#only one more in the ask box

[hold-him-down]

Either 9 and/or 14 for the ask game please ! Stuck in an elevator + losing something valuable ✨️

Lock a few of your characters in a broken elevator from this ask game

The elevator screeches to a stop somewhere between the 11th and 12th floor of Capitol Place, which is particularly inconvenient because it’s midday rush, and so it’ll take a few minutes for maintenance to come and free him.

Luke’s annoyance comes out in an tense huff of air, at the same time that a man, full suit and thick Russian accent says, “This fucking thing,” and pushes the call button no less than fourteen times.

“I think we’re stuck,” Luke says lightly as he texts Leo about missed lunch. 

The man levels a particularly icy gaze on him. “No shit.” His accent is more pronounced, with a pause between each word. 

Luke waits a beat and then smiles. Lovely.

He busies himself by looking down at the pictures Leo sends back to back of a singular duck he spotted carrying a stick that had to be 3x its length. He can feel the man’s eyes on him, but he doesn’t look up.

“You are Senator Bennett?” the man says then, and Luke puts his phone away. 

He recognizes the man immediately, the patriarch of a big mob family that mostly runs out of Maryland. Which, if he’s going to be stuck in an elevator, of course it would be with this man.

“And you’re Mr. Petrov?” Luke extends his hand and Petrov takes it, shaking it, then holding on a little too hard. “What brings you all the way out here?”

The man smiles, genuine, and shakes his head. “You would not fucking believe me if I told you,” he says then.

Luke takes the bait, squinting into the camera in the corner. “Try me.” He keeps his voice casual.

“If you insist,” Petrov responds. He clasps his hands together, the former agitation completely wiped from his features, replaced now with a look that could only be described as undiluted glee. It’s a little bit alarming, and makes the hairs on Luke’s arms stand up.

A sound whirrs as the elevator begins to power back up.

“You have something that belongs to me,” Petrov says then. “And I came to see about getting it back.”

Luke’s heart skips, and he stares straight ahead.

“Is that a fact,” he says. And he knows, as well as he knows his own hand, he knows to what Ivan Petrov refers. 

Ivan smiles again. 

“Has he been a good–”

“I say this, not as a threat, but as a promise,” Luke interrupts him. His voice is deadly, his gaze fixed at the elevator doors. “I don’t know who you’re paying off to keep things under control, but I have power, too. Stay away from me, and stay away from Leo, or I will use every bit of favor I have with every person in this country to end your, and your family’s, operation.”

He doesn’t say what he’ll really do, but it lingers in the silence between them as the door opens.

“Tsk, tsk, Senator Luca. I did not intend to strike a nerve. On the contrary–” Ivan steps out of the elevator, and Luke clutches his phone tightly in his hand “–I just wanted to introduce myself. Please, give Leo my regards, and tell him I miss him desperately,” he says. “And, if you would, please let him know I look forward to his return.” Luke takes a step toward him just as he retreats into the office of Senator Jacobs, of Maryland.

[umblrspectrum]

part 4 of a lot funnier in my head than on paper

[inkynightmaresau]

》FIRST《

》PREVIOUS《

》NEXT《

[askblueandviolet]

Obstacle appears in front of Blue! There are letters on the ground!

"You can pass this way only if you be honest!"

"Did you want to pull macaque? Wanted to cuddle him and sleep together like before?"

[r0semultiverse]

Hey, Jake & Jack fans, is this anything?

Both men imprisoned (literal & metaphorical).

Both offered an out from their current predicament by an outside force (arguably in the case of Brain Ghost Dirk).

Both have loose ties to Lord English visually.

Yellow initial glow & Gamzee involvement too.

Sometimes a guy just needs to explode (same pose too).

Both dual wielding weapons.

That same said weapon type (for Jack Noir) having killed Jane Crocker.

It's really looking like Jake is going to do her in.

I would also like to point out that we've had interactions involving these three (Jane, Jake, and Brain Ghost Dirk) before that consisted of similar topics & themes.

