#only a handful of them live

[hirudou]

when they were hatched btw they were so tiny, and like 60% of their body was see through. isnt that so cute, can u imagine tiny palm sized babie merfolk…

[stuckinapril]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[golyadkin]

I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr

not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work

believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody

[sunderwight]

SV AU where Shen Yuan transmigrates into a dragon.

It's not so bad, at first. He's an extremely magical sort of dragon so he can easily take on a humanoid shape, and he has dominion over an entire mountain, with a magical gate that leads to his palace. Said palace has a fully stocked treasury, a library, garden, etc, with the only real downsides being that the place is kind of huge and very difficult for a neet with limited housekeeping or landscaping skills to keep up with. The original dragon had enslaved a bunch of fairy spirits to do it for him, but since Shen Yuan has moral objections to that, he'd let them all go and they'd run off before he could even think to offer to hire any of them as paid employees instead. Not that he can blame them for being in a hurry to get gone.

He does his best, and generally enjoys being a dragon lazing on his mountain, or wandering the beauty of his palace and investigating the books and scrolls kept there. He doesn't actually seem to need to eat or drink, so that's not really an issue, and nobody looks keen to bother him. But after a few months the dust starts to really pile up, and trying to figure out how to do his own laundry without modern equipment leads to several disasters, and even though he doesn't need to eat he's starting to think it would be quite nice to have a fancy sit-down dinner and enjoy it for its own sake anyway. He has an enchanted larder but his food prep skills aren't up to much.

So, Shen Yuan ventures away from his mountain. He keeps to his human disguise when he's not traveling, and at first tries to hire on some help from a nearby city. But when he explains that he lives on the mountain, he realizes the difficulty, because everyone in the area knows that only the dragon lives there. So they all think he's either a liar or a fraud, or some servant of a nefarious supernatural creature angling to trick and possibly devour them.

Shen Yuan tries approaching another town in his dragon form, to see if anyone will actually deal with him if he's being upfront and honest about the situation, but the townspeople just panic. He returns to his mountain to rethink his strategies, and in the meanwhile the alarmed locals hire a swordsman to go after him. The guy gives him a few very painful cuts before Shen Yuan mostly-accidentally sends him careening into a boulder. One broken arm later the swordsman is gently persuaded that the pay he was offered isn't worth the effort on this job, and leaves.

Discouraged, Shen Yuan decides he's gonna give this one last try. He picks the second closest city, flies up, and is like yes hello, yes I am indeed a dragon, no I'm not trying to burn down your walls, yes it would be excellent if you stopped shooting arrows at me, look they don't even get past the scales? It's kind of silly? Okay, yes, thank you very much. Good. Now, the thing is, I'm looking for some people. I want to take them back to my mountain with me, to my incredibly nice palace, and -- what was that? A princess? No no I don't want a princess, what would I even do with one? If anything I'm looking for the complete opposite of a princess!

Anyway, the locals take this to mean that the dragon is demanding a sacrifice in the form of a pretty boy of no particular pedigree, and Shen Yuan takes this to mean that he's finally made his case clear and they're going to dig up someone who is willing to overlook his being a dragon in exchange for free room and board and fair wages out of his massive treasury.

SY's a bit disheartened when the entire city could only apparently turn up one such person -- an underfed teenage boy who looks at Shen Yuan like, despite the situation, he is still expecting to be eaten at any moment. Poor thing! But at least having one servant means he can potentially get more, especially if it all goes well. The lad can tell others that working for a dragon isn't so bad! Well, provided that he doesn't give up in alarm at the state of the mountain palace.

For his part, Luo Binghe at first thinks he's definitely going to get eaten, and then that this dragon is weirdly nice about planning to eat him, and then that maybe the dragon has other (even less savory!) plans for him, until finally he sees the state of the dragon's laundry and the foot-thick layer of dust in the corners, and gets completely distracted. Mortal terror forgotten, those floors should not be that filthy, Lord Dragon respectfully that isn't how anyone should prepare rice either, but oh Binghe has never seen a kitchen so nice before in his life...!

Anyway, needless to say, it works out just fine.

[justaz]

merlin (immortal) giving arthur (pendragon) the only blade that could kill him

[ohitslen]

Living together.

The snail video if you are interested :)

[bathylychnops]

hrgkk uauugh

can love bloom between the worst two guys nobody likes even alittle

[vecnuthy]

decode

@steddiemicrofic June prompt: stuff || wc: 483 || G || established relationship, moving in together, language, Eddie being chaotic

Confused, Steve grabbed the keys he'd just set down, and -- yep, right apartment number.

When Steve had left their brand new apartment that morning, he'd known that Eddie and Wayne would be relocating their things from point A(ll yours now, Wayne!) to point B(abe, this is ours. Ours.), but Steve didn't realize--

"Eddie?"

