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#omg such a long post I'm so sorry
nailsinmywall · 9 months
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Maeglin in gondolin (and curufin laughing at eol)
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whataloadofqueers · 1 year
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marauders era characters and their april fools joke of choice :
james : turning into a stag in places where a stag definitely shouldn't be
sirius : sticks paper fish on everyone's back because he grew up with les poissons d'avril
peter : pens and books and inkpots turn into small animals everywhere he goes
remus : just more werewolf puns than usual
marlene : enchanted bludgers that follow you all day
mary : 'actually i think i'm heterosexual'
lily : does not participate and refuse to believe anything that anyone says that day
dorcas : change the colour of everyone's tie
pandora : pretends she's a seer but actually makes accurate predictions
regulus : he's got 'nothing to do with the snake you found in your bag'
barty : 'april fools is stupid' but pulls little pranks all day
evan : charming all the plants so they can walk and then leaves the greenhouses open
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elwynsdream · 1 month
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I love jegulus, but there are moments sometimes where I question certain things about the fandom. I'm a trans boy, and it's nice to see the popular headcanon of Regulus as a trans man, but cmon!! Why is he always the girl when people talk about jegulus variants? I know we have the right to be whatever we want (fem, masc, etc) but it's really uncomfortable to see Regulus constantly be feminized (? If I can call it that. Anyone can be trans, there is no requirement; you are who you are and that's it. But when we talk about media, which is a reflection of how large groups of people see reality whether we want it or not, it feels weird to see mlm ships where one of the characters (usually white) is made to be "dainty, delicate, needs help or protection" and the other one (usually POC) is "masculine, dominant, the protector type". I don't want to ruin anyone's fun, because fandom should be a safe place for everyone to enjoy their favorite characters however they want, but I wish to see if anyone feels the same (:
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masezace · 1 year
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little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)
the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.
[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]
the show overall
okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.
the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.
the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.
the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.
character element
imo the real gem of this show is the character development. honestly it's just *chefs kiss*
the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.
the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.
kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.
honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.
queer representation
and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.
shipping, chemistry, and intent
but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.
i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.
shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).
but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.
and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.
i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.
that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.
kenji and... brooklyn?
no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).
kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.
it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:
ben and kenji
benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.
even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.
after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.
other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.
when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.
and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.
all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).
but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.
it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.
i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷
conclusion
even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)
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upperranktwo · 2 years
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☆Gifset Per Episode - Kimetsu No Yaiba☆
S01EP07 - Muzan Kibutsuji 
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hellolulu · 2 years
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When it comes to the mp100 ageswap AU, the most interesting thing (for me, at least) is figuring out how exactly a storyline for it would work - after all, Mob growing up without Reigen would be a totally different guy, right? Well. I have a scenario that I made up in my brain, and I'm going to do my best to explain it below!
[Edit: this ended up being sort of a prologue/backstory, so I suppose.. it's a fic now? I tried to split the sections like chapters/episodes after accidentally writing too much but oh boy this is not what I set out to do]
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After hurting Ritsu accidentally as children, Mob becomes afraid of his own power, and anxious about using it. He also becomes awkward around others in general, as he cannot imagine being able to stop himself if he accidentally hits ??? and hurts them. Ritsu is upset and angry that Shigeo has decided not to use his powers anymore, and becomes a bit cold toward him for it, but they are friendly with each other for the most part. [This is pretty much unchanged]
During middle school, Shigeo decides to join the body improvement club in order to cast aside the need for most of his powers - if not all, by focusing on his physical body. As Musashi is a kind-hearted guy, the telepathy club is invited to use the room as a place to hang out, as they cannot exist as a club without a room. Mob, who struggles a lot with physical exercise, often ends up spending a fair amount of time around Tome and the others in the club. Although at first he's bitter and cold toward her for thinking psychic powers are a good/cool thing [bitter and cold in his own way, ie "you,, don't understand what you're talking about.. psychic powers are.. dangerous.." sort of energy], eventually her genuine enthusiasm breaks him down, and he agrees to help her search for espers, while himself not expressing that he is one.
