#one god one universe one world one people

[aqua-tophana]

Actually, you know what? Reblogging again because the more I re-read Garret’s bullshit, the more it sounds like the Inquisitors from the Warhammer 40K universe preaching the Imperial Creed. An uncontrolled cult, completely cut off from its progenitor, radicalized against its founding tenants, and willing to devour any who hold to the “heresy” of wrongthink.

• “…We cannot afford mercy for any of its victims too weak to take the correct course. Mercy destroys us; it weakens us and saps our resolve. Put aside all such thoughts...”

• “Innocence proves nothing.” | “Blessed is the mind too small to doubt.” | "An open mind is like a fortress with its gates unbarred and unguarded."

• “The weak will always be led by the strong. Where the strong see purpose and act, the weak follow; where the strong cry out against fate, the weak bow their heads and succumb. There are many who are weak; and many are their temptations. Despise the weak … Pity them not and scorn their cries of innocence - it is better that one hundred innocently fall before the wrath of the Emperor than one kneels before the Daemon.”

Yada yada yada. But can you see the similarities?

Like, these people - the real ones like Garret, not the fictional Ecclesiarchy - are cartoonishly evil. Their extremism is extreme even compared to the intentionally radical and uncompromising theocracy of a fictional media that coined the term “grimdark”.

And they can’t see it. They can’t see that while claiming to follow a god who preached to the homeless and the infirm and the weak; who - if you look at cultural norms of the time - preached civil disobedience (that’s what turn the other cheek actually meant); who raised up the down trodden; god who preached love; who claimed the meek would inherit the world; who’s first converts were predominantly women and slaves - people without power; these people can’t see they are doing the exact opposite of every one of his core principals while calling it Good.

I’m a heathen; I don’t believe in the god of the New Testament. But if Christ was born in this age as he was said to back then, I am absolutely sure American Christians would try to deport him, jail him, lynch him. They’d call him “woke” and a simp and silence his voice as he tried to speak for the minorities and the disenfranchised.

This man, Ben Garret, claims to be Christian, claims to speak for Jesus and to know what Christians should do in his name. And he said they should hate.

“Do not commit the sin of empathy… you need to properly hate in response.”

This is American Christiandom. This is the theocracy that the zealots want to put into place. Not one built upon the foundations of love and tolerance and good will laid out by the god they claim to worship. One built on greed and bigotry and open, unabashed hatred of others.

My mother was a simple woman. She didn’t understand the dark and bloody history behind Christianity. She simply believed in Jesus and the most simple of his edicts - to love thy neighbor, to be charitable and compassionate, to welcome strangers, to heal the sick, to never throw stones for who among us has not sinned. I can’t believe I’d ever be grateful my mother has passed, but I find myself in that horrible position. Because I can’t imagine the heartbreak she would be feeling right now to see open applause as people preach hatred in the name of her god.

[hrrtshape]

the sisyphus delusion. . . drop the boulder and shift realities.

sisyphus had one job. one brutal, mindless, soul-crunching job. roll the rock up the hill, watch it roll back down, repeat. camus, bless his french-algerian heart, tells us sisyphus is happy because he chooses to be. because he winks at the abyss and says, fine, let’s dance. because the struggle itself is a kind of victory.

alas, sisyphus is not free. he is a hamster in a particularly wheel, finding comfort in his own entrapment. and that is where he and the modern shifter shake hands. the great cosmic irony is that shifters, these darlings of self-willed escape, have turned themselves into their own myth. they are sisyphus reborn, but instead of a rock, they roll their mindset uphill, over and over again. every affirmation, every subliminal, every night spent whispering to the void. an endless exertion, a labour of self-convincing.

it’s not shifting. it’s straining. the difference between them and sisyphus is that at least he had the decency to stop pretending the rock wasn’t real.

shifting should be the rejection of struggle, not its rebranding. but somewhere along the way, it became another mountain, another test, another something-to-be-earned. people talk about shifting like it’s a boss battle, like they have to do enough reality checks, clear enough mental debris, align their subconscious like the planets in some great celestial waiting room. they believe in the rock. they believe in the climb. they are hypnotised by the effort.

but effort is resistance, and resistance is friction, and friction keeps things exactly where they are. loa already taught us this, what you fight, you feed. what you chase, you place ahead of you, always out of reach. shifting is not a process, it’s a decision. it is not a matter of if, it is a matter of when. and 'when' is only ever waiting on you.

so step aside. let the rock roll where it may. stop thinking of shifting as a mountain to scale and start thinking of it as a room you already own. there is no application form. no cosmic bureaucracy keeping you from your desires. no checklist, no gods, no gatekeepers. only you, making your own mythology out of something as simple as stepping through a door.

so, dear sisyphus-in-disguise, put down your affirmations, your desperate notes to the universe, your battle against the self. don’t just push the rock. drop it. and walk into the world that was already waiting for you.

[theetherealbloom]

IT COULD HAPPEN TO YOU - CH.3

Chapter Three: The Air Buzzes Whenever You're Near

Summary: You find yourself sharing a hotel suite with Pedro Pascal while working on the set of Fantastic Four: First Steps. Despite your different roles—he’s the star, and you’re behind the scenes. Nothing could ever happen between you two… right?

Paring: Pedro Pascal x F!Reader

Warnings: Age-Gap Romance (Not Specified), Eventual SMUT, Crush, FLUFF, Slight Angst, Trope(s), Swearing, Anxiety, Lots of Cliches, Cheesy Dialogue, Romance, Kissing, Real People Fiction, Cameras, Paparazzi, Social Media, Swoonworthy, One-Room Trope, They were roommates, Strangers-to-Lovers, Actors, Hallmark Tropes, the reader can sing and play guitar, the reader is shorter than Pedro, the reader has hair, Alternate Universe, Awkward!Reader, Shy!Reader, Fan Girl!Reader, Cringe, Embarrassment, Starstruck,

Word Count: 6.3k

A/N: HEHEHEHEHE. Yes, this fic is basically a slice of life, low stakes, and all-around good vibes. Eventually, there will be some drama but nothing too heartbreaking… maybe… ¯\_(ツ)_/¯

Side note: I’m dyslexic and English isn’t my first language! So I apologize in advance for the spelling and/or grammatical errors. As always, reblogs, comments, and likes are always appreciated. Thank you and happy reading!

Song: Magnets by NIKI

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CHILTERN FIREHOUSE HOTEL — EARLY MORNING  

The soft hum of your phone vibrating roused you from the haze of sleep. Your eyes fluttered open, squinting against the dim light of the TV still playing softly in the background.  

Your hand instinctively reached out to grab your phone from where it had slipped to the floor beside the couch. As you shifted, something warm and solid tightened around your waist.  

Oh.  

Oh no.  

Your breath hitched as the realization settled over you like a weight. Pedro’s arm was draped across you, his body pressed against yours, radiating warmth. Your head had somehow found its way to the crook of his shoulder, and the slow, steady rise and fall of his chest against your side told you he was still asleep.  

Oh God.  

Carefully, you reached down to grab your phone without disturbing him. Your thumb brushed across the screen to silence the alarm, and you winced when you saw the time: 4:30 a.m. Far too early to be awake but late enough to question how this even happened.  

Your heart pounded as you tried to make sense of it. You’d been watching a movie—something quiet and low-energy, just as you’d requested. You vaguely remembered leaning back against the couch, your body growing heavier with sleep. But you hadn’t expected to wake up like this, tangled together like it was the most natural thing in the world.  

Pedro stirred slightly, a low hum escaping his lips as he adjusted his arm around you, pulling you even closer. Your breath caught, panic and something else—something warmer—bubbling to the surface.  

Do I move? Do I stay? Oh, this is bad. Or is it good? Your thoughts raced, but your body refused to cooperate, frozen in place as if the universe had hit pause on this moment.  

A faint smile tugged at Pedro’s lips, even in sleep. His face was softer like this, the usual teasing edge replaced by something peaceful. It wasn’t fair, you thought, how he managed to look so effortlessly handsome even now.  

You swallowed hard, trying to steady your breathing. Carefully, you began to shift, attempting to untangle yourself without waking him. But as soon as you moved, his arm tightened again, and this time, his eyes fluttered open.  

“Mm, what time is it?” he mumbled, his voice rough with sleep.  

You froze, caught in the act. “Uh, it’s... early. Like, really early.”  

Pedro blinked a few times, his gaze slowly focusing on you. And then, as if realizing the position you were both in, a sleepy grin spread across his face.  

“Well,” he murmured, his voice still thick and low, “this is a nice way to wake up.”  

Your cheeks burned. “I—uh, I didn’t mean to—”  

“Relax,” he interrupted softly, his eyes twinkling despite the early hour. “I’m not complaining.”  

You stared at him, caught between embarrassment and the inexplicable urge to laugh. “Pedro...”  

He stretched slightly, his arm finally loosening its hold on you, though he made no move to pull away entirely. “You fell asleep first,” he said, his tone teasing now. “I just... went with it.”  

You let out a soft huff of laughter, shaking your head. “This is so unprofessional,” you muttered, though there was no real weight behind the words.  

Pedro smirked, sitting up slightly but still close enough that you could feel his warmth. “Guess we’ll just have to keep it a secret,” he said, his voice low and conspiratorial. “Our little... accidental cuddle.”  

You rolled your eyes, but the corners of your mouth betrayed you, curving into a smile. “You’re impossible,” you murmured.  

“And yet,” he countered, his gaze lingering on you in a way that made your heart stumble, “here you are.”  

The air between you shifted then, the teasing fading into something quieter, something unspoken but undeniable. For a moment, neither of you moved, the world outside the suite forgotten.  

And then, because it felt safer than facing whatever this was, you stood, clutching your phone like a lifeline. “I need coffee,” you muttered, avoiding his gaze as you made your way to the kitchenette.  

Pedro watched you retreat into the kitchenette, his easygoing grin fading into something thoughtful. He stretched lazily, his hair still mussed from sleep, before following you at his own unhurried pace. 

