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slu7formen · 4 months

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Girl first of all I want to say that I'm OBSESSED with your writing I love it.

Second of all I would like to make a request about Luke so hear me out.

Luke and reader were in a relationship before he betrayed camp and they were head over heals for each other and then he stole the bolt and when Percy discovers he's the thief the reader is there feeling betrayed and specially heartbroken even though Luke ask her to go with him but she doesn't accept it because she's so loyal to camp and her friends.

Time passed and even if she wants to hate Luke she loves him more than anything. And Luke loves her too so instead of asking Annabeth to escape with him he asks reader and she accepts.

I want to see everything in here fluff, angst, everything you think about.

I hope you like this request and make it real for me because I've been having this idea for over a week.

Okay but I feel so bad ‘cause I totally forgot I had this story FULLY WRITTEN and READY to be published (‘cause I LOVED it), I’m so sorry angel, made you wait a lot more than just a week 🥺, but thanks for reading my stories <3

MDNI. luke castellan x fem!reader

warnings: luke´s a traitor, betrayal, use of yn, swearing, kinda angst (?, KISSING, lil book spoiler

₊˚⊹♡

The crackle and pop of the bonfire filled the air, a comforting contrast to the vibrant bursts of color exploding overhead. The annual fireworks display was in full swing, casting shadows on the faces of your friends huddled around the warm flames. It was a picture of peace, a moment of respite amidst the constant threat of monsters demigod drama.

You stole a glance at the empty space beside you. Luke, your boyfriend, had told you he'd just be back in a minute. A few minutes had turned into an eternity, but you chalked it up to his usual impulsiveness. He'd be back any minute, with his signature smile and an arm wrapped around you.

You knew it.

From the moment you met, you and Luke had been inseparable. You were his confidante, his anchor in the chaos of being a demigod and his messy life. He was your rock, always there to make you laugh, to understand the weight of your heritage in a way no one else could.

The warmth of the fire danced on your skin, but a shiver snaked down your spine. Something felt off. The chatter of your friends seemed muted, replaced by a dull ache in your chest. You couldn’t deny the way you noticed how Luke has been acting lately. So weird and distant towards you the last couple days. You loved him, fiercely and unconditionally. You'd been there for him through thick and thin, especially after his quest left a jagged scar across his cheek and a hollowness in his eyes.

But then he suddenly just, snapped.

A memory surfaced in you , sharp and unwelcome. It had been months ago, a conversation in the darkness of his cabin in a particular cold night. Luke, his eyes filled with a desperate fervor, had confessed his anger towards the gods, his belief that they were cruel and neglectful parents. He'd spoken of tricking the Olympians, joining forces with the Titans to fight for a better life for all demigods.

The anger in his voice, the glint of rebellion in his eyes, had scared you. The scar on his face, a reminder of his failed quest, seemed to burn brighter that night.

You understood his anger. The gods were far from perfect, their neglect and cruelty evident in countless demigod lives. He'd begged you to join him, his voice filled with a desperate hope. But you'd refused, your loyalty to Camp Half-Blood and your friends unwavering. You had spent hours talking him through it as you held his hand, reminding him of all the good the gods had done, no matter how flawed they might be. He'd looked lost at the time, seeking comfort in your touch. You'd thought you'd reached him, extinguished that spark of rebellion.

You really believed that conversation was long forgotten. But there was a reason why you remembered it.

Some movement at the edge of the woods caught your eye. But it wasn't the boy you were expecting. Percy, his face pale and etched with worry, practically stumbled into the fireplace, his chest heaving and his grip tight on Riptide.

A pang of concern shot through you. "Percy?" you called out, concern lacing your voice. You pushed yourself off the ground, walking towards him. "What happened? Where's Luke?"

Percy hesitated, his eyes filled with a storm of emotions. Shit, should he tell you? His silence was a hammer blow to your gut. You knew, with a chilling certainty, that something was terribly wrong.

"What?" you choked out, the question barely a whisper, expecting some kind of answer from the blonde boy, but nothing came from his trembling lips. The air felt dense, with a truth you desperately wanted to deny. You saw Luke getting into the woods with Percy, you saw it. And now, he was nowhere to be seen.

Then, it clicked. A cold, horrifying truth began to dawn on you.

He lied.

Without a word, you pushed Percy aside and started running, towards the woods. Your heart hammered against your ribs, like a trapped bird desperate to escape. You plunged into the darkness of the forest, the path you'd walked countless times with Luke now leading you into the unknown.

"Luke!" you screamed, your voice raw with anger and despair. You wove through the trees, the undergrowth tearing at your camp shirt, but you didn't care. You had to find him, to confront him, to understand why he'd chosen this path, if he chose it, why he'd lied to you.

But with each passing minute, hope crashed over you. The forest grew denser, the silence broken only by the rustle of leaves and the frantic beat of your own heart. There was no sign of Luke, no echo of his footsteps, no smell, no sense of his presence, only the chilling truth hanging heavy in the air.

He was gone.

He had left.

You sank to your knees, the weight of betrayal crushing you as the first tears you ever cried for Luke Castellan, started to fall. The man you loved, the person you'd trusted with your life, had chosen darkness over everything you held dear. He had chosen Kronos over you.

Grief, a cold and relentless serpent, coiled around your heart. And that feeling never seemed to leave.

The year that followed was a blur of sadness and a desperate attempt at normalcy. The silence from Luke was deafening. Not a single Iris-message, not a single sign of the one who once, was your boyfriend.

You knew you wouldn´t be able to return to Camp, at least not for now. Every corner held a ghost of Luke's smile, every sword clang a reminder of his battles and his betrayal. Your friends, the true ones, bless their hearts, tried everything to cheer you up from a distance, but their efforts felt like trying to pick up the pieces of a broken glass in the sea.

You opted to stay home that summer. But even there, away from the prying eyes and hushed whispers, escape from Luke's betrayal seemed impossible. Messages and news found you no matter where you hid. News of Luke leading a rogue army aboard a stolen cruise ship, rumors of him serving as Kronos's right hand while the Titan slumbered – it all reached your ears.

The nights were the worst. The darkness mirrored the hollowness within you. Tears would stain your pillow as you relived the events leading up to his betrayal. You once seemed to dream about seeing him again, and now you only screamed when you saw his face in your nightmares.

The memory of his touch, the warmth of his smile, the nights you spent loving each other with the sheets tangling in your legs, all felt like cruel illusions now. Yet, a part of you, a stubborn, illogical part, still clung to the love you once shared.

And Gods, did you try to keep yourself as busy as possible. You threw yourself into your studies and little courses here and there, seeking solace in facts and logic. You even began working, a boring but well payed summer job. Yet, the pain lingered, a dull ache that refused to subside.

The more you tried to banish these visions, the more vivid they became. You missed him like a starving man craved a feast, a yearning that gnawed at your insides and threatened to consume you. Frustration gnawed at you. How could you still love someone who'd betrayed you so utterly? How could your heart still ache for a man who chose war over you? The questions echoed endlessly within you, a relentless chorus fueling your self-conscious.

How could you be so weak?

These consuming questions were your companions for a whole year. But as the second summer after Luke's betrayal rolled around, a shift occurred within you. The raw, agonizing pain began to dull, replaced by a quiet resolve.

Finally, you decided it was time to take back control again. Camp Half-Blood called, a familiar haven among the storm. You returned a changed person. The vibrant smile that once adorned your face was a ghost, replaced by a guarded expression that spoke about the pain you harbored in silence. The camp's familiar energy felt hollow, a constant reminder of the happiness you'd lost.

Training became your sole solace. You'd disappear into the arena for hours, your celestial bronze sword a blur as you cleaved through training dummies, each swing fueled by a potent cocktail of grief and anger.

Exhaustion became your closest companion too. You pushed yourself to the limits of your endurance, hoping to find oblivion at the bottom of an empty fuel tank. But sleep, when it finally came, offered no escape. You'd dream of him, leading his army of rogue demigods, his eyes filled with a fanatical zeal that chilled you to the bone. And in those dreams, you'd see yourself, standing beside him, not out of loyalty to his cause, but out of a desperate yearning for the boy you once loved, still love.

In the quiet moments, when your friends weren't around, the dam would break. You'd collapse onto your cool and empty bed, tears streaming down your face, a raw, primal sob escaping your lips. The memory of Luke was no joy anymore, it haunted you like a specter.

You hated yourself for the traitorous flicker in your heart, the desperate, illogical yearning for him. It wasn't the war that tempted you; it was him.

You hated how much you missed him.

The scent of rain clung to the humid night air and to you like a second skin as you zipped up your duffel bag. Another summer at Camp Half-Blood loomed, promising a bittersweet mix of nostalgia and pain, but more training. The worst was yet to come, so you needed to be ready.

New York City, with its cacophony of car horns and the anonymity of millions, had become your refuge these past few months. In Manhattan, the memories of Luke seemed to hold less power for some weird reason, their edges dulling with the passage of time. You'd spent the past months in this tiny apartment, the silence deafening compared to the constant hum of life at camp.

Just then, a sharp rap on the door shattered the silence of your apartment. It was past midnight, an unusual time for visitors.

Adrenaline surged through you. Months of living fully alone had honed your senses. You'd become acutely aware of the city's underbelly – the flickering shadows that could hide monsters thanks to the ever-present mist. You'd seen them stalking the streets, stalking you, their true forms hidden to them mortals, an unsettling feeling crawling up your spine whenever their paths crossed yours. They never attacked, but their chilling presence followed you like a phantom.

Grabbing your necklace, you asked, "Yes?"

Silence. You weren't taking any chances. Pulling down at the pendant once, the necklace morphed into your celestial bronze dagger.

You took a step, two. Could it really be a monster? Could it really be some creature trying to get to you, by knocking on the door? With a shaky breath, you cracked the door open just enough to peek through the gap, hiding the dagger behind your back.

The sight that greeted you stole the air from your lungs.

Standing on your doorstep, bathed in the harsh glow of the hallway light, was Luke. His dark hair was windswept, his face etched with a gauntness that hadn't been there before, but his eyes – those were the same eyes that had haunted your dreams for months. They held a desperate plea, a flicker of the boy you once loved struggling to break through the hardened shell of the man he'd become.

“Luke?”

The silence stretched between you, thick with unspoken words and a tangled web of emotions. Time seemed to warp in that hallway, a single moment stretched into an eternity. Luke looked different, yes. The carefree boy you knew had been replaced by a man hardened by experience, his features etched with lines that spoke of battles fought and burdens carried. But his eyes, those brown eyes that had once held a mischievous twinkle, now held a deeper sadness that mirrored your own.

"Hi" Luke finally said, his voice raspy.

You stood speechless, the dagger still clutched tightly in your hand. Years of longing warred with the fresh wounds of betrayal. You wanted to scream at him, to unleash the torrent of hurt and anger that suddenly washed over you. But something held you back, a flicker of curiosity, maybe.

"Um, can I come in?" he continued, his posture pleading despite his attempt at nonchalance.

Jesus. Was that all he had to say? After everything, after what he did, all he could muster was a request to enter your apartment? A tide of anger threatened to drown you. Did he not understand the gravity of what he'd done? Did he not realize the pain he'd caused? But you forced your thoughts down. You weren't a child anymore, throwing tantrums wouldn't solve anything.

"Are you armed?" you asked, your voice flat, devoid of any warmth.

Luke flinched at your question, a flicker of pain crossing his features. "You think I wanna hurt you?" he countered, his tone defensive.

"Last time I saw you," you spat back, your voice laced with bitterness, "was three years ago, and I know your little monsters are keeping an eye on me. The first thing I'm supposed to think about is whether you want to hurt me or not."

He sighed, a long, weary exhale. Unzipping his jacket, he turned slowly, patting down his pockets before turning back to you. His eyes, once alive with mischief and love, were now filled with a desperate sincerity. "See? No weapons. Just me."

You studied him, a battle raging within you. One part of you wanted to slam the door, to let him know that he wasn't welcome. Yet, another part, a smaller, more vulnerable part, couldn't help but cling to the flicker of hope that flickered amongst the ashes of your love.

Finally, after what seemed like an eternity, you stepped aside, allowing a sliver of space for him to enter. "Fine" you said, your voice devoid of warmth. "But you better have a good reason to come here"

Luke hesitated for a beat before stepping inside. He closed the door softly behind him, the sound echoing through the tense silence. He stood there awkwardly with his hands in his pockets, his eyes scanning the room, landing finally on the packed bags besides the tv.

"You're heading back to camp?" he asked.

You flipped the dagger in your hand, and the celestial bronze morphed back into the golden necklace. "What do you want?" you repeated, your voice still sharp, a shield against the emotions swirling within you.

Luke stood awkwardly in the doorway, the once carefree boy replaced by a man burdened by the weight of his choices. His leather jacket seemed to hang heavy on his broad shoulders.

"I…" he started, then stopped, seemingly unsure how to proceed. He cleared his throat, the sound scratchy and unfamiliar. "You look different" he finally managed, the words tumbling out awkwardly.

You scoffed, a humorless sound that surprised even you.

"Look, yn" he finally managed, his voice barely above a whisper, "I wanna talk, okay? I know what I did was wrong. I know I hurt you."

You rolled your eyes, crossing your arms over your chest. "You could say that again."

His fingers twitched at your bitterness, but pressed on. "I came here because..." He hesitated again, seemingly wrestling with an inner turmoil. "Because I-"

Frustration bubbled up within you. This cryptic approach, this lack of honesty, it was infuriating. "Because you what, Luke?" you demanded, your voice laced with a sharp edge. "Because you decided to grace me with your presence after leading a rebellion against the gods? Or maybe because you just wanted to see if I'm still waiting for you?"

You watched his face harden, the vulnerability replaced by a familiar defiance.

"Don't twist this" he snapped, his voice firm. "I came here because..." He took a deep breath, his eyes locking with yours. "Because I miss you, yn. I miss us."

The air crackled with a tension so thick you could almost taste it.

You took a slow step towards him, then another. He took notes of yourself as you did. The way you had grown internally was so intense that he could sense it everywhere. He might have betrayed you, but that only helped you get on your feet stronger, grow stronger. Become the warrior he always knew you were.

Then, in a move as instinctive as it was fierce, your hand lashed out. The slap connected with a stinging crack, the sound echoing through the apartment like a thunderclap. Luke's head snapped to the side, a crimson handprint blooming on his cheek. Shame flickered in his eyes as he scoffed, quickly replaced by a dull acceptance.

He deserved it, that much was clear.

"How dare you?” you spat, your voice shaking with barely controlled fury, "How fucking dare you come back here after what you've done? After leading a rebellion against the gods, after putting everyone we care about at risk? After betraying me?"

Luke took a shaky breath, running a hand over the burning mark on his face. "I'm sorry” he said, his voice low and ragged. "I'm so sorry. I know I hurt you, and I know a simple apology won't erase the pain or fix things. But you have to believe me, I never meant for things to get this bad"

He stepped towards you, his hands outstretched in a placating gesture, but you flinched back, the space between you a tangible barrier. "Don't touch me" you warned, your voice laced with ice.

He lowered his hands, his shoulders slumping in defeat.

“I know you hate me for what I´ve done. For joining Kronos, I-“

"You think this is all about Kronos?" you cut him off, your voice shaking with barely contained fury. "You think the reason my heart has been broken these past years is because you joined a fucking Titan?"

Luke remained silent, the weight of your words pressing down on him like a collapsing mountain. He knew better.

"This is about what you did to me, Luke" you choked out, tears welling in your eyes. "I was with you, all the time. I was your girlfriend! And you betrayed me. You left me alone” your voice broke so hard that you had to take a second to swallow the big gulp that was forming in your throat. “Everyone at camp looked at me after what you did," you choked out. "They either felt sorry for me, or they insulted me, saying that I was still loyal to you, that I was a traitor."

You closed your eyes for a moment, the pain etched on your face a stark reminder of the devastation he'd wrought. "You were the most important person in my life" you cried, your voice raw and vulnerable. "But you? You let Kronos fill your head with empty promises, and just like that, you forgot about us."

The truth felt like a bitter pill to swallow. He opened his mouth to speak.

"I asked you to come with me" he finally whispered, his voice thick with regret. "I gave you the chance to leave with me."

"And even after I said no," you countered, your voice trembling like the finger that was now pointing at his chest, "you still left. You threw me away like shit. And do you know what the worst part is?" Tears streamed down your face, tracing a path through the dust of old heartache. "That as much as I try, I can't seem to hate you."

A sob escaped your lips, shattering the fragile dam you'd built around your emotions. "I still love you, Luke" you confessed. "Even though it's a love that fills me with pain, it's still there. I hate myself because I dream about you, about the way things used to be. But when I don't, I feel like a piece of me is missing."

You looked up at him, your eyes brimming with tears and a raw vulnerability that left Luke speechless.

What had he done?

"I hate myself because I can't help but pray for your safety, even though you never seemed to care about mine. I hate myself because even after everything, I still love you, Luke."

Your heart felt like a shattered kaleidoscope, a million shards of love, anger, and pain reflecting back at you in a distorted reality. You walked and sank onto the couch, burying your face in your hands as sobs racked your body.

Luke, his heart heavy with a remorse sharper than any weapon, watched you crumble. The carefree girl he fell in love with was gone, replaced by a woman etched with the scars of his own actions. Hesitantly, he reached out, placing a hand on your back as he sat down next to you, a gesture of comfort that felt more like a branding iron on his guilt.

"yn” he whispered, his voice thick with emotion, "I still love you too."

You didn't respond, the sobs coming in ragged gasps as your body struggled to contain the storm within.

"I know I left you" he continued, his voice cracking slightly. "And you didn't deserve it. But… I was so lost, so angry. Kronos promised me power, a solution to all the problems I saw. He convinced me that Olympus was corrupt, that the gods didn't care about half-bloods like us. And when you said no, he-, he told me to leave you behind, said that it would be easier for everyone…"

His voice trailed off. Easier for who? Easier for him, perhaps, to sever the ties that bound him, to plunge headfirst into a rebellion fueled by manipulated ideals.

"But it wasn't" he choked out, a tear escaping his eye, carving a glistening path down his cheek. "Every day, every step I took… it was a constant reminder of what I'd lost. The guilt was eating me alive, yn, you have to believe me”. His hands desperately reached for yours, trying to get your fingers to intertwine by placing his over yours.

Tears welled up in his own eyes. "I regret everything. I mean it. I don't want to do this anymore."

You finally lifted your head, your eyes red-rimmed and brimming with unshed tears. Luke looked different to you now, the bravado and arrogance gone, replaced by a vulnerability that mirrored your own.

"Don't want to do what?" you asked, your voice hoarse.

"This” he gestured vaguely to himself, but you didn’t quite catch it. "Following Kronos. Helping him rise to power. It's wrong. I can see that now."

“Little late to that, isn’t it?” you blurted out.

He took a deep breath, his expression resolute. "yn, there's a reason I came to you. A reason I risked Kronos' trust in me." He paused, his voice dropping to a conspiratorial whisper. "Kronos wants me to become his host."

And the world seemed to suddenly stop. You stared at him, the weight of his words sinking in. Your mind raced, trying to process what he had just said. Luke, your Luke, becoming a vessel for the monstrous Titan?

"What?" you croaked, fear coating your voice like frost. Your eyes darted around, searching for a way out, a solution, anything. But Luke wouldn't meet your gaze, his jaw clenched tight, a storm of emotions brewing beneath the surface. "No. No, he can't. It's not possible."

The thought of him, Luke, being consumed by Kronos, twisted your insides into knots.