At this point, Shigeo and Ritsu don't speak much, but they are amicable toward one another. Ritsu respects that Shigeo wants to improve as a person, but is also filled with anger that Shigeo refuses to use his natural abilities, and even more anger at himself for causing Shigeo to stop using them. Ritsu becomes a bit of a danger to himself and others, and finds himself tricked/persuaded by Onigawara and crew to assist them in an attack on a neighbouring school.
Ritsu (who was only really acting out, but is generally a good guy) freaks out when met with Hanazawa, an esper that wants to hurt others, and realises why exactly his older brother has been afraid to use his powers for so long. Viewing the destruction caused by the newcomer, he engages Hanazawa in a conversation, explaining that he should be more careful with his power, that people will get hurt, and asks that he stop. Hanazawa is extremely angered by this, believing himself to be the main character of the world, and attacks Ritsu. Through an extremely painful and stressful fight, Ritsu's powers are awakened, and elsewhere Shigeo is alerted to the feeling of two espers exerting a lot of power.
However, he would rather avoid joining the fight, and waits for the energy to die down, afraid he'd only make it worse by being a third esper in the fight. Then the house phone rings, so he picks up (as neither of his parents can come to the phone). On the other end is an already very unhinged Hanazawa, telling him that he'd beaten his younger brother in a fight, and had been asked to call him to get picked up. Ritsu's thinking was partially that Shigeo would be strong enough to protect him and take him home safely, and partially that it would help Shigeo come to terms with the fact he can't avoid his powers all his life. He wants his brother to accept his powers, after all.
The call ignites Shigeo's strong feelings of protection over his younger brother, and he immediately gets up to go to where he is and save him. By the time he reaches the school, he's already at a pretty negative point emotionally, quick to become dangerous. Hanazawa is very quickly beaten up, no exchanging of names or invitations of friendship, as Shigeo clearly sees him as an enemy from the get-go (for hurting Ritsu quite badly), and the feeling is mutual (because he lost and has to accept that he's weaker than someone). Shigeo saves Ritsu, takes him home, and passes out from exhaustion pretty quickly (physcial and mental).
--
When he returns to school the next day, his memories of the previous day are hazy, but he feels awful. Tome shows him a clip from the news of a school being destroyed, where she recognises him - and with an added remark of Inukawa remembering that Mob used to say he was a psychic, she asks if it was Shigeo's doing. Shigeo, who is upset by the events he can recall, and the ones he is being shown, becomes anguished - but the members of the telepathy group say that his actions were, in a way, heroic, and he quickly calms down, surprised to hear their positive response. Tome says he kind of overkilled it and shouldn't have destroyed a school, but that he stood up for his brother and protected him, which isn't that bad a thing to do. She then complains about him hiding his psychic powers from her, though she makes light of the situation and says he's probably got his reasons for hiding them, preventing Shigeo from becoming too upset by the scolding. She suggests that he has to become confident with his powers if he wants to be a real hero-type, and tells him to consider what he wants to do with them now that people know. Luckily as the footage captured isn't too clear, the unpopular Shigeo is not noticed, and the goody-two-shoes Ritsu is considered above suspicion. [Teru may or may not have been recognised by his school board, but I'm undecided. I lean toward him being recognised, but eh.]
Mezato is also interested by the news, and begins searching for the 3 people briefly shown in the news clip, who were hard to make out in the footage (Ritsu, Hanazawa, and Shigeo) but she is no amateur. She stumbles across Ritsu and questions him, but he's dark, angsty, and passive, newly awakened to psychic powers after being extremely injured, and a fair bit traumatised from the event. She pens him down as a possible instigator, and through a cryptic line like "my brother was right about having power being a bad thing," she goes to track Shigeo down, who encourages her to stop looking into it, as it's dangerous. She keeps her eye on both of them from this point on, as she has a faint idea that this could be the scoop of a lifetime.
As a result of the fight with Hanazawa, Ritsu starts practicing with his powers in secret. He's powerful, but new to his abilities, and afraid to bump into others like Hanazawa again without being able to use psychic power properly. Especially now that he knows he's weak compared to his older brother, who was vicious during the fight - even if it was in order to protect him. However, while practicing his powers, he is approached by Hanazawa himself, who tells him he can help him train, using the same justification that Shigeo is so overwhelmingly powerful that Ritsu needs to be able to defend himself "just in case something were to set him off again". They do not see eye-to-eye on this necessarily, but Ritsu sees the use in having a talented esper to help him train, and accepts the offer.
