#one season down six to go

[jaggedwolf]

pll rewatch 1x22

get its own post for finale reasons, the show does its first hitchcock homage, and the liars become the liars

getting ezria out of the way: even as fan of vest + tie combos ezra's outfit sucks this episode, he sucks for his useless texts, aria's tantrum at the faculty party is dumb, all of this is so stupid

ok ok the other note is that my friend remarked that when one of the liars goes "who do we know that's interested in younger girls" after the creep videos, none of them even think of ezra in that vein

which is distressingly warped even as it makes sense for these girls' worldviews: spencer does not view ian negatively until A gives them the video of him possibly killing ali, she views him positively in her flashback of kissing him

Spencer is so bad for saying that Melissa's baby might be inhuman but she is so fucking funny for saying "humor is subjective" instead of apologizing. I just really enjoy it when Spencer takes a break from being tormented to be the teenage brat she was born to be

Pam takes ten fucking years to answer Emily asking if her dad is okay and that is wild to me, Pam y'all are a military family and you should know better

why did the writers come up with this Texas plotline by the way, did they ever explain that?

Emily and Samara are exchanging the blandest emails. Why do all these girls email each other so much, the only things I emailed my high school friends about was schoolwork, otherwise it was all about texts

do you think they have negative associations with texting because of A. does only Spencer get tormented via email is she special like that.

Lucas is back! And still miffed about the danceathon ploy. I completely misremembered him already knowing Caleb before he goes on this fetch quest, but no, this is solely a "Hanna should know the truth" move

anw my take on how he tracks him down is that (1) Caleb's cheap-ass bus ride has lots of delays because that is his fucking luck (2) Lucas gets Caleb's number from Hanna's phone before passing it over to Emily

Okay, I make fun of the liars a lot for being super weird about the blind girl (who they are partially responsible for blinding), but most of the time I enjoy it, because of moments like this episode's where Jenna will be like come on bro :/ I'm just a girl who raped my step-brother via threats :/ just a girl who made a mistake and regretted it :/ why you gotta be so harsh bro :/

jenna we all saw you this season still trying to creep on toby when you were back in the same house...

this episode reveals that Spencer and I have very different notions of burner phones, because she bought this

while I would have gone for a nokia brickphone. Then again I think Spencer and I have different budgetary considerations for burner phones. (717 is indeed an area code for southern pennsylvania btw)

The Ian plan is not bad but maybe would be better if they didn't all swivel to stare at him instead of staring at the phone, you know, the means you purchased to communicate with him

All of the liars leave when Mona shows up (w/o busing their trays! Emily and Aria, your parents raised you better than this! Spencer had no tray and Hanna was not raised better than that) and I know it's primarily because they need to plot, but Spencer also clearly finds Mona super fucking annoying and I respect that

Emily when accosted by a cop that she should really trust him goes wow, maybe he has a point, and indeed calls Garrett later. ACAB, Emily, ACAB. (Except Officer Barry Maple, who has never done anything wrong ever.)

Okay so the real reason they made Garrett her former neighbour is so they could pretend he was on this street to see family, when he was actually here to get in on Rosewood men's favorite hobby: underage girls

why does he take off Jenna's sunglasses before he kisses her, that seems unnecessary.

please remember that Garrett's actor was Paolo in The Lizzie Maguire Movie. swear he was less bland in that

The Hannily porch scene is very endearing, Hanna is so delighted at the notion that Emily might have a type

Toby gets Spencer to chill out before she goes off to do her convoluted plan, which is a good dynamic for them

Spencer calls him a "safe place to land", which will come up again, and says she wants him away from danger because of that

firstly, sweet sentiment Spencer, but I do not think asking him to keep Jenna busy is keeping him safe, he would rather wrestle Ian in the woods any day

secondly, thinking about who Spencer feels the need to protect like this - she is protective over all the liars and Toby, but is she more "don't let danger breathe on them" about Toby and Emily?

at no point does anyone mention the car that t-boned Spencer and Melissa or its driver like, was it a phantom car, are Rosewood PD falling down on even this

Veronica gets some good mom points in comforting Spencer and telling her the crash wasn't her fault and that Melissa knows she cares

S1!Spencer is all about guilt so she takes this as her cue to nobly walk to the church to get Melissa's phone, only to get fucking jumpscared for her trouble

I really love the sequence from when Ian shows up till when the liars find Spencer at the top of the tower. It escalates so well, the tension ramping up, there's a phone call that forces the liars to simply listen as Spencer begs for her life and Ian recites how he's going to construct Spencer's suicide (and would have anyone believed the remaining liars if he'd succeeded?)

Spencer Hastings while being violently thrown about: Uh, Alison didn't die of blunt force trauma, she died of suffocation. ILU Spence never change

And she really gets thrown about! Jeez, someone escort her to a hospital checkup after this, there's probably a fracture somewhere in there

Love the liars fussing over Spence while she clings onto that wooden post. They immediately go "do not worry about having killed Ian, you are so fucking valid" and Spencer has to be like "no, I know it sounds like a traumatized mind coming up with shit but there really was a random hoodie that showed up"

That pan down to the body swinging and that being what set off the bells....still sick

Officer Barry Maple cannot believe these teenage girls lied about a fucking body, cue the entire town going whisper whisper whisper because they're all at the goddamn church

Even Noel Kahn. My dude, don't you have dudebro things to do that are more fun than this.

you know I bet Paige isn't at the church I bet she's at home stressed out about swimming or whatever. this is going to be my take on Paige for a while: that she has minimal awareness of the plot drama the liars are enmeshed in. Bet she didn't even know they got interrogated about rat blood trophy.

I forgot they have "I'm Not Calling You A Liar" play us out. Perfect song choice, but amusing solely to me, because: it is the first credits song for Dragon Age 2, and a long time ago someone asked me for a Hanna Marin crackship and I proffered Hanna/Fenris. Imagine the Liars in Kirkwall....

Our final A message of the season: It's not over until I say it is. Sleep tight while you still can, bitches.

[winepresswrath]

Cannot believe at this late stage of my life I'm becoming a Gabriel fucker. Local mean jock doesn't want to be evil now, he wants to be loved. I'm slightly annoyed they didn't make Beelzebub more unhinged because the "plot" should have been at least half about them fucking up shit on an absolute rampage trying to find Gabriel, a thing everyone assumes they are doing to fry him with hellfire so they can kick off the war in a way that's advantageous to hell, BUT ACTUALLY!!! true love.

[outismm]

OUTIS send help, Doctor Who is the gift that keeps on giving 😭😭😭 i thought the Toymaker would be the end of it but folks in my Toymaker server made a few jokes about Six. and i had -no idea- about what kind of character Six is. holy FUCK i am in LOVE with this pompous, arrogant asshole 😖💖💖💖💖 he's so cute!!!!! so abrasive!!!! so......PASSIONATE!!!!!! i didn't know he was such a freak!!!! yes yes yes please do rewatch his era because i'm doing it for the first time and having a blast 😂💖

yes,,,, YYYYEEESSSSS. This is perhaps the best development that could have happened. I need you to know how quickly I scrambled downstairs like some sort of Ghoul to try and find the old boxsets and AUGHE!!!!

