? i want to hear you say it." the lust was practically oozing out of her mouth right now. slotting her hand under the mesh material of your underwear she repeated herself, "say it y/n."
your brain was going into overdrive from the teasing she had given you; your chest heaving. "alex..please fuck me already."
she caught your lips in a passionate kiss. "good girl."
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clockworkphoebe · 8 months ago
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{{{ WIP: The Spine Custom Ken Doll }}}
So, this is actually a project that I started back in the summer of 2020. My sister (@arcticusluna) had been making custom doll clothes for a while and she wanted to start a full doll customization project. When she told me about it we thought it would be fun to do it together. She was going to make a Rabbit custom and I would make a Spine custom.
I still have quite a bit left to go before finishing this. I still plan to add stripes, buttons, and pocket to the vest and to make some edits to the hat I ended up finding and settling with. I also had plans to make his long trench coat. but that will probably be a project for the future. I honestly just wanted to post this since I worked really hard on it but just haven't had the time/motivation to finish it yet.
The Rabbit my sister made will probably not be posted as the paint and glaze we used have deteriorated quickly on her over the last few years and we are unsure as to why, considering that we used the same materials and mine only has a few minor issues. We think it may have been the doll she started with as the rubber seemed to be a lot more flimsy and soft. She might post the clothes or parts of the doll later.
Work in progress photos and process under the read more:
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For the edits on the face I used 2-part Apoxie Sculpt. I would lightly score the rubber after removing the hair and then gently shape the apoxie to the face. After getting it as smooth as possible I lightly sanded it. The lines on his head and faced were referenced from the Hot on the Trail music video.
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The fins were probably the most challenging part. I cut out paper to the sizes I wanted and made marks where I wanted the fins placed. Then I cut pieces of cardboard to size and covered them with a thin layer of apoxie to make them more sturdy and smooth. once the fins were cleaned up I scored the back of the doll and carefully molded the spines to the back. This was very tedious as they tended to not hold in place when the apoxie was still drying. It was also hard to get the spacing right so that the back was still movable/posable. They are not completely accurate to the Spine's but the bases had to be widened so that they would be more sturdy and attach to the back properly. Once everything was dry, I sanded it the best I could and began painting. I used FolkArt acrylic paints and then a glaze top coat. If I were to do this again I would probably have primed the doll first and use spray paints instead so that the layering was more even and smooth.
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As I was working on the main doll, I was also working on the guitar. The guitar was made entirely from scratch since I really didn't like any of the doll/model guitars that I found. Most were extremely thin/cheap or not really to scale. I used my own acoustic guitar for scale and then drew out The Spine's guitar as close as I could with the proper dimensions. From there, I cut multiple layers of cardboard until I got the right thickness. The bottom two layers were full, the middle layers were hollowed out in the center, the top layer had the sound hole cut, and an extra layer for the neck was made and rested on top. I glued all these layers together, and like the fins, I covered it all with a thin layer of apoxie. I sanded it until smooth and sculpted in all the extra details such as the tuning pegs, the 20 frets, the bridge, and small pegs to hold the strap. Everything was then painted and glazed. The strap is made from a ribbon and pieces of faux leather glued together with the ribbon sandwiched between them.
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The hat was a struggle. I could not find a single hat that was close to the one Spine wears so I tried a few times to make one by hand. In the end they ended up way to heavy/bulky when I tried to make molded ones and I couldn't get them to sit on his head quite right. (I have absolutely no clue how to make a fabric one.) A few months ago I randomly found a hat while shopping that was actually pretty close to Spine's. So I will be using this for now until I can either edit it or make a different one.
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For this project the pants, shirt, and vest were all made from scratch. I have no prior experience with doll customizations at all and while I know how to sew, I have only ever sewn plush animals. I have never made clothes or my own patterns. To make my patterns I used the plastic wrap and tape method. This is when you wrap the body with plastic wrap, cover this with tape, and then mark out the pattern on the tape. You can then cut out the pattern and use it to measure out your fabric. This was very tedious since the dolls are so small. The small size made it very difficult to get clean seams and to have the pattern actually line up properly once fitted to the doll. In the images above you'll see that I had to make most of the patterns twice to get it the way I wanted. Another challenge was trying to get the clothes to lay properly around the fins without leaving giant holes in the fabric and without the fins tearing up the fabric around them. I ended up gluing an interface on the insides of the shirt and vest to help keep the fabric sturdy and then glued along the edges of the gaps to keep them from fraying. I ended up finding the shoes I needed on ebay.
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Here are more closeup photos of the finished guitar. I also put it next to the guitar I used for its design just to show the size difference.
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Here are more pictures of the doll without the guitar and hat.
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Also if anyone was curious this is the original doll used for this custom.
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ewingstan · 1 year ago
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Figuring out what dnd class each undersider is can be fun enough. But we can get sillier with it. I propose that we instead start arguing about which playbook each undersider would be as characters in a game of Most Trusted Advisors by @thehorizonmachine.
The game is about rollplaying a group of rich assholes on a monarch's privy council: enacting overly complicated schemes, trying to appease your liege's insane whims, and attempting to avoid getting killed by the inquisition. Characters get a list of privileges they can do for free as well as actions that give them points (ducats) determined by what tropes their playbook is riffing off of—for instance, the treacherous Blackguard can always "emerge from the shadows" or "sharpen their knife meaningfully", and gets a ducat whenever they make an overcomplicated plan or wear a terrible disguise. Its terrific fun, and my go-to game for oneshots. Y'all should play it. Lets imagine if we forced these fuckers into it.
Brian
While the "no fun allowed" aspect of his later characterization tends towards the Hierophant, I'd say given how he's both the most practical and most mercenary undersider, The Treasurer is the best choice.