You were already fussing with the hotel’s coffee machine when he appeared in the doorway, leaning casually against the frame like he belonged there. “You know, you’re very intense about your coffee for someone who just woke up,” he teased, his voice warm and teasing.  

You startled slightly, glancing over your shoulder at him. “I need caffeine to survive this,” you muttered, your words a little too sharp, betraying just how tightly wound you felt.  

Pedro quirked an eyebrow. “This? What exactly is this?”  

You didn’t answer right away, turning your attention back to the machine and praying it would brew faster. “Nothing,” you said finally, though your tone was anything but convincing.  

He stepped further into the kitchenette, his movements slow and deliberate, as if he didn’t want to spook you. “Is it the early morning? Or... could it be that you’re stuck sharing a suite with me?”  

You froze, clutching the edge of the counter. His voice held that teasing lilt you’d come to associate with him, but there was something softer underneath it, something that made your stomach flip in a way you were trying very hard to ignore.  

“I’m fine,” you insisted, though your tone made it sound like you were anything but.  

Pedro chuckled, and the sound was low and warm, filling the small space between you. “You’re a terrible liar, you know that?”  

You turned to face him, your heart thudding in your chest. He was standing closer now, his dark eyes studying you with a mix of amusement and something else—something you couldn’t quite name.  

“I just—” you started, but the words stuck in your throat. How were you supposed to tell him that sharing a suite with him, waking up next to him, was a level of surreal you weren’t prepared for? That he wasn’t just Pedro to you; he was Pedro Pascal, your literal celebrity crush and the man who’d unintentionally been making your life both thrilling and impossibly complicated?  

“I’m just trying not to embarrass myself,” you admitted finally, your voice barely above a whisper.  

Pedro’s grin softened into something gentler, something almost fond. “You’re doing fine,” he said simply.  

Before you could respond, the coffee machine beeped, signaling it was done. You practically lunged for the cup, desperate for something—anything—to do with your hands.  

Pedro didn’t push you further, but as you handed him a mug of coffee without meeting his gaze, he murmured, “For what it’s worth, I like having you around.”  

Your heart gave a traitorous little leap at his words, but you forced yourself to nod, mumbling a quiet “Thanks” before retreating back into your room to get ready.  

PINEWOOD STUDIOS — DAY

The car ride to work was tense—at least for you. Pedro, of course, seemed completely unbothered, chatting with the driver and making the occasional attempt to draw you into the conversation. But all you could manage were one-word answers, your mind too busy overthinking everything about the morning.  

Once you arrived on set, you threw yourself into your work, doing your best to stay out of Pedro’s way. Which was easier said than done, considering he seemed to have made it his mission to seek you out every chance he got.  

“Hey, everything okay?” he’d ask in-between takes, his dark eyes scanning your face like he could read your thoughts.  

“Yep, totally fine,” you’d reply, before darting off to find something—anything—else to do.  

By lunchtime, you were exhausted. You slumped into a chair in the corner of the break area, picking at your food while scrolling aimlessly on your phone.  

“Who are you hiding from?” Daisy’s voice cut through your thoughts, startling you. She plopped down in the chair across from you, popping a piece of fruit into her mouth as she gave you a curious look. “You’ve been acting weird all morning.”  

“No one,” you said quickly, maybe too quickly, because Daisy’s eyebrows shot up in surprise.  

“Oh, really?” she drawled, leaning forward with a knowing smirk. “Does this have anything to do with a certain actor you spent the night with?”  

Your face went hot, and you nearly choked on your drink. “I—what? No! It’s not like that!”  

Daisy’s smirk only grew. “Uh-huh. Sure. You’re just blushing like crazy for no reason.”  

You groaned, covering your face with your hands. “It’s complicated, okay?”  

“It doesn’t have to be,” Daisy said lightly, leaning back in her chair. “Pedro seems pretty into you, you know.”  

Your head shot up, your eyes wide. “What?”  

She shrugged, biting into another piece of fruit. “I’m just saying, he keeps looking at you like you hung the moon. It’s cute, really.”  

You shook your head, trying to brush off her words, but the flutter in your chest told you it wasn’t that simple.  

And as if on cue, Pedro walked into the break area, his gaze immediately landing on you. He smiled, that easy, disarming smile that made your knees weak, and started making his way over.  

“Oh my God,” you muttered under your breath, sinking lower into your chair.  

“Good luck,” Daisy whispered with a grin, grabbing her tray and leaving you alone just as Pedro reached your table.  

“Hey,” he said, his voice warm and casual, as if he hadn’t just sent your heart into overdrive. “Mind if I join you?”  

You opened your mouth to say something—anything—but all that came out was a soft, barely audible, “Sure.”  

Pedro sat down across from you, his eyes twinkling with that same unreadable expression that always made you feel like he knew something you didn’t.  

“So,” he said, resting his chin in his hand as he leaned forward slightly. “Why have you been avoiding me all day?”  

And just like that, your heart was racing again, because of course he noticed. Of course he did.  

Pedro’s question lingered in the air, heavy with curiosity and a touch of concern. He tilted his head slightly, watching you like he had all the time in the world to wait for your response. His fingers drummed idly against the table, a subtle rhythm that matched the uneven beat of your heart.  

“I… Um…” you stammered, feeling like your words were stuck somewhere in your throat.  

Pedro’s brow furrowed, and his expression softened. “Did I make you uncomfortable last night?” he asked, his voice quiet and laced with genuine worry. “I’m so sorry if I did—”  

“No, no,” you interrupted, your voice rushing out faster than your brain could keep up. You waved your hands slightly, as if trying to erase the idea entirely. “I didn’t mind. It’s just—”  

You trailed off, feeling the weight of his gaze. Pedro didn’t push, didn’t fill the silence with reassurances or jokes like he usually did. He simply waited, his head still resting on his hand, his warm brown eyes encouraging you to keep going.  

Taking a deep breath, you clenched your hands together in your lap, as if grounding yourself. “I’m just… I can’t believe you really want me around,” you admitted, your voice barely above a whisper. “Like you actually want to be friends with me. It seems so…”  

“Unreal?” Pedro finished for you, his lips curving into a soft smile.  

You nodded, biting your lip. “Exactly. Unreal. I mean, you’re you—a ridiculously talented actor, charming, funny, and so... well, famous. And I’m just... me. I keep waiting for the moment you’ll realize I don’t belong in your world.”  

Pedro blinked at you, his expression flickering between surprise and something deeper—something that made your chest ache in a way that was equal parts thrilling and terrifying.  

He sat up straight, his hand reaching across the table, stopping just short of yours. “Hey,” he said softly, his voice pulling you out of your spiral. “First of all, you’re not just anything. You’re smart, talented, funny as hell, and honestly, one of the most grounded people I’ve ever met. That’s a big deal in this industry, you know.”  

You looked up at him, startled by the earnestness in his tone. “Pedro…”  

“And second,” he continued, leaning a little closer, “I do want you around. Not because of some weird celebrity power imbalance or whatever you think this is. I want you around because you make my days better. You make me laugh. You make everything feel... lighter.”  

The lump in your throat grew, and you had to look away before your emotions spilled over completely. You focused on the half-eaten piece of fruit on your plate, blinking rapidly. “You don’t have to say that,” you murmured.  

“I’m not saying it because I have to,” he replied, his voice firm but gentle. “I’m saying it because it’s true.”  

When you finally dared to meet his eyes again, you saw nothing but sincerity staring back at you. It was the kind of sincerity that made your carefully constructed walls feel like they were made of paper.  

“Okay,” you said finally, your voice soft but steady.  

Pedro smiled then—a real, heart-stopping smile that lit up his entire face. “Okay,” he echoed, sitting back in his chair with a satisfied nod.  

The tension between you eased, replaced by something warmer, something fragile but promising. And for the first time all day, you allowed yourself to believe that maybe, just maybe, Pedro saw something in you worth sticking around for.  

“Now,” he said, breaking the moment with a playful grin, “can we please talk about how you were about to burn that coffee machine this morning? Because I have questions.”  

You groaned, rolling your eyes as he chuckled, the sound wrapping around you like a familiar melody. And just like that, the world felt a little less overwhelming, and Pedro felt a little more like home.  

The afternoon passed in a blur of tasks, and now, you found yourself walking toward the makeup trailer, your phone clutched tightly in your hand as you prepared to fetch Pedro for his next scene.  

You knocked lightly before stepping inside, the scent of hairspray and setting powder filling the air. Pedro was lounging in the makeup chair, eyes closed as Andrea Cracknell, the key hair and makeup supervisor, gave his hair a final tousle. Suzanne Harper, one of the main hair and makeup artists, was touching up the edges of his beard with careful precision.  

The warm glow of vanity bulbs cast a golden hue over his face, highlighting the sharp angles of his cheekbones and the soft crinkles near his eyes.  

Dara Hannon, the daily hair and makeup trainee, glanced up and grinned as you stepped in. “Ah, there’s our favorite ray of sunshine,” she said, setting down a brush. “You always look so put together. How do you do it?”  

You laughed, heat creeping up your neck. “Trust me, I don’t. I just hide it well.”  

“She doesn’t need to hide anything,” Pedro murmured, cracking one eye open. His voice was smooth, laced with something teasing but warm. “She’s effortlessly stunning.”  

You felt your brain short-circuit.  

From across the room, Samanta, one of the junior makeup artists, let out a low whistle. “Damn, Pedro. You don’t hold back, do you?”  

Chloë Pyne—one of the main team hair and makeup artists—smirked, tilting her head as she studied you. “He’s right, though. You have one of those naturally pretty faces. Like, the kind that doesn’t need much makeup.”  

Pedro hummed in agreement, his gaze lingering on you a beat too long. “See? Told you.”  

You waved them off, suddenly very interested in the floor. “Okay, okay—enough. I came to get you, not to hear you guys exaggerate.”  

Pedro grinned. “We’re not exaggerating. You just don’t take compliments well.”  