Luke, however, seemed to gather his resolve. "Yes, it is" he said, his voice low and strained. "There are things you don't know, yn. Things I've done."

A cold dread gripped your stomach, a physical manifestation of the terror that clawed at your insides. Your mind raced, desperate for answers. "Then tell me" you only managed to say. "Luke, what have you done?"

He hesitated, looking around as if afraid someone might be listening. "There's no time now" he finally said, his voice tight with urgency. "But I promise I will explain everything. That's not why I'm here."

Taking a deep breath, he dared to reach out, his hand gently grasping yours, finally. The warmth of his touch sent a jolt through you, a stark contrast to the chilling fear that gripped you.

He called your name, his voice softening. "Come with me" he said.

You only feel capable of frowning your brows in confusion. "Go where?" you asked, your voice wary.

"Anywhere" he said, like a plea. "Let's run away, together. It can be just you and me again"

He leaned closer, the air around him crackling with a tension that mirrored the storm within you. As his forehead rested against yours, a jolt of electricity shot through you. It was a familiar warmth, a spark that had ignited countless stolen kisses and whispered secrets back when your world wasn't teetering on the brink of war. His other hand cupped your cheek, the touch a stark contrast to the turmoil raging inside you. His hand, usually warm and comforting, felt cool against your burning skin, a physical reminder of the distance that had grown between you. Yet, despite the chill, a wave of longing washed over you, a yearning for the simple comfort of his touch.

But reason tugged at you, a voice of caution in the midst of the storm. "But Luke," you stammered, pulling away slightly, "If you escape, Kronos will come for you. He'll come for us, and-,"

"I don't care" he interrupted, his voice resolute, yet laced with a tremor that betrayed his bravado. It was as if he was on the precipice, teetering between defiance and the vulnerability of a man on the verge of breaking. "I'll fight everything that comes for us. And if the war happens... I'll fight. I'll fight for everyone, I’ll fight for you. I'm not losing you again, yn."

His words resonated deep within you, a desperate echo of the love you still harbored for him, a love you thought you'd buried beneath layers of anger and sadness. You saw the fear in his eyes, a fear that you sadly shared, but beneath it, a flicker of something else – a raw, desperate hope. And as you looked at him, a wave of relief washed over you.

The relief of knowing he wasn't entirely lost, that a part of the Luke you loved still existed.

"I love you" he confessed again, his voice trembling.

Looking into his eyes, a storm of emotions swirling within them, the truth resonated with you. "I love you too" you whispered, the words tumbling from your lips like a long-awaited confession.

The world did indeed, stop. The rain, a relentless symphony against the window pane, faded into a distant murmur. The thunders became a muffled echo. In that moment, the only reality was the space between you and Luke, charged with the unspoken electricity of your confessions.

He leaned in further, a hesitant question in his eyes. A flicker of fear danced in their depths, a scared boy seeking forgiveness beneath the warrior's facade. You watched him, a bittersweet ache blooming in your chest.

With a sigh that trembled on your lips, you closed the distance. Your lips met in a hesitant touch, a tentative exploration of a forgotten familiarity. Three years of longing, of unspoken words and simmering emotions, poured into that kiss. It was sweeter than you'd dared to imagine, a warmth that spread from your lips and drizzled down your chest.

Unlike the passionate encounters of your past, this felt different; like kissing him for the first time. Luke's lips moved against yours with a reverence that sent shivers down your spine. He held back, his desperate desire tempered with a respect that surprised you. You knew him.

But then, you yielded. Your lips parted, a silent invitation, and his tongue met yours in a dance as old as time. A full, heavy and angry thunderclap erupted outside, a jarring contrast to the intimacy unfolding on the couch. But you paid it no mind, lost in the whirlpool of rediscovered affection.

Your arms encircled his neck, a desperate hold. He, in turn, cupped your waist, his touch lingering on the curve of your hip as he gently lowered you onto the soft cushion. His body hovered above yours. His lips, however, remained glued to yours, a relentless exploration that spoke of a love both fierce and fragile.

The kiss deepened, a slow burn that threatened to consume you both. You felt the familiar rhythm of his heart against yours, a counterpoint to the frantic beat of your own. It was a melody of second chances, of unspoken apologies and nascent hope.

His hand trailed down your back, teasingly brushing under your shirt, sending shivers dancing across your skin. You arched into his touch, a wordless plea for more. But just then, he pulled away, his breath ragged, his eyes a storm of conflicting emotions.

His voice, a husky murmur against your skin, sent shivers down your spine. "I missed this so much," he whispered, his lips trailing down the delicate column of your neck and the dip of your collarbone. His warm breath mingled with your own, a heady mix of emotions swirling around you.

Your fingers tangled in his hair, the familiar texture a stark reminder of the past you both desperately clung to. He reached for your pulse, slowly sucking in before letting it pop.

"I wanted to feel you every night" he confessed. "Every night, I dreamt of you." His words were a stark contrast to the cold, distant Luke you saw in your dreams, the only vivid memory you’ve had of him the past years.

"Luke" you whispered, your voice barely audible as you tried to speak.

He didn't stop. His hand drifted down your torso, his fingers brushing against the exposed skin of your lower tummy. Every touch felt like a brand, a searing reminder of what you had lost and the uncertainty that lay ahead.

"It was a mistake" he said, his voice thick with regret. "A big, fucking mistake. Leaving you, betraying you-, it was the biggest mistake of my life. My life doesn't make any sense without you."

With a strangled sound, Luke deepened the kiss, his lips moving against yours with a desperation that mirrored your own. You clung to him, a drowning sailor grasping at a lifeline. The scent of leather that clung to him was intoxicating, a familiar anchor in this storm of emotions.

"Luke" you managed to gasp between kisses, a flicker of reason breaking through the haze of desire. You needed more than just words, needed a binding promise, something concrete to hold onto if you were to take this leap of faith.

He stared at you, his eyes a storm of emotions – desire, confusion, and a flicker of something that might have been annoyance. But before he could respond, you pressed on.

"Swear on it, Luke" you whispered, your voice trembling slightly. "Swear on the River Styx” you repeat. Luke’s eyes dart back and forth, from your lips, to your eyes, to filling up with confusion. “I’m not-,” you cut yourself off as you feel your eyes filling with tears again. You bit your tongue before speaking, “I’m not letting you hurt me like this again"

You knew it was selfish, a desperate attempt to safeguard your heart. But Luke was here, finally, after all this time. You craved the warmth of his touch, the comfort of his presence. The thought of letting him go again, of enduring another betrayal, was unbearable. Yet, a part of you, still scarred from the past, craved a guarantee, an oath sworn on the most powerful river in the Underworld. It was dangerous, yes, but did you care?

Did he care?

Luke's expression hardened. The River Styx, held a weight that couldn't be ignored. The river he already bathed himself in. It was a binding vow, a promise etched in the very fabric of existence.

He looked at you, his eyes searching yours for a flicker of doubt, a hint of manipulation. But all he saw was the vulnerability, the fear – a vulnerability born from the scars he himself had inflicted.

"I swear on the River Styx" he said, his voice low and solemn, each word heavy with the weight of the oath. "I swear I won’t ever leave you. I swear I love you. I swear I'll fight for you, for us, with every breath in my lungs."

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phantomrose96 · 4 months

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okay so i know that you probably get a lot of asks about sham sacrifice but like, how does vlad age? he's clearly not a 19 year old any more, and he's not rotting, otherwise it wouldn't result in facial hair and the muscle growth in his chest. the reason i ask is that his explanation of "the ghost stacks cells where they should be and keeps the heart beating despite not needing to in order to imitate it" doesn't quite mesh because by the logic employed his body should kinda just be rebuilding 19-yo vladdie.

plus, ya know, he changes color. seems to imply a physiological change

(Sham Sacrifice: Chapter 1 | Chapter 2)

So I talk about it here!!

It's not stated (yet) (in fic) (oops part 3), but Sham Sacrifice employs one of my long-time beloved headcanons which is that a ghost's appearance is psychosomatic. It's an ectoplasmic projection built on their sense-of-self. It's my headcanon that Vlad's original ghost form looked much like his human form (similar to Phantom/Fenton) but as Vlad keyed in on this aspect of ghost physicality, he used it to design his Plasmius self (boy you do NOT have vampire fangs naturally).

But also it's not a free-for-all character designer screen. It takes a genuine belief in your sense of self. It takes strong confidence and conviction to coax it to change from its steady state. Most ghosts can't employ this on a whim. It's buried in a sense of self they can't easily or readily change. Vlad is uniquely strong-willed.

Sham Sacrifice takes this headcanon a step further because, if halfas are full ghosts that never split from their physical dead bodies which the ghost is in control of building, shaping, and maintaining, then it is both ghost form AND human form which are sculpted out of this sense of self.

This has been fine for Danny "I'm not actually dead I'm just half ghost" Fenton, whose human form has passively maintained its form from when he was alive. It's his belief and sense of self. It reconstructs itself accordingly.

Vlad, on the other hand, in the same effort he put into sculpting his ghost form, ALSO put that effort into sculpting his human form. NOT a sickly, ailing 19-year-old at death's front door. He recreated and maintains himself as alive, healthy, strong.

And actively, intentionally aging.

Which is not something Danny has been doing.

And maybe Danny's passively done some aging of his human form, because his sense of self is still "I'm an alive 14-year-old and I'm getting older." But is this as much as he should have actively been changing and aging? Maybe. But probably not. (And now, that he knows he's dead...?)

Vlad was intentional every step of the way with what he did, and what's happened to him. His physical aging and maturing has been a self-driven process.

...And it leaves open some challenging questions. Is Vlad a dead 19-year-old who's been just manually changing his physical appearance for the last 2 decades? Is that dismissive of the life he's lived to act like he's just 19 because that happens to be the age he died? What does it mean to grow up if you're a ghost who's been ripped away from your natural biological processes?

And "at least" Vlad was an adult. Young. 19 is still young. But an adult. How much harder is this all when you're only 14...?

#dp #sham sacrifice #danny phantom

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landograndprix · 1 year

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where your heart truly lies ✾ l.n - II

❧ in which you and lando are not together, right?

❧ part one – next part

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y/nusername

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y/nusername Santori with my favorite muppet 🌞

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maxmaxmax how does it feel to live my dream? 😭

y/nnation hope you have fun bestie <3

landosgfuser have fun! 😊

y/nlovemax Arianna what are you doing here? 😭

daisieee lando's girlfriend in y/n her comments? What has the world become?

lanlan so this means they're good, we can stop being dramatic

fewtnorris where's maximilian?

y/nusername had to leave him with the babysitter

fewtnorris understandable, he's a hand full

hannaaa so we're just gonna pretend you didn't get caught getting real cozy with a guy in a relationship? 🤡

julieeeexo fr always knew she'd be a homewrecker

ynapologist lando's gf literally commented, I'm pretty sure they're good..

yourbestfrienduser 🌊 🏖

landonorris thought I was your favorite?

y/nusername nah you're a close second

nnorrissfour break up with your gf if you want to continue this clown show man :/

riayn just some banter between friends my god relax 💀

nnorrissfour sure whatever floats your boat love..

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yourbestfrienduser posted to their story

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y/nusername

liked by charles_leclerc, maxfewtrell and 24,981 others

y/nusername thank you ferrari for inviting me and the gremlin, had a blast this weekend ❤️

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iveneverlookessogood girl you need to be in the garage every single race..you bring luck, never did I think a 1-2 would be possible for ferrari 😭

leclerc_16 did ferrari invite you or charles? 👀

hotchilissinz exactly because I don't think ferrari arranged having lunch with Charles infront of the hospitality

leclerc_16 kinda sus if you ask me..

tifosired hey god, it's me again..

sainzleclerc time to become an influencer so I get invited to Grand prix too :((

landonorris wrong team but okay

y/nusername red's my new favorite color

landonorris 😔

norrisbob now you made him sad, say sorry 😔

charlielec Charles and y/n is such a random duo..

ynnorris lads she got invited by ferrari it doesn’t mean there's anything going on with Charles an y/n.

zhou_ey you're right, maybe she's here for carlos 👀

fewtrelllando sis really said i can't have lando might as well switch teams and man 💀

charles_leclerc red really suits you 😉

ferraripain CHARLES DON'T DO THIS TO ME

faby/n what is going on in the house of commons?

sharl16 Charles this one belongs to norris, get your own girl 😉

yukisan are you not allowed in the McLaren garage anymore? 😭

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taglist ; @honethatty12 @alilstressyandlotdepressy @spideyspeaches

#lando norris x reader #lando norris x y/n #lando norris x you #lando norris au #lando norris fanfic #lando norris smaus #lando x reader

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absolutebl · 4 months

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10 BLs That Shook Me

@trribledelight asked for "BLs that made you think or learn smthg or shook you culturally? Eg the political considerations in Not Me..."

Let's get the rough ones out of the way first, shall we?

1 2gether

Green. One of the most egregious reps for punching down humor against femmes in BL (and there sure are a lot out there). Seriously GMMTV? Must you?

At the time we all watched this because there wasn't anything else to watch, and it's been a long time since I bothered with a rewatch, but Green is one of the reasons I just can't with this series.

I'm not knocking the actor, but the character and how the other characters behave around him, and the director with regard to this aspect of the plot and portrayal was rough going.

What shook me was how casually homophobic 2g was. It was just so odd to watch a gay romance gloss over and degrade queerness. I was like, wait, aren't they supposed to me on our side?

(Ah, the before times.)

2 Fish Upon the Sky

Shall we address the head wrap in the room? This BL has some of the most shockingly racist content I've seen in a long time. Also punching down humor. I fast forwarded through it and I still don't want to think about it. GMMTV should be throughly ashamed of themselves... Again. I was shook, but in a bad way.

Okay, now for the ones that shook me in a good way.

3 Until We Meet Again

I watched this early in my Thai BL journey (while it was airing) and I had no idea what to expect. Frankly, you could watch it now and still not know. It's just very unusual for a Thai BL.

The plot twist about how they each ended up reborn. Just so brilliant. I still can't get over it. So simple. SO CLEVER. So punishing for the families.

Fantastic!

4 Secret Crush On You

This one kinda shook me all along but that Daisy & Touch scene. It lives on in my head rent free forever. Just because it was so beautifully sweet and genuine and kindly towards a femme character.

I still don't like this BL.

But I love that scene in it.

5 My Beautiful Man

I went on a JOURNEY with this show. Mostly because I didn't think Japan had it in them to land something this complex. But they managed it beautifully by not shying away from the delicious messy ugliness of it all.

Possibly the greatest final episode in all BL.

And from Japan. Usually so bad at endings.

I remain gobsmacked.

6 Unknown

I shouldn't have been shooketh by this one but I really was.

The style of it while staying so down home and gritty.

How old school Chinese BL it felt yet it still managed to be very modern BL about it.

The execution and quality of the acting.

How it was aired (available in YouTube?! we NEVER get that from Taiwan!)

Also the pair branding. We haven't gotten this level of pair brand from the leads in a Taiwanese BL since SamYu.

I'm was absolutely riveted by everything about this show and its production.

I loved seeing it. I hope we get more BLs like this from Taiwan as a result.

But I ALSO hope they realize that a big factor in the popularity and the success of this show was in distribution.

It's what's for dinner.

Along with the stepbrother trope.

KOREA'S SUPRISES

I watch a lot of Kdramas as well as BL, and have done for a really long time. I'm riveted by Hallyu, from an entertainment industry perspective (what I wouldn't do to get my hands on some of their proprietary data). I also listen to a ton of Kpop.

Therefore, Korea dominates the P'ABL gets shooketh list because I had (and have) more expectations firmly in place around Korea's media product sfyle than anyone elses. Even before they started to make a big play into the BL scene.

My favorite BLs from Korea, like Semantic Error and Light on Me are EXACTLY what I expect from them, manufactured perfection. But I was also shook more times by Korea than other BL nations because I had such rigid expectations.

7 Color Rush

Yeah yeah. But it starred an idol. It started out pretty and stiff and everything I was expecting and then the concept hit me up side the head and I never recovered from the CLEVER of this show. I'm not used to my Kdramas or my BL being this high concept and SMART about their sanitized perfection.

8 Blueming

What with the 8th Sense and others since, Blueming seems to have been somewhat forgotten about. But at the time, I was shook by the down home grit of this show. By the actual pain from the characters. By the higher heat concept. By Korea actually going THERE.

And then these babies came along...

9 The 8th Sense

I just didn't think Korea had it in them. Yes, I realize now that it was a bit navel gazey, and we were weighted heavily towards the seme and his pain. I would have liked a better balance between the leads, but that's in retrospect.

At the time I couldn't believe it. A KBL dealing with mental health?

And can we talk about those sex scenes? How insanely comfortable the actors were with each other? How easy in each other's personal space? I've not seen anything else quite like that from Korea. It's super rare. I had assumed they, culturally, just didn't do casual intimacy, or if they did, it wasn't allowed on screen.

Of course now I know the CAN do it, I want more.

10 Love for Love's Sake

Okay, lots to unpack with this one. A genuine isakai BL, in the original sense of the term. The death twist didn't shake me up, but the execution, acting, open gayness, and a couple other things did. Enough to make me still think on this show with fond surprise and affection, despite its undercurrent of darkness.

I like to be shooketh.

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sage-is-in-fact-very-tired · 2 months

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might've cooked too hard on this. it sure is. so many worbs. [18,320 words, to be exact.]

but, i commit to my bit, and I will continue to do so because i'm a *loser* - so, welcome to the “sage looked at the c!sherb playlist and went far more bonkers than probably necessary” post. because uh. nothing i say ever stays a bit very long-

—

[Section One - Man. Icarus Morningstar is such a character. The most character of all time.]

-> [Icarus]

-> In my mind, this is 2 to 3 people talking to/about Icarus. The first section, up until the instrumental in the middle, being Centross. Just the whole idea of drinking, it feels very much Centross about them. (“Living beyond your years” is very reset coded - not Centross talking about them, but the rest of that section definitely feels like Centross.) The second section, up until “you put up your defenses when you leave”, is very much Fable talking about them. Just the whole idea of them falling - he would've been the one to see that - and the whole idea of him being scared of that happening again and again and *again.* The last section, following that, could be argued it's either Centross or Rae. How they both know that Icarus puts up this front, this armor, when they talk to people, when they walk around, and only really *really* drop that when they're alone or when Centross or Rae is around. (Well. There's an argument that they *don't* drop their walls completely around Centross or Rae, but this is playlist analysis, not character analysis-)

(Also the whole reset idea of Icarus dying over and over again, forgetting over and over again - falling over and over again.)

-> [Redesign Your Logo]

-> This is very much about the whole change from *just* yellow's and golds, to the yellow and purple color scheme they end up with due to the eye. It's very Midas to Icarus coded, basically. Because as a kid, they were mostly dressed up in yellows, but as time went on, and as the eye happened, and as the resets started, that *changed.* they shifted into wearing purples more often, mixing them with yellow - for all intents and purposes, redesigning the logo they had previously had. Also the whole idea of the trident changing from the trident to the Quixis symbol - cause. Yeah that's kinda Icarus’ logo. (The argument could also be made about how they become nicer with the eye and the following resets - their logo, their typical-ness of being a snarky asshole shifts into being something kind and caring and compassionate. It's Redesigned, and it's at least *partially* Midas’ doing.)