Meanwhile, Tome is trying to encourage Mob to be more confident with his powers, and to use them to help others, like a superhero. Although they usually hung out to search for telepaths in the past, she begins using this time to encourage him to help people in ways only he can, such as tripping purse snatchers, calming down lost children, and fixing broken things, all using his innate psychic abilities. Shigeo is learning slowly to use his powers in ways that make him feel good, and eventually, one of the telepathy club members suggests that he should try to exorcise a local ghost they heard about. Tome declares it a club excursion, and they all go to the abandoned building in which the ghost apparently resides.
Once there, they discover two other espers already on the case. Shigeo is surprised to see his brother there, along with the boy who had beaten him up a month or so ago. Ritsu explains that his powers had awoken, and he's been secretly training with Hanazawa, who seems to be intensely afraid of Shigeo. Shigeo asks if this is why Ritsu has barely been home the last few weeks, says their parents are worried, and that he should go home. Ritsu says he can't go home comfortably until he can control his power, "which you should understand, nii-san" and Shigeo is conflicted to learn that he has accidentally made Ritsu fearful of a power he's recently been making peace with.
Ritsu and Hanazawa go on ahead, and Shigeo isn't sure what he wants to do, wanting Ritsu to feel comfortable with his powers, (aka, let him try and exorcise the ghost, as he had intended to for training) but also wanting to send him home and keep him safe. He also feels apprehensive about Ritsu forging a friendship with someone he considers to be a bad person. Tome suggests they follow them, just in case, and Shigeo agrees with her judgement.
The spirit causing trouble turns out to be extremely dangerous, injuring both Ritsu and Hanazawa, as well as the telepathy club members. Shigeo steps in to protect them all from the spirit, and this also means protecting Hanazawa, who has become like a second brother to Ritsu over the last month. Hanazawa suddenly realises that Shigeo is a good person, but Ritsu becomes even more anguished due to his many conflicting feelings about psychic powers - how he couldn't do anything against the spirit, how Hanazawa suddenly seems in awe of his much stronger brother, and how Shigeo is able to destroy the spirit with ease, when neither of them could do anything special.
Hanazawa leaves with Ritsu, whose personality is becoming more twisted by the minute, confused at his feelings toward himself, and with feelings of fear and jealousy toward his brother, who suddenly seems comfortable using his psychic powers. This troubles him, when he had no idea Shigeo had also been 'training' his powers all this time [aka, he's getting it into his own head that Shigeo is intending to get stronger, rather than what we know; that he's trying to gain confidence].
--
Over the next while, he spends less and less time at home, only there to eat with the family - spending most of his time with Hanazawa, who stays by him, having become increasingly worried about his motivations. On the other side, Tome continues to help Shigeo to use his powers for noble causes, while he also continues activities with the body improvement club, which now includes Onigawara, who had witnessed Shigeo defeating Hanazawa and decided to learn more about him, only to enjoy the daily life of the club and become a member for real. [This is a weak plotline, subject to change, but I like Onigawara joining the club ok]
The telepathy club, other than Tome, no longer go with them on ghost visits due to the harrowing nature of the first. Even so, they keep ears to the ground to help them seek ghost rumours out, and are supportive of the good work they do for the locals. Shigeo is happily led by Tome's enthusiasm and strong sense of justice, and continues to help her search for other espers (especially telepaths) while exorcising ghosts and doing good deeds. He relies on her greatly for her personality, and doesn't feel a need to speak up too much - she views him as her equal and follows his judgement around spirits without making him feel uncomfortable.
During high school, despite being separated, Tome and Shigeo continue to work together on weekends. They are known locally as a pair of psychics, even though only one is an actual psychic - Tome is happy to be considered a psychic by association, however, and enjoys helping Shigeo in any way she can while on the job. This usually ends up in her speaking to the people they're helping; dealing with the social aspects that Shigeo finds uncomfortable, while Shigeo focuses his energy on the psychic work. She however does adopt moves such as Salt Splash after discovering that purified salt can weaken spirits, as a mechanism for self defence in dire situations.
