two druids and a rogue walk into a bar by katterv
The next night, Duenn can't take it anymore. He has to know. First, he'll need to ask Astarion how he feels about sharing when he's right there and for some reason, the thought is bringing him more anxiety than that of facing Orin – and most likely Bhaal himself – in the near future.
They've only just rekindled their physical relationship beyond kisses and nightly cuddles and Duenn feels so unworthy. What does it tell about him as a partner when he's already got everything, yet he has the gall to yearn for more? Nothing great, he laments, and the sigh he lets out doesn't go unnoticed.
“Darling,” Astarion murmurs right next to his ear, “talk to me. You seem… pent up.”
I'm enjoying my Dark Urge run immensely...... so it resulted in this silly (and pretty horny, be warned. it's E rated for a reason) thing about the situationship between Astarion, my Durge and Halsin ( ̄▽ ̄)
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[Ad for myself because I back myself]
Might be shouting into the void, but if anyone is looking to hire a freelance experienced writer for their business, and happen to be on Tumblr, then lucky you!
Reach out to me on here, or follow my instagram (linked below) and we can do a quick zoom and a haggle over service charges.
Serious enquiries only please, I am a busy human.
I am UK based.
Instagram: https://www.instagram.com/marisolholme?igsh=MTBib2ZnYTNzYjAxaA%3D%3D&utm_source=qr
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I have a gift for y'all today !!! 😊 Ever wanted to find a line in Re:Kinder in a single place for the sake of reference?? How about multiple chunks of lines. how about all the little variations that arise in the text with it's many endings, item descriptions, text that comes from interacting with the enviroment, and character info from the menu without having to boot up the game and go through it at long minutes!!???
well i sure did😊 Since I do a lot of fanart and think up my own silly theories and thoughts that need me to reference the game lines a lot, i have made a transcript for it for convenience's sake. A weirdly thorough transcript handwritten and proofread by me including all character lines available in-game. And I'm sharing it with you all today for anyone that wants it !!! :3 To use as a reference for creative fanworks or a quick search for a line in-game, whatever you wish to use it for!!
It uses the english translation of the game by vgperson. So naturally all credit for the game lines available in here is to her and Parun who made the game.
I did my best to organize it in a way easy to digest. Do note that I'm still human, and there's still the chance for mistake in it no matter how much I've proofread it, since I'm not even an english native speaker ^^. But I hope it serves you well nonetheless if you wish to use it.
That's my gift for today!!! Not the usual art, but still a project I'm proud of. Enjoy!!! 😊
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My goal was to grade 10 papers today. I really really reeeeaaaallyyyyy didn't want to and had to fight tooth and nail through the executive dysfunction. I clawed my way through at a pace of one essay per hour. I hated it, but I did it!
It's not even the fact that I reached my goal that made me happy (it was arbitrary). It's the fact that I'm even capable of getting through difficult things I don't want to do at all. I have been working on my self-discipline and focus for years and I'm very proud of myself for how far I've come.
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sheewwwww. okay, now that i'm finally getting some of these drafts published, we start on euphoria dazai TONIGHT! 𐙚 ‧₊˚ ⋅
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Hopefully this doesn’t come off in some type of way, but I wish writing fanfiction could be like a full-time job. Like to get paid to write about my fav?? Sign me the FUCK up, thank you ☺️
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Isozyme, your hrpf is so tight and snippy, you pace it all so well. Yoy have the plot so well tied to each scene. My question for you is, how do you do it,? Is it a matter of planning the end to end story before starting to writing? Thank you for your ficts!
Thank you!! This is a good question and very gratifying because one of the things I aim for with my fics is to always be compulsively readable no matter where in the story you’re at.