“I take them fine,” you mumbled, eyes darting anywhere but him.  

He chuckled, stretching his arms as he stood from the chair, towering over you. “You’re adorable when you’re flustered, you know that?”  

Your stomach flipped, and you wanted to sink into the ground. “Pedro—”  

He smirked, leaning in slightly. “Yes?”  

You huffed, turning on your heel. “Come on, you’re needed on set.”  

Pedro chuckled behind you, his footsteps light and easy as he followed. Just before you stepped out of the makeup trailer, his hand brushed against your arm—barely there, a whisper of contact—but it sent a ripple of heat up your spine. You swallowed hard, pretending not to notice, pretending your stomach wasn’t doing ridiculous little flips at the way his presence lingered so close behind you.  

By the time you reached the sound stage, the energy on set had shifted.  

“There she is!” Vanessa beamed the second she spotted you, setting her script down to stride over. “Finally. The only competent person around here.”  

You snorted. “I think that’s an insult to literally everyone else.”  

Vanessa grinned. “And yet, somehow, they’ll survive.”  

Before you could respond, Joseph and Ebon chimed in from where they were going over their lines.  

“Thank God, I thought Pedro kidnapped you,” Joseph teased, crossing his arms with a smirk. “We were about to send a search party.”  

Ebon shook his head. “Nah, he would’ve kept her hidden all day.” He gave Pedro a pointed look. “You’ve been hovering.”  

Pedro scoffed. “I don’t hover.”  

Vanessa snorted. “You so do.”  

You stood there, mouth opening and closing like a fish, unsure how to defend yourself—or Pedro, for that matter—when another familiar voice called out.  

“Ah, the prodigal assistant returns!”  

You turned to see Jess Hall, the first AD, grinning as he strolled over, script in hand. “Seriously, where have you been? I swear the set runs smoother when you’re around.”  

“I… I’ve been doing my job?” you offered weakly.  

Jess huffed a laugh. “Yeah, yeah, keep being humble, we love that.”  

Before you could protest, Matt—the director—walked up, arms crossed, surveying the growing crowd around you with an arched brow.  

“So…” he mused. “Am I missing something? Because the way everyone gravitates toward you makes me think you might actually be running this set.”  

You blinked. “Uh—no? I mean, I just… I don’t know, I just do my job like everyone else.”  

Matt squinted at you like he didn’t quite buy that, but he just hummed and glanced at Pedro. “You keeping her distracted, or is she keeping you distracted?”  

Pedro grinned. “Bit of both.”  

Your brain stalled.  

Matt shook his head, muttering something about actors before waving a hand. “Alright, let’s go, people. Back to work before I regret hiring all of you.”  

As the cast dispersed, Pedro leaned in, voice low, warm. “See? Told you everyone likes you.”  

You groaned, burying your face in your hands as Pedro’s laughter rumbled beside you, rich and warm.  

“Why are you like this?” you muttered, voice muffled against your palms.  

He tilted his head, smirking. “Like what?”  

“You know what.”  

Pedro simply grinned, hands stuffed into the pockets of his jeans, as if he wasn’t single-handedly unraveling your ability to function like a normal human being.  

There was a steady thrum in the air whenever he was close—something neither of you acknowledged but both of you felt. It was impossible not to.  

It crackled between you when you stood side by side, almost magnetic.  

And when your fingers brushed, even just for a second? Electric.  

You pulled your hand away as if burned, hoping he hadn’t noticed the way you tensed. But of course, he did. Pedro always noticed. His gaze flickered down to where your hands had been, amusement dancing in his dark eyes.  

“Careful,” he murmured, his voice low, teasing. “Someone might think you like me or something.”  

You sucked in a sharp breath and, without thinking, smacked his arm.  

Pedro just laughed, dodging the second playful hit you aimed at him before finally relenting, his hands raised in surrender.  

“Alright, alright, I’ll behave,” he promised, though his smirk said otherwise.  

With a final glare, you turned and threw yourself into work, desperate for some sense of normalcy.  

The next few hours passed in a blur of controlled chaos—wardrobe changes, prop resets, last-minute adjustments. You did your job like clockwork, moving through set with practiced efficiency. Fetching cast members, tracking schedule updates, and ensuring things ran as smoothly as possible.  

Your friends worked nearby, their presence grounding you amidst the constant hum of production. But despite the familiarity of routine, you felt off-kilter.  

Every time you caught sight of Pedro—laughing with the cast, deep in conversation with Matt, even just sitting between takes, flipping through a script—your stomach did that thing.  

The stupid fluttery thing.  

By the time filming wrapped for the day, you were both exhausted and wired, your brain still buzzing with the day’s events.  

You found yourself huddled in a loose circle with some of the PAs and crew, all of you packing up while chatting, the easy rhythm of conversation filling the space.  

Daisy elbowed you playfully. “So, how’s your day been? You seemed a little… frazzled earlier.”  

You cleared your throat, focusing very intently on coiling a stray cable. “Just… tired.”  

Jordan snorted into his coffee. “You’re such a bad liar.” He raised a brow. “Let me guess—Pedro?”  

Your mouth opened, but no words came out.  

The entire group cackled.  

“Yeah, thought so.”  

“I don’t know what you’re talking about,” you grumbled, hugging your clipboard to your chest like it might somehow shield you from their knowing smirks.  

“Oh, sure,” Lucy drawled, her smirk downright devious. “It’s not like the man literally gravitates toward you every chance he gets.”  

“That’s just how he is!” you argued, feeling heat creep up your neck.  

Daisy hummed, unconvinced. “Uh-huh. Sure.”  

“You guys are insufferable.” You crossed your arms, trying and failing to suppress your flustered expression.  

Jordan held up his hands in mock surrender. “Alright, alright. We’ll drop it. For now.”  

As the conversation flowed, the tension you’d been holding onto all day slowly unwound. Someone cracked a joke about a prop malfunction earlier, and you found yourself laughing, the sound blending into the hum of easy chatter around you.  

“Okay, but did you see the way the fake blood exploded everywhere?” Daisy wheezed, wiping tears from her eyes.  

Jordan shook his head, still grinning. “Poor props department. That cleanup looked brutal.”  

Lucy snickered. “I swear, Matt almost had a stroke.”  

You smiled, the stress of the day fading into the background. It was moments like this that made the long hours worth it—these small pockets of joy, of shared experiences.  

Then, like clockwork, he entered the periphery of your awareness.  

Pedro’s laughter rang out from somewhere behind you, low and familiar. The sound curled through your chest like a flickering ember, and before you could stop yourself, you turned slightly—just enough to catch sight of him.  

He was leaning against one of the equipment carts, deep in conversation with Matt, a lopsided smile playing on his lips. But then, as if he could sense you looking, his gaze flicked up—searching, landing squarely on you.  

And suddenly, it was just the two of you.  

Your breath hitched.  

Pedro’s smile softened, his eyes crinkling just slightly at the corners. He lifted a brow, like he knew exactly what was running through your mind.  

You tore your gaze away, your face burning, heart hammering against your ribs.  

“Yup. She’s gone,” Jordan muttered, loud enough for only the group to hear.  

You smacked his arm. “Shut up.”  

Daisy cackled. “Oh my God, you’re so screwed.”  

You groaned, hiding your face in your hands as the laughter around you grew.  

Maybe you were screwed.  

Because, try as you might to ignore it, that pull—the steady thrum of something unspoken, something undeniable—was getting harder and harder to resist.

You quickly said goodbye to your friends as they boarded the shuttle back to their hotel, the last remnants of laughter lingering in the air. The set had mostly cleared out, leaving only a few crew members finishing up and the cast slowly trickling out of their trailers. You tucked your arms around yourself, the night air cool against your skin as you waited for the others, your thoughts still buzzing from the day.  

Then—warm hands.  

A firm, sudden weight against your back.  

You barely had time to process it before you were lifted off the ground.  

A startled squeal left your lips as Pedro spun you effortlessly, laughter rumbling in his chest. “Gotcha,” he murmured near your ear, his voice thick with amusement.  

“Pedro!” you gasped, swatting at his hands, but you couldn’t help the breathless laugh that followed.  

He finally set you down, his arms still loosely around your shoulders, and when you turned to glare up at him, he had the audacity to grin—full, boyish, utterly unrepentant.  

“You didn’t even hear me coming,” he teased, giving your shoulders a playful squeeze before finally stepping back.  

“You ambushed me,” you huffed, pressing a hand to your racing heart. “I almost had a heart attack.”  

Pedro smirked. “I’d apologize, but your little scream was too cute.”  

Your face burned. “You’re insufferable.”  

Before he could respond, you heard stifled giggles from nearby.  

You glanced up just in time to spot Coco, Vanessa, Joseph, and Ebon approaching, all of them watching the scene unfold with varying degrees of amusement.  

“Oh, don’t stop on our account,” Vanessa quipped, smirking.  

Coco nudged Joseph with her elbow, grinning. “Are we interrupting something?”  

Pedro, ever the shameless one, just threw an arm around your shoulders like it was the most natural thing in the world. “Not at all,” he said easily, then glanced down at you with a teasing glint in his eye. “Unless you think we were?”  

You glared at him, resisting the urge to shove him away—because knowing him, he’d just make a bigger scene.  

Instead, you turned to the group, feigning exasperation. “Can someone please save me from him?”  

Ebon just laughed, shaking his head. “Nope. You’re on your own, kid.”  

Your stomach did an unfair little flip as Pedro pulled you closer, his warmth seeping into you despite the cool night air.  

And the worst part?  

You weren’t entirely sure you wanted to be saved.  

Pedro’s arm was still draped lazily around your shoulders, his body warm against yours, the scent of his cologne lingering—something woodsy, something undeniably him. You willed yourself to ignore the way your pulse picked up, to pretend your skin wasn’t tingling from the casual intimacy of it.  

Vanessa arched a brow, arms crossed as she watched the two of you with blatant amusement. “What are you doing just standing out here?” she asked, tilting her head. “You could’ve knocked at my trailer.”  