At the same time (high school), Ritsu and Hanazawa have begun to pick up a following of espers who feel that their powers have made them alienated from society, and who want to be treated as normal people (the awakening lab crew), who they have begun to train, also. Ritsu has become more twisted by his need to prove his strength and worth against his brother, but is battling his own thoughts on this constantly - his brother would never hurt him, but what if? [Think: the anti-villain who believes they're an anti-hero and blurs the line as they fall deeper into their mess].
Hanazawa stays by Ritsu's side to remind him not to go off the deep end, and to continue helping him understand that Shigeo isn't his enemy [nobody here is a villain technically]. He tries to encourage Ritsu to speak to his brother about his feelings while he still can, but Ritsu (who is aware that his brother is now a local celebrity due to his powers) has become prey to his feelings of inadequacy. He believes he shouldn't speak to Shigeo until he's ready to fight him and defeat him, proving his worth as an esper, and a person. Hanazawa isn't sure that's for the best, but he continues to stay by Ritsu and support him, as he feels responsible for driving Ritsu to believe Shigeo was in any way dangerous when they first met.
-- timeskip to adulthood --
As adults, (around 24/25 [pssh, "adults"]) Tome opens Spirits and Such, alongside Mob, who has no other career path in mind, and is happy so long as Tome deals with people so he doesn't have to. Outside of his work with s&s, he is a bit of a recluse, shy around others, and still a little nervous about the powers he knows he's holding back, mostly staying in his apartment to avoid danger or conflict. Even so, he continues to regularly exercise, and helps the people around town when he can, while trying not to be noticed too much [this Shigeo is more socially anxious due to Tome taking on the bulk of social activity around him while they grew up].
Shou, who had heard of their work, and shares their strong sense of justice and desire to Do Good, comes one day to visit them. He notices very quickly that Shigeo is much more powerful than he lets on, and asks directly if he's content hiding so much of his power, a little disappointed in him. Shigeo (who has an easier time talking to spirits and fellow espers) explains that as a child, he'd hurt his brother, and has never truly recovered from the trauma, leaving an almost lifelong mental block on the bulk of his power. [This is something he feels he is able to speak about with other espers, and for comedic effect, Tome probably had no idea all this time and is shocked to find out something like that happened, when she thought the first time he used his powers to fight was during the fight with Hanazawa] Shou seems to understand his issue, and takes pity on him, explaining that he'll try to help Shigeo use and control the deeper powers he holds, giving him a business card for an esper research lab, and leaving.
Ritsu suddenly disappears after finishing university, and Shigeo (without hesitation) begins to use his free time to search for him, against Tome's better judgement. He has some leads, like Hanazawa becoming a celebrity psychic, though he's not sure how to go about meeting a celebrity, and Shou's mysterious esper research lab, though he isn't sure if Ritsu even knows about that. Sadly, he doesn't know how to go about following leads, when until now he's always followed Tome's judgements, so he's so far gotten absolutely nowhere.
This is about the time that LOL cult is being formed, and Reigen, a middle school boy, finds himself in the middle of a very dangerous situation. But luckily, S&S have been asked to check the shady organisation out by local reporter and friend of the business, Mezato, and Tome is sending in her best (and only) co-worker to get the job done.
--
Oh no I accidentally wrote a half-assed ageswap AU fanfiction? [REAL] This ended up being a whole prologue and being waaaay too big for me to tell the rest of the storyline in my head in just one post.......... 😳 So uh,,, let me know if you would want more of it 😳 (I even tried to make it brief!! This is not brief!!)
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avastyetwats · 10 months
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The Writer and his Songbird
Plotted starter for @izzyeffinhands <3
It wasn't the full moon that made the night so serenely beautiful. It wasn't the ocean way out in the distance that Stede longed to be near, but grateful that he could now see, it wasn't the clear night sky with the thousands upon thousands of stars twinkling above him, nor the calm ocean breeze that he so loved to feel...
It wasn't any of those things that made the night so serenely beautiful - though they did add to it - but it was the mesmerizing voice above him. A voice he's heard a few times before since moving into the apartment complex a few weeks ago and oh, how this made Stede's move worth it. Suddenly, he wasn't dreading his stay here, he wasn't feeling as unhappy as he did the second he set foot into this building... not that there was anything wrong with it. Not at all. It was comfortable and safe, but it wasn't where he longed to be. It was somewhere he had to be until he could get back on his feet and figure some things, having divorced from his wife some weeks ago. A divorce that was a long time coming, a divorce that should have happened long ago, but really, a marriage that shouldn't have happened at all.