Brain Ghost Dirk implying that he's just there as moral support, a manifestation of Jake's powers, and as a coping mechanism. Jane also talking about ruling an empire with him while talking down to him, similar to how she saw and/or still sees him in Beyond Canon's Candy timeline. Jake also being uncertain about doing anything to harm her despite all the bad things she's doing.

Brain Ghost Dirk going away tells us that Jake's more hopeful than he's ever been. This is the moment where he is the most sure of his decisions than he's ever been in his life, whatever those decisions may be in regards to Jane and how to handle this situation.

He is probably going to shoot Jane down, quite literally. I would also argue that after all this time, the lad isn't beating the Lord English allegations. We might as well have a parallel of him killing Jane much like how Jack Noir killed her right before he got possessed by Lil Cal & given some of Lord English's immense power.

Alternatively maybe we'll get to see what the power of hope or hope bullets can do to someone whose done so much wrong & come so far off the deep end in terms of moral wrongdoings. Maybe with every shot that hits her, she'll begin to be swayed to the side of good & start to self-reflect.

I'm still not fully convinced that Gamzee actually cured Tavros' peanut allergy, I mean just look at the panel.

This could absolutely be interpreted as Jake injecting his hope power into the epipen and by proxy injecting both his power & the epipen into his son! If younger Jake is strong enough to defeat Grimbark Jade, then adult Jake might just be strong enough to defeat a peanut allergy is all I'm saying! In fact, now that I'm rambling about it, this seems like the more likely outcome is Jake's hope power swaying or (in the very least) confusing Jane mid-fight. Hope bullets, they would look cool & would be pretty strong!

The power of believing in others & wanting things to change can be a strong tool indeed, Mister English.

If there's one person who still believes in changing Jane's mind (or bringing her back to proper canonicity depending on how you interpret the recent lore), it would be Jake English, the believer.

Okay, maybe this is something! Tally ho!

[bellart]

Does anyone else appreciate strawberry blond Jason Todd

😭😭🤲🤲

[lonichedgehog]

cowboy bebop x trigun crossover pls :3

Well anon, you didn't specify how the crossover needed to be so I indulged a little.

Thanks for the request! :>

[angelhummel]

We were robbed of Rachel berry’s villain arc.

thats so funny cause if you ask the genpub, the whole show is rachel's villain arc alksfjdskl but they'll never get her like we do <3

[bidisaster-peanut-romano]

soo hi everyone!! i'm back on my bully essay/meta/something writing!! sort of. i did this.

anyways anyone who's been on this page for some time know how from time to time i have insistently mentioned the parallels between lola and peanut, right?

welp! that was a joke but the time has finally come!! a super-pretentious essay just for the fun of it!! (and also bc i haven't been writing actually argumentative texts in like months perhaps a year, so. yikes, i really need to practice again)

word count: 2.2k WOAH. IM SORRY

i, in my corner, with my monstrous needs. — susan sontag, as consciousness is harnessed to flesh

take this quote both as a title and an anticipation of what is to come. the essay will be distributed analyzing first the dependence of each of them on johnny, to then draw comparisons. i'll make sure to steer as away from headcanons as possible, sticking closely to the source text. obviously, some things' interpretation might be ambiguous, but, you know. your usual occupation hazard.

also, a disclaimer before we start: while they are psychologically complex and there is always a mimetic intention in developing them, these are fictional characters, and, as such, their primary function is to be vessels for different themes, questions and so forth. therefore, i will prioritize meaning and themes over moral implications and similar elements.

i. peanut

for how much i can adore talking about him, the way peanut depends on johnny is very much on the nose; worn on his sleeve, even. in 11:11 minutes of voice lines, he mentions johnny 30 times.

many interpret this as the caricature of a boy crush, but i have reasons to believe it is much less cute than that.

the problem is that, really, more than trying to identify specific situations... peanut seems to rely on johnny for a significant part of what he does. when he does good at dodgeball:

Look at me, Johnny, look at me!

almost like a child calling for his parent's attention to be praised. he calls johnny's name when he's going through hardships, when he's scared or when he's sad.

more than someone he just loves, johnny is a point of reference. whenever there's something going on, whenever he does or has to do something, his first thought goes to johnny; vice versa, what johnny asks of him is his priority.