-> [Any Day Now]

-> Icarus about the wack. How they want it to stop, *think* it will stop, soon. It'll stop ‘any day now’ - it can't keep going forever, can it? (Also the pain Icarus is constantly going through - the bad, the horrible and the terrible and the suffering - it'll stop eventually, right? It can't keep going on forever - it'll stop any day now as long as they can *make it* there, make it to the point they're good and happy and it can stop. They just have to keep going and it’ll *stop.*)

-> [&]

-> Icarus’ hypocrisy. How they do things, harm, yell at, everything like that, to others - while doing the same things they're berating others for themself. How they'll do one thing, and call it fine, while criticizing that *exact* same thing. Also could be seen in a light of Fable talking about Icarus’ actions and friendships and things of that sort.

-> [Comb Attack]

-> Okay this one is. Mmm. Okay. Most of the words in here are very glitchy, very cut off from each other - something about the resets cutting off Icarus? Cutting their words off, cutting their actions off, cutting their memories off, *glitching* them.

-> [Hungover in the City of Dust]

-> Icarus’ Isolation. How their friends are constantly leaving them alone and isolated, and how they're constantly pushing people away, and how they're left running around in circles trying to catch up, trying to save themself, figure out what's wrong, figure out how to *fix it.*

-> [Mr. Backwards]

-> Icarus’ more backwards way of thinking. How they'll tell you what they *want* How they're hurting, but they're not going to tell you. How they're trying so desperately to not let people see that, seem so backward to others.

-> [Never Meant to Know]

-> Just the whole idea that there is so much about this world that Icarus cannot and should not be privy to until the correct time - how they live their life rather peacefully up to that point, not knowing, never knowing. The whole idea of the resets - and how really, truly, Icarus wasn’t supposed to know about *any* of this, how they were supposed to be *dead* and they’re not, they were genuinely *never* meant to know.

-> [Out of the Box]

-> Resets. The whole idea that Icarus has died again and again - and that whole like. Abrupt manner of the resets. How they can be doing something one moment and the next they're outside, surrounded by grass and surprised.

-> [Digital Silence]

-> Icarus siding with Fable, and really, Icarus’ actions in general - How they have to do this, regardless of what others say, and regardless of how it makes them *feel* - they *need* to do what they're doing right now; it's all a means to an end and they *need to* do it - because if they don't, things could go very wrong and very different. (Different in a bad way, of course.)

-> [Alien Blues]

-> Just kind of describing Icarus’ whole life - the pain, the bad, the terrible. The whole idea Icarus plays everything off as a joke - they *don't* let people see what really happens, and the snark and asshole attitude people give them because of that. Also maybe the whole idea of the way the things snark them sometimes after bad things, when they're repeating history in a bad way. (Also also also “I'd do anything for you, Mrs. Highness” something about how they’d do anything for Fable, *anything* - even if it meant killing their family, if it meant that he might love them; if it meant they’d be good and they’d have succeeded in something - succeeded instead of *failing.*)

-> [Under My Skin]

-> Just. Everything with being not entirely yourself. Everything about being yourself on the outside, but having someone else simmering right under your skin, telling you things, making you do things. The entire idea that Icarus isn't entirely all *themself.*

-> [Able]

-> That whole idea of Icarus not wanting to be alone in their own mind sometimes, on top of wanting to just be *fine* - on time of trying to so desperately *convince* themself that they're all entirely and completely fine. Saying it out loud so it properly sets into their mind, so it properly comes to fruition.

-> [Mirror Man]

-> That need to be *seen* by someone - anyone. That need to be heard and seen and known by someone - and the knowledge that if they don't, Icarus will make it worse for not only themself, but *everyone* else - make them live Icarus’ nightmare.

-> [Brass Goggles]

-> A) Copper duo; B) That whole idea, almost, that Icarus likes to shove down their feelings. They like to pretend the Icarus that has bad, upset emotions doesn't exist - at least, when in front of people. That whole idea that they try to present themself as someone who doesn't break down in front of others, they try not to cry and they try so desperately to keep this facade up and teach themself more as time goes on how to do so.

-> [Bleed Magic]

-> In my mind, this is very Midas talking to Icarus. Just that whole idea of Midas knowing what Icarus is like; that whole idea that Icarus is *lonely*, that no one believes them just because of how much they *lied*, and is, somehow, bleeding magic out. Literally, in the direct form of Sherbert's eye (Which was, in a way, *killing* Sherbert - not necessarily the bleeding eye, just simply the fact they didn’t become Quixis when they needed to), as well as the whole concept that due to the fact they didn't become Quixis when they should've, Midas has spent far far too much time and energy and *magic* on them. Icarus literally draining them, bleeding them, leaving them with such little control.

-> [Gold]

-> This being about how everything they touch changes no matter what they do, how they try so hard to keep if from changing - but the wack is random, Midas’ can't control it, and so it *changes,* it changes gold and bright. Everything they touch changes to gold, huh?

-> [Gold]

-> Just, I guess, that whole idea that no matter how many people leave them, or get killed around them, or anything like that, they'll come back. The idea that those people can't break like that, because Icarus has always seen them like a rock that *can't* break.

-> [creature]

-> That whole idea of how Icarus *is* Creation's child. They are creation, in a way. They push His ideals, however subconsciously, into people. He is leading their way, and will be, and this is a good thing. And Icarus pushes and pushes this idea - showing both the good parts of themself, not quite the good parts of Creation, as well as the bad more twisted parts, parts almost completely Fable's fault due to them almost being *His* ideals. (“I am creation, both haunted and holy.”) Also almost that whole idea of the resets, their body re-created and re-created over and over and *over* again. They *are* the embodiment of Creation's powers - a person remade through Him, made in His image, made to be the person *He* wants them to be. Haunted, in the idea they might as well be a ghost, and Holy simply because Fable deems them as such - deems them His favorite.

-> [Path to Isolation]

-> A) Oh my gods this song is so fucking coded what the fuck; B) The whole idea of how loss, be it of someone, or *something* - leads them down this path. Leads Icarus so often down this path of immense anger, leads them down the path of the side of the enemy. That whole idea of everything breaking, be it through their own means or someone else's. That whole idea that going down this path so often means that they're so incredibly alone, and means they can't *recognize* themself - they don't know who they've become in all this pain and hell and *bad*, they can't find it. They just keep falling apart and they don't even know when or where to begin to pick up the pieces.

-> [Bet On It]

-> Just that whole idea that Icarus wants to do the right thing, so desperately. Despite all their doubts, their disbelief, their questions about this world, they want to do the right thing - they *will* do the right thing. They need to. They've put all their effort into doing the right thing - it'd all fall apart if they didn't continue to do that.

[Section Two - Broters. also family <3]

-> [Problems]

-> Am I aware this is on the playlist because of Charles? Yes. Am I going to say this is brothers coded anyway? *absolutely.* Because it is brothers coded - something about Icarus seeing themself as bad and someone who can't be saved, while they view their brother in a significantly better light, and see him as the good one and the one who's gonna save them.

-> [Two Birds]

-> *Separation* - This is very much Icarus and Rae drifting away from each other. Icarus drifting away and leaving and hiding, while Rae continues time and time and *time* again to help them and save them and drag them back *home.*

-> [Family Line]

-> Something just about repeating history, and something about following after your parents, and something about how they'll try to change and change themself so much so they don't mirror their parents, and something about how they have to live with everything their parents have done.

-> [Call Them Brothers]

-> Separation!! Again!! The brothers are apart from each other, separated rather permanently through the resets, and, from Icarus’ point of view, they probably *can't* fix it. They can't mend themselves back together like they used to, they're broken.

-> [Brother]

-> Something about how despite being broken, despite all the separation and time lost that hangs between them, they still rely on each other. They'll still help each other no matter the cost, because, in the end, they're still brothers - they still love each other and they still *care.*

-> [Rule #4 - Fish in a Birdcage]

-> Icarus being trapped and isolated, be it through their own doings or their father's or *anyone's*, and how Rae will always be there to sooth them, help them, care for them, *love them.* He cares so desperately, and he'll do his best to take care of them, and Icarus *believes it* - that he loves them.

-> [Icarus]

-> This one feels *mostly* Rae talking to Icarus - Seeing just how far they've flown, and just how far they're willing to fall. That realization of what Icarus has become after all of this, and trying so very hard to drag Icarus back down in any way he can. The last part is Icarus to Rae, however. That try to get him to stop - that “you can't save me, Rae.” That acknowledgment, no matter when in the timeline, that Rae can't save Icarus. (Icarus has to be the one to save themself.)

-> [The Family Jewels]

-> Just that whole idea of cycles - that whole idea of just fucked their whole family is. That whole idea that this cycle of pain and suffering will continue until *they* (Icarus) stops it. Their almost snark to Rae, that idea that they only share *one* last name - Morningstar - and not both. Also that whole idea of Icarus being the favorite - that Fable conditioned them to be the “better” one, conditioned them to be like *this.* (Also just the whole idea of “jewels” - royalty. That idea, almost, of Icarus welcoming Rae to this life. This life of trying too hard, so very hard to be perfect - to be the best, to be royalty, because they have to be. And, arguably, that realization that Rae never had to live that life. That realization Rae never *had* to be the perfect one - Rae got to. Live normally, pretty much. Whereas Icarus grew up young having to be a prince and be as perfect as they could.))

-> [Sparkbird]

-> The whole idea of Icarus noticing little things, pointing them out, needing Rae to notice them. The whole idea that Icarus grew up far *far* too quickly, and Rae is almost their outlet of that - they want so desperately to make up for a) all the time they lost with the resets, and b) all the times Icarus was just an asshole to him.

-> [When the Day Met the Night]

-> Did Sherb say this was Fable, Enderian, and Isla? Yes. Am I going to say it’s brothers coded anyway? Also yes. Just the whole idea of how Rae is always there for Icarus, and how they make each other better when they’re together, and how yes, they often have their bad moments between each other, but in the end, there’s always good - in the end they always manage to find a way to have the sun shine brightly upon them, how in the end they still love and care to deeply about each other.

-> [Icarus]

-> Rae to Icarus. That whole idea that Rae can so easily see through Icarus’ front - so easily see what they're trying to hide. The idea that Rae can so easily see the danger Icarus so often leads themself to, and so often tries to deter them away from that. The whole thing of Rae so often giving Icarus an *out* - asking them questions, leading them in the right direction. (Or, at the very least, trying his hardest to do so.)

-> [I've Got You]

-> Considering this is a Zenni song, and one made for Fable specifically, it doesn't *really* need an explanation - However, just like. The whole idea that despite everything, despite all the brothers have been through and all their arguing and all their bad and terrible, Icarus and Rae still care about each other. Icarus will still keep Rae safe no matter what happens, because that's what older brothers *do*, that's what *family* does.

[Section Three - Season one, am I right or am I right-]

-> [Fine]

-> Just that whole idea at the beginning of season 1 that everything was actually *okay.* It was fine, it was okay, they were all *okay.* Nothing bad had happened yet (at least, not that they could remember), and it was all going well - and the idea that it was going to *continue* to go well. To them, nothing bad was going to happen, because why would it? It's all gone well up to this point - why would it start now?

-> [My Eyes]

-> This is very early corruption - the first part being Icarus, that slow realization of what they're falling into - bad and anger and hopelessness (almost?), and that whole idea that they're getting *worse.* The second part is Momboo - almost trying to comfort herself and Icarus, convince herself and Icarus of what they (Icarus) *really* wants - that they don't want to be bad, truly. (Regardless of their actions, and what Momboo and Co see so clearly in front of them.)

-> [If I Killed Someone for You]

-> Icarus to Momboo in early corruption. The idea of their true sense of self - or at least, the sense of self they had before - is slowly rotting away as corruption takes hold. Slowly killing the good person they were, slowly killing them, and leaving only the bad, ugly, and bloodied pieces of them. Would she still care about them, still hold their hands, if they weren't the same person she had fallen in love with?

-> Could also be viewed as Icarus to Momboo in late corruption, more towards the end, after killing Haley. How there's physically blood and gore on their hands, and would she still hold their hands knowing that that covered their hands like that.

-> [Laplace's Angel (Hurt People? Hurt People!)]

-> Corruption. Basically Icarus to *everyone* - That snark of “am I *really* that bad?” because they know, if necessary, they can be so *so* much worse. That acknowledgment that if anyone else was in their shoes, they'd probably drop to the same lows they had - the same bad, terrible and horrible actions. (Well - they *think.* They come to know later that probably wouldn't be the case, but it's almost what they end up believing up until, really, Breaking Bonds.) Just that whole idea of their mentality during corruption - how bad they can be, and how much worse they could be, and how much someone else in their same shoes would be just as bad.

-> [Ways to Be Wicked]

-> Very Ominous Bane. Just that whole idea of there being so many ways they can just be *evil.* The whole idea of trying to convince people to join their side, to join their cause, to change the story, to be *bad.*

-> [Heathens]

-> Sherb said this is very Easton talking to Athena about Ominous Bane/Icarus, Centross, and kinda sorta Seven, and I very much agree with that. Just the whole idea of a *warning* - of how messy and chaotic and bad Ominous Bane can be. The whole idea of everything they've been through before this, be it if they remember it or not, and how it affects them still to this day. The whole concept of someone trying to warn Athena of what they're getting into, *tell them* what everyone here is like.

-> [I WANNA BE YOUR SLAVE]

-> Just that whole idea of wanting to be seen as good by Enderian - almost? That whole idea of *wanting* to be her puppet, and wanting her to tell them what to do. (And that whole idea of after it, wanting to be redeemed.)

-> [Twisted]

-> Hot take - Icarus taunting people. Icarus trying to get Ominous Bane with them to help taunt people - *specifically* Athena. Just that whole idea of trying to get them to believe that, a, they're not a hero, they're not going to be - and b, this world as it is, isn't worth saving. They need to mess with it, blow stuff up, kill people, *something* to make it worth it.

-> [Ramalama (Bang Bang)]

-> Just the whole idea of Icarus and Co going around and blowing shit up. Just the snark and annoyance and bullshit they say during it, and the stuff they tell people while they're blowing stuff up - the whole *loudness* and bangs of the explosions - all of it.

-> [Secret]

-> Icarus asking Athena to keep all of this - Ominous Bane, *everything* about corruption - a secret. That loosely veiled threat of what would happen if Athena told *anyone* - what would happen to *them* if they dare spill that to others. The fact that Icarus so desperately wanted to keep corruption, keep their actions, keep Ominous Bane and Athena's involvement in it, a *secret.* (And how, in the end, they can't. Because in the end, Athena *tells* - and Athena gets hurt because of that, but they also get *saved* because of it.)

-> [Hawk in the Night]

-> Icarus to Athena - That whole idea of Athena doing good and being what Icarus wants her to be for them and Ominous Bane. That whole idea that Athena should fight against their friends, stop trying to call out to them for help, stop trying anything - and being proud when Athena would finally end up doing that, cutting ties.

-> Hot take, not in the correct spot in the playlist for this, but also Fable talking to Icarus - be it before or after the cathedral. That whole idea of Fable *wanting* Icarus to isolate themself from their friends and brother, and being pleased when they did that; as well as the whole idea of fighting your friends and family and siding with the “bad guys” and not, well, your family. (Or well, Your family family. The people who really love you. The people who’d care if you’d die. The people who want you to be there and you to be around them.)

-> [Sharks]

-> Just that whole idea of Icarus and Ominous Bane almost taunting Athena while he’s with them. The whole idea that everyone knows, that Athena thinks they can be better than everyone else (when in reality they’re just the same), and the whole idea that one day Athena will see that all she’s doing is swimming with sharks that want her gone and dead and hurt the same as everyone else.

-> Another hot take, Rae to Icarus around A Brother’s Final Stand. That whole idea that one day Icarus will realize their mistakes and missteps and wrong doings and how *Fable* is wrong, and they’ll truly realize how in too deep they are, and just how deep they’ve gone to swim with the sharks.

-> [Lies]

-> Just that whole idea of *all* the lies Icarus tells during season 1. To others, to get people on their side; to Ominous Bane to make themself look better; to *themself* to hide away they're *cracking.*

-> [We Both Reached for the Gun]

-> That whole idea of being a puppet to someone else. That whole idea of someone standing behind you, trying to control your actions and words and *everything* about you. That whole idea of corruption, being a puppet to yourself - in a weird sort of way. And that whole idea that during corruption and Ominous Bane, Centross tried so desperately to make Icarus do what *he* wanted.

-> [Wolf in Sheep's Clothing]

-> Just the whole idea of corruption. All that anger and upset and *mad* - targeted at *everyone.* Arguably, Icarus to Centross. Just that anger at how he gets to Enderian, that anger he gets to do whatever *he* wants, and they're delegated to. whatever this is. All of the arguing that happens between them - it's very season 1 prison duo.

-> [Play With Fire]

-> This is Centross and Enderian, yes; *Arguably* them almost taunting Icarus. The whole idea of them getting to do all of this, and do it *together* - while Icarus hasn't even gotten to *talk* to Enderian.

-> [Can't Stand the Rain]

-> Just that whole idea of literally not being able to stand the rain - how it's constant, how it means this just keeps going and going and *going* and they're not really getting any further than before. (Also like that whole idea of love - how there's truly no such thing as it, as long as this keeps going; as long as they’re corrupted.)

-> [Bust Your Kneecaps (Johnny Don't Leave Me)]

-> Three Strikes Three Strikes Three Strikes. This is so *incredibly* three strikes coded. Just that whole idea of Icarus taunting Athena, chasing after them and everyone else, threatening them. The way that Icarus was fully willing to hunt and kill all of them - fully willing to *go there* and hurt them like that.

-> [6up 5oh Copout (Pro / Con)]

-> This is so very prison coded. Just that whole anger at the fact they were even *put there* - the idea that people would dare misuse their trust like that to trap them. The anger of being alone and trapped and the fact no one was even *considering* letting them out. That need and what to be *out* because they were perfectly fucking *fine* - they didn't need to be trapped like this, why did they even *think* Icarus needed to be trapped like this?

-> [Murders]

-> Getting put in the prison. The idea that they go looking for something, they’re promised something and they work incredibly hard to get to that point - but in the end the prison ruins that for them. In the end, all their efforts were really worth nothing. All their efforts to see the end of this weren’t worth anything because look at where they are now. Look at where this has gotten them - trapped in a prison, panicked and alone and *hurt.*

-> [Nothing Left To Lose]

-> Loose Ends Loose Ends Loose Ends. This is so very incredibly Loose Ends coded. Just that whole idea of Icarus’ to put Centross into the prison - and their attempt at that. Then Centross almost immediately trying to put *them* back into the cell. The following argument and then Centross flying off, Icarus and Rae following. And then the whole idea of Icarus trying so *desperately* to keep him from blowing up their house - and failing because Centross just doesn't give a shit. Centross doesn't have any attachments to them anymore, they've served their purpose (his words), and he doe\snt need to keep them or their house or their anything around any longer - and so he goes through with blowing it up. He leaves Icarus alone there to pick up whatever they can.

-> [As the World Caves In]

-> The season 1 finale - just that whole idea of Centross blowing up the tree, the world literally caving in as Fable rips away yet another page. The way everyone gets ready, gathers around for the funeral of a woman none of them *really* knew, ready to mourn, but not knowing the events that would follow; they get ready for a funeral - only it’s not *only* Haley’s, but also their own. Sure they’ll come back, but the world will still cave in, and the person that sat in those seats will be long gone by the time they do.

-> Arguably also could be the season 2 reset - that whole idea of getting ready and dressing up and *armoring* up to fight Perix/The Warden and getting to that point, putting her soul into the portal frame; only to find Midas had switched Fable and Haley and it was all for nothing, and. Oh. Now the world is caving in - it’s falling apart.