It wasn't a marriage that happened out of love, but convenience and security. A marriage his father practically forced him into, bullied him into, made him feel as though he had no other option and wasn't worthy of anything else... a marriage that was more about his father and his business than Stede's own happiness and wellbeing. But finally, he was out.
And so was she. Mary. An ending that would bring about a new beginning for them both.
But not one that was easy for Stede. He left his home, left his family behind, intending to start anew and live the life he always wanted to live, but it was proving to be a challenge. Depression and anxiety got the best of him some nights, so did self-doubt and uncertainty, and the challenge of fitting in, but he was thankful he still had one place he felt comfortable in: his tea and bookshop.
But the third night inside his new home, that's when he heard it: the angelic voice from above singing into the night. He's never heard anything more beautiful, or more inspiring, and for the first time in what felt like years, Stede sat down at his desk and wrote. Yes, he was a writer. An avid reader of many things and an avid writer of some fictional stories and some poetry. A hobby more than anything, having never pursued a career due to the life forced upon him and the scolding of what he wanted to do and where he wanted to be.
But thanks to that voice above, inspiration had returned to the writer. Every night he kept his balcony door open and on the nights that voice returned, Stede would often lean against the railing outside or sit at the table outside and write.
Though he wasn't quite brave enough to meet the man the beautiful voice belonged to, he would leave him little notes outside of his door praising his voice, crediting him with helping to find lost inspiration and bring joy back into his life, and he'd only ever sign it The Polite Menace down below with a little heart over the i.
Stede kept this up for a good few days, anytime Izzy would bless him with his voice, and eventually Stede started receiving delicious baked goods outside of his door signed with his own special nickname. But it was instant that Stede figured out who it was - the melodious mystery man above - and so the notes continued, leaving even more now to praise his talent in baking, too.
Something that inspired Stede to try again. He was never an expert at it by any means, but he'd baked a thing or two in his previous life, though it had been a long time, but perhaps he, too, could leave a delicious treat for his Angelic Siren above...
Unfortunately that hadn't gone well at all. Made evident in the amount of smoke that billowed out of his balcony door and into the night above, eventually sounding off the alarms that sent Stede into a panic as he tried to put out the small fire inside of his oven. And this is why he wasn't near brave enough to reveal himself to the man above that he's had a crush on for weeks now, because he was nothing but a big, embarrassing mess.
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birdietrait · 9 months
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top 23 18 of 2023 <33 ty for the tag @madeofcc
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not-your-bro · 4 months
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On a lighter note my head cannon is that Hannah shipped climbingclass before she even knew what shipping was….bless her little nerd heart she was determined to get them together. Beth shipped it as well and both were constantly frustrated by Joshs attempts to get Chris a girlfriend. Like NO Josh that blond nerd is going to be a Washington and your husband. Like if the prank hadn’t happened she or beth were gonna lock them in a closet or take them to Vegas and get them REALLY drunk and get them married
based on what little we know about hannah, i think it's fair to make her a softie/romantic. i'm totally into making her, like, very invested in her sibs' happiness and that includes being a huge cheerleader in their romantic lives. also love the idea of josh being like "nobody can know i have these feelings. or feelings at all" but hannah clocks his gay ass SO fast. she's immediately like "you like chris don't you josh" <- said like "you like krabby patties don't you squidward." evil little smile and everything.
we all just making shit up abt beth and i for one love to make her zesty and kinda hard-edged. not actually mean, but like, if chris had to rank the washingtons from most to least frightening, beth would be at the top of the list. maybe he'll stop being lowkey scared of her when he's like. forty.
re: vegas, i would love a humor fic where josh + chris are absolutely shitfaced in vegas and get married bc they think its really funny, and the next day all their friends are like do we seriously have to explain to you that getting married "as a bit" doesn't make it less legally binding. you fucking idiots. even funnier to me if they are, in fact, in a relationship. and they don't bother to divorce bc that's too much work but they keep having to explain to everyone they meet that yes the relationship is real but the marriage is a joke. no one gets it.