You blinked, shifting slightly beneath Pedro’s hold. “I, uh—” You cleared your throat. “I didn’t have your guys’ numbers, so I just thought I’d wait near the trailers.”  

Coco gasped dramatically, clutching her chest. “You mean none of us thought to give you our numbers?” She turned to the others, looking genuinely offended. “What kind of monsters are we?”  

Ebon chuckled. “Okay, okay, let’s fix this.” He pulled out his phone and waggled it in front of you. “Give me your number, we’ll add you to the group chat.”  

You hesitated, suddenly feeling a little overwhelmed. You had kept a certain level of professional distance with the cast—sure, you’d exchanged pleasantries, worked alongside them, shared the occasional laugh—but this? Being included like this?  

Pedro, still pressed close, must have sensed your hesitation because he squeezed your shoulder lightly, his voice softer this time. “Told ya,” he murmured, just for you. “We like having you around.”  

Your chest tightened.  

Before you could overthink it, you rattled off your number, and within seconds, your phone buzzed with a message from an unfamiliar group chat.  

Coco grinned. “Welcome to the chaos.”  

Joseph laughed, shaking his head. “You have no idea what you just signed up for.”  

You looked down at your phone, at the flood of messages already rolling in—Vanessa sending a series of emojis, Ebon dropping a meme, Pedro sending a voice note that was probably nonsense.  

A warmth spread through you.  

Maybe you weren’t entirely sure you wanted to be saved.  

But you were sure of one thing.  

You didn’t mind being pulled deeper into this.

CHILTERN FIREHOUSE HOTEL — EVENING

Turns out, everyone was exhausted. Some opted for room service, others had plans to meet up with friends in the city. The once lively group slowly dwindled, leaving you and Pedro lingering near the car.

Without a word, he reached for your bag, slinging it over his shoulder like it was second nature.

You blinked up at him. “Pedro—”

“I got it,” he said easily, already heading toward the car.

You huffed but didn’t argue, too tired to put up much of a fight.

The ride back to the hotel was quiet, the streets of London painted in golden hues from the setting sun. Pedro, ever so casually, turned to you.

“Do you wanna go out for dinner?” he asked. “Or we could just order room service.”

You shrugged, watching the buildings blur past the window. “I don’t mind either way. It’s up to you.”

Pedro hummed as if considering his options, but he didn’t push for an answer right away.

When you arrived at the hotel, the two of you walked through the dimly lit hallway to your floor. The plush carpet muffled your steps, the air between you thick with something unspoken—comfortable, warm, charged.

At your door, you kicked off your shoes, swapping them for the soft hotel slippers. Pedro did the same, toeing off his boots before setting your bag down on the small table in the suite’s living area.

“You didn’t have to carry that, you know,” you told him, watching as he stretched his arms above his head, his shirt riding up slightly.

He smirked, that lazy, insufferably charming smirk. “I didn’t have to,” he echoed. “But I wanted to.”

Your stomach did a flip.

You swallowed, folding your arms as if that might steady you. “Well… thanks.”

He shot you a wink. “Anytime, cariño.”

After flipping through the room service menu, you both settled on an easy dinner—something warm and filling without the hassle of going out. Quickly calling the food service on the landline, the order was placed, and as you sank into the plush couch, stretching your legs, you sighed.  

"During the weekend, I’ll probably go grocery shopping," you mused aloud. "Ordering room service and eating out every day is going to burn through my savings if I keep this up." You glanced at Pedro. "So, I’ll stock up on food in the pantry if I’m still, y'know… here. In your suite."  

Pedro, who had been casually leaning against the armrest of the couch, stilled. His expression shifted from amused to something unreadable. "Why?" His brows furrowed. "Where are you going?"  

You blinked at him, confused for a second. "Uh… the front desk said they might have a room for me by next week, remember?"  

"Oh." His lips parted slightly, but he didn't say anything else.  

You watched the way his fingers tapped idly against his knee, as if the thought of you moving out hadn’t quite registered until now. There was something oddly endearing about the way his frown deepened. Like he didn’t like the idea of you not being here anymore.  

Before you could think too much about it, you cleared your throat, shifting the conversation. "Anyway," you said lightly, folding your arms over your chest, "you guys did great today on set."  

Pedro’s eyes flickered back to yours, and just like that, his easy grin returned.  

"Yeah?" He leaned in slightly, resting his forearm against the back of the couch, eyes twinkling with mischief. "Any specific compliments, or just a general ‘you guys did great’ kind of thing?"  

You rolled your eyes, but your lips twitched at his teasing. "Oh, I definitely had specific compliments." You tapped your chin, pretending to think. "Vanessa was incredible, Joseph absolutely killed his scene, Ebon had amazing delivery—"  

Pedro gasped dramatically, clutching his chest. "Wow. So, I just… I don’t even make the list?"  

You bit back a laugh. "I mean… you were fine."  

"Fine?" he repeated, eyes narrowing playfully.  

You shrugged, feigning nonchalance. "Serviceable. Passable. Not bad."  

Pedro let out an exaggerated groan, throwing his head back against the couch. "Unbelievable. Here I was, thinking you were my biggest fan."  

You giggled, nudging his knee with your foot. "You’ll survive."  

He peeked at you from beneath his lashes, a slow smile tugging at his lips. "Yeah, I guess I will."  

The warmth in his voice made your breath hitch. You quickly looked away, pretending to check your phone as the sound of the hotel staff knocking on the door saved you from whatever moment you’d just stumbled into.  

Pedro stood up to grab the food, but not before murmuring, just low enough for you to hear—  

"But it’d be a hell of a lot easier if you stuck around."  

And just like that, the butterflies were back.

CHILTERN FIREHOUSE HOTEL — LATE NIGHT  

The scent of warm food filled the suite as you both settled onto the couch, the soft glow of the television flickering against the dimly lit room. Pedro had absentmindedly put on a movie, something familiar and easy to watch—though neither of you seemed particularly focused on it. The conversation flowed naturally between bites of food, soft laughter filling the quiet spaces in between.  

Then, seemingly out of nowhere, Pedro asked, “So… no special someone waiting for you back home?”  

You froze mid-bite, your fork hovering near your lips. It wasn’t the question itself that threw you off—it was the way he asked it. Casual, like it was just another topic of conversation, but there was something in his voice. A quiet curiosity. A weight that made your stomach flip.  

You swallowed and shook your head. “Nope,” you said simply. “It’s just me.”  

Pedro hummed, nodding slowly as he chewed. “Huh.”  

You raised an eyebrow, setting your plate down on the coffee table. “What’s that supposed to mean?”  

He smirked, tilting his head toward you. “Nothing. Just surprised.”  

You scoffed. “Surprised how?”  

He took his time answering, setting his own plate aside before stretching his arm along the back of the couch. His fingers drummed lightly against the cushion behind you, close enough that if you leaned back just a little, you’d brush against them.  

“I don’t know.” He exhaled, gaze flickering to the screen before finding you again. “You’re funny, smart, kind—"  

Your eyes narrowed. “Sounds like you’re about to say something insulting.”  

Pedro laughed, shaking his head. “I was gonna say, I just don’t get how someone like you is single.”  

A warmth crept up your neck, and you quickly picked up your drink, taking a long sip to avoid answering right away. Your heartbeat thrummed a little too fast, a little too loud.  

“I don’t know,” you murmured finally, voice quieter now. “Relationships just… never worked out for me, I guess.”  

Pedro studied you for a moment, his usual playful expression softening. He didn’t push, didn’t ask for more. Instead, he just nodded, accepting your answer without prying.  

And then—because the air was starting to feel too heavy—you smirked. “What about you? No special someone waiting for you?”  

He chuckled, running a hand through his hair. “Nah. It’s just me, too.”  

Your lips twitched. “Well, that is surprising.”  

Pedro groaned dramatically, throwing his head back against the couch. “Oh, come on—”  

You laughed, nudging his leg with your foot. “I’m just saying! You’re charming, talented, kind of a big deal—”  

“Kind of?” He placed a hand over his heart, feigning offense.  

You grinned. “Kind of.”  

He shook his head, muttering something under his breath about how unbelievable you were, but there was a smile playing at his lips.  

And just like that, the weight in the air lightened again, the conversation slipping back into something easy. The movie played on, mostly forgotten, and the two of you sat there, side by side—closer than before, shoulders brushing every now and then.  

Neither of you moved away.

End Notes:

OOOOOHHHH?!?! Things are heating up??? Or maybe it’s literally nothing at all and it’s all in your head 😃✊

OOF— you might stop sharing the suite at the end of the week? Oh naur T^T

Thank you all for the lovely words and comments that ya’ll keep leaving on each chapter. It warms my heart and gives me fuzzy feelings that make me dizzy AAAAAAHHH

Mfs, I’m posting this while I’m outside at a club LOL

TAGLIST: @comfortzonequeen @christinamadsen @liciafonseca @greenwitchfromthewoods @iqr-x @southernbe @maryfanson @brittmb115 @klajmekk @taytay0403 @whimsiwitchy @zymiii @sarahhxx03 @leilanixx @lilasskicker-23 @https-murdock @barnescamboy

[rafayelsbelovedbride]

Does Rafayel really have to choose MC over Lemuria?

Of course, it looks like in a world where Lemuria is revived, MC cannot be there with him; and similarly, in a world where MC is by Rafayel’s side, Lemurians are forced to live on land, subject to all kinds of abuse out of human greed.

But I don’t think Rafayel even considers MC and Lemuria as separate sides. He did try to do that but in the end, I think, he doesn't want to choose one over the other. The thing is, even without the bond he shares with MC, Rafayel truly cares about all of his followers including MC (even the cat that he took care of for a short while).

If we look at how he acts with people around him, it is so easy to see that he is a very caring god. He attends Talia’s wedding to give his blessings. He prepares a gift for her, he designs her a necklace that would match her wedding dress. Through all the bickering, he sees that Thomas looks up to him and he lets him be by his side. He makes Thomas his manager and invites him to the new year’s celebrations.