The Treasurer's whole thing is combining a get-rich-quick schemer with the long-suffering voice-of-reason archetype, and that fits Brian "trying to be a responsible older brother in a financially stable position by punching twelve year olds" Laborn perfectly. The Treasurer "can always freely roll his eyes at tomfoolery" (Brian trying-to-hard-to-be-a-parent Laborn), gets a ducat when he "runs into someone who drives [him] insane and tells the table why" (Brian introduces-shadowstalker-as-a-problem Laborn) and gets a ducat when he "personally suffers as the result of another players scheming" (Brian suffered-more-than-Christ Laborn). Give him points in Skulk and Shadow and some titles that help with combat to complement his powers and background, and you have Duke Brien the Gruesome of House Laborn, Royal Treasurer, Knight Marischal, Seneschal to the Royal Household, and Adeptus Major of the Hermetic Order.
Aisha
While the Blackguard's whole assassin-in-the-shadows thing is a pretty good match for Imp's powers, I feel like I'd be doing her a disservice giving her anyone but The Alchemist. Its the playbook that's all about being a weirdo court wizard who may or may not have actual magic, but who will definitely try to convince you that speaking to them before 10 AM risks unleashing one of the daemon's they've binded to help serve the kingdom.
The Alchemist is archetypically most similar to a Tinker (Leet is definetly in the Hermetic Order), but the playbook's abilities to cause small unexplained mischiefs and make people question themselves certainly lends itself well to a Stranger. Their privilege to "spout obscure technical jargon" fits with her determination to get good at literary reference-based one-liners, and their ability to declare people cursed fits well with her crusade to scare off/torture to the point of suicide any enemies or would-be despots. The playbook's tendency towards unexplained occult behavior seems in line with Aisha making dolls of Alec to keep around all the time. Also being incentivized to "egregiously violate a moral, religious, or cultural taboo" is just part of being a youngest child. I'm open to other choices, but Madame A'Ishah the Improbable of House Vasil, Royal Alchemist, Queen's Chemist, Archsorcerer, and Master of the Castle Ravens feels like a winner to me.
Alec
The Blackguard looks like it would fit with its focus on snide comments and bad lies, and The Alchemist would potentially justify his powers while satifying Alec's whole "rude bitch who only half knows/cares how to fit into polite society" thing. But I'm gonna take the wildcard option and fit him in as The Lover.
The romantic "let them eat cake" figure might not seem a great match for Mr. Vasil (ooh weird feel no not calling him that again), yet nevertheless there's a lot of fun tragic irony to be wrung out of it. Have the former Heartbroken who dies before his odd little situationship with Aisha can become anything be the loverboy, it'll be barrels of fun.
The playbook starts with a high Appease score, which you'd have to have coming out of the Vasil household. They're incentivized to "share a moment of physical or emotional intimacy with someone," and while Alec probably wouldn't seek out such a moment, God does he need to have some intimacy he isn't forcing someone to give him. They have an option to take a title that lets them release angry swans whenever they want to, I know that's not really related to anything Alec can do in canon but c'mon he'd love that. They get a ducat whenever they "say something insensitive without meaning it to be" which is pretty much his and Taylor's whole relationship. The playbook's theming fits the "I'm disconnected from all this and not taking it as seriously as you think I should" thing that he's trying to project with his costume, and as a result the aesthetics are a natural match. Honestly you probably wouldn't need to change him from how he dresses in canon. Maybe put him in one of those fancy Victorian nightgowns iota draws him in. Convergent evolution.
Also I think the "You can always coquettishly bat your eyelashes at someone" privilege just fits. Dollboys can have coquettishly long eyelashes to bat at people. Prince-Consort Alexander the Hijink-Prone of House Vasil, Royal Lover, Court Jester, Keeper of the Swans, and Junior Karian Dynast is ready to take a depression nap lounge luxuriously while his fellow councilors make their plans.
Rachel
A natural fit for The Marshal, the overly aggressive general. While the playbook is meant more for a proud and hawkish thumb of a person (think TF2's Soldier) than a traumatized and paranoid homeless girl, there's more than enough overlap to make the match. I could just list off the actions that give the Marshall a ducat:
"Run into someone you wounded in a duel, and tell the table why": has taken a chunk of nearly every hero in the bay
"Walk directly into danger, knowingly and fearlessly": walking into Khepri's field of influence because she trusts her too much
"Kill or maim one of your enemies in a fair fight" see point one
"Overcomplicate a simple plan by going in all guns blazing": does not like plans more complicated than "point your dogs at the problem"
"Overreact massively to a perceived slight on your honour": literally the first thing she does on-page
Overall, I feel pretty confident in my pick for Marchioness Raquel the Bitchin' of House Lindt, Royal Marshal, Knight of the Order, Commander of the Hussars, and Member of the Equestrian Order.
Lisa
A bit trickier to narrow down. I could see an argument for how she's fits in as an Alchemist; the ability to spend a ducat to have a vision fits with her powers, and she certainly lives her life as if she gets a ducat whenever she "egregiously violates a moral religious, or cultural taboo." And by Ward she might have been long-suffering long enough to be a Treasurer, which would fit in with her tendency to manage everything.
But ultimately it comes down to the tropes she's playing off of, and she seems much more like a reconstruction of the duplicitous-second-to-the-big-bad archetype that The Blackguard is based on than anything else. She's certainly making frequent use of that playbook's "disparage someone's intelligence" and "announce 'I have a cunning plan!' " privileges. The Blackguard's ability to spend a ducat to learn a secret is probably the closest we could get to her powers (coupled with some more titles that let the players learn shit they shouldn't know), and its abilities related to thin disguises works well with Lisa's whole "subsumed by the mask, nothing behind it she's just a collection of masks" thing. Give her more points in Survey and Disdain and Baroness Elisabethe the Tale-Teller of House Wilbourn, Royal Blackguard, Postmaster General, Lord Spymaster, and certainly not Silent Watcher of the Skychamber is ready for a day at court.