I FORGOT WHAT AN ABSOLUTE CHARACTER HE IS!!!

He's got such an incredible amount of drama and charisma and wild-eyed charm inside of him, I can't believe how this man has slipped to the back of my mind for so long. Even outside of his borderline regeneration-induced-mania during his first storyline, he's just. such a delight. Colin Baker is having the time of his life delivering every line, and you can TELL

Look at him - what's not to love?

Also, this isn't directly related to our dear multicoloured man, but - thank you for giving me an excuse to Stare Affectionately at Classic Who! There are so many of those delightful quirks and silly set-pieces you can only really find in early 70s-80s sci-fi, sprinkled all throughout, I just,,, ah <3333 it has been so long

OKIE IM RAMBLING BUT >:) EHEHE I cannot wait to see you slip further and further into Doctor Who Fevers. Come yell with/at me anytime, I love seeing ppl experience Classic Who and all the wonderfully wild things it has to offer

[quicksweetdreamer]

Shadow and Bone - Season 2 episode 4

Live Nina and Jesper reaction

[sortanonymous]

Spoilers for TDI 2024 Episode 10

This may be the first time I've rooted for the villain to get their way in Total Drama. Like, go Julia! Please put an end to this bland, sorry-@$$ excuse of a couple!

[theinfinitedivides]

said a prayer for Jjong today.

[blackidyll]

world silver medalists skating to james bond medleys: an odd but great intersection of my fandoms

[crunchycrystals]

guess who just finished shadow and bone ahahaha dfkwghfjdsgyufjhgahkjfax

[pavl0ve]

waiting for the rule of three parallels to finish roy giving up his career to tackle jamie One Last Time / the heatbutt and hug / royjamie celebrations as richmond win the cup

[cowboyhorsegirl]

ur blazing thru spn lol

i know it's a real problem fjskfjsfjsdk

[mariasont]

My Boss Won't Be Happy About This - A.H

a/n: back to bimbo brain rot!!!! inspired by the first season that one episode (you know the one) where hotch is all macho man with elle in jamaica

masterlist

₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊‧

pairings: aaron hotchner x bimbo!assistant!reader

summary: you’re wrongfully arrested and hotch is not happy about it

warnings: creepy officer, inaccuracies of how law enforcement works, hotch being sexy

wc: 1.3k

"Listen I'm not the type of girl to tell someone how to do their job, but I just don't think you're doing it right."

You were speaking to an empty room, or at least, you were speaking to the mirror in front of you. It's the kind of mirror you had seen in countless interrogation scenes, the kind you usually image Hotch standing behind. You let your gaze linger, wondering if eyes are studying you from the other side, listening to your monologue.

"Well, that, and I also just don't think it's very nice." Your brand spanking new heels were tapping against the dirty floor. 

You weren't happy about that. You weren't happy about any of this. Your feet ache, but the fear of the germs lurking on the floor paralyzes any thoughts of relief by removing your shoes.

"And hey, shouldn't I get a phone call? That's a rule, I think," you mumble, lips turning downward in an unusual frown. It seems like the right time for it. "My boss is not going to take this well. I mean, he's got this look, you know? The kind that makes you want to apologize for things you didn't even do."

You conjured up his daunting expression and released a jittery laugh, all while striving to disregard the biting cold blasting from the AC vent, which seemed determine to freeze you into place. 

You were seriously out of your element, not just in surroundings but in dress--so form-fitting it left very little to the imagination. It seemed to be a good idea for a date. That was before you realized said date would be a complete disaster. Now, it felt like a trap. It had been a spectacle for a man unworthy of the effort, and as you sat in this rigid chair, you found yourself tugging at the hem every other moment, a futile attempt to preserve some semblance of modesty.

"So, when he hears about this little error... Well, let's just say I wouldn't want to be in your shoes." Six hours had passed in this dreary space, and you could feel your sanity fraying at the edges. You muttered, half to yourself, "Not that they're as cute as mine, but you get the point."

The door hinge's creak made you sit bolt upright, a silent supplication for Hotch's rescue echoing through your mind. But today, it seemed, the gods were indifferent. The officer who had arrested you stepped in.

"Having fun talking to yourself?"

You flashed your sweetest smile. "Oh, tons! But I'd have much more fun if you'd uncuff me."

He said nothing, folding his arms over his chest as he dragged his gaze up and down your body in a way that made your skin prickle in discomfort. You attempted to dispel the creeping dread, but it stubbornly lingered.

You did what you could to cover up, despite the awkward angle of your arms. "Listen, this is all just a big mistake. I work for the FBI," you insisted, though it was clear the officer's attention was fixated on your tits rather than your words. "Well, I mean, I'm an assistant for the unit chief of the BAU unit. You've heard of Aaron Hotchner, haven't you?"

The officer's mouth closed without a word, as the door was thrust open yet again, and this time, your heart leapt in recognition. Your knight in shining armor with a lethal expression.

His eyes instantly zeroed in on the officer with a look that could curdle blood, and you couldn't help but feel a sense of relief that you weren't the object of his anger. He approached you wordlessly, his every motion precise and determined.

He carefully shed his jacket, a gesture he seldom made, and draped it across your shoulders. The fleeting caress of his hand against your skin was enough to make you lean into his touch. You let out a breath that you had been unconsciously holding back. 

You watched as Hotch turned, his voice a low, steady force, his words carefully chosen and tinged with an unsettling peace. "Officer," he began, the title spoken almost as warning. "I believe there has been a grave misunderstanding. This woman is not only an esteemed member of the FBI, but she is also under my direct supervision."

He stepped closer, encroaching on the officer's personal space. You watched, almost in slow motion, as the officer's expression morphed into one of sheer terror, his earlier confidence dissolving like sugar in hot tea.

"Six hours," he continued, his voice never rising yet somehow it took up all the space in the confined room. "Six hours of unwarranted detention, without due process. I expect her immediate release. And make no mistake, this lapse in judgment will have its ramifications."

The officer was mute, his fingers clumsily unlocking the handcuffs, his movements hurried, his hands trembling. A twinge of pity flickered within you, but it was quickly overshadowed by the memory of considering the table as a makeshift blanket.

The moment the metal clicked open; you wasted no time. You flung your arms around Hotch, the pent relief and biting chill of the past few hours pouring out of you. You were desperate for warmth, specifically his warmth.

He stiffened, caught off guard by your actions. You feel the anger radiating through him, practically pulsing through his skin. As you clung to him, you felt the draft on your legs as your dress slid up, and without missing a beat Hotch's hand discreetly adjusted the fabric, all while keeping his eyes locked on the officer, a silent warning in his gaze.

