#olga desmond

[burningvelvet]

Adoration by Norwegian-Danish sculptor Stephan Sinding (c. 1903) and a tableau vivant of the sculpture featuring German-Polish “living statue” performers Olga Desmond and Adolf Salge (c. 1908)

[gameofthunder66]

'Turistas' (2006) film

-watched 8/5/2023- 3 stars- Hulu

[wahwealth]

The Stars Look Down (1940) | Michael Redgrave | Margaret Lockwood |

he Stars Look Down movie is a British film released in 1940.  This classic film is based on A. J. Cronin's novel was written in 1935 with the same title.  The film is about injustices in a mining town in North East England. Coal miners,  who are led by Robert "Bob" Fenwick, vote to go on strike.  The miners are refusing to work in a particular section of the mine.  The reason is due to the great danger of flooding. Tensions rise as the strikers go hungry. Cast Michael Redgrave as David "Davey" Fenwick Margaret Lockwood as Jenny Sunley Emlyn Williams as Joe Gowlan Nancy Price as Martha Fenwick Allan Jeayes as Richard Barras Edward Rigby as Robert "Bob" Fenwick Linden Travers as Mrs. Laura Millington Cecil Parker as Stanley Millington Milton Rosmer as Harry Nugent, MP George Carney as Slogger Gowlan Ivor Barnard as Wept Olga Lindo as Mrs. Sunley Desmond Tester as Hughie Fenwick David Markham as Arthur Barras Aubrey Mallalieu as Hudspeth Kynaston Reeves as Strother Clive Baxter as Pat Reedy James Harcourt as Will Frederick Burtwell as Union Official Dorothy Hamilton as Mrs. Reedy Frank Atkinson as Miner David Horne as Mr. Wilkins Edmund Willard as Mr. Ramage Ben Williams as Harry Brace Scott Harrold as Schoolmaster Strother (as Scott Harold) You are invited to join the channel so that Mr. P can notify you when new videos are uploaded, https://www.youtube.com/@nrpsmovieclassics

[alwaysagoodloss]

the wikipedia page for olga desmond (incredibly described as a “living statue”) has the line “But "scandalous" also meant well-known” and that’s the energy i want to constantly be putting out

[itsmaferart]

Spy x Family Chapter 66 · · · Seed of mistrust

This contains spoilers for the manga.

This chapter has really made me enter an emotional turbulence that I don't know how to process. So I think I'll have to talk about this chapter in several parts

Before I talk about Melinda and the rest of the Desmonds, I want to talk mainly about Twilight in this chapter.

I was a little disappointed that Twilight's reaction was so natural. I was expecting a more epic expression, but I guess Endo preferred to take this issue more seriously and leave the jokes to Anya. Although well, I guess this is the funniest thing we can find xD

As we imagine: WISE, has very little information regarding the Desmonds. Each of them has a circle so small that it is almost impenetrable. So approaching Melinda with any attempt can be a huge risk. This could put any of the members, either Melinda or Donovan, on alert and end up isolating themselves to the point of being impossible to discover their plans.

I am beginning to understand the WISE conflict.

They are totally blind. They seem to have faint hints that the Desmonds are involved in something larger, and more dangerous, associated with war. Possibly, Donovan or Melinda, are the key to access a vast network of evil that is spreading. But they have covered themselves with such a deep armor that not even WISE has managed to have information about it.

There is nothing more dangerous than not knowing "where the enemy is"

This explains the constant pressure and fear of the organization when seeing that many attacks, and crimes are happening. But there is no solid basis to draw a conclusion or theory that makes sense, and tie up all the loose ends.

It is here, when Twilight himself feels with little information to theorize on his own.

Clearly, something is up with Donovan and Melinda's strange relationship. They are obviously an unconventional family and the "rejection" and "indifference" to their children, especially to Damiand, even becomes "terrifying".

This is more of an assumption. But I don't know if Melinda was forced to be Desmond's wife and perhaps have children when she didn't want them. This seems to go beyond a family deteriorating over time… or a marriage that has lost its love. It seemed that both of them were only fulfilling a role and maintaining the relationship for a true "convenience": power, protection, influence, social image, prestige, etc.

I wanted to dedicate a whole post to this topic, but I think I will try to make a brief mention:

Remembering the cruise arc. The shopkeeper mentioned that a split occurred within the secret government. While in the past the Gretcher family ruled the underworld in an "honorable" way, currently a man "with glasses" (by the figure represented on the panel) took power and started a division, being the reason why they were hunting to Olga. We are given to understand by the Director that "they do not support the war, much less those who try to make a fortune off it." So it is understood that Garden is against the radical sector that seeks confrontation.

Now, what side do the Desmonds play regarding the secret government? Are they supporting and financing the radical sector whose plans are war? Or are they on the same side as Garde?

Or much worse… what if the Donovans or Melinda play both sides and keep up appearances with both the radical and non-radical sectors. In this way, it is a game of double betrayal, no matter which side wins, they would benefit.

It also comes into question whether Melinda is against her own husband, whether for better or worse. And if this division that separates the Desmonds is not only "for sentimental reasons", but arises from political ideals… there is too much that we do not know

Maybe that's why the shopkeeper didn't see a problem with Yor getting involved with Melinda. But the way he says that "if anything were to happen, then of course… for that reason, I wouldn't exactly recommend it"… I don't know, it gives me a bad feeling, It is as if the shopkeeper thought that: The closeness of Yor and Melinda is not a problem at the moment, but it does not ensure that this in the future will be dangerous

But this topic deserves a separate post….

Although, it is strange the idea that the meeting of Melinda and Yor is planned. That means the Desmonds have been watching the Forgers and they haven't noticed. Which, is strange, considering Yor and Twilight are keen to notice when they're being watched…

We know that Yor was only the mall at Anya's request, so if Melinda planned it, it would be because she's been watching her from the beginning.

But, as Twilight himself supposes. It feels strange that this is a joint strategy of the Desmond parents. So it may be possible that it remains a chance event, risky and beneficial.

This really worries me....

I know that many talk and highlight how Twilight is willing to protect Yor… but… actually… this doesn't really relieve me… on the contrary, it worries me.

¡It breaks my heart to see that by now Twilight's mental bias is so ingrained in him that his first reaction is to distrust Yor!!