I don’t actually know the story from end-to-end at a high level of detail when I start out. Usually I know about how long the story will take to tell, the setup, and then the next couple things after that. As I write I sort of build the track ahead of me, so I’ll often have a detailed outline for the next scene, a couple bullet points for a handful of scenes after that, and then a sort of general vibe for anything farther away. (With a few exceptions, like I knew Matthew was going to get a supportive phone call from Sid in LMLAY for ages and ages before I finally got to write it.)
Basically my pacing philosophy is that every scene should have a job to do, and ideally also have some side hustles, and I sort of build it up layer by layer as I come up with each upcoming scene.
Let’s spitball a scene as an example. Hypothetically let’s give me a mcmattdrai wip where they’re all training with Scary Gary and in the scene in question Matthew is trying to figure out if Leon is sleeping with Connor. Maybe they’re waiting for the elevator together after a workout, that’s a good setting for two people who sort of know each other to have a stilted conversation. Matthew can joke that his legs are too tired to take the stairs and Leon can complain that he doesn’t know where the stairs are yet (this establishes their different levels of comfort in the setting in addition to giving some character notes). Leon probably also looks hot and sweaty, Matthew can notice that several times during the scene to amp up the sexual tension while he asks Leon awkward questions. A nice thing about elevators is that they have a timer, so I get to control when the elevator arrives and cuts off their conversation; probably right around when Leon reveals that he’s not sleeping with Connor (one mystery tied up, that’s the big job done by the scene) but now Matthew wants to know why Leon’s not sleeping with Connor (another mystery opened). They could keep talking about that inside the elevator but I don’t like that because I think that mystery should stretch out into the next couple of scenes, so to fix that (and add comedy) just as the elevator door is starting to close Connor can obliviously run up and join them. Now Matthew can’t ask Leon any more questions about Connor but he can observe the two of them together and start making some theories. However now that I have Connor in the scene, I should give him something to do from his plotline as well. Maybe I can make him talk about his struggles with a fundraiser for sick kids he’s trying to organize. Naturally Matthew volunteers Leon to help, which leads to Leon volunteering Matthew to also help as revenge, and that leads me neatly into the next scene (3 idiots struggling at event planning together in between their workouts).
I don’t know anything else about this fake story or where it’s going, but the scene is still dense and feels connected to a plot because all the elements are doing some kind of work on behalf of the story. And that’s pretty much how I do it when I’m actually writing something with a lot of plot — come up with what the main goal of a scene is, and then while achieving that goal try to have the stuff happening in the background work to move along side plots and set up the next thing.
Pacing is like a tricky little puzzle and it’s hard but I think it’s worth it when the work pays off; very glad you’re enjoying my hockey fics!
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Sorry to talk about it again but I'm just still flabbergasted by the whole plagiarism thing
Like... When watching hbomb's video the first time and seeing him point out the rewording of stuff to change it *just* enough to (hopefully) not get caught stealing... I flashed back to my college days of when I did exactly that. 😅
There was a limit on how many actual quotes I could use, so I got around that by literally looking at my sources and rewording it enough to get past the plagiarism checker (TurnItIn.com my belothed) without losing the meaning of the text that I honestly didn't fully understand because I was writing on topics I had no real knowledge of myself.
BUT BUT BUT
I still cited my fucking sources.
Yes, I was using other people's words so I could get through the hell that was college, but if you read my stuff, you'd know exactly where I got it from. I never claimed credit for all the ideas.
And... again... I was just doing it to survive. I wasn't making money. I didn't even end up actually graduating, so it didn't even help me academically.
Somerton on the other hand not only rarely *if ever* credited the people whose words he stole, he was doing it for money, while also putting down fellow queer creators. He *wanted* full credit for all the ideas in his videos. To cite his sources would be to pass the credit on to others. And he couldn't do that.
Edited to add: It's probably a bit extreme to say I "stole" anything for my papers. Like I said, I cited my sources. I just paraphrased what I could when needed, probably to a degree that was questionable at worst. I just have anxiety and feel like "OH NO I"M A TERRIBLE PLAGIARIST."
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