I gotta tell Johnny! No time. I gotta see Johnny now. Gotta help Johnny. What can I do next to please Johnny? I mean Lola! I mean…

(this also goes in a "negative" direction, envy being the other side of the medal to adoration. especially because, in some way, this reliance on johnny might be felt by him as emasculating, and, being johnny his model of masculinity, adding it to the napoleon complex thing, it's not hard to guess why it can be so unpleasant. we can see this manifest through some of the things he expresses in regards to lola- not as much an interest he has towards her, but the interest he wishes to have from her- which are a bit more different than it might seem at a first glance. but this is a mouseketool we'll need later. still:

Last time I saw her, Lola made eyes at me, not Johnny!

do we really need this part? heh. i'm not sure, but it's always good to point out)

(also, just because, for the purpose of this analysis, it might be useful to specify: while these sentiments are very much implied in peanut's canon quotes, we have no evidence in canon in what measure they are reciprocated by johnny. the fandom has universally agreed that johnny also views peanut as his Best Friend In The World; while in some measure, they must be at least a bit close, i think it is even safe to say, given the caricaturist nature of bully's characterizations, that johnny holds peanut in less consideration that peanut deludes himself into believing. quoting another post of mine, the kids who show some level of obsession towards their leader mention him on average ten or less times (gord mentions derby eight times, parker six times, kirby mentions ted five times). the leaders don't usually make names at all, that much is true; however, peanut mentions johnny 30 times, and, even in front of this proportion, johnny mentions peanut 0 times. just to make that clear)

overall, what undeniably shines through his voice lines is a feeling of general inadequacy, whether about his height, or his strength in front of a bigger adversary. the audios in which he tries to show off range from being disingenuous, to straight up improbable.

crossing what we have until now said, it is not hard to come to the conclusion that he really tries to make up, to fill this empty feeling of inadequacy by taking pride in his role as johnny's second in command.

while i am a big fan of bully's characteristic of having left much content out of the main game, leaving the gamers to dig it up for themselves, i do believe that scrapping some of the stuff that was prepared for peanut is a loss. we have a number of voice lines coming from chapter 3, in which it was heavily implied how important peanut's role as johnny's right hand man was.

for example, much like... all other seconds in command, really, he was to be followed and then fought in the rumble, before you could get to johnny, with the specific duty to cover his back. even his very first scene, the opening cutscene of chapter 3, i believe, is not to be underestimated. most of the other people, as far as i recall, call you when they need it in person; johnny, however, sends peanut. making him, de facto, an extension of himself, almost.

again, you choose the motivation. what is important, from a narrative point of view, is that peanut clings to johnny through these acts of service, almost making it the foundation of his personhood.

basically, he makes it so that, if he can't be of help to johnny, his whole self is fundamentally annihilated, giving himself completely to johnny.

ii. lola

with lola, reading between the lines gets a bit more difficult; first of all, because lola is much less transparent than peanut, her insincerity being a supporting beam of the whole chapter 3. secondly, whether she was done dirty by the creators or not, it is undoubted that being the perspective that of a teenage boy (namely, jimmy, but we certainly, as viewers, are brought to sympathize more with johnny than with lola) with all the prejudices it can bring with itself.

however, it doesn't mean that there isn't anything to work with- quite the contrary, actually. the issue with lola is that there is a certain amount of layers to get through before gaining a satisfying perception of her as a character. still, we're here to try our best, aren't we!

even behind the muddiness of her intentions and the manipulation she shows herself a master at, it is clear from the second we first meet her that what she does is in function of johnny.