He helps others hold the Seamoon ceremony for the deceased, and if that is not possible, he brings the flowers for his follower to the funeral of the man who harmed her.

He cares about the children enough to held special workshops for them, and donates art supplies. He cares about the students he gave lectures to in Linkon University when he was just there to keep an eye on MC. He gives them honest feedback, he lets them criticize his works and he remembers them by their names.

And even when he realizes that one of his students was working with Ever dissecting Lemurian hearts, even when he gets angry at the sudden reveal, Rafayel gives the student a chance to explain himself and lets him go, trusting that the student will maybe find the right path in the future.

Honestly, I think, you have to be a special kind of evil to attract Rafayel’s wrath. Because no matter how hasty he may come of time to time, he is a very patient and understanding person. That’s why he still respects the elder Lemurians even if he keeps running away. That’s why he is still with Amund, listening to his advice even when he obviously doesn’t really like him that much.

No matter how much he tries to appear as a cold person, people around him are always aware that they are in the embrace of his warmth.

And, I really don't think he values one over the other or even makes the MC vs Lemuria comparison at all. The thing is I don’t even think Rafayel’s conflict is directly related to his love for MC. Because, even before MC became his follower and he gave her his heart, Rafayel considered Lemuria’s flame as a poor imitation of the sun, a fire that is not hot but just merely warm. And, he did not like the weak warmth emanated from a flame placed in the middle of a cold and dark room. He wanted to break through the surface and bask in the sun’s glow. Maybe, he had doubts about how the Lemuria worked, how the ceremony was held from the very beginning.

And I think that’s also related to why the Sea God ceremony appeared to “fail”. That disastrous ceremony happened the exact way it was told in the prophecy, stating the fire would go out only to be reignited by him. He still left that ceremony with a newborn flame in his hands. A flame that shook the foundations of Lemuria. And I think the flame Rafayel was supposed to have and the flame he actually has after that ceremony is as different as the fire in the temple and the sun.

I kind of think there were two souls in the beginning. One was supposed to take the heart of the other, and make the heart itself the faith that ignites the flame. And the other was supposed to mix into the sea and disappear, only to come back again and reclaim the heart. And continue this never-ending cycle. This heart, taken by force in such a violent way, could only provide a lukewarm flame that cannot be compared to the power of the sun.

Past Lemuria existed as these two souls stole their warmth away from each other to keep this place, in the bottom of a fissure in the deep sea, warm. The past Lemuria existed through the torturous cycle that had to be upheld by Rafayel and MC.

And, maybe that’s why Rafayel considers his attraction to MC as an addictive painful feeling. Maybe that’s why he’s willing to burn by his love for her. And maybe that’s why it is really important that we see Rafayel leaving these feelings behind and embracing love as an inspiration rather than pain. He's ready to break the cycle now and bring Lemuria the sun, instead of a small flame.

I think what happened during the ceremony was MC showed Rafayel a way out of this cycle by giving him her purest faith without Rafayel taking her heart. Although, they still failed in the end. And ended up continuing this cycle for many more years.

So, maybe the good ending for this story is a good ending for both MC and Rafayel, and Lemuria. A good ending where the Lemuria thrives under its new sun’s glow, and a good ending where MC and Rafayel are always by each other’s sides like two koi fish swimming in a pond.

A good ending where Rafayel doesn't have to choose a side and keeps all his followers safe as the caring god he is.

[brawberryz]

the present does not exist, time is an illusion, buy gold!

Batfam × neglected Bill Cipher! Reader

《Platonic!》

Note: English is not my first language, sorry if there is any translation error

Imagine that you were neglected throughout your life, it was really something that you cared very little about

The people who knew you told you that you were a genius, that with your intelligence you could change the world, everyone noticed your talents except your family

While you believed you began to be interested in creatures that for some were not real or just myths, you faced many creatures that almost killed you, but no one noticed when you mysteriously disappeared to go to the Gotham forest to see those fantastic creatures

Over time you wrote a diary where you noted all the anomalies of Gotham, some more dangerous than others

Everything was going well until you discovered HIM, Bill Cipher the God of Chaos

You met him while visiting an abandoned library, I found that strange book where he recounted his powers, while you were reading you saw that on the last pages it was written in blood letters

"DO NOT SUMMON"

For many that would have been a great warning but for It was a sign for you, you started to get more interested in this guy called Bill

You started to investigate and look for something that would tell you more about this strange but interesting being

After months of research and failed invocations you were finally able to meet him as a person

"Well, well, well, uhh it's been a while since I was summoned"

Bill said without realizing that you were about to faint, it worked...IT WORKED!

After hard months you were able to summon him, it felt like you had won some important prize

"Ahem, uh...hello, Bill?"

You hesitated a little as you spoke, you read that this entity was very dangerous and could easily end entire universes if it so desired

"Oh, hello strange human! Then with whom do I have the honor?"

Bill said as he floated around you

"I'm (name)...(name) Wayne"

You couldn't believe it was really happening, those days without sleep and researching without stopping were worth it

You had so many questions to ask this Bill, it wasn't every day you could summon an all-powerful god

"Nice name, strange human"

Bill spoke with a mocking tone as he looked at you with his one eye, from the first time he saw you he knew you had something special, your intelligence was unmatched by anyone, you reminded him of Stanford, although he could say that you are much smarter than Stan

This was going to be fun, maybe you're the piece he was missing to be able to free his dimension again

And luckily for him, no one was going to stop it this time

From that moment on, your strange friendship with Bill began

You let him use your body and control you, in exchange he showed you the secrets of the universe and gave you information that no one had ever heard before

But not everything was perfect, every time Bill used your body he ended up doing stupid things, like jumping off the damn stairs and hitting a policeman

Among other crimes that for some strange reason no one in your family found out about

He also did other stupid things like getting a tattoo on your ribs that you will regret for the rest of your life

After a while your bond began to grow stronger, or so you thought

How stupid you were to trust someone like him

"We were supposed to be friends, you lied to me!"

Your soul floated around Bill, you thought that when Bill asked to borrow your body it was going to be like every time but this time he refused to change bodies

"Friends? I don't have friends, you were just one of my pawns for my plan, and now that I have everything right where I want it I don't need you anymore"

Bill said mocking how innocent and foolish you were to believe that they were friends, something that he was going to thank you for was having a good body, you had resistance and good mobility that was going to be very helpful

"Well I have to go, dinner is getting cold"

He said indifferently as he approached the door, before you could stop him or do anything the door slammed shut in front of your face

For the first time in your life you were afraid, afraid of what Bill could do now that his plan was almost complete, you felt like a fool for believing him

_

Bruce noticed how you were weirder than usual, since you entered the kitchen and you sat down you knew something was wrong and it wasn't good

"(Name)...is something wrong?"

Bruce said as he stopped eating and looked at his daughter seriously

"Of course I am dad! Why would something be wrong?"

The girl said as she tilted her head and gave him that strange smile, something was wrong...

(Name) would never answer like that or smile at him like that, her usual response would have been to shrug and continue eating but now there was something strange about her, as if she wasn't her

"Well... you look weirder than usual, I just want you to feel okay"

The other family members suddenly looked at you and Bruce, they looked at each other, it seemed that everyone agreed that you were acting weird

"Nothing's wrong with me, I'm just happy... very happy"

(Name) said before abruptly getting up from the table with her empty plate in hand

"Dinner was good, see you later family!"

The girl said as she walked out of the kitchen waving her hand happily

In the minds of everyone sitting at the table there was only one mutual thought

Something was very wrong with you, and whatever it was they were going to find out

No matter what it took

Poor idiots, if they knew that soon everything was considered important like their universe is about to disappear forever

Everything was happening the way Bill wanted, now no one was going to stop him because there was no Stanford or the Pines family to stop him again

It seems Bill Cipher got his way again

I love writing about my hyperfixations and combining them and making a weird AU

I'll just leave this shit undone and go to sleep, byee

[atimesfeeler]

What about a crack a/b/o fic where the Time Ripper gives Wade a/b/o characteristics bc Logan had them in his universe and they both freak out about it?

…

Wade suddenly leaned close to Logan’s neck—making his hackles immediate rise. It’d been awhile since anyone dared to get close enough to scent Logan, but he was familiar with the entitled behavior. Alphas sniffing around whenever they wanted— sticking their noses in places they shouldn’t.

“Ooo nice cologne! It’s really giving Canadian wild man,” Wade said and leaned away, smiling like he hadn’t just rudely violated Logan’s space. It’s not like he could possible know it reeked of alpha behavior.

Logan glared at him, wary. “I’m not wearing any cologne.”

“Riiiight,” Wade drawled, “so you just naturally smell like freshly fallen snow and pine trees?”

And a subtle hint of burning wood and tobacco, but Wade wasn’t going to mention that. It was obvious Logan smoked like a chimney.

Every bone in Logan’s body tensed. “Yeah? I just smell like this.”

Wade paused; a rare occurrence of thinking before he spoke. If Logan wasn’t yanking his chain, it probably had to do with his mutation. Honestly, Wade expected him to smell more like a wet dog, given the ‘wild animal’ accusations, but he wasn’t complaining. It smelled like the cologne an actor down on their luck would advertise to remind the world of how sexy and manly they were. If Logan chose to douse himself in the Sexy ManTM cologne and hide it under the sink, Wade wasn’t going to throw a fit.

In fact, he might thank him for it. The whole apartment had the smell of Canadian wilderness, just on the side of forest fire. Logan must have sprayed the place (and he meant either literally with a bottle of cologne or like Mary Puppins did sometimes when she felt territorial- if Logan was telling the truth).

“Wow,” Wade said, deciding to let it go just because Logan’s shoulders were up to his ears and his knuckles were tight in a fist.

A sore spot maybe. He wouldn’t question it, even though he really wanted to. Didn’t mean Wade wasn’t going to tease him, though.

“God really does pick favorites, huh?”