I understand, he is a spy, he was trained to distrust and see the worst case scenario. He does it to preserve his own security, and that of his work. But that he mistrusts Yor in the slightest shows that she does not have his absolute trust and this may continue to be repeated more in the future

I'm glad that Anya immediately clarifies that it was because of her wishes that Yor went to the mall. But even so, despite everything they've been through, living together, and Yor's efforts to be a good wife and mother, Twilight doesn't seem to realize (or doesn't want to) how important he is to Yoru. He represents a motivation for her, and she does not want to hurt him or betray him. Yor's ideals are not political, nor interested. Her support for the shopkeeper and his ideals are only because she feels that being an assassin could "protect her true interests", the love of her family.

I understand that Twilight is blind to Yor's job as an assassin. But the fact that he still feels the possibility that Yor is up to something behind his back: either handing him over to the SSS, or colluding with the Desmonds....Clearly, he still has a long way to go…

For even though Yor doesn't know he's a spy. She never doubts anything about him.... Although, well, she's very naive… still

The way she looks at him. She feels so relieved, motivated and happy that he has her back.

I know Twilight is being truthful right now. The transparent speech bubble tells us that he really thinks that way. I'm sure that if Yor had met friends, other than Melinda, Twilight would support her so that she had fun, and could expand her social bonds.

But with Melinda and Donovan in the equation, everything becomes so risky and unknown.

And as it is a habit in him, he will always say that everything about it is for the good of "the family facade".

I know that Twilight deep down has very important feelings for Yor, I think he's sincere when he doesn't want to risk her too much, and above all that "he will be ready to protect her".

But also, I feel like this sets the stage for the Forger family to start to crack. Considering that the Shopkeeper felt obvious suspicion about Loid Forger and his attempt to get close to Donovan. It may mean that Garden becomes interested in investigating the sudden husband of his best assassin… and if this leads to the assassination organization associating him with a threat, they either think he's a colluder with the Desmonds (whose party may be financing war plans and strategies), or they discover that he is a spy. Twilight and Yor's identity may be compromised in the future.

Which can lead to more distrust and dangers….

In other words, Twilight has never suspected that Yor is an assassin, and yet she feels the need to question his trust in her… the fear that she will turn him over to an enemy, or that she is planning behind his back. persist in it. If in the future Garden begins to show interest in him, it may lead to their identities being revealed.

.

.

feel very sad for Yor…. She is getting caught in the middle of a battle that she didn't ask for.

She clearly looks confused and unsure.

I feel that Yor deep down felt that he should mistrust Melinda, because of her terrifying expressions, her omissions, and such covert phrases… But she is not one to reason intellectually about the events of her life. It is her emotions and her instinct that warn she of the risks. But at the same time, she feels that she should not waste the opportunity to have friends

She just wants to have a quiet, peaceful life, to feel integrated into her family and the world around her. But these insecurities make them vulnerable, to fall in the middle of the conflict of WISE, Twilight, the Desmonds and Garden's actions… And I worry that she will be hurt and emotionally wounded.

I don't want to sound dramatic or negative. But I feel that Endo is telling us that many things can happen… things that the Forgers have to watch out for.

I know that Anya's efforts, they are funny, help to lower the tension of the chapter. But it's sad to see that Anya understands that Twilight's reason for being with her has been the Strix mission, and feels that the affection she receives from him is only for the "mission". If she is no longer her father's main plan: Plan A and plan B, she feels that she will be left aside and therefore abandoned

Clearly this is not true. Twilight truly loves Anya as his daughter, even if he doesn't admit it. But the weight of the Strix mission, the constant stress, pressure and preservation lies. They make each of the Forgers inside let themselves be enveloped by their insecurities.

Although Anya reads Twilight's mind: she feels that his thoughts (and emotions) are too confusing to interpret and she questions the stability of her happy and fun life.

This sparks a war between mother and daughter (something Yor has no idea about) for Twilight's attention.

I have always believed that the Forger family is an analogous representation of the peace between Ostania and Westalis. One family/two countries, happy and at peace based on lies. But when the truth is unleashed, it will be the end of this "illusory" peace and will bring with it many tears

I worry that the Forgers get so wrapped up in their own ambitions and desires that they end up embroiled in a trope so dangerous and entangled that it's hard to escape: Twilight, because of the mission, Yor in her attempt to be "normal" and "accepted ", and Anya in her longing for her father to love her and not abandon her. That the Strix operation begins to get complicated and with them leads to all this bomb of lies being unleashed

And this is when feelings become confused… What is a lie? What's the true? Who is an ally? Who is enemy?

I feel like there's a lot of drama coming up… and while this may not have an immediate effect… I hope that each of the Forgers get through it… and especially that they can understand that they are a true family and see beyond lies, ideals, war, and ambitions.

And the three of them understand, that no matter what they are a spy, an assassin, an experiment and a dog that sees the future. They all look for the same thing, a home.

.

.

I feel like I have to prepare tissue boxes T_T

What do you think?

[honkifyourelonely]

i love you olga merediz but the best performance of paciencia y fe ive ever seen was at a teen-led summerstock production where a fifteen year old in terrible old age makeup went norma desmond with it

[babyandcharacternames]

what abt some steampunk vibe names? :0

Avril

Amora

Aspen

Argent

Beatrix

Ben

Collin

Case

Casper

Cordelia

Caden

Camilla

Catrice

Dierdre

Diego

Donna

Desmond

Desmonda

Daffy

Dellie

Effie

Eulalia

Eunice

Evanora

Frieda

Fella

Fredrick

Fallon

Gardenia

Garret

Garnette

Hyacinth

Hyde

Herbert

Helena

Iphigenia

Isaac

Iona

Isador

Ivan

Igor

Jude

Jillian

Jasper

Jacob

Jade

Killian

Kyvan

Kai

Kolby

Lilliana

Lennon

Lenora

Lysander

Lilith

Lilac

Liegia

Mel

Morgana

Morgan

Millie

Millicent

Micheal

Noelle

Noah

Nicholas

Nadia

Nadine

Nicky

Nicolette

Neeve

Ophelia

Orpheus

Orville

Orla

Olga

Oliver

Olive

Orion

Petra

Pierre

Peter

Petunia

Pip

Pippa

Phillip

Phryne

Prudence

Promise

Penelope

Penny

Quincy

Queenie

Quinn

Quest

Rhys

Rhylander

Ryder

Raymond

Rylie

Rebecca

Steele

Stephan

Stiles

Stan

Sarah

Sybil

Sylvie

Silver

Silvio

Sandy

Tillian

Ty

Theophania

Theodore

Theodosius

Theodosia

Theodora

Tiffany

Tillie

Ulalume

Ursula

Vanessa

Vince

Viktor

Vikram

Victorie

Victoria

Vega

Vallor

Winston

Winona

Wisteria

West

Wren

Xenobia

Xilla

Xander

Xenobian

Yoel

Yvette

Yukov

Zander

Ziles

[hogibebeleri]

