#one thing i love about comics is the amount of different characters to try drawing

[heretherebeturtles-comic]

How long does the process take you to get one (or more) comic page done? I love the idea of making comics but i suck at structure, you know with the script and posting/layout. I was wondering if you had any tips or what you wish you knew before you started.?

Sorry if this had been asked before

OOOooooo a fun question for me!! I love talking about comic creation :D

I do my best to keep the full process under 2 days (or 12-14 hours of work) per fully coloured page. I'm trying to get faster, but speed comes with time and experience.

Hmmm as for tips and things I wish I knew... so many things... I should let it be known that I am an artist and not really a writer, but your questions are focused on script/planning/structure, so I'm going to focus the advice on that.

Start with something small - Learn about making comics and find a comfortable style through making a couple smaller comics and then try your passion project. Writing and planning smaller comics with fewer pages takes a different kind of puzzle solving and thought process. Smaller page limits can force you to try new things which you can then apply to larger projects to save time; limitations breed creativity after all. Every attempt made (even an unfinished project) is knowledge gained that you can apply again for future projects.

Study comics! - It's hard to create if you aren't feeding the mind and giving it things to learn and create from. Read comics made by professionals and study how they handle pacing. How many pages are they dedicating to each moment? What do you think of their pacing and what would you change? Take a sketchbook and make small rectangles and draw out the panel layout from that comic. What are they doing that works and what don't you like about it? How would you do that differently? ... I think this is me assigning homework... i am so sorry.

Set a hard page limit - Try to get your story told within that limit, and then add more pages if necessary. More pages = more time you have to spend working on it. Most standard single issue American comics are roughly 24 pages. I try to work inside that limit using a rough 5 page per scene structure.

Condense or Cut - I struggle so hard with this one, but comics aren't written in the same way as a novel is. They have a slightly different plot structure and a much more limited amount of pages to tell the story in. Obviously it depends on the story being told, and what kind of scenes are important to that genre of story, but in general, unnecessary scenes should be cut out. examples...

CUT! Having the characters go out to get ice cream is cute, but you don't need to show them each ordering their ice cream unless the flavour they choose is an important plot point. Skip to the last one receiving their ice cream and turning to the others who already have theirs and are having that deep discussion. OR skip that scene entirely and have a quiet panel of them sitting in the park at sunset, already holding their ice cream, before delving into the deep emotional conversation they will be having.

CONDENSE! You can combine two scenes if you need to. If you have one scene where two characters are having a casual conversation and another where they are sneaking into a building? Stick them together. They can sneak AND talk and now you've only used up 5 pages instead of 10.

Comics take a LONG TIME to make!! - you have to make peace with that _(:Ⅰ」∠)_ Comics, especially full colour ones, are an extremely labour intensive and time consuming way of telling a story. If one page takes 1 day (8 hrs of work) and you have 24 pages, that is 24 days of working on one comic.

Thumbnails! - Draw the pages small and rough first! It's easier to plan things and mess around with the layouts when you don't have an emotional attachment to how the art inside looks. Once you have a layout you like, you can then draw it again in full page size and work on it from there.

Page and panel layouts are my favourite part of the whole process, I could talk forever about it, but I do not have the energy for it right now. I'll save panel/page layout for another time.

It doesn't have to be perfect!!! - IT DOESN'T HAVE TO BE PERFECT!!!! (shouted with excitement btw). Panels can be boring! A page can be extremely simple! The art can be messy! The dialog can be simple! The plot can go nowhere! In fact it is really really fun to make a messy imperfect comic on purpose. Destroy the perfectionist in you, because they will always and forever hold you back from actually creating things. "what if it's bad?" what if it's fun? what if you learn cool things?

Anyway, those are my tips/advice, idk if I actually answered what you were asking... sorry about all the time commitment ones, that is something I really wish I had figured out a few years ago lol.

Comics are fun to make and a lot of learning how to make them is just jumping in, encountering a problem, and then learning how to solve it.

[ghost-bxrd]

So I've seen you post a lot about Dick and Calvin recently, and I wanted to know how you thought Calvin would react, in this Calvin gets adopted by Bruce kind of au, to:

1). Jason's death, in the assumption Calvin can't prevent it (And subsequently what he would do to Joker for it.)

2) Damian's early childhood.

3) Tim's Tim-ness.

4) How Calvin would react to the Batman Robin situation, when he finally learns about it.

I haven't gotten the opportunity to learn much about Calvin, but you have me interested, I'm a sucker for overly traumatized characters, and I am looking for the comics with him!

We can never have enough Calvin Rose content, that boy is so underrated 🥺💚

1. Pfpfpfpf you know for ONCE I wanted to go with “Jason doesn’t die in this Au” but you asked and I shall deliver hehehe.

Look, Calvin adores children. And it’s no different with Jason, whom he basically helped Bruce raise from the moment he came to the manor. (Bruce is a good dad here but emotions are not his forte. Calvin picks up the slack.)

So we’ve got a former Talon basically raising Jason, sharing a lot of his interests, teaching him fun escape techniques and pranking the others…

Only for Jason to die in Ethiopia. Beaten within an inch of his life and then blown up.

Because his birth mother sold him to the Joker.

Look, there’s very few things that make Calvin snap. Canonically it only happens when his loved ones are in danger/threatened, or children are being hurt.

And this one ticks off both boxes.

Calvin doesn’t kill if he can help it. Hasn’t done so since that one time with the Court, and that instance still haunts him in his sleep. But this?

Yeah. He’s not losing any sleep over killing Joker. He’d hunt the clown and put him down like a rabid animal. Cold, clean, and efficient. No drawing it out.

2. As mentioned before, Calvin adores kids. I don’t think they’d meet before Damian comes to the manor though, so no early early childhood shenanigans. But when Damian arrives, all entitled and clearly having been conditioned from a very young age, he gives Bruce a very deadpan “You do know you don’t get a discount for the amount of traumatized kids you take in, right?”

Damian is a stabby little shit that tries to kill Calvin at every turn. Dick thinks it’s hilarious. Damian becomes progressively more angry because Calvin doesn’t break a sweat side stepping each and every attempt. (Talon training pays off)

Calvin just lets Damian “burn off his excess energy” (“You do know he’s a kid and not a puppy, right?”) and uses the time the boy isn’t actively trying to murder him to child proof the manor again. Just to piss Damian off.

Having the kid try to poison him at dinner that day is so worth it.

Damian reluctantly warms up to Calvin over the next few weeks when the former Talon proves annoyingly helpful at setting up his room and helping him with training. (Although Damian turns his nose up every time Calvin obviously handles him with kiddie gloves. But the man point blank refuses to do anything else.)

3. Calvin spends a week around Tim and all his alarm bells for “neglected child” are going off like autotune in his brain.

Considering it’s still very close to Jason’s death tho it would take him some time to truly warm up to Tim.

Tim wishes Calvin remained as distant as he was the first year or so (no he doesn’t) because now Calvin has strictly limited his daily caffeine intake, is forcing him to eat at least three healthy meals a day, and actually set a bed time for him.

Tim is outraged (flustered) about being treated like a kid (like the kid he is).

4. Depending on who’s Robin when he finds out the reactions would vary greatly, but he still wouldn’t be happy that Bruce is taking kids out onto the streets at night to fight criminals either way. It remind him too much of the Court for comfort, grooming children into the percent assassin.

After a while though he’d realize that Bruce would love nothing more than for his Robin(s) to hang up the mantle and just live their lives to the fullest, and that they’re simply too stubborn and determined to fight crime with Batman to stay at home. With our without permission.

It helps that Bruce is clearly distressed and close to benching Robin whenever Dick/Jason comes back from patrol with a bruise. Never mind an actual injury.

[thalassomania]

what is “what happens next” about if you don’t mind me asking? :)

i've been sitting on this ask for a while now because WHERE! DO I! BEGIN!!!!

ok. so. what happens next is a currently ongoing webcomic by max graves, beginning late in 2021. it is a story told in multiple chapters about multiple characters, but one could argue that its protagonist is milo holliday. milo is a trans man, pastel blogger, toy customizer... and accomplice to a murder.

one of the first panels of the comic is a screenshot of the dni page on milo's tumblr, which got me IMMEDIATELY interested in the comic because it's such a unique way of storytelling:

[image description available for the above]

and we get a lot more pages like this that are screenshots of websites, social media profiles, and the like. the comic is a mixture of in-person interactions, online communication, and occasional flashbacks, all of which are important pieces of the story.

so when they were teenagers, milo's best friend griffin petty killed two people, and milo helped mutilate one of the bodies. while griffin was sent to prison, milo spent years in a psychiatric institution that stunted his emotional growth and forever altered his view of the world. a drawing he makes while institutionalized provides a window into milo's perceptions of the event:

[image description available for the above]

the whole comic is an uncomfortably accurate reflection of mid-2010s tumblr culture, right down to the sanrio traumacore and crytyping. milo's suffering is multifaceted: in reference to the people harassing him online, he says "it doesn't feel like they hate me for what i did... it feels like they hate me for the way i am," referring to his being an autistic trans man. and given that many of his detractors seem to come from sites like kiwifarms (notorious for its transphobia and ableism), he isn't entirely wrong! but at the same time, his relentless depictions of himself as the victim erase his contributions to haylie's death and the ways he's made himself and others' problems worse.

not every part of the comic is about milo, though! i'm only scratching the surface of it here: all of those pages and links are for the first part, titled "dog names." in the second part, "someone else," we're introduced to gage ludemann, a gore blogger and true crime fan who has entered a long-distance relationship with griffin, and once again, screenshots are used to masterful effect:

[image description available for the above]

but screenshots and characters' drawings are one thing, and max's art is another. starting in the third part, "no matter what," panels are shown in full color, and his color choices are great. what i really love, though, is the amount of detail max puts into character design and facial expressions. i could show you so many different panels that i think show off max's art, but i'll try to narrow it down to one:

[image description available for the above]

soooo yeah!! i have SO MANY THOUGHTS about this webcomic and i keep trying to get close friends to read it, haha. i've read a lot of webcomics and i can say with certainty that there is NOTHING out there quite like what happens next. it's a story about true crime fanaticism, psychological trauma, social media presences, existing as a transgender person, and so much more. the comic is currently on its fifth part, "you'll all be sorry," which seems to be about the characters vikki escamilla and xandra blumberg. if you decide to check it out please feel free to tell me all about it! i'm not connected to the comic at all, but i really love it and i think everything about it is just fascinating.

and max graves, if you're somehow reading this... hiiiiii i'm a huge fan!!! love your work!!! i hope i've represented it at least somewhat accurately here!

@kukai

[lakesparkles]

Why do you like Gideon x Julie so much?/genq I'm not hating, but I've always really hated goosepowers (mainly bc both characters were really really mischaracterized and their writing was half-assed and rushed (esp Gideon) and the backstory for them was stupid and rushed in my opinion), but I'm really curious about what you see in it to like it so much/gen

First thing, thank for asking this in such a nice way! I'm glad you want to know my opinion about them and I'm sorry for how long my answer will probably be lmao

Okay, I think the best way to start is explaining about how I feel about the different adaptations of the characters:

Ramona is one of the only ones I prefer a version 200% times than the others (everytime I talk about her, pls assume I'm talking about comic Ramona). The other characters I kinda can see good sides in all different versions. Like Julie. To me she is the same in all of them?? (The different being the amount of screentime she has). Sometimes I see people saying "I like Julie in the anime but I can't stand her in the comics" and I'm very confused because?? She's the same character to me? But I love rude and evil women. Julie is the one character I would block someone for openly not liking because it'll hurt me.

Now Gideon. I love Gideon so much that sometimes I forget we don't know much about him. The thing is that he's an almost complex character to me and this is the reason I can't stop drawing and writing this dude. I need to understand his mind. And the way I like doing so is taking parts I like of every version of him and creating a Gideon in my mind that makes sense to me. And somehow this is what makes me like Goosepowers too.

All Gideons have their own flavor, but something that tends to be the same is that he's alright as long as everything is under his control. Things being out of his control makes him upset, and he would do anything to make sure it won't happen - I mean, his whole reason for almost killing two people in the comics as because Ramona broke up with him and how dare she?? (This is why I like his backstory in the anime. He truly doesn't know how to deal with being rejected)

I like to think this is the reason he's so "not himself" during his Gordon Goose episodes in the anime. He's just wondering who he even is now that he has nothing. All his biggest fears became true so he doesn't care anymore.

And Julie is just... Everything that he dislikes in that sense: she yells at him, bosses him around and he has to do what she says because he's at her house now. I swear I wrote a whole fanfiction about this, to try to see how he felt in that moment. Maybe he likes Julie because she makes him feel free from all of that thoughts. Or maybe he doesn't like her at all and, inside, is just waiting for a moment he'll be able to change her as he wishes. Maybe he doesn't know himself, he doesn't even know who he is.

And another thing is that Gideon dating Julie doesn't make him a better person. It's the opposite, it's makes him worse because he's sudenly such a good boyfriend and it shows that he was always able to change. He could've been a nice and loving boyfriend for Ramona this whole time and the only reason he wasn't is because he didn't want to. And I'm still crying about how good this plot could've been in the anime if Ramona didn't stop sudenly caring about Gideon or how badly he treated her and how Julie, her friend, is dating him even knowing exactly how he is. The potential this plot had,,

I have a lot more to say about Goosepowers (and the Julie part of it, but that is a totally different story and I already wrote too much) This is the way I see their relationship and feel totally free to disagree. These are mostly my headcanons, after all!

[yuseirra]

Onk is such a, such a weird piece...

It's been really hard keeping my love towards hikaai afloat through canon(everything is so confusing) this is the most confusing ship I have ever set foot in... I really, really tend to go with the super obvious ones.. I don't know how this's happened..what's going on

But I'll do my best till/as I can. Thank you for enjoying my works if you have♥ I just found a reaction toward my comic and it made me burst out laughing in a really positive way, that's why I've come to write this! We have it so rough don't we. I was so sure though? I was so sure. Why does 153-155 exist I just.. Man... What are they trying to say with this? What is the message? That's what I'm curious about??? I thought I knew.

I really appreciate those chapters! The 154!

I mean I'm still glad Ai's found someone she feels that way about, if she had to have kids with someone it'd be best if it were to be someone who she genuinely cares for, and I can sense how precious he was to her, there's a huge amount of love seeping out from those words she's made. And he loved her back too, but the story after that is just. Mhm, so rough, and I have to make out of it if I want to draw something out of it, doing that's..something that needs many steps futher from making commentaries for me, I'll do it if I can keep doing it~ wow it's been a ride for sure!

What I can say is,

If you enjoyed what I could make out of them, I'm really happy you have. I've been really sincere with those on my end. I don't think I can convince anyone unless I can convince myself first! So I really do believe in the stories I come up with. It's interesting how that's still possible for me, right! That's all I can say for now. There are many different people who exist in this world... So someone like me can happen too. I still hope I'm right, but...that's not something I can control.

It's been really nice seeing these nice feedbacks... I hope I can remain happy that I could come up with a lot of wholesome things/thoughts for them. I'm glad I could share these with you for the past few months😊. If I were to be the writer... I would really give them some sort of meaningful resolution. They're very well-crafted characters the way I see it. I very enjoy working with them!

[heilos]

Hello! My name is Moriah and I am a junior in high school. I was wondering if I might be able to get your insight on a few questions I have?

I am in my final years of high school and am starting to think about college but I have no idea what I want to pursue. I know I love art, so for a long time I have been thinking about getting an art major or going to an art school.

I’m reaching out because I ABSOLUTELY LOVE YOUR ART and I think you are a very talented artist! I have been in love with your art for so long and I am curious and wondering how you are able to fit drawing into your life?

1.) If you went to college for art, what was it like? Do you think going to school for art or having an art major is worth it?

2.) how can I fit art into my everyday life? I’m sure you have work and other things to do in your life so how do you balance it out? (I just want to know how you can draw as much as you do!)

3.) do you do art as a full-time career or part-time career? is it an alright source of income? If it is a part-time career, how do you balance work, personal life, and art?

