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popculturebuffet · 4 years ago

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Jake Reviewcaps Stuff: Amphibia: Truck Stop Polly/A Caravan Named Desire

A day two days late but no dollars short, we reach the middle of the Plantar family vacation. Polly super runs away from home after feeling negelcted and gets a neat trucker hat while Hop Pop is forced to choose between his love of theater and aiding and abetting, Sprig tries to fit in with the cool kids and Anne tries to just finish her damn Koala puzzle already. The show must go on under the cut

Okay first why this was late... I had a LOTTT of cleaning to do for a vistor coming to the house, so while I did get the episode watched I didn’t have time to write about it till today.. ironically hours before my sister from another mister is having her wedding, a small one in her backyard with all the food pre-packaged, but still it’s obviously a lot .. and yes this has been going through my head.

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Point is life’s been busy, this isn’t the first thing to get delayed, but I do want to try to get these out on saturday at least. Second.. these eps faced an uphill battle.. see like the Lost Harp of Mirvana during my ducktales coverage earlier this year, this is what seems like an average ep from the summaries given out by disney.. right before a stream of far more important and intresting ones. For this one it’s two fairly standard eps.. right before another fairly standard one.. that then leads into finding out both what Sasha’s doing and presumibly, why she’s still on the bad guy side like the intro suggests or if the intro is just lying. We won’t know till next week. And to make matters worse after that we have Kermit the frog’s episode.. as in kermit doing voice work not whoever his voice actor is now just doing a diffrent voice. And i’m so glad disney is continuing this beautifully insane idea that started when Fozzy voiced a character on Big City Greens. See this is good quality use of your muppets. Hopefully muppets now will keep this up later this week. Anyways paired with Kermit is the long awaited gravity falls homage “Wax Museum” with Alex Hirsch himself doing both stan stand in, a stan-in if you will, teh curator and frog soos. Which is the greatest name in Disney history since Sharkbomb. Oh and THEN, we finally get to newtopia and finally meet marcie.. and if that weren’t enough, the newt king is voiced by keith motherfucking david, disney royalty as voice of Goliath in Gargoyles (Which I really need to get off my ass and watch already, I have no excuse for taking this long. At least with Darkwing Duck the absolutley baffling airing order that isn’t disney plus’ fault for once but they scould still fix is a mild one.. if not enough of one) and Dr. Facilier in “The Princess and the Frog”, in which he sang one of the best villian songs in the disney canon. Never fails to kill me. He also should’ve been sexist man alive by now but fuck if I know why he hasn’t been.. even at 64 he’s still in the running and I will not back away from that sentence. That man can get it and his wife is a very lucky woman. SO yeah, Sasha, Kermit, Frog Soos, and then a one two punch of Marcy and keith fucking david, followed by i’m assuming a good helping of world building in newtopia and i’m not assuming thanks to the episode summaries including guest voices even MORE Keith David. So yeah like Mervana proceding Fenton and Boyd and then Daisy! an episode i’d been waiting for since last year’s comiccon, and was not disapointed by, this episode is before a giant pile of stuff i’ve been waiting for plus a thing I had no idea was coming with Keith David. And this show isn’t alone: next week’s owl house is another king episode about him making a big style wish that goes wacky.. right before we get Willow and Amity’s backstory, then the episode where hopefully the gays will win. This isn’t a new thing and will doubtfully occur again but like with Mirvana I gave these eps a fair shake. How did they shake out with the added pressure? let’s find out.

Truck Stop Polly

We start in the Wagon, or Fwagon as the family calls it but i’m not because no. Just no. Plus there isn’t a catchy song for caulking your Fwagon sung by the talented, and recently engaged congradulations Joey and Lauren now that was the kind of news I needed this week, Joey Richter.