eski model listesi

bunu temizleyip yürürüz diycektim ama çok varmış o yüzden eski ünlülere isimlere bakmak için buraya bırakıyom kalsın sdfojdsoğjısıdjğods

ay daraltçam bu ne aq

- A -

Aaron Johnson - Leo Constantine

Aaron Tveit - Ezekiel Wymond

Abbey Lee Kershaw - S

Adam Brody - Cedric P. Powell

Adelaide Kane - Alana Windsor

Aidan Turner - Blaise Lynch

Alicia Vikander - Lily Marzia Lewis

Alona Tal - Claire Jenkins

Alycia Debnam Carey - Faith Franchot

Amber Heard - Edith Mori de Oliveira & Aureola Diana

Amy Poehler - Apple Corin

Ana de Armas - Riley Polanco

AnnaSophia Robb - Olivia Maeve

Andrew Garfield - Christen Austen

Andrew Lincoln - Desmond

Andy Samberg - Milo Dexter

Anna Christine Speckhart - Maria Sparrow

Anna Kendrick - June Lynwood

Ansel Elgort - Landon Scotty

Armie Hammer - Nikolai Fedosov

Ash Stymest - Wilford Grayson

Ashley Benson - Lexie Mallaith

Astrid Berges-Frisbey - Anthea Harrison

Aubrey Plaza - Zoya Everdene

- B -

Barbara Palvin - Annie Lancaster

Bella Heathcote - Fern Weinberg

Bill Skarsgård - Hermes Wolfhart

Boyd Holbrook - Hugo Montague

Bradley Cooper - Adonis Dard

Brett Dalton - Aldous Riordan

Brian J. Smith - Ä°.

Brit Marling - Euria Madlyn

- C -

Candice Accola - Evanora Eckhart

Carey Mulligan - Ophelia Delfino

Charlie Cox - Darcy Hemingway

Charlie Weber - Wardell Jon

Chloe Bennett - Miroslawa Waljewski

Chris Pine - Azure Welkin

Chris Pratt - Dux Stanton

Chris Wood - Atlas

Christian Bale - Mars Brant

Christian Cooke - Conor Lynton

Chyler Leigh - Cassandra Evans

Claire Holt - Karyna Gwen

Clark Gregg - Christopher Hart

Courtney Eaton - Night Haven

- D -

Daisy Ridley - Monica Myles

Dakota Johnson - Barbie Riley

Dan Stevens - Damien Delacroix

Daniel Radcliffe - Michael Genim

Daniel Sharman - Clementine Quinton

Danielle Campbell - Calista Apostolou

David Tennant - Hunter Chandra

Dianna Agron - Isis Chamberlain

Domhnall Gleeson - Jules E. Lincoln

Dominic Cooper - Quentin J. Lloyd

Dominic Sherwood - Dimitri Wolf

Douglas Booth - Vasco Delacour

Dylan O''brien - Nathaniel Hawkins

Dylan Sprayberry -Ove Stanford

- E -

Eddie Redmayne - S

Ebba Zingmark - Eloine Heaven

Eiza Gonzalez - Veronika Boleslava

Eleanor Tomlinson - Calleigh Gardenar

Elizabeth Debicki - Pippa Voughan

Elizabeth Henstridge - Gwendoline Cler

Elizabeth Olsen - Corinne Constantine

Eleanor Tomlinson - Calleigh Gardenar

Ella Purnell - Dolu

Elle Fanning - Rosie Van Laren

Ellen Page - Lydia Carrington

Elodie Yung - S

Emeraude Toubia - Elena Dimitriou

Emma Stone - Alexandra Zaleski

Emilia Clarke - Maya Davenport

Emilie De Ravin - Astrid Blanche

Emily Bett Rickards - Ocean Highmore

Emily Blunt - Lilla Arverne

Emily Browning - Ava Marlowe

Emily Deschanel - Hannah Montiel

Emily Didonato - Vera Isabel

Emmy Rossum - Vivian Gardner

Emily Rudd - Antje Griet

Erin Richards - Glory Constance

Eva Green - Verena Gray

Evan Peters - Viktor Chekov

Evangeline Lilly - Blue Marchand

Ewan McGregor - Acse Lemoine

Ezra Miller - Eugene Irwin

- F -

Felicity Jones - Macey Raphaelle

Felix Kjellberg - Silvestre César

Finn Jones - Buster

Freya Mavor - Olivia Fitzgerald

- G -

Gabriel Luna - José Espina

Gaia Weiss - Freya Kjellfrid

Gal Gadot - Cerys Ryan

Garrett Hedlund - Vitto Carlevaro

Gemma Arterton - Sabetha Belrossa

Georgina Haig - Calypso

Gigi Hadid - Mitchie Finnegan

Gina Rodriguez - Ida Castillo

Grace Phipps - Mia Kayleigh

Gustaf Skarsgård - Vincent Valente

- H -

Haley Bennett - Graciela de la Fuente

Hannah Simone - S

Harry Lloyd - Valentin Veaceslav

Hayden Christensen - Kristoff E. Petrov

Hayden Panettiere - Skyla Chavira

Hayley Atwell - Carmela di Chimici

Henry Cavill -Â Chester Norton

Hunter Parrish - Francis Rousseau

Hwang Jung Eum - Hana Godfrey

Ian De Caestecker - J.C. Murphy

Isabel Lucas - Helen Ambrosia

- J -

Jack O''Connell - Roy Whesker

Jai Courtney - Téo Teixeira

Jake Johson - Tony Thompson

James Franco - N/ash Carrington

James McAvoy - Sebastian Van Laren

Jamie Chung - Irene Weitz

Jane Levy -Â Elsie Rodgers

Jasmine Sanders -Â Liesje Lijsbeth

Jason Statham - Rafael Romero

Jay Baruchel - Cal J.W. Fox

Jeffrey Dean Morgan - Zed O''Callaghan

Jenna-Louise Coleman - Cecilia D. Chandler

Jennifer Morrison - Penny Black

Jensen Ackles - Florian W. Hoffman

Jeon Jeongguk - Jeon Jeongguk

Jeremy Renner - Dorian Dixon

Jesse Soffer - Grover Alen

Jessica De Gouw - Vera Guthrie

Ji Sung - Yong Jae Sun

JoAnna Garcia Swisher - Pacifica

Joe Gilgun - Desmond Gallagher

Johanna Braddy - Reva Keegan

John Krasinski - Jesse Wescott

Jon Kortajarena - Aaron Anderson

Josefine Frida Pettersen - Dolu

Jude Law - Andrei Pavlov

Julian Morris - Wesley Franklin

Julianne Hough - Madelyn Weaver

- K -

Karen Fukuhara - Yuki Nakashima

Karen Gillan - Emma Fray (<33)

Kate Mara - Tuesday Beckett

Kate Mckinnon - Myrna Morgenstern

Katherine McNamara - Norene Harland

Kaya Scodelario - Quinn Jenae

Keira Knightley - Mystral Roux

Kevin Zegers - Damon Wallner

Kit Harington - Joel Paxton

Kristen Bell - Vivien Rouge

Krysten Ritter - Iris Thorne

- L-

Lauren Cohan - Wonder B.