Logan huffed and grumbled under his breath, “It’s given more trouble than it’s worth. Not exactly a gift.”

Logan scent was always potent. Smelly, to most— intoxicating to some. People couldn’t decide if they resented him just for existing and smelling the way he did or if his potent scent gave them a free pass to treat him like he was for sale. More subtle smelling omegas usually got by unnoticed, but nothing about Logan was subtle or allowed him to fly under the radar.

Wade didn’t seem to know what to make of the comment, looking as if he would vocalize a stream of question marks if he could. (How on earth could naturally smelling like the sexiest man alive be a bad thing??) Logan felt a stab of envy, thinking about how lucky Wade was living without the cloud of pheromones in the air and the countless rules based on secondary genders.

Logan also didn’t know what to think about the fact that Wade was only now saying something about his scent. Since he landed in this universe, he was under the impression that no one had pheromones and therefore, no one smelled them either. He decided he’d ask Althea about it tomorrow.

…

I actually have a whole au about it if anyone is interested in this crack idea

[akitossohma]

i wanted to say your post about lu guang's morality is currently my favorite thing ever. im not sure if you're just incredibly smart or have the gift of prophecy but you are so right and the post is very very good

hi! i'm so glad you enjoy my post >.<

i tragically do not have the gift of prophecy, but i'm happy to explain my reasoning! spoilers ahead.

first off, i wanna say that when i made that post, it was less of a prediction and more of a reading of what the show had already laid out.

i've seen a few detractors of my post on twitter, all of them saying things along the lines of "this is a misguided take because lg is selfless. lg only killed vein bc vein killed csx. we have no proof that lg is sacrificing others." there's a lot to pick apart with these rebuttals, and i'll get to that, but i feel there is one essential point they are all missing: time travel in an of itself is an act of hubris.

going back in time with the intention of changing the past is one born out of great hubristic selfishness. anyone doing so is automatically (and wrongfully) assuming the role of a god.

the show is well aware of this. take the earthquake arc for example. as csx takes it upon himself to try and evacuate the village, lg points out that in doing so, he could end up inadvertently killing more people. this is because the butterfly effect is uncertain and lg knows this. that whole interaction functions two-fold. one: it establishes that the narrative itself is aware of the stakes here. it is an in-universe acknowledgment that changing the past, even if it's to save lives, is extremely risky and ultimately selfish. two: it establishes that lg is very aware of this truth, which is what makes the s2 reveal so shocking. despite being aware of the consequences, lg is still trying to change the past to save csx.

it also tells us that lg's steadfastness about csx not changing the past is likely born out of a fear of csx accidentally messing up the timeline lg is cultivating, and not out of some noble effort to minimize their impact on others' lives, which is how it was previously framed. all this evidence paints a very clear picture: lu guang is not the morally just character we once thought. he is placing his own happiness above literally everyone else's wellbeing. yes he is trying to save csx, but he's only doing that because he can't stomach the idea of living without him. his motivations are objectively selfish at their core.

back to the detractors: i feel some people are conflating lg's actions being done out of love for his actions also being selfless. and while i agree there is an (albeit twisted) form of love behind all this, there is nothing selfless about what he's doing. why does lg get to decide what the future should hold? why does any one man get the final say on what happens to the rest of the world, and all the billions of rich lives within it? hell, why does he even get to decide what happens to csx? yes he's acting under the pretense of saving csx, but does csx even want to be saved? would csx even be okay with what he's doing? i honestly don't think so. when csx believed lg had died, he contemplated using his powers to go back in time and save him, but ultimately decided against it because as far as he was concerned, lg wouldn't approve. he understands the potential chain reaction that comes from saving even one life because lg drilled it into his head. even if he is impulsive to a fault, at the end of the day, csx would never want to cause harm to others, especially not at this magnitude.

even if this effort to change the past/future fails, the fact that he was willing to take this massive risk in the first places says a lot about his priorities and overall character. while he probably doesn't actively want to sacrifice others, he absolutely will if it means keeping csx in his life saving csx.

in this most recent episode, just minutes before killing vein, he says to him, "do you know the butterfly effect? in a dynamic system, any subtle change in the initial conditions may lead to different outcomes. i've been thinking how to change a destined ending completely. if there is an additional point before this, an unchangeable point, what will happen? no need to fear the deviation. just let it happen more completely." lg killed vein partly out of revenge yes, but also to create another unchangeable node in the timeline. he is trying to secure csx's future by taking another life.

and none of this is even touching on how lg possessed a woman's body, which is a COMPLETE violation of her autonomy, to kill vein, knowing damn well she'd take the fall for his murder. lol.

so yeah. lu guang is (and always has been) a selfish, immoral bastard (she said with love), and the writers were very deliberate in setting that up.

there's so much more i could say on this but then this would get way too long, which it already lowkey is haha. thank you for the ask! i genuinely appreciate the opportunity to word vomit all this <3

[honourablejester]

I’m going to respond to this directly, since I’m one of the ones it’s aimed at, but I understand if OP doesn’t have the spoons for direct conversation. This is just running into several related things I’ve been seeing a lot lately, so I’m going to explore this a little.

Fantasy, Religion, War, Genre Conventions, and Portrayal as Endorsement.

So the thesis here is that the crusades should not be portrayed as a good thing. And what I want to know here is what specifically we mean by that.

Why were the real world crusades bad? And this is not some kind of gotcha question, I’m not claiming they weren’t, I’m asking why specifically. They were a series of religiously inspired wars of conquest that involved invading and occupying foreign territories.

Is the issue here ‘war of conquest’? Or is the issue here ‘religiously inspired war’?

Because the specific example in Pathfinder can be argued as a war of defense, in the sense that an army of demons had actually invaded and conquered one country and were looking to expand from there. Now, granted, the country invaded wasn’t the crusaders’ country, at least not the majority of them. This was pre-emptive defense where a foreign army basically occupied one country and walled off another to prevent a second foreign army from using them as staging grounds to invade further. So there is a native country stuck in the middle getting shat on by everybody, which was true of the Holy Land of the real world crusades as well. But if there is a genuine threat, is it wrong to go to war with them? At what specific point does a war stop being justified? (Or, alternately, at what specific point does a war start being justified)? Is the issue here the concept of war?

Or. Since the impression I’m getting is that the issue is the choice of demons, an objectively evil enemy that it is morally correct to fight, as the opponents of said war, is the issue that it’s a religious war? And in that case … Is the issue the portrayal of religion as objectively correct?

What I’m saying is, are we approaching this from an atheist standpoint? While we’re talking about the assumptions baked into our narratives. Is the assumption here that the historical real life crusades were wrong because religion is false and never a justification for war or anything else that would damage another person, and that therefore any portrayal of a religious war as something the heroes might morally take part in is objectively wrong?

Because. Fantasy as a genre. Assumptions, genre conventions of fantasy as a genre. Not universally, but quite often. Magic is real. Gods are real. Supernatural threats are real. If we have those as a baseline of the genre, how do we marry those concerns?

If a supernatural threat does exist, one that is inimical to other life, one that genuinely wants to destroy everything before it, and that supernatural threat is currently attacking, is it morally wrong to go to war with said threat? If you have an another supernatural ally, one that is the enemy of the thing trying to destroy you, is it morally wrong to listen to them? Is it morally wrong to believe in and follow a god if gods are demonstrably real things?

Now. Pulling back slightly, I fully understand that the terms are loaded. Gods, demons, crusades. These are real world words that had often horrific real world consequences. Blood libel, zealotry, genocide. Calling an enemy force ‘demons’ so that you can justify wiping them out has had real world consequences. Historically, the crusaders weren’t fighting actual demons, but people.

So is the issue here calling the fantasy war a crusade while swapping the portrayed enemy from people to an actual demonic foe, and thereby … justifying the real crusades the same way? They thought the enemy were demons, and demons are correct to fight, so actually the real crusades were justified?

The thing is, though, that we know that the enemies the real crusaders fought weren’t demons. The audience knows. (And the parts of the audience that don’t aren’t the part that are going to be critically examining much of anything).

The narrative is not real life. The narrative is operating on certain specific assumptions that, particularly in the case of fantasy as a genre, are held up as impossible in real life. (Whether they’re right to be or not, there is a particularly atheistic, Enlightenment, ‘we’ve progressed beyond such silly superstitions and beliefs’ sort of stripe in the Western approach to fantasy). Demons are a fantasy thing.

And a religious one. Which, yes, is where the danger lies.

So what I’m asking here is … What do you mean when you say ‘fantasy thinks the crusades were good’? Do you just mean that fantasy operates in a world where demons are real, and that makes fantasy automatically wrong? Is the basic premise of a heroic ‘good’ force fighting a supernatural ‘evil’ force just automatically wrong?

And again, I want to clarify that I do get it. The alignment system, creating a fantasy race or species of beings specifically to be your villains and specifically so that it’s okay to kill them. An enemy that you don’t have to agonise whether you have a moral right to kill, because they are inherently, on a molecular level, just … made of evil. That desire in and of itself is problematic.

But. The thing is. That desire also inherently indicates that the writer knows people can’t provide that. If a writer has to make up an explicitly supernatural foe to serve as their fantasy punching bag, it’s because they’re aware that their audience (or at least hopefully most of their audience) know that humans at least are not inherently evil and morally okay to slaughter.

(The question of other fantasy races created to be punching bags is a different one, the orcs, goblins, drow, etc, because those are explicitly meant to be people bred or damned to act a certain way, which goes different directions, but honestly I think demons are actually less fraught, here, because they are explicitly supernatural, a direct force of embodied evil. Which does then get complicated when you then go back and go ‘no, they’re actually people too’, but eh. This gets messy no matter which way you slice it, unfortunately).

So is the desire to fight an uncomplicated enemy and feel righteous doing so just the basic problem? Because I feel we’re veering there into ‘video games make people violent’ sort of territory. The desire to do something in a game in a fantasy environment that you are conscious is not real is not the same as wanting to actually beat someone to death for being different in real life. And even if it is, the desire to seek out a fantasy means of satiating that desire instead of a real life one is, I would argue, a very good sign. Thought police again. Desires aren’t the problem, actions are.