-> [What if Tomorrow Comes]

-> I guess really that whole idea of hoping that Centross blowing up the tree isn't really, truly, the end of this all. That hope that tomorrow will come regardless because this can’t be the end. But also almost that doubt and unknown of if it really would come - that idea that, to them, it really seemed like they were *going* to die with no way of coming back. (And that whole idea of being proven very wrong as they wake up a few weeks later in a reset world, and slowly work to get their memories back as time goes on. That realization that tomorrow *will* come because it came once, it came tens of times before, so it’ll come again and again until they figure all of this out and stop it.)

[Section Four - Season two, why are at least a half of these about putting centross in the prison. *sherb*]

-> [New Life]

-> Just that whole idea of how since no one remembers at the beginning of the Sculk reset, they all - Icarus especially - have an opportunity to, at least until they remember properly, start anew. Icarus doesn’t remember, and for a while no one really remembers them, so they have an opportunity to have a new life; to rebuild things long since broken and make them better. Icarus doesn't have to worry about everything they did in the past if no one can remember it, meaning they get a free past to - at least, for a while, and for all intents and purposes - start a new life on a clean slate.

-> [People I Don't Like]

-> Very much Centross at the beginning of season 2 - to everyone really; though considering this *is* the Icarus playlist, it's arguably to Icarus. Just that whole idea that Centross *knows* them and everything they did and all the feelings he holds about them - and the whole idea that Icarus just. Doesn't. That whole thing of Centross trying to make himself seem good in everyone's eyes, save face and all of that - especially to Icarus. (Especially considering Icarus has/had *very* strong feelings about everything Centross did and told them and. All of that. Not that they remembered all of that at the beginning of the reset, but. Concept.)

-> [Turn The Lights Off]

-> The whole vibe at the beginning of season 2 that people shouldn't go to the end - or at least go to the end *alone* - because look at where that got people last time. Don’t go to the end because you could end up corrupted just like *they* did, and they don’t want that to happen again.

-> Part of me would also say, maybe not within this season, but also season 3 - with the end, that this could also be used in reference to the Worldport and how it’s decaying and how that’s where Quixis is and everything that happens every time Icarus goes in there.

-> You could also maybe make the argument that it’s about Purgatory and Fable - Don’t go with him, don’t go in there and subject yourself to that because you could become more of a monster than a man - more of a loyal soldier than yourself, more of a guard dog than a person. Don’t go down that hole, turn those lights off, because who knows what will happen. (Don’t side with him because you’ll become the monster you’ve always feared becoming - you’ll become the person you’ve never wanted to become.)

-> [The Devil You Know]

-> That whole idea of Icarus not remembering - but also *wanting* not to remember. Icarus has seen the way people react to them, they don't want to remember that person. Sure, right now they're not the *most* amazing person, but they can tell that they were so so much worse before - and they don't want to remember that. It's better to *just* remember the devil they are now, the person they've become, than the person - devil - they were before.

-> [What Did I Do?]

-> Very much season 2 Icarus runaway arc. Just that whole lead up if it - that idea of them wondering what they've done for months and months, and their proposal of an *arena*, and the fallout, the way they ran. That whole idea of them not knowing what they did, what they were, who they were; that whole idea of them wondering what they *did* to be looked at like *that* - what they did to be talked to like that and threatened, what they did to make their family (the only semblance of stability they had even during season 2) so *afraid* of them. (And almost the idea that they were afraid of that - afraid and scared of being viewed in such a way; that idea that this is an active fear that they have.)

-> [It's Not the Same Anymore]

-> Very much Icarus remembering - but less that immediate “*oh fuck yeah I remember!*” and more that “oh. fuck. I *remember.*” Just that whole idea of now that they remember, nothing back home, nothing within town, is going to be the same. None of it will have the same connotations to it, and none of their relationships with people will be the same - because now Icarus *knows* and now they're going to be far, *far* more cautious with their words and actions. It's not the same - and oh how they remember just how fucking *miserable* they were. Additionally, that kind of whole idea of how they should be happy, they should be happy now that they've remembered everything - they *know* now; but really, in the long term, remembering everything just makes it so so much harder to navigate *everything.* (The vibe the end of the song really gives is after all of the Prison Arc Part 2, Icarus trying to make up and make their relationships and friendships and *everything* better - fix them up and pick up broken pieces.)

-> [Could've Been Me]

-> Remembering but we're happy this time! Don't think about all of the consequences and bad feelings and *everything* that comes with remembering you're a horrible person - only focus on the fact you remembered and can now go home and definitely totally be incredibly happy with your family again! All jokes aside, that's very much the vibe this song has. Just that whole idea of Icarus being incredibly happy that they've remembered everything - that they can go *home* finally, they don't have to stay out in the middle of nowhere alone because they're terrified of hurting people. Also that whole idea of everything they want to do now that they remember and know where the line is - know what they can say that won't tow too far over a line and/or trigger someone.

-> [Brutus]

-> Oh to be Icarus Morningstar upon opening their door, post remembering, and seeing David Centross Mistvale. Just that whole anger and upset Icarus holds for Centross after they remember. That anger at what he did, at what he didn't do, at what he said and told them, the anger at what he *left them with* - and the anger that *he* got to talk to Enderian. He got to hear her and listen to her and know her, and Icarus didn't. He was her favorite, and *gods* how that made Icarus so very angry. And the whole idea of how that anger carries over - how Icarus so desperately wanted what Centross had, and didn't get it, and now that they remember they want to *make* it known just how angry they are. (And that whole idea and action of putting him in the prison.)

-> [Absinthe]

-> Very similar to Brutus - that just *anger* at Centross for all of this. That anger at everything he did and everything he said and everything about the endstone reset. And also that way they *don't* believe that front he's put him since the beginning of the reset - don't believe the “good guy” front he's tried to keep up since appearing this reset.

-> [The Main Character]

-> The whole idea that they can do this - do what they're doing to Centross, and *keep doing it* because there are worse people than them out there - there are so so much worse people than them out there, so they can do this, because, well, they’re better; they’re not bad bad like a lot of people. The idea that this is okay because of everything else.

-> [You're Not Welcome]

-> Just all of that angry Icarus holds for Centross bubbling over - this *is* the act of putting him in the prison. That need to make it known he's *not* welcome - the idea they try to convince both themself and him of that no one would care if he just disappeared. And, well. Welcome to the first of like four more detailed line by line analysis cause i'm a loser.

“Don't you know you're not welcome ‘round here?” Just that whole idea of Icarus being willing to lock him away because they fully believe, what to believe, want *him* to believe that he's not welcome - he's not welcome and therefore that makes their following actions “okay.”

“I think you should go ‘fore you cause some drama.” Almost that idea that he needs to leave - he shouldn't be here. That whole idea that he should leave before *they* do something. That whole idea that if he stays, regardless of if he does something, they’re going to *hurt him.*

“Don't you know I'm the one you should fear?” They *want* him to be afraid of them - want him fear them so they *finally* have that upper hand on him. (Want him to be afraid of them like they were afraid of him after they got out of the prison - want him to know that fear, want them to be able to get their revenge.)

“Talk to me if you've got a problem.” That whole idea that Icarus wants to be the one to deal with him - that whole thing of no one else dealing with Centross the way *Icarus* thinks he should be dealt with.

“I can't believe you used to truly scare me.” Because he *did* genuinely scare them - after they were uncorrupted they were genuinely and truly scared of him. However, like this, with the offer that Icarus can stab him, with the way he just lets himself get put into the prison, he's really not that scary. They can't believe he used to genuinely scare them when he's just. almost pitiful like this - in the prison.

“You were like a ghost story told to keep me weary. But I never listened, no, I slept good ‘til morning.” Arguably *he* was the one telling them the ‘ghost stories’ - the warnings he'd tell them, the arguments they'd get into. The way Icarus never heeded them, only pushing further and further until they tipped him (or themself) over the edge. The way Icarus would just sleep it off - because that's what they always did.

“And when our paths finally crossed, I didn't heed the warning.” Similar to that last line - Icarus didn't heed any warning. Icarus just kept pushing and pushing and pushing, arguing with Centross over and over and *over* again.

“Then push, push, push, push. Yeah, you pushed me to the edge.” Haley. Arguably, Centross was part of the reason Icarus killed her in the first place. That need to prove themself not only to Enderian, but also to Centross. That need to prove they weren't useless (weren't a *failure*), that they could be of use to Ominous Bane and weren't just *there* - that they could *do something.*

“I used to dread the thought of falling quickly” Something something resets something something. While they don't remember them or know about them at this point in time, just that whole idea of falling like that. Also, arguably, that whole idea of falling into an ideal and thought process - that idea they don't like to do that quickly, they don't like falling down a thought rabbit hole without thinking and considering it properly first. (Even though they do that so incredibly often.)

“But now I just wish that you'd send me off that ledge - So I can finally fucking take you with me” But also that whole idea that if it meant Centross was going down with them? if them falling down a thought rabbit hole, if them falling and doing something terrible, meant Centross would go down with them? If him pushing them to that point meant they'd go down *together* - two birds, one stone and all - and no one could be hurt by him again? Oh Icarus would gladly fall down. They'd gladly let themself if it meant they could kill or hurt or do *something* to him that meant they were going down together.

-> [Blood // Water]

-> Just that whole idea of Icarus being so very angry at Centross for all of this. That whole idea of there literally being blood in the water - he tried to kill all of them, and he *did* kill hundreds more. That whole idea that Icarus doesn't plan on letting him go *any* time soon - they want him so desperately to know just how what he did made them feel. (Also “you poisoned me just for another dollar in your pocket” that whole idea that he let Icarus dig themself into this hole, he argued and argued and *argued* and pushed and poisoned their mind with thoughts and words that *stuck.*)

-> [Lonely]

-> They hate each other, yes. However, What if they held hands about it? Maybe even kissed about it. Just like. That whole idea of of how during the season 2 prison arc they were really each other's *only* company. They were alone, but alone together. Yeah they hated each other - but they still *had* each other. That whole idea Icarus was *alone* - but they still had someone, regardless of how much they hated each other. (Also “Hey love, Have mercy on me, and keep me company” is very Centross to Icarus. Just that idea of wanting mercy, wanting Icarus to *stop* hurting him - but also still wanting that company because they were *alone.*)

-> [GONER]

-> They definitely still hate each other - like absolutely still hate each other. Like they are arguing and fighting and snapping at each other every fucking opportunity they get the longer Centross is in the prison - especially more towards the end, Centross is being just as snippy and antagonistic towards Icarus as they're being to him. That whole idea of Centross snipping at them - that idea of “at least he fights back when he's imprisoned.” However, arguably, they also probably kissed about it. They hate each other - but like, sometimes you have to acknowledge the other person is definitely a little kiss-able. (“You look so damn appetizing” like. *like.* so many of these lines imply they at the very *very* least kissed about it.)

-> [Forgive Me Chester]

-> Very end of season 2/the season 2 reset. Really that whole idea of seeing the 3 people you've spent your life chasing after all at once, all in the same room, all together. That idea of fighting the Warden, that whole idea of trying to get Fable out, that whole idea of trying to finally chase the bad away - chase the resets and the Warden and the anger and the bad and *all of it.*

-> Verse one is very much talking about Haley; Verse two is about Centross (prison duo the beloved); Verse three is about Rae, something about broters and their relationship being good for that bit at the end there.

-> [Rock in a God's Shoe]

-> Just that general demeanor of late season 2 - trying to figure out if Fable getting out would *actually* help (even if Icarus really really wants him back), and that whole idea of trying to figure out if he will actually be on their side or not. That worry after everything that happened with Perix that maybe he isn't. Also that idea of Fable not giving that much information, and them all trying their absolute *hardest* to figure out how to get him out. (Also that bit at the end is Icarus to Midas coded, especially with the glitchy voice, and in this essay I will-)

-> [Moonsickness]

-> Very much the season 2 reset. The annoyance at Fable, that annoyance and *anger* at Quixis. That very demeanor they have toward Quixis at the end - being done with them and being annoyed at them; them seeing themself as a failure because of *course* they fucked up the thing that was supposed to help them. They can't do anything right ever - they fuck up *everything* they touch. Also, hot take, Midas talking to Icarus and Fable (and almost the grove in general? but I feel like *mostly* Fable). and, well, I have thoughts about some of these lines, so take this silly more specific analysis. (Not *every* line, just some I picked. Because if i picked all the lines we’d be here forever.)

“Everybody knows this place is dying, as am I.” Something about Midas dying as the Worldport does - decaying and falling with their realm. Something about the season 2 reset showing the world *literally* dying, falling apart, crumbling and everyone *knowing* it.

“I might not get another chance.” Midas switching Haley and Fable - they *knew* they probably weren't going to get another chance to try and stop Fable like that. As well as the whole idea of the grove only having one chance to open the portal - they, Icarus especially as the one who *put* Perix's soul in the frame, fully thought this was their *only* opportunity to get Fable out. Obviously this is proven wrong in season 3 - but they didn't *know that.*

“I am such a fuckup, if you only knew that I am such a fuck up.” Something about Icarus seeing themself as a failure - a fuckup. They couldn't even get their father out correctly, why can't everyone just see how much of a failure they are? Why can't everyone see how much they ruin everything they touch? (And, arguably, Midas as well. That whole idea of them failing in their duties to bring Icarus when they were supposed to, leading to so so *so* many worlds decaying.)

“And I am the worst mistake that God has ever made.” Sort of that same idea as the last one - that idea of Icarus seeing themself as a failure. Only this time it's more related to their Dad than themself. He made them, they're *his* child - therefore, if they see themself *that* badly, they're the worst mistake he's ever made. They're a terrible fucking person and they're a *failure.*

“But I make lemons out of lemonade.” Wack wack wack wack. This line is so very about the wack. Something about changing things from one thing to another in a way that *shouldn't be possible.*

“In your guts you know it's all destroyed.” Okay, Midas to Fable. Something about Fable knowing that this world is dying - something about how Fable would *know* the outcome of doing all of this. He would know that Rae would figure it out one day, the cause of the resets, and it wouldn't go *well* - that his relationship with one or both of his sons would be destroyed. (Also, mayhaps, Midas to Icarus - that whole idea that the world is destroyed and their chance at getting Fable out (at least this time) is *also* destroyed.)

“None of us belong, Everything I do is wrong.” Something about everyone being pulled into the resets from different time periods, being shifted and tugged and placed into the present but not quite *belonging* there. Something about how Icarus tries their very hardest to be *good* - but so much of what they do ends up being wrong on so many levels. (But it's all they know.) Something about how Midas tries their very best to fix and fix and *fix* and they can't really - it almost always ends up *wrong.*

“And in your blood you know what's right.” Midas to Icarus - that whole idea that Icarus has Fable's blood running through their veins, that they believe that he is *right.* Even if in the moment they don't know him well, don't remember him well, they still subconsciously think what they're doing that mirrors Fable's own actions is *right.*

Could also be Midas to Fable? That might be a slippery slope to climb and explain though.

“And in your bones you know what's wrong.” Midas to Icarus - something about Icarus so often knowing, but not *acknowledging*, that what they're doing is wrong. Icarus *knows* it's wrong, deep in their bones, they really really do. (But rarely do they acknowledge that.)

Could *also* be Midas to Fable for similar reasons.

“And in your throat you know you're lying to kids” Midas to Fable - While they're not *literally* kids and children still, they are *his* kids - and he's lying to them. Fable is lying to his kids and he *knows* it, not that he'll acknowledge that ever.

“And you know nobody belongs in this hell.” Midas to Fable - Something about Fable *knowing* none of them belong in this hell of resets and everything; that he should probably just let life run its course, let it go as it *should* - but he doesn't. And he's dooming them to this hell none of them belong in. (And he knows they don't.)

“I am God's worst Mistake” Just. Icarus. Once again just that whole idea that they just think of themself as a *failure* - especially after the portal glitches. They can't keep doing this - at some point they're just. A mistake. (Arguably, could also be seen directed more at Quixis as well - the way Quixis made them like this with the eye and all.)

“And you seem happy on the knife's edge, but I just lick the blade.” Midas to Fable - That idea that Fable kind of hovers on the knife's edge, but never tips over it. He tows a line, about to tetter over. The way Midas will *gladly* tip over that line - lick the blade, on this case - they'll go down, tetter over that edge, but they sure as fuck won't do it quietly or unnoticeable.

“And I'm the worst mistake your God has ever made.” Arguably, Midas to Icarus. Fable is the reason they couldn't get to Icarus - Fable is the reason they're *like this.* And, *arguably,* Fable is kind of sort of Icarus’ God. Also just that whole idea that Fable is the reason for *so much* between Midas and Fable. And now Midas is *angry.* Mistake in this case isn't a bad thing - mistake in this case is more “Midas is about to make their anger *very* much Fable's problem - and it's his fault.”

“Invisible hand savior, fucking up your definitions even though it's life or death.” Midas to Fable - Fable is, in this case, the invisible hand. He saves Icarus every *single* reset - he *is* the savior, and he's fucking up definitions *every* time he does it. Even though it's life or death, even though Icarus absolutely *should* die, they should be dead, they're not. He's literally fucking up definitions everytime he rips a page out or edits or does *anything* to As It Is.

“Don't you think it matters when we wish our friends the best.” Midas to Fable - again. Something about Fable wishing Rae and Co good luck on figuring out what the resets were being caused by - when *he* was the one causing them. It *should* matter that he wished them luck, but it really doesn't considering he *knew.*

“Because of all this bullshit I'm not anything at all.” Midas in general really - something about how they're just trying to fix everything now, but they're not really a person anymore. They're alone and they're almost a god and they're *angry.*

“There's nothing to believe in and there won't be ‘till we fall” Okay this line goes *far* deeper into the finale and things than it should. This is Midas talking to Fable but for once they're not being an *asshole* - they're lumping themself in with him. Something about Fable dying at the end of Fable, and Midas passing their torch (metaphorically falling/dying), and the way it leaves room for new gods - new gods people will actually *like* and believe in and won't cause harm and and and. Something about Midas knowing that until both of them are gone, no one is going to properly believe for a *while.*

“I can't get the numbers right - I can't fucking count because not one goddamn thing is in it's place.” Midas to Icarus *or* Vice versa (Icarus to Midas). Something about the wack changing and altering so so *so* much neither of them are really them anymore. Nothing is like it should be, and it hasn't been for a while. The Worldport is decaying, soon Midas will be too. Icarus isn't themself - they haven't been in a *while.* The eye isn't theirs (not that they *know* that), all of the purple isn't theirs, some of their members *aren't theirs.* Nothing is in it's place and that's *really* fucking shit up.

“You fuckers know it's all built on lies” Midas to *both* Icarus and Fable. Just that whole idea of how Fable manipulates and abuses in the way he does; twisting words and fabricating truths, lies laid with the grounds of a truth, but built on things objectively very false. And in Icarus’ case - their entire life and personality is a lie. They act so very differently alone than they do around others, it's all a front. Everything they've built to this point, and *so much* of what they'll build as season 3 starts is built on lies and half truths. (And that whole idea that Midas is *angry* at them.)

“But the beast refuses to die, and so I guess well neither can I.” This line *arguably* also leans very heavily into finale territory - mostly with things we know after the fact though. Just that whole idea that Fable can't die, he refuses to - as long as he's immortal he *can't.* And if Fable is alive, and actively keeping Midas from Icarus - then Midas can't pass the torch, Midas can't *die.* Something about how Midas fully thought they were going to die upon passing the torch to Icarus. If Fable refuses to die, meaning they can't reach Icarus, then Midas *can't* die. (Because what happens then? The Worldport is left without an overseer and wack gets hundreds of times worse? *No* that can't happen. So they power through it to let Icarus see the end.)