Leighton Meester - Anastacia Bouvier

Leonardo diCaprio - Jerry Arlexa

Lily Collins - Frankie Chandra

Lily James - Anaïs V. Grimaldi

Lindy Booth - Camilla Weitz

Lindsey Morgan - Zenobia

Lizzy Caplan - Ramona Fade

Logan Lerman -Â Harley Langley

Luana Perez - Elizabeth Burton

Lucy Hale -Â Sheri Payne

Lyndsy Fonseca - Daisy de la Vina

- M -

Mads Mikkelsen - Ä°

Maeve Dermody - Athena Zoega

Maia Mitchell -Â Lynda Stine

Margot Robbie - Josie Lesniewski

Maria Valverde - Valerija Roque

Marie Avgeropoulos - Ljubica Solvej

Marion Cotillard - Marika Lamora

Martin Wallström - Fabio Chepe

Mary Elizabeth Winstead - Amelie Steiner

Matt Hitt - Douglas Roswell

Matt McGorry - Corbin Renwick

Matthew Daddario - Diego Mendoza

Matthew Gray Gubler - Patrick Descoteaux

Max Irons - Marc Janko

Max Riemelt - Ziggy Hildebrand

Melanie Martinez - D

Melissa Benoist - Charlotte Evans

Melissa Fumero - Catherine Winters

Michael Fassbender - Franco Locatelli

Miguel Ángel Silvestre - Rico A. Moreno

Min Yoongi - Min Yoongi

Morena Baccarin - Tulip Talitha

- N -

Natalie Dormer - Gem Julep

Nick Blood - Isaac Wyatt

Nick Offerman - Alfred Castillo

Nico Mirallegro - Jack Daniels

Nikolaj Coster-Waldau - Theos Volantis

Nina Dobrev - Emmaline Winslow

Norman Reedus - Harley Harford

Noomi Rapace - Yulia Utkin

- O/Ö -

Olesya Rulin - Ceku Balım

Olga Kurylenko - Zelda Croft

Olivia Holt -Â Rylee Cantrell

Oscar Isaac - Aldo C. Ferreiro

- Q -

- P -

Paul Rudd - Marco Polo

Paula Patton - Winter Willford

Penelope Mitchell -Â Caitlyn Weatherly

- R -

Rachel McAdams - NavoÅŸ Lancaster

Rashida Jones - Jean Cardellini

Rebel Wilson -Â Lauren Dwyer

Reeve Carney - Dylan Breckendridge

Richard Madden - Tristan Windsor

Rinko Kikuchi - S

Rosario Dawson - Eve Blanchett

Rosamund Pike - Daniela Carlevaro

Rose McIver - Skyler Freestone

Rosie Huntington-Whiteley - Leona Lane

Ruth Negga - Lara Tailler

- S -

Sabrina Carpenter - Louise Linn

Sam Claflin - Mathias Clayton

Sarah Gadon - Nina Buchvarov

Sarah Hyland - Marceline Apostolou

Sebastian Stan - Maximillian di Chimici

Seychelle Gabriel - Leila Beaumont

Scarlett Johansson - Diamontina Dixon

Shailene Woodley - Joy Cappella

Shantel Vansanten - D

Shelley Hennig - Nora Simmons

Sophia Bush - D

Sophie Cookson - Rain Gisbourne

Summer Glau - Rhea Crisanta

- T -

Taron Egerton - Caleb Lysander

Tatiana Maslany - Margo Wiggins & Felicia Makovecz

Taylor Marie Hill - Milla Alexander

Taylor Swift - Melanie Phoenix

Teresa Palmer - Dora Desjardins

Theo James - Keiro Padmore

Tom Ellis - Hector A. Whittemore

Tom Felton - Alpha Rigorous

Tom Hardy - Dito Delfino

Tom Hiddleston - Newton F. Windsor

Tom Holland - Flynn Holdsworth

Tom Mison - Armitage Cromwell

Toni Garrn - Audrey Tyler

Torrey Devitto - D

Travis Fimmel - Forrest Dickson

Tuppence Middleton - Mia Santiago

- U/Ü -

- V -

Victoria Justice - Lotus van Boven & Selo

- X -

Xavier Samuel -Â August FridtjofÂ

- W -

Will Smith - Dante di Mercurio

Willa Holland - Ethea Middlesworth

- Y -

- Z -

Zendaya - Izzy McGowan

Zoe Kazan - D

Zoë Kravitz - Thalia Hardy

Zoe Saldana - Kiara Kingsley

Zooey Deschanel - Hailey Montiel

Zoey Deutch - Myra Blackbourne

[doppoggi]

Olga Desmond

Plakat

Luis Felipe Usabal y Hernández (1876 - 1937), Entwerfer Weylandt, Arnold, Kunstanstalt, Drucker

1910

Entstehungsort stilistisch: Deutschland Druckort: Berlin 

[kunsthallebremen]

Skulptur ist mal zu erotisch, mal zu schwer

Derzeit wird die neue Sammlungspräsentation aufgebaut. Die lebengroße Skulptur “Adoratio” von Stephan Sinding steht seit über 60 Jahren im Depot. Nun sollte sie endlich gezeigt werden. Leider geht das nun aber doch nicht...