But no Bessie isn’t being caulked down for glue, Sprig and Anne are driving the wagon, Hop Pop is asleep, as he probably hasn’t slept and Polly.. isn’t doing so good. She’s clearly missing home seeing Miss Croaker.. onlyt o find a rock.. and then because this is Amphibia some kind of nightmare that reminds me of a baby xenomorph. Anyways the reason Polly ain’t doing so good is well she’s like.. 5, on a scary trail with no one to comfort her, and none of the old comforts of home to help her forget her very likely death before she’s even big enough to rip a man’s heart out with her bear hands. I mean that’s been in her 7th birthday plans for like, forever. She TRIES to replicate old things, first trying for story time.. which fails because while Hop Pop tries, he can’t stay awake because he apparently, as the episode will prove out, hasin’t heard of caffine, while trying to get her older siblings to read to her just gets them and her in trouble when she gets bessie ran into something and Polly’s attempt at bath time afterword just floods everyone out. Thankfully while the episode does go with the “Character tries things multiple times and is destined to fail” thing, something i’ve seen a lottt in animation and as i’ve made clear in my handful of loud hosue reviews i’m not a big fan of it... but it works well here. It takes up only a portion of the episode and is used well. Nuff said. But it’s with the aftermath where things really start to shine and we really get why this episode works: Polly messed up bad yes.. but she’s also , again 5. Her family just sorta forgot that 5 year olds need a lot of attention because this is one who probably has ripped a man’s heart out... the bear hands thing is more just because it’s cooler that way. But Polly isn’t really thinking about anyone else but herself and this episode reveals a problem polly has: She puts up such a tough front she has trouble opening up.. which makes sense. Polly wants to be taken seriously, as seen with the inn episode last season, and likely feels acting her age will just get them to stop doing that.. but as we saw there while she’s utterly capable in a crisis.. she’s still a small child, it’s still scary and she needs what all little kids need as much as she needs a freshly ripped out heart with breakfast. But what really makes the scene is, as Polly hides, Hop Pop loudly and crushingly for the poor tadpole, outright wonders if they should’ve just left her with Ms. Croaker. And yeah this is a .. hard thing to hear. That her only parental figure regrets bringing her and feels he woudl’ve been better leaving her away from her family for what’s at the very least a month and will defintely be longer.. and not just because of future episode synopisis. And if they succeed with anne.. one of them wouldn’t be coming back. She’d miss telling her big sister good bye and that’s a LOT to take away from her and probably explains,besides Polly being badass, why they still took her: She may never see Anne again. And if Anne can’t get home, she wouldn’t of b een there for her. Polly tears up and it’s a ROUGH scene. But what really makes this scene already amazing work.. is the immdite followup. Sprig and Anne are both shocked by this and Anne , in typical “the character only heard the bad part” fashion, and as Della has proven even full grown adults aren’t immune to this so don’t feel too bad polly, asks if he really meant that. And he didn’t. It’s what makes the scene work so hopping good: it’s realistic. We’ve all had moments where a parent, a friend, or even ourselves has just said something, something hurtful, or yelled or screamed or what have you at osmeone without meaning it.. and sometimes you can’t take that back. But we’ve all been pushed to the limit, stressed or tired or upset and just.. snapped and said something terrible. And it’s this realness that really makes it worse. Hop Pop explains he’s just exausted.. which makes sense. He has trouble deligating, being utterly terrified of Anne and Sprig taking up watch duty, and has probably been driving without sleep for a week at the LEAST given the trip’s been said to have gone on longer than planned. So he’s not in any good shape, and Anne and Sprig do consider she had her reasons. Anne does give Hop Pop coffee for the first time, which perks him right up. Polly however is still hurting and decides to use 5 year old logic and leave a fake, a convient purple ball she find sthat she dresses up with a sleep mask and her bow, and figures once they find out she’s not there, they’ll feel bad and come back. it’s a short sighted plan but we’ve all probably thought of something like this at her age. I once ran away from home carrying among things i’ve forgotten by cyclops helpmet from the x-men.. must’ve been from the 80′s as by the 90′s he let his hair out. Wish I still had that thing or at least a cyclops visor. Love that guy. This naturally backfires as while Sprig