Taylor
On the one hand, her tendency to be much more judgy than the other undersiders suggests The Hierophant. And maybe that would work if I was specifically making Weaver. But for the Warlord of the Boardwalks I actually think I'm going to assign her The Liege: the GM-equivalent who plays the monarch the rest of the players are advising/serving the whims of. They're the one whose "the lynchpin of the story, the instigator and motivating factor for everything that happens," and if there's one thing about Taylor its that she's very good at making herself a lynchpin. Also the book advises the GM/Liege to "cause new problems and to complicate simple situations," and that seems like a pretty good way to describe Taylor's tenure as an Undersider. Admittedly, she might not fit the suggestion that "your Liege should be the least qualified person for the job in the realm, perhaps the world," but nonetheless. Have her play either as a Have-at-Them or a Powder-Keg and you're ready to give the Royal Council the headache of their lives. "Queen Taylor what do you mean you want us to accompany you in dueling Lord Slash and his brigands, we have armies for this." "Queen Taylor why do we have to break you out of the Holy Protectorate, what do you mean you killed the Pope." "Queen Taylor the second coming has arri—what do you mean you want to declare war on the resurrected Christ."
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blanketorghost · 6 months ago
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Okay hi hello I have seen a sudden new influx in EAH fans (hiiiii welcome <3) and while I am very happy to see this little fandom still be more than three pieces of lint and a paperclip, I am here to give y'all a list of already DEBUNKED EAH myths that somehow always show up whenever this happens every 1/2 years:
"Apple White and Raven Queen are related."
They are not. In Chapter 2 Episode 11 "Blondie Branches Out" there's a throaway line explaining how the 'Prince Charming' role is distributed between multiple unrelated Charming families. There is also no mention in any of EAH media of Apple and Raven being related. The only related characters are:
Poppy and Holly O'Hair (Twins)
Giles & Milton Grimm (Siblings, Milton is the oldest)
Cerise Hood and Ramona Badwolf (Siblings, order not specified)
Daring, Dexter and Darling charming (Siblings, Daring is the oldest and Dexter and Darling are fraternal twins)
Briar Beauty and Rosabella Beauty (1st Cousins)
Gus and Helga Crumb (1st Cousins)
The Hood/Badwolf sisters, Sparrow Hood (Distant cousins)
In Apple White's 'Royally Ever After' diary, the retelling of the Snow White fairytale has Apple be Raven's personal assistant that later overthrows her rule, meaning familial relation and them sharing a royal bloodline is not a necessary part of the narrative.
"XYZ Background character is the descendant of ABC fairytale character."
Unless directly confirmed by a GURU media employee or mentioned in the show, none of the background characters have a direct counterpart.
Most of the most famous background characters are actually cameos/based off of animators (pictured below):
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The fandom wiki is not a reliable source given the fact it has no edit protection and the moderators are no longer active.
Be carefulnot to confuse popular hedacanons or fan designs (more often than not fanart by red_red_heels, boots.caitlin and/or theprincessswan on instagram)
"XYZ's fairytale parent is dead."
Unless specifically stated, this is also not true. Certain stories have a loophole or workaround that prevent major character death. So far we have been given confirmation of:
Cinderella (Unknown loophole): shown to still be alive in 'Ashlynn Ella's Story'
The Swan Queen (Turned into a swan forever): It is not known wether or not Duchess' mom gave birth to her while she was still a human or if she was born from an egg. Raised by her grandmother. It is implied her curse is generational.
The Little Mermaid (Happy Ending): The first time this loophole is mentioned explicitly (Meeshell's diary). She was given a happy ending and lives under the sea, unlike the original HCA story. Story variation further explained in 'Fairy Tail Ending'.
The Big Bad Wolf (Unknown loophole): Self explanatory.
Baba Yaga (Possible Immortality?): Self explanatory.
The Candy Witch (Version recorded in the Storybook of Legends confirmed to be inaccurate): Explained in 'Kiss and Spell'.
"Descendants killed EAH."
Look, I am as much of a Descendants hater as the next guy, but the unfortunate truth is that EAH was never as successful as Mattel expected it to be. Their style was too 'childish and girly' for kids who were already into Monster High, and their themes were far too complex for younger kids to fully grasp. So their target audience was unfortunately not very interested. This is coming from someone who was around 11-12 when EAH came out. As an existing MH fan, I was turned off by it as at that time kids were entering their more 'edgy' phase and wasn't willing to give it a chance.
What dealt the killing blow was Mattel and Disney severing their contract over the Disney Princess doll line due to decreasing quality, and then after the release of descendants with Hasbro, one of Mattel's biggest competitors.
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There's probably some other myths I missed, but these are the most common/widely believed ones. I'll maybe reblog/update later with more myths as I come across them.
