Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D
(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)
-ˋˏ ༻ ❁ OVERVIEW ❁ ༺ ˎˊ-
Name: C.B.F.N.4000 (Cub)
Pronouns: He/Him
Species: Android
Height: 5’9’’
Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies
-ˋˏ ༻ ❁ ABOUT ❁ ༺ ˎˊ-
CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present!
Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself.
Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.
The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids until they had found deviancy enough to pursue their own projects. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.
Cub is closest with Scar, but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!
-ˋˏ ༻ ❁ EXTRAS ❁ ༺ ˎˊ-
Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
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Out of This World
Read it on AO3 instead
Tw: Depression
There was a black hole inside of Steve.
He would lie down flat on his back in the living room. The stone floor beneath him would pull his mind down from wherever it liked to drift to, and he would be able to focus enough to stare at the ceiling, put his hands on his stomach, and breathe deep into the sensation.
When things got really bad, it was like he could physically feel it. A dark mass that spread out from his core and swallowed everything around it. If he flipped over to lie on his stomach and press his cheek to the cold marble, then it would sprout out of his back like demon wings, menacing and grim.
He had never told anyone about it, but he was sure everyone knew. That was the thing about black holes, they dragged everything towards them. He was a magnetic person, people were drawn to him, but when they got close and saw that there was nothing inside, they ran. The empty expanse living in Steve was terrifying.
He was the only one who couldn’t escape himself.
No matter what he did, inevitably he would be reminded of what was inside of him. He could try to be happy, but he had to remember it wouldn’t last.
Steve could mess around with the kids, dance along to the radio with Robin, try and love the people who chose to stay with everything he had, but the black hole would always return. It would suck up whatever joy he had tried to grow, making it disappear in the blink of an eye, lost to whatever cosmos existed beyond the gnawing hunger in Steve’s stomach.
It was like it was starving, like he was starving, but not for food. There was nothing Steve could give to make it go away, nothing that would satiate whatever was stuck inside of him. There was just the all encompassing need to have more, to get something that would kill the loneliness that lived there.
And, when the people around him realized that they really couldn’t make that black hole go away, they left. They ran to keep themselves from getting pulled in, and Steve couldn’t blame them. He had spent most of his life trying to run from himself.
Even now, lying in bed with Eddie late on Sunday morning, he could feel the first nudges of gravity shifting, the quiet stirrings of empty space needing to be acknowledged.
There was a black hole living inside of Steve, and nothing he could do to change that.
“God I swear it’s like you’re the sun,” Eddie sleepily whispered against his chest, unknowingly cutting straight through the icy black tendrils starting to creep up Steve’s spine.
“The sun?” Steve said, feeling something finally touch the cold dark thing living in his stomach.
“You just keep us alive and warm, don’t you Stevie?” Eddie mumbled, still half asleep, “Pull everyone into your orbit and make sure none of us go flying off into space alone,”
Eddie was already starting to snore by the time Steve jogged himself out of his stunned silence enough to kiss the top of his boyfriend’s head and whisper a reverent declaration of love.
Sometimes Steve felt like there was a black hole living inside of him.
And sometimes he was reminded not everyone saw it that way.
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HI IT'S SQUISHY fic ask game time:
F: Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.
I: Do you have a guilty pleasure in fic (reading or writing)?
R: Are there any writers (fanfic or otherwise) you consider an influence?
X: A character you enjoy making suffer.