Thank you so much! And sorry if these questions might seem personal. I just want to know how other artist manage to draw and create their work and still have an adult life. Thanks again, and thank you for being a huge inspiration in my life to create the art I love! Your art means so much to me!❤️❤️ ❤️

Hi Moriah! Thank you so much for your patience since it took me a bit to answer this. I'll do my best to be as honest as possible. 1) I think going to college can be beneficial even if I wish i'd done things differently. In hindsight I would have definitely taken more time to really look through all available options instead of gunning straight for the most "prestigious" looking colleges since the idea of having a big name school on your resume was pretty prevalent when I was growing up. I went to Savannah College of Art and Design or SCAD for short and while I don't regret the friends I made there, I do regret not understanding just how much an institution like that ended up costing in loans compared to what I got out of it education wise. It always hurts my heart to see other kids get chained to huge amounts of student loan debt that could have been avoided. And even then you don't necessarily need a college degree for every type of art job. Your portfolio is what really matters more to prospective work places if you're looking at a career related to art. I would also keep in mind that the field is very competitive depending on what your goals are. Do you want to get into animation? game design? illustration? comics? prop design, character design or environment design? ect ect. Always try and give yourself the best advantage you can with researched knowledge of what you might be getting yourself into. Also there is no rush to go immediately into college even if you're dead set on wanting to attend one. Please give yourself as much time as you need to really make that decision and, if you have the option, don't feel pressured into thinking you HAVE to make that choice immediately out of high school. 2) I do get quite a bit of production art done on my days off mostly since I'm very experienced in working on group projects like Mystery Skulls Animated. When you're doing art and production work with other people, there's a different mindset in that others are relying on you to keep decently productive so that you're not holding up the pipeline if you're dedicated to seeing a project through to completion. Now when it comes to purely fun art on the side, I've actually only recently started balancing my time out better with work to sketch since the draw back of working on a group project like this for so long is a certain level of burn out. I had about a 2-3 year period where I couldn't get myself to draw much of anything even if I was excited about something like a new game or animated series and it's taken awhile to come to terms with the time lost since my body and head needed that time to recover and that's something i'm much more ok with now. I'm not the absolute best on advice for time management unfortunately, but seeking out projects that might interest you and lets you collaborate with other artists is definitely one way to keep yourself excited and engaged when wanting to make art. Just know and/or learn your limits and you'll be better about not getting too burned out when trying to find that decent balance of art time and other life activities. 3) I actually don't do art full time even if that was originally the plan back in college. I personally found out that I didn't want to turn it into a job the closer graduation came, but that varies completely from person to person and plenty of up and coming artists have found fulfillment in having art be their job too. I used to make prints for conventions so that was a partial income source for a little bit, but again for me it got tiring and I ended up getting a different more physical job to supplement my income while still being able to have enough time to stick around with my friend group on our music video projects. And again there's no shame in taking some time in trying to figure out if you want to make art your job and coming to a different conclusion. Sometimes the things we plan when we're younger take a wildly different turn out of left field and education or job aspirations are very much included in that.

[darkyukifr]

I’m trying to reflect on many things these last months, about my place in this world as an aroace person but also about my place in fandoms. And I found this amazing comic on this subject by bloggingboutburgers.

This is something I’m struggling with A LOT and I’m still trying to explore this side of myself.

For many years now I’m deeply engaging with shipping cultures in fandoms (mostly as a lurker and recently by contributing publicly), because I couldn’t help but think that a character becomes really interesting only when they are involved in a romantic and/or sexual relationship, and they become worthy of a story (I’m taking these last words from this post because they struck me). Even when the character wasn’t involved in one, I found myself waiting for any kind of romantic/sexual plot to appear.

And this is such a HORRIBLE though to have as an aroace person who is romance and sex repulsed IRL. It’s like telling myself I’m not worthy as a person, even if I have many other beautiful kinds of relationships in my life for 27 years now. It’s a strange feeling where I’m ignoring my own existence and I’m just a random soul in this world, like a side character who loves and is loved by their family and friends, and by other humans in general, but who isn’t the main character of their own life.

But I also know it’s one of the consequences of this capitalist society that encourages nuclear families, and any other kinds of communities or relationships are depicted as less valuable, and it sadly sticks way too hard in my mind.

I realised these last months that I became physically disgusted by porn fics or drawings of my favorite ships because of the huge amount of it, and above all because I couldn’t engage with many of the people from these fandoms anymore. I even had to unfollow some of them because all this smut started to feel unbearable. It’s like I wasn’t able to keep going with my masquerade, but I wasn’t even aware I was doing this masquerade until I reached this point xD As if I was in a kind of denial all this time? Like I was thinking “yeaaah I can do it easily” when I can’t and I was just seeking community and some kind of validation? I usually enjoy this kind of art, but engaging actively with people highlighted the fact that these fantasies were not intangible fantasies anymore.

I’m still trying to analyse my feelings: is shipping interesting to me when I’m alone, and discussing about it with other people who are romantically and sexually active makes me realise that “oh, fandoms are not different than real life places on this subject. I can’t engage in these horny discussions endlessly without feeling sick at some point. And they are not interested in talking about something else than sex or romance, or the discussion just dies”? Do I like talking about it but I just need to understand what my boundaries are? Or am I just afraid to focus on the other possible paths outside of sex and romance because relating to them would be scary?

Fortunately I don’t have this problem with my friends and I met wonderful people in fandoms with whom it’s possible to talk about other things, or with whom I can talk about romance/sex without feeling pressured to empathise (they understand these are more likely jokes or sociological discussions to me and they respect it xD). But these “side character” thoughts stay and do make me feel lonely as I grow older.

I forced myself to work on one of my adult aroace OC for more than a year and it really heals me. It is indeed possible to make a person worthy of a story without being involved in any romantic or sexual relationships, even if they still have to confront the society norms in their everyday life. But it’s also surprisingly not that difficult? At least not more than thinking about any other character’s life.

All this time I advocated for queer relationships and I do think it’s VERY important to do it. And I will keep drawing all kinds of relationships. But I also think I should advocate for my aroace self a little bit more.

To sum up my reflexion, I should try to give myself some more love by thinking about other things than shipping, and to give myself more space to explore and give importance to other topics even if they feel more personal. What is important is to love, no matter the form it takes, and all these forms are valid.

(I’m still trying to figure out how to navigate in fandoms, maybe I will find solutions someday, maybe I won’t xD since I can’t control the disgust phases when they come to me gzeibgiebzgzui)

[oceanwithouthermoon]

the way i have absolutely flooded the kubosai tag is crazy😭most of the recent posts are mine.. my bad..

... anyway, im thinking about kuboyasu picking up different hobbies as a form of anger management, teaching himself coping mechanisms and to use his hands in more gentle ways and let himself make mistakes without taking his anger out in unhealthy ways..

knitting, crocheting, art (he already draws but he wants to do it more and start painting n stuff too), or even scrapbooking or journaling ?? he also already stress bakes/cooks lol.

and since he does it so much, he has so many little pieces of art and he ends up gifting most of them to saiki.. because kubo thinks theyre crappy, but saikis eyes lit up in a way kubo doesnt get to see often when he caught sight of kubos crocheted little pink cat with a suspiciously saiki-like grimace on his face.

so now saiki has all kinds of little knitted/crocheted blankets, pillow cases, stuffed animals, gloves, sweaters, etc. (he made a lot of scarves, bags, hats, coasters, etc. at first since those are easier for beginners, and at first he was keeping them for himself and his mom but the house has too many damn coasters and they do not need that many accessories and sweaters.. so the whole friend group started getting them, but mostly saiki.. and saikis mom started receiving some too).

and little paintings of cats (because kubo definitely loves cats but also saiki just reminds him of one so he draws/paints them for him a lot.. he doesn't know if saiki actually likes them, but he says he doesnt mind so..) and some cute paintings of their friends.. he makes a lot of vent art but saiki obviously does not receive that stuff☠️.

he also tried to learn yoga.. but he learns quickly that he just isnt very good at keeping his hands still and unoccupied for too long.. he might revisit that later, but for now hes just trying to at least learn slow and calculated motions with his hands..

he probably also starts helping kusuo and kurumi with their gardening (because they definitely have a garden). i doubt arens mom has a garden but i bet he could convince her to help him start one after enjoying it with the saikis so much.

the scrapbooking/journaling he mostly keeps to himself.. its mostly pictures of him and his mom, his friends, and him trying to document his feelings in messy pages of writing/doodles/choas..

i love the idea that he starts collecting stickers+fun pens+washi tape to use, which is something he totally would not normally fixate on but he starts getting really excited about it..

tbh it's probably mostly silly stickers from anime he likes, like one piece and dragonball.. a lot of his other interests like the yakuza movies wouldnt have stickers he could get so he just doodles the characters.

but he starts branching out into sillier and more colorful stuff, mostly thanks to chiyo, kokomi, kusuo, and shun. chiyo+kokomi have lots of girly stickers and glitter pens that they give him when they catch wind of the journaling..shun has lots of silly stickers from comic books and theres a surprising amount of harley quinn+poison ivy along with the mcu stuff(mostly spiderman).

chiyo+kusuo have like vocaloid+prosekai stickers, but kusuo mostly is just the reason aren has lots of bright pink+green on a lot of his pages hehe..

anyway, a lot of the gifts he gives to kusuo start getting really.. obvious ? he once gives him this crocheted pink cat with a blank expression and a purple dog whose taller and smiling, both wearing glasses, that are permanently knitted together holding hands☠️and kusuo just.. accepts it. and a lot of the stuff he receives along with their other friends are suspiciously more detailed than everyone elses and there are a lot of hearts and the cat+dog thing becomes a frequent motif and theres so many coffee jelly stuffies and keychains its insane

shun will get like.. a black and red sweater, meanwhile kusuo gets a purple sweater covered in pink hearts+matching gloves+a scarf+socks+a tote bag+a headband ??? aren are ur hands okay seriously

kusuo keeps every single gift obviously, and the first dog+cat plushies along with some other gifts are on his desk so he can look at them literally all the time..

yet somehow they arent dating yet😭aren basically professed his undying love with all the hearts and romantic ass offerings but neither of them have really said anything out loud yet☠️☠️

[ordinaryschmuck]

Why I Love The Owl House-Part Two: The Relationships

Prev Part

Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

And welcome to part two as we discuss everything I love about The Owl House. Because a single review wasn't enough, and, boy-howdy, did I prove that with Part One. Like...Wow. That was a lot.

But where Part One discusses the lengthy list of great and sometimes bad characters, Part Two is all about relationships. Because on top of having a diverse cast of different races, genders, sexualities, ages, and even species, The Owl House also has a diverse set of relationships that can be familial, platonic, antagonistic, and, of course, romantic. Each one is adorable and entertaining in its own right, and we're going over the best of the best today.

Quick disclaimer, though, we're NOT going to discuss relationships that didn't get much attention or ones made more interesting in fanon. I would love to talk a lot about how Luz and Vee are like sisters, but they only interacted in one episode and there's not much to go off of with the small tidbits of photos we see in the finale. And I would adore talking about how Camila's the honorary mother of every child who had come into her house. However, aside from a handful of conversations, she never interacted with anybody outside of Luz. Which is a shame because I would LOVE to see how she would get along with her future daughter-in-law. With that said, I will discuss characters who interact a bunch but note the missed opportunities they represent. Do we have an understanding? Good.

(Also, this one is going to be 26 pages long...Still better than last time, right? Right...)

Now, for this one, we’re going through it by category. Starting with…

Families

The Owl House has a surprising amount of family drama in a variety of ways. Whether it’s between siblings or parents and their children, there are a lot of stories to be milked out of with these relationships. And to start things off, let’s talk about what’s probably the healthiest mother/daughter relationship in the show.

Camila and Luz: I talked a lot about this kinship the two had last time, primarily through how Camila feels about Luz. To keep things brief, Camila LOVES her daughter. The only ones who denied that are idiots who focused too much on the negatives. Despite some missteps, Camila is proud of everything that Luz is, and came to realize that she should NEVER have tried to change a thing.

But that’s everything on Camila’s side. On Luz’s side, the love is very much mutual. No matter what mistake Camila made, Luz NEVER resented her for it. Luz may have felt sad for going to summer camp or worried about keeping Camila’s promise, but there was never any anger. The closest we got was her absolute refusal to go to summer camp, but even that was followed up with Luz feeling a quick moment of guilt for having to lie to her mother. This is because Luz LOVES Camila and, above all else, wants to make her proud and happy. The problem is Luz doesn’t approach things the right way, accidentally causing Camila strife through causing trouble at school and choosing to lie for too long so Camila wouldn’t be worried about what’s happening with Luz’s current situation. And when coming back, Luz still apologizes for leaving AND for lying, knowing that her choices weren’t the best ones to make and she regrets making Camila’s life harder. Camila’s actions weren’t the best either, but Luz was never bothered by that. She loves her mom. When stuck in the Isles, all Luz could think about was returning to her, and that’s because Camila is the one thing that connects Luz to the Human Realm. She has no friends, significant others, or mentors that made life fun in the Human Realm. Camila’s all Luz has, and vice versa.

When Manny died, it left Camila and Luz with just each other for the longest time. Because of that, they’re trying their best for one another. Camila does all she can to be the mom Luz needs and Luz, in turn, attempts to be the daughter Camila deserves. Neither got it right, but that doesn’t change their love for each other. They’re both all they have, and it’s sweet to see a mother/daughter relationship where both ARE and AREN’T at fault for a lot of stuff but still hold a great amount of love and respect for one another. They’re probably the healthiest example of a mother and her child. Though, in fairness, that’s not a steep competition.

Odalia and Amity: Yup. Might as well rip this bandaid off as soon as possible.

I think the best way to start off with these two is to ask a question: Did Odalia love Amity? I know that’s a weird question to ask considering EVERYTHING Odalia did but it’s still worth bringing up. Because I think that the answer is YES…upon CONDITIONS. As long as Amity acted exactly as Odalia wanted and followed this “perfect plan” she laid out, then Amity has Odalia’s love. When Amity DOESN’T, Odalia’s “love” turns to anger, and that’s because Odalia doesn’t want a daughter. She wants a mini-version of HER. You can see it in Amity’s Season One design, where her dyed hair and how she wears it is meant to be a reflection of Odalia. It explains why Odalia puts so much pressure onto Amity, forcing her to succeed and gain the highest ranks of society. If Odalia couldn’t be the most influential and powerful witch in all the Isles, then surely her daughter, who looks and acts exactly like her, should. And yet, Odalia’s still surprised that Amity chooses to rebel and be her own person instead of a mini-Odalia.

Amity’s resentment towards her mother is easy to pick up and the same goes for her inaction. To many kids, there’s nothing scarier than a parent, especially one like Odalia who can be very violent when angered or scorned. Amity has often rebelled in LITTLE ways against her mother, but it isn’t until meeting Luz does Amity find a lot more to fight for. She wants to carve her own path and becomes less afraid to stand up against Odalia. Amity dyes her hair and calls out Odalia’s behavior because it’s worth it for the fight for individuality. But despite this rebellion, it’s interesting that Amity still makes one last attempt to reach out in “Clouds on the Horizon.” Because while Odalia isn’t a good mom, Amity has it in her head that, surely, Odalia isn’t evil. I think a lot of kids, even ones with truly awful parents, have that mindset. Because even if they’re bad at parenting, that doesn’t mean they would stoop so low when lives are at stake, right? Except, not only does Odalia completely dismiss all life that isn’t her own, but she is surprisingly okay with the complete genocide of her people. The woman IS evil. Amity didn’t want to believe it because…well, no child DOES. But it’s that last bit of confirmation that Amity needed to cut Odalia out of her life forever…I just wish that conclusion had more of a satisfying punch to it.

I know I said it last time, but it really does suck that after everything Odalia did to Amity, things end by Amity proclaiming that she’ll never talk to Odalia again and blatantly ignores her in the finale. The thing is, I can see that being satisfying in its own right, but with how much Odalia messed up Amity’s life, treating her as a tool instead of a daughter, you can’t blame a schmuck for wanting Amity to do more. Still, I can understand Amity’s desire not to even ACKNOWLEDGE Odalia and I can live with THAT being the conclusion to their relationship. It’s definitely a better pill to swallow than what happens between—

Amity and Alador: On paper, making Amity a Daddy’s Girl sounds sweet, as does making Alador a caring father to contrast Odalia being…Odalia. But in terms of execution, this is an idea that could have definitely utilized more time to be perfect.

Amity’s desire to seek Alador’s approval and be like him feels way too sudden as every instance Alador’s been on screen before “Reaching Out,” it shows him doing something Amity has to fight back on. Granted, he was likely doing it to keep Odalia from doing WORSE things to Amity, but the audience didn’t have the knowledge of HIS situation yet. So to us, it’s more of a bitter pill to swallow that Amity wants to be like him. It’s slightly easier to understand on a rewatch, but just barely. Then the writers try to sell that Amity has a ton of faith that Alador would be on her side when going against Odalia, and it's similar to Amity trying to convince herself that her mom isn’t evil. The only difference is that, this time, Amity’s right. Her father ISN’T evil and he actually cares about his kids, which is sweet but it’s still information given to us LATER than it should. The same goes for Amity’s love for her dad. Knowing that she had such an admiration for him is something best left revealed as soon as possible and is NOT as easy to reveal through a retcon. Previous episodes leads us to believe that Amity fears and hates BOTH her parents, so having it where she loves her dad leaves one to scratch their head in confusion. But that’s just on Amity’s side. For Alador’s, it…barely works still.

I mentioned it last time, but the retcon that Alador is a father who actually loves his children is an idea that works well enough, but could be better. As sweet as it is to give Amity ONE parent that cares, it still comes up way too late in the series. By the time “Reaching Out” premiered, The Owl House was almost over, leaving not enough time to prove how much Alador cares. There’s some cute moments like him telling Amity that she did a good job through just an ATTEMPT to escape a forcefield, accepting “Luz” as Amity’s girlfriend, appreciating Amity’s new hairstyle, and giving her those little mittens. The writers ARE trying to make this idea work, but it admittedly feels like it’s too little too late.