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gallifreyanhotfive · 8 months ago
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Random Doctor Who Facts You Might Not Know, Part 43
Tw: some description of post mortem decay
Tegan once found herself in the mid-1980s. While here, she had an encounter with a rather stroppy teenaged waitress. This waitress was named "Dorothy." (Novel: The Crystal Bucephalus)
During funerals on Venus, the brain of the deceased is cut up and eaten by those attending. This was a way the deceased could live on as they would gain the deceased's memories this way. The First Doctor could take this in stride, but Barbara and Ian were a bit disturbed by it. (Novel: Venusian Lullaby)
Rassilon feared for the survival of the Time Lords so deeply that he sent biogenic molecules back in time that would force all life forms in the universe that were affected to evolve into something similar to what was the Gallifreyan standard. This is why so many species look similar. (So Time Lords don't look human...Humans look like Time Lords, just as Trions, Trakenites, etc etc do, because Rassilon interfered with their natural evolution). (Audio: Zagreus)
The Doctor's previous selves maintain awareness in their subconscious, and for a while, the Doctor would keep some of them imprisoned in their mind. For example, the Fifth Doctor was kept in chains in a pit. (Novel: Timewyrm: Revelation)
They also kept the Sixth Doctor imprisoned very deep inside the Doctor's mind for fear of the Valeyard. (Novel: Head Games)
Indeed, the Seventh Doctor started having dreams that his Eighth would lock him in a "room with no doors" after their regeneration. (Novel: The Room With No Doors)
The design for the Mondasian Cyberman was based off of a body scan of the Fifth Doctor. (Audio: Spare Parts)
By some accounts, Liz Shaw died of Agent Yellow, which is a virus that turns oxygen into sulfuric acid somehow. (Novel: Eternity Weeps)
The Fatkats are a race of giant, intelligent cats. They sometimes keep humans as pets. Rory was kidnapped by a Fatkat and given to his kid as a gift, and the kid renamed him Cuddles. The Eleventh Doctor and Amy eventually convinced the Fatkats to help them free Rory, and as a thank-you gift, he left them a life-sized stuffed Doctor doll for them to play with. (Comic: Humans Aren't Just For Christmas)
The Tenth Doctor once wrote a letter to the Brigadier, saying he felt guilty for not visiting and that he was thinking of him. When the Brigadier died, this letter was found lying on his bedside cabinet as though he had just been reading it. Thus, it is likely that the Doctor’s words were the last he ever read and that he might have even passed thinking about his old friend. (Novel: The Time Lord Letters)
When Time Lords die, their TARDISes do as well. (Audio: The Axis of Insanity)
The Axis is a place in interdimensional space that holds together and regulates all damaged timelines to prevent the contamination from spreading. Time Lords typically aren't welcome since they are responsible for most aberrant timelines, but one was sent to investigate when Jarra To took over. This Time Lord was later found by the Doctor, oozing pus and covered in roaches after being murdered by Jarra To. (Audio: The Axis of Insanity)
One time after stumbling on alien invaders, the Eighth Doctor and Charley used their acting skills to save the day. Charley became Lady Charleyostiantayshius, a Gallifreyan observer, and the Doctor became a transcriber from the High Council, who is pretty much Lady Charleyostiantayshius's excitable if a bit bumbling companion. They both wear the proper Gallifreyan regalia, and Charley was so good at her act that the Doctor thought she made a better Gallifreyan than he did. The Doctor convinces the captain of the alien fleet that there is a plague and gives him large quantities of the "vaccine," which is actually just straight up alcohol, so the captain gets wasted. (Audio: Living Legend)
The Doctor's memory of his first two incarnations is hazy, to say the least. (Audio: Cold Fusion)
Patience regenerated into a female form only after meeting the Fifth Doctor. The description of their prior incarnation is ambiguous in that regard. (Audio: Cold Fusion, Novel: Cold Fusion)
Peri was infected with a virus that copied all of her DNA and turned anyone she touched into a clone of herself. This included the Fifth Doctor, who started at first by repeating what Peri said and then became her. Based on the classic Big Finish noises that accompanied this, the change is graphically painful (Audio: Mission of the Viyrans)
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bird-in-the-space · 5 days ago
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Echoes of the Unknown
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You put your plan into action. Now, will you escape, or be captured by the cons?
Warnings: Cursing, near panic attack, Emily sweet-talking Knockout, shocking Knockout, and escaping.
Chapter 19
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Fuck! 
Shit! 
Fucking!
Hell!
Dammit! 
You were trying your hardest not to have a panic attack after watching Soundwave take Emily away to somewhere they might torture her for information. How the hell did it go this wrong? You just needed to figure out the ground bridge controls, wait for Emily, and then get the hell out of this ship. 
What are you gonna do now? 
You took a deep breath, trying to calm down your panicking mind. Alright, (Name). Calm your shit down. You can’t help Emily if you start panicking and give yourself away. There has to be something you can do to get her and yourself out of this. 
You knew Knockout. He’s the medic of the Decepticons. The bots also described him as someone who did not like his paint job getting ruined. As the medic, he had to be at the med bay, so that’s where Emily was currently taken toward. 
You knew where the ground bridge console was. You could go to the med bay, grab Emily, and run for the ground bridge console. But what would you do when they sound the alarm? You would then need a diversion to keep the attention away from you. 
Your eyes widened when you remembered something. The drills! You could code the drills to start automatically and use them as a distraction. But what if they turn off the drills before you could use the ground bridge? Then what? 
You then grabbed the Holly out of its hiding place. You stared at the little device while organizing your thoughts into a fully formed plan. It was a bit of a long shot, but if you were careful and timed everything right, you and Emily would get off this ship without further issues. You could use the Holly to trick the cons when needed. You just needed to do a few more scans. It was a good thing the vehicons shared the same face as you. 
Attaching the Holly around your wrist, you left the ground bridge console to prepare your plan for action. You just hoped that Emily could hold on till then.  
Emily stayed quiet while still being held by the metal tentacle thing. Soundwave quietly took her somewhere. She tried to start a conversation, but the mech was silent like a rock.  It was actually a bit unnerving—- even you weren’t this quiet. 
They then arrived at what seemed to be the med bay. Emily saw a red bot waiting there. 
Soundwave dropped her off on the metal table. Emily yelped and grunted from the fall. She quickly checked on her camera, seeing no damage to it, before returning her attention to the two cons who looked down at her. 
“So, this is the Autobot pet that caused poor Airachnid some trouble? You can leave Soundwave. I’ll take it from here,” the red bot said, and the faceless con left without a word. 
Emily cautiously looked at the red bot. She had seen him a couple of times while hiding in the vents and guessed his name to be Knockout, the medic of the cons and assumably the crazy doc. 
“Now, doll face. Since you know the location of the Autobot base, I suggest you start talking. I would hate to ruin that pretty face of yours,” Knockout said, turning his arm into a spiral saw. 
The sight of the saw unnerved her, but unwilling to share the information and desperate to cause a diversion, she quickly went through her mind for ideas. Only one idea seemed worth the shot. 
“I… uh… Sorry. I was stunned for a moment because you certainly are the most dashing con I’ve seen on this ship so far,” Emily started. 
Knockout turned his arm back to normal with interest in his eyes. “Oh?” 