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miyamoratsumuu · 2 months
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HI CUTIEEE (btw can i call u frannie cuz that’s literally what i say in my head but totally okay if not)
i js wanted to ask how u were
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HIII YES YOU ABSOLUTELY CAN THAT'S SO CUTE 🫶🏻 I'll be honest I'm great HAGSHQHAJH the whole sending asks thing is probably just me trying to shield myself from the painful truth that school's starting again soon ahahah 💔 and I'm genuinely nervous about not being able to be on here as much cause if there's something I love it's def interacting with the amazing people I've met here 🤲🏻🤍
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singsweetmelodies · 7 months
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Hi there! Im still kind of new to f1 so please, can you share all the piarles deep lore with me? Like your favorite moments from them, the story of them growing up, etc. I have a burning need 🙏 ❤️
hiiii dearest anon! i am so sorry for the delay in replying - i saw this ask and immediately got SO freaking excited, because, well, piarles is my absolute OTP in this fandom, so of course i'd love to share all the details about them!!
i started working on a piarles lore post almost immediately, and that's when i realised... um, there is actually rather a lot of piarles lore. like, a lot. enough that i've been working on this post for over a week in-between work and irl stuff, and it's still not done??
so yeah.... 🙈 i just wanted to reply to you today and say that i have seen this ask and i am working on a piarles lore post for you ❤️😘 it's just taking quite a bit longer than i thought because of how much piarles lore there is. but rest assured, the post is definitely happening!! thank you SO much for asking, and for giving me the chance to embark on the most fun research project ever <3333
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arklay · 10 months
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DANI HAINES x CARLOS OLIVEIRA / template.
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yzerman · 1 year
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vvelegrin · 3 months
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NOT ANSWERING MY DOOR WHEN MY NEIGHBOR KNOCKS AS SELF CARE. GIRL IT IS NINE PM.
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maddy-ferguson · 1 year
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people in the notes of my mike and will did not fall in love at the tender age of five because that's ridiculous post
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anthyies · 1 year
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8 plz explain the disc horse to me
8. common fandom opinion that everyone is wrong about
i feel like i could write an essay about this. you're so lucky you left twitter btw you don't even know the amount of times ive been like look at this stupid opinion. so.
a) i literally don't think tim and jason have any sort of relationship at all like literally. their interactions should be a) titans tower attack, but like for hilarity points. not angst points. its objectively funny that jason made an adult sized robin costume and then put on clothes over that to attack tim n its objectively funny that tim's reaction to getting beat up was like yeah im still better than you <3. b) that one time tim kicked him in the balls. and thats it. thats all. like can we please talk about tim's relationships w his other siblings . please . i'm dying
b) i mean you know and i know that fandom hates women and people of color so i'm just going to leave it at this. and science experiment: go into the cassandra cain/stephanie brown tag and see how much stuff in there is literally not related to them at all. also the background lesbianification of them like they're crazy they do not get enough credit for the. hallucinating her bringing you back from the dead twice after she died. and nobody talks about their ISSUES and PROBLEMS something about me is i love when women have issues like yeah they're sweet and they're going to kiss but also. sometimes they can poke each other's sore spots and its INTERESTING!!!! they are not simple soft and sweet background women they should be the STARS of the SHOW. literally first base martyrdom second base raising each other from the dead third base eye contact.
c) my life is soooo hard i'll text you and explain the gay people properly i prommy but you know the special kind of hell where you like the most popular gay people but like, they're popular in the wrong way nobody GETS them. this is compounded by bat favoritism... enough about tim's issues i'm going to pretend he doesn't have any if that's what it takes to talk about KON'S issues.
d) people take damian cutting tim's line too far like its ok guys. it was resolved in the comic book. like it's fine he's literally itty bitty preteen raised to murder its fine. and rr hit list arc is like uncomfortably mean and hostile to damian in narration so tbh people should be trying to make up for that not make more tim angst
e) MY.. OPINIONS ABOUT TIM'S PARENTS.. ARE VERY IN DEPTH. and i've talked about them in tags before. but i think everyone needs to learn some NUANCE!!
sorry this is FIVE fandom opinions. everyone is so wrong. it's a terrible massive game of telephone
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