and Anne try talking to polly, Sprig thinks she’s alseep and warns anne never to wake her.. never... how.. how many stabbings did she give you before that sunk in man? Are you okay sprig? Polly naturally freaks the fuck out upon thinking her family abandoned her, but vows to start a new life.. with flapjacks and more story times. She dosen’t know anybody.. cue swampy joe from last season. A welcome return, horay! Anyways Swampy naturally not leaving a child to die because this is amphibia and not an average night in Monkey D Luffy’s childhood, and also gets her a sweet trucker hat off screen. I assume she put it on exactly like this. Polly gripes about the situation.. but in a refreshing and suprising, to both me and polly, change of pace we don’t get them agreeing or her getting a new life: The Truckers point out the main issue: She’s homesick, and she’s trying desperatley to seek comfort in old rituals without adapting to the fact that some simply don’t work as well in their new situation or taking the fact her family is busy and this is stressful for them too into account. It’s also a nice moral for thes quarantine times; sometimes you can’t get normal back easily, and have to adapt and you have to consider others feelings as hard as it might be. They also peg her being so hardned on the outsdie she dosen’t let things in and again while this is new.. it does track. We’ve rarely seen polly upset, or vunerable or any of that.. so this simply makes it a character trait.. that part of why she rarely acts like the 5 year old she is is she’s scared of letting people in and loosing what ground she’s gained with Hop Pop. As for why their so wise it’s because when your alone driving for miles on the open road you have nothing but self improvment.. and in a great bit the lone female trucker among them got her PhD, and celebrates with her friend with a high tounge. Of course bigger problems arrive. Turns out taking some random object you found without checking for a zany scheme isn’t wise as a man comes in wondering where his roc’s egg went.. roc’s bein ga type of bird.. a giant bird. That kills the first frog it sees upon hatching, like imprinting only more horrifying.. so like the twilight version of imprinting then. And yes i’m aware i’m bashing twilight still, and while I largely don’t care, having an 18 year old man romantically imprint on a baby, rapid aging or no, is fucking creepy and not a good ending for the character. And yes that actually happened. Polly gets Soggy Joe, now speedy joe complete with hat and yes you need to call him that Polly finds out, to give her a lift back home. Meanwhile back home, Anne decides to read to polly anyway. I mean she just watched her sorta girlfriend sacrifice herself and then get carted off by the scary asshole who wanted to presumibly put her grandpa’s head on a spike outside his tower as a warning. Polly stabbing her a few times dosen’t really stack up. But she discovers she’s not there and gives out a code purple.. which ges the rest of the family right on time. Polly and Joe catch up with them and find the roc emerging out of the caravan and everyone fighting. Thankfully polly static clings on Joe’s fringe seats, which Joe grumbles about, and builds up the static before having him fast ball special her into the bird, which beats it. Polly takes credit for about five seconds.. before Hop Pop uses her full name as he’s pissed.. not about the giant death bird, a giant bird trying to murder you seconds after birth is just an average tuesday on this hell planet.. though i’d still trade it for our hell planet if they could get streaming down. No like any good parent he’s upset she ran away.. and devistated when Polly tears up and reveals she heard his whole thing earlier, with Hop Pop gently apologizing and explaning he took just how grown up she is for granted, with the Anne and Sprig naturally agreeing and the four hug. I do wish Polly apologized.. but it still works anyway as she’s still 5, she does feel bad about it, and she did just save their lives. The episode would’ve been slightly better with it but works fine. Soggy Joe offers to tow them, because he’s a class act, and Hop Pop decides to have storytime with everyone.. Anne points out she’s 13 but eh why not. Also I did like getting conformation how old she is as before it was just conjecture by me that she was 13 or 14. For the record as you can tell I peg polly as five, Sprig as 9 or 10, and Hop Pop as me shrugging. Also Polly’s normal story is a gritty noir story about a man trying to murder his wife’s killer.. which is funny enough and explains a lot about polly enough.. until we get a POP UP BOOK POP UP OF A HAND HOLDING A KNIFE. Just.. (Chef’s kiss) my god. Of course Anne loves it.

Final Thoughts for this Episode: A really good one, that has a lot of intresting dynamics and remembered Polly’s age without overwriting her character.. it still felt in character and