#one love two mouths

[the-heartlines]

| one love, two mouths |

~ rhaegon ~ [e. 8k. 1/2] ~

"maybe his mom’s prayers had worked. maybe, after all, aegon did find ‘god', but not a guy in a pale white robe, with a halo adorning his head. but someone close to him, closer than gods or men. his own blood, wrapped in snow white skin, with haloed hair, both adorned in and saturated with moonlight."

chapter 1: your lips were soft like winter, in your passion, i was lost

[calliophes]

and all i am is a man i want the world in my hands

[ministarfruit]

day 12: karma ♡

(femslashfeb prompt list)

[brainrotcharacters]

deadclaws badassery where it's revealed Wade and Logan tested the distance on Logan's hearing.

Watch them hundreds of feet away from each other in the battlefield and all it takes to set Wolverine loose is for Deadpool to mutter "Logan."

gif credits to original owners!

[strangersteddierthings]

Shovel Talk(s) Part One

Part One 🦇Part Two🦇Part Three🦇Part Four

Steve and Eddie aren't even together when Steve gets the Shovel Talk from Eddie's uncle, but it is what tips Steve into talking to Eddie about his feelings, so he's not upset by it.

They aren't dating, not because he doesn't want Eddie, because he absolutely does. It's just that he wants to be sure Eddie wants him back. There are times when he's sure, when Eddie gets into his space a bit too close, or more often, than he does with anyone else. Eddie calls him a thousand and one nicknames, ranging from sweet to irritating but just when Steve thinks that's a perk left just for him, Eddie hands someone else a new nickname (just the one, a voice in Steve's head that sounds suspiciously like Robin says).

Not that any of that is the point. Wayne wouldn't bother to give Steve a shovel talk at all unless he knew how Eddie felt. Wayne is a man of action, and he's never done anything unless it mattered. Meant something. Steve and Wayne have sat in plenty of (what Steve considers to be) awkward silences because Wayne doesn't talk to fill the void of silence.

The point is, Steve drops Eddie off at the house the government so graciously bought for the Munsons, walks Eddie to the door and giving Eddie a hug goodbye. He stays on the porch until Eddie shuts the door and then nearly jumps out of his skin when he hears Wayne call out his name.

"Harrington," Wayne says from the shadows of the wrap around porch.

So, Steve jumps and it's only then he notices that Wayne is sitting at the table and chairs set up on the porch. "Mr. Munson, sir, hi. Hello."

Wayne lets out a chuckle, but it doesn't really sound amused. "I have come to accept that you are nothing like your father, boy, but I do want to make it clear to you, that Eddie means more to me than anything else on this Earth."

"I know, sir."

"I know you do. And while I will forever be grateful that you helped return him to me alive, know that I will not hesitate to make you disappear if you hurt my boy in a way he can't bounce back from."

Steve's not afraid of Wayne, not really, but that doesn't stop him from feeling the need to flee. He doesn't, though, because he'd gotten enough shovel talks from concerned parents in high school, and he knows they can sense weakness. "I can't promise I'd never hurt him, sir, but I can promise it'll never be intentional."

He can't actually see Wayne's face in the darkness but he feels sized up all the same.

"I believe that, Steve," Wayne says, and it's the first time Steve's ever heard his name leave the man's mouth, "now go home."

-

Wayne's shovel talk was expected. Robin's is not.

"You took Eddie on a date date?" She whispers it as though they aren't alone in Steve's living room. They're laying on the floor in a line, heads next to each other so if they turn slightly to the side they can make eye contact. Steve's not sure why they always end up on the floor for Serious Talk Time.

"Yeah," Steve says, looking away from Robin's face to stare up to the ceiling, "I mean, sorta? We can't like... be open that it was a date, but we went to dinner and a movie and it was nice. Shared a popcorn and played footsie under the diner table."

"Whoa," Robin says. "I never thought you'd- didn't think you'd be brave enough to ask him."

"Me either."

"Steve," Robin sounds serious, so Steve turns to look at her. She studies his face for a moment before she's the one to look away, speaks to the ceiling, "be careful with Eddie, yeah?"

"What? Careful how?"

"I just think you could really fuck him up," Robin says. "You're his first boyfriend, right? That's going to set a precedent for relationships that might happen if you two don't work out. And I hate to say this, because I know you've changed, but like, I saw how a lot of those girls you dated in high school ended up when you broke up with them."

Steve's a little hurt, because Robin's his best friend. She should be giving this talk to Eddie, not him. But, also, he understands. He knows that Robin knew about Eddie's sexuality before he did, knows they bonded over being queer while Steve was still figuring himself out.

Steve also knows that Eddie's never been in a relationship before, Eddie'd told him at much when Steve asked him out. Steve doesn't like that Robin implied that he and Eddie will eventually break up, but no matter how much that thought makes Steve's heart ache, he won't know if it'll happen unless it does.