“Yeah! This place is so dark and gloomy. There’s barely any color and here you are, standing out in your cherry red paint like a polished ruby among these plain rocks,” she continued, quickly observing his form and the wheels on his back. 
“Is it safe to assume that your alt form is based on Aston Martin? I heard it's one of the best sports cars to this day, really pretty and really fast,” she asked, emphasizing the pretty and fast words. 
“You have a good eye, human, and a good taste,” Knockout stated. 
“I admire beautiful things. I’m afraid not even the Autobots can compare to your looks,” Emily said, causing him to grin. “You must have a meticulous paint care routine. So, what’s your secret?“ she asked 
“I’m glad you asked. I rarely get to talk about my care routines with anyone on this ship,” Knockout said. 
“Then talk away. Perhaps we could exchange secrets, one car enthusiast to another,” Emily smiled. Knockout started talking about his supposed care routine while Emily hoped it would buy you enough time to form up a plan to save her. 
Walking past vehicons, you used the Holly to scan them while they were walking. You were careful enough to cover the scan light to avoid catching attention while making your way to the mining storage. 
You arrived at your destination and to your luck, no one was in the room. If you remember correctly, Steve, Carl, and the others were on their breaks. You quickly grabbed a data pad and climbed to the nearest drill. Remembering how Raf did his coding tricks, you opened the drill’s panel and attached the wires to the data pad. You connected the datapad to the drill and opened the coding terminal.
You put your complete faith in remembering what each of the codes did and how to write them in cybertronian letters, adding them to the drill’s system and giving you a way to activate them remotely. After succeeding, you placed the panel back and jammed the controls so that they would start moving after activation.
You then went to the next drill and repeated the progress. You programmed three of the drills and decided it would be enough for the diversion. 
Now, it was time to get Emily. 
Emily nodded along as Knockout continued on about his paint job and complaints about working with the Decepticons. She kept up with an interested face, but after some fair minutes, it started to get a bit tiresome. However, it was necessary to keep him talking about his interest because it would buy you time to figure out a plan to save her. She had faith in you — you were smart and creative when it comes to solving problems. 
She checked the time on her camera. It had been twenty minutes now. Hopefully, you have already come up with something to get you both out of this mess. 
“Anyway, even though I enjoyed this brief discussion about my life. I think we have to get back to the real business, which is you telling us the location of the Autobot base,” Knockout suddenly stopped talking, turning his attention to her. 
“Hold on! I was enjoying listening to you talk why stop now?” she asked, hoping he would keep talking. 
“Because, dollface, I have a job to do, and Lord Megatron would do something much worse to me than scrap my paint if I do not bring him results sooner than later,” he answered. 
“Okay, I understand…” Emily’s eyes suddenly noticed you arriving behind the doors of the med bay. You were looking at them through the opening. 
“But— I must ask. If working with the Decepticons is so rough and most of your colleagues treat you badly— why do you keep working with them?” Emily asked. “From what you were saying, it’s nearly impossible to satisfy their expectations,” 
“It is challenging I admit, but there are certain perks of being a con which makes fighting for the Decepticon cause worth it,” Knockout replied. 
Emily kept Knockout talking while you surveyed the med bay, trying to think of a way to get Emily out of there without causing an alarm. Your eyes then landed on what seemed to be one of those shock rods. It gave you an idea. It would most likely set the alarm, but the other options also involved setting off the alarms, so this was probably something you just had to do. 
You dared to enter the med bay through the automatic doors. You walked slowly while watching Knockout and Emily talk. She glanced at you a few times. 
“Anyway!” she started, raising her tone, and keeping Knockout's attention on herself. 
“Knockout. I get it you have a job to do. “ she slapped her hands together, causing Knockout to raise his brow curiously. “Working with Megatron seems hard enough so I won’t put up a fight,”
“Hmm. Smart choice, Emily,” Knockout said with a pleased tone. 
“But! Before we start with my interrogation. Can I take a few pictures of you? I’m actually a photographer and I think it would be a waste not to capture a beauty like yourself in my camera lens,” she asked. “Be my model for a moment, please. I will then start talking about the Autobot base,” she said, pleading innocently with her eyes. 
You stopped to see if Knockout agreed to it. 
“Hmm? Well… I guess I would not mind getting photographed if it gets you talking. Make sure to get my good sides, doll face. You won’t get an opportunity like this for the second time,” Knockout said, flaunting his claws. 
“Lovely!” Emily slapped her hands together. 
You quietly sighed in relief and rolled your eyes at the con’s ego. Emily— you one hell of a sweet-talker. 
You turned your attention to the shock rod as it was within your reach. Quietly grabbing it, you then turned toward Emily and Knockout as he prepared to pose. 
“Alright,” Emily held up her camera after setting in. 
“Ready…” 
Knockout waited but then you pushed the shock rod between his neck, causing him to yell as he was electrocuted. He then dropped down on the floor, smoking from his openings. You and Emily stared at the unconscious con for a moment. 
You sighed then dropped the rod, extending your hand toward Emily. 
“Come on. It’s time for us to leave this place,” 
Emily hopped into your hand and you quickly left the med bay. 
You move through the hallways, taking calm deep breaths. You try to keep a steady pace while walking past the vehicons. They paid you no mind except some nods as a greeting, which you returned. Your nerves and spark pulsed with anxiety as you were actively hiding something from the cons. When you felt the weight inside your chest move again, you made a quick stop at an empty room. 
You opened your chest. “Em! Stop moving! “ you said as she was hidden in there. 
“Sorry, it’s a bit cramped here,” she said, trying to get into a better position. 
You then heard what you suspected to be an alarm. 
“Troopers. An infiltrator with a similar face as yours has released the human prisoner and is attempting to escape. You are to find and capture them immediately!” you heard Megatron order through the com. 
“Seems like our time is running out,” Emily remarked. 
“Then It’s a good thing I prepared a diversion,” you said then pushed a button in your arm, sending the signal for the drills to activate. 