Once he was certain you were decently covered, he allowed himself to draw him into his arms. One arm secured around your waist, the other weaving through your hair. You were cold. It renewed another tide of rage through his bloodstream.

With the officer's departure, the room's oppressive atmosphere lightened a touch, leaving you still latched onto your boss.

"Oh, sir, you wouldn't believe it," you started, his hands tracing up your spine and sparking a trail of goosebumps that had nothing to do with the chill. "They kept asking me about a heist, as if I'd know anything about that! And then they show me this picture, and I mean, sure, she had my hair, but that's about it."

You rambled on, and he let you, the absurdity of the situation pouring out in a stream of consciousness. Hotch's hold on you tightened. You could sense the coiled tension in him, a tempest of anger held a bay.

"And the room, it was so cold! I mean, I'm sure you can tell. My teeth were chattering, and all I could think of was how I'd rather be filing your paperwork or listening to Reid's factoids about the quantum mechanics of coffee beans."

You felt Hotch's breath on your hair as he let out a sigh. 

"I'm just glad you're here now," you whispered, finally allowing yourself to relax in his embrace.

Hotch gave a curt nod, his jaw set. He was itching to confront the officer, to unleash a tirade not meant for your ears. But he was well aware of how much you needed him right now, and that trumped everything in his book.

Hotch took a moment to compose himself before speaking. "This isn't just incompetence; it's negligence. I will have this place reevaluated for its standards, or lack thereof."

You took a step back, hands still resting on his arms, and he maintained his grip on your waist. "I bet this is the last time you'll let me go on a date without a full background check on the guy, huh, sir?"

Hotch's hold on your waist firmed just a fraction. "Maybe it's the last time I let you go on a date, period."

He was only half-joking.

"Not even with you?" You tilted your head to meet his gaze, drawing his jacket closer around you.

Hotch just simply gives you that look, the one that says a thousand words without a sound. He's telling you to tread lightly.

"Alright, I'll be good," you giggle, the tension easing from your shoulders. "Can you take me home now, please?"

He nods, "Yeah, let's get you home."

And then he leads you out, thinking to himself that the next person to take you out will be him, but that's for him to know and you to find out later.

taglist: @hotchhner @khxna

[seastarlily]

Not to be a "Negative Nancy", but if anyone, and I mean anyone thinks any member of the main voice cast sounds "too old" to be playing their characters and should retire, you're ageist and we cannot be friends.✌

[i-like-writing-stuff]

never changing [ five hargreeves x reader ]

a/n: hi y’all! it’s been a hot minute since i’ve been on here, but after the absolute shit show that season 4 was, some sparks ignited in me to write up anything to take my mind off it 🙌

its not anything crazy, just fluff and banter since i haven’t written anything in years so it may be as poorly redacted as this season lmao

summary: five and y/n attend their niece birthday party together, yet separate

“Happy birthday, little Gracie!” You smiled widely, trying not to drop the wrapped present box as the six year old girl jumped into your arms, “Oh my gosh, look at you! You’re just getting prettier by day, aren’t you?”

You had just got off work in a hurry to make your appearance at the little girl’s birthday party at a decent time, in spite of the amount of paperwork you managed to bury yourself in lately. You knew how much it would have meant for the celebrated one to show up and you couldn’t bear to let her down, especially on her birthday.

After spending most of your life working for the Commission, and then a decent amount of time exhausting yourself in trying to stop multiple Apocalypses, your last six years have been pretty quiet as a lawyer. You really wanted to get out of the whole assassin thing, but at the same time couldn’t exactly move on from the thrill of the work field. Your career as a lawyer took off really well these past years, but inevitably it came along with the cost of always being stuck at work, so whenever your niece got the chance to see you, she was truly enthusiastic.

“Auntie Y/N!” She wrapped her tiny arms around your neck, engulfing you into a tight hug, “You are here!”

Nonetheless, these six years have been truly and undeniably the most peaceful time of your life for as long as you could remember.

“You literally saw each other the other day,” Five raised a brow, watching you and the celebrated one act as if you hadn’t seen each other in years.

You and the little girl shared a look, before rolling your eyes and turning to glare at the man next to you. Ever since Grace learned how to talk, you and her would gang up on her uncle for your amusement, especially since he was so keen on entertaining the banter.

These past six year have gone by in the blink of an eye, yet at the same time at a slow and steady pace. You spent most of your time working anyway, but still kept in touch with the seven siblings you’d grown to love.

Some in different ways than others.

“Uncle Five, you’re always more excited than me to see Aunt Y/N,” Gracie waved him off, making you burst out laughing, “Jealousy isn’t a good look on you anyway.”

“What is a good look on him anyway?” You smirked, making the little girl laugh, as Five swept her into his arms;

“Okay, munchkin, it’s your birthday today, but tomorrow I’m going back to bullying you,” He joked, causing you both to laugh, before the two shared a hug before you, “You’re lucky your gift has no return policy.”

The party had already started by the time you made it there. The playground was huddled by other kids around Grace’s age, along with their parents. The music was playing loudly over the laughter of children and you were pretty sure that most of the family had already arrived. It was not the most ideal gathering, but you tried your best to keep in touch with most of the family to your best capabilities.

“Y/N, I’m so glad you could make it!” Luther smiled, appearing from the crowd of guests, immediately giving you a big hug as his niece was still wrapped around Five, “Haven’t seen you since Thanksgiving!”

“Big shot lawyer doesn’t always have the time to stay in touch with family, huh?” Diego teased you, following suit, as you rolled your eyes, dropping off his daughter’s gift in his hands.

“Big shot delivery driver doesn’t know the phone works both ways, huh?” You smirked, putting your hands on your hips.

Diego laughed out loud as he gave you a hug, always in the mood for a back and forth short banter with you. After all, you truly were family, even if you didn’t always have the time to be present in the Hargreeves’ day to day lives. You may have met them in the original timeline in 2019, when you accidentally time traveled with your former partner at the Commission, Five, but after all you’ve been through, you didn’t need to have grown up together or be blood related to be considered that. And you truly were grateful for each and every single one of them, in spite of the many differences over the years.

After everything that’s happened six years ago at Hotel Oblivion, everyone went their separate ways. Allison was back with her daughter while trying to further her acting career and also help Klaus stay on the sober line, Viktor had moved to Canada where he opened a bar, Diego and Lila had three kids, Luther was “professionally dancing”, Ben had some run-ins with the law and Five, ironically enough, was working for the CIA.

“Well, you two are as annoying as always,” Ben told you and his brother, making Diego roll his eyes as he walked towards the gift table to set down your present.

“Please try to stay out of prison at least for the remainder of the year,” You joked with the man, making him roll his eyes as he hugged you loosely, “There’s only so much favors I could owe the DA.”

“Shut the fuck up,” Ben groaned, “I don’t even know why they let you work at the law firm since you still look like a prepubescent with no boobs. Even Five got a growth spurt.”