And, well. A lot of people have the desire to just, for once, know for sure where the evil comes from, to see it given a form, and to be able to directly fight that form. That’s just a thing that happens in the bewildering landscape of today’s increasingly stressful world.

There’s just. There’s a bundle of closely linked potential issues in here that don’t all point in the same directions. It’s a very broad statement, ‘fantasy thinks the crusades are basically good’. Potential elements of that:

Fantasy often uses metaphysical concepts like ‘good’ and ‘evil’ as physical, concrete realities, with all the potential loss of nuance that entails.

Fantasy posits a world where traditionally religious elements such as souls, spirits, demons, gods, sin, etc are physically real, which interacts in very messy ways with the history of religion in our world (as well as with current religion in our world).

Heroic fantasy often automatically creates a value judgement of certain violent activities (quests, war, combat, dragon slaying) as ‘righteous’ based mostly on the fact that it’s the hero doing said activities, and either doesn’t examine that value judgement or causes a lot of (sometimes) unintentional implications while trying to justify it.

When a fantasy narrative using the conventions of the genre (evil as a tactile force, heroes as morally justified, violence as the vehicle of righteousness) borrows terminology from real, significantly more dangerous and nuanced real world events, there is a potentially dangerous resonance where the fantasy narrative is (purposefully or otherwise) being read as an interpretation and endorsement of the historical event.

On the flipside, however:

Fantasy as a genre (whether rightly or otherwise) is specifically highlighted as unreal, as divorced from reality.

The conventions of any narrative genre tend to interact very messily with the significantly more complicated real world. (Heroic war movies, unrealistic or unhealthy relationships in romance novels, etc).

The use or deliberate avoidance of specific terminology within fiction is its own thorny issue, and especially in fantasy given its interesting history of allegory and thinly veiled disguises. Just not using the word doesn’t automatically fix the issue.

Which is not to say that fantasy shouldn’t be examined and criticised and questioned! But. I want a bit more specificity than blanket statements like ‘fantasy thinks such-a-clearly-wrong-thing is good’.

Because. Does fantasy think the real world crusades were good? That likely depends on the writer. Does fantasy create a fictional world where fictional crusades are good? Yes, sometimes it has done. Is fantasy wrong to do so? It depends on the execution.

Because fantasy posits a world where supernatural forces are real, and in such a world, is it wrong to fight such forces if they threaten you? And does fantasy coming to the conclusion that in a world where such things are true, it is right to fight them, does that then mean that fantasy believes that a) such things are true in the real world, and b) such violent actions can be justified on that basis in the real world? Again, it depends on the execution. Because fantasy, as we are told so very often, is not reality, and when we’re judging fantasy (and any fictional narrative), we’re interpreting it both within its own universe, and on how it interacts with our universe.

And, again, going back to that specific example. Paizo, Pathfinder, and the Mendevian Crusades. Pathfinder is carrying a lot of baggage from the history of D&D, the alignment system, the concrete physical realities of good and evil and all the buggy and messy and wrongheaded ways its been implemented. Could they do better, absolutely. But. These specific crusades, as I mentioned before, were portrayed as incredibly flawed, politically and morally messy, and were shown devolving into mindless persecution and opportunism several times. Which means that, in a world where the enemy was objectively evil, where a real and genuine god had mandated the fight against them, and where the survival of the world depended on holding the tide back, the crusade was still shown as complicated and messy and wrongheaded and as harsh on the afflicted people as the demonic invasion itself. There are good demon characters within the narrative. There are intelligent demon characters within the narrative. There are evil crusaders within the narrative. So yes, I’m going to give Paizo some credit here, for interacting with the concept with nuance even with certain fantasy conventions in place.

And again, said fantasy conventions are not inherently wrong in-and-of themselves. Is it wrong to interact with the concept of physical gods? With a physical, supernatural manifestation of dark concepts? If we create a narrative in which evil is given a physical body for us to fight, is that an inherent sign of weakness?

I suppose the other part of what I’m asking, here, is what the solution is. Like. Are we not to interact with these concepts? Is fantasy as a genre inherently wrong for having these concepts as genre conventions?

When you say, fantasy thinks the crusades were good, what is the opposite of that? What is the thing you want to see? Are we getting rid of the supernatural as a genuine force? Are we getting rid of tying inherent morality to supernatural forces (which I can definitely see the argument for, and which to be fair, people are currently struggling with attempting in the genre, and the ttrpg expression of the genre)? Are we dumping the whole concept of the heroic struggle? Are we, say, removing heroic and high fantasy as genres and going exclusively for low/grimdark fantasy?

I realise that this is a very specific example, of how D&D-inspired ttrpg fantasy interacts with the specific concept of religious wars, but as I said this is bumping into a lot of related questions I’ve seen floating around recently. Morality of war, morality of religion, portrayal vs endorsement, morality of violent games, purity culture, etc.

And I am curious, I guess. How do you think a setting with the specific fantasy conventions of pathfinder/d&d, in this case specifically that gods are real and that good and evil can be physically embodied to threaten people, should interact with the concept of a holy war? Just avoid the issue altogether?

Because honestly I think it’s on the audience to draw the conclusion that since the Islamic forces were not actual demons in our world, we’re not going to judge the historical crusades by the same metrics that we judge a fictional world where the enemy literally was an embodied chunk of elemental evil. You know? What might be an understandable and moral course of action in a fantasy world where literal embodied evil trying to destroy the world is a threat you might actually have to face isn’t necessarily a moral and understandable course of action in our world, where things are unfortunately significantly more complicated than that.

I’m not sure if I’m still talking past you, but I figured I’d get my ramble in anyway.

kind of concerning how married the fantasy genre is to "crusades as a basically good thing"

[p5-apotelesma]

thinking. about rens first two months in tokyo and how hes basically internally screaming and also hiding his clenched fists in his pockets all the time HES SO PISSED OFF and hes SO good at repressing that shit as a civilian but my god... it comes out in the metaverse v heavily at the start

ren really went into their year on probation completely closed off. wanting to keep his head down. he didnt want to know anyone and didnt want anyone to know him. keep out of trouble. stay safe. trying to avoid pain from all directions. emotional or physical. real or imaginary. he would create a personality so cold and so distant. whatever he needed to do to.

and then the universe drops one (1) ryuji in front of them and that whole plan fell apart.

ryuji saw ren was alone and decided to walk to school with him. that one show of kindness in a world that had since become so unjust and so bleak -- ryujis concern for them, a complete stranger, when under attack in the palace. and ren decided he would die for him.

ryuji is the real heart of the phantom thieves and thats why hes ren's second. he was the one who gave ren hope when he came to tokyo all alone. thrown to the wayside by their parents and treated like garbage by everyone around them. ryuji was the catalyst for ren believing in people again. he and ann helped ren learn to trust again.

his relationship with the two of them is different than any of his with the other pt. because they're the OGS and they had to face the prospect that they could ultimately be collaborators in killing a man if shit goes south. the amount of trust you would have for each other in this situation is insane.

[justinspoliticalcorner]

Julia Carrie Wong at The Guardian:

At the dawn of the second Trump presidency, defiance has given way to compliance. While Donald Trump has rapidly and ruthlessly thrown the federal government into unprecedented chaos, the leaders of the Democratic party have offered up little more than limp banalities and platitudes. “Presidents come and presidents go. Through it all. God is still on the throne,” tweeted the House minority leader, Hakeem Jeffries, at the end of Trump’s first week in office. Asked who was leading the caucus’s pushback, the Senate minority whip, Dick Durbin, told Semafor on 23 January: “I can’t answer that. Give us a little time.” Another senator said, “We’re obviously in a bit of disarray,” though Senate Democrats have arrayed themselves enough to provide bipartisan support for a number of Trump’s cabinet appointees. For the leftists and liberals who had hoped to see the opposition party mount some kind of opposition to Trumpism, this spectacle of capitulation has inspired a new historical analogy, or at least a new insult. La Résistance is dead. Welcome to Vichy France.

“If you want an analogy for the present state of America it’s perhaps not an out-and-out fascist regime, but a Vichy regime,” wrote John Ganz, a left-leaning author, in a Substack newsletter on 21 January. “It’s partly fascist but mostly just a reactionary and defeatist catch-all. It’s a regime born of capitulation and of defeat: of the slow and then sudden collapse of the longstanding institutions of a great democracy whose defenders turned out to be senile and unable to cope with or understand modern politics.” Ganz was not the first to invoke the collaborationist regime that administered part of France after its rapid and spectacular defeat by Germany at the beginning of the second world war. In November, after Joe Biden welcomed Trump back to the White House and promised a “smooth transition”, the political cartoonist Ted Rall reimagined their Oval Office meeting as an updated version of the infamous handshake between Adolf Hitler and Philippe Pétain that marked the fall of France’s Third Republic and rise of the Vichy era.

“Unlike you fascists, we promise a smooth transition of power … to you fascists,” Biden/Pétain says to Trump/Hitler in the cartoon, titled Aloha to the Vichy Democrats. Indeed, “Vichy Democrats” has become an increasingly popular expression of disgust with the feckless opposition party, whether in viral tweets (“The Vichy Democrats are really proud of themselves for peacefully handing over the country to a person they said was a fascist,” wrote the X user SxarletRed in response to the California senator Adam Schiff’s boast that the Democrats had certified Trump’s election without launching a failed insurrection) or a headline by Esquire (“Vichy Democrats take note: the Republican Congress is coming for everything”). On the alternative social media site Bluesky, the senior US senator from Pennsylvania, best known for wearing gym shorts to Congress and his recent rightward shift, has been deemed “John Fetterman (D-Vichy)”. Others have used “Vichy” to denounce Jewel for playing at Trump’s inauguration (“Add one more to the Vichy list”), to characterize cooperation with immigration enforcement by a university (“This Vichy behavior should never be forgotten”) or as a sobriquet for entire institutions that are perceived as being collaborationist (“Vichy Twitter” or “Vichy media”).