Amity and Alador’s relationship COULD have been something great. It just either needed to be presented earlier in the series or more time to develop properly. Unfortunately, neither of those options were provided, and what we got was something that was awkwardly done. It’s still nice to see Amity get along with a parent for once and the epilogue proves that Alador kept his promise to be a better father, what with how happy he is to see her after what looked like a long journey. It’s just that, despite these attempts at cute moments, the relationship could have been done better. Still, on the bright side, at least they got along better than either did with Odalia. And, at least with her siblings, Amity has SOME positive relationships with her family…eventually.

Amity, Emira, and Edric: At the start, Ed and Em seem like antagonists to Amity, wanting to make her life suffer. I remember seeing a few fanfics that treated Edric and Emira in such a way because…well, how could there not be? Their very first episode involved them wreaking havoc in Amity’s safe space and threatening to leak pages of her diary for everyone to see. While me and my sisters definitely had our problems, they NEVER acted that way to me. It’s why I’m glad that after realizing they took a prank too far–And accidentally creating a monster that nearly killed Amity–Ed and Em went from antagonists to supporting characters. Oh, they still messed with Amity for the shits and giggles, but now it’s more out of how LOVING older siblings screw around instead of how the two twits acted in “Lost in Language.” They tease, jab, and mess around in Amity’s personal space, but it’s definitely out of love instead of malice, creating a dynamic that’s a lot sweeter to see. They went from another hardship of Amity’s homelife to one of the only people in her corner. Though, in this case, it’s less of a feat caused by character development and more by the writers changing their mind on what to do with them. Thankfully, unlike Alador, they changed their mind soon enough where this little course correction for Edric and Emira is a lot more believable and MUCH easier to swallow. It also benefits Amity by giving her two people to rely on…Or, just one.

Yeah, Edric’s primarily the odd man out in this dynamic. Emira and Amity have this adorable sisterly relationship where Emira tells Amity what she needs to hear and provide advice. With Edric, both Emira and Amity treat him as the dumb one, either making sure he doesn’t hurt himself or reticule him for his stupidity. There is SOME adorableness, though. Like how Edric ran in a full body cast and went through physical pain just so he can hug Amity. That shows he cares IMMENSELY about her and doesn’t care what happens to him to prove it. And with Emira, there’s something fascinating about how Edric’s fear is being alone forever and Emira’s is being alone with HIM forever. It IS likely that she’s joking at Ed’s expense, but there might be some truth to it. They do a LOT as a pair. They dress the same, act the same, wear similar outfits, and even have similar names. Emira definitely cares about Edric, but she doesn’t want her whole life to be defined as being his twin. It’s part of why they both went off to do different things and have their own careers not defined by what the other does. It’s great showing that while these two are similar in a lot of ways, they’re still very much different. But, once again, this is an analysis based on what’s implied and not what the series shows. There’s not enough time to build off this idea, and it still leaves Edric out of having something meaningful like what Amity and Emira have. And even then, what Emira and Amity have is something based on a few short scenes of Emira being a GOOD older sister. Still, it’s sweet for what it is.

The Blight siblings don’t have a deep or compelling relationship, but they don’t need it. Edric and Emira fill a supporting role for a secondary main character, and for what they do, it’s great. Emira’s sweet, Edric provides comedy, and they both EVENTUALLY give Amity what she needed. Her mom never truly cared and her dad…could’ve been better, but at least Amity had two siblings who care about her to a great degree. They might drive her crazy, but that’s siblings for you. Plus, at least none of them cursed one or the other. I mean, could you IMAGINE? That’s be crazy…

…

…

Eda and Lilith: These two…are complicated. And I’m well aware of how much of an understatement that is, but it’s true. As kids, they were thick as thieves, with both of them willing to do so much for the other. Lilith would share a scraped knee with Eda and Eda…would be willing to sacrifice more. She would throw herself under the bus so Lilith wouldn’t get in trouble with their literal demon of a principal and would willingly give Lilith a position in the Emperor’s Coven. The show makes it clear that Eda cares a great deal for Lilith. All they really had was each other in school and Eda didn’t want to change that situation, already assuming, as a teen, they would spend the rest of their lives doing EVERYTHING together. It’s sweet…and it makes Lilith’s petty jealousy and cursing Eda feel so wrong.

Lilith ALSO loved her sister, but took Eda for granted. Lilith’s drive to be the best, earning a place in the most powerful coven on the Isles, led to her fighting to be better than Eda. This fight started a rift between them, even before the curse. After quizzing Eda, and showing that she knew more than Lilith, Lilith started studying HARDER, trying to prove that SHE can learn more. She couldn’t stand being second place to Eda, so it drove Lilith to try harder and to get desperate. By the time Lilith cursed Eda, that rift between them only got worse due to a mix of Lilith’s guilt and her position as a Covenhead. Once they were adults, Lilith is in a position where she HAS to hunt Eda down for the Emperor, but in a weird way, Lilith still puts Eda first. Despite Eda’s criminal antics, Lilith wants to give her sister a chance to join the coven on HER terms, only going overboard when feeling threatened by Belos. In moments like that, Lilith tells herself that it’s all for the greater good, that Belos can cure Eda and that she and Lilith can finally do EVERYTHING together, just like they wanted as kids. And Eda might want the same thing. She might resent Lilith for hunting Eda and Eda CONSTANTLY takes Lilith down a peg, but she still loves her. Just look at when Eda races Lilith for a flower and tries to remind her about how they used to do the same thing as kids running to their kitchen. Or the times Eda showed Lilith mercy, like saving her from that crab spider or giving Lilith Eda’s ring so she wouldn’t go back to Belos empty handed. Even during their first witches duel, Eda didn’t really go out of her way to hurt Lilith. She saw it more as a game, with a lot of Eda’s attacks being more to contain Lilith or aggravate her. It’s proof that her sisterly love didn’t entirely go away all those years later…Until Lilith went too far.

The second Lilith kidnapped Luz, Eda was already out for blood, being the most violent she’s ever been towards her sister. But when Lilith revealed that she cursed Eda, she  lost all sense of mercy and was willing to go for the throat. There was this brief moment of Eda BEGGING Lilith to keep Luz safe, likely reaching for SOME goodness she HAS to believe is in her sister. But that sentiment disappears quickly as Eda was willing to spend her last moments of life on trying to KILL the little traitor. Needless to say, Lilith did a lot of damage and it seemed like she had a lot of work to do…Only for things to go back to normal after one confession and another grand gesture. Sure, Lilith sharing a curse is a great start, but Eda treats it as if it’s enough with her acting like it never happened. She mentions the curse in a flippant manner, but that’s something that a person does YEARS after someone made up for betrayal, not a week. And Lilith doesn’t do much better. Despite her moments of wanting to be better, Lilith still acts like she has to be better than Eda while also behaving like she already believes she IS. Still, after all this time.

I think I like the potential Lilith and Eda’s relationship has more than what’s done with it. There’s some interesting stuff surrounding Eda’s desire to keep Lilith and Lilith wanting to make up for taking Eda for granted, but it’s NOT explored enough. They act about the same as they did in “Covention,” the episode that introduced this relationship in the first place, only now there’s a slightly less of a desire to strangle each other. Slightly. There’s some sweet moments, with Lilith comforting Eda about the stress of the Day of Unity and Eda reassuring Lilith that the curse isn’t so bad when she gets used to it, but those scenes don’t stop their dynamic being nothing no more than…acceptable. There’s a fun sibling rivalry between the two mixed in with some heart, making something entertaining to see. But when the show presents interesting ideas like Eda’s love and Lilith’s guilt, only to gloss over BOTH of them, it leaves me wanting a little bit more. I’ll take what I have, but you can’t leave a guy wanting.

But as unhealthy as things got between these two, at least they didn’t nearly cause the end of the world.

Nah, that’s the NEXT sibling relationship.

Caleb and Philip: It feels weird to talk about this one because we only know about one side of the relationship. And yet, it’s the catalyst for EVERYTHING revolving around Belos and his creation towards villainy.

In his own twisted way, Belos loved Caleb. He was all Belos had and Belos would go to great lengths to “save” his brother from damnation. I went over it last time, and I won’t repeat myself here, but while the show makes it clear that Belos’ twisted love for his brother is what drove him, we never really know how much Caleb cared for Philip. Through the memories in Belos’ mindscape, we can see that they cared much for each other as kids and Caleb was happy to see Philip again in the Boiling Isles. There’s some definite brotherly love there, but people keep circling back to how Caleb abandoned Philip. To me, with the information we have, it’s more like how Luz went to the Boiling Isles without telling Camila. There was never any malice behind the action. Some carelessness, perhaps, but neither Luz nor Caleb meant any harm to disappear into this new world and make life-changing relationships. They were both willing to come back to this person that means the world to them. Just look at Caleb’s smile upon seeing Philip again. You don’t smile like that when you resent someone or feel glad to have abandoned them. I’m sure there was love there, but again, we never get to see Caleb’s perspective of things aside from implications from Belos’ memories. For all we know, Caleb WAS a bastard bitch who hated his little brother. There’s never really an answer and I’m kind of glad there isn’t. Because Belos’ admiration for someone, even if he does or doesn’t deserve it, is still an engaging aspect for his motivation even if we don’t know the whole story.

Belos’ obsession towards his brother caused a monster to be born. He already hated witches, but losing what mattered most caused him to become genocidal. Again, I’ll skip past it because I went over it enough last time. But one thing I don’t think I can skip over is how Belos’ feelings towards his brother reflected over how he treated Hunter.

Belos and Hunter: Once again, I’ve talked a lot about their relationship last time, primarily how Hunter feared Belos. I don’t think Hunter was ever looking for love from his so-called uncle, likely because he didn’t understand the concept of love upon his creation. What Hunter looked more for was respect, to be seen as the perfect soldier that he thought Belos wanted. The problem is that Belos wanted more than a soldier and perhaps more than a tool. What Belos wanted was an outlet to project his issues toward Caleb onto.

Granted, Belos likely wasn’t aware what he was doing with Hunter, or ANY of the Golden Guards for that matter. He was creating tools for his own evil plans, but because Belos made these tools through the literal bones of his dead brother, it creates this sort of power dynamic that I think psychiatrists could make entire books about when trying to dissect it. Belos practically brought his brother back from the dead, but each time, he was always younger than Belos, reflecting the perfect brother he remembered. Only this time BELOS is the older one who knows better and gets to decide what they do and how they do it. Not only did he create a role reversal between him and Caleb, but he created a version of Caleb he hopes to have no free will. To Belos, he wanted his brother back, one that would never betray him again. Except that he did. They ALL did. Every single Golden Guard found free will and willingly went against Belos. This always leads to Belos killing these “failures,” these unusable copies of Caleb that fail to understand that Belos knows best. He refuses to accept that no version of Caleb will ever see Belos’ way, so he keeps trying to make one that does.

By the time Belos gets to Hunter, he does all he can to wipe away ANY sense of rebellion, even if he has to beat it out of him. Sorry if that statement was dark or triggering, but it reigns true for Hunter and Belos. Their relationship and everything Belos does to Hunter is a result of one man’s incapability to accept his brother’s choices and takes that as an excuse to hurt Hunter. It’s a painful reflection of real life abusive parental figures as a lot of them treat children as an object to take frustrations out on. It’s never healthy and no one should forgive an evil bastard like that no matter WHAT justification they have. All you can do is hope the child gets out of this situation and learn what real love is.

Thankfully, Hunter got that happy ending through Darius. And I WOULD go over that, but I think I said as much as I could about those two last time. The real meat of it is on Darius’ side of things as we never really got to see how Hunter felt about him aside from how the love was mutual. It’s sweet, despite not having much to talk about. As for Eda and Dell, I said about all I could last time and the same goes for Gwen. They’re characters defined by their relationships of their kids and I’d ONLY repeat myself here. But don’t fret, there’s still ONE OTHER good parent/child relationship we can talk about.

Willow and Gilbert and Harvey: No, not Gus and Perry. Due to how little of an impact Perry had in the series and how he and Gus barely interacted, we don’t get much of an idea about what their relationship is. We know they love each other, but there’s not much aside from that. With Willow and her fathers, we don’t get much with them either, but the crumbs we DO get offer some decent insight.

Willow LOVES her dads, that much is sure. Two of her biggest core memories involve her spending time with her papas, having fun and laughing with them. But more than that, Willow idolizes her dads. “Any Sport in a Storm” shows us pictures of her dads when they were younger AND that they were on the same flier derby team. It hints that Willow got her love for the game through them and wanted to become the best player she could be to honor them. It’s SORT OF stretching the facts because we don’t know for sure, but it’s still a sweet thought and how much Willow loves her dads as they love her.

Gilbert and Harvey were willing to quit their jobs just to homeschool Willow and give her the best possible education after she got expelled from Hexside. That is…an intense amount of dedication to caring for your daughter. Sure, the previous scene had them ground Willow for an insane amount of time, but that’s clearly a reaction that comes from being upset over your child being suspended. Odds are they were going to relax on that grounding with time. And even then, Gilbert was willing to let Willow sneak out and to pretend he didn’t see anything. There’s a definite love all three of them have for each other, and you have an easier understanding of why Willow misses her dads the most in the final season. With Gus, we don’t know enough to really GET how much he misses Perry, and we all know the complicated mess between Amity and Alador. It’s easier with Willow and HER dads because while we don’t have much, we have ENOUGH to get a better picture. Though I DO wish we had more time with them all together to make the relationship feel stronger, and to give more appreciation to gay parents. They keep showing up in media, especially animation, but rarely do they feel like actual characters with defining relationships with their children. While I appreciate what’s done between these three, I AM left demanding for a little bit more.

And with that, I’m finally done talking about families. But don’t worry, there’s TONS more to talk about with our next category.

Friends

There are a LOT of friends in this show, mainly because The Owl House is the kind of series that values the friendships one has with other individuals. Families are important, but the friends we make, the groups we create, can lead to more changes in our lives. They can sometimes bring out the best of us just as effectively as any family member, while also providing a great escape if our families become too much. Most of the friendships in the show are all about this, and we’re going to go through all the ones that are important.

Starting with what’s probably the most talked about friendship in the show…

Amity and Willow: The second that Willow revealed she used to be friends with Amity, the intrigue behind their dynamic SKYROCKETED. Because it would be one thing if Amity was simply a bully to Willow, but knowing that they were once close friends brings up a ton of questions. Why were they friends? Could they be friends AGAIN? Why did they STOP? Er, well, okay, that last one was answered pretty quickly by Willow in the same episode, but after “Lost in Language” hinted that Amity’s bullying is an act to not show weakness, it begs the question if there is more to it. And “Understanding Willow” proved that Amity WAS forced to end the friendship, meaning that every interaction she had with Willow since then was Amity pushing Willow further and further away to save her from a worse fate. It’s another interesting way to look at Amity’s bullying, because she DOES care about Willow. The problem is that, as Amity perfectly puts it, she wasn’t brave enough to be Willow’s friend, to fight for something she WANTED. Finally, thanks to a certain human, Amity started to gain that courage and apologize to Willow, promising to be better. Thankfully, Amity does, talking Boscha down for making fun of Willow and not even hesitating to step up and join Willow’s grudgby team when they need a third member. It’s a reflection of both Amity’s character growth AND her platonic love for Willow. She wanted to be friends again and, once gaining the courage, she set out to do just that…The problem is that Amity might have been TOO willing to be friends again.

My absolute favorite scene between these two comes in “Follies At The Coven Day parade.” Amity comes over to Willow’s after stressing over something going on with Luz and Willow, in turn, offers a healthy distraction to take Amity’s mind off her worries. At that moment, Amity says she’s glad to be friends again, but Willow’s response to that is fascinating. She doesn’t disagree, nor does she nod. Willow just…keeps quiet, frowns a bit, and lets Amity braid her hair, leaving Amity’s comment hanging with no real response aside from a light hum. While Amity’s more than happy to pick things up where they left off, this moment shows that Willow’s not exactly there yet. She’s not entirely AGAINST the idea, she would have been more vocal about her disapproval otherwise. But Willow’s not willing to COMMIT to their friendship again, feeling like there’s still more to do before getting to that point. And I love that the next episode that focuses on Amity and Willow’s relationship, “Labyrinth Runners,” expands on this idea. Amity is trying too hard to pick things back up where they left off, acting like Willow’s someone to be protected. The problem is Amity's thinking of the Willow of the past and not acknowledging the Willow of the present, who’s capable and willing to kick ass if necessary. Willow’s trying to take Amity’s attempts at support on the chin, but it doesn’t stop Willow from finally blowing up and telling Amity to back off. It wasn’t out of anger but frustration, as Willow gets Amity’s attempts to be better, but things won’t work unless Amity accepts that WILLOW changed too. It’s a great progression from how this relationship started and where it would inevitably go, and I’m glad that Willow presented boundaries that Amity needed to respect…I wish they stretched THAT aspect out a little bit more.