The apartment had been completely empty that morning when he'd left for work, the mattress that Steve had tied to the top of his Bimmer ("I'm not sleeping on the floor.") and yesterday's clothes being the only things left behind. Now, however, Steve wondered if there had been some kind of mistake with a hypothetical delivery service that he knew Eddie and Wayne definitely did not hire, because there were mountains of boxes in front of him. Towers. A miniature King Kong would have a field day in this apartment, and Steve could only stare, overwhelmed by the amount of....everything.

Until, finally, a familiar head of hair popped out from behind one of the towers.

"Eddie, is this really-?"

And then Steve's face fell, lips pursed at the sight of his boyfriend, blissfully oblivious to Steve's presence, absolutely jamming to the music blaring from the headphones clamped over his ears. Steve bit back a laugh at the guitar solo that Eddie vocally mimicked with his eyes closed as his air guitar got downright shredded.

Eddie bumped into a stack of boxes, then paused, hands held out placatingly to the swaying stack, and said, "Excuse me," before he went back to wailing along with the guitar in his head.

Steve could have taken him right then and there.

He settled for a light touch to get his attention, since it was obvious that Eddie would otherwise remain oblivious to Steve's presence, but when Steve touched his arm, Eddie's eyes flew open and the guitar wail turned into a banshee shriek, his arms flailing wildly as he fell back and into a tower of boxes in surprise. Steve tried to grab him, but it was no use. He followed Eddie to the ground, and the boxes crashed next to them.

"Jesus fucking CHRIST," Eddie cried, starfished on the floor, his chest heaving under Steve's hold. "Damn, Steve, you scared the shit out of me. I think I just lost five years of my life."

"I'm sorry," Steve couldn't help but laugh.

Eddie, winded, grinned back then winced and turned toward the toppled boxes next to them. "Hope those didn't have records in them."

Steve frowned at words scrawled on the toppled box. "It says The Prancing Pony?"

Eddie relaxed. "Sheets and stuff."

Steve's confusion only grew when he saw other names across the other boxes, until he landed on one that said Rivendell.

He knew that name.

"Why is Rivendell on that one?"

"That, my liege, houses aaall of your hair care stuff," Eddie smirked.

"....Eddie, no."

Eddie grinned wider and winked.

[pcktknife]

IQ

[puppyeared]

Design notes (+ a little Portal clownery)

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[kacievvbbbb]

Something about Vegapunk using the dna and blood of a caged and experimented on child to create more caged child experiments and the cycles we perpetuate.

Because what does it mean that all that King has left as proof, that the lunarians were real, that they existed as a tribe, as a people, are seven manufactured children he doesn’t even know about, enslaved as weapons to the government that wiped out the culture they’ll never get to be a part of, and Alber himself another enslaved child lost to something he’ll never fully know.

And what of the warlords? Already young once and hurt by their government, young again and slaves to it. Boa looking at a version of her practically pulled out of time stuck in her worst nightmare or Jimbei looking at a version of himself living out a past he escaped by the skin of his teeth but so many he loved didn’t, even Doffy once again at the mercy of the people that already abandoned him, has Kuma not suffered enough? Given enough, is this child version of him doomed to repeat the same path he already could not escape from . Property of the world government, beholden to the celestial dragons, this version of me that cannot go free?

It’s interesting that Vegapunk joined the government so that he could do the most good, but look at the long line of people right infront of him that he’s hurt with his own hands.

[hauntingsofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[delusionalbitchinthehouse]

Terzo's hands are always cold. I...I put angst in it. Sorry ?

"Your hands are cold, Cardinal," Omega remarks as he helps the man down from a ladder in the Ministry's library. Terzo, gloveless for once, a heavy tome tucked under his arm, glances up at Omega in surprise, then down at where his hand rests in the ghoul's much larger one.

"Ah, yes, poor circulation and all that. I apologize if it bothers you ; I forgot my gloves in my room."

Terzo makes a move to retreat his hand, but Omega holds fast to it. Bother him ? How could the man's touch ever bother him ?

"Not at all, Cardinal. It was merely unexpected."

Terzo's lips quirk up in his trademark insolent grin.

"I am full of surprises. And I told you, it's Terzo."

"Terzo," Omega corrects himself with a hint of smile in his voice.

Though the man cannot see his face behind the mask and hood, he seems to catch Omega's amusement, mismatched eyes glistening with glee at being responsible for the ghoul's pleasant mood.

His hand squeezes Omega's, coolness seeping under the ghoul's skin like a brand.

"I am going to melt my way back into the Pit," Alpha complains, collar obscenely wide open, almost down to his belt, mask long since discarted. Practice is running late, and the suffocating weather is getting to everyone.

Omega can feel his uniform stick uncomfortably to him, even with a few buttons left open - far less than Alpha still. The quint's mask, though, remains on.

"You sure you don't wanna lose the head cooker, 'Megs ? If you get brain-fried, no one's strong enough to carry you back to your room, princess."

Omega huffs and half-heartedly growls at the mouthy fire ghoul.

"I'm fine. And you've carried me before, asshat."

With a snort, Alpha petulantly crosses his arms.

"Yeah, no, not lifting anything in that weather."

Their banter is interrupted by a mildly entertained Papa.