“I sized up to B recently, thank you very much,” You nudged his shoulder, before placing your hands on your chest in an offended manner.

“Okay, Gracie, not a conversation you’d wanna hear,” Five spoke up, putting his niece down, “Your aunt needs to learn some etiquette on how to act around children.”

“Funny coming from you,” You couldn’t help but wave him off.

You didn’t come in with Five at the party, but as fate had it, you did run into him as you were parking your car. He had just gone out to his brother’s dusty van to bring inside some more cookies for the guests. You kept in touch with him as well, but not as often as you would have liked. It’s not all that serious, but given the fact that you were a lawyer still climbing your way to the top and him being a top notch CIA agent, you didn’t exactly have the time to hang out.

At least, not as much as you’d have liked.

Five was watching you with a small smile tugging at the corner of his lips, and his hands in his pockets. He had the same look on his face as always when watching you. He had the same smile when he saw you in combat for the first time during your first mission for the Commission together, the same look in his eyes when you appeared for the first time in 2019 alongside him in your teen bodies. The same posture he had when he met you again in 1963 after months of not seeing each other.

He wore the same love on his face while looking at you when you and the siblings split up after the events at Oblivion.

And never once did you notice that.

Not once in these past six years you let your feelings surface.

“You know Grace is my niece too, right?” He couldn’t drop the small smile even if he wanted to.

“Since when are you such a family man?” You raised a brow, trying to keep a confident composure.

“Oh, something changed in me between the first and third time I traded the world for my siblings,” He lightly shrugged his shoulders, making you roll your eyes at the sarcastic remark.

You two never changed.

“Please, I was there for the twins birth,” You waved him off.

You rarely see Five, and even when you do you always try to act normal, as you do around the rest of the Hargreeves. Everyone tried to get you two together at first, since the apocalypse was over and there was no reason for you to not get together, right?

You really wished it was that easy. In hindsight, maybe it was. But you couldn’t take any chances in losing Five forever if something were to go wrong. Maybe some would see it as something stupid, or as if you wasted so many years, but to you- mentally, you were almost seventy, while physically nineteen. You had so much time ahead of you now, all that mattered was to get a stable career first.

Five let a chuckle escape, shaking his head in disbelief, as he looked at the floor for a couple of seconds. When he looked back at you, you tried to keep your composure. You couldn’t help but feel pathetic that after all these years, your heart still skipped a beat whenever he’d look at you.

“You’re doing that thing again where you forget that some other people are still around, guys,” Luther raised his hand, grabbing your attention once again.

“I got bored of watching seventy year old virgins,” Ben shrugged his shoulders, “I’m gonna go get shitfaced.”

“Always a delight seeing you, Benjamin,” Five said, as Luther followed the ex-tentacle boy suit to make re he was not about to actually get drunk;

“This is a six year old’s birthday party!”

You giggled, watching the two brothers speed away while arguing amongst the kids in the crowd. When your eyes laid back on Five, who was intently watching you, you couldn’t help but feel a small blush creep its way in your cheeks.

“What?”

“Nothing.”

“Spit it out, Hargreeves.”

“I said it’s nothing!”

“Fuck you.”

“Why?”

You watched him dumbfounded for a couple of seconds because of the only answer he could come up with, before walking away, hoping he would follow you.

When he did try to keep up with you, you looked away to hide the proud smile. Even after all these years, things were still the same with him. He was still so eager to spend time with you, he was still smiling at you and entertaining your conversation.

“Aunt Y/N, Uncle Five, come play in the ball pit!” Gracie ushered you from afar, already tucked in the plastic colorful balls.

“You heard the birthday girl!” You smiled, grabbing his hand to drag Five after you.

Even after all these years he would instantly lock his fingers with yours.

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[yanderenightmare]

♡ TW: nsfw, noncon/dubcon, omega verse/hybrid au, size difference, pet-play, predator x prey, collaring, double-pen, gangbang kinda, tag-team

♡ fem reader

It’s been a month since your new owner brought you home, and despite expectations, you’ve yet to be eaten by the predators you share your den with. On the contrary, the six hybrids seem to have accepted you as their seventh pack member despite you being at the very bottom of the food chain.

You’ve come to trust that, despite the look of hunger in their eyes… food isn’t exactly what they have in mind. 

The hyena seems to be the only one your age. But he’s also a bit of a bully. Always goading you with ticklish poking until you stomp your feet and whine at him to stop. 

He never listens to you, though – he just cocks his head, finding it funny how you try giving him orders – only grinning as he pins you instead, chewing some on the lops of your ears while squeezing your cottontail – smirking and giggling at your pouty face getting all frustrated.

Your weak kicking is so cute, and so is how you try clawing at him despite having but blunt nails – he can’t help but laugh at the way it tickles him. 

It’s so painstakingly clear you’re not made to fight back, and it’s so adorable how you don’t even realize you already surrendered the moment you rolled over on your back with your belly up. 

It makes him go absolutely feral when you pull on his ears and mane, begging him to stop as he laves at your slit and clit, delving his long tongue deep within your walls until the tip prods your womb. It’s course against your skin and harsh on your insides and scratches your poor clit until it’s all swollen and throbbing for him – making you sob as his feral smile teases your chubby mound with a bite – only satisfied when you cum in his mouth.

But while the hyena enjoys play-fighting with you, the rest are more prone to fight each other…

The panther and leopard are good friends, whilst the fox and wolf seem to tolerate each other – and you don’t know whether it’s unfortunate or a blessing in disguise that both pairs only want you for themselves and often end up fighting over you.

You’d say the four are the most trigger-happy of the pack – always hissing and barking at each other. But everyone knows that cats and dogs don’t get along.

The canines are a little scarier, you think. They’re rougher with you.

The wolf especially. He’s older than you, a big heap of hulking muscles that bear down over you with the daunting superiority of a seasoned hunter. 

He doesn’t take lightly to you talking back to him – acting as though he’s actually offended when you so much as open your mouth if it’s not to swallow his tongue. Even if all you ask is for him to go a little slower, he’ll just growl at you – threatening your neck with fangs while chewing your collar – and otherwise ignore your cry completely. Calling you his bitch while telling you to quit your whimpering even though he’s been breeding you sore for the past hour, ramming your poor cunt so hard your muscles have all given out and left you to lie on the floor with only his paws keeping your hips upright.

He's always extra rough when you reek of cat – as though it’s your fault. Huffing and puffing as he now has to spend so much effort scenting you again.

It’s a never-ending war between them all. You go from camp to camp, getting marked again and again like territory, only for your owner to clean you up at the end of the day.

But the wolf is the worst. One time he’d gone so far as to piss on you… 

But he was later scolded by the owner – bonking his head with a rolled-up newspaper, telling him he had to learn to share or else he’d have to go sleep out in the doghouse. He’d also been told he had to stop breaking skin when biting you unless he wanted to be muzzled.