to get through this mess with order, we'll start from an easy, measurable numeric information: lola mentions johnny in her audio files 19 times. which, we're assessed, IS a considerable amount.

we have extensively talked about the way her cheating patterns are a strategy not to succumb to the passive role of the girl in the heteronormative, patriarchal prototypical couple (there's a post here breaking down a lot of this stuff, if any of you is interested!!), so, instead of this, i want to focus on what lies beneath that behavior.

ultimately, the whole point is that lola expects and wants johnny to fight for her. whether is it because she feels taken for granted, or just because he can't perceive it if not through grandiose gestures like the rumble- your interpretation will work; she wants to see johnny fighting nail and teeth not to lose her, she wants him to show her that he wants her.

she's all about that attention, and she knows exactly what and how to do to get it. and i think this is especially clear when you compare the moments in which she knows there's no advantage she could go for; when she has understood that jimmy won't fall for her manipulation, when algie and chad leave her unsatisfied, when norton openly accuses her and antagonizes her - she loses her temper, lets go of that sweetened and/or flirtatious voice tone, abandons that specific kind of gesturing. she doesn't care anymore about obtaining something. she was actually angry, and she was actually upset that johnny had disappeared.

in some of her audios, she references johnny with some amount of fondness, as well:

Johnny and I were on the best date ever.

(there is also a voice line in which she says "He told me he likes me because of my personality. Isn't that sweet?"; due to it being a general chatter and not exclusive to one chapter, i assume it is relatively safe to assume she is quoting johnny. however, as i said at the beginning, we're trying to stay as close to canon material as possible, so, do your thing- and i'm open to arguments!!)

a considerable amount of audio files, however (which will lead us to our final point) is about her... calling for help for johnny, or stating, confidently, that he will come save her, or avenge her later.

Someone get Johnny! Johnny's gonna get you for this. Johnny is gonna kill you!

but wait... i have some sense of déjà vu...

You're gonna be sorry when Johnny finds out!

iii. two faces of the same medal

if i had to pick an effective image for a metaphor, i'd say that the thing about lola and peanut is that they are both dogs looking for someone to take their leash; we’re talking here about an exclusive relationship with someone they can rely totally on, someone we’ll call the Other (with a capital o, distinguished from just other. yes it is unnecessarily complicated i’m sorry).

for what my professor would call accidents of history, it happened that both of them found that Other in johnny.

each of them attempts at creating an exclusive relationship with the Other, one foolproof and fundamentally… perfect. perfect in the way that everything works like oiled gears, in the way that every next move is predictable, in the way that any accident will not break the created equilibrium. (even if, in the general sense of the term, lola and johnny's relationship is everything but perfect, it is in the connotation that we have established here. lola is aware that, no matter what she does, johnny will come back around. hell, the very thing that she does is aimed at keeping that balance; specifically, keeping him a bit on the edge, pushing him into a corner where he has to actively make an effort to keep her close.)

they both hide something they are ashamed of, regulating not only their actions and reactions but their very way of existing in the world, in order to keep that gear working, in order to remain in johnny's hand. lola hides that craving for a genuine and stable affection, dissimulating it with the cheating and the fatuous physical demonstrations of closeness; peanut hides his sense of inadequacy and complex of inferiority, by being the tough and reliable second in command.

basically, what they mean to achieve is a sense of security, the safety of not really being the one to lead but, at the same time, finding a purpose, other than a shield from the outside world that they are not willing to concede themselves to. like a... symbiotic relationship?? i was going to say parasitic, but, yknow. the Other does get some advantages, which are, respectively, peanut's acts of service and lola's capacity to boost johnny's pride.

now, of course, johnny is not aware of either of their play. which makes it even better, since, as we already said, both of their approach to the relationship needs some degree of insincerity.

like, i don't deny that johnny might be a good friend, or a loyal one. but he is an oblivious, prideful fuck who can't see past his own nose; he's got a tendency to make it all about himself - which of course goes perfectly with what we said about both peanut and lola making the Other their center, taking up, in a certain way, a passive role in the relationship.