:3
YAHOO HI SQUISHY TY FOR THE ASK >:33
ok uhhhh uh uh
F: i think if i had to choose anything, it'd probably be the cat petting circle scene from and who do you think i'll be (without you)?, because i am. really really bad at juggling more than like 3 characters in a scene and this has FIVE and it's still really fun to read, at least for me. it's dynamic, though admittedly the attention still mostly falls on kuwabara and yusuke (sorry keiko </3 i wish you were more prominent in this one but alas) everyone carries some weight. i'm also not great at understanding (and thus writing) anger, so yusuke's bubbling frustration through the scene is like.. kinda cool to me. (a/n: eikichi is kuwabara's cat lol)
i'm also including another two from this same fic bc i think they're neat as well :)
(i'll put a transcript of the screenshots at the end under the read more)
honestly, i love writing yusuke's dialogue no matter what he's saying, so this fic's got a few moments i'm very fond of, but didn't include. anyway it's the only good thing i've ever written (<- exaggerating, but it's probably my favorite fic i've written, and maybe favorite prose piece)
i also remember enjoying some of the dialogue between sagawa and majima in tough love for loveless things, and i assume i liked a lot of the stuff for i long for you and your expert hands, but i... haven't revisited that one in a long time (idk why but i'm a little afraid to?? i haven't forgotten it though), so i couldn't point to anything specific really ^ ^'
I: hm... i think i overindulge in characters just talking about nothing, at least when it comes to my writing. if i like them, i like hearing them talk about nothing, and it tends to bloat scenes and drag on, i figure. i also tend to gravitate towards really specific intensely described points of imagery that barely come up again and totally break the flow of the scene (oops). in terms of guilty pleasures in reading, uh...? i'm kind of a sucker for werewolf stuff because i got that dog in me. im drawing a blank ig sorry <3 OH i've always been hopelessly fond of whump / hurt/comfort / sickfic STUFF. legit since i was a child. i like it when they're out of it i like it when they're woozy. and anything with dumb hijinks and/or slapstick is good to me. comedy's hard and i like seeing idiots be idiots. and really introspective/inner monologue heavy pieces are mmmmwah for writing and reading
R: oh man. whatever i'm currently reading often ends up influencing my writing in noticeable (to me) ways. one time i was writing smth for my fiction writing class and i typed out a sentence that felt at once like smth dr seuss would write (you'll never guess what unit my children's lit class was on) and a line from lolita (because that's what i was reading at the time). it's a mashup that worked weirdly well. ANYWAY to actually answer the question, the little prince ruined me as a kid, and a lot of the way i express sadness and emptiness is channeling saint-exupery there. currently, arkady martine and andzrej sapkowski have been influencing my scenery descriptions in particular, because that's what i was most recently reading, but earlier this year i remember cormac mccarthy's the road finding its way under my pen a lot. for really flowery stuff (i don't think you see it much in my fics, but it's not Never), i think of alfred tennyson's maud quite often. this is not a conclusive list im just empty brained :P
X: ohhohohohohhh. god help me but i love making all of them suffer. to love something is to vivi/dissect it. currently kuwabara is the one i'm putting through the most though (<- channeling personal issues into this orange guy), but majima and kiryu were always lots of fun to break down >:). perhaps that's the real answer to the guilty pleasure section
[SCREENSHOT 1]:
“Hey, why’s she goin’ to Kurama and you and not me?” Yusuke complained, pouting at Keiko.
Kuwabara piped up. “Maybe it’s ‘cuz they have manners, unlike some of us.”
“Or patience,” Botan offered.
Yusuke stuck out his leg and prodded Kuwabara’s arm. “Yeah, and how’re your manners workin’ out for ya? You still look like someone’s been playin’ tic-tac-toe on your hands or did she become a saint overnight?”
“Shut up, Urameshi.”
Keiko spoke up from her spot on the floor. “Aw, I think she’s just sweet. Right?” She put her chin on her folded arms and gently rubbed at Eikichi’s cheek. With a warm smile, Keiko turned her head into her arms further, squishing her face, openly endeared. “Even if she bites sometimes.”
“Finally, someone gets it,” Kuwabara moaned. “Keiko, tell Urameshi that for me, will ya?”
Yusuke didn’t buy it. “If she was sweet she’d be sweet to me, too.”
“Benevolence is nearly always conditional,” Kurama said, leaning over to rub Eikichi’s ears. “Perhaps she senses your standoffishness and simply chooses not to engage with someone who does not seem to want her.” Kurama’s brilliant green eyes swept back to Yusuke for emphasis. “You two may have that in common.”
“Wh—?!” Yusuke spluttered a bit, before settling on, “Watch it, fox boy.”