After “Labyrinth Runners” established that Amity needed to learn to see who Willow is NOW, the episode ends with her doing just that…and the rest of the series goes on thinking that’s enough. Yes, it’s a good start for Amity to see the error of her ways in the same episode Willow calls her out on, but then they go straight to fist bumps, counseling one another, and jumping with glee together with their arms intertwined. They’re right back to being the same friends they started as after one major hiccup. In fairness, there could have been MORE interactions offscreen where they worked through more stuff, but we never see that. All we have is what the series showed us, and it’s…fine. It’s FUNCTIONAL. But after an intriguing concept of two friends reconnecting after a BAD ending to their relationship, it could have had stronger pacing to make it feel more impactful. But despite how rough things got with Willow and Amity, at least Willow had TWO friends to count on.

Willow, Gus, and Luz: Gus and Luz were the exact friends that Willow needed after falling out with Amity. With Gus and Willow, they share a camaraderie through being near the bottom of the social ladder. Willow’s picked on for not being powerful enough with her magic and Gus was a kid whose naivety was taken advantage of by older kids who had no brains of their own. They didn’t have anyone else for friends in school, but they always had each other. That idea alone is sweet enough, but the things these two did for each other is even sweeter. Because all they had was one another, they protected one another in different ways. Willow was there to keep Gus emotionally stable, calming him down when he feels stressed or lifting his spirits when he’s down in the dumps. Gus, of course, repays that by supporting Willow’s interests, being protective when he’s suspicious of someone like Hunter, and hyping Willow up whenever possible. They both care IMMENSELY about each other, which makes sense when you become friends with someone you met at your lowest moment. But as great as Gus is for Willow, he was never really there to help her grow. Oh, don’t get me wrong, he was always a shoulder to cry on and all, but both were content to be at the bottom at the bottom. It’s until a certain someone ELSE came along did Willow realize she deserved more.

Here’s where Luz comes in, as a friend Willow needs to push her FORWARD. Luz would support Willow no matter what, but in almost every instance of character growth Willow went through, Luz was almost always responsible for it. Helping Willow cheat at Abominations class led to her proving her great strengths as a plant witch and allowing shenanigans to happen ended up jumpstarting Amity and Willow reconnecting. Of course, Luz could be TOO pushy, like training Gus and Willow too hard for a game she didn’t want to compete in, but there’s a reason for that: Willow’s the first and only friend Luz has ever had, so she goes above and beyond to make Willow’s life better. Even if Luz can sometimes go overboard, it all works out in the end, with Willow appreciating all the ways Luz helped her blossom (Haha). And in turn, Willow was there for Luz in a lot of ways, either by being her magical muscle in a dangerous situation, supporting some crazy scheme Luz comes up with, or being the voice of reason when one crazy scheme goes too far. Luz went out of her way to help Willow, so Willow returns the favor by protecting Luz to the best of her ability. It’s a perfect give and take relationship where both get something out of it. However, there’s something to be said about how Luz and Gus are the best friends Willow could ask for, they don’t really act like they’re best friends with each other.

Don’t misconstrue my words, Luz and Gus DO care about each other. Gus hypes up Luz as much as he does Willow and Luz is as supportive and counseling towards Gus as she is towards everyone she cares about. The problem is that you don’t FEEL that friendship. You get it, but you don’t FEEL it as effectively as you do with Gus and Willow or Willow and Luz. And that’s because there’s not many interactions between Gus and Luz. Throughout the course of the entire series, there has only been TWO episodes that focused on Luz and Gus’ relationship, and Gus was using Luz for selfish reasons in one and they both ditched the other to hang out with crushes in another. There’s not many positive moments between these two, which wouldn’t be TOO bad if the show didn’t paint Luz, Gus, and Willow as a TRIO. They’re ALL supposed to have this big connection together, and there’s a piece of the puzzle that’s missing. Willow and Gus are often paired together as they’re often shoved to the side, and Willow’s often treated as Luz’s first true friend, but there’s hardly anything with Luz and Gus. It doesn’t help matters that Luz barely interacts with EITHER of her best friends in Season Two onward, which is especially weird given how much importance Season One gave their friendship. Still, at least we got a lot of cute moments and two great dynamics that warms the heart, even if it wasn’t as effective as it could have been as a trio. Which gets odder when you remember that Luz and Gus have a common friendship with someone ELSE, and still not with each other. Still, to be fair, Luz barely has a strong connection with this other person too.

Luz and Hunter: Luz’s friendship with Hunter is interesting but underdeveloped. They start off strong with this dynamic that has big brother/little sister energy with the two of them annoying each other easily, more so with Luz annoying Hunter than the other way around. But despite their annoyance with each other, there’s this connection through a shared interest of wild magic…only for the show to drop that idea. Yeah, there was something there about Hunter being fascinated and even excited about wild magic, but hides it due to fearing what Belos might do to Hunter if he gets too curious. It could have been a great way to establish a connection between him and Luz, but that idea’s forgotten as quickly as it’s brought up. I’m not entirely complaining as the sibling-like bickering was fun enough as is and there was even a BETTER connection formed between them: Shared guilt.

“Hollow Mind” is an episode that chewed Luz and Hunter up and spit them out with a TON of issues. It was an unintentional mission for Luz to show Hunter how evil Belos really is, with Hunter being in denial throughout most of it while Luz becomes more and more frustrated with him. But despite that frustration, she’s still willing to help Hunter leave Belos and be there for him when confronting how disposable Hunter is in Belos’ eyes. It tells us that Luz cares about Hunter and wants him to be safe, which is a given with Luz. She’s a caring person in general to people who have a good heart shielded by a rough exterior, and that’s no different from Hunter. There were brief moments of warmth between him and her in “Hunting Palisman” and I’m sure Willow talked up the good parts of Hunter after “Any Sport in a Storm.” Luz knows there’s something worth protecting, likely why she’s working so hard to convince Hunter Belos is evil and have him be on HER side so she can help and protect him. She just didn’t expect things to be more messed up, making Hunter realize how severely screwed he is and the type of monster he helped. Things didn’t get any better when Luz realized that Belos was actually Philip and that she accidentally helped this demon of a man. So after BARELY escaping death, Luz and Hunter were left with the knowledge that they helped the most evil person alive and indirectly caused so much pain to others, including people they deeply cared about. Needless to say, it left Luz and Hunter severely messed up. And when Belos almost won and a NEW threat came to be, Luz and Hunter would feel WORSE about the pain they had a SLIGHT part in causing. They didn’t have anyone else to talk to about it due to fear of rejection and isolation from the ones they care about, but Luz and Hunter still had each other to confide in with their issues. It’s why Hunter goes to Luz about his fears that Belos is back. Neither wants the others to worry and both know that Belos is likely to spill the beans just to mess with heads. These fears give Luz and Hunter something great to bond over…And it STILL feels like their relationship is underdeveloped. Despite this big thing that brings them together, there’s hardly any attention on it as it's only focused during ONE episode. Now, don’t get me wrong, they feel SOMETHING for each other. Hunter broke down in tears when Luz said he’s worth being protected too since he’s part of the family. He HAS to care about Luz’s feelings for him if that was the case. And in “Watching and Dreaming,” Luz’s nightmare revealed that she feels a little guilty for getting a palisman in less than twenty four hours after Hunter lost Flapjack. Hunter doesn’t even blame her for that one, but it proves how Luz cares about him like she would for any other friend. But that’s the thing: Out of everyone in the friend group, Luz probably has the most one-on-one time with Hunter, yet he’s still just one of her friends. There could have been a stronger connection, and it’s not there. What they DO have is fine, it works, but when Luz has a personal bond with most of the Hexsquad and barely has anything with Hunter, it feels a little off. And it gets even weirder when Hunter accidentally steals Luz’s best friends out from under her.

Gus and Hunter: Oh, don’t worry, we’ll get to Hunter and Willow’s relationship later. For now, I want to talk about how CRAZY it is that Gus and Hunter have this brotherly dynamic. I mean, it was inevitable that Gus and Hunter would go on an adventure together. Hunter shared the spotlight with the others in previous episodes, so Gus was due a turn by the time we got to “Labyrinth Runners.” And at that point, most of Hunter’s walls were cracked and crumbling, with him trying and failing to build them back up. By the time Gus found Hunter, the poor boy was emotionally vulnerable and capable of breaking down at any moment. When he finally DOES, Gus was there to pick up the pieces and help Hunter through his panic attacks and offer advice about what could help Hunter in the future. Hunter, in turn, tried to save Gus from danger and provide some comfort too, even if Hunter is a little awkward at it. This dynamic ends up being what these two share through the rest of the series. When Gus figured that Hunter was hurting about being a grimwalker, Gus offered him a book series that gave Hunter the exact thing he didn’t know he needed with a story that had a character Hunter could relate to. This helped him a lot, and it’s an obvious attempt from Gus to get Hunter to slowly work through what ails him, and I’m certain that Hunter appreciates all of it. The same goes with the way Gus might appreciate Hunter protecting him. It was Hunter who had a protective arm around Gus after “King’s Tide” and he saved Gus’ palisman, not wanting his little buddy to go through the same pain he did. There’s an equal amount of care and comfort with these two, added with secret handshakes and the two wrestling with each other in one after-credits image. It really does feel like they’re brothers to each other, and it’s crazy to me that despite having comparatively less interactions together, Gus has a closer bond with Hunter than he does with Luz. Or, I should say, a more well-defined bond that’s easier to understand and describe. Luz and Gus are close, but you FEEL how close Gus and Hunter are. And that’s great, every guy needs a bro, but how does this happen? How does a central character done dirty by lack of screentime ends up being more of a best friend to a reformed baddie than his best friend who’s the main character? It feels crazy, and the only way it could be crazier if it was a comic relief character who became besties a reformed—

Lilith and Hooty: How?! No, seriously, on paper, this sounds LUDICROUS! Yet it WORKS!

By Season Two, Lilith is at the lowest point of her life. She lost her magic, career, and the respect of hundreds of witches. So when Lilith is stuck with Hooty, a bird tube so desperate for friendship that he’ll take it from ANYBODY, including trash like Lilith, she takes it. At first, like any reasonable person, Lilith REFUSED Hooty’s attempts at friendship, feeling like she was better than him. But when it finally occurred to Lilith how much she NEEDED Hooty, she gave in and became his first REAL friend. The best part is that she didn’t fake it. Lilith was kind to Hooty, laughed at his jokes, and gave him caring words of advice when he started doubting his place in “Knock, Knock, Knockin’ On Hooty’s Door.” Lilith DID treat Hooty as a friend because he was the only one who gave her respect in a time when she didn’t get any from anyone else. This leads to Hooty treating Lilith as his favorite person…maybe a LITTLE obsessed at times, asking for hair and beating up anyone who he thinks might steal Lilith away (Poor Steve). But Hooty being so…let’s say, ENTHUSIASTIC about Lilith is because she’s the first ever person to treat Hooty right. Everyone else either verbally berated or physically assaulted Hooty due to disgust, annoyance, fear, or all of the above. Sure, Lilith acted the same way at first, but after giving in, she became friendlier and Hooty decided he would do ANYTHING for her because of it. Whether it's to face enemies for Lilith or even step in the line of fire for her, Hooty’s willing to go above and beyond for his Lulu. Heck, it was HER voice that somewhat broke whatever spell The Collector had on him. And Lilith, in turn, was so happy to see his face again while trying to bring him back. And it’s…adorable! I can’t believe that’s the word I’m using to describe Lilith and Hooty’s friendship, but it fits! Despite how ludicrous it sounds to give Lilith and Hooty one of the most wholesome friendships in the series, the writers ran with that idea and made something that worked when it had no right to. What’s next? Making one of the main characters befriend someone that  fans expected to be a new main antagonist?

King and The Collector: WHAT THE F**K?!

But jokes aside, things between The Collector and King are more or less one-sided, and I’m willing to bet that was intentional. King treated The Collector as something to be controlled, to be reigned in so he wouldn’t cause too much damage. Meanwhile, The Collector treated King as a true best friend, someone to play with and have adventures together. They never clued in how King was never really ALL IN with the friendship. He acted nice with The Collector, but the line is somewhat blurred with whether or not it’s genuine or King trying to prevent a cosmic sized meltdown. But The Collector appreciated it all the same, having a similar reaction to Hooty in which he was all alone for so long that someone genuinely being NICE to The Collector caused them to treat King better than he would with anyone else. When asking to have Francois sleep with them, The Collector was fine with the boundaries King set and respected them instead of getting angry. Sure, The Collector pushed to have King leave Francois on the nightstand, but he still kept their promise to leave Francois alone like a good little godling. And, heck, when assuming King was considering a FINAL solution for The Collector, he looked about ready to cry. The kid was angry, throwing a temper tantrum with Belos the second he dropped The Collector down a cliff. It only hurt more with King because, despite having different intentions with The Collector, he WAS genuinely nice. There may have been some annoyance about being The Collector’s playmate and the OCCASIONAL raised voice, but for the most part, King treated The Collector with kindness and patience. He knew that The Collector was just a kid who needed to mature a little and learn how to treat others properly. King acted as both a voice of reason AND a conscience, acting as The Collector’s friend to keep him happy AND maybe because he learned from Luz that it’s better to befriend your enemies. It explains why he was so patient and even believing that The Collector can be reasoned with. He knows that they’re POWERS are dangerous, but The Collector is still a lonely kid who just doesn’t know better. It’s why despite all the missteps, King wasn’t willing to give up on The Collector, hoping for the best with acting as his friend and maybe being genuine near the end there. I believe King when he says he hopes that The Collector comes back soon, because there couldn’t have ALWAYS been bad times during their months together. And now that The Collector proved that they DO know better, it could mean a better friendship for him and King. Things were definitely rocky for them both at first, but the finale left them off on what could be a good start, even if what we see will be all we’ll get. As for what we DO get, it’s a complicated relationship that I say works well enough leaving it up to interpretation to how close King and The Collector are.

But seriously, how many characters end up befriending characters we thought we would hate?

Gus and Matt: Gus befriended ANOTHER baddie?!

Okay, but seriously? I wasn’t sure where to put these two. Gus and Matt were definite rivals only to become FRIENDLY with each other near the end of “Through the Looking Glass Ruins.” Still, even then, Matt admitted that he wasn’t sure if he and Gus were friends. It felt IMPLIED, but future episodes didn’t really prove that they were friends now. At least, it doesn’t prove it on Gus’ end. He still acts annoyed with Matt while Matt seems more…indifferent? He doesn’t clap back, but he doesn’t really react at all. I guess that’s not a bad thing, but it doesn’t give a definitive answer to whether or not these two are friends, and I’m willing to blame the fact that Gus got screwed over as a character with little to no solo episodes to develop him and his relationships. Gus is friends with characters who are important in the plot or are within the main cast so that he has more of a chance to develop bonds because the story moves WITH them all. Matt is a very minor character so there’s less of a need to develop a friendship between him and Gus. This results in a weak connection between them, making it feel like they would have been better off as rivals than friends. Which is a shame because I do like the idea of Gus making peace with a bully instead of continuing a never ending cycle of them constantly trying to one up each other. Now, that’s not ALWAYS the case in life, but it’s not a horrible thing to teach kids. Especially when the show proves that there are bullies best NOT to be friends with.

Amity and Boscha: Hey, not every friendship has to be good.

There’s not many interactions between Amity and Boscha, but despite that, so much of their relationship is easy to understand and dissect. From the first time we see them together, it’s clear that their friendship is as real as Amity’s hair color. Boscha seemed to believe that she and Amity were friends, but it’s pretty telling that in the end of “Hooty’s Moving Hassle” that Amity chose to sit AWAY from everyone during the Moonlight Conjuring. Amity doesn’t see the other girls, especially Boscha, as real friends. “Understanding Willow” confirms this as it’s revealed that the only real reason why Amity’s friends with Boscha is because her parents approved it. So, believing that she had no better options, Amity kept the charade going to keep her parents happy and Amity safe. But when Amity finally found someone worth fighting for, and the bravery to match, she dumped Boscha for REAL friends. It was freeing for Amity to be rid of something, only for the writers to later decide that it wasn’t fake for Boscha.

I know that I said last time that the reveal that Boscha had a form of obsession with Amity felt rushed and forced, but that doesn’t stop it from being an interesting idea. Despite the friendship being forced upon them, Boscha DID consider Amity a real friend to do everything together. What she didn’t know was that those feelings were very much one-sided because…A. Amity didn’t appreciate having a friend forced upon her after losing another. And B. Boscha wasn’t a good friend. Not just with Amity either, as Boscha had this bossy, controlling attitude with ALL her “friends.” Now, we never saw Boscha act this way towards Amity, but there’s not really any evidence that proves she wouldn’t, either. And given how Boscha inevitably became the most controlling president of the entire school during the apocalypse, I wouldn’t put it behind her. Despite that, though, Boscha never saw herself as a bad friend and initially believed Amity’s making a mistake by aligning with “losers.” Amity never cared, and that just made Boscha frustrated, even jealous when Luz and Amity became close. Those feelings were easy for the audience to pick up, only for “For the Future” to further confirm them and put Boscha’s reactions in a new light. We now understand more about how torn up Boscha was in previous episodes and that’s why I don’t hate this last minute idea that the writers threw in. It’s still rushed and forced, but the potential it COULD have had makes it interesting. If there were more episodes to develop this idea, then it could have been a better relationship to dissect. As is, things are still fine, but weakened by doing too much too late.