It only made him all the more grumpier. Growling in your ear that the one who ought to be muzzled is you and your snitch-mouth always crying wolf like some bitch who never learns her place – that next time you go talking to the owner, he’s going to eat you like the piece of meat you are.

You come to learn that he’s more bark than bite after a while. 

When you get used to him and his stamina, you stop crying and start holding onto him instead. And it’s when you’re burying your face in his neck and begging for his seed that he softens up for you.

He stops biting and starts sucking instead – laying hickeys all over your neck and chest, blushing with closed eyes when suckling your tits like a pup. You learn he’s a sucker for being called good boy and will wag his tail when you sit on his face. 

He’s also the one with the most owner-sickness of the pack, always clinging to you, growling when others get close, and never ever sharing when his turn.

He only begrudgingly allows the fox to eat his scraps afterward. 

You can only mew as he mounts you next. 

His tempo is always a bit of a shock – a bit juvenile, but who can blame him when he’s had to wait for so long? He’s a little younger than you – eager and desperate for it every single time.

Pounding you sharply – hard and fast with howls and heavy panting – even whimpering as you hold you tighter and tighter, squeezing you free of air as he savors the feel of your wet pussy clamping down around him.

He doesn’t growl too much when you whine. Instead, he laughs – elated and frenzied – eyes manic as he sticks his tongue as far down your throat as he can – drooling uncontrollably as he sinks his knot inside you and spills his worth inside your womb.

It’s a relief he doesn’t last as long as his bigger partner.

He’ll suck love-bites on the chubs of your cheeks as he unswells – lick all the sweat from your skin and come down by the sweet taste. Laying sloppy kisses all over your body and lapping over all bruises and soreness in gratitude – looking at you somewhat sheepishly with big puppy-dog eyes as though suddenly embarrassed that he’d been so feral.

The felines are less spastic. 

But they also like to lick you – with sand-textured tongues scraping at your fur and skin until they’ve made sure you’re coated with their scent. They seem to enjoy grooming more than anything, always snuggling with you.

But they get flirty, too… you’ll know when they start kneading your softer parts – blinking at you slow and expectantly until you return the favor.

They’re the same age and have known each other all their life, practically brothers, and do everything together as though they were a pair of Siamese – including when they mate with you. 

They’ll lay you down on one lean chest while the other is poised above you. Purring as they take turns with you – both so gently.

The panther always has a sly smile on his face when looking down at you – his claws retracted while he sticks his slender fingers inside your mouth to play with your tongue. He says it’s one of his favorite things about you – so soft and so silky, so different from theirs when you lick his skin.

It makes the leopard pout behind you, nuzzling you tight, his cheek to your cheek, asking the other if he doesn’t like it when he grooms him. 

The panther only smiles down at both of you, promising that he likes both your tongues until he proceeds to swap between which one of you he kisses.

When the leopard kisses you, he also admits he likes your tongue – whispering all depraved things that come to mind – loves how smooth it feels in his mouth and on his lips and neck and nipples and cock and balls.

Eventually, the heat gets to their heads, and their pointy ears start to droop, looking at you with such dark glossy eyes, opium-blown with pleasure and lust for more – kissing each side of your face, asking whether you won’t allow them both inside you at the same time – their pretty pleas making your head go silly, panting while nodding your head for them, bucking your hips stuck between the two while begging for both of them.

You feel their slim tails coil around each of your thighs as they sink inside your drooling heat together – their breaths deep and shuddering while they feel your tightness squeeze around them. 

They coo at you – telling you how perfect you look trapped between them like that – as their pretty little double-stuffed toy. And you’re too cock-drunk to do anything but agree.

After flooding you with cum, they go back to cuddling – sleeping – the both of them purring with lanky limbs all tangled on top of each other and you in the middle.

The bear is also a lazy fellow – a gentle giant. Something you’re grateful for – you don’t think you’d survive if he ever tried mounting and pounding you like the other boys.

He’s the eldest of the pack. Twice your age. You feel the seniority in his movements – all unhurried, savoring every second with a warm smile.

He’s satisfied with having you on his lap – cock-warmed by your tight bunny-cunt while you hand-feed him berries. You feel a little safer with him knowing you have the same appetite and that he isn’t thinking about eating you. 

He hums, a rusty sound that comes from his gut – telling you he likes seeing you eat – that it’s cute how you take such small bites – and the way your nose scrunches and your cheeks fill.

Sometimes he’ll tell you to hop on his lap – his massive warm paws placed on your haunches with large black claws gently denting the plush flesh found there, encouraging you as you ease up and down the great length that bulges from your belly. 

The size of it makes you pant.

You’re glad he’s happy having you at the end of the day – after you’ve been loosened up by the others. You fear he’d split you in two if otherwise.

The owner collects you before bedtime after everyone’s had their share – clips a leash onto your collar, and leads you to the bathroom – crawling on all four like an actual animal. You’ll often collapse halfway there, but he doesn’t mind scooping you up to carry you instead – always with a few patronizing words leaving him while mollycoddling you, almost speaking baby to you, telling you how proud he is of how domesticated you’ve become.

There’s always a bath waiting for you – a gift for being such a good little pet, he says. 

It reminds you of when you were first brought here, as he washes you with his own hands – rubbing the filth of spit, cum, and sweat from your sore limbs, messaging your flesh into nice limber softness again.

He’s always mumbling about human matters under his breath – money, business, estate – ruffling your hair when you give him a blank stare. Apologizing while saying he won’t trouble your pretty head with such complicated topics.

All you have to worry about is being his stress-relief – something clueless and dumb and dependent on him. You realize that without him needing to say it. It’s communicated through all the other things he says anyway.

He’s always whispering in your ear before bed – sweet nothings about what a good bunny you are – how you’re the cutest, softest, sweetest little thing in the entire world – telling you how much he loves you and how happy he is that you’re finally settling in – how you’ve become the most precious little housebroken pet for him.

It feels different when he touches you. The other hybrids make you feel small, but there’s a familiarity with them – something about being hunted fairly and squarely, like out in the wild. 

With the owner, you’re reminded you’re a pet eating out of his palm – something tame warming his bed at night with your leash tied to the bed frame.

He doesn’t fuck you with the same intent as the others do – there’s no rut behind his cold movements. It’s not mating or breeding. It’s something else you can’t put your finger on. Something human. Something alien to you.

Something in the way he has his hand fisting your leash as he sinks inside your heat – something in how he babies you, calls you cute when you shake and cum around his cock like you can’t control yourself.

It all makes you feel like some mindless animal.

Impulsive and primitive in comparison to him and his calculated thrusts and how he only cums inside you after you’ve all but begged him to breed you.