“Aw,” Botan giggled, “Yusuke, it’s alright, you know. Some of us just have an animal-like charm. Meow meow!” She hooked her hands like paws.
“Right, and I’m saying Eikichi’s not so charming. I mean, she’s been ignoring you, too, Botan, whaddyou think?”
“Oh, she’s just lovely! Simply adorable,” Botan cooed.
“Heheh, looks like you’re outnumbered, Urameshi!”
[SCREENSHOT 2]:
Rocking his chair back lazily, Yusuke noticed Kuwabara’s scratch-laced hands and whistled. “Damn, Kuwabara. It’s kinda beating you up, huh? That cat o’ yours. You look like you just fought me, only smaller.”
“For the last time, Urameshi, Eikichi’s a she! Quit it with the it crap or I’ll knock you into next Sunday brunch.” He jabbed his chopsticks at Yusuke pointedly. “And I don’t think you could get any smaller.”
“Yeah, yeah, whatever. She’s beating the shit outta you. But what’s with that? I thought kittens were s’posed to be all cute n’ cuddly.” Yusuke swirled his drink thoughtfully before taking a swig.
“You’ve never had a kitten, have you, Urameshi?” Kuwabara deadpanned. He had the right to do that now that he was a cat-rearing expert, as if he hadn't learned it very recently himself.
“No. ’M not really crazy about animals. Neither's my mom.” Under his breath, Yusuke added, “Knowing her, that’s probably for the best.”
“Wh—? How?!”
Yusuke shrugged.
Kuwabara huffed. “Ugh, she’s teething right now, okay? And I haven’t got her a scratching post yet. She’ll grow out of it, you’ll see.”
“Whatever you say, man. Just try not to lose any limbs waiting for her to get manners, arright? Don’t wanna make our fights even more one-sided. That’d just be sad.”
“Yeah, right, Urameshi.” Kuwabara puffed out his chest. “Eikichi could take two o’ my limbs and I’d still wipe the street with ya.”
“Hey, try beating me with four limbs first, tough guy.”
The conversation devolved into threats and bickering from there, culminating in little more than wrinkled uniforms and mussed hair-dos, and one final exchange.
“You haven’t even met her, Urameshi, so how could you know what she’s like?”
“‘Cuz you’re carryin’ the proof right there, stupid! Look, don’t take it so personal. I just don’t feel like spending all day roughhousing with someone that far beneath my weight class, even if she is the precious little angel you say she is."
[SCREENSHOT 3]:
Yusuke lounged on the floor, Eikichi sitting on his chest and staring down at him.
“What’re you starin’ at, Stinkass?”
Kuwabara scoffed loudly, fluffing out the pillow Yusuke would use.
Yusuke smirked at him. “Oh, I’m sorry, your highness, I left my manners at home.” He cleared his throat. “What are you staring at, Her Royal Majesty the Queen Stinkass?”
“Man, why'dya only pick mean pet names to give ‘er?” It came out a bit harsher than he meant.
“What?” Yusuke began to sit up, but stopped when he remembered Eikichi’s place on him. He dropped back down and shut his eyes lazily. “These aren’t pet names, they’re, like, insults. That I don’t mean.”
“So ‘Stinkass’ is your idea of an affectionate nickname?”
“Gee, you don’t have to make it sound so damn girly. I’m just callin’ her that ‘cause I like her.”
“Ooh~ so you like her, huh?” Kuwabara sat up on his knees and—once Eikichi got the hint and clambered off—smacked Yusuke’s face with his pillow, holding it over his face. “Whatever happened to not bein’ mushy, tough guy?”
Yusuke wrenched the pillow from his grip and lazily swung it at him, not bothering to get up. “Hey, you told me she doesn’t judge about that sorta thing, right? And I’m learnin’ there’s benefits to bein’ mushy, like kicking ass better.” He shifted to crack his back, then sighed, relaxing into the floor. “I’m just sticking to my way, and sometimes that means calling her Kuwabara’s Favorite Little Shitblaster or whatever.”
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