But that’s enough about friends. Now that we started something negative, it’s time to lean into it by going over some enemies.

Rivalries/Enemies

The Owl House may be a show about friendship, family, and being kind to those you didn’t expect to deserve it, but there are still some characters who hate each other. These are more than negative, toxic relationships. These are pairings between characters who mutually hate each other, even if one side strongly dislikes the other more. And we’re going through a lot of hate, so let’s start with something light.

Willow vs. Boscha: It’s a classic dynamic: A bully and her nerd. That’s how it’s treated, that’s how it’s mostly seen, but I understand it as something more. I said so last time that Boscha is the perfect rival to Willow. There’s similarities in how they’re physically driven girls who need to affirm that they’re capable of being strong. The difference is their attitudes, as Willow goes out to prove that she’s as good as ANY witch and Boscha insists that she’s better than EVERY witch. Boscha believes that she has nothing to prove because she’s already perfect. So it makes sense that she feels threatened when Willow gets more attention. Boscha thinks that Willow is at the very bottom of the social ladder due to her lack of magical talent and made fun of her for years because of it. So when Willow gets a confidence boost and people notice her more as a result, it infuriates Boscha down to her core. So it’s no big surprise that Boscha doubles down on her bullying to make Willow’s life worse…For one episode.

Yeah, you would think Boscha’s worsened bullying would be continuous, but instead she lets up after the end of “Wing It Like Witches.” To be fair, it makes sense NARRATIVELY that Boscha would stop as the episode presents this idea that no matter how superior she ACTS, people will still praise how cool Willow is. That look of fear on Boscha’s face when her friends swarm Willow and ask her to join the team is a sweeter victory for Willow than beating Boscha at grudgby. And it SHOULD work…but it’d be better if Boscha was just a one-off bully. Except that she’s not. She’s WILLOW’S bully who spent so much time making Willow’s life miserable. So while it makes narrative sense for Boscha to back off, it doesn’t make sense for her CHARACTER and her place in Willow’s life. Plus, “Wing It Like Witches” isn’t exactly a satisfying end to their rivalry. It becomes more noticeable as an issue in “For the Future” when Willow finally stands up to Boscha without anyone else doing it for her. That’s a great start but then Boscha gets a forced redemption and Willow goes “This isn’t over” in a more playful tone instead of a spiteful one. And…that’s the end of that. Willow doesn’t have any final fight to shut Boscha up for good or even say, “Stay away now and forever.” They just end things on friendly terms and that doesn’t seem right? I mean, it fits with this whole “Make friends, not enemies” idea that The Owl House loves to use, but not only does this seem like a case where it would have been fine NOT to use it, it also feels a little cheap. Like, that’s how the rivalry ends? They hardly interacted in the very last episode that they’re together in, and all they did to each other comes to a close with one-sided playful banter? It definitely could use more punch to it, preferably one from Willow. And sure, you could argue that they weren’t meant to be rivals in the first place, but even if that’s true, which I honestly believe it isn’t, it would be a missed opportunity to take, which it honestly kind of is anyway. I like MOST of what we got with these two, but I’d be lying if I said I didn’t want more.

But, hey, at least SOME rivalries lived up to their potential.

Kikimora vs. Hunter: Okay, this one’s definitely more or less one-sided, but it’s everything it needed to be.

Kikimora had an INTENSE jealousy towards Hunter, and that’s putting it VERY lightly. She tried to kill him three times, with her not knowing it was him the second time, and Kikimora decided her new life purpose was to prove that she was better than Hunter. And Hunter…couldn’t care less. It’s actually kind of funny how much he considers Kikimora as a non-threat. If anything, he’s threatened by what Kikimora USES, whether it’s a dragon, a mech, or a small battalion of grunts. As for Kikimora herself, Hunter reacts to her surprising the others in “For the Future” the same way a person would if they forgot to buy milk. She’s a minor inconvenience to him at best, and Hunter has no fear dealing with her. Meanwhile, Kikimora continues to plan his death as if their rivalry was on equal terms, even though it very much is NOT. And while the conclusion to this one isn’t strong either, it doesn’t really need to be. It’s a rivalry used for entertainment value and to further emphasize how detached from reality Kikimora is to believe that the Emperor’s right hand considers an angry little gremlin as a worthy opponent. It’s a short and fun dynamic that works because the show didn’t need it to be anything more. It’s not like they’re the BIGGEST enemies in the show…That’s the next relationship.

Luz vs. Belos: Out of everything in the story, the relationship between the main protagonist and antagonist is one of the most important things to get right. Fortunately, The Owl House understands this with Luz and Belos. Like most antagonists, Belos is a dark reflection of Luz. They’re both humans who came to the Isles, worked hard to find a way to do magic like everyone else, made connections with others to help get by, and changed the world through their actions. However, that’s where all the similarities end with these two, because even though they have surface level comparisons, they couldn’t be more different with what they did and why they’ve done it. Luz changed lives for the better, all because she loved the Boiling Isles and all the friends she made in it. Belos changed lives for the worse because he despised witch kind and wanted to eradicate them all from the inside out. And when both faced the other, Luz and Belos had different ideas of who was the hero of this story. To Luz, it was obvious. Almost ANNOYINGLY obvious, as she couldn’t get how no one else could see how Belos was clearly evil. As for Belos, he didn’t necessarily see Luz as the villain, but instead as a tragedy. Just like his brother, Luz was taken in by the witches and their sinful allure and was too far gone to fix. Belos is still “merciful” to her, but that’s because Luz is the first human he has met in years and he’s willing to refrain from eradicating her like a common witch because there’s a chance that she might see the light. It’s why, even during his death, he is begging for Luz to reclaim her humanity again and be better than those witches. There’s just one problem: Everything Belos believes Luz to be is complete horseshit.

Luz isn’t a tragic loss, she’s a GOOD PERSON. Hell, she’s more human than Belos could ever be as Luz treats everyone in the Isles as actual PEOPLE instead of sinful monsters. Luz chose to help witches because she genuinely cares about them and wants to save THEM from danger. Right from the beginning, Eda was more than willing to let Luz run away back home only for Luz to stay because these witches and demons needed her help. That doesn’t make her a tragedy but a person who’s actually pure of heart. And as for Belos’ “mercy,” it was out of selfishness despite how much he’d tell himself otherwise. When letting Luz free to save Eda, he practically did it with a gun to Eda’s head so Luz would be willing to give up the portal door. That and likely because he deduced that he needed Luz’s help to get The Collector. And after nearly killing Luz in “King’s Tide,” he decided to stop because Luz convinced him that she could be his guide in the modern human realm and verify his achievements. Belos may have believed that he was being altruistic, but in reality he backed Luz in the corner, forcing her to do and say what Belos wanted. Only for Luz to prove that she’s NOT an idiot by outsmarting him both of those times, nearly killing Belos the second. It shows that not only does Belos misunderstand the kind of person Luz is, he underestimates her. The man who lied and tricked his way to the top got beaten at own game by some teenage girl who is great at sleight of hand and appealing to someone’s needs. Yet despite this, Belos still thinks that he can outsmart Luz one last time by blaming his actions on a curse. Because he still believes he knows that Luz is a misguided girl and tries to use her kindness towards others as a way to convince her. But while Belos fails to understand Luz, Luz came to learn EXACTLY the kind of person Belos is.

Being a fan of fantasy as a genre, Luz could tell upon seeing Belos that he was evil. And, again, it’s pretty telling how Luz feels about him when she, the kindest character in the show, immediately went for the head. But while Luz was aware that Belos was obviously evil, she didn’t know with Philip. Her first impression of Philip was that he was a wise man who could potentially help her, which is the exact image Belos tried to portray with Luz years later. The only reason why it works with Luz when she meets Philip is because she read his adventures, which were personally revised by Philip himself, and he didn’t look like much of a threat. It isn’t until Luz catches onto what type of con artist Philip was that she soon switched gears to hating the old bastard. Rightly so, of course, but it would unfortunately come too late as Luz already helped Philip without even knowing that he was on his way to becoming Belos. The realization that Luz accidentally created a monster haunts her and will continue to do so for years. It’s why she REFUSES to buy any other trick or lie Belos tries to pull and kills him without any mercy. She knows that there’s nothing he could say to change Luz’s mind, because all the tricks in the past proves that he’s full of it. And as he berates witches with his last breath, it’s all Luz needs to know that she’s making the right choice. Belos was a monster that ruined lives, including Luz’s, and she’s most definitely glad to be rid of him.

Luz and Belos has a perfect hero/villain dynamic that I adored. I DO wish they interacted more to further sell that dynamic, but that’s nitpicking at best as they’re both still wonderfully written. There was definitely no missed potential with these two…Speaking of missed potential…

Darius vs. Alador: Alright, in fairness, this one might not have had much attention on it anyway, even if the show had more time. And large and part because it’s something that’s more or less written in the background of everyone else’s stories. Just small comments like Darius calling Alador a hack and actions where Alador tosses Darius’ book away in disgust. They were never a focus of an episode, but the writers still made it a fact that Alador and Darius couldn’t stand each other. And it works for what it is…but then there’s this level of intrigue presented in “Them’s the Breaks, Kid,” a flashback episode that briefly revealed that Alador and Darius were once friends. That inevitably led to questions, all circling around what could have happened between then and now to cause their friendship to change into a rivalry. There’s some definite intrigue to what could have happened, and it’s why I’m willing to say it’s a missed opportunity to not explore it…HOWEVER, I will also admit that it’s not a HUGE thing to focus on. Out of everything in the series, there’s bigger fish to fry than explaining why a secondary character’s dad came to hate a side character. If the show had all the time in the world, it would definitely feel more like a missed opportunity. As is, it’s still perfectly functional as a rivalry with a bit of unresolved intrigue. I would have loved more, but I’m not losing hair over it.

And yes, I know, there’s a possibility that these two could be a couple, but that’s more or less hinted as a possibility because of ONE interaction near the end. I wouldn’t say it’s anything official outside of that…But since we brought up SHIPS…

Couples/Ships

Quick stipulation, this isn’t about popular ships within the fandom. You’re not going to see Viney and Emira or Viney and Skara just because there’s a lot of fan fics and MoringMark comics about them. There’s also not going to be any POSSIBLE ships here. We’re discussing what’s canon and official based on what we’ve seen in the show. So no Veesha, despite how adorable and crazy it is to have a crack ship actually be a possibility.

No, instead, we’re discussing the ships that were built up within the show, their ups and downs, and how they worked as a couple. And to start, let’s just go ahead and rip off the bandaid. There’s one ship we ALL know deserves to be talked about, and it’s best to start off with…

Alador/Odalia: Hey, not every couple is good for each other. 

Full disclosure, I had NO idea where to place these two. I THOUGHT about putting Alador and Odalia in the family section, but their relationship cannot be described as that. Even putting them HERE feels like a stretch. But there’s not really any better place for these two. I could call them enemies, but that also feels like an oversimplification because they don’t really hate each other…At least not until “Clouds on the Horizon,” but we’ll get to that.

Just like asking if Odalia loved Amity, I have to wonder if she loved Alador. Because, truthfully, I think she DID, once upon a time. I look at that photo of Alador winning the Bonesborough Brawl, and it definitely hints that there was SOME infatuation there on Odalia’s face. Granted, being attracted to someone and loving them are two different things. Dozens of fans hate Odalia with their final breath, but will go on record saying that she’s pretty hot. And…yeah, fair. But I definitely feel like she felt SOMETHING that went beyond physical attraction once. As for whether she feels the same in the PRESENT, I definitely say that same spark no longer exists as Odalia sees Alador as nothing more than a business partner than a romantic one. She compliments his work, but you can argue that’s just Odalia being glad that she’ll be getting richer instead of admiring Alador’s passion in his craft. And when Alador says something Odalia doesn’t like, she doesn’t waste a second to threaten divorce and take away what Alador really cares about: The kids. Odalia may not fully care about her children, but she knows Alador does and is too willing to use them as leverage. Any attraction Odalia may have felt is certainly gone, with the only thing she has left to feel is maybe physical, but I wouldn’t bet on it. Mainly because Odalia seems like a woman who would have private affairs with better looking men, and can get away with it because she’s in charge of every aspect of the relationship. And Alador suffered for it.

Now, as for whether or not ALADOR loved Odalia, I’m once again willing to say yes…to a point. Some say that their marriage was more or less arranged for the sake of business or Odalia pitched their marriage as a business proposition rather than anything romantic. And while I can definitely see that, a part of me believes that there WAS something there and that Alador stuck with Odalia because he initially fell for her. If it was strictly a business thing, Alador would have walked out any time with how Odalia treated him as an employee rather than a partner. And the arranged marriage seems off too because Alador, even before working through hell, seemed too messy to be from a rich family willing to do business with Odalia’s. So I believe that the best explanation is that Alador used to love Odalia once, but that love would fade away over the years. The only thing that kept Alador by her side despite the anguish is both the kids and, quite possibly, because Alador’s feelings didn’t COMPLETELY fade until “Clouds on the Horizon.” Trust me when I say that for some couples, even married ones, find it hard to get out of a relationship that’s toxic because they cling too tightly to the good times. You know you can do better, but you stick it out because your brain keeps telling you “Well, they’re not ALWAYS this bad.” I feel like the show hints how THAT’S how Alador feels with Odalia. Look at that smile he gives her in the end of “Escaping Expulsion.” Odalia’s compliment might not have been wholly genuine, but Alador’s smile was. It’s almost as if he’s taking the compliment at face value and sees it as an example of Odalia being not so bad. He takes little moments like that until finally meeting his wits end in “Clouds on the Horizon,” where after learning that he missed so much of Amity’s life in “Reaching Out,” Alador’s a bit more willing to fight back against Odalia. Still, there’s that part of him saying, “Well, she’s not THAT bad.” And just like Amity, Alador’s telling himself that Odalia couldn’t be THAT evil in selling weapons to a genocidal maniac. But once finding out that she IS, it’s the last push Alador needed to shut up that voice inside his head and officially cut ties with Odalia forever. It’s a great representation of how a toxic marriage can grow over time and that even men can face abuse from women…At least, that’s how it should be on paper. But much like the rest of Alador’s character, everything is better on paper than it is in practice.

A lot of what the writers do with Alador and Odalia still works…enough. It’s right on that line where everything the writers try is still functional but could still be better. A lot of my analysis between them is based on looking deeply at minor implications at best and seeing something that isn’t there at worst. It would benefit MORE if we saw the good times Alador and Odalia had together or if we saw more of a conflict with Alador’s perception of Odalia. As is, I still LIKE what’s done and what it represents, but I still admit that it could have been better. Maybe with more time, it COULD have been, but alas, that’s not the case.

But that’s enough of a ship that sank. Let’s talk about one that had SOME fans at first only to SKYROCKET into popularity when the writers started making it a possibility. To the point where you see them almost everywhere. And that is…

Willow/Hunter: I’m not kidding, it feels like these two are EVERYWHERE now. I remember seeing, like, one or two bits of fan works of Willow and Hunter together that made me question people’s sanity. And then “Any Sport in a Storm” happened and a lot of people, including myself, went, “I get it now…”

There’s a lot of potential present with Willow and Hunter. They’re both people who work hard to prove that they’re stronger than anyone expects. Willow is quick to identify with Hunter’s self-deprecating view of being “Half a witch,” and Hunter admires Willow’s show of strength and determination. The ideas of these two becoming a couple grow stronger the more “Any Sport in a Storm” goes on, with Willow showing that while she understands Hunter’s plight, she doesn’t treat him like a wounded puppy and YANKS him away to prove that NO ONE should be underestimated. It shows that while Willow cares, she will be direct and to the point, the type of language Hunter understands. And to Willow, it’s really smart that she was introduced to HUNTER first instead of the Golden Guard. To her, Hunter wasn’t a threat, but a kid. A weird kid, sure, but one who still has insecurities and comes across as a little awkward in a charming way. Even when the truth comes out, Willow’s taken in by the charm of how Hunter clearly doesn’t know how to act as a kid. As for Hunter, he’s definitely the one who developed a crush first, proven by that little hint of a blush near the end of the episode. It makes sense, given how Willow was the first person Hunter met that was BEAMING with positivity and didn’t immediately want to kill him. Add that with the fact that Willow is a no nonsense person who has some of the most powerful magical abilities he’s ever seen, she likely checks the boxes that Hunter believes to be noteworthy. But it’s Willow’s kindness that sucked Hunter in.

Hunter knows Willow is tough, but he appreciates the way she seemed willing to forgive Hunter despite kidnapping her and the rest of the Emerald Entrails. Willow’s nice, and she continues to be so when stuck in the human realm. Willow cuts Hunter’s hair as he’s having an identity crisis and supports his bizarre fashion choices after he reads Cosmic Frontier and gains a better understanding of himself. The best part is that Willow didn’t know the full picture during these moments. She just thought Hunter wanted his hair cut and was trying something new and fashionable, but the facts didn’t matter because she was a hundred percent on board anyway. That level of support was something Hunter rarely got in his life, and he got it from Willow the most. It all adds up to why Hunter has a crush on Willow, making it easy to buy why he does…The problem is that I can’t exactly say the same about Willow’s crush on Hunter.