♡ part 1

Owner: ♡ BNHA - Aizawa, AFO ♡ JJK - Nanami, Kenjaku ♡ HQ - Ukai Hyena: ♡ BNHA- Shigaraki ♡ JJK- Mahito ♡ HQ - Tendou Wolf: ♡ BNHA - Bakugou, Dabi ♡ JJK- Sukuna, Naoya ♡ HQ - Sakusa Fox: ♡ BNHA - Denki, Kirishima, Deku, Amajiki ♡ JJK- Yuji, Yuuta, Choso ♡ HQ - Hinata, Nishinoya Leopard & Panther: ♡ BNHA - Denki & Shinso, Dabi & Hawks ♡ JJK - Geto & Gojo ♡ HQ - Miya twins, Oikawa & Kageyama, Kuro & Kenma Bear: ♡ BNHA - Enji, Aizawa, All Might, Mirio ♡ JJK- Toji, Nanami, Higuruma ♡ HQ - Daichi, Ushijima

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist

[gudfornuthin]

All I’ve Ever Wanted

Season 4!Five Hargreeves x fem!reader

! Spoilers ahead !

Summary: six years of travelling to different timelines, and Five isn’t sure how much longer he can go on for. Until he stumbles upon a greenhouse, full of strawberries. And you.

Word count: 4212

A/N: so season 4 was a… thing that happened. This story is basically my own idea of how things should’ve gone in ep 5. Instead of the weird Lila/Five situation, it’s just Five, and his chance of living a normal life with someone new. Hope you all enjoy, and feedback is appreciated :)

Number Five was never one to back down from a challenge. Having been through a series of different apocalyptic events, transporting to a timeline where he spent 40 years alone, and dealing with a misfit group consisting of his exhausting siblings, Five was up for anything. But the current situation he was dealing with? For the first time in his life, he was at breaking point.

After another wasted day spending hour after hour searching for any clues or information on how to get back to the correct timeline, Five returns to the subway, entering one of the compartments and slumping down in the first chair he sees. He rubs his eyes and lets out a visceral sigh, wanting nothing more than to go to sleep. He reaches into his pockets, pulling out a small pack of dried fruits. He rips it open and devours every last piece. He can’t remember the last time he had a proper meal. He was becoming more desperate, rummaging through trash cans and foraging in bushes, hoping anything he picks isn’t poisonous.

The compartment jolts and begins to move, making its way to the next timeline. Five wipes his hands on his already dirty pants, standing up and walking slowly to the door. He wonders whether his apocalypse counterpart will be waiting for him this time.

After several minutes, and Five almost falling over from his lack of sleep, he finally arrives, the doors opening. He steps out, immediately making his way up the stairs. No time to waste. He cautiously pokes his head out, looking around for any signs of, well, himself. Before he can move out more, something wizzes past his head. A bullet. He ducks, as more shots are fired directly at him.

“Give me a fuckin’ break,” Five mumbles, as he finally takes notices of the other him in the distance.

He sticks up his middle finger, and no soon after closes his fists, blinking as quick as he possibly could.

The Five with a gun disappears along with the destroyed world around him. Five drops his arms to his sides, turning around and admiring the new environment. Luscious, greenery surrounds him, with an array of different flowers sprouting from the ground beneath him. A small pond with fish glimmers in the sunshine, lily pads floating on top. He continues turning, finding himself standing next to a tall greenhouse. The glass was slightly foggy, making it difficult to see what’s inside. Five leans in closer, squinting as if that would help. He can barely make out what appears to be pots of fruit and vegetables, some fully sprouted and others not yet ripe. His stomach rumbles, the feeling of hunger consuming him.

A rustle sounds from behind him. He turns quickly, coming face to face with a pair of shears. Five jumps back slightly. He then spots the person wielding said ‘weapon’. A young woman, probably early twenties, wearing a light yellow dress and a pair of brown sandals. Five can’t help but admire her beauty, if it wasn’t for the fact she had a face like fury and didn’t seem afraid of cutting him in half.

“Can I help you?” Her words are kind, but her harsh tone says otherwise.

Five can’t exactly tell this young woman the truth. Showing up randomly in her back yard, covered in grime, gawking at her crops through the window. He raises his hands up in the air, trying to convey that he meant no harm.

“I’m so sorry,” he says, his throat sore having not spoken to anyone in quite some time. “I don’t really know how I got here.” That’s not exactly true. “I’ve been travelling for a few days now.” Try six years. “And I could really do with a hot shower and something to eat.”

The woman doesn’t say anything, just staring, with the shears still held out in front of her.

Five puts his arms down, shrugging in defeat. “I’ll just go. I truly am sorry, I didn’t mean to freak you out.” He looks down. “Or step all over your rose garden.” He gingerly moves away from the destroyed flowers.

He turns and begins to walk away, hoping to find an exit as quick as possible. Blinking in front of this woman probably wouldn’t help his cause. A warm hand grabs hold of his wrist, forcing him to stop and look back. She has the shears loosely hanging by her side, as her eyes pierce into Five’s. She seems hesitant, words forming in her mind. At last, she speaks again.

“You’re telling the truth?”

Five nods incessantly, feeling like a child.

“And if I let you in and make you something to eat, you won’t try and kill me?”

Five holds back a laugh, knowing she’s being deadly serious. “I wouldn’t dare.”

The woman waits a beat, then huffs. “Come on, I was just about to start dinner.”

She moves past Five, walking into three greenhouse. He takes this as a sign to follow after her.

***

The young woman allows Five to use her shower, and he’s thankful for the change of clothes she provides for him too. The home is small and cosy, playing into the stereotypical cottage core of living. The lighting is soft, and the smell of pumpkin seems to waft through into every room. It’s calming, it’s peaceful, it’s something that makes Five feel on edge. He isn’t used to the domestic life, away from the terror and destruction, trying to save the world over and over. He knows he can’t stay here long, but he won’t miss the opportunity of a proper cooked meal.

After putting on the change of clothes, Five makes his way down the hall and into the kitchen, a small buffet waiting for him. He finds it hard not to drool, the potatoes and fresh pie, along with the fruit and vegetables he’d spotted earlier. It looks incredible. He takes a seat, as the woman places down a final plate of tomatoes, sitting down opposite Five.

They dish out the food, filling their plates as high as they can, especially Five. He tries not to look like a slob in front of the pretty girl, but finds it hard not to drop some things down his top. She doesn’t seem to notice, or pretends not to.

The woman takes a sip of her drink, clearing her throat. “So,” her soft voice makes Five look up from his plate. “Do you have a name or is that one of the many mysteries of the man shovelling food down his throat like he hasn’t eaten in several years?”

The woman isn’t afraid of being upfront. Five admires that. Although, it’s not surprising considering he’s a complete stranger she’s trusted in her home. He puts down his knife and fork, grabbing a napkin to wipe his mouth.

“No, I have a name. It’s Fi-,” he catches himself, unsure if his ‘name’ would just create more confusion, and unwanted questions. “Jerome. Just, Jerome.”

The woman squints her eyes, but doesn’t push further, seeming to move past his stumble. “Okay. I wouldn’t have pegged you for a Jerome.”

Five shrugs, not knowing what else to say.

“My names Y/N.”