In the mining room, the three drills activated. The baffled vehicons watched and ran away when they saw the drills move, hitting each other and the walls. The vehicons quickly fled the room and avoided getting torn to pieces by the drills. 
The ship shook beneath you and you could hear the drills in the distance. You saw the passing vehicons turn their attention toward the mining room and run over there to stop the chaos. 
“Alright. Time to go,” you said, closing your chest. 
After seeing the last vehicons run past you, you used a shortcut to run for the ground bridge console. To your relief, the ground bridge console was empty. The cons would be too busy to stop the drills, so you had time to set the coordinates. 
“Squadron in the east hallways. The pretender is at the bridge console,” you heard the voice say and then noticed what seemed to be a surveillance camera watching you from the ceiling corner. You quickly shot the camera with your blaster. 
You then heard running in the distance. 
“What are we gonna do now?” Emily asked through your chest, having heard the speaker and your blaster fire. 
Your mind wanted to panic but then an idea popped into your head. 
“I have an idea,” you said, inputting the coordinates and activating the ground bridge. The green vortex appeared beside you. You then powered up the Holly, just in time when a squad of vehicons arrived at the ground bridge console. 
You looked at them as they saw you.
“Halt!” 
You ran inside the ground bridge. They gave chase, following you into the vortex, unaware that they were following a hologram version of you. 
After they ran in, you appeared from the wall, having figured out how to use the Holly to camouflage with the environment. You stepped to the console and deactivated the ground bridge, trapping the vehicons to the random location you inputted. You then added your intended coordinates, opening the ground bridge and running through — escaping the Decepticon warship with the ground bridge closing behind you. 
Driving on the road in your alt-mode, you speeded without stopping. You did not want to take chances of the cons catching up to you or tracking you down even though you had the locator long removed. The adrenaline makes you go even faster as you and Emily finally take a breather from the tense escape. 
Emily laughed. 
“That was brilliant! That was awesome! You actually tricked them!” she exclaimed with the biggest grin on her face. 
“Yeah! But let’s not do that again!” you replied through the radio. 
“But still! That was awesome!” she exclaimed, laughing and resting against your car seat. 
“You know. You are much braver than you let yourself believe,” she said. “You’ll make a one fearless Autobot,” she added.  
“I was actually terrified the whole time. I was afraid it would fail and we both end up as hostages,” you replied. 
“But we didn’t thanks to you,” Emily smiled softly. 
“Thanks for coming after me. I do not know what I would have done if I was on my own with them,” she said, looking through your windshield. 
“Of course. I couldn’t just stand there while they took you, especially someone like Airachnid,“ you said, thinking about the spider con. 
“I care about you too much to let anything happen to you,” you said. 
Emily smiled. 
“I love you too,” she said, patting the top of your dashboard. 
“Now, let’s call in the bots. They must be dead worried about us,” she said. You then called in the bots and asked for a ground bridge, which they happily activated. You were glad as you both were finally out of danger. 
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wheeeeeeeeeeeeeeeee28374728 · 3 months ago
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Until Dawn character hcs
Sam:
Her music taste is crazy. Like the same playlist could have Beethoven, Iron Maiden, The BeeGees and Taylor Swift
Does aerobics in her pajamas
Doesn't know how to order at Starbucks (she just wanted a medium)
Had a dog walking business in high school
Knows how to surf
Will absolutely destroy you in most strategy based board games
Favorite holiday is Halloween
Chris:
Dog person AND cat dad
Far sighted
Huge history nerd, had a ww2 phase in high school that never completely went away
Guy at a camping trip who tells the ghost story that leads up to a joke
Knows exactly what to do when a woman is on her period
Nervous fidgets; bouncing leg, tapping on desk/table, etc
Knew where everything was in his school backpack at all times
Ashley:
Say it with me people: Only. Fucking. Child.
Will get mad at you for saying pumpkin spice latte is basic
Was a horse girl in middle school
Owns more scented candles than a bath and body works
Has gotten her fortune told at a carnival and taken it pretty seriously
Had braces
Smokes weed
Mike:
Track and field
Can't find the clit
Paid other people to do his homework
Wanted to be a firefighter when he was 6
Shockingly scared of bugs, used to make Emily kill them for him, but Jess won't do it
Can swim but doesn't like it
Was really close with Sam when they were younger, Sam is the one who introduced him to the group.
Jessica:
Used to be much happier and more chill before puberty, after which she felt pressure to live up to her looks
Her and Emily used to be super close and she misses it
Was a Frozen kid and still watches it a lot
Most definitely bi curious at least(Emily to blame)
Reads her horoscope but doesn't actually take it seriously
Emily:
Wayyyy to much Disney Channel in her early childhood, now loves drama
The middle of many siblings, acts the way she does for more attention
Was vegetarian at some point
Secretly misses being close with Jess, but makes sure no one knows
Needs rain sounds to sleep
Really wants Matt to stand up to her, this is why she's so hard on him
Matt:
Easily confused when women aren't completely direct
Probably smoked weed at least once, but quit doing it when he started doing sports
Nervous around babies(so small what if he panicked and dropped them)
Had an earring in one ear at one point, but his parents had him take it out and now the piercing is healed over
Can't tell the difference between nail polish shades
Josh:
Would fight god in the Denny's parking lot for someone if they gave him a hug
His bedroom/college dorm is covered in so many movie and band posters you can't see the wall anymore
Talks to cats like they're people
Confused rich(wait his is the only family with six cars??)
Jokes about sex and women, but if he saw a girl being taken advantage of he's gonna slap a frat bro
Owns a VHS tape player
Friggin s l e e p s in checkered shirts
Hannah:
Plant mom
Inspirational quotes on the wall
Best party is a book and a blanket
Nature documentaries
Josh's partner in crime
Loved dolls as a little kid, not Barbies, like baby dolls and porcelain dolls
Fairy lights in her bedroom
Loves music, Josh started buying her cassette tapes and now she collects them
Beth
Can you say LESBIAN?