He just doesn't understand why she seems to think he'll be the one breaking Eddie's heart. It could go the other way.

"Did you OD over there?" Robin asks, trying to lighten the mood.

"No," Steve answers, "I'll be careful."

-

They've been on four more dates before Nancy knocks on his door. She doesn't accept his invitation to come inside. Just starts speaking on his doorstep.

"As Eddie's Capital P Soulmate," is how she starts that sentence, and it makes something hurt deep inside Steve as he tries not to think about Robin, "I am obligated to remind you that I do own several guns now. And I don't miss."

"Jesus Christ," Steve says, because even Wayne was more subtle, "I got it."

"Good. I do know you'd never hurt him on purpose," Nancy says but Steve doesn't feel reassured.

He thinks that, if she really didn't think he's going to end up hurting Eddie she wouldn't have said anything at all. "Right."

"Well, good talk Steve," and then she's walking down the driveway and climbing into her car.

He closes the door and goes to the kitchen to get himself a beer, mostly so he has something to do besides stew in his emotions. He wonders if Eddie has been given the shovel talk, too? Maybe Robin did the same thing Nancy just did. Showed up unprompted, threatened Eddie with some sort of bodily harm, and then just left.

Steve grabs the phone and dials Eddie's number.

"Hello?" Eddie's voice greets him, albeit questioningly.

"Eddie, it's Steve."

"Oh, hello sweetheart," Eddie says, "are you calling for business or pleasure?"

Steve laughs, "business."

"Boo!"

"Listen, uh, I had a question. I just wanted to know if anyone's said anything to you. About us. Or, y'know, specifically about us and our relationship?"

"Uh, not really? A few congratulations, I guess. Why? Did someone say something?" Eddie's voice is level, almost too level, so Steve knows he's trying to keep cool.

"Oh, no! No! I mean, aside from the scary shovel talk from- Wayne, everyone's been surprisingly cool about it. Very supportive," Steve says and even though it's true, everyone they've told has been cool about it, it feels a little bit like a lie.

Eddie laughs, "I can't believe my uncle gave you a shovel talk! You know, I keep expecting to get one from Robin but so far nothing. She must think you're safe in my capable hands."

Steve is safe in Eddie's hand, he thinks, but that doesn't stop the sting that goes through him. "Of course, she does. You've been a perfect boyfriend."

There's a pause before Eddie's voice comes through the phone, soft and quiet, "I'm glad you said so. I want to be. For you."

"You're not allowed to say those kinds of things when you aren't within kissing distance, babe," Steve says, because if he doesn't add humor to this conversation, he's going to tell Eddie he loves him instead, and even Steve knows that saying that a month into dating is too soon, especially over the phone where he can't see Eddie's reaction.

Eddie laughs and makes kissing sounds at him before the conversation shifts to chatting about the day and making plans for the weekend.

-

Steve is trying really hard to not be the person he was in high school but every time he gets to the point where he's being a better person, someone brings up how he used to be. Shoves it back into his face that no matter what Steve does he can't outrun his past.

One such time is shortly after Steve and Eddie accidentally come out as a couple to all of Hellfire. Steve was just dropping off the boys and had stepped inside to chat a bit. Once game time had arrived it had and Steve made to leave, they'd (he and Eddie) had been on autopilot. Eddie'd whined 'where's my goodbye kiss?' and Steve had stepped over, kissed him goodbye, and was out the door before it had actually computed.

Steve had burst back through the door, rushing back to Eddie, because no way in Hell was he going to leave his boyfriend to deal with whatever the consequences would be alone.

It had been absolute chaos at the table with people shouting over each other.

"Of all the people you could be with, you picked Steve!? You could do better!" Mike had whined, and Steve had thought for sure he was the only one who had heard Mike until he saw Will punch his arm and hiss his own 'don't be a dick' at Mike.

It took almost half an hour to calm everyone down. It was a relief to know that Eddie had come out to his bandmates/the older Hellfire members already. The kids took it in stride, in the end, and Eddie had shoo'd Steve away.

Jeff had excused himself, too, and Steve thought he was just going to use the bathroom but instead he followed Steve outside.

Ah. Steve knows what's coming.

"Harrington," Jeff says, "can't say I'm excited that you're the secret boyfriend Eddie's constantly sighing wistfully about. I'm sure Wayne's already threatened you," And Robin, and Nancy, and Mike doesn't think he's good enough, "but if you hurt Eddie-"

"I get it! There will be dire consequences if I hurt Eddie," Steve snaps, not down for hearing it anymore. He stomps to his car and peels away from the curb without bothering to look back.

-

If he's being honest, Steve didn't even know he had a breaking point with shovel talks until he gets his fifth one from Dustin.