I get that Willow likes Hunter and that she cares deeply about him. She’s crying the most when it looks like Hunter’s dying in “Thanks to Them” and it’s when Willow fails to help him in “For the Future” that almost breaks her. We GET that she cares, but there’s never really that MOMENT where Willow’s clearly crushing on Hunter beyond implications and two “blink and you’ll miss it” blushes that come near the end of “For the Future.” There could be the argument that Willow likes Hunter the MOST out of the friend group, with some pointing out that she went the most feral in “Clouds on the Horizon” when she thought it was HUNTER who was in danger. A friend of mine pointed out that Willow would have acted the same way if she knew it was Luz, and while that’s definitely true with her attacks on Kikimora, Willow went from the first to hijack an airship to save Hunter to the most held together when she found out it was Luz. So I could definitely see the case that Willow cared a lot about Hunter but never realized it was a crush. What bothers me is that it doesn’t feel BIG when Willow discovers her crush. I mean, yeah, it’s sweet that Hunter admitted how much Willow means to him and that he’s willing to be a shoulder to cry on…but that’s the same with Willow’s other friends. There’s nothing that different with Hunter as there is with Luz or Gus, and by the time Willow’s blushing it feels like something that NEEDS to happen to confirm her crush. And I fully blame how underdeveloped it is on the show’s shortening.

Hunter and Willow becoming a couple was an idea brought up when the show was nearing the end, leaving the writers with a handful of episodes and three specials to make it make sense. What went wrong was that they focused more on Hunter’s feelings than Willow’s and made it canon as quickly as they could. And even then, the canonicity of their relationship is more implied if anything else. Like, it’s obvious to anyone with EYES and a BRAIN that Hunter and Willow are a couple, but there’s never this verbal or physical confirmation that they’re together. They have their arms around each other in the finale, but there’s not much other than that. On the one hand, that’s great role reversal as shows for YEARS had to rely on implications towards their same sex couples while being as explicit as possible with straight ones, where The Owl House is the exact opposite. But on the other hand, why even make these two a couple when you’re not even going to make them kiss?

Back when I said “I get it now” after “Any Sport in a Storm,” I realized I was excited more by the IDEA of Hunter and Willow without knowing the actual execution. We could have seen Hunter deal with his first ever crush and Willow learn that she has someone who loves her no matter how “powerless” she can be to others (Primarily Boscha). What we got instead was HALF of that, watching some great stuff with Hunter but not much with Willow. Still, these two have their fans and I can definitely see why. The IDEA of them together is great and it’s why I still like them being a pair. However, based on what the show gave us, their love didn’t bloom (Hahaha) as effectively as it should.

But I know the REAL couple you want me to talk about. It’s one of the biggest relationships in the show, due to how effectively it appeals to the LGBTQA+ community. And that is…

Raine/Eda: Because, let’s face it, older people can be queer too.

On top of being a stellar representation to have one of the main characters fall in love with someone non-binary, The Owl House does great at telling Raine and Eda’s love story. Cleverly, the writers introduce Raine as someone Eda knew and was obviously in love with. By withholding most of their past for future episodes, it leaves this first assumption that they were both in love with each other for years but likely never bite the bullet by asking each other out. I mean, they were nervous together with Eda being a blushing mess half the time. It’s not like they were exes, because people don’t act that way towards someone they broke up with…Then, literally, the next episode later, it was revealed that they WERE exes. Even better, Eda didn’t want to break up. She DID want Raine, but Raine felt like they weren’t wanted because Eda wouldn’t let Raine in to help with the curse. Eda left them at arms length to keep them safe, only for Raine to break things off because, well, how would YOU feel about your partner being distant when all you want is to be close? This brilliantly recontextualizes “Eda’s Requiem,” as Eda’s the one always blushing and looking away, as if she doesn’t want to let on how much she still loves Raine. Yet, upon seeing them for the first time in YEARS, Eda practically jumps at the chance to work with Raine in rebelling against Belos, partially because of the chaos she’s excited to cause and because struggling to grasp that her kids might leave one day so Eda throws herself into the first relationship she can think of reconnecting with. Raine, albeit too late, catches onto this and stops Eda before she makes a mistake she can’t take back, helping her live so that she can be better to her kids than she was to Raine, letting them stay instead of pushing away when it feels easier. And likely because Raine still loves Eda too.

Then Raine grew kidnapped…sort of. They ARE taken away with Terra trying to brainwash Raine into changing everything they are, but Raine’s smart enough to avoid the obvious trap and tricks everyone into believing that they WERE under Terra’s influence. The thing is, though, that Eda AND the audience didn’t get this information until FOUR episodes after being fed information that they’re brainwashed. So when Eda tries to rescue Raine, they had to keep up the act because Eda would ABSOLUTELY interfere or throw herself into danger for Raine. But Raine doesn’t want Eda in danger, so they lie and keep her as far away as they possibly can…doing almost the same thing Eda did years ago that caused Raine to break up with her. The details aren’t exact and the circumstances are more complicated, but the spirit is still there as Raine tries to keep Eda as far as possible from any danger so she won’t get hurt. Only for Eda to prove that she’s one to face danger head on for the ones she loves and that the safest place is right by Raine. It also helps that Eda initially contacted them, begging Raine to save Luz because she needs to be FAR from danger and Eda doesn’t care what’s going on with Raine at the time doing this. Eda trusts them more than anything, and this moment of fragility helps Raine realize they’ve been thinking backwards in trying to help Eda. And helping Eda is all Raine set out to do, trying to give her any out possible from being branded with a sigil and ripping Eda’s arm off so she wouldn’t die with the others…It sounds horrific out of context, but trust me that it proves how much Raine cares for Eda, willing to do anything for her survival. The love between these two is as clear as day, and how the writers went about showing Raine and Eda’s feelings is smart…BUT…

As good as this ship is, a ship like Princess Bubblegum and Marceline the Vampire Queen from Adventure Time shows what Raine and Eda could and SHOULD be. It’s a similar dynamic, as Bubblegum and Marcy broke up in their younger days only to reconnect MUCH later because they needed more time to grow before becoming the perfect couple they were meant to be. It’s to show that your first love CAN be your true love, but sometimes people need time apart to become better before realizing you never wanted this person out of your life in the first place. That’s not the same for everybody, but for these old gays, it is. The difference between Raeda and Bubbline, though, is that Bubbline focuses on the growth BOTH characters have to go through. Bubblegum and Marceline have their own baggage to overcome and the majority of their time on the show is about them learning to deal with it not necessarily for each other but for themselves and the people they love. With Raeda, it’s the same idea, but it’s Eda who grows more. And that’s because Eda, upon conception, was her own character where Raine, as I said last time, was a love interest. Still wouldn’t say that makes Raine less of a character, but for this relationship that means there’s less attention on THEM to grow as they’re often treated as this perfect person who Eda tries hard to fight back for. Now, there’s stuff that Raine did wrong too, with pushing Eda away from danger and constantly putting Eda’s needs in front of their own. However, the show never really digs deep into those issues, nor is there a moment where Eda confronts Raine for how THEY acted. Granted, Eda doesn’t have a leg of her own to stand on, but we’ve at least seen her grow past pushing people out of her life and letting them back in. Most of Raine’s development coincides with Eda’s, making it where Raine can’t adequately grow past their own failings. It makes it feel like it’s EDA that has to grow more to get Raine back, which would be fine, but it also makes Raine feel more like a prize Eda needs to earn instead of a character who has their own stakes in the relationship. It’s the part of Raine and Eda’s love story that gets to me a little, but, even then…I still loved that these two got back together.

Raine and Eda’s chemistry is on point and you get why they love each other. They’re both agents of chaos, Raine going for more controlled chaos while Eda is just all in for pure havoc. Eda brings extra fun into Raine’s life while Raine makes sure they BOTH don’t get into trouble. It’s like Raine and Eda were made for each other and you DO want them to get back together. Those scenes where Eda peppers Raine’s face with kisses and later snuggles up to them when all the craziness is over is ALL I ever wanted. I’m glad I got it, even if the development of their relationship could’ve been better, I’m still happy that they BOTH got their deserved happy ending.

But that’s enough teasing. You may have noticed that I haven’t talked about ONE relationship yet. One that is HUGE within this series. A relationship so big, so important, that to lump it in with all these others is a disservice to how major it is. A relationship SO GOOD that it deserves its own category as…

It’s Own Thing

You all know who they are. They’re a relationship that makes the show what it is and are the very reason why it’s so good. They’re so important that The Owl House wouldn’t be the same without them. And they are…

Luz, King, and Eda: Or our main trio, to be short.

Yeah, crazy enough, the most essential relationship in the show happens to involve the three main characters in it. The Owl House starts with them, ends with them, and features them almost always going on adventures, sometimes alone but always ending up back together. Together, they’re more than a group of weirdos stuck together. They’re a family.

Luz and Eda have this VERY obvious mother/daughter dynamic. Eda may have called Luz her human, apprentice, and, most times, KID, but it always felt like she was one slip of the tongue away from saying “daughter.” Eda’s motherly instincts kicked in nearly instantly, where the second Luz is put into too much danger, all the woman can think of is getting Luz FAR away from it. It’s large in part because Eda’s a naturally caring person, whether she likes to admit it or not, and doesn’t want this young girl to get hurt. But the more time Eda spends with Luz, getting to know this crafty kid with a good heart, the more it becomes clear that Eda wants to protect Luz because Eda sees Luz as her own. Not only can see it in all the ways Eda smiles at Luz’s antics or comforts Luz when she needs it, but Eda’s motherly love for Luz is clear as day when you notice that Eda’s at her most panicked and angry when Luz is in danger. Anyone can be nice to some random teen that refuses to leave their home, but it takes a mother to be equally soft and protective towards that child. And let it be known that the feelings are very mutual, as Luz often looks up to Eda as a second mother. Just like how Eda is always SO CLOSE to saying “daughter,” Luz always sounds like she means “mother” when she says “mentor.” Luz constantly goes right to Eda for help, information, and advice on pretty much every aspect of her new magical life. Sure, this could be because Eda’s the closest thing to an adult that could take Luz in, but Luz ALSO forms a better bond the more time they spend together. Luz cares so much about how Eda sees her and wants Eda to be happy above all else. You could say that it’s the least Luz could do for freeloading in Eda’s home (and you’d be a prick for saying that), but it comes from a genuine love, respect, and admiration for Eda. Hell, it’s LUZ who’s the first to admit that they’re like family and to say, “I love you” in “Young Blood, Old Souls.” They both clearly see each other as a mother and her daughter, even if neither of them use the actual words “mother” or “daughter.” The spirit is definitely there and it’s adorable and entertaining to see each episode.

However, out of the three, I feel like it’s King who’s often treated as an afterthought. For Luz and Eda, King’s either treated as a sidekick, a friend, a son/brother, and a pet. Although, this is primarily because the writers clearly didn’t know what to do with King until Season Two, which is around the same time Luz and Eda started treating King more consistently. Luz became more of a protective order sister and Eda became more of a mother (Mainly because King legally made himself her son). BUUUUUUUUUT, it doesn’t change how off the inconsistencies felt early on, nor was there enough time to make these dynamic changes feel like they stick. Especially since King rarely showed any genuine care until near the end of Season One. He still showed that he appreciated Luz and Eda and was happy to have them, but also treated them both VERY poorly, like with how much he intentionally annoyed Eda or cracked jokes at Luz’s expense. He didn’t hate them, but it definitely took King more time to love the family he has. Likely because Season Two made him realize that he didn’t have any biological family outside of Luz and Eda (and sometimes Hooty). Even when the idea that his real family is out there, King still considers Luz and Eda a part of it. It’s all sweet to see even if it feels a little late to the game.

The best part about these three, though, is the mutual amount of love and care for each other. Some of the sweetest scenes in the show feature Luz, King, and Eda lifting each other up, comforting one another, or just…goofing off and having fun. Their bond and chemistry as a trio is on point and you get how important it is when this trio splits up for Season Three. Because Season Three…was better than it had any right to be. “Thanks to Them” started the season out strong as the best episode in the series, “For the Future” also existed as good but not great, but it wasn't until “Watching and Dreaming” did things start to feel right. As good as “Thanks to Them” was, it felt like one of the pieces of the puzzle was missing. I loved almost every minute, but there was something that made “Thanks to Them” unable to be the best representation of what makes the show so good. And what was missing was King and Eda. It felt so wrong to watch an episode without either of them being right there with Luz, almost as if the show was incomplete without them. Things didn’t feel much better in “For the Future.” King and Eda were there, but separated from Luz as they dealt with The Collector while Luz was dealing with…a lot more. We saw all of them in the same episode, but something STILL felt missing. It’s not until we get to “Watching and Dreaming” does it become clear: What was missing was seeing the trio TOGETHER. Seeing all three of them reunite and interact with each other again finally made it feel like I was finally watching The Owl House again. You could have a great show if it was Luz with her mom and friends, dealing with teen drama. You can even have an okay show if it was Eda and King going through some magical nonsense. But when you bring them together, have them go through everything with each other close by or by their side, then you get The Owl House. All these other relationships could’ve been cut and the show wouldn’t suffer, but The Owl House wouldn’t be the same without Luz, King, and Eda’s bond.

And…Yeah, that’s about it.

The relationships in this show are varied, both in the different dynamics each character has and the quality of how they’re written. There’s a lot of great ideas, but some seem like there’s not enough time to make them meet their full potential. Regardless, the ones that DO work succeeds in bringing more warmth and intrigue to an already great show. There’s much more ups than downs, and it’s always endearing seeing great characters forming perfect bonds with other great characters.

That’s all for now, though. So I will see you all next time as I discuss—What? Why are you looking at me like that? Did I forget something?

…OH! You thought I forgot ANOTHER relationship. One that features two of the best characters in the series. 

A relationship that’s adorable and gave me so much happiness in this dark place we call Earth.

A relationship that is IMPRESSIVE LGBTQA+ representation due to its normalization and how much attention is given to it.

A relationship that, while The Owl House wouldn’t be the same without our main trio, the very same could be said about this other relationship.

A relationship SO GOOD, that to just go over it as simply as I went over the others would be too great of a disservice.

Because that relationship is, without a doubt, the best thing about the series. And no, I’m not kidding.

You’ll see why…next time.

Next Part >

[archandshri]

23rd Feb '24 - [arch] OH RISO my beloved!!!!!! ft. cyberpunk hermitcraft soup group

A cliffhanger!!!! And now I have to wait a month for you to upload the second half?? How will I cope :’’0

For real, it’s so awesome to see your process and the sheer amount of inspiration you take! In particular, I thought ‘Sit on Two Chairs’ and ‘This Was Our Pact’ were particularly yummy. 

I think book covers are really hard. You have to sum up a book’s energy in one image, make it stand out and show just enough so people want more. Exploring the narrative through those full pages is really interesting - though this is something you did for fun, it could be a really useful technique for getting to know a narrative. When I’m designing my comic covers, I always do it last - that way I’ve had practice with the visual style and I’m thoroughly familiar with the themes, so I guess spending a bit of time with the characters and narrative in this way helps for standalone book covers too. Of course, it helps if you have the time for that XD

Okay!! Onto what I've been up to!!! [warning this is a beefy post I'm sorry for your poor reading brain]

The past two weeks have been really enjoyable! I’ve been playing a lot with slow world-building, in sketchbooks, google documents, and voice notes to friends. Letting myself really sit with concepts, think about the characters, let them play in my head with no expectations. With this relaxation and lack of pressure, some beautiful narratives and interactions have been developing. I’m starting to need a name for a world/ the story. I’m not quite ready to give them a full introduction to the internet - I know it doesn’t but it feels like there’s some accountability to *produce something* and this slow development is really important for the quality and my skill building. It’s really hard to take on, but we actually don’t have to make the perfect thing now! In fact, it’s impossible. Pressure on ourselves makes it so hard to make something good if we’re always grasping at the final result.  In the meantime, while those characters develop, I have been working hard on my basic skills. I wrote about characterization last post, but this week I focused on setting and colour. I was inspired (once again) by Hermitcraft. I’ve seen some really incredible illustrations of Minecraft builds in the fandom, and it seems like a great exercise.

Bdouble0's Season 10 Base illustrated by @applestruda [source] and The Red Zone, built and illustrated by Bdouble0 [source]

One of the creators on Hermitcraft, ImpulseSV, created this build in a recent episode. It takes inspiration from the last season of Hermitcraft, where he was part of the ‘soup group’ with two other players, and his current base concept - a cyberpunk city.  I also LOVE his new character design, so I wanted to place him in the scene.

Screenshot from Impulse's video and new impulse design by @maxx-doodles

Here are some initial thumbnails I did, trying to figure out the composition. I wasn’t sure of the vibe yet, so I tried some rough thumbnailing, and drawing on an isometric grid and other perspective techniques. I’m going a bit mad for characters at the mo, so I wanted to place some in the scene. I found the angle of the isometric grid steep to place characters comfortably, so decided against that.