Stephan Sinding (1846 Trondheim – Paris 1922) war ein dänisch-norwegischer Bildhauer. In Dänemark gilt er als Pionier der realistischen Skulptur. Er erhielt mehrere Aufträge für öffentliche Denkmäler. Seine Marmorskulptur „Adoratio“ (Anbetung) war zu seiner Entstehungszeit sehr bekannt. Die zeitgenössische Kunstkritik zeigte sich ergriffen von dieser Darstellung: „…der Mann ist niedergesunken vor der Göttin seines Lebens, der er voll seligen Dankes inbrünstig die zarten Knie küsst.“ Der Erfolg der Skulptur führte dazu, dass sie 1913 von der Nackttänzerin Olga Desmond und ihrem Partner Adolf Salge an einem ihrer sogenannten „Schönheitsabende“ nachgestellt wurde. Das „tableau vivant“ wurde in einer Fotografie festgehalten, die käuflich erworben werden konnte.

Der Kunstverein erhielt die Figur 1957 als Geschenk. Sie wurde allerdings nicht in die Schausammlung integriert und erscheint auch nicht auf der offiziellen Liste der Schenkungen der Kunsthalle. Das höchst pathetische Werk wurde „nur unter gewissen Vorbehalten“ angenommen. Verletzte sie den prüden Zeitgeschmack der 1950er-Jahre? War sie zu sexy fürs Museum?

Vermutlich wurde die Skulptur, seit sie Teil der Sammlung ist, nie ausgestellt. Im Rahmen der Neupräsentation von „Remix 2020“ (ab 6. Juni 2020) sollte sie nun endlich in die Dauerausstellung in einen thematisch passenden Raum integriert werden. Allerdings wurde festgestellt, dass der vorgesehene Raum die 1,3 Tonnen schwere Skulptur nicht tragen würde. So muss die Skulptur weiter im Depot verharren und auf ihren großen Auftritt warten.

Die Kustodin Dr. Dorothee Hansen verantwortet den Sammlungsbereich, in den die Skulptur von Sinding fällt: „Wir hätten die Figurengruppe sehr gerne in die neue Dauerausstellung integriert! Beim Publikum hätte sie sicherlich zu viel Diskussion über das Geschlechterverhältnis aber auch über Kitsch geführt. Nun ist das Werk ein Beispiel für die Komplexität einer Sammlung. Gewisse Werke stellen uns vor konservatorische und aber eben auch statische Herausforderungen. Außerdem zeigt sie Skulptur, wie kompliziert die Konzeption einer neuen Sammlungspräsentation ist: Der Aufbau von „Remix 2020“ besteht nicht nur aus 1. Kunstwerk aus dem Depot holen 2. Kunstwerk aufhängen oder aufstellen. Bei der Auswahl der Werke spielen viele Aspekte eine wichtige Rolle: Inwieweit kann ein Werk inhaltlich und optisch in eine Erzählstruktur integriert werden? Welche restauratorischen und statischen Punkte gibt es zu beachten?“

Für alle Neugierigen gibt es aber einen Trost: Eine identische Marmorskulptur befindet sich in der Ny Carlsberg Glyptothek in Kopenhagen. Und auch im Schlosspark Thürmsdorf in der Sächsischen Schweiz findet sich eine Version der Figur aus Bronze.

„Remix 2020. Die Sammlung neu sehen“ (ab 6. Juni 2020)

Nach knapp neun Jahren präsentiert die Kunsthalle Bremen ihre Sammlung grundlegend neu. Die Bestände wurden dafür einer Revision unterzogen. Vormals voneinander getrennt gezeigte Werke, werden nun in einen Dialog gestellt. Vermeidlich Unterschiedliches wird zusammen geführt, wodurch neue Erkenntnisse entstehen. Einzelne Werke waren seit Jahrzehnten nicht mehr zu sehen. Hinzu kommen aktuelle Ankäufe und Schenkungen, die nun erstmals präsentiert werden. Die zeitgenössische Kunst findet nun mehr Raum. Auf drei Etagen verteilt werden rund 450 Werke gezeigt.

Abbildungen: 1) Stephan Sinding, Adoratio (Anbetung), 1907, Marmor, 210 x 75 x 133 cm, Kunsthalle Bremen – Der Kunstverein in Bremen 2) Kaum zu unterscheiden: die Skulptur und das Tableau vivant von Olga Desmond und Adolf Salge https://bit.ly/2L2B0X2 3) Adoratio für Fotoaufnahmen im Depot

[movieometer]

Turistas (2006)

Release Date: December 1st, 2006

A terrible horror movie that entails kidnapped Americans running through the Brazilian jungle to escape organ harvesters. That’s it, that’s all. It’s starring Josh Duhamel and Olivia Wilde as brother and sister, who both survive, of course. Their friends all die, except for one girl they met who speaks Portuguese, because she’s important as The Translator. It was less of a horror film and more of a gory action film, I guess. It shows a girls open abdomen, but there’s almost no suspense at all. It’s just not scary, it’s gross. And the entire last 20 minutes is spent swimming away from their captors in underground water caves. Is that scary to somebody? 

Rating: F. The only thing scary about it is that this event might actually have happened, minus the whole escaping part.

[rougestock]

Living Statue ou Tableau Vivant

The tableau vivant, or group of living statues, was a regular feature of medieval and Renaissance festivities and pageantry, such as royal entries by rulers into cities. Typically a group enacting a scene would be mounted on an elaborate stand decorated to look like a monument, placed on the route of the procession. A living statue appeared in a scene of the 1945 French masterpiece film Les enfants du paradis (Children of Paradise), and early living statue pioneers include the London-based artists Gilbert and George in the 1960s. In the early years of the 20th century, the German dancer Olga Desmond put on “Evenings of Beauty” (Schönheitsabende) in which she posed nude in imitation of classical works of art ('living pictures').

Since 1996 the annual "World Statues Festival" is held in Arnhem, Netherlands, initially under the name "Rijnfestijn".

The University of Business and Social Sciences in Buenos Aires, Argentina has hosted a National Contest of Living Statues since the year 2000.[1]

Since 2011, the International Festival of Living Statues has been hosted by Masca Theatre in Bucharest, Romania, where there is a focus on developing the form through artistic research.[2]

Un tableau vivant (français : [tablo vivɑ̃] ; souvent abrégé en tableau ; pluriel : tableaux vivants), français pour « tableau vivant », est une scène statique contenant un ou plusieurs acteurs ou modèles. Ils sont immobiles et silencieux, généralement costumés, soigneusement posés, avec des accessoires et/ou des décors, et peuvent être éclairés de manière théâtrale. Il combine ainsi des aspects du théâtre et des arts visuels.

Un tableau peut être soit « joué » en direct, soit représenté en peinture, photographie et sculpture, comme dans de nombreuses œuvres des mouvements romantique, esthétique, symboliste, préraphaélite et Art nouveau.