It's not even a shovel talk. It's just a single sentence, said almost a month after Dustin learned about their relationship. He's dropping Dustin off after their DnD game. Normally Claudia picks him up, but she's busy tonight and asked Steve to do it.

"Alright, Henderson, safely delivered."

"Thanks, Steve," Dustin says, unbuckles his seatbelt, and opens the door, before turning back to Steve. He just looks at him for a moment.

"What?"

"I'm happy for you and Eddie. Just, don't hurt him, ok?"

He nods his head but can't say anything. Dustin grabs his backpack, shoots him a smile, and climbs out. Steve does wait until Dustin closes the front door behind him before putting the car back in gear.

He manages to get home, somehow, because Steve doesn't fully remember the drive. It's not that his mind was so focused on something else that made him fail to take in his surroundings, but rather that his mind wasn't even a part of his body anymore.

One moment he was pulling away from the Henderson residence, and the next, he was home, just standing in his kitchen in the dark. And now that his thoughts are back, or easier to process, he finds himself wondering why everyone thinks that he's going to be the one to hurt Eddie.

How many people has he hurt that this is his reputation? Is it inevitable that he will hurt Eddie? Is it truly just a matter of time until he breaks Eddies heart? Why is everyone so convinced that he will?

Briefly the thought occurs to him that maybe he should call up Eddie and break up with him right now, before Eddie has a chance to get in deep enough that Steve could break his heart, but just the thought of it breaks Steve's heart, so he's not going to do that. Doesn't want to do that. That would just be punishing Eddie for something he didn't do.

None of this is Eddie's fault, and Steve's an asshole for even thinking of breaking up with him because of it. Which feeds him back into the loop of thinking that maybe everyone is right about him. He is an asshole and will someday hurt Eddie, perhaps even on purpose.

He loves Eddie. He's in love with Eddie. But does loving him mean proving his friends wrong? Or does it mean leaving him before they're proven right?

He wants to ask everyone why they think he'll hurt Eddie.

He wants to ask everyone why they don't care if he's the one that gets hurt.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[front-facing-pokemon]

[zarnzarn]

(check the tags for more and also the tag for other fics in the story!)

athena, scowling as she gets bullied into marrying the people she pined over for the last 1000 years, suddenly realising something: wait a minute

odysseus: what?

athena, frozen: wait a damn minute you know what this gives me rights to do

penelope, also realising: oh fuck yes

odysseus: I don't like the sound of whatever's happening here what are you two fucking talking about?

athena, grabbing the marriage wine and tossing it back, then kissing her new wife and husband and handing penelope a spear as she picks up a mace: we'll be back shortly, you can start celebrations without us.

penelope: do u have anything that can start a fire

athena, pulling out an old contract and scanning it before throwing it over her shoulder: yes. are you scared of heights or can we fly.

penelope: fucking bring it I've waited years for this moment

zeus: where are they going

hermes, picking up the contract: they're going to... Ogygia? Oh fucking shit they're going to fucking kill Calypso- hey, hello, WAIT-

[kimaisalloren]

“Pietà”

Ah yes art of Frenchmen with an italian title and a Latin quote added onto it. I somehow made this in a fit of mania.

Pieta is one of my favorite works of biblical art. It means pity.

The Latin phrase is “acta est fabula, plaudite” which is “The play is over, applaud.”

[booasaur]

Willow (2022) - 1x01

[averlym]

litany of the martyrs (click for better resolution!)

[the-heartlines]

| one love, two mouths |

~ rhaegon ~ [e. 4.9k. 2/2] ~

Rhaenyra was caged between him and his strong hands; unknowingly his pretty hunt that he would devour, satiating his lustful starvation for his lovely sister, finally.

Aegon took this opportunity to inhale the scent of her, fully committing the intoxication of his sweet sister to his senses. “So soft and gentle…,” he trailed his tongue along the crook of her neck. “Until now,” he bit down hard into the column, until he tasted iron. She gasped, breathing heavily, a strangled moan, mixed with both pain and pleasure, released from her throat. She hissed and tried to escape his clutches, begging him stop, but his mouth only applied more pressure, as he sucked on the damaged skin more ardently. Aegon moaned gutturally, the friction of her ass grinding against him, mixed with the taste of their shared blood coating his tongue made him primal.

His teeth relented upon her skin as he whispered into her ear, low and husky, “Now be a good sister and get on your hands and knees for me.”

chapter 2: on your patient lips, to eternal bliss, i’m so glad to know

[spywhitney]

How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:

[uukipi]

girodoro!!!

[snowiet]

please hear me out i need them so badly

[bonefall]

So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.

My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.

With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.

That's what I need to do with Skystar.

MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.

A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.

Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.

So BB!Star Flower...

Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.

(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.

He can still do these things. He wouldn't NEED the power of a war god to do so.

But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)

Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.

But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).

And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.

Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.

A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.

You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.

I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.

I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school

But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.

She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.

The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.

Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.