#one-who-has-endured

[shirecorn]

Tumblr keeps popping up to sell me ad free dashboard. But what it doesn't understand is that me and the ads have a sort of symbiosis at this point.

The guys from the fake gameplay trailers for a predatory mobile app are my blorbos

[wickjump]

lvl20 cross is my no.1 enemy btw. if i see him there will be an unspecified lethal weapon in my paws and it will be pointed in his general location

[somsonsomsoff]

headcanons for the employers have somehow turned into a crossover with de skills

[seance]

I'M GONNA SEE MY MAN, 'TIL I GET SATISFIED / for @izzy-hands

[caligvlasaqvarivm]

Has anyone asked you about erisol?

If no, then what's your opinion on them! :-)

I feel like people will be upset at me for this, but a completely platonic and completely lukewarm mutual dislike... they don't really like each other, but take no great issue with each other either. The boys are not fightingggg

So like. A common thing in fandoms is taking things at face value and not really reading any deeper into them. You see this a shitton with Eridan in general - lots of people take it 100% at face value that he's a casteist genocide liker, when it's pretty clear upon further examination that he's pretty much lying about being casteist and doesn't actually want to murder his friends. So, at face value, Eridan hates Sollux, and either wants to do spadesies with him, or go ashen with him. And so this has become a really popular ship, but the thing is... at basically every turn, the story kind of goes out of its way to point out that there's actually nothing between them. At least romantically.

See, Eridan does not actually hate Sollux, at least not to the level of pitch/ashen. TWICE before Sollux and Feferi start hanging out all the time, we see Eridan commenting on Sollux in a fairly neutral-negative way - the first time calling him "a drama machine" and noting that "it is fuckin pathetic," and the second time as "the dead guy who saved [Feferi]". And let's be clear about the former, Eridan is just kind of Like That, he's rude as fuck even about people he LIKES (calling his BFF Karkat an "assblood" and sarcastically referring to Feferi by her royal titles), so that's actually one of the less nasty things he's said about someone.

Meanwhile, on Sollux's end, he LITERALLY says "not interested" to what he perceives as pitch/ashen advances from Eridan. Like, actually just says those words out loud. Not even in a pesterlog, he actually just says those words with his mouth.

So it seems to me that there's a pretty clear case to be made here that Eridan and Sollux kind of just... don't really give a shit about each other, and probably wouldn't have interacted in any substantial way if not for Feferi's involvement. Especially because Eridan's chosen method of hitting on Sollux is with casteism, something he's already faking in the first place.

If we really want to dig into this, though, it's kind of - in my eyes - a lukewarm case of the hedgehog dilemma. They're a bit too similar, and it winds up causing them both mild pain to get too close.

They're both nihilists that kind of hate themselves. Sollux's mutated brain causes him a not-insignificant amount of discomfort, his visions of the future and of the "imminently doomed" have made him lose a lot of hope, and he blames himself for killing Aradia, something so painful that he didn't tell anyone else she died, to the point where most of the team - including Terezi and Tavros - had to find out after entering the game. Meanwhile, Eridan struggles with the perceived inevitability of a lifestyle that causes him nothing but distress, and his constant, overwhelming anxiety about it leads to constant stressing over whether or not he's "good enough"; whenever he's in severe emotional distress, he starts beating up on himself.

They also both front at being more okay with their problems than they actually are. Sollux has his 1337 hacker, two cool for you persona that he puts on, and Eridan is always trying to be the big bad sea dweller. For example, Sollux goes "I'm not trolling the humans, it's beneath me," but he's in Jade's trollslum, so the implication there is that he totally did try trolling, it went badly for him, and now he's pretending that he was always better than that. And I don't think I need to tell you how hard Eridan works to try and present himself as badass and scary and totally not deep in the throes of emotional anguish at all times.

And these are the similarities that ultimately make Erisolsprite so stable. Erisolsprite speculates that maybe the reason he hasn't exploded yet is that deep down, he loves to suffer. The truth is, there's nothing between the two that's really so objectionable that they would ACTUALLY hate each other; Eridan isn't actually casteist, and Eridan never really hated Sollux in the first place.

Neither would they bring each other any comfort or joy - Eridan doesn't have any sympathy for Sollux's baggage, since, like, what, he only killed ONE person, and was even under mind control, so it's not like it was really his fault. He's a drama machine. And Sollux wouldn't have sympathy for Eridan's problems, partially because they manifest in such cringeworthy, embarrassing ways (and Sollux is highly sensitive to not being cringe, seeing as he's always commenting on other people being embarrassing or overly earnest), and partially because - I mean, fuck it, he's a rich-ass sea dweller who doesn't need to worry about being harvested to be a battery for a living ship. And also he's an idiot.

That's kind of what their relationship is to me, you know? A tepid and lukewarm dislike. They're just similar enough to each other to understand the other, and just different enough to be like "ugh, but that guy suuuuuuuucks". It's very funny, but not really a ship, hahaha.

So what you really get from that is two guys that just kind of dislike each other. Not vehemently or diametrically enough for pitch or ashen, and not a trace of the requisite pity for flushed or pale. When you throw the two together into one sprite, it won't shut up about how much it hates itself, how each part of itself is flabberghasted by the other, and how much practically the only reason it doesn't explode is a resounding "meh."