À la fin du XIXe et au début du XXe siècle, les tableaux comportaient parfois des poses plastiques ("poses flexibles") de modèles pratiquement nus, offrant une forme de divertissement érotique, à la fois sur scène et sur papier.

Les tableaux perdurent jusqu'à nos jours sous la forme de statues vivantes, d'artistes de rue qui s'amusent en posant en costume.

À l'occasion, une messe était ponctuée de courtes scènes dramatiques et de tableaux ressemblant à des tableaux. Ils étaient une caractéristique majeure des festivités pour les mariages royaux, les couronnements et les entrées royales dans les villes. Souvent, les acteurs imitaient des statues ou des peintures, à la manière des artistes de rue modernes, mais en groupes plus importants, et montaient sur des stands temporaires élaborés le long du chemin de la procession principale.[1] Johan Huizinga, dans L'Automne du Moyen Âge, décrit l'utilisation et la conception de tableaux vivants à la fin du Moyen Âge. De nombreuses peintures et sculptures recréent probablement des tableaux vivants, par lesquels les historiens de l'art rendent parfois compte de groupes de figures plutôt statiques. Les artistes étaient souvent les concepteurs de ce genre d'apparat public.

L'histoire des arts visuels occidentaux en général, jusqu'à l'ère moderne, s'est concentrée sur la présentation symbolique et arrangée et (à part le portrait personnel direct) était fortement dépendante des modèles d'artistes fixes en costume - essentiellement des tableaux vivants à petite échelle avec l'artiste comme public temporaire. Le mouvement du réalisme, avec des représentations plus naturalistes, n'a commencé qu'au milieu du XIXe siècle, une réaction directe contre le romantisme et sa forte dépendance au format de tableau stylisé.

Avant la radio, le cinéma et la télévision, les tableaux vivants étaient des formes de divertissement populaires, même dans les villes frontalières.[2] Avant l'ère de la reproduction en couleur des images, le tableau était parfois utilisé pour recréer des œuvres d'art sur scène, à partir d'une eau-forte ou d'un croquis d'un tableau. Cela pourrait être fait comme une aventure amateur dans un salon, ou comme une série de tableaux produits de manière plus professionnelle présentés sur une scène de théâtre, l'un à la suite de l'autre, généralement pour raconter une histoire sans nécessiter tous les attributs habituels et la production d'une représentation théâtrale complète. . Ils ont ainsi influencé la forme prise par les derniers spectacles de lanternes magiques de l'ère victorienne et édouardienne, et peut-être aussi des bandes dessinées narratives séquentielles (qui sont apparues pour la première fois sous une forme moderne à la fin des années 1890).

Les Tableaux vivants ont souvent été joués comme base pour les pièces de théâtre de la Nativité à l'école en Angleterre pendant la période victorienne ; la coutume est toujours pratiquée au lycée de Loughborough (considéré comme l'un des plus anciens lycées pour filles d'Angleterre). Plusieurs tableaux sont exécutés chaque année au service de chant de l'école, dont la représentation d'une gravure en grisaille (dans laquelle les sujets sont peints et habillés entièrement de gris).

La censure théâtrale en Grande-Bretagne et aux États-Unis interdisait aux actrices de se déplacer nues ou semi-nues sur scène, de sorte que les tableaux vivants ont eu une place dans le divertissement risqué pendant de nombreuses années. Au début des années 1900, la danseuse allemande Olga Desmond apparaît dans Schönheitsabende (« Soirées de beauté ») dans lequel elle pose nue dans des « tableaux vivants », imitant des œuvres d'art classiques.

Au XIXe siècle, les tableaux vivants prenaient des titres tels que « Nymphs Bathing » et « Diana the Huntress » et se trouvaient dans des endroits tels que le Hall of Rome de Great Windmill Street, à Londres. Les autres lieux étaient le Coal Hole in the Strand et le Cyder Cellar à Maiden Lane. Les poses plastiques nues et semi-nues étaient également une caractéristique fréquente des spectacles de variétés aux États-Unis : d'abord à Broadway à New York, puis ailleurs dans le pays. Les Ziegfeld Follies présentaient de tels tableaux de 1917. Le Windmill Theatre de Londres (1932-1964) présentait des poses plastiques nues sur scène ; c'était le premier et pendant de nombreuses années le seul lieu pour eux dans le Londres du 20e siècle.

Les tableaux vivants étaient souvent inclus dans les spectacles forains (comme on le voit dans le film A Taste of Honey de 1961). Ces émissions avaient largement disparu dans les années 1970. Les tableaux restent une attraction majeure lors du concours annuel des maîtres à Laguna Beach, en Californie.[3]

[sgisdinclusion]

Congrats to All Our New 2019-2020 SGISD Graduates!

While more traditional celebrations were not possible this year due to COVID-19, we are so proud of the accomplishments of this year’s graduates, and want to highlight them here. Read below for the names of some of the students who make our school such a special place, in our Global Inclusion & Social Development, Rehab Counseling, Vision Studies, and Transition Leadership programs. They have all worked so hard to get to this important occasion, and in completing a certificate, masters, or doctoral degree. We are honored to have had them as students, and are proud to now have them as SGISD alumni!

Book Award Winners

Congratulations to the 2019–2020 book award winners:

Global Inclusion & Social Development, MA: Hanako Brais Book: Minor Feelings: An Asian American Reckoning. Park Hong, C. (2020).

Rehab Counseling, MS: Lisa Larson Book: Woman of Influence: 9 Steps to Build Your Brand, Establish Your Legacy, and Thrive 1st Edition. Miller, J. (2020).

Vision Studies, MEd Programs: Maritza Mayo Castro Teacher of Students with Visual Impairment (TVI) Program. Book: Everyday Activities to Promote Visual Efficiency: A Handbook for Working with Young Children with Visual Impairments. Trief, E. & Shaw, R. (2009).

Brenda Gaffney Larkin Orientation and Mobility Program (O&M) Book: Partners in O&M: Supporting Orientation and Mobility for Students Who Are Visually Impaired. Pogrund, R.L. & Griffin-Shirley, N. (2018).

Jonathan Gansfried Vision Rehabilitation Therapy Program (VRT) Book — Physical education and sports for people with visual impairments and blindness: Foundations of instruction. Lieberman, L. J., Ponchillia, P. E., & Ponchillia, S. V. (2013).