Vichy France refers to the rump state that administered the unoccupied parts of France after the German invasion in 1940. France had defended itself doggedly in years of trench warfare during the first world war, so it was a huge shock when Hitler’s forces broke through the French defences in a matter of days and began to march on Paris. With the military on the verge of collapse and the government in crisis, some French leaders argued for a retreat to north Africa, from where the army could regroup and fight on, while others – believing German victory was inevitable – argued that an armistice would ensure the safety of the people of France and its captured soldiers. Ultimately, it was a beloved hero of the first world war, Marshal Pétain, who signed the armistice with Hitler. Under its terms, the southern half of France would remain free of German occupation and be administered by Pétain’s government from the spa town of Vichy. Though Germany eventually occupied France’s entire territory, Pétain remained the nominal head of the Vichy government until the end of the war, when he was arrested, tried and found guilty of treason.

This column about Democrats being Vichy collaborators to Trumpian authoritarianism in The Guardian is a solid on.

Democrats should be a real opposition party, not a collaborationist one.

[fraudulent-cheese]

You know, funny you bring that up, i actually kinda went on a rant/analysis about this in discord the other day... More centered on the kids themselves than their parents but yes, i'd argue the parents of the kids post gen 1 are at best a little neglectful or too hands off, and at worst just do not care about their child's safety whatsoever.

To get a concrete answer answer on this however, we kinda need to know exactly how the more dangerous and absurd aspects of Total Drama were considered in canon. Like. was the ending scene of world tour actually aired in canon? were all the scenes in mike's head only there for our convenience or did they actually convince this italian boy to dress up as his alters and reenact their discussions? Do the people in universe think the more dramatic scenes or harsher injuries were exaggerated for the cameras, or is the promise of a million dollars enough to sway concerns? (because let's be real here: a million dollars is a fuck ton of money. i calculated for fun what money Cameron would actually be giving in his ending and if every camper takes him up on his offer they get around 77 grand. which is crazy)

If we're talking specifically Gen 1 parents, basically every parent except Sierra's and Alejandro's gets a pass for letting their kid on TD, since it's kinda plot relevant that they were duped into thinking it would be on a luxury hotel and not. crappy summer camp except there's a middle aged guy torturing you for clout. (if you want i'll drop what i said about Ale and Sierra's parents in a seperate reblog because i had. alot to say.)

HOWEVER. I cannot give this pass to the Gens 2, 3 and (maybe) 4 contestants or their parents. Outside of the ones that didn't know (Damien, maybe Dave, unknown if Anne Maria or Ella watched more than just a couple episodes since they only talk about the singing), they really watched the "get thrown out of planes" season or god forbid the "toxic waste" season and decided "yep, auditionning this show is a great idea, actually".

Yes, it was the most popular reality show in universe at some point, but REALLY? Are you sure this is a good idea? ZOEY ARE YOU SURE THIS IS A GOOD IDEA YOU SAW THE VOLCANO FINALE

This goes double for the Pahkitew Island cast, btw. based on their audition tapes + Leonard's stated age in Ridonculous Race, they had to have had sent their tapes close enough in time to the actual filming of the season itself. Which means this was after Revenge. Like at that point auditionning for TD would only be something you'd do if you either:

desperately needed to be away from your family/get that mil

considered the more outlandish happenings to be staged in some way

have the ultimate "Nah i'd win" mindset and just think the bad shit won't happen to you because yes

In any case, their parents HAD to have let them be on the show. How. Especially for the Roti cast's parents, actually (i hc that TD's ratings started dropping after World Tour but this isn't confirmed in canon) because as established, this shit was POPULAR popular. They at least had to have heard about it, and i wouldn't understand why you wouldn't at least double check to see if the show wouldn't make your kid get life long consequences from it. Then again, maybe im overestimating what regular people know about Reality TV and all of it's possible consequences on their contestants or whatever.

So yeah. Gen 2 and Gen 3 parents are not off the hook whatsoever on this... but im not sure about Gen 4.

Listen. Listen. Hear me out. I don't know how much the reboot cast knew about the show. Idk how much teenagers care about 10+ year old reality shows, no matter how popular they got outside of youtube videos talking about the more negative sides or keeping up with the former contestants. or something. I sincerely doubt the show wouldn't have developped an Action Park-like reputation, but... people still went to Action Park when it was open. Even after people fucking died. Maybe it morphed into daring your friends to submit an audition or hoping you could get major clout out of it?

But im still giving Gen 4's parents the major side-eye. They were VERY MUCH alive and aware of the show while it was airing, Priya's parents are proof of this.

On one hand, the most recent related season to TD in canon was most likely Ridonculous Race, and from what i know it got less extreme than TD? In terms of injuries? Like the worst that happends is a broken arm and a concussion i believe. Trends get forgotten quickly. Maybe they promised it would be safer somewhere in the contract??

On the other... They were alive during the time TD presumably aired in canon. They had to have heard about some things, right? Unless Chris burried the intern deaths, the injuries, the everything, (or it was covered up as staged/it was actually staged) shit had to have come out eventually right? RIGHT??? Did no one do any double checking? Granted some of the reboot parents already seem neglectful in canon (Ripper, Chase, Scary Girl, Julia even come to mind), but... Did Damien's parents not ask about it at all? Did neither Raj or Wayne's parents double check what their kids would be doing for summer? Do their parents even know they're going on Total Drama at this point???

uh, TLDR: Something is up with the Gens 2 and up parents, but i'd argue there's something up with the contestants themselves as well.

when u think abt it a lot of td parents are shitty like lightnings dad wouldnt even pay attention to him, duncan’s dad questioned if they really loved him, heather’s parents were celebrating she was gone, sierra’s mom is neglectful of her to the point she puts her idols before her own daughter, trent’s dad doesn’t support him being into music, cody’s parents forget his bday, courtney’s parents have pushed her so hard to succeed she feels inadequate when being anything but successful.i’m p sure u got good td parents like dj’s and cameron’s moms, but like….jesus christ dude

[martynrandles]

Israeli forces fatally shoot 2x year old Palestinian girl in the head near Jenin.

SOURCE: Defense For Children Palestine, 26th January 2025.

Ramallah, January 26, 2025—Israeli forces shot and killed a Palestinian toddler near Jenin last night.

Laila Mohammad Ayman Khatib, two, was shot and killed by Israeli forces around 8:30 p.m. on January 25 while she was in the living room in her family’s home in the Palestinian town of Muthallath Al-Shuhada, south of Jenin in the northern occupied West Bank, according to documentation collected by Defense for Children International - Palestine. Laila was having dinner with her mother, grandparents, and aunts when sudden Israeli gunfire erupted without warning. Israeli forces fired four bullets through the living room window, one of which struck Laila in the back of the head. Laila’s grandfather carried her out of the house and brought her to Al-Razi Hospital in Jenin, where she received emergency surgery. Laila was pronounced dead around 10 p.m.

“Israeli forces regularly and routinely carry out military operations with complete contempt for Palestinian life,” said Ayed Abu Eqtaish, accountability program director at DCIP. “Little Laila was having dinner with her family when Israeli forces, unprompted, fired live ammunition into their living room, killing her. It is outrageous that the Israeli military has been permitted by world leaders to kill Palestinian children with impunity in flagrant violations of international law.”

Laila’s mother and aunt sustained injuries from shrapnel during the attack, according to information collected by DCIP.

When Laila’s grandfather exited the house carrying her, he saw Israeli snipers stationed in a Palestinian home across the street from their house. No residents of Muthallath Al-Shuhada were aware of an Israeli military presence at the time of the attack, and later learned that Israeli special forces had infiltrated the Palestinian home. Israeli forces remained in the town until about 11 p.m.

Jenin, its refugee camp, and the surrounding villages have been under an ongoing Israeli military attack dubbed “Operation Iron Wall” since January 21, 2025.

Since the beginning of Operation Iron Wall, 16 Palestinians have been killed, including Laila and 16-year-old Motaz Abu Tabeekh. This operation has also been accompanied by Israeli drone strikes, widespread destruction of infrastructure and homes in the Jenin refugee camp, and the bulldozing of roads. Additionally, hundreds of Palestinians families have been forcibly displaced from their homes due to the continued military assault.

Israeli forces have killed eight Palestinian children in the occupied West Bank in 2025, according to documentation collected by DCIP. Five children were killed by Israeli drone strikes and three children were shot and killed with live ammunition.

[my-name-is-apollo]

Having a "I've connected the dots" moment on why Zeus is so affectionate with Apollo, and I don't know why I'd never considered it before that Apollo's youth could be a reason.

Iamblichus, The Life Of Pythagoras (trans. Guthrie)

So there was this sentiment that young boys are the dearest to the gods, and the gods are especially attentive towards their requests. And since Apollo is a perpetual young boy himself, with Zeus being the one to grant him this gift in one version, it makes sense that Zeus has granted so many of Apollo's wishes. He spared Prometheus and Periphas upon Apollo's request even though he was personally offended by them. He agreed to suppress Gaia and Athena upon Apollo's request when it came to the oracular business. He even revived Asclepius to console Apollo despite Apollo's frankly disrespectful reaction to Asclepius' death.

Apollo might be fearsome, powerful, and even reckless at times but when he kneels down in supplication, all Zeus sees is his little boy that he loves so much, and he can't help but give in to his requests (well, most of his requests at least). And as far as the text is concerned, and if I'm interpreting this correcltly, Apollo's youth is interestingly tied to his helpful nature because besides using his own powers to help the humans, Apollo can also help them by supplicating to Zeus on their behalf, as Zeus is more likely to grant a request when it's coming from him.

[cthulhum]

and dean winchester thought he was unlovable and didnt deserve happiness he hated himself and thought eveyone would eventually leave him and then a literal fucking angel fell in love with him. like loved him more than anything else in the world.

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you