Eridan likes to validate his despair; ironically, since it's all he's ever known, it's where he feels comfortable - and nobody would provide better doomscrolling material than the doom player. Similarly, Sollux likes to torment himself, suffering his guilt in silence, and Eridan has SO MUCH to feel guilty over. Combine them into one entity, and you have a guy who can reach SUCH levels of revelling in his own misery, you don't even KNOW.

Not that it's healthy or positive for either of them... just that it would be incredibly stable. It's their worst tendencies being satisfied by each other. Maybe that's a form of leprechaun romance, but it's certainly not a quadrant.

[cyndaquillt]

KDJ's lack of 'talent' while learning skills from Lycaon (and later Kyrgios Rodgraim) really drive in the fact that he's got this far solely by swindling coins out of the system and investing them in his stats. Learning a skill through traditional means is not his cup of tea and it's so fun and refreshing to read a story with a protag who actually cannot benefit from a training arc

[dayurno]

since it is canonical from the now defunct extra content that kevin’s type is tall women with muscles i feel like he would be so into female wrestling and half of it would be him hauving couvid over the wrestlers roughhousing and the other would be covering his eyes when a bone is dislocated

[4arconinoma]

i need to get myself to stop being scared of engaging with fandom and posting my thoughts about characters on here because i'm making the most complex deranged analyses i've ever made in my life in my head and nobody even fucking knows

[genderqueer-karma]

My little girl's birthday is on 8/15. In just two days, she will be three full years old. She lived ten months of her life between fear, illness, terror, shock, displacement and deprivation. She was deprived of everything: the affection of her father, which she needed from her simplest needs, diapers and milk, even clothes, her toys and clean water. She was deprived of a good bath. She lived through great suffering and was shocked by the killing of her beloved father in front of her. She saw all the events, so much so that from the severity and enormity of the shock, she could no longer speak anything. Her beautiful steps, which I used to look at with happiness, she could no longer skip. She loved to look at ballet dancers and stand on her feet and start imitating them a little. I was waiting for her to grow up a little so that I could register her in ballet dance education centers and see her achieve her dream. But after everything that happened, how can her dream be achieved? It has become very difficult, but everything can be changed with your help. Please do not abandon my little girl. Donate for her, please.

Hello! I sincerely hope you and all of your family are doing as well as you can today; especially Almas.

—————————

Today is my friend, Hadeel’s, daughter’s birthday. So please allow me to tell y’all about her.

Almas is turning three years old today (August 15), but has spent the last ten months of her life in this genocide.

During this time, instead of being able to learn and grow as any child has the right to, Almas has witnessed horrific atrocities, including her own father’s death, directly in front of her. These traumatic events have led her to regressing developmentally, being unable to speak when previously being able, and returning to uncontrollable urination, meaning she requires diapers every day. This isn’t even to speak of other basic needs those of us outside of Gaza take for granted, such as food, water, and secure shelter.

Before everything, Almas was a happy little girl, who loved her family and loved to dance. Here is a photo of her with her mother.

With the occupation increasing the intensity of its attacks, it becomes harder and harder for Hadeel, Almas’ mother and sole provider, to find the things that she and the rest of their 13-member family require for their survival.

So today, I ask all of you out there with the means to help: PLEASE consider sharing and donating for Almas, and for the rest of her family. Let us give her the gift of life and hope for her birthday.

€4,932/€20,000 goal vvvv

(reblogged by 90-ghost)

[recitedemise]

𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.

First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.

Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her and knows they'll never want to. Gale's sheer servitude and complete devotion. Mystra, knowing that, used him to filth.

Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.

Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.

Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?

Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.

Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.

Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.

Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.

Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.

Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.

Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.

After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.

Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.

At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.

Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.

As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.

And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.

Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.

Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.

Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.

And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.

Scenario: (And if properly romanced, it changes his world.)

Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.

He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?

Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.

The answer is: entirely.

For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.

Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)

Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.

They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.

Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.

Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.

He thinks: Let me be a god. Let no one hurt like me anymore.)

Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.

Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.

Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.

Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.

[forcedhesitation]

dead by daylight-- the game where you can play as steve harrington from stranger things, and can get sent to partake in a match of murder hide and seek at midwich elementary from silent hill, where you can then use a lute to perform bardic inspiration from dungeons and dragons to give a bonus to your teammates, except for the one who is being chased by nemesis from resident evil 3.

[moonlightdancer26]

The way Percy is so hated even though he was one of the very few characters with self-respect and ambitious yet realistic goals and was willing to go to great lengths to reach it despite his family not being the slightest bit supportive of it.

[cerullos]

thing is i have watched all however-many episodes of agatha all along out of Love And Loyalty to my partner & was utterly checked out until the second to last episode, briefly LOCKED in for some surprisingly juicy lesbianism only to once again be pie-to-the-faced toontown stylez for the final 20+ minutes

[andthespidersfrommars]

you might not think it’s hard to be a soc fan artist on tumblr, but let me tell you about the time I called someone out for drawing inej with light skin, so they blocked me and then wrote a long post about me that I couldn’t see, along with colour samples taken from my art as examples of how inej is “too dark” in them, and then they end the post with “I’m disappointed in you” 💀

[kyofsonder]

Brain in Daylight Hours: There is no mental or emotional space for writing. There are no new ideas, and no structure for old ideas.

Brain after Dark: Here's 38 new ideas, 3/4 of a structure, official permission to write, and -- oh. The only place to write in the dark is your phone? ... Never mind.