Kerry Birchall Assistive Technology for Visual Impairment Program (ATVI) Book-Cook, A. M., Polgar, J. M., & Encarnação, P. (2019). Assistive technologies: Principles and practice (5th edition). St. Louis, MO: Elsevier Health Sciences

Transition Leadership Certificate Graduates Our Transition Leadership Certificate Program serves to create an important connection in the services needed to transition from high school, to adult life, for young people with disabilities. Our graduates take on this critical role of transition specialist, and serve as the professionals capable of bridging the gap between special education and adult services in their school systems, communities, and other settings. We’re so proud of our Transition Leadership students who have received their Certificate in Transition Leadership: Jessica Blankenship Tara Bozek Jenna Callahan Anthony Cannella Brittaney Courier Justin DeSorgher Mary Desmond Christine Dilley Kathleen Dyer Raymond Fox Alexandra Frazier Elizabeth Hintz Karen Lahey Michael Laub Ryan McGoff Curtis O’Dell Deanna Petrucci Matthew Scanlon Linda Thrasher

Vision Studies Graduates Our Vision Studies program is unique and has a global reach. We train graduate students to become highly skilled practitioners in this varied and in-demand field. Since our instruction is delivered remotely, our students join the program from across the U.S., including Puerto Rico and the Pacific Islands. Vision Studies contains several areas of specialization. Our graduates will go on to excel in these areas:

Orientation and Mobility (O&M) O&M practitioners train people who are blind or have low vision to safely and confidently navigate the spaces around them. This includes working with guide dogs and teaching people to use canes and other assistive devices. These students received their MEd in Vision Studies / O&M: Barbara Angulo Gonzales Jean Bousquet Sonivellisse Collazo Rivera Andrew Egan Brenda Gaffney Larkin Alyssa Goldman Alesandra Haley Rebecca La Placa-Massa Tamika Meade Cristina Pantoja (graduation expected August 2020) Olga Rivera (graduation expected August 2020) Hecmarie Tosado The Vision Studies program also offers certificate options in which students can study a Vision Studies specialty area through a condensed course sequence. These students received a certificate in O&M: Kara Olivere Kristen Sharpless Kimberly Carnegie

Vision Rehabilitation Therapy (VRT)

VRT professionals enhance the vocational opportunities, independent living, and educational development of people with vision loss. Our VRT grads have learned to evaluate and teach daily living skills and strategies for safe, independent living for those with visual impairment.

These students received their MEd in Vision Studies / VRT: Roselyn Batista Ian Bogert Melissa De Jesus Alex Desroches Jennifer Nieves Cecilia Perez Magan Rowan Carly Schuckers Kristen Sharpless Bridget Walker Teacher of Students with Visual Impairment (TVI) In our TVI track, scholars learn to work with students who are blind or have low vision, as well as with their families. Through courses, field-based experiences, and practica, learners focus on designing, implementing, and advocating for inclusive learning settings for children with visual impairment. These students received their MEd in Vision Studies / TVI: Sabrina de Jong Gretchen DeMone Jacqueline Dettore Patrick Gilman Kevin Lemaire Christian Lobo Rodriguez Amanda Lord Maritza Mayo Castro Kelli McPherson Pamela Oddis Lauren Royce Colleen Ruddy Marguerite Tibaudo Michelle Ward Amanda Weisman Sarah White Helen Wright

Assistive Technology for Visual Impairment (AT) One of our newest Vision Studies options is Assistive Technology for Visual Impairment (AT). AT instructional specialists enhance access to technology for people with blindness and visual impairment. They also recommend technologies to support people with vision loss in their daily functioning, academic work, and careers. These students received their MEd in Vision Studies / AT: Cheryl Bitting Karen Blake These students received a Certificate in AT: Roselyn Batista Kerry Birchall

Rehab Counseling Graduates Our rehabilitation counseling MS program is ranked #1 in New England by U.S. News & World Report. Rehab counselors support people with disabilities (and other obstacles to employment) to lead fulfilling lives, including engaging in work in their communities. We’re so proud of our rehab counseling who have received their MS, Rehabilitation Counseling:

Lina M. Lujan Courtney E. Hoban Megan Wiggins Allyson D. Morin Nicole Belliveau Sonya W. Bouchard Denae S. Ramos-Pachucki Bridget A. McNamee Lisa Larson Shane M. Tannahill

Global Inclusion & Social Development Grads

We are so proud of our six most recent GISD graduates! We can’t wait to see the work they will do in the field, examining issues related to inclusion and social development, and seeking solutions to complex challenges. They will serve as leaders in their communities, and nationally and internationally, and in a variety of roles, making meaningful change through contributions in practice, policy, and research. PhD, Global Inclusion and Social Development Sarah Alem Kevin McCormack Libby Stone-Sterling Elena K. Taborda Marian Taylor Brown And congrats to Hanako Brais, our newest master’s graduate! Hanako just completed her MA in Global Inclusion and Social Development.

[topbeautifulwomens]

#Claudia #Brant #Biography #Photos #Wallpapers #anime #cream #eroticmodel #food #kawaii #makeuptutorial #photooftheday #punjabiwedding #selfie #streetart

Claudia Brant is an Argentine singer and composer of international acclaim. She has composed songs for singers like Il Divo, Ricky Martin, Anahi, Santana, Luis Fonsi, Chayanne, Tito Nieves, Olga Tanon, Paulina Rubio, La Ley or VĂ­ctor Manuelle. Claudia as well has teamed with composers as famous as the acclaimed David Foster, Walter A., Noel Schajris (Sin Bandera), Gianmarco, Jorge Luis Piloto, Luis Fonsi and Gabriel Flores.

Claudia Alejandra Menkarski was born July 21, 1968 in Buenos Aires, Argentina where she grew up.Influenced by her parents that listened to a diverse range of music (Frank Sinatra to Nino Bravo), Claudia Brant identified her love for music given that the age of six, when she composed her very first song. Seeing this, her parents gave her a guitar and started playing it by ear. Then put her in guitar lessons. Then she learned to play also bass and piano. Writing verses, however, it was very straightforward for her. And because she had no brothers spent hours in his room trying to locate chords and invent melodies, while wrote his songs and recorded his compositions in a cassette. His first experiences in music she lived it in the study. She worked in the recording of jingles and even got a contract with a label. When she was 16 and 17 years, worked in Argentina, writing songs about the typical complications of adolescents. Diego Torres and Cristian Castro recorded her songs. That led her to Los Angeles, California. Later, she returned to Buenos Aires, where she studied architecture.