Is never seen without her hat
Tried to stop Josh and Hannah from causing trouble, it never worked
Uggs and leggings
Smokes weed with Ashley
Her side of her and Hannah's bedroom is so much neater and cleaner
Total metalhead but no one knows bcs "she doesn't look it"
Dr. Hill:
Accidentally opened YouTube once while trying to find the news app
Can't work if the music has lyrics, it's too distracting
Might have a husband
Has such doctor handwriting that he can't hardly read it himself
Coffee addict
911 on speed dial(he's worried about all his patients)
The real Dr Hill is really nice, only the hallucination version is all threatening
Flamethrower guy:
Fucking loves soup
Hasn't bought clothes in years, and got them all secondhand
Has been off the mountain exactly twice
"When did kids get this dumb?"
Secretly stays in the lodge sometimes when no one is there bcs it's shelter and it's kinda fancy
Actually feels crazy guilty for not saving the twins
Was very happy to see Mike making friends with his wolves
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wraith-caller · 1 month ago
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I really want to understand what's going on when you attack Fia and a spell hits you, so I'm like trying to muddle my way through who is doing the spell. Spoiler alert, I'm not confident that it actually is Godwyn, and it mostly comes down to his level of consciousness being so ambiguous.
If you aren't aware, when you attack Fia after she moves to Deeproot Depths, sometimes there will be a retaliation in the form of Rancorcall(specifically this and NOT Ancient Death Rancor, which puts out more skulls). Some have said "It only happens when she begins gestating the rune" but this is not the case, as this retaliation can still happen before you even give her the other cursemark.
VV Click to watch me fight myself in a Denny's parking lot like the gibbering buffoon that I am VV
Points in favor of it being Godwyn, plus counterarguments:
-Godwyn is protecting Fia so that she can create the mending rune.
Counterpoint: This would be the only direct instance of Godwyn expressing any sort of will or intention post-soul death. If there were further evidence of Godwyn doing anything intentional, this point would be a stronger argument. As it stands, this is essentially circular logic: "This is enough evidence of Godwyn taking action of his own volition and we know it because here he is taking action of his own volition." There are multiple instances in Elden Ring of a soul being essential to the higher functioning of a person. Ranni is purely a soul in a doll body, and is perfectly lucid and capable of higher thought. Sellen's puppet body is lifeless until her primal glintstone is inserted into it. And most damning of all is the case of the D twins, who share a soul, and as a consequence, only the one with the soul can be awake. The evidence for awareness and lucidity of bodies without souls is vanishingly thin. Those Who Live in Death do little else but fight, while other mob enemies can be seen praying, grieving, foraging, or even begging us for their lives.
-Godwyn is the Prince of Death and this is a death spell, which we can find on a scarab on the way to his second corpse in Stormveil
Counterpoint: This relates back to intention. We do not know if Godwyn wants anything, much less to be this 'prince of death' or if he would rather not be relieved of his suffering. Additionally, this spell is a once-forgotten hex rediscovered by Necromancer Garris. Garris may be Tarnished, as his eyes are not gold or blue, which are the colors of the graceborn natives of the Lands Between like Tanith or Thops, or the Carian associated natives, like Sellen or Seluvis. His eye color is quite similar to a few of the Bloody Fingers, who Yura tells us are Tarnished. The reason this is relevant to it allegedly being Godwyn using this spell is that, if this spell was rediscovered by a Tarnished, it is less likely that Godwyn would be making use of it as it would have been lost knowledge when he was alive and aware enough to learn and use it.
Even if you do suppose that his undead form is aware enough to learn this spell, you then have to justify how he learned of it if this necromancer is the one to rediscover it. It's tempting to say 'well duh a necromancer might come to Godwyn's corpse', but then you have to justify that. Here is where we may concede Garris was at Stormveil at some point, given the spell is found on a scarab there. So there is the possibility of him communing with Godwyn's second corpse. However, again, we run into the issue of awareness. This second corpse is not yet full grown, still lacking eyes and half of its body. Is it capable of relaying such information back to the original corpse at the base of the Erdtree?
For these reasons, it would be more straightforward if Fia is the one using the spell. We already know she is capable of death sorceries(and may be extremely competent with them, as she has crafted her own), and we know she is most likely a more recent arrival to the Lands Between(relative to Godwyn) given her exile. This, combined with her interest in death, would perfectly explain how she may come to be in the company of a necromancer and learn a spell like this.
-The spell is cast without a catalyst so it must come from a more powerful source than a Tarnished like Fia.
Spells can be cast without catalysts and there is precedence for that with Sellen's body in Witchbane Ruins. If you attack her while she's chained up, she can still summon a phalanx which appears overhead the same way as this rancor, all without even using her hands or waving an arm. I believe when the Nox Maidens use their mists, it is also cast without a stave.
-Fia says, "Godwyn is that you dear?" when the spell is cast.
This isn't 100% accurate, because she says this even before the spell happens.
Points against it being Godwyn, plus counterarguments:
-This manner of death spell is not linked to Godwyn, lacking the signature gold and black particle effects of sorceries like Fia's Mist or Death Flare, and using instead necromancy/ghostflame. It's also weird that, rather than a spell he doesn't simply blight us the way Rogier was blighted in Stormveil.
Counterpoint: Fia's Mist would cause similar ambiguities about who is actually casting the spell. It's also possible the devs care less about these distinctions between types of death sorcery, or that Godwyn is undiscerning. They may also not have had the time to insert a special, unique attack for Godwyn, and just used something readily available which was loosely related to death in a broader sense than specifically those living in death. They may not have used deathblight as was seen used against Rogier since it would be an instant kill, and they want to give you the option to kill Fia for some reason. -If Godwyn is hoping for the mending rune to be made by Fia, it would have made sense for him to also attack Devin both when he first took the cursemark from his flesh, and/or when he came to Fia as she was making it. Counterpoint: It could be that the weathered state of the dagger is evidence of Godwyn having retaliated against Devin, though it must also be noted the weathering may simply be a result of being used on Godwyn's cursed flesh. It may also be that Godwyn did not care to retaliate when Devin returns, because Fia is already dead and the rune is already made. This would, however, indicate he doesn't feel much in the way of anything sentimental for her, given he's apparently okay with Devin harming her corpse.