this way, both of them aim at creating with johnny a relationship that is, in a way, codependant and conditional, in which the do ut des (their respective "service" ↔ johnny's guarantee of stability) creates the foundation of the very relationship.

this, of course, brings up the problem of exclusivity; on which, however, i prefer not to delve into too much, as this would bring us to the topic of their antagonism which... isn't really what i wanted to go for, at least not here. (it would risk bringing us a bit too close to my subjective interpretation and too far away from the canon, which i PROMISED i wouldn't do. however, someday i might elaborate on that??? idk , please do lmk if someone's interested around here)

i will, however, show you a diagram (it looks like a triangle- i guess it is, but it is VERY important that it is a pyramid, with a top and a larger foundation) and a quote, to wrap this up bc i think it is already WAY too long and ramble-y lmao. let me know what you think anyway, my ask box is always open <3

it almost feels like a joke to play out a part when you are not the starring role in someone else's heart you know i'd rather walk alone (i'd rather walk alone) than play a supporting role if i can't get the starring role -- starring role, marina and the diamonds

[xxri]

tell us abt ur prsk unit....

it seems i ahve been found by prsk oc tumblr helloo. girl band with something very wrong. more under the cut i guess

helloo.... garden of eden posting.... vkei band that mostly plays vocarock and metal (i dont really know specific genres Heart emoji.) very much inspired by leia by yuyoyuppe I LOVE LEIA.

they don't really shoot for a huge goal like the other units they are all learning to love playing music for themselves and not for fame or whatever. they play together just for the sake of it ^_^ ive posted everyones profiles but here are their ref sheets

they have a cover song list here ^_^ (many of these would be rearranged but do u see my vision....)

and voice claims . i kind of designed all four of them with the singers in mind i am a #Big fan of all of them. ruri, tsubaki, kanna, sumire

also vaguely inspired by musicians i like ... i wanted there to be more obvious references in their unit outfits but i guess i can do that for card sets (if i ever design any)

as for story ......... idrk how to summarize their story on a surface level WHAHA . ruri is a vocaP and recruits the others to form a band for fun. tsubaki is her childhood friend, sumire is a huge fan of her music and brings kanna along (BAD IDEA) 99% of the problems in the band are caused by kanna arguing with everyone over nothing

at first the focus is on tsubaki and the others helping her search for her true passion before she graduates. she joins the band to spend time with ruri, she doesn't actually gaf about music (she doesnt gaf about anything) but slowly learns to love it and enjoy being in the band.

everyone else has their arcs, kanna is very annoying and pretentious and wants to be popular while the other three are like "hey man. maybe being in a band isnt all about fame ^_^;;" sumire is a total beginner at music and is seen as "weird" but finds friends who accept her, ruri arc happens much later cuz everyone else is just learning things she already knew. but she learns to be more honest with everyone.

basically they all join for superficial reasons and eventually learn to really truly love music ^_^ also the sekai is haunted mansion ish and the vocaloids are all ghosts Here is miku and flower probably. i am very indecisive on how they will look

ermmmm Idk what else to post. relationship chart and ruri and sumire instrument models (Ruri stolen from toko kirigaya #I LOVE MORFONICA!!!!!!) idk anything about drums or violin models so they just get whatever. their main motif is flowers i guess but they're not very flowery that's mostly just ruri's influence being a big flower fan. ok i will not make this post longer than it needs to be Thank you for asking i love my daughters ^_^

[arttsuka]

You don't have to draw all the requests sent your way! As you get more popular (and you will because your art is good) that will become literally impossible to do. I promise you not a single art blog answers every single ask.

But, but I HAVE to you don't understand :( the pressure is killing me, I don't want to disappoint people

[winn-wynn]

hm, 💚 and 💖?