Five nods. “Okay. We’re closer already.”

“Don’t push it,” Y/N says, a small smile gracing her face. Five can’t help but pull the same expression.

***

After a hearty dinner, and some obvious awkward silences, Five insists on helping Y/N do the washing up. The sun was beginning to set, and Five knows he’ll have to leave soon, but something stops him from doing so. He doesn’t want to admit it, but this was the most relaxed he’d felt in a long time. The fear or worry of something bad happening wasn’t there, and as he stands close to the woman he had barely met 2 hours ago, he realises what he’d been missing in his 60 something years. A place to live, with a person who makes him feel safe.

“Jerome,” the voice breaks through his thoughts, as Five almost forgets the name he’d given to this woman. “I feel like we’ve skirted around the topic enough. Is there any reason you were in the state you were in, taking refuge behind my greenhouse?”

Five places down the plate he was cleaning, turning to face her fully. Her expression is calm, and her voice shows no sign of interrogation. It’s a first for Five, as he’s become accustomed to people prodding him for information only for their own benefit. No one’s ever shown true interest in him.

He shrugs. “It’s been a tough couple of years. More than that I guess.” Fives eyes glaze over. “I haven’t seen my family in a long time, and I don’t know if I ever will. And if I do, I’m terrified of the state that I’ll find them in.”

Y/N stops what she’s doing, also turning to look at Five, a look of worry taking over her face. He knows he’s said more than he should have, but he couldn’t help it. He’s not good at sharing his feelings, and when he does, he’s scared of what will happen once the flood gates are opened. He isn’t sure if he’ll ever be able to close them.

“What d’you mean? Are they in some kind of trouble?” She asks, a slight shake in her voice. “Are you in trouble?”

Five shakes his head, not wanting to stress out this poor woman who’s been nothing but doting to him. “No! No, I just,” he sighs, knowing he’s really put his foot in it. “I just care about them, a lot. Too much. And I don’t even want to think about not seeing them again.”

A soft hand brushes against Five’s cheek, as he glances at Y/N wiping a tear away from his face. He didn’t even realise he’d started crying. He sniffles, moving away and rubbing at his eyes, fearing how red they may look. He sucks in a deep breath, calming his beating heart. Whether it’s from talking about his family, or the touch from the woman next to him, he isn’t sure. But he fears he’s overstayed his welcome.

Five moves away from the kitchen counter. “I guess I should probably go. Don’t wanna miss my train.” Although he knows they’ll always be one there waiting for him.

He heads for the door, remembering to go upstairs and collect his dirty clothes before he leaves. Footsteps are heard from behind him.

“Uh,” Five swivels back around, as Y/N hesitates over her words. “This may seem kinda forward, and a dangerous move on my part, but, I wouldn’t be able to sleep tonight knowing you were out there in the middle of the night, traveling by yourself.”

Five holds his breath, not wanting to jump the gun, but already anticipating the next sentence out of her mouth.

“I have extra pillows, and blankets.” Y/N shrugs. “It’s not the most comfortable couch but I’d say it’s more comfortable than the chairs on the train.”

Neither of them speak for a while. Five ponders her offer over and over, wondering if this is something he wants to decline. He needs to get back to his family. He needs to get back to help them. But so far, every option has been a bust. He’s not sure how much longer he can go on for. It could be the apocalypse all over again. Stuck for 40 years, traveling none stop, unsure if he’ll ever see his loved ones again. Could a good nights sleep really be such a bad thing?

He thinks the risk is worth it. “As long as it’s not too much trouble for you.”

***

That one good nights sleep turned into three months, staying at Y/N’s home, crashing on her couch. It didn’t stop Five from going out, back to the subway, trying to find the possible solution to his six year problem. But the more time he spent with the woman, the less time he wanted to spend away from her. They grew closer, making meals together, gardening together, watching silly romcoms together. While Y/N taught Five how to bake, Five taught her how to fight. A young woman living by herself? It didn’t hurt knowing some basic defence skills.

Five didn’t want to admit it, but his family hadn’t crossed his mind as often as it usually did before he met Y/N. He’d become soft, wanting to be around her all the time, not wanting to visit the subway as often as he should be. He’s lucky enough to call her a friend. He hopes she calls him that too.

***

It’s late, and Y/N is sat on the couch, crocheting a few pairs of gloves and a long overdue jumper. People used to make fun of her for it, calling her an old lady, but she finds it soothing. And making your own clothes is a big bonus too. Five, or Jerome as she knew him, had been out most of the day. She never questioned what he was up to, only that he returned safe, ready for whatever she’d cooked up for him during the day. She wasn’t completely naive in thinking ‘Jerome’ has involved himself in shady business. But unless he plans on telling her, then she won’t bother pushing him on the matter.

A bang echos from the back of the house, specifically inside the geeenhouse. It makes Y/N jump up from her seated position, quickly rushing out to the source of the noise. It can only be one person, or that’s what she hopes. Either way, she grabs for her shears before entering the warm glass room.

“Jerome?” She whispers, watching her step, the only light in the room coming from the moon through the windows.

A muffled groaning reaches her ears, as Y/N blindly moves her hands over the walls, trying to find the light switch. She finally does, and flicks it on. A sharp gasp comes out of her mouth, as the brightness finally reveals her new friend curled in a ball on the floor, rolling in pain.

“Shit.”

She quickly makes her way over to him, delicately wrapping her arms around his waist and slowly helping him off the floor. He stumbles, knocking into a few pots, almost making them fall off the table.

“Sorry,” he mumbles, the word slurring under his breath.

“Don’t apologise,” she says, making sure he’s steady on his feet. “Let’s just get you inside and onto the couch.”

They make their way through into the living room, Five dropping haphazardly onto the soft cushions, while Y/N finally gets a proper look at him. His clothes are ripped, the once pristine suit (one she bought for him as a gift) now in tatters. His hair is sticking up in all different directions, and he’s clutching to his side like his life depends on it. She reaches for his arm, prying it away to reveal an array of bullet wounds, still bleeding.

“You should see the other guy,” Five jokes, tilting his head back and trying to forget about the burning pain running across his body. Funnily enough, if Y/N saw the other guy, he’d look exactly like him, considering this all happened due to an unfortunate run in with apocalypse Five.

Y/N stares at him with wide eyes. “Really? Look, I don’t bother asking where you go or what you’re up to when you leave this house, but I think now’s the time you tell me the truth.”

Five moves his head back down, looking her in the eyes. She’s terrified. And he hates that. He breathes in deep, taking her hand in his.

“If you can help me patch this shit up,” he briefly motions to his wounds, “then I’ll tell you who I really am.”

So that’s what they do. Y/N retrieves the first aid kit from her bathroom, while Five opens up about his life before he met her, and how he’s not from this timeline. He isn’t sure if she’s believing what he says, as she remains quiet the entire time, only occasionally looking up at him and quickly returning to removing the bullets lodged in his side. But she listens. And allows him to pour his heart out to her.