-Fia is a death sorceress while Godwyn is only known to have been associated with dragon incantations(primarily via his knights and his personal friendship with Fortissax).
Counterpoint: Godwyn learned these spells after his soul died. (This reasoning has issues outlined up above, primarily with intention and the question of how lucid a body can be without a soul given what we know of this world's lore around that).
-We simply do not know enough to say that Godwyn wants to be Prince of Death, while it is something advocated for by Fia, thus giving further reason for the spell to be her defending herself as opposed to Godwyn defending her.
Counterpoint: His inner circle of knights defend his divided corpses and await the Age of the Duskborn. However, it must be noted that this is AGAIN not something evidenced to come from Godwyn's own intentions. His knights are loyal and will serve him until his death and he is simply not dead, given his body lives on. There's also the fact that, in life, Godwyn could not know this was going to happen to him, or that the cursemarks could be used to form a rune, or that his body would sprout deathroot and create TWLID, or that he'd even be killed at all. So he could not have the intention to become this Prince of Death when all the things making that possible occur after his soul death and we again come up against the issue of intention.
-Thematically speaking, preserving the lack of response from Godwyn also preserves the exploration of one's agency in Ranni and Fia's own stories. Godwyn hangs over the narrative but is not a participating force in it the way Ranni and Fia are. Both are linked closely to Godwyn, and their connections to him are all about their own lack of autonomy, and how their treatment of him resolves their struggle for self-determination while robbing him of his own.
Counterpoint: If we accept Fia is making this rune because Godwyn wants it, she would be returning his autonomy and thus be a 'cure' for the consequences of Ranni's action. The tragedy of his undeath would become a source of power for him instead, returning control over his own fate to him. However, this again feels like it runs counter to the point of his story, given that the Duskborn arc is not about giving new life and purpose to old things but rather preserving and clinging to that old thing and forcing it to carry on. The role of a deathbed companion is explicitly NOT about the creation of something new, but the preservation and rejuvenation of something that's already had its time AT THE EXPENSE of something new(an old noble reborn instead of a new child having its chance at life). It is not unlike Radahn with Leonard - Fia sees in the undead not miserable wretches being forced to cling to a diminished halflife, but beloved children for her to mother, as she was robbed of having any for herself after her expulsion from her homeland, and conditioned into seeing the dead as something to be mothered rather than mourned and laid to rest.
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nightmarerodent · 10 months ago
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Did someone say more Kombat Kids? No? Too bad!
Kenshi and Takeda make the same “tch” sound when they are annoyed.
Cassie has been kicked out of multiple bars for punching dudes in the face when they won’t leave her/other girls alone. Like father, like daughter.
Cassie runs a TikTok account where she cronicals the random misadventures of the SF squad.
Most of the technology at the Shirai Ryu was pretty dated growing up, with entertainment mostly consisting of old VHS tapes and a few dvds, so Takeda mostly grew up on 80’s and 90’s media. His favorites were Crocodile Dundee and The Golden Girls.
Jin has a collection of souvenirs he’s gathered from every mission. These range from cool looking rocks, dropped weapons, or even small bits of uniforms from fallen foes. He can recount the stories related to each and every one of them and delights in doing so if someone asks.
Everyone agrees that Jacqui is the most terrifying member of the team because she does not need some kind of special power passed down from some mystical ancestor to beat the crap out of someone. She has fists for that.
Frost suffers from frequent nightmares and when they get particularly bad the only thing that can lull her back to sleep is a very specific recipe for hot chocolate Kuai Liang makes.
Takeda has an irrational fear of those antique porcelain dolls so naturally when Jin found this out it became his life’s mission to lock him in a room full of them.
Cassie once made the mistake of admitting that she had really wanted a brother growing up and Takeda and Jin spent the rest of the day annoying the shit out of her to “show her what she missed out on”.
Sonya once tried to enforce a swear jar to encourage professionalism amongst the team but that ended when Frost and Jin put $50 in the jar each and just started yelling “fuck” at the top of their lungs repeatedly for an hour.
No one encourages the chaotic nature of the kids more than Kung Lao. Watching them give everyone else a hard time brings him a sort of joy that he can enjoy only describe as “payback”.
Kung Lao is the one that made the engagement ring Takeda gave to Jacqui. It is one of his proudest works and keeping the whole thing secret was difficult because Jin kept trying to butt his nose in trying to figure out why his best friend was suddenly spending a lot of time talking with his uncle.
A lot of the grunts working for the SF have a distrust of Takeda due to his status as an outsider and a Shirai Ryu, some even thinking he’s just there to spy on them for the clan. No one voices these complaints though because the last guy that did got the snot beat out of him by Jacqui. Same thing with the person who said Cassie only got her position because of her mother. Now everyone keeps their mouths shut and stay far, far away from the specialist.
Both Frost and Takeda are completely incapable of sitting in a chair normally. Takeda always perches on the arm or on the back of a sofa or bench, while Frost is always sitting sideways, leaning back against the arms.
Jin first thought that most of the team only ever tolerated his presence which caused him to act out, further alienating him from them. Frost of course saw right through him and called him out on it privately. Since then he’s been getting better at recognizing that the others actually do really want him there and enjoy his company, but sometimes the insecurities rise back up.
Hanzo found out Jacqui was dating his Chujin by visiting him at the SF base one morning, and was about to knock on his door only for it to open revealing Jacqui, who had very clearly spent the night, dressed in one of Takeda’s shirts, about to leave. That was a very, very awkward morning and a very embarrassing conversation that they do not speak of.
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