- armadilloradio

💚: Percy Weasley my beloved in so sorry that people who aren’t Percy stans don’t understand your complicated relationship with you family. I feel like people want to take things at face value. They want to see black and white and take sides. Family relationships are very complicated and we are seeing things from Harry’s pov. Of course he’s going to take Arthur’s side. He sees no reason to go against the Weasleys because they took him in and everything. (I mean he was an abused child. The Weasleys aren’t perfect but Harry would probably defend them till the day he dies.) It also doesn’t help the siblings he usually hangs out don’t like Percy that much. (I get sibling humor but some of what they say about him is kinda of mean)

💖: I feel like all my opinions aren’t that unpopular in a way I feel like they’ve been discussed before I think. I don’t know I guess I really wished Harry didn’t end up with Ginny. Like ginny is such a good character. But because jkr has internalized misogyny, she can’t write female characters that well. So Ginny is treated as an afterthought. Honestly, she hates seeing women perceived with “feminine” traits. Like the main female characters are given “not like other girl traits.” So I do feel like the females aren’t given great treatment. Honestly, she writes like a male manga writer. They can’t write women so all the main characters (who are male) tend to have deeper relationships with their male friends. Honestly it would have been interesting if Harry didn’t end up with anyone.

[kordbot]

Benny!!!! Love how you draw the guy!!! Your art is wonderful!

AUUUUUU WEEPS THANK YOU ANON !!!! <3 have a quick sprite redraw ! [:

[capricioussun]

Been thinking abt this a bit lately, and I haven't wholly committed, but if for no other reason than curiosity's sake, if I did some sort of like, romance hc / self ship focused "ask event" on my ship blog, would that be smth anyone's interested in?

[thirteenemeraldcats]

Roses for use whenever!

*kicks WIP pile under the bed* DON'T LOOK AT ME.

I haven't had access to any of my WIPs for over a week, so, what's a dumb-dumb to do? Start more!

Jamie whimpers again, the sound muffled from where his face is pressed tight against Roy’s abdomen, as the bus rocks slightly beneath them. Kenneth has been careful since Jamie first went down, cautiously easing the coach to a gentle brake rather than the somewhat haphazard way he usually approaches deceleration, but Kenneth's efforts and his Coaches’ careful hands still aren’t enough to protect Jamie right now. His player’s obvious distress raises a frantic sense of helplessness in Roy, and he has to tear his eyes away from the walnut-mist head he’s cradling in his lap. Instead he stares straight ahead, studying the uncharacteristically subdued Greyhounds scattered in front of him. Between their unfamiliar silence and the eerie glow of fluorescent red lights filtering in through the front window, cast from the traffic light that’s ceased their steady progress home, Roy doesn’t find the reassurance he was looking for. As that violent red glow changes to a vivid green and the bus again resumes it’s forward motion, Jamie doesn’t make any more noise. Roy wishes he could delude himself into thinking that means he isn’t in pain but his eyes have caught on the shaking of Jamie’s bloodless fingers where they’re curled into a claw, desperately digging into the meat of his side.  Jamie’s still hurting. Jamie’s trying to be quiet.

[shirogane-oushirou]

no promises anymoooooreeeee i'll appear online when i appear online 😭 every time i say "ooh i think life is almost done being overwhelming!" it. becomes even more overwhelming in the dumbest ways. all i can manage rn when i'm not stressing myself into a shut-down state is staring at the wall while listening to youtube essays + mindlessly crocheting.

i might queue up ppls art and fics w/o commentary in the tags... i want other ppl to see what all of my cool friends have made, but i genuinely can't think right now with this monstrous brain fog. i'm really sorry, just. yeah. maybe i'll think of some way to make it up later!!! once the dust has settled!!!! but until then i wuv u and miss u. smiles.

[venting in tags including familial manipulation and ableism. i. didn't mean to write all of that, thiss was originally going to be a main blog post but. aaaaaAAAAAA!!!!!

also no need for replies or anything, i'd turn them off for just the one post if i could kjsndkn, i just needed to get things out and go eep jsjndsfdn ok bye bye bye bye!!!!]