Looking back at it, I love the second! But I believe I was struggling with the perspective. I decided on the last one eventually.

Now, I absolutely adore all of the players in the Soup Group, and I am BIG fan of redesigning their notable characteristics to suit different settings. So yes, I decided to put all of the soup group in the image.

PearlescentMoon (left) from my comic and GeminiTay's Hermitcraft Season 10 design [from this thumbnail] (right)

Here's the sketch of the final image. I really enjoyed coming up with cyberpunk versions of them all. I used the impulse design almost exactly, with a few extra interesting details since he's mostly viewed from the back. For PearlescentMoon (middle) I kept her fringe, dark hair and gave her a glowing moon symbol on her top. For GeminiTay, I kept her long ginger hair, antlers (but glowing!) and took inspiration from her new season 10 design - a dark blue jumpsuit to match her dark blue clothes in her new design, and the braids she is often drawn with. I also gave them edgy new hairstyles. And a robot arm. I don't have lore for that.

As usual, I filled each flat colour-to-be with black and lowered the opacity to play with the values. Then I added colours one at a time, aware might be riso printing it. Originally I stuck to trying to make it printable (making the colours out of ones I could make my layering 2-3 colours at different opacities), but as I went on, I decided to drop that and focus on the quality of the image in a digital format alone. I did keep the grayscale version above with all the separate layers in case I needed that if/when I came to riso printing it. Below are the main two digital colour schemes I tried out.

I settled on the one on the left, with the blue tones - the foreground characters really pop. I put a few details in Gem's hair, colour variations etc, and cropped it for Instagram. I actually much prefer the cropped version - it sits better in a rule of thirds.

Now the moment we've all been waiting for :'')

RISO!!!!!!!!!!!

I returned to Cardiff after a couple of months away and was delighted to spend my first day back at The Printhaus, an awesome shared print studio where I have basically made my home. A few of my awesome friends happened to be there, so I spent the day playing around with this image with their help! (please check them out they're very cool - Gavin helped me a lot (we hung out at Thought Bubble, remember? and Rhi gave good crits too!!)

For those who don't know, risograph is basically a shitty photocopier that can only print one colour at a time. However, you can play with gradients and opacities, and layer colours really nicely to combine. I've done a lot of single-colour tonal work with riso but this is my first go really layering.

First, Gavin showed me how to separate the channels in Photoshop, using the flat image uploaded to the 'gram. We copied and pasted these layers in grayscale and added blending modes to each layer to replicate what they might look like when printed.

With blending modes, the digital mockup looked like this!!

This bit goes into technical details for replicating what the print might look like for those who might want it - feel free to skip :)))

I copied and pasted the Cyan, Black and Magenta layers as greyscale (as you can see above)

I made all of the greyscale layers multiply layers since risograph ink is transparent and we wanted to see how it layers. The ink usually comes out a bit lighter than you think, so it's good to bear that in mind. I used a clipping mask over each greyscale layer and a blending mode. WHEN YOU PRINT, PRINT IN GREYSCALE, NOT COLOUR.

Here's how I split the colours from CMYK to the riso colours, their hex codes and the blending mode I used to replicate the colours:

Cyan - Mint [HEX#82D8D5] Screen Magenta - Fluorescent Pink [HEX#FF48B0] Screen Black - Blue [HEX#0078BF] Overlay Yellow - scrapped for colour scheme purposes

Blue, Mint and Florencent Pink layers in greyscale in Procreate.

Riso printed Mint and Florescent Pink layers on separate paper, followed by the two layered together.

We always start with the lighter colour inks first, because sometimes the rollers can pick up the ink and cause extra marks where you don't want them. The first two colours came out great!

The first time we printed the blue, it came out very dark (left, first image). I have had this issue before - my last book, Winter Wellbeing, came out much darker than I wanted. Now I realise that the blue ink is super sensitive. All the 'white space' that is covered by a low-opacity blue on the left is only 2%, and yet it has come out pretty strong. We tried printing it on one of the misaligned images just to see, but it took all of the brightness out of the neon soup sign at the top of the image (second image). So I changed the values and pushed them way lighter, so it just pushed the values of the darker bits slightly, and brightened some of the lineart (right, first image)

And this is the final riso printed version!! I'm so so happy with how this came out. It's so different from the original digital version, and I actually love that.

I didn't create new colours in the way that I intended to - I wanted to play with overlaying purposefully to create specific colours eg. orange for the hair etc. But!!! I'm really happy with how it came out. That will have to be a project for next time.

Also, many copies are slightly misaligned, so in future I think I'd do flat layers for the colours a more blobby style with the linework on one layer only so there's less of a chance for obvious misalignment. design for the riso, rather than riso the design.

Overall though, this feels like a super cool step up and a milestone for me. Super happy with how it came out!! And I'm excited to play with colour some more. Can't wait to see the rest of the Lionheart brothers! Enjoy your weekend :)))

Archie 🕺🕺🕺🕺🕺🕺🕺🕺🕺🕺🕺🕺 <3

[psychoticallytrans]

I am an angry person. It's not in a reasonable, rational, or understandable way. Regardless of the presence or absence of cause, I have been angry for as long as I can remember. Sometimes it's seething, like boiling water. Sometimes it's a quiet, burning glow, like embers. But my anger is always there, and it serves as the beating heart of who I am.

This frightens a lot of people, particularly those who have been hurt by angry people. Hearing that someone has anger as an integral part of them is, to some people, tantamount to hearing that this person is going to hurt you. It also confuses people who have met me. I'm consistently considered to be one of the gentlest, most caring people in a group. Children and small animals consider me a safe person.

Anger and gentleness are seen as opposites, traits that are incompatible with each other. Anger is seen as something that makes you hard and sharp, loud and fierce. But most of the time, my anger is what makes me gentle.

Anger, for me, isn't an aimless, formless force most of the time. When my anger is at a healthy level, it is a source that I draw on to have the strength and fuel to be kind. It's a deep well, and I tap it frequently. There's a comic I've seen around, more than once, that your anger is the part of you that loves you. For me, my anger is also the part of me that loves others.

My anger hasn't always been this way. It used to be harder to control, because I was a child with an unusual, overflowing amount of anger, and no idea what to do with it. The way I was told to deal with it was always to make it less, to put it away, to extinguish it.

I tried so, so hard to make this happen. Trying to extinguish my anger was like trying to fight a wildfire singlehandedly. It left me burnt, tired, and hollow, because a part of me was gone. When I didn't have it, I was cold and empty. Worse, it meant that when it flared back to life, I didn't know how to manage it. I scared a lot of people, including myself.

So, what changed?

I read books about people who used their anger as fuel to do good. People whose anger didn't overwhelm them, who embraced their anger as a part of them and used it to do amazing things. People whose anger didn't make the people they loved fear them. People who were angry, down to the deepest core of their being, and were still as good, important, and helpful as those who weren't.

Many of the people I read my anger into were characters that other people didn't see as angry. They were "passionate" or "cynical" or "protective". Their anger was reframed in a way that made it more acceptable to view positively. Still, I saw how those feelings burned in them. Sometimes low and warm, sometimes hot and fierce. Always within their control.

I found things to be angry about, things I cared about enough to dedicate a part of myself to them, and poured my anger into them. My anger came back to me, and I didn't try to kill it anymore. I made it mine. I made it me.

My anger and I cannot be separated, and still have me be the same person. It would be like trying to separate me from my sorrow, my joy, my love. I would, and have, hurt myself badly trying to do so.

Does this mean that anger should be left unmanaged? No more than grief should be, or joy, or love. Sometimes an emotion is too strong to be healthy, and you need to rein it in. Sometimes, it's not appropriate for the setting, and you need to refrain from expressing it on the spot. Anger is not uniquely evil or less your own than any other emotion. Attempting to eliminate it is damaging.

If you are going to take anything away from this post, I would like you to consider your own anger.

How would you be different without your anger? How would your life be different as a result? How would other people's view of you change?

[messydiabolical]

@dandenbo asked me for the art asks: 🎠What is a typical 'workflow' for a piece from idea to finished? It turns out to be a long answer so here's its own post, under the cut to save your dash! How I go from screenshot to painting: (This is not intended to be a 'this is how you do it!' kind of guide. I absolutely don't do an optimal route, this is just how I go about painting and what works for me! I've done a workflow for a screenshot to painting as I do a few different things but this is one I could explain somewhat coherently. My comics tend to be created pretty chaotically lol)

1) I take an ungodly amount of screenshots while playing. Also pester friends for their screenshots or stalk the group discord for interesting shots.

2) Go through all those screenshots cursing why I took so many, looking for those great moments that I want to paint. I’m particularly looking for nice poses/captivating moments, dynamic lighting or interesting expressions, and they don’t need to have all 3 as we can fix some of that in the next step. Here’s the screenshot I chose for my Keahi x Thane piece:

It was a cute, soft moment between them and I liked the highlight at the edge of their profiles. 3) Refine the screenshot. I don’t use anything fancy for this. I game on windows PC, so I open up the screenshot with windows photo editor. I crop the image, play around with saturation, exposure, contrast, just basic editing until it looks tastier. For this piece I wanted it to be hyper colourful and vibrant, leaning towards warmer tones.

4) Decide what I will change, then gather references for those changes. In this case I was fortunate that not a lot needed changing. I knew I wanted to move Thane’s eye position to looking at Keahi rather than the way he is slightly off focus, do a more realistic ear with earrings for Keahi, make Thane a little more smiley and lower his eyelid and give Keahi nicer eyelashes. I keep a whole bunch of art guides and tutorials on my PC so I grabbed the necessary ones and sent them to my ipad ready to have on hand for the sketch stage. I have Thane’s character model in XNApose, so I can check things like his eyelid specifically in that (this is actually for a different project but shows you what I mean)

If I was going to change up the lighting/shading I would also gather references for that. For example sometimes i’ll take screenshots of lighting schemes I love from films/tv shows (think the strong teal and orange scheme in Mad Max or the neons of Blade Runner). Or for precise shadows, I can again use XNApose. I also have a little 3d printed Thane head I can shine a torch at and take photos of to get shadow ideas. For humans there’s lots of reference to be found with online searches, I find pinterest more useful than google for this. For specific expressions or body parts, i’ll just take photos of myself (hand poses, smiling from the right angle etc.) My camera roll is an interesting place. I have drawn drell frills on my neck and on my chest before to see how the lines would fold at certain angles. 5) Setting up a canvas I work in procreate. For a piece like this I try to go pretty big, say 5000 x 4000 pixels, then i’ll crop down later as needed. 300 DPI. As I work, I’ll make duplicates and continue on the copy each fresh session. When i’m finished I make a backup save of the PNG and .procreate files on an SSD. I immediately turn the background colour down to a more muted colour to not burn my retinas. If i’m using a textured background like an oil board i’ll insert it, and any overlays like canvas effects. Set up my layers from the start basically for easy toggling throughout. I try to be good and label things to make life easier, it doesn’t always happen though. I don't wear a digital glove or use paper effect screens but I do have a bottle of screen cleaner and a microfibre cloth handy at all times. 6) Sketch. I’m still very much learning to draw. I tried for a long time to do the classic ‘ball for a head, draw the planes/lines etc. It was a constant struggle and never clicked for me, the ball especially always made things much worse, turning a circle into a 3d image in my head just does not happen. I find it better to just start drawing and work things out as I go (I use procreates reference window to see my screenshot). So I’ll have my sketch in one canvas, and i’ll also have a second canvas with the photo ref on it at the same size, and if I feel like something is really wonky and off i’ll test my lines over the photo to see what’s gone wrong, then go back to the sketch and correct the areas that revealed. Sometimes I’ll use the grid feature if i’m getting stuck.  Here's a few of the sketch stages:

Here I tried out the lines on the photo and noticed that Thane’s frills were a little too far to the left, and Keahi’s eyebrow needed to arch down towards the nose.In the next pass I correct these:

Also, and I know i’m gonna get side eye from some people for this but I really could not care less to be honest. On some pieces i’ll just trace the screenshot. Sometime I just want to get to painting, am not in the mood or mindspace for a learning experience, and this is a hobby. It’s my screenshot, no one is getting ripped off. My latest Javik piece was done this way 🤷‍♂️ 6) Painting. I’ll start by blocking in the background and the portrait flats, usually on separate layers. I try to have an idea of the background colour from the start as this can effect the whole piece overall, but sometimes you just gotta change it as you go so having it on a different layer makes this much easier.

The painting itself I’ll lay down wider areas of colours, then start going in and refining bit by bit, I tend to work on one area at a time, and sometimes I’ll get pretty well rendered on a small area before moving on, other times work on a wider area. It really depends on my mood and what i’m vibing with that day. Like you can see here I’ve done some general messy colouring all over Keahi, but done a lot of refinement on the eyeball:

7) Finshing the piece, uploading and testing: When I’m sick of rendering the painting and don’t think I can add anything more to it without gnawing my own wrist off, it is time to finish up! I make sure I toggle all the layers I want on, add a top signature layer (lol I lie I forget this all the damn time). Then i’ll upload the piece to my google drive and open it up on my big 4k monitor on my PC, and on my phone, and see how it looks (my ipad is a 9.7inch air). I find that once off my ipad, it often looks a little less saturated and contrasting as it does in procreate. So I might go back and change the levels if it’s too big a difference until it looks decent across devices (it’ll never look perfect on them all though, just gotta find that happy medium).

8) Posting online I really don’t have any strict steps for this. I know some people go for optimal posting times, and will make multiple copies of their pieces in different sizes to fit better on different sites (damn you instagram and your need for everything to be square). I… do not do any of this lol. I post when I’m done whatever time or day that is. I do tend to reblog/retweet etc before I go to bed, as I live in the UK and that will at least be getting into evening time in US. I reblog my own stuff a fair bit.

[angelmelon]

So I was tryna figure out: how would the Younique staff fit into my little story?? Several of the characters have pretty cute looks, I didn’t wanna throw em away or make them terfs

well, solution!! For at least a couple of em, anyway.

reminder that TERFs literally CANNOT ALWAYS TELL that people are trans… they are so often wrong it is comical. A TERF bar could more than likely let in trans women without knowing or batting an eye… in my rewrite, Younique only profiled Ginger, Cherish, and Kaiya because they were so open and proud. Often why TERFs pick us trans folk out to begin with!! If you’re too proud, too open, too showy, they’ll try to take ya down. It sucks, but it’s why I’m so proud to be me. I’m so proud of my transgender siblings, because everyday we face the worst from society, and here we are, still standing.

I did change up Shanzay and Parniya’s styles quite abit… god, you can tell that there’s only *one* kind of lesbian Rusty thinks should exist. The diversity of women is a beautiful thing, and I wanted to show just how differently these two butch lesbians can present themselves, because there is more than one type of butch lesbian. (RUSTY.) People should dress how they’re comfortable, however the amount of characters were supposed to like who have the exact, plain style bothers me. People look different, even those within the same subcultures and similar presentations. I want to highlight that!!

Anyway, on to the character bios!!

Shanzay Binti Meriam!! Malaysian-Australian She/They, Transfeminine lesbian

Shanzay used to go to Younique with her girlfriend Parniya regularly, speaking with other regulars who took no issue with their trans identities. Shanzay is a confident woman who runs women’s martial arts classes with her girlfriend and her mother, Meriam. Unfortunately, after learning of the hateful incident at Younique regarding the GAP gang, Shanzay, Parniya, and several other regulars were horrified to learn of the hateful nature of a staff member of Younique. They took the issue to the owner, only to learn that this is standard behavior for the staff, and that a large majority of the staff are loud and proud transphobes. Shanzay and Parniya felt completely horrified that their less cis passing sisters went through this, not to mention that they had given their patronage to such a hateful business. They rallied many Younique regulars to take their leave, and to give their support to the GAP gang, giving their money to the PayPlease fund that would eventually help the girls open up GAP, their trans friendly nightclub. Shanzay now works for GAP as a bouncer, and is good friends with Kaiya particularly, bonding over their shared pride and love for their families.

Parniya Amira Gallus!! Iranian-Australian She/her, Transfeminine intersex lesbian

Standing at nearly 6’8, being transgender and intersex, and suffering from chemical burns at a young age, Parniya is not a very average looking woman. She is very quiet and mellow, and doesn’t wish to draw much attention to herself. Because of her wallflower nature, it’s no shock that the transphobic staff of Younique looked right past her and her girlfriend Shanzay whenever they walked in. Parniya identifies as a butch lesbian, though she still embraces her feminine side often. After finding out about Younique’s transphobia against the GAP gang, Parniya was particularly shaken. Even after rallying other regulars to leave with her and Shanzay, Parniya doesn’t go out nearly as often anymore. She wears much more makeup now, perhaps in an attempt to pass more, like she believes she will run into Younique staff again. Parniya does remote graphic design for GAP, and as a result is well acquainted with Theodosia, and has quickly become good friends with her. They bond over a shared love of old princess stories, as well as their passion for art and other women.