“The past six years were torture. Somehow worse than the forty I spent in the apocalypse.” Five turns his head and stares at the woman next to him, as she finishes up her work. “But these last few months with you. I could finally be normal. I could live a life most guys would kill to have. And I’m so sorry I lied to you this long.”

They fall into silence, the pair somehow closer together than they were a few minutes ago. Both emotionally, and physically. Y/N moves her hand and takes his, squeezing tightly. Five’s heartbeat picks up speed, only now noticing their close proximity.

“So your real name is ‘Five’?” He nods at her words. She nods back. “Hmm. It suits you a lot better than Jerome.”

They both laugh half heartedly, as they stare deeply into each other’s eyes. She moves her hand up to his hair, moving it out of his face, trying to calm it down slightly.

She carries on talking. “I can’t even begin to imagine what you’ve been through.” Five rolls his eyes. She doesn’t even know the half of it. “But if I can be the person to keep you grounded, for however long you’re here for, then I’m happy to do just that.”

Five smiles, glancing quickly at her lips.

She does the same. “And I hope you’re here for a long time.”

They both lean in, softly pressing their lips against each other’s. Five cups her face, deepening the kiss as Y/N rests her arms atop his shoulders. They move in sync, careful not to cause any more damage to Five’s wounds, as she somehow moves closer, one of her legs wrapping itself around his waist.

They don’t stop, clothes discarded, bodies intertwined, as their growing tension is finally broken. Five isn’t sure if he’ll ever get back to his timeline, but for now, he’s happy to call this place home.

***

Another four months, and still no sign of a way back. Although, Five can’t deny he hasn’t been trying as hard as usual. The peace and tranquillity has consumed him whole, falling into a proper routine with the woman he…

Is it love? Could he truly fall for someone like this? Someone who isn’t involved in the shit show he’s grown accustomed to? Someone who wants that quiet life, watering flowers and baking pies, with him? Maybe it’s what he needs.

Five stands in the greenhouse, picking some fresh strawberries, and trying a few to see if they were ripe. He’s already found the perfect recipe to use them in. Something he knows she’ll love.

As if reading his thoughts, a pair of arms slip around his waist. Y/N rests her chin on his shoulder, peaking over to see the basket full of fresh fruit. She picks one up, moving away and popping it in her mouth. Five turns and looks at her, smiling wide.

“They taste perfect,” she says.

Five takes her wrists, pulling her towards him and kissing her lightly. “So do you.”

She laughs, holding him close and breathing him in. “The cheesy lines don’t work on me, bub.”

“I think they do.” He mumbles, bringing her in for another kiss, sliding his hands up and down her back.

They stay like this for a while, holding each other in the warm glass room. The sun starts to set, as Five looks out and realises what time it is.

“Damn.”

She looks at him, confusion on her face. “What’s up?”

He shakes his head. “Nothing, I just need to do a double check of the subway before dinner.”

Y/N tries not to show her anxiousness, but some of it seeps through. After Five explained to her what the subway is and why he goes there every day, she’s terrified at the thought of him leaving and never coming back. But she knows he wouldn’t do that to her. Not without saying goodbye.

She steps back. “Right. Promise you’ll be safe?”

He kisses her on the cheek. “I promise.”

***

Five spends some time looking around the platform in the subway, checking the lights, checking the maps, even poking his head into the tunnels to see if anything has changed. But nothing. It all remains the same. No sign of his past life waiting for him. Was that such a bad thing?

Holding a small flashlight, he shines it up and down, left and right, hoping his eyes will catch something new. A sudden pop from above startles him, the grip he had on the flashlight loosening. It falls and rolls onto the tracks. Five looks up, noticing one of the bulbs now flickering. He huffs, moving to the edge of the platform and jumping down. He retrieves the flashlight, hitting it a few times to try and get it to work again. It comes to life, flashing in front of him. That’s when he spots something.

“That’s new.”

Five walks over, grabbing the mystery object and holding it up. It’s a plain notepad. He flips it open, scanning over the messy handwriting inside. His messy handwriting. He can’t help but let out a tiny gasp, as he figures out what it all means.

“This is it.” Tears form in his eyes. “This is my way back home.”

He’s shocked. He’s elated. He’s emotionally drained. This is his chance to rejoin his timeline. To see his family after so long. To fix the mess they’ve created. But all he can think about in this moment is Y/N. How the hell is he supposed to break the news to her?

***

After another hour spent pondering this new found information, Five slowly makes his way back home. His home. Where the life he’d built was waiting for him.

He enters the house and walks into the kitchen, where Y/N stands by the stove, boiling something sweet and caramelly. Five just stares at her; humming a random tune, wiping her messy hands on the apron he bought for her when her old one accidentally caught fire. That was the most stress he’d felt since coming here. And if that was the only stress he had to deal with, he’d take it every single day.

She finally turns and spots him, smiling wide. “Oh hey! I was worried for a sec, you were taking longer than expected.”

She moves closer to him, pulling him into a tight embrace. He holds her, not wanting to let go. Y/N can tell something isn’t right.

She leans back. “You okay?”

Five doesn’t reply, only holding the notepad out for her to take. She does so, flipping through the pages just like he did, her expression perplexed.

“I don’t understand-”

“It’s the way back to my timeline.”

She looks up at him, mouth slightly open, as her words fall short. Five can swear he hears her heartbeat speed up, as her breathing becomes erratic. Five isn’t sure what to do, waiting for an explosion of emotions to rain down on him. But nothing comes. Neither of them do or say anything.

Five chooses to break the silence. “I don’t wanna lose you. I can’t. I don’t think I could live the way I used to live. Not after living this life with you.”

Y/N bites her lip, suppressing a sob. “You have to go.”

Five furrows his brow, hoping he heard her wrong. He tilts her head up to stare into her eyes, seeing the tears forming.

“No,” he whispers. “You’ve become the most important thing in my life. The thought of never seeing you again, I can’t do that.”

A tear falls down her cheek, as Five reaches out to wipe it away.

“I’d love nothing more than to stay in this little bubble we’ve created,” she replies, finding it hard to keep her voice steady. “But your family, your timeline, all those people? They need you more than I do. And I know deep down, you can’t bear the thought of letting them die, knowing you could’ve helped.”

Five wants to ask her to come with him. Become apart of his family. He knows she’d get on with them all. And they’d all love her, possibly more than they love him. But he knows it’s cruel to ask her to leave her life behind. The house, the garden, the home that she’s worked so hard on. And the thought of throwing her into the thick of it all. Putting her at danger? No chance.

He pulls her into his embrace, kissing her hard. They hold each other tight, their lips bruising as neither of them can stop the tears from falling.

Y/N is the first to pull away. “If you ever get the chance to come back to this timeline, you know where to find me.”

Five smiles, not wanting to let her go. He kisses her once more. “In the greenhouse, tasting just as sweet as the strawberries.”