Professionally, she started composing at 19 or 20 years and started singing in 1991. It was in this year when she won the Festival OTI in Mexico with the theme ‘¿Donde estas ahora?†(‘Where are you now?)”. Since 2006 or 2007 she began working with regional Mexican music exponents. Despite all their success, “No me doy por vencido”, a song recorded by Luis Fonsi (and composed by both artists) in 2008, has been the song most successful of Claudia Brant so far. The song, reached # 1 in the United States, Puerto Rico, Mexico, Spain, Chile, Bolivia, Colombia, Venezuela, Ecuador and most of Central and South America. She has also released five solo albums that contain songs written for other artists. She composed songs like “Mas” (More) by Ricky Martin, “Gritar” (Scream) and “Respira” (Beathe) by Luis Fonsi, “Camina conmigo” (Walk with me) by Haash or “Hasta el final” (Until the end) by Il Volo. She won the OTI Festival in 1991 and the Festival of Vina del Mar in 1994 or 1995 with the theme “Como ayer”, as author and interpreter, being the first representative of Argentina to win it. The two songs were sung by her. Brant was awarded as Songwriter of the Year of Latina SESAC in three consecutive instances in United States from the period 2006–07, addition to the Latin Grammy and Premio Oye (Hey Award.) In 2010, Claudia Brant was awarded three international awards: the Latin Grammy 2009 (from the Latin Academy of Recording United States) in Las Vegas for his song “AquĂ­ estoy yo” (Here I Am), Hey Prize 2009 (Academy Mexican Music) in Guanajuato, MĂ©xico, by “No me doy por vencido” (No I give up) (that was included in the category of Song of the Year), and the title of Songwriter of the Year 2009 awarded by the Monitor Latino Convention in Los Angeles, California.

The latter has received the decision of a broad panel of representatives from radio and the music industry across the United States. To this is added to SESAC Latina Award # 1 in 2009 for his song “AquĂ­ estoy yo” (Here I Am), that performed by co-author Luis Fonsi with David Bisbal, Aleks Syntek and Noel Schajris and swept the charts in Latin America and Spain, and spent 35 weeks at the top of the Billboard chart in the U.S. She also received two nominations Latin Grammy for the album “Manuscrito (Manuscripts)” in early 2011, for greatest recording´s engineering and by Best Female Pop Vocal Album.

In addition, in that same year, she received the third nomination in the twelfth edition of the Latin Grammys, that she shared with the Cuban Desmond Child, on the “Song of the Year” category for the song “Lo mejor de mi Vida eres tu” (Best of my life is you), played by Puerto Rican singer Ricky Martin and the Spanish Natalia Jimenez.

Name Claudia Brant Height Naionality Argentina Date of Birth 21-July-1968 Place of Birth Buenos Aires, Argentina Famous for Singing

The post Claudia Brant Biography Photos Wallpapers appeared first on Beautiful Women.

source http://topbeautifulwomen.com/claudia-brant-biography-photos-wallpapers/

[funtubeweb]

This Week on NFB.ca: Explore Black History through 5 Films

February is Black History Month. Each year at this time, we go through our collection to bring you a selection of films that explore different aspects of Black culture.

Black History Month has existed in some form in Canada since the 1920s, but it only truly became what it is today in 1976. This year’s theme, as set by the Canadian Government, is Black Canadian Youth: Boundless, Rooted and Proud. We’ve put together a selection of films that we think fits the theme, and insight into issues you may not be too familiar with.

Everybody’s Children

People come from all sorts of different pasts. If they come from a bad one, sometimes they can get lucky and escape a similar fate. This film is a shining example of how one’s past doesn’t always dictate their future.

Meet Joyce and Sallieu, two teenage refugees from the Democratic Republic of Congo and Sierra Leone, respectively. Filmmaker Monika Delmos takes her time and follows the two of them over the span of one year. She explores both their personal experiences as refugees, and the more common experience of going through their teens.

oehttps://http://bit.ly/2Bs3JA1

Black Soul

This beautifully animated short takes a 9-minute voyage through Black history and culture. It’s the result of one grandmother sharing her stories with her grandson, allowing him to explore his roots. From pharaohs and kings to gospel and jazz, the boy gets a thorough education by revisiting some of the defining moments of Black history.

The animation itself is spectacular. Painted directly under the camera, the images are rich, vibrant and swirl and transform fluidly. It’s simply gorgeous.

oehttps://http://bit.ly/2TE9bqH

Journey to Justice

The new $10 bill featuring Viola Desmond is now in wide circulation across the country. It’s the first bill to feature a vertical design. It’s fitting for a woman as defiant as Desmond, who famously refused to vacate her seat in the White section of a Nova Scotia theatre in 1946.

Desmond’s story is but one of those covered in this film which highlights a group of unsung heroes throughout Canada’s Black history. These are the people who fought for civil rights and took racism on, even if it meant going to court. Their stories deserve to be told… and seen.

oehttps://http://bit.ly/2BpEv5c

Christopher Changes His Name

This animated short hails from the Talespinners collection, a series devoted to exploring the history and traditions of diverse cultures. It’s the second film in the series to feature Christopher, our young hero.

In this story, young Christopher decides he’s no longer satisfied with his name. Too plain, too boring, too ordinary. He’s much more enthralled by the name Tiger, after his aunt from Trinidad tells an engrossing tale about one. But then he gets a better idea, and he might just keep going except he discovers there are consequences to his hasty actions.

oehttps://http://bit.ly/2TIBwfy

Show Girls

Exploring a singular aspect of Montreal’s own Black history, this documentary takes us into the Black jazz scene from the 1920s all the way through to the 1960s.

Bernice, Tina, and Olga danced in the hottest clubs of the day, including Rockhead’s Paradise, The Terminal, and Café St. Michel. From pre-war to post-war these women entertained. Take the opportunity to hear their stories and see some rarely seen footage from the time. It’s a fascinating film, filled with song, dance, and perhaps most of all, pride.

oehttps://http://bit.ly/2Bq5rSw

The post This Week on NFB.ca: Explore Black History through 5 Films appeared first on NFB Blog.

This Week on NFB.ca: Explore Black History through 5 Films posted first on http://film-streamingsweb.blogspot.com

[caves-offsite]

Spring 1883 - The Windsor Hotel, Melbourne, 1-4 August, 2018

CAVES Suite 18, Level 2.

Tia Ansell, Olga Bennett, Sarah crowEST, Narelle Desmond, Casey Jeffery, Tim McMonagle, Pia Murphy, Noriko Nakamura, Aaron Christopher Rees, Ebony Truscott, Anna Varendorff​

Image: Ebony Truscott, Apple with animal bite. 2017. Oil on panel. 20 x 15cm.