"Enough, enough you two. You do look a bit hot, dear Omega. Are you positive you are feeling alright ?"

There is concern under Terzo's amusement as he steps closer, brow furrowed under the papal paint. He looks majestic, embracing his still relatively new role like this, easily slipping into the authority of his title.

"I promise I am fine, Papa, it is simply a bit warm."

With a sceptical hum, Terzo reaches out to press a bare hand on the side of the quint's clamy neck, gloves forgone in such a weather.

Omega ever so slightly sags into the touch, hoping that his fellow ghouls won't pick up on it. It isn't only the blissful coolness of the man's palm that warrant such a reaction from Omega, but the ghoul is not ready to look too much into it.

"I've been told my hands are cold," Terzo smirks, sparkling eyes crinkling in the corners. "Is it helping ?"

Omega's voice catches in his throat.

"Yes, Papa."

It certainly does send a pleasant shiver down his spine.

"Good. And it's Terzo, for Lucifer's sake," the man huffs, ignoring Delta's grumble about also being cold to the touch.

When Terzo pulls away, knowing smile tugging at the corner of his lips, Omega mourns the contact, eyes straying to the man's hands longingly.

Terzo tastes divine, and Omega is nothing if not a creature of indulgence, licking into the man's mouth like a beast starved for more of this addictive flavor that is so intimately Terzo.

Omega wants to devour him whole.

He paws at the man, blindly gropping his hips, his waist, his shoulders, growling when Terzo is forced to pull away to take a shuddering breath in.

"I've been...wanting to do this...for so long," he pants, paint smudged around his mouth. Omega groans, enamored with the pink the confession brings to Terzo's ears.

If he's being honest, Omega saw it coming. Ever since he started losing the mask in front of him, Terzo had seemed incapable of not staring at the ghoul, eyes lingering on his lips any chance he got.

"Me too," the quint sighs, promptly molding their mouths together again. His tail wags helplessy when Terzo's hands start to roam, deftly unbuttoning his uniform after a pause to ensure Omega would let him. The ghoul burries his nose in Terzo's neck, inhaling his scent, grazing his teeth against the delicate skin.

Terzo pushes the uniform off his shoulders, eager. Omega yelps, back hitting the closed bedroom door.

"Shit, fuck, sorry, are you okay ?" Terzo mumbles, eyes searching, hands stilling where they're splayed over his chest.

"Yes, fine. Hands. Cold. Surprised me," Omega chuckles, pressing a soft kiss under Terzo's ear. The man hums.

"Do you want me to stop ?" he teases, still tortuously unmoving. Omega grunts, letting his lips peal back in a playful snarl, thick fangs scraping more insistantly against Terzo's neck.

"If you stop, I might bite, Terzo Emeritus," he warns. Unbothered, the man tangles his hand in Omega's hair.

"Oof, the governement name. Please do, my dear Omega, I fear that sounded more arousing than you planed it to."

Groaning, Omega presses his forehead to Terzo's.

"You're impossible."

A sparkling, hungry grin as hands start to explore once again.

"That I am."

It's late, and there isn't enough light in Terzo's bedroom to see much more than vague shapes, yet he still traces Omega's scars and tattoos with perfect accuracy, raising goosebumps on his skin.

"Ah, I forget," Terzo whispers in the dark, head resting on Omega's chest, "cold hands. You're shivering, my love."

The quint grabs Terzo's wrist before he can withdraw his hand.

"I don't mind, Terzo, you know it."

With a content sound, Terzo keeps going, fingers skimming over the burn on his side, the latin sentence on his hip, the stretch marks on his belly, touch light and reverent. Omega exhales a pleased sigh, tugging Terzo closer until he can kiss him slow and soft, gasping when another cool palm comes to hold his face with a tenderness that could make his ghoulish heart burst.

"How did I get so lucky ?" the quint whispers in what very little space he finds between the both of them. "You are a dream come true, love."

Terzo huffs, white eye stark against the general darkness.

"I'd argue I'm the lucky one, my dear Omega."

Those careful fingers glide over his features, leaving cold trails of worship, and Omega closes his eyes.

"Not like this. Not like this, please," Omega whispers, voice hoarse, clutching Terzo's hand. Even through the leather of the glove covering it, it's so cold.

With a sob, Omega bows his head, forehead thumping against marble.

"Please, Terzo, don't do this to me, please."

But there is no answer, and the hand in his is cold in a way that means something far too catastrophic for Omega's brain to wrap around it.

See, this is nowhere near the usual chill of Terzo's perpetually cool fingers, the gentle coldness of his palm teasing aginst Omega's skin. No, this is a frigidity that speaks of absence.

Absence of life.

On his knees before his lover's body, Omega finally understands that he never knew real cold before this moment.

[carnivalcarriondiscarded]

hold on. i just wanted to see their height difference and. and hold on-

ill probably clean this up & do the other neighbors but ohhhhh my god. hes SMALL!!!!!! TWELVE! APPLES! (bg Home included to see if Barnaby would be able to fit through the front door. nope<3)

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-