[rriavian]

You mentioned in a recent ask how one of the things you loved about Corintheus is the balance of the ship. Could you tell me more about this? It's something I've never really associated with Corintheus and I'd love to know more.

Thank you for the ask! Sorry it took so long to answer—I ended up writing far too much and had to wrangle it into something shorter. Also (as a general disclaimer) this is based on the show rather than the comics. When engaging with Corintheus as a ship I can definitely see why the idea of balance might not be something you’ve come across before!

I suppose the personal answer is that (for me) balance is what makes a ship fun.

I don’t think either of the two would be satisfied by someone who doesn’t match them, and as a reader/writer I’m not satisfied by that either.

I’ve answered a couple of asks about power dynamics and how I like to balance them (original here, part two here), but there are also other ways in which balance can be found within relationship dynamics. It doesn’t necessarily have to be about physical strength/power. In many ways I write Corintheus as a negotiation of balance, (though of course the Corinthian is going for dominance most of the time). In canon we see him fighting for agency, fighting for freedom from Dream and all of his rules, and to me that’s an attempt to balance the scales.

There’s an obvious, and unavoidable, power difference that impacts the relationship but there's also a hierarchical difference, further complicated by the creator/creation dynamic. In many ways Dream is always going to hold all the cards. But that’s a character quality not a relationship one (most characters interacting with Dream also face it) and, again, it’s what the Corinthian spent all of season one seeking to counteract.

So I don’t think he would want to stay in a relationship where he had no power…not when a lack of agency was why he rebelled in the first place.

But I also don’t think Dream is really the sort to use brutal (clumsy) shows of power in a relationship context. As the Corinthian’s king and creator, sure, Dream will be absolutely merciless when he needs to remind his creation of the rules. There’s a line though (exceptions made for fun little roleplays perhaps, but even then Dream is going to be far more careful with the Corinthian than the Corinthian would be with him).

A common theme in my writing is the Corinthian trying to push past his own limitations to balance the field with Dream, and Dream, in turn, allows him to choose the game they play but he doesn’t necessarily makes himself ‘weaker’. He sees it more as ensuring an interesting game of chess ;)

Of course this could just be me wrangling these dynamics to make it personally satisfying, but I always draw my characterisation from canon.

Even when provoked Dream rarely attacks with the full limit of his power, remains incredibly well controlled, pitches the exact amount of force required. To use one of my favourite examples—and also one where traditional ‘power’ isn’t what makes the difference—Dream does this against Lucifer. One could add that this is especially intricate as he takes what I write as the Corinthian’s usual place in this scenario; except here the obviously stronger opponent also sets the game, Lucifer can't quite commit to leveling the playing field, and yet Dream proves he knows exactly how to play because he still wins. Which is one of the things that makes his relationship with Lucifer so interesting.

The scenario in hell is a nice example of how balance isn’t guaranteed by giving one character a power boost, nor is it lost if one character is ‘weaker’ than the other. Lucifer was objectively where the power scale tipped, and yet I don’t think anyone who watched that scene could really say that Lucifer came out the victor. It’s a perfect illustration of how Dream sees/uses power, how he can manipulate an external perception of it.

(Not just the characters around him, but us as viewers, which is again something I’ve brought up before).

Ok so there was a whole point here about the Corinthian and Lucifer but it’s not really relevant (and I’ve already gone a little off topic!!) so I’m moving on…

So. If ‘power’ doesn’t always matter…where is the balance?

The Corinthian is intelligent, a hunter, made to be patient and calculating, and he has the sheer gall to use that against Dream. Yeah season one was mostly running, but when he stands his ground the Corinthian stands and fights. He pushes back—looks so personally hurt by Dream as he does so—and extrapolating that development into other scenarios is what started my Corintheus journey haha. I think those attributes—the stubbornness, the perhaps overabundance of intensity that is quite inhuman—are shared.

They are both nightmares: that part of Dream finds someone who can take it (and vice versa). It can be played out in a way that is healthy for them both. 

I think that’s what so often goes wrong with Dream in his canon relationships—he’s too much for those who’ve tried. I think I briefly referred to this in another ask. But anyway! When the Corinthian wants something he goes all in to get it; his freedom in the waking world, his refusal to deny himself, ravenous to taste it all. Applied to Dream himself it’s balance because of how intense Dream also is. I think Dream is insanely attracted to that—the attempt of it, the eternal dance of it—he doesn’t want to be forced into a box, he wants someone to meet him where he is and still he knows that doing so will be a constant fight.

This idea is a theme in Baiting the Trap, though the Corinthian is only starting to become aware of it.

It’s the Corinthian’s nature as a ‘dark mirror’, because a reflection is a thing of balance. He brings out the dark urges, the selfish ones, speaks to the nightmare in Dream that isn’t evil but can be misunderstood to be so. Nightmares are a big part of Dream that I don’t think many characters within the narrative accept, or see as a good thing, but it’s not a part of him that should change. I think the Corinthian can draw that out and play with it.

They can do all sorts of fucked up/imaginative things with each other as outlets for a shared nightmarish nature, finding pleasure in what others might balk at.

The Corinthian objects to Dream’s rules, to a perceived lack of agency, but still thinks he’s doing what he’s made for. He has a differing philosophy in how he wants to be a nightmare in the waking world. This desire for freedom/agency is another balancing tool—it challenges Dream’s duty (and what that makes the Corinthian’s duty)—giving Dream a stage to reaffirm/explore that part of himself. While giving Dream a forum to challenge right back so that the Corinthian can reaffirm/explore the same thing.

In the weirdest of ways, Dream is complimented by a partner who is both a subject of his kingdom and a sceptic of it. The Corinthian understands, is just as inhuman as Dream is, but shows utter disdain right to his face—doesn’t put role and duty first—is selfish enough to want just him and fuck everything else. 

The scene at the Convention was what inspired me to write for Corintheus. Mostly because of how it was framed. As opposed to the meeting in ep one it’s a very different set up and that’s not really because of Rose. 

If anything the presence of a vortex should mean Dream zooms his way through this like ‘yeah that’s nice, but turn into sand now’ but instead he takes his time. He talks it out. They both have one half of the stage, opposite sides, opposite colour palettes, but there’s no game. They are both honest. It’s raw and real. And though it still ends in an unmaking it’s a very complex encounter. Yes it has the threat of duty hanging over it, but Dream is very clearly affected in a way he wasn’t when he punished Gault. 

Wow this is getting long. This is so complex for me that I’ve written over 100k about it. I hope this makes sense though! 

The Corinthian gets to push the boundaries with Dream, to do what he’d never thought he could, what he could never do to anyone else. In the waking he finds victims not equals, those he’s supposed to teach, to prey on but who he can never fully let loose on. No worthy opponent (no worthy lover). But Dream can be fought forever, is an incredibly powerful being that can be enjoyed past the limit, and oh does the predator in the Corinthian enjoy that. It’s the right kind of bittersweet because victory is impossible sure (balance in that too!) but there’s fun in it.

The sort that suits two immortal beings. It’s a meal that the Corinthian can never finish. It’s balance because he is never going to stop, and Dream is never going to move an inch.

It’s insatiable appetite vs an infinite feast.

[nerogurl]

Hello! Can I have Fear and Hunger 2 matchup? :3 I am both okay with both genders! (I enjoy toxic relationships but if its not up your alley then I totally undersand! :) )

Age: 19

Polish

She/her

Full typology: ExFJ 2w3 269 sp/so SLUAI FELV

Personality:

I am pretty social, however I prefer to spend time alone! I care about others a lot… To an unhealthy amount honestly but I'm working on it! I love to help others and make them smile. When my helping and gets unnoticed I might get upset because I just want to be appreciated. Like I said before I want to be noticed and not ignored! I care too much about what others feel and think and it's tiring, I just want to be selfish and care about myself sometimes even if it sounds mean. I also love being mentioned/involved in things, it makes me feel liked!

People call me funny! Well it all depends because everyone has a different sense of humor! But I am most of the time unserious and I love to joke around, serious situations are stressful so I prefer to be joyful, but I do like talking about serious topics (sometimes) Like I said before I love to make people smile and laugh with my jokes and overall make them happy with my presence.

My humor is definitely not for everyone, it's mostly the humor of a 12 y/o kid which can be annoying to some people lmao (sometimes it's funny how people are annoyed by it) and some other things depending on how I feel. When it comes to annoyance I also like to annoy people, it's so fun! But I never want to make them really feel bad! I often act like an asshole but this is just for jokes! (but sometimes I just want to be a real asshole but then I will feel bad anyways-) Like I said I don't want them to actually feel bad, if I do, I will feel very guilty! When it comes to it I apologize A LOT, I apologize so much that it might too annoying but I always feel a sense of guilt inside of me. I'm also VERY sensitive and worry about everything. Ah and I'm pretty dumb and I am not trying to insult myself I am just silly hehe and I'm okay with that. Oh and Im very clumsy

People know that I am horny 24/7, like I said earlier I have a humor of a 12 y/o so there are a lot of sex jokes. I am very interested in nsfw things, kinks etc, I am the "horny" friend

Someone can be mad at me a bit and I would about to cry already. Cute things makes me also want to cry... Overall like I said I am very sensitive. I feel guilty about everything 24/7 even if I shouldn't feel guilty

I also have anger issues and its very easy to make me angry.

I'm both weak physically and mentally.

Its probably because of my mental health issues but I tend to be unmotivated to even do simple things. I often procrastinate and its very hard for me to start doing things

My biggest love language is words of affirmation, I would say "I love you" and stuff like that very often. The second one is probably physical touch, but sometimes I might not be in a mood but otherwise I love hugs and kisses!

Likes/Dislikes:

I LOVE LOVE horror and scary things, I can't imagine my life without it, its just a such interesting genre that makes me happy and intrigued! I adore horror games and I'm mostly interested in them, however most of the time I am scared of playing them so I just watch gameplays and stuff like that haha. You can say I am obssesed with horror! (its funny because its easy to scare me haha)

I love to eat food! especially sweet things

I also love cute things! Plushies, pink, clothes and other cute things! I just love it so much!

I like games very much (I suck at them), art, anime, drawing and psychology! When it comes to music I love energetic ones!

I also love voice acting and overall acting! People say im good at it :3 When acting I usually play comic relief characters. I can also make a "cutesy" voice

I dislike slow music but there can be some exceptions.

I dislike cooking (I love when someone knows to cook however I suck at it

Appearance:

Around 156 cm height

Chubby

brown eyes

chin length wavy hair with bangs

round glasses

Thank you so much and I hope you have a great day/night!

Thank you for the response! First, we have the ladies! I was heavily conflicted between Marina & Abella at first, but after a while of thinking I decided Abella is your match!

The first thing that pulled me between these two choices is that they both share a more juvenile sense of humor. There's an interaction between the two joking about an icecream monster. Distracting from the horror of their circumstances, with silly humour to uplift the mood, fits exactly with how you describe how you try to comfort others. However, Abella is more emotionally compatible for someone you can depend on. She's a rock of emotional support, a kind strong leader.

Abella's moonscorch represents an 'elephant in a teapot shop.' Used to being assigned the role of the protector due to her physique, she's insecure about being incompetent with her nurturing, motherly side. Which we know is far from the truth! Being so open about your emotions, she would feel a strong urge to protect you. And bring so openly affectionate, with your words of affirmation, would help her feel more comfortable in her own skin.

A love of mystery and adventure, Abella would like supernatural themed horror and games like Silent Hill and Resident Evil. Enjoy anime like Studio Ghibli, One Piece, Death Note, Code Geass.

A complete and total cuddlebug and a diehard romantic. She'll sometimes carry you around bridal style for fun.

As for male characters I chose Pav. I remember what you wrote about a preference for toxic relationship dynamics. While I'm not comfortable with shipping intentionally abusive relationships, I am comfortable with shipping a relationship that involves an emphasis on personal growth. So for the purpose of this matchup I am specifically shipping you with Pav post-Kaiser encounter.

Someone that's learned to cope with the horrors of war by shutting down his emotions, Pav considers kindness synonymous with weakness. The type to also enjoy getting a rise out of people, once you'd reciprocate his teasing he'd get along with you, but he'd never acknowledge you. But like Pav said, 'everyone's sorry staring down the barrel of a gun.' After saving him from Kaiser he'd be forced to take you seriously. Your kindness, care, worry, anger, would eventually ware him down to the point he'd find you endearing.

As a man in the military I think he could tolerate a high dosage of horror. Your reactions and banter are part of the entertainment for him, without it, I don't think he'd care. When watching horror movies he'll point out how 'unrealistic' the gore is or describe what it would *actually* look like during tense parts of the film with a sadistic smile on his face.

His cooking would be the bare minimum to get by. When he realises you don't know how to cook either he's going to force you to learn along side him. If he's going to suffer through it, so are you.

If you ever took the teasing too far or vice versa, he's going to pretend he's fine while shutting himself away and dissociating. He's too stubborn to directly admit he's in the wrong or that he's hurting.

His love language is acts of service. He's going to apologise indirectly by cooking you something to eat, doing the house chores, ect. Your interest in psychology is going to help him through his trauma when he's ready. Like a scared cat, he'll allow you just to get a *little* bit closer... Your constant positive reinforcement, verbal affirmations, will demonstrate how to express what he feels. You'll need to be very patient.

He's also very *very* horny. If you could equate a man whose been locked in prison his whole life to a man that's been forced into the military nearly his whole life, I think you can get the picture.

Pav's taste in woman is canon to be on the curvy side and I think all of your physical traits are the type of person he'd be attracted to; your height, your glasses, cutesy aesthetic, the voice. You could play the role of the damsel, he could play hero and carry you around like a burlap sack.

Tldr; Abella & Pav, but overall I think that Pav is your best match.

[yuseirra]

My brain keeps running on its own trying to formulate a way to make sense out of it all but at this point, I wonder if it'd be worth theorizing(If I can think of something good I'll still love to share :) )

Believe it or not, I'm very, very, very stern about trying to stay true to canon.. Because working with existing characters, they have their cores don't they? I really do want to care about portraying them in ways that are true to how they are in their respective stories, that's what makes them, them

With onk.. I'm starting to wonder...(yeah I just started;) this may be the first time where I may go oh let's just ditch canon I'll do whatever I want depending how it goes. Maybe I still believe some sort of miracle may happen in the remaining chapters that'd wrap everything together at may it be cluttersome(sorry but there is literally no room left for it to be able to meet its closure in a beautiful and graceful way with a deep sense of nuance and depth the way this work deserves. It's INCREDIBLY SHORT. It cannot happen within that amount of space it needs at least ten decently lengthy chapters.) but..I don't know~~.....

Oh I'm more concerned than hyped and it's been that way ever since I started vigorously drawing for this series again this July tbh 154 was GOOD, how come everything went downhill from there haha😂.. That chapter had me so hooked and I felt I knew all the answers that were to come from that point forth. I really had a huge intuition of how things would play out(and surprisingly, the possibility is actually still there)

I don't think I'm the type of fan who can ignore canon and do what I want, I've never been that way and I can't bring to convince myself of what's not there (this means, I sincerely believe in all the things I've been drawing o<-<) but... Let's see how it goes. I was so stressed and tense ever since I started drawing hikaai...I don't like being unsure of things...what if they're totally different from what I make of them...but seeing how CANON's going, maybe I don't have to care so much either if it's doing whatever it wants, canon feels so unhinged, was there ANYONE who was able to predict what were to happen 100%? What are they doing?; So yeah.

Oh;; I hope Aqua's okay. It's just...so cruel. I've been annoyed with him but that's because I wanted him to live!!! Why doesn't he- why did he HAVE to do THAT?? Hurt his dad and everyone he loves and even himself, I'm trying to find a reasoning that's convincing enough for me to comprehend just how this could make sense and hold some kind of message although it's downright horrifying; I kept asking in my posts all yesterday right? What message are thet trying to send with this and what could be the point? I can understand if they do a good job with it, I've been putting my effort in order to make out what good may come out of it but I guess only the author would know for now

I don't know where this post is going myself, I'm just writing out my thoughts, this series may have taught me a lot about myself that I wasn't so aware of...

I guess when conflicts appear I end up going, "they couldn't have had malicious intent, could they?" on many occasions, you really don't know what the other party can be thinking so for most cases, it just feels better to believe they didn't mean harm or evil. Maybe I'm being that way about Hikaru but AI LOVED THAT GUY. I didn't have a lot of thoughts about him before that dropped! I couldn't make a clear judgment so I just left my interpretation of him on hold. Oh ;v;).. It's been REALLY ROUGH holding out for him after that happened pft will that pay off.. That guy's still so ambiguous. I rather him be a good person. The story is better if he were. I guess believing in someone is hard but I'll.. Do that till I can. I think Ai would have?

You know, if I were Ai, I'd end him with my own hands if he became that messed up. That's how I drew that one comic after 162. I'd give him a hug and then end him lol because I'd feel responsible in a way. It's ridiculous and tragic how things turned to be the way it is but it doesn't feel so resolved either

I'm afraid about the fate of this series but at least not long left now. Hopefully I can still draw Ai and her bf in a wholesome manner, I really cared for those guys and I'd love to stick around and do more for it at least for awhile