[Section Five - You died. Deal with the consequences, Icarus. (Season 3)]

-> [Is There Anybody Here?]

-> The season 3 break my beloved honestly. That's this song in a very very loose nutshell. The season 3 break - both their time in the Worldport as well as their time here. Just that whole idea of trying to find Quixis - and then trying to find *something* that they know and can hold onto. That idea of looking for something, anything, anyone that can help them because they *don't know where they are.* That idea that they're trying to find their way back home, and are struggling because they don't know how.

-> [Maybe Man]

-> Very much that whole mentality Icarus has early season 3. That idea that they *don't* know how they are, not anymore. They're just kind of. Floating. Also that whole idea of trying to figure out who the fuck they even want to be in the first place. They don't really have a direction - they just want to be *something.* (Something that will please people, make them smile whenever Icarus passes by because they're doing *good.*)

-> [Chasing You]

-> That whole idea of how Icarus has spent the past *year* trying to bring Haley back, trying to figure out how to see her and fix their mistake - and that whole idea that now that she's back, now that Midas brought her back, Icarus doesn't know what to do. Icarus doesn't know how to act around her, what they can and cannot and should and should not say/voice, what is too far over a line and what isn't. They're really just left floating not knowing what in the *world* they should do about it.

-> [The Garden]

-> The whole idea of Icarus getting so done with and so incredibly over Quixis and the wack and the changes and *us.* The whole idea of wanting to dig them up and out and remove them completely, no matter the consequence, no matter where it would get them in the end. The whole idea of how Midas knows their name - and we have to figure it out - and the way they don’t, and the way, more often than not, we as chat snark at them and are very passive aggressive sometimes, rather than being helpful - and how they don’t like that.

-> [New Eyes]

-> Two samples Two samples Two samples. Just, Icarus about the eyes in general. The finding put that the purple eye's blood *isn't theirs*, and the following realization that if the blood isn't theirs, then the eye itself isn't theirs either. That want and that need for people - Midas - to stop changing them, to give them *their* eye back - so they can see with new ones; so they can see with the eyes that were always *supposed* to be theirs. (Also just the general idea of needing to see things through a new lens, see things better, because they're suffering and hurting and *no one* seems to see it, and how one day that fact might kill them. (And well, it does, doesn't it?))

-> Sage and their ability to be so normal got this one on the playlist. We win these.

-> [The Tornado]

-> So very Unlocked - this *is* the Unlocked song. That whole idea of them being used to the wack, being almost surprised as it just *kept getting worse*, *the wings,* the running to the bunker and the *yelling* at Midas, Fable finding them, and - arguably - the aftermath of the wings and those few streams following Unlocked where they were just trying to heal and fix and *clean* up the path they had made. (Okay yes Quixis ascension, yes, but we’re not at that part in the playlist yet - so.) And, well. Some more detailed line analysis because I’m a loser.

“It was just startin' to drizzle as I walked out the door, But I've delivered papers in the rain like that before.” Just that whole idea that the wack being weird - being worse, changing their house more than normal, changing *them* and their clothes more than normal - was okay, in their mind. What’s the worst that can happen? It’s done this before, and everything was fine for both them and others - why worry about it this time?

“3:30 in the morning, I was happy as a lark.” That idea that Icarus was so very happy to get Fable out. They were so happy and excited, because this was what they had been working to for months and years and *resets* and they had finally been able to do it. They might’ve been a little worried, but they were mostly *happy.*

“The wind was pickin' up and howlin' louder all the time.” The redstone beginning as they were all standing in front of the now open portal - the way they weren’t expecting it, the way it just kept picking up and getting *worse* no matter what they did to stop it.

“The sky churned like a cauldron and the distant thunder roared, And I knew that I was in for quite a storm.” The redstone picking up, but also the fact Fable hadn’t come out yet - and they had been waiting and waiting for the others to get him for *minutes* now and it was beginning to worry everyone outside of the portal; that idea that they *knew* something might be up - with Fable or the wack.

“A little rain never hurt no one, so I kept pressin' on.” Up to this point, the wack hadn’t hurt *anyone* - well, with the exception of Icarus themself. Sure it had hurt and changed and wacked animals and blocks and all that - but never Icarus’ friends and family. It hurt them time and time again - but they were fine after all of it (for the most part - with the exception of the many breakdowns and *the eye*), why should they worry about others getting hurt? It had never *severely* hurt them like that; so they kept going and standing there and letting it get worse upon that assumption that it *wouldn’t do that.*

“And I tried to tell myself it's always darkest before the dawn.” Just that way they were so desperately trying to convince themself that it was all okay - that the group in Purgatory *will* bring Fable out and it’ll be okay. The wack will be fine and it’ll stop and it’s just a small little bad thing before they get Fable back - that desperate way they try to convince themself it’ll be okay.

“Lightning struck an oak tree as I leapt off my bike.” The way the redstone, the *bad* just keeps getting worse and worse as time goes on. Regardless of what they do it gets worse and they can’t seem to *stop it.*

“The sirens started wailing, but there was no good place to hide.” That whole idea that Icarus really, really, *really* wanted to run - they wanted their dad and they wanted the wack to *stop* because it just kept getting worse and they really, really wanted to just run. But they knew they column’t because running would make things so so much worse - so they don’t run, they just stand there and let it keep getting *worse.*

“I knew without a doubt there was a twister touchin' down.” That idea that they *knew* it was only going to get worse and worse the longer they stood there, without a doubt, but there wasn’t anything they could *do about it* - they just had to power through whatever happens, like they always do.

“The little bit of courage I had left was almost gone.” Something about how at the beginning of Unlocked they were mostly okay - that had *some* bits of courage - but the longer no one came out of the portal and the longer all the redstone did was get bigger, and the longer they just *stood there* the more that courage just. faded.

“And then the nightmare started, it got deafeningly loud.” Momboo. The redstone getting bigger and the wack *hurting her* (hurting someone other than Icarus, for once) and the way they almost *immediately* panicked and ran (or, at least tried to) off. And then like the following moments of running and running and trying to fly and then their wings *shattering.*

“Every fiber in me screamed out, but I couldn't make a sound.” Something about how they screamed as their wings broke, but about how their panic after the fact was so very quiet. They weren't screaming - they were just hurt and in pain and weren't going well but were trying so desperately to keep it under wraps. They refused to let themself break at *any* point during the run to the bunker, refused to let themself fall apart like that. They wouldn't - they *couldn't.*

“It sounded like a freight train was draggin' me to hell.” Something about the particular way the the wings sounded when they shattered - so *loud* and overwhelming as they crystalized and as Icarus *fell.* Even louder as they shattered against their own weight and Icarus’ back. They dragged Icarus *down.* (Metaphorically dragging Icarus to hell, I suppose.)

“And this was my prayer, "Save me from this terrible nightmare"�� *Icarus yelling at Midas.* This line is os Icarus yelling at Midas, both on their way and inside of the bunker. They just wanted Quixis to *stop*, to know why they just kept *doing all of this* to Icarus and their friends. -They just wanted Quixis to stop, and they just wanted someone to be there for them and save them because *gods* they hurt so very badly.

“That was when I saw my family with my eyes shut real tight.” Fable showing up at the bottom of the bunker - they literally see their family. Also something about how they just wanted this to stop - their eyes shut and the denial of the past delays creeping back up on them.

“Would they know how much I loved them if this was how I died?” *Would they?* How many times does Icarus tell their family they love them? (How many times do people tell *them* that?) Would their family know just how much Icarus loved and cared about them if Icarus died - if they died like *this* with no one around?

“No, I vowed I'd not be murdered by a monster in the sky that night.” If you think about it - this injury could’ve killed them. It didn’t - and they definitely didn't want them to - but it *could’ve.* But they wanted to so desperately survive and live and *not* let Midas’ actions get the better of them - they vowed it wouldn’t happen.

“But if I went home to heaven, at least that's where I'd belong.” Midas’ would’ve pulled them before they died (just like they did in the finale) if the injury *did* kill them - they would’ve been where they belong because they were meant to become Quixis *decades* ago; that, the worldport, Quixis, was supposed to be their home for years yet it *wasn’t* - it's where they belong but, at this moment, they’re not there.

“There was nothin' but destruction and wreckage in that town.” The mess the path and wack made; the redstone in front of the portal; *the tree.* (Their wings.) It was all a mess and destroyed and, for at least some of that - there was no fixing it. It was just destroyed and they just had to deal with that.

“And that was how I learned to live when you can run, but you can't hide.” They could run from hurting Momboo, and they could run from the wack, and they could run from their wings breaking - but they can’t *hide from it.* They have to deal with the consequences of their actions, they can’t hide from it. They have to see the tree - see their mistakes, see their bad - nearly everyday. They can run from it, sure, but they can’t *hide.*

“How to feel trapped in a tunnel but come out the other side.” They’re trapped and grounded and alone (somewhat - Fable is doing his whole “isolate his kid so they lose attachments” thing) but they come out of it, eventually. They get their wings back, they can fly again - they may have felt trapped for a time but they *made it out.*

“'Cause with all the stormy weather in the world, you learn to take life one storm at a time.” Pulling out the character analysis card - Icarus gets very focused on *one* (big) thing very easily. Their wings, they wanted to fix those - spent weeks trying to get better; Enderian talking to Rae - they were so incredibly stuck on that until they made up; And, the more obvious one from season 3 - Centross. It was a 5 month long storm - but it’s all they focused on. They take their life, especially during season 3, one big problem and thing at a time - focus on *it* and nothing else. (Because focusing on other things means acknowledging just how much you’re hurting, and they can’t do that.) And I mean, it gets Icarus through. They make it to the end going like that. It’s not healthy - but they *make it.*

“I keep hangin' on.” No matter what happens, no matter how close to death they get and no matter how much death would probably be kinder at a point, Icarus is still there. They keep hanging on - keep living and keep just, going through the motions.

-> [Birds]

-> Just that whole idea of how after Unlocked (and arguably also *during* Unlocked) Icarus just wanted to *relax.* They were done and hurting and upset and they just really, really wanted to sit, alone, with the flock. They just want to be calm and relax and not have to think about any of what just happened.

-> [Look Who's Inside Again]

-> Unlocked. Probably Midas to Icarus? Or just someone outside looking in at Icarus in the moment after their wings break. This song specifically being more about Icarus’ desperation to get to their bunker - and their feelings while inside of it. How this is just like the prison - putting themself into a box, a prison, a *room*, to keep people safe. To keep them from hurting people. They're back here again - trapped in a box with no way of getting out until someone comes to get them, yelling at the person who (for all intents and purposes) put them there. They're back here again, *inside* again.

-> The whole idea of Fable, after he gets out, beginning to isolate and cage Icarus - with the guise of keeping them safe. He’s removing them from their friends and family and leaving *him* as the only person Icarus can safely - at least in their mind - rely on.

-> I have further words about Fable and Icarus in regards to this song, and that’s really tying into the “again” aspect of this. Viewing this through the lens that this is Fable isolating Icarus, and the visions of a child shown throughout this song, then it’s not terribly hard to come to the idea that this probably isn’t the first time Fable did this - isolate and cage and manipulate - Icarus. That whole idea that his manipulation and abuse has been going on for much longer than we see on screen - this isn’t a new thing. He did this before and he’s doing it again and Icarus just has to deal with that. (Even if they don’t *know* he did this when they were a child. They don’t remember any of that aspect of themself.)

-> [Let Me Make You Proud]

-> That whole idea that yes, Icarus has failed and made mistakes and disappointed Fable - probably time and time and *time* again - but that they really, really, *really* want to make it up to him. They want to make him proud because they feel so much like a failure after everything that keeps happening - they want to make all their mistakes and missteps up to him. They want to make it up to him and they keep trying and trying and *trying* to do that. (And, arguably, failing at it rather often.)

-> [the fruits]

-> The whole idea of how Icarus wants so desperately to help Fable and all he’s doing, but the idea of how Fable can’t see that they’re not entirely them - can’t see just how much they can keep falling and repeating history and just how badly they’re doing. The whole idea that they can’t help him - they can be the person he wants them to be and the person he’s trying to make them into because they’re not entirely themself in the whole sense of them; they can’t be that if they’re not entirely themself - they can’t help him like he wants them to, and how they spiral because of that.

-> [Loser Baby]

-> Centross and Icarus. Kind of to each other. This song is. So *incredibly* drinking stream coded. Just. That realization of just how similar the two of them are, just how much they have in common, just how much they're both going through the same shitty situation. That realization that they can *rely* on eachother. The realization of how they're so so *incredibly* similar - especially in regards to Enderian and Fable - and how they're both losers, they're both having a bad bad time, but they can do it together. (Which, arguably, they’ve known for a while - but it becomes a lot clearer in the drinking stream; especially with Icarus calling Centross their best friend.)

-> [Down the River]

-> *Breaking Bonds* - This song is very Athena to Icarus. The whole idea that Icarus likes to run and hide and leave the past and everything they’ve done behind and not acknowledge it whatsoever - How they can’t do that; How even if Icarus wants to forget and leave and run, others aren’t going to do that for them - Others are still going to remember all of this and all they’ve done, and what happens to them, the grove, once Icarus leaves and decides to ignore it. What happens then? What happens to all those people you’ve hurt?

-> [Hero]

-> Centross’ death. That way Icarus just spends that immediate moment after him fading just trying to convince themself it's *okay.* They're okay and he's okay and he'll be *back* and it's okay. Them just trying to convince themself it's alright and trying so so desperately to comfort themself in this hell. Arguably, also almost their anger at Fable for killing their best friend - that immediate sharp anger and bared teeth (“I'm the hero of the story, don't need to be saved.” Just that whole idea that Centross saved them - but he shouldn't have had to. They were the *hero* of this story, no one should have to save them - and no one should have to *die* doing that if they even tried. Icarus’ whole thing is trying to save themself, figure out ways they can fix it *themself.* No one should have to die because Icarus couldn’t do that. They’re a prince, they’re supposed to be alone. People shouldn’t have to die because they weren’t.)

-> [Can't Catch Me Now]

-> Centross almost like. Taunting Fable and trying to comfort Icarus. How he's always going to be there for Icarus, he's always watching over them, even if he can't tell them and show them that physically, he is *there.* But also almost taunting Fable in regards to the fact that Fable can't catch him now; Fable will not find him no matter what he tries and attempts, he will see Centross everywhere, be reminded of him just like Icarus is, and he *will not* find him - and won't be able to bring him back.

-> [Do What You Gotta Do]

-> This that short bit after Fable kills Centross where Icarus just *yells* at Fable. That snark, that anger that Fable *did that* - and Fable's argument that he “did what he had to”, and that was *necessary*; Fable did this (killed Centross) because he had too, Icarus should hear him out. Just that whole conversation between Icarus and Fable after he kills Centross, and that whole falling out between the two of them, and that whole slow manipulation from Fable's end as the conversation continued. (Also Fable's whole “being a god” thing-)

-> [The Cave]

-> Centross to Icarus after the cathedral. How he *will* be there for them, no matter what, but also how he has other duties to attend to - but also also how he can't stick around due to the fact that Fable is currently killing every God in his sight, taking every power for himself. How Centross *wants* Icarus to know he's there for them, but also how he can't physically be there. He'll try his *hardest* to keep them alive - try his hardest to keep them going until the end.

-> [Paid in Exposure]

-> Very much Coworkers - just that whole idea of doing only what they're told and becoming, a, a coworker, and b, one of the bad guys - or the people on the stereotypically “bad” side.

-> [Natural]

-> *Also* Coworkers. That whole idea that for them to be on this side of this war they have to be assholes - they have to be cold and sharp and not care, and the whole idea that they're *good at it.* The idea that all three of them are good at that - they're almost naturals at it. They don't have to practice because they can settle into that role far, far too easily. (Also “Rather be the hunter than the prey” is incredibly Coworkers - because they all know that Fable is hunting gods and hunting people down, and they'd rather be beside him as he does that than cowering beneath his sword.)

-> [Burning Pile]

-> Just like the whole idea of wanting to put all your problems in a big pile and just light them up and on fire - kill them, get rid of them, ignore them. That whole idea of wanting to get rid of all your current problems, all the shitty stuff you’ve gone through, get rid of it all and never properly look back - you’ve burnt it, it’s gone, you don’t have to think about it anymore. (Or, that’s the dream at least. Not really what ends up happening in the end.)

-> [Can't Go Back]

-> Just that whole idea that Icarus should forgive themself - how most of this isn't really *their* fault, and how they should be learning to forgive themself for that - not blame themself for stuff that isn't their fault. (Also the whole idea that none of this is *fair* - it's not fair to them and nor fair for Fable and not fair to *anyone* in the grove.)

-> This definitely feels like Violet trying his absolute hardest to comfort Icarus the best he can even though he can’t physically be there with them in the moment (and he won’t be able to be for a while. (And even when he was able to be there for him, at the end, it wasn’t for very long.)

-> [Try To Change]

-> How Icarus just keeps trying to change, change and change and change, they're trying so incredibly hard, and it just keeps failing. The whole idea that they can’t find it in themself to change - there's safety in it, they’ve always been like this, why wouldn’t they just keep going and being like this. Why would they try - there is *no* point to it. They’re safe like this, Dad likes them like this, why would they change into something he wouldn’t?

-> [Let Us All Down]

-> Just that whole idea of how the Grove feels about Icarus working with Fable. Arguably, they all thought Icarus could be good - they gave Icarus so so *so* many chances, they didn't think that they'd go this route. They didn't think they'd be involved in Centross’ death like this and this didn't think and and and. (Also, arguably, Icarus spiraling. Just *thinking* about what people would say, what people would think, what they would *feel*, how they would react.)

-> Arguably kinda sorta maybe Two Shall Break/Two Shall Mourn for the priorly explained reasons.

-> [Lima Bean Man]

-> Icarus about Momboo. Icarus so *desperately* wants Momboo to not be dead, so desperately wants to be able to bring her back. Not necessarily telling themself she *isn't* dead, but that she *can't* be - because that means they killed another person, that means they did it *again.*

-> [Shots]

-> Icarus to. Everyone basically. They're so so *sorry* - they're breaking down crying near everyday by this point, and they just keep *killing people.* (“why do I kill everything that I love?”) and they're so so *sorry.* But also that they need everyone to know they're *in too deep* - People aren't going to be able to save them now, not through normal means. It's not going to happen - they need to let Icarus drift away because if they *don't*? More people will only get hurt.

-> While I won’t elaborate on this statement, as it speaks for itself, your friendly reminder that Icarus did not truly hate their father when they killed him - Icarus still held some sort of semblance of love for him, even at the end, even after everything, even as they stabbed that trident into his chest as he revealed he was never going to bring Centross back.

-> [Prodigal]

-> That whole idea that where Icarus is right now is all their own fault. They caused it, it's their fault, and there's nothing they can really do about it. They're alone, they've dug themself a hole and fallen down it (because that's all they do, really) and they can't get out - and it's their fault. It's all their fault - it always *is* their fault.

-> [Solitary Confinement]

-> They're alone! After Momboo, and after their conversation with Athena, they're *alone* - Confined. And they're. Okay with it, almost. They wanted to push people away, wanted to be alone, because it makes all of this so so much easier. But they *really* wish they didn't have to do it. Didn't have to push people away like that, didn't *have* to do this to everyone and themself. They do it, yes, because in the end it will benefit them to do so, but they really really don't like doing it - they're spiraling. (And really, they have been for months.)

-> a “devious read” by yours truly according to the sherbertquake56

-> [No Longer You]

-> Okay. Now. What I'm about to say *might* sound like. horribly wrong because everyone kind of looks at this and goes “oh the prophet is Haley” and to that I say. Nope. No, the prophet is Midas. This song is *Midas* talking to Icarus about their future - regardless of how this goes. Because Midas would know what would happen after they “Draw their final breath” so to speak - Midas would know. Haley wouldn't. Also, because I'm a little loser, and the fact this song *really* lends itself to this, line by line analysis.

“I see a song of past romance” Perhaps talking about Momboo? This line could be very ambiguous. Cause you could also argue Wet Birds, but I'm not sure that really *fits.* (If you wanted to go the Prison Duo route, you probably could as well.)

“I see the sacrifice of man.” This line being about Centross - Sacrificing himself to save both Icarus, as well as the rest of his family.

“I see portrayals of betrayal,” This line being about Jamie - Betraying the family they *had* for the family they *want.*

“And a brother's final stand.” This is. Just the ‘A Brother's Final Stand’ stream. Rae trying so so *so* hard to save his brother, and failing because they *just* don't *want* (don't think they need, don't think they deserve) help.

“I see you on the brink of death.” Icarus after they kill Fable. Or, really, Icarus throughout the last week-ish; throughout that they're on the brink of death, they're *dying.* (They have been for almost 5 months - but after he dies Icarus is left so much worse off because Fable isn’t around and alive to keep Quixis’ powers at bay.)

“I see you draw your final breath.” Them *jumping* - Them thinking they were going to die. Them being fully fully accepting of it.

“I see a man who gets to make it home alive.” Midas pulling Icarus into the Worldport, *alive* - telling them that they'll be able to go back home eventually.

“But it's no longer you…” But the person Icarus would become after all that time in the Worldport, after leaving it, would be starkly different to the person that entered it - that it wouldn't really be Icarus anymore. It'd be Icarus, of course, but they'd know and have been changed that they wouldn't be the Icarus they *were.*

Just. It really encompasses those last few months of Icarus’ life before becoming Quixis - those last few months of pain and desperation and *bad.*

-> [Monster]

-> The whole idea of how Icarus *will* be the monster if they have to. They'll kill and slaughter and murder and *be* the monster if it means they'll all make to end - if it means they'll get to bring everyone back, *fix* everything.

-> [No Children]

-> This is very much Icarus’ mentality at the end - about Fable and about Rae and about *everyone.* That idea that they don't want to be saved anymore, not like this. That idea that if they have to go down - they're going to take Fable with them. That idea that they just want Rae and *everyone* to give up on them - and, arguably, that idea that if *they* die, they want Fable to come down with them. Uh. Well here's another set of far more detailed line analysis <3 Not the last one either <3

“I hope that our few remaining friends give up on trying to save us.” That whole idea that Icarus doesn’t want to be saved - not like this. They don’t want to and they don't think they’re deserving of it - they fully hope that Rae gives up on trying to save them.

“I hope we come up with a fail-safe plot to piss off the dumb few that forgave us.” While they didn’t *know* it’d be fail-safe, Jamie. Because by this point there were *very* few people still trying to save and help them - and really, to their knowledge, it was *just* Rae - and to them? To those people *that* was the tipping point. For that last week they were left completely alone because they had *finally* pissed off the people trying to save them.

“I hope the fences we mended fall down beneath their own weight.” Very similarly to that previous line, during Family Reunion - arguably - Rae and Icarus had *kind of* mended their relationship. Icarus didn’t like that - Icarus really hoped that he’d just let it go. They really hoped that the weight of everything would mean their relationship, whatever Rae thought was left of it - at least, would just crumble. That Icarus wouldn’t have to hold on to him and their family anymore because holding onto it means there is *complications* and attachments and they really can't have that - not now.

“And I hope we hang on past the last exit. I hope it's already too late.” That whole idea that Icarus was in too deep - Icarus was going to hold on and stay attached to Fable until the very, very, *very* end. That whole idea that Icarus very much thought, very much hoped, that they were too far gone and it was far, *far* too late to turn back now. (Also that whole idea that

“In my life, I hope I lie. And tell everyone you were a good wife.” Okay, a, that whole idea that Icarus lies about *nearly* everything - they lie about so, so, *so* much that it’s really all they do and hope to do. B, that idea that they so desperately want to see their father as a good person - so desperately want *everyone else* to think he’s a good person; to the point that they *will* lie about it, they hope to, they hope they get the opportunity to lie about it.

“And I hope you die. I hope we both die.” *If he dies they don’t have to do this anymore.* Just that whole idea that if he dies they do not, really and truly, have to continue to do any of this. They can fully and completely leave it behind and *gods* how they really, really want to do that. Also, arguably, that whole idea that they don’t think they’re worth saving, and that whole idea that they think they fuck everything up and ruin it regardless of how much they’re trying. If they both die between now and the end, then when this is all over no one will have to get hurt anymore - their family will be *safe* and sound and they won’t have to stress about themself *or* their family *or* what their father is doing.

“I hope I cut myself shaving tomorrow. I hope it bleeds all day long.” That idea that icarus thinks they’re deserving of all the hurt and pain and sorrow sent their way. All this pain and suffering and the way it’s constant - they fully, *fully* think they’re deserving of it; they fully hope it keeps happening solely to prove that point. (This is not the time or place to go on a rant - but I would like to bring up how, after Centross dies, whenever Icarus gets really injured - unless it's dire dire - they refuse to use potions on themself. And even when it *is* dire they’re almost hesitant about it.)

“Our friends say it's darkest before the sun rises; we're pretty sure they're all wrong.” Rae thinking he can save Icarus, save them despite everything they’ve done and despite all they’ve been through - and Icarus thinking, *knowing*, he can’t. Regardless of what he says, Icarus knows they’re in too deep and knows that means Rae can’t save them or get through to them very easily.

“I hope the worst isn't over.” Ties back to the line before last - that idea that Icarus thinks they deserve all the pain and suffering they’re going through. It’s their fault, they deserve it, maybe they don’t really like it very much by they do understand where its coming from and they can agree with it because deep down they *know* what they’re doing is so very very wrong.

“I am drowning. There is no sign of land.” They’re falling and falling deeper into this little pit they’ve dug themself and they can’t find a hand hold to even start trying to climb themself out. They are lost and *alone* with no one there to help and they *know it.*

“You are coming down with me, hand in unlovable hand.” That idea that if Icarus goes down - they’ll take, to try to take, Fable with them. That idea that both themself and Fable are seemingly unlovable - at least in Icarus’ eyes - and the two of them would go down hand in hand; it’ll be one of their faults and they’d drag the other down with them (Also, arguably, Icarus and Midas as well - if Icarus goes down they want to drag Midas down with them; if Midas goes down they’ll inevitably *have* to drag Icarus down with them. The two of them are so intertwined that if one goes down they’ll drag the other whether they want to or not.)

-> [Mr. Author]

-> How Icarus really just wants this to all *stop* and finish up - how it's been going on for so long and they don't know how much longer they can keep going like this. How they want to talk to the person who wrote their story like this - talk to the person that keeps *letting them do this*, want to talk to the author ruining their life.

-> [Icarus]

-> Something about Fable realizing, however small, that his actions are hurting Icarus. How Icarus is hurting and dying, and how he can't *fix it* - he's not going to be able to fix it, fix *them*, make them what he wants them to be. He can't save them in the way he wants to - they're *going* to die and gods he won't be able to stop it. Specifically right at the end, Fable's death by his own son's hands.

-> [The Bad Guy]

-> That whole idea that all Icarus wanted to do, really and truly, was *fix* everything - but that's not how it went. They went to bad places to fix things, they became the bad guy. They didn't want to be, of course - not again, not after last time - but that's what *happened.* They became the bad guy, and they're finally finally realizing it. (Only, it's really too late, because they're dying now.)

-> [In My Blood]

-> Just that whole idea that this is how Icarus is always going to be, how this is how Icarus is and there's no changing it - how it's in their blood to do this, to *be like* this - how there's no stopping it, no turning back.

-> [Daniel In The Den]

-> Really just that whole idea of Icarus killing Fable, and the following way they attempt to move on. That way Fable was killed by “the ones you think you love” - Icarus, yes, but really everyone contributed. (And, arguably, almost that bit of anger Icarus harbors toward Fable at the end - that idea he wasn't ever going to fix this; that all this pain and suffering was for *nothing.*)

[Section Six - They're. Kind of God now. Question mark. Maybe. I dunno, Icarixis is. Yeah. They're a guy. That's for sure.]

-> [Ruin]

-> They have a conversation. This is simply Midas and Icarus having a back and forth conversation about mistakes and Quixis and *all of it.* It’s very hard to summarize - so uh. Hi line by line analysis, welcome back-

(ICARUS)

“I will bring you ruin in everything I do.” Something about how no matter what Icraus does and no matter how hard they try - they ruin things. Their family, their house, their friends house, their *life.* They bring the people in their life - including Midas, and including themself - ruin and pain no matter what they do.

“It’s never my intention, but it happens all the same.” Icarus rarely means to hurt their family and friends like that - it’s rarely their intention but it *happens.* They can’t stop it happening, be it because of the wack or because they’re trying to *fix something* or or or. They never mean to hurt people - they don’t *like* hurting people - but it just keeps happening and happening and *happening.*

“It starts with love and comfort, becomes a strength of will.” Arguably, talking about their time in the three resets they remember. It started good and okay and alright and it just slowly became their goal to just *survive* - it became a strength of will to just keep going after every little thing that just kept *happening;* After all the death and harm and suffering they’d experience they had to fight to keep going.

“But all that strength made rubble of the towers we built.” Icarus keeping going like they did broke *so much.* The Worldport, Midas, Themself, *The overworld.* It all fell apart, was all unstable, because of *them* - all of that kept falling apart into rubble because of *them.* (And, arguably, also partially because of Midas.)

“Cause brick by brick, you built us and I’d fill in the cracks.” Midas helped build this world, this *life* for Icarus. They built it brick by brick - keeping Icarus from being Quixis so young gave them *this* - a family, a life, safety. Midas built it, and Icarus made it *theirs.*

“Nothing quite prepares you for when they don’t come back.” Icarus wasn't prepared for when Centross didn't come back - when it wasn't just a fluke. They weren't prepared for being *alone* and by themself for that long and they weren't prepared for him just being. Dead.

“I wish I’d done things different, I wish that I’d been brave.” Something about wishing they'd home about getting Centross back differently - not killing people, not doing any of that. Something about wanting to be braver - be braver to leave Him and side with their brother and the rest of their family and not side with the person who killed Centross and who killed so many people. Something about *wanting that.*

“I wish I’d known these stones were something I could save.” Arguably, something about wishing to have known that they could have saved Midas so much earlier - could've taken up their role *months* (*years*) ago and saved Midas so much pain and bad and suffering.

(MIDAS)

“Our mortar was your laughter.” Something about the funnier aspects of Midas changing things - it kept them together. At least for a little bit. It kept everything okay and alright - the silly-ness of it all. (Obviously that didn’t stick very long.)

“And you hurled curses at the land.” Icarus yelling and ranting and being so *angry* at Midas. That anger that Icarus just let boil simmering over whenever something bad or upsetting or just *annoying* happened.

“We didn’t talk, we made universes - out of bitten lips and broken hands.” Something about how Icarus and MIdas never talked talked - sure they had the book and their comms but they never really properly *talked.* Something about how despite that, they built things through their pain and hurt. They built friendships and lives and all of that - even without talking.

“You said, “I love you less than when it all began.”” When it first started Icraus didn’t think anything of it - wanted to know what was up with it but also wasn’t really *worried.* Icarus, at the beginning, almost thought it slightly funny. They didn’t really care what it did. But as time went on and as Midas lost more and more control and as the wack got worse and worse and as it broke more and more - the less and less Icarus liked it. It lost its novelty once it started hurting people.

“And I said fewer cause I make jokes to show how broken I really am.” Something about Midas communicating very *directly* with the wack and their comm and things as the end came closer and closer - they stopped with the messing around and the jokes and the silly changes they used to do, and they just became serious calls for help on both ends. (And beyond the direct communication - the *interfering* with things that could get Icraus hurt or killed.) Gone are the jokes and the small silly laughable changes, replaced with calls for help and calls for *something* because Midas was dying and so was the Worldport. And something about how the direct communication was a lot more spread apart in comparison to Midas’ jokes.

“And in the wreck of all we burnt, stands our piano like a wound.” Something about how in the wreck of everything Midas has done, and everything Icarus has done - The two of them still stand tall, *alive.* And something about how so does the Worldport - despite all the decay and all the things it's been through, it's still alive and it's still going and it's still holding all the worlds and it's slowly getting fixed and and and.

“I’ll play our song to see if it’s in tune.” Arguably, something about letting Icarus see to the end of their story. Letting the song play rather than stopping it far far too early - letting Icarus live and learn and seeing if they’ll make the correct choice; seeing if the song is in tune.

“And I promise to be patient.” Something about how Midas kept *going* - no matter what happened and no matter how much it seemed like Icarus was too far gone and no matter how much it seemed like Icarus wasn’t going to make the right choice, Midas persisted. They were so patient with them - waiting and waiting and *waiting* until Icarus *did it.*

“And you promise to be kind.” Something something Icarus never really wanted to hurt their family - they just wanted their best friend back something something Midas telling them that they’ll be - *knowing they will be* - a good Quixis something something to be Quixis you need to be kind and considerate and things like that something something

“”We can rest,” you say, “in the pieces of what’s left or what we’ve found.”” Guys we don’t know where Midas is, but we do know they’re *somewhere.* Something about Icarus taking up the mantle of Quixis means Midas *finally* gets a break. Midas finally gets to rest and relax after so long of not being able to and having to constantly be doing something wand watching someone - Midas can just *rest.* (Wherever that may be, we have yet to find out.)

“I wish I’d done things different, oh, I wish I’d made it right” Something about how even if Midas doesn’t regret what they did - doesn’t regret leaving Icarus to live their life, doesn’t regret keeping them from being Quixis - part of them probably wishes they had done it differently. Something about wishing so many people didn’t have to die, or their worlds decay, or or or. Something about wishing they had made it right earlier - so they didn’t have to go through nearly as much pain. (So they didn’t have to go through feeling their body decay and *rot* from the inside out.) Something about wishing that, but not regretting - not truly - how you did it in the first place.

“But we’ll burn a hundred theaters, If it means we get the wallpaper right” Something about how Midas would let the Worldport fall apart, let worlds die, let *themself* die, if it meant Icarus got to see the end of their story - if it meant Icarus got to live the whole of their life that had been written out. They’d let it all die, let so much decay and fall apart until it was even decaying *them,* if it meant Icarus didn’t have to Quixis so young (they were younger than midas), if it meant Icarus got to say goodbye.

“Nothing quite prepared me for when that piano sang again.” While we don’t know exactly what Midas has been up to fo the past 2 months since the finale - I feel like finally getting a break and *centuries* and finally passing on your title and finally being *yourself* (or, mostly yourself) again wouldn’t be something you'd prepare yourself for in years of being alone - something about not being prepared to be able to rest and be yourself again after so long of *not* being able to do those things.

“Tomorrow I’ll do things different.” Maybe a bit more Icarus than it is Midas (Mostly because there’s not much more different Midas can do, not now, not after so much time has passed) - something about knowing what happens when you wait to bring a Quixis and something about vowing to *not* do that and put all of the Sherbs through that for a second time. Something about vowing to be different than the person you look so much alike. (Something about vowing to be different than Fable.)

“Tomorrow I’ll be brave.” This one is Midas - something about finally being brave enough to pass on the title of Quixis to Icarus, finally being able to let it go - give it up. (Even if it was just the end of Icarus’ story - even if it was the only logical time to pull them and pass it on - it was still brave. They had waited *so long.*)

-> [Icarus & Apollo]

-> Something about Midas living vicariously through Icarus. Something about Icarus showing Midas *so much* about life and their world and everything. Something about in turn Midas showing Icarus how to be Quixis, how to do this job *correctly* and not fuck it up like they did. Just that whole idea of ascension.

-> [505]

-> I guess Midas after Icarus ascends. That idea of going back home and not really knowing what awaits you. You have an idea, a concept of what might, and you're fully *prepared* for it. That idea of them *knowing* they have to leave after Icarus takes their place - or something like that.

-> [Show Yourself]

-> Icarus to Midas - How they just want to know what in the *world* Midas wants with them, and wants to do with them. Why Midas is following them, why they're changing the stuff they are, the decay, the eye - just wanting to *know*, but also very promptly ignoring Midas more often than not.

-> [Who You Are]

-> They're supposed to be Quixis!!! This is exactly who and where they're supposed to be!! This song really feels very Midas talking to Icarus - Telling them all of this as encouragement that they're going to do good, and that this is exactly where they're supposed to be, regardless.

-> [The Last Goodbye]

-> Saving the multiverse with another version of you. This is very Midas and Icarus coded - How Midas was willing to go down hand in hand with Icarus if it meant the multiverse surviving; also how Icarus was completely willing to take up the mantle of Quixis, even if it meant the people back home couldn't remember them.

-> Something about how they both think they're gonna die, Icarus and Midas - something about it.

-> [still feel.]

-> Dying over and over again, being reset over and over and *over* again, and yet. They still feel alive. Fable pulled them from the grave more times than they can count, and they still feel *alive* despite all that's happened.

-> Quixis is where they're supposed to be, Despite *jumping* they're still here, and they're still alive, and they're still *living.*

-> [Back To Black]

-> Oh so very wet birds. Something about them genuinely only saying goodbye with words - they didn't hug, didn't touch, no. Only words. Something about Ven going back to when he got pulled out, going back to Fable and all of the consequences that come with it. That whole idea Icarus isn't going to go back like that - they're going to go back to the present day and they're *going* to remember him.

-> [Spring and a Storm]

-> This one feels just very general epilogue/post finale times to me. Just everyone off doing their own thing, having fun and being happy. Reminiscing about the past *sure*, but having fun and being good all the same. (If you wanna look at it through an Icarus *specific* lens, for some added angst - Icarus watching their family and friends grow and be happy and gain things they couldn't gain before, while they're in the Worldport. Watching their family grow and get to be truly truly happy while they work on cleaning up Midas’ unintentional mess.)

-> [Ghost Song]

-> Just the whole idea of how after becoming Quixis, Icarus isn't reality seen or *known* anymore - And how they so desperately want to be. How they so desperately want to be seen and known and lived, but they can't - not for a while. How at this point they're just a ghost - changing and lurking, an entity everyone knows the name of, but not knows properly. Also almost that whole idea that they spend so much of their time watching over the Grove while their in the Worldport; changing and altering the small things so people, even if they won’t know until Icarus comes back, know they’re *there.*

-> [Introduction to the Snow]

-> Just that whole idea of now that Icarus is Quixis, they're alone. The Worldport is *empty* - no one is physically there with them, they're alone. They can't talk to anyone, no matter how much they so desperately want to. Also how this is *exactly* where they're meant to be.

-> [Today Today]

-> Just very ‘end of season 3’ coded - how upset Icarus, how much they were just *crying*, and they couldn't seem to stop regardless of how hard they tried. Also that whole idea of time going so so much slower in the Worldport, how ‘today' to Icarus must feel so so much different now. Also just that whole idea of being stuck between places, having everything to do because of everything up with the Worldport. That whole idea of so much happening in all the worlds they’re watching - there's so much to see and watch and understand and and and.

[Section Seven - Group songs, but an asterisk is attached to the first 4 because I write those pre stream and pre playlist re-organize- (sherbert please why did you do that right before stream-)]

-> [Machine]

-> The doubting of Fable's ideals, the realization of maybe they (Icarus) aren't doing the right thing by doing this, and how they don't *really* want to be a part of this anymore - how they don't want to be a part of Fable's machine, don't want to be a tool in his tool box, a means to an end.

-> The Idea that none of the people here, any of the members of the grove throughout the seasons, *want* to be a part of any of this - what to be here, want to do this, want to see any of this. The idea they don't want anymore resets - don't want anymore people to go through this, don't want to be a part of this revolving machine Fable has built for them.

-> [Suburbia Overture / Greetings from Mary Bell Township! / (Vampire) Culture / Love Me, Normally]

-> Just that whole idea of how Icarus is just *angry* at Fable - How they're beginning to doubt him, and his ideals, and how they're just angry at the concept that he won't bring people back - that this was all for *nothing.* Also just them being so incredibly angry at *everyone.*

-> This is also very just season 1. Just the anger at Enderian and Ominous Bane and. All of season 1 and its hardships.

-> [Enemy]

-> Something about how, especially at the end, *everyone* wanted Icarus dead, gone, or both. They didn't want to be friends with Icarus, they'd been given too many chances, and no one was willing to save them anymore. How everyone wants to be, *is*, Icarus’ enemy by the end.

-> Just. The idea of everyone, at some point, being each other's enemy. At some point everyone has been on opposite sides with someone else in the grove - and that meant everyone else was going to side with *one* of them.

-> [The Search]

-> Just Icarus’ mentality right at the end, trying to find something, *anything,* that'd save or fix them, regardless of what. Searching for something they won't find, looking for something they can't see. Also their whole mentality towards Fable - anger and annoyance and *mad* - how in the end they end up killing like he almost killed them.

-> The whole idea of everyone like. Looking for something they can't find, can't get back, can't *see* - and the idea that over time they all slowly grow angry toward Fable and the resets and everything that's taken *anything* from them.

-> [Misery Fell]

-> I feel like you could argue this is either the very end of season 3 coded, or just the grove coded in general. Something about how they're constantly going through terrible terrible things - constantly having misery fall upon them.

-> [When You're an Adams]

-> How living in the grove is often a while experience - How you need to be prepared for anything, really, because you never know what's gonna happen next; never know what Gods are going to get involved or whatever people are going to go on a harming spree or or or.

-> [Ready As I'll Ever Be]

-> Either Perix fight coded, Or the Faction preparing to fight Fable. Something about getting ready for this big battle and fight, while the other side does exactly the same as that.

-> [We Don't Talk About Bruno]

-> I feel like you could argue either Enderian or Fable? The grove singing about them - respectively. Enderian mostly after season one, while the singing about Fable more now. How they probably don't really want to talk about much of that, no matter how far into the future it gets.

#i dont even fucking know chat #2 months of work - for you <3 #18320 is a good number by the way. its round and i rarara #yeah okay i. hope you all enjoy <3 #and to chat - who may or may not see these tags on stream tomorrow - yeah im always like this #oh icarus morningstar and their silly goofy ways <3 #sherbertquake56 #quixis #icarus morningstar #fable smp #fablesmp #fsmp #not to analyze songs on your dash - but to analyze songs on your dash #a tag to help find my own posts

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bittersweet-folder · 4 months

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Kiss me then? ＊*•

Pairing: Seokmin × gn reader. [note: they have been long time friends and roommates before becoming lovers]

Genre: fluff , very very soft fluff. [in an established relationship<3]

Song rec: bad by wave to earth.

Word count:700

Taglist : @hongmingoo , @shuabby1994 , @unlikelysublimekryptonite , @asyre , @yumiyumis-blog @soobunsbun , @nishloves , @aaniag , @sikuthealien , @jespecially , @lizza2001 , @snapdragin002 , @thepoopdokyeomtouched .

"Seokmin, have you ever thought of kissing me?" you said, staring at the sun slowly setting on the horizon, painting the waters of the river in a bluish orangish hue.

"I do kiss you y/n" Seokmin mumbled, his hand was around your waist while your head leaned on his shoulder. His attention was also on the mesmerizing scenery in front of him.

"Well, I'm not talking about the cheek or hand or forehead kisses. I'm talking about the one on the lips." your voice sounded more like a whisper.

You sit up straight, turning to look at him. He turns to face you as well. You notice his features illuminated in the bright orangish light. He had three moles on his face, two on the cheek and another one right above his jawline on the left side.

"I actually did think of kissing on your lips and even once dreamt of it" he had a soft smile on his lips. His eyes went back and forth from your eyes to your lips. You'd be lying if that actually didn't make you feel nervous. Seokmin was patient unlike the other few men you've gone on dates with. But he is also your friend who is now your boyfriend as well. For three months in fact.

"Alright.. That's cute" you muttered as you looked away.

Seokmin hummed in response.

You both stayed till the sun had totally dissolved on the horizon and the warm colors of the sky were slowly fading into the blue of the night. The picnic date came to an end.

Without a kiss on the lips?Well yeah.

With Seokmin walking back home with you hand in hand without saying anything much? Also yes.

The silence was comfortable though you still kinda hoped he talked about the kiss more. After coming back home you both were heading back to your own rooms to change your clothes. (You guys had separate rooms but you both shared the apartment y'all have lived in since last year in college. For 2yrs now to be more accurate).

"Seokminnie we should watch a movie while having dinner okay!"

"Of course babe but you chose the movie this time" he chirped.

"Alright!~"

As soon as you were about to open the door of your room, Seokmin grabbed your hand.

"umm by the way can we talk about the kissing thing you mentioned,love?" He said, looking straight, holding eye contact.

"Yeah.. " you paused a little "sure come inside my room" you added. He was still holding your hand while your heart was hammering to your chest. Now standing in the empty space in your room, you were a bit tense about it. And he did notice that.

"Hey.." he paused and settled his hands on your shoulders "no need to be tensed up okay? I just wanted to say that I..really wanted to kiss you in the park, that time but I was a bit skeptical since you looked away." he breathed. His eyes were still locked to your now wide eyes, lips slightly parted.

"I-" you paused for a moment, "kiss me then?" you said. That was honestly all he really wanted to hear as he leaned in to press his lips onto yours. Your eyes shut as you felt the softness of his lips. One of his hands leisurely brushed your shoulder as it slithered around your waist pulling you closer, making you gasp softly. While his other hand rested on your back. Bodies pressed against each other, your lips moved in a rhythmic pattern to his with your hands slowly making their way around his neck. Your fingers softly brushed through his hair. After a while you both pulled away breathless. His forehead touched yours, eyes still closed just like yours are. You let out a chuckle.

"That was…" he breathed and then continued "really nice"

"We should do this often then" you smiled.

And that's how you kissed your long time friend who's your present boyfriend, Seokmin, on the lips in the middle of your own bedroom.

Curtains closed. Now go get some anti delulu pills from Minghao 🚶🏻‍♀️(idk how should I even end it so anyways) .

A/n: soo.. either this heat will k*ll me or not studying properly will😃👍🏻.

anyways comments and reblogs are highly appreciated, I did proofread but lemme know if there's any mistakes. 🪻🪿. Okay bye~🪿

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michaela-o · 1 year

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Okay not really an art post but i was just thinking about the whole 'humans are cute' mixed with cybertronians thing and here's what i'd like to add :]♡ ( this is my first ever writing post sorry if it sucks :[ )

Okay so i imagine most cybertronians being almost always kinda stoic and more serious-faced because of all the war that has been going through their lives for dozens of years (but of course there are exceptions <3 ) but imagine cybertronians just observing those little creatures called humans and them being excited and curious about almost ANYTHING that they find or how clever they can be or how they can give to a simple rock so much meaning :3

( i picked IDW Perceptor for this one <3 )

Reader: " Wow...look at this beatiful piece of amethyst Perceptor !" *proceeds to show him in their small hands holding it up to him*

*Perceptor lowers his helm looking mostly confused, back and forth at the purple rock and the excited little human*

Perceptor: "It's just a simple mineral form from your home planet."

Reader: "But it's so shiny and purple and pretty! I'm gonna keep this one on my special made shelf." *they held it close to their chest pure adoration on their face*

*he still didn't understand what the human saw in a simple purple colored mineral but for the sake of them being just adorable he let them be*

Perceptor: "Err..yes very pretty indeed."

#idw1 #transformers #transformers headcanons #transformers x reader #g1 transformers #perceptor x reader #perceptor #idw perceptor #lost light #lost light x reader #humans are cute #humans are space orcs #this was fun to write

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sparkles-and-trash · 5 months

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dabi & shouto bonding + dabihawks, fluff

It's almost noon when Touya comes shuffling into the living room he shared with his boyfriend, PJ pants hanging low on his hips, no shirt in sight.

"Well, good mo-, no wait, good midday to me, handsome," Keigo quipped with a grin and Touya rolled his eyes.

Yeah, yeah, I'm a lazy bum, I know I know," Touya replied with a yawn and a stretch.

"We can't all just call home office and lunge around in sweats all day and call it work, yanno," he added and Keigo laughed.

"So staying up until 3 am gaming with Spinner and Tenko counts as work, now?" the hero asked with a sly smirk, and Touya sighed.

"I need a shirt for this conversation, and either their all in the wash or you stole some again, and I think we all know which one is true."

Keigo raised his eyebrows at that.

"I haven't taken any more than you've given me, I swear!" he said with hands raised in surrender, and Touya sighed dramatically.

"Well, what am I supposed to wear then?"

Listen, Touya loves Keigo.

Everything about him, actually.

Except for the fact that, ever since the war ended and the hero was allowed to develop his own style, that style turned out to be a mix between cottage core lesbian and confused grandpa.

Actually Touya didn't mind it when the clothes were on Keigo, he actually kinda loved it.

But while Keigo looked ridiculously hot in Touya's band shirts and big hoodies, Touya didn't quite have that same luxury.

So, there he sat, in a crowded coffee shop, a busy afternoon, out in public, with his white hair, scarred skin, piercings, tattoos, ripped black skinny jeans and... a very eclectically colored cardigan Touya suspected Keigo had dug out of a thrift store that should have been closed decades ago.

Yeah, fuck his life.

Just as the former villain pulled the bucket hat he had also borrowed from his boyfriend further down on his head in a vain attempt to hide he noticed the person he was here to meet come in trough the door.

"Shouto," Touya said out loud, raiding his hand to grab his brothers attention.

His dork of a younger brother smiled, as brightly as he ever did, and moved over to Touya quickly.

"Nii-san!" The young hero greeted and Touya huffed.

"Yeah yeah, sit down ya dork, I ordered you your..."

Touya's voice trailed off as Shouto took off his jacket.

"Todoroki Shouto, are you wearing my fucking shirt?!"

Shouto looked up at him with a hint of surprise on his face as he looked down on himself , before he nodded.

"Yes, it appears that I am," he said simply before happily taking a sip of his bubble tea.

Touya just stared at him.

"Why?" he finally asked as Shouto didn't elaborate.

Shouto took his time enjoying his tea before he answered.

"It's like a hand-over, it's normal for brothers to do, you know?" he replied with a shrug.

Touya blinked a few times trying to catch up.

"A hand... over?" he finally asked, trying his best to wrap his head around this.

He decided this was a bucket hat off situation, and just as he placed the hat down, Shouto picked ip back up and put in on his head.

"Like this, see?" the young hero said as if that answered all the questions.

Touya just stared back and Shouto sighed.

"Iida said he used to get his older brothers stuff all the time, Nii-san, I really think you're making too much out of this."

Oh.

Oh, god.

This poor, clueless, sweet bastard.

"You're talking about hand-me-downs, aren't you?" Touya finally asked, and Shouto nodded.

"Yes, that was the phrase."

Touya bit his lip, trying to figure out how to go about this without being too mean.

Look at him, all reformed and shit.

"Look Sho, I get that we have a lot of catching up to do, but if you want my stuff as hand-me-downs or whatever it'd be great if you asked first, okay?" Touya explained.

Shouto hummed.

"I must have misunderstood the tradition then, I apologize."

Touya huffed.

"It's okay, kid," he said with a small smile, and Shouto smiled back, before his gaze fell to the cardigan Touya was wearing and his brown furrowed.

"You can keep that one, though," Shouto said seriously, and Touya couldn't help but laugh out loud.

"Yeah, I don't judge ya there, kid," he replied with a grin.

Before they parted ways a few hours later Touya quickly snapped a picture of Shouto in the bucket hat to send to Keigo with a warning that he'd probably never seen that hat again.

It was handed down now, after all.

#dabihawks #dabi #shouto todoroki #todosibs #todoroki siblings #todofam #hawks #keigo takami #touya todoroki #touya and shouto #shouto and touya #todoroki family #todoroki sibs #mha #my hero academia #boku no hero academia #bnha

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bumblebeesfromvenus · 7 months

Note

Hi! Can you please write part 3 of bale batman x assistant reader as his wife? And how he handles jealousy after their marriage? Thank you 😊

Hello!!

I actually wrote something about this a little while ago, but because I feel like just linking the post is a bit of an asshole move, I'll add some of my thoughts!

I hope that's okay <3

Here's my previous post :)

~Fi 🐝

(My inspiration for Bruce has been dwindling, I desperately need to watch the movies again)

Part 1 ♡ Part 2 ♡

─── ⋅ ∙ ∘ ☽ ༓ ☾ ∘ ⋅ ⋅ ────── ⋅ ∙ ∘ ☽ ༓ ☾ ∘ ⋅ ⋅ ───

He will always, ALWAYS call you his wife. More than your actual name. He has to keep reminding people that you're unavailable and that you're his and his alone. Bruce perks up immediately whenever your name is mentioned. He's policing all of his employees at this point lmao

maybe someone talks about you to a coworker about how innovative you're thinking for the company is, that you're kind and exactly what this industry needs and Bruce just pops up out of nowhere like "who are you talking about? Hm? Oh, my beautiful, amazing, perfect wife? I couldn't agree more."

He gets so stealthy after being in the batman business that he scares them half to death because he's just there all of a sudden. After hearing some of the complaints the employees make (you're not at work as often anymore after Bruce insisted you focus on some hobbies instead) you're seriously contemplating putting a little bell on him just so you don't have to worry about anyone getting a heart attack.

He always has to be touching you in some kind of way. His go to is a hand on the small of your back or on your thigh when you're sitting down, he loves holding your hand, too. His thumb will brush over the cool metal of your wedding band and it puts his mind at ease.

Every single employee knows not to flirt with you, even as a joke. Not after Jake suddenly disappeared after Bruce caught him sweet talking you... (he may have a received a strongly worded letter from his landlord ((Bruce)) and, what do you know, for some reason, any other living opportunity in Gotham is unavailable right now)

He brings you flowers at least once a week (or until the ones he gifted you before can't hold their own anymore and wilt). They're always fragrant and bright in color, whatever is in season right now. And they stand nicely on your desk in a beautiful crystal vase that catches the light perfectly. He catches himself looking at them more than he he would like to admit.

Or, more specifically, he wants to see if he can catch you admiring them. He's gotten a new appreciation for these small things since you came into his life. They way you cup the delicate blossom and inhale its sweet scent is a picture he will dream of forever.

Bruce makes sure that you're only addressed as Mrs. Wayne (unless it's someone close like Luscius or a very nice coworker of yours) making it clear to everyone, again, that you're his. He gifts you a necklace with his name on it, which you wear proudly, and Bruce can't help but grin when he sees his name glint in the sunlight against your skin.

─── ⋅ ∙ ∘ ☽ ༓ ☾ ∘ ⋅ ⋅ ────── ⋅ ∙ ∘ ☽ ༓ ☾ ∘ ⋅ ⋅ ───

I'm so sorry for kinda half-assing my Bruce posts lately, but I can barely write anymore 😭

I usually write at night but I'm tired then too so I'm like "Oh, I'll just write during the day." BUT GUESS WHAT I'M ALSO TIRED DURING THE DAY

Fucking iron deficiency istg

I basically sleep all the time and when I do write, it's not a lot bc I'm literally falling sleep halfway through so yeah

#bumblebeesfromvenus #bale!bruce x reader #bale!bruce wayne smut #bale!bruce wayne #bale!bruce wayne x reader #bale!batman x reader #christian bale #bruce wayne x reader #the dark knigth rises #dark knight trilogy #nolanverse

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cosmerelists · 3 months

Text

Cosmere Characters Imitate Hoid

As requested by anon :)

I recently fulfilled another anon's request about Hoid imitating various Cosmere characters. This, I suppose, is a sort of sequel: now other characters must imitate Hoid. But don't worry! Hoid himself (or sometimes Design) is here to help.

[It's Hoid. There's SPOILERS for like every book in here but I'll mark which book is involved in case that helps]

1. [From Mistborn Era 1] Vin imitates "informant Hoid"

Hoid: Okay! There are three important rules for being a beggar informant! Hoid: One: look kinda gross. That way, people won't pay too much attention to you. Hoid: Two: pretend to have bad eyesight, so that they won't worry that you're paying too much attention to them. But don't pretend TOO hard, so that if they catch on to the fact that you're just acting, they'll feel superior and lower their guard. Hoid: Three: have actually good information so that you can push the pieces exaaactly where they need to go. Hoid: Any questions? Vin: Do you realize that I literally lived on the street for years? Hoid: Yes, yes, so you actually know how to BE a beggar, but do you know how to pretend to be a beggar? That's a much different thing! Vin: I understand why Kelsier steered me away from you.

2. [From Mistborn Era 2] Wax imitates "beggar Hoid"

Wax: I'm sorry; I have to drink WHAT? Hoid: Oh, so you'll drink metal-infused-whiskey all the time but you draw the line at drinking a little perfume? Wax: ... Wax: Yes?????

3. [From Stormlight] Kaladin imitates "storyteller Hoid"

Kaladin (in his best "Wit" voice): Do not fret young man--you may be hopeless and depressed, but I will tell you a story and that will fix everything! Kaladin: And by "tell you a story" I mean that you'll tell ME a story because you'll have to fill in my blanks like every three seconds! Kaladin: Oh and also! Here's an instrument you don't play. Don't lose it or else I'll guilt you about it later! Hoid: Hmmm...not a bad start, but it lacks...subtlety. Hoid: ...Also that was a really nice flute, you know.

4. [From Warbreaker] Siri imitates "storyteller Hoid"

Siri (throwing an enormous amount of colored sand into the air]: Whooosh! COLOR SAND Siri: [grins] How'd I do? Hoid [very serious, with colored sand plinking down onto his head]: So...that was the main takeaway, Princess? Susebron [clapping delightedly]: You're an amazing storyteller!!

5. [From Yumi and the Nightmare Painter] Painter imitates "coatrack Hoid"

Painter: So I just...lurk in the darkness over here? Perfectly still and brooding? I can do that. Design: Weeellll....it's not really "lurking" so much as "standing still while people put coats on you" and it's not "darkness" so much as it's "well lit so that people can find their coats." Painter: Can I at least strike an intimidating pose? Design: No, that's not really in the spirit of things. Hoid looked more "vaguely surprised." Painter: So I just stand there while people treat me as an inanimate object? Design: Yes! Exactly! Now just imagine that you're TRAPPED like that and try exude a sort of "sad but philosophic resignation." While also holding these coats. Yes! You're doing GREAT! Hoid: ...I thought this would help me see the humor in things but honestly I'm getting even more depressed.

6. [From Tress of the Emerald Sea] Tress imitates "cursed Hoid"

Tress (wearing the most ridiculous outfit she could find): It's me! Cabin boy Hoid! Tress: I may be wearing shoes on my hands, but I am actually trying really hard in my own way to achieve my own goals and help you achieve yours! Tress: No curse can steal from me my ability to make it through with the help of my new friends! Tress (in her regular voice): How'd I do?? Hoid (slightly choked up): F-Fine...

7. [From Elantris] Sarene imitates "beggar Hoid"

Hoid: Okay! There are three important rules for being a beggar! Sarene: You don't need to continue. It's obvious. Sarene: One: look gross so that people don't dare look at you too carefully. Sarene: Two: affect a harmless air--perhaps seem slightly mad or slightly blind--so that people will not worry that you might turn them in or otherwise betray them. Sarene: Three: position yourself so that you can achieve whatever aims you have in pretending to be a beggar in the first place. Sarene: How did I do? Hoid: I KNEW I liked you!

8. [From Secret History] Kelsier imitates "corpse-rafting Hoid"

Kelsier (singing in a mockingly off-tune way): Oh I'm float-float-floating on a coooorpse! Kelsier: Off to bully a ghooooost! Kelsier (in a normal voice): Wow! That ghost guy over there looks like he's having the absolute worst day of his life! Kelsier: I think I'll make it worse! Hoid: I'm not sure corpse/ghost could even be called a slant rhyme. Hoid: And in point of fact, I wasn't coming TO bully you; that was just a little side bonus that occurred by chance. Hoid: So I think your song is slightly misleading, and also bad. Kelsier: ...I can't wait until I have a body again so that I can punch you.

#cosmere #cosmerelists #Hoid

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tribalauthor · 8 months

Text

Needy Chief

(roman and y/n one-shot)

warnings: 18+, oral sex, unprotected sex, harsh sex, masturbation, edging, unconsciousness (kinda)

word count: 4k

Summary: Roman makes Y/N jealous and she decides to punish the Tribal Chief but does she succeed?

A/N: okay, this is my first one-shot and I hope yall like it :), error warning

gif by me

I am pacing around my room with the tip of my index finger in my mouth, biting it, barely being able to find a place and keep my sanity. Just a woman all prepared for her man- washed, shaved, moisturized and dressed up with his favorite red lacy lingerie since red is his favourite color and a short black kimono on the top because I feel cold from hatred.

But why am I pacing? Not because I'm nervous of my man who happens to be the face of whole sports entertainment, undisputed WWE champion for over 3 years and counting, people know him as the Tribal Chief, the Head of the Table, Roman Reigns. Nor the fact that the man in question is the most attractive man to walk on this planet, undisputed.

No. It's not that. I'm way over this. The problem is that he has an appearance on Smackdown tonight hence I made a plan to surprise him afterwards. I was getting all prepared and everything since I want to be perfect for him - to look good, to smell good, to taste good.

And what happens? I turn the show on the TV and there is him getting out of his black Jeep with his wise man. The WWE reporter, Kayla - that little woman with her perfect curls and pretty face anticipating with the mic in her hands. Then you have my man, Roman, getting out of the car after the wise man.

"What's going on tonight, Roman?" - Kayla asks. "Who will have the opportunity to face you next?"

And then he replied:

"You still seem not to get the things around here, babygirl. You don't "have" the opportunity to face me. You "win" this opportunity."

That's when I completely froze up.

He dared to call another woman "babygirl"? In front of me? In front of live television?

"He is so dead when he comes back" I thought and I'm still thinking it. I was thinking of making a great scandal but that's old, you feel me?

Men are not really affected when you scream at them and tell them how upest they made you. They can easily manipulate you and make you feel guilty about "overreacting" and yet again "being too emotional".

So I tossed this thought away and came up with a better plan.

I am gonna make Roman beg for me.

I brushed my hair and decided to put on a body oil on my skin with vanilla scent because Roman goes crazy when he smells vanilla. CRAZY.

I looked at my reflection on the wardrobe mirror which was next to the bed.

I'm gonna make him weak.

I heard the door downstairs unlocking and I quickly laid on the bed seductively, yet casually while changing the TV channel. I don't want him to see that I've been watching Smackdown.

I felt that he is entering in the bedroom but I pretended that I'm not seeing him and being too caught up with the random programme I put on.

"Hey, babe." he said softly with his deep, clear voice.

I turned to him and he had his long hair down. Oh, he knows I go weak over his natural, black, curly hair. He is wearing his usual black "Acknowledge me" tank top and black sweatpants. We'll see who will acknowledge who.

"Hey." I replied, unbothered.

He licked his lips while grinning. I think he is realizing that I'm all ready to be haunted by him but I'm gonna let him know who is the boss tonight or must I say the tribal chief.

"Why are you mad?" he laid next to me and started placing kisses on my cheeks coming down to my neck. His beard tickling my skin. "I tried not to be late. I see you got ready for me". The kisses started to become wet and his low voice got me almost ready.

I felt his big hands on my hips trying to take off my underwear but I stopped him.

"Not so fast" I simply said and he had a confused look on his face, going a bit far from me. "Tonight things will go a little different" I clarified.

"What do you mean different?". He furrowed his eyebrows.

I got up from the bed and slowly took off my kimono.

"Let's play a little game". I suggested and he rolled his eyes.

"Y/N, I am about to rip this pretty ass lingerie with my bare teeth and eat your pussy out like the last meal I'm gonna have in my life. Do you think I'm in the mood for games?" He suddenly got pissed. And I know why. Cause he wants everything to be his way, no questions asked.

"And why do you think you deserve this opportunity...chief?" I cocked my eyebrow. I just pulled a superman punch on him, mentally.

"What do you mean why? You are my girlfriend. The woman of my life...the love of my life." He replied and ran his fingers through his hair. "Babygirl..."

"Ah." I raised my finger. "Don't call me that. I thought Kayla was the babygirl."

Roman then got the look of realisation.

"Come on, Y/N...is this what you are mad about? Please." He reacted as if it's nothing. "I don't really mean it, you know?"

"Aha. And what if I call another man daddy?" I asked and crossed my arms which made my boobs pop out even more.

"I'm gonna beat the living shit out of him then show you who the real daddy is." Roman replied immediately with a not so slight growl in his voice.

"Well now..." I crawled on the bed to him and made him lean back. Then I put myself on his crotch. "I'm gonna show you who the real babygirl is".

I felt his hands on my ass but I removed them.

"No touching game"

"What do you mean no touching?" He slightly got up but I pushed him down again.

"Tribal chief can't take his punishment?" He looked me deep in the eyes and swallowed loudly. "I'm gonna stay up here and I'm gonna have fun with you but you are not allowed to touch me".

I got closer to his face.

"If you lay your hands on me, - I whisprered - I'm gonna go over there on the couch and I'm gonna touch myself, making you watch without being able to touch me and taste me, you understand?"

He gave me no answer, he just let out a growl, the exact beast low growl he does during mid match when he gets angry at his opponent.

I left a small peck on his lips just to tease him even more, then another one and on the third one he attacked my lips or more precisely, my tongue which made me separate from his face.

"Ay, you are so impatient, Roman." I scolded him and licked my lips.

"You make me this way". He said through his teeth and I giggled while taking his tank top off, exposing his beautiful upper body - the muscles and the magnificent tribal tattoo which made him even hotter.

I started leaving slow and wet kisses on his chest all down to his stomach. His breaths were getting heavier and heavier. I can feel how much he wants to touch me but he had his hands squeezing the sheets. I started licking his abs and took a look at his face. He had his lips pressed and eyes close shut.

I couldn't help but smirk and put my ass on his lap again, slowly started grinding.

"Don't". He hissed putting his hands on his head.

"Aw". I pouted and leaned to his face again.

"Daddy can't take it?" I asked and then brushed my lips against his in a deep, passionate kiss but Roman swiftly turned it to a very aggressive one. It almost felt like he would swallow my whole mouth and tongue. That's what I call a kiss of desparation.

Not to mention that I felt a big bulge beneath me. Now I awoke the true beast. I started grinding even more but problem is I am getting wet, too.

"Those sweatpants ain't thick enough for me to not notice you are getting seriously wet." He said through the kisses.

"I think you should worry about your boner, baby, cause that shit must hurt." I whispered against his mouth with a big smirk on my face.

"Also, I can always do this". I ripped my tong off with a bare hand and I slid myself like a snowboard on his abs and left a wet trail.

The look on his face was just priceless. It was mixed with shock, joy and anger. I can't really explain it.

I got beside him, taking off his sweatpants which were about to rip off from his own dick and now he is only left with his red boxers which may also rip off in a while.

He couldn't help but grab me by my hips and put me on him.

"Ah. I think you just broke the rule, Roman. No touching." I tsked and shook my head. "You know what this means."

I got away from him and turned my bare ass around walking to the couch taking off my bra, slowly, leaving myself completely naked.

I sat down on the couch, spreading my legs, just right in front of his eyes.

I licked my fingers slowly and seductively and put them on my clit.

Roman's POV:

If she continues going around like this, I'm gonna fuck her until she literally becomes unconscious and I mean it.

This woman knows how to play with me and I mean it in every single way.

I can handle anything. I'm a big man. You can put me against 2, 3, 4, 5 men and can handle the beating, no problem but I can't handle Y/N and her beautiful naked body standing in front of me and I'm not allowed to do anything.

That's something I can't survive and I don't know until when I am gonna stand like this and not enter in her like a drill in wood.

Her standing over there, looking at me with her hungry yet innocent eyes, playing with her pussy which was obviously crying for me. Her little fingers getting in and out. Her sexy moans getting inside my head.

"I'm just not gonna watch." I laid back looking at the white ceiling.

She started moaning louder and heavier and I felt like I'm gonna explode down there. Her moans always make me go insane, ecstatic even.

"When is this game coming to an end, Y/N?" I yelled.

"Whenever I say, daddy." She said through her heavy breaths and after a while she reached her climax, screaming out my name in the most needy tone ever.

Lord, how much I want to jump from that bed and put my dick inside of her tight pussy.

"Y/N, I need you, please. This is not funny" I said through my heavy breaths and then she got up, coming to me.

"Did you just say please?" She grinned sweetly.

She knows. Y/N knows too well how to make a big and strong man like me weak.

She has this effect.

"Yes. Is this what I had to do?" I asked her as if I'm cracking a code.

"Almost." she replied and she licked her fingers not leaving anything for me.

What does she mean by almost?

She got over me yet again. Okay. I guess game is over then. Y/N started taking my boxers off. It's happening.

Y/N's POV:

"Daddy deserves a reward after all he said but we still have work to do." I said while taking his boxers off, and his big beast exposed in front of me, all ready to be inside my holes.

"No touching me." I repeated in the same strict tone.

- What?- he cried out and I immediately started sucking his dick like a kid who just got its favorite lolipop.

I was going on fastly and as deep as I could and judging by his heavy breaths and whimpers, I knew if I don't slow it down, he can cum just like this. I want to show him how easy he is and how little he needs from me to cum. So I slowed it down, got it out of my mouth and licked my lips.

"Please don't stop like this." He whined.

This view is priceless.

Priceless.

A big, tough man like him all desperate for me to continue.

"I'm never gonna leave my daddy unsatisfied but the moment you touch me, I stop and you deal with this yourself." I warned him.

"Tie me up, at this point." He yelled.

I shook my head.

"Let's really test your limits, Roman." I licked my lips and then went back to business, changing the tactic. I started licking...slowly.

- At this point.- he talked to his heavy breaths.- I'm not gonna talk...to any other woman. Nah. I ain't gonna look at another woman. If you are gonna punish me like this.- his usual deep voice was crying out of desparation. I almost can't even recognise him. He is so given up.

I couldn't help but grin and then take as much as I could in my mouth, although tears were forming in my eyes and I will choke after a while.

He hissed.

Then I started going at my pace at first, more swiftly. I took a look at his face.

He is so sweaty from the head to the upper body, his hair is all messy, such a look of desparation and neediness. I felt my pussy throbbing and soaking from this view alone.

"Please, Y/N.- he cried out.- How much more do you need me to beg you? I need you!" He sounded so helpless.

Okay. Mission is accomplished. I think he learned his lesson.

I did a few more ups and downs and there we go. His dick exploded in my mouth like those hard candies with a liquid filling. In this case, a very, very hard big ass candy with extra, extra filling.

This mixed with his grunts is a whole another experience.

And I swallowed it all like a champ. Like an athlete swallows his protein shake right after workout.

I got up in a sitting position. My hair was all messed up and I felt a lil bit of sperm around my mouth and I immediately licked it. My breathing was heavy as well cause god damn, my man's tool is not small. It takes a lot of work.

Problem is I need him inside of me. Now. I am also a needy bitch.

"I had no idea the chief is so needy." I finally spoke with a taunting tone.

Roman was still coming to his senses. I think he doesn't know where he is. Honestly, he looks beautiful. I got close to his face. I slightly fixed his messy hair which got even curlier and placed a kiss on his sweaty forehead.

His breathing calmed down and he opened his eyes. He doesn't look cute now. No. He looks scary even.

My expression suddenly changed and was about to get off him but he caught me and swiftly changed the positions, slamming me onto the bed and now I'm under him.

"Are you done, princess? Are you done playing with your daddy now?" He asked with a low tone yet scolding one. Also the look on his face was very hungry yet frightening. "You think you tired me? No." He shook his head and caught my cheeks with his one hand. "You think you can play with me like a toy and then leave the things like this?" he asked me and shook his head again.

"Spread your legs." He ordered to me but I sat still. I am still shocked by the sudden change in him.

Okay I thought I got him for a minute but I swear to God, that's a beast and I can't tame him for long.

I swallowed loudly.

"Spread your beautiful legs for me." He repeated but it was in a slightly softer tone. I did it this time and he stared down at my pussy.

Roman smirked and licked his lips as if he is ready to devour a delicious meal.

"Look at it. It's crying out for me" He chuckled. "So ready to be eaten up by me" He growled going down on me and then he licked it in a really slow motion then kissed it.

A desperate moan left my mouth.

He suddenly came close to my face.

"You know, I'm a generous tribal chief, Y/N. If I was a brat like you, I would also think of a silly little game but my will to devour every single part of your body is stronger, so I'm not responsible for what it's coming. You brought this upon yourself."

My heart started beating as if it's gonna jump out of my body and I felt new juices forming in my core.

"Don't give me this scared look now." Roman smiled running his thumb over my chin. "There is nothing to be scared of. Daddy just wants his princess to acknowledge him and to make her feel good. Do I want too much?" He furrowed his eyebrows.

"N-no." I stuttered.

He started kissing me. We exchanged some passionate, tongue kisses then he went down on me again.

I was making fun of him earlier that I can make him cum fast but same thing goes for me, I fear. And he is going slow, still. Enjoying every bit of my womanhood.

"Please, faster". I said through my heavy breaths, feeling the sweat forming on my forehead.

Not only he didn't go faster, he stopped, looked at me with this devilish look he always does before he came up with something mischievous, which typically doesn't end well.

"Now when you order your favorite meal, do you eat it at one go or you take your time to enjoy it?" Is he eating me out or we are having a discourse lecture?

"I eat everything in a blink of an eye and you damn know it." I replied with annoyance.

"Well, I'm the opposite type, so please, after the hell you just put me through, I deserve to enjoy my meal...slowly." He said and went back to his doing.

A helpless moan escaped my lips.

Why is he like this?

The leisure motions of his tongue were driving my body nuts, just like a time bomb. However time bombs in movies usually have seconds left until they explode but not in my case. I will explode when the tribal chief says so, I fear.

He started placing kisses on it then even slightly sucking on my clit.

"Please." I cried out. Literal tears started forming in my eyes from the frustration and desperation, forming in my whole body. "Please, Roman, faster".

He stopped and looked at me again but he didn't move his face far from my womanhood.

"Funny how the tables have suddenly turned." He literally whispered against my pussy which brought shivers all over it and made me flinch even.

Then he started eating me out fastly, so sudden yet so deeply anticipated by me.

I became a moaning mess again, almost in sync with his motions. I was feeling sweat dripping on my forehead and the tension in my whole body was building up, craving to cum.

I don't need much. I really don't need much. Just a few seconds and I'm gonna-

And there it is. The bomb exploded. I fear that this man may go deaf from my vocal performance tonight.

He placed another few kisses on it and of course, licked me all dry. "There we go, baby." He chuckled and while I was coming back to my senses, until I realize, I got positioned on four legs with Roman behind me and in front of the mirror.

He got inside of me as a thief in a house. However, thiefs get inside in a quiet, cautious way. Roman's stroke wasn't any of that.

Although, I was wide and ready for his dick, I still felt a bit of pain mixed with pleasure and fulfillment because we were both waiting for that exact feeling of our bodies colliding.

Our bodies, so needy of one another, that exact drug-like feeling which you can never get enough of.

The room got filled with my moans and his grunts.

"I want you to take a good look at the mirror, princess, and see, how good daddy makes you feel. Take a look at this hot view". He said through his heavy breaths yet he still sounded so dominant.

The view is really out of this world. We look like a hot mess.

"Same goes for you, bae". I smirked and then whimpered from his strokes which were gradually becoming faster and faster. "I want you to see that no other woman will fit you as I do"

"When did I say this?" he asked through his teeth and the strokes became so deep that I almost felt his dick up in my stomach, which of course, led my breath to choke and tears form in my eyes. "Huh, tell me babygirl". Roman insisted while not slowing at all. His expression was so angry but I know he is having the time of his life.

"Never but-" I didn't even get to finish my sentence because my body reached yet another orgasm and I felt that warm feeling of his sperm filling my insides.

We both came in unison. Roman let out some moans of conquerness. He finally got what he wanted.

My moans were frail...shaky. I feel like I got no more voice to let out and will go mute if he continues to fuck me sensless.

He grabbed me and slammed my back on the bed while him being over me.

Eye to eye.

"Sorry, babygirl, so rude of me to interrupt you. What were you saying?" Roman smirked. That damn smirk which never fails to drive me crazy.

"I-" and I was interrupted again by his dick getting inside of me but this time it was in a slower motion.

"I deeply apologize once again" He emphasized on "deeply" as he went deeper. "You were saying"

"Huh?" I had no idea what he is talking at this point. Roman let out one of his deep chuckles. "I asked you when did I say that another woman can fit me"- he repeated his question.

"You did not say it with words but-" He started going faster but not too fast. However it was enough for me to cut my breaths.

"Use your words, Y/N" He is enjoying this way too much. "You were very talkative while you were explaining the rules of your game. What happened now, huh?" He was talking with this victorious tone...he knows he took the control once again.

"You said it with action" My voice was all raspy and I tried to sound clear but the situation wasn't allowing me at all, so I sounded more like a powerless human being.

"I see" he went fast once again. I digged my nails into his sweaty, half tatooed back. It will probably leave red marks but he just loves this shit.

Then he attacked my lips in a deep, passionate kiss but there was a nuance of anger. Our tongues were in a battle, exchanging moans and grunts.

I felt that I'm gonna pass out really, really soon due to the fact that I was seeing stars with my eyes closed.

"Look at me, Y/N" Roman stopped kissing me and I tried to open my eyes. That damn man still looks fresh as hell like he can go for few hours yet I probably look like I'm gonna leave this world sooner than you think. "You think I'd do that for another woman, huh?"

"No." I officially lost my voice because I barely said this.

The moment we reached our climax, I was letting out mute moans. Yes, MUTE MOANS. There was literally no voice and no power left in me. I feel all numb and powerless.

"Good". Roman spoke through his heavy breaths. After he fully nutted in me for the second time, he got out of me.

Then I felt him laying a kiss on my sweaty forehead.

"I love you and you only, Y/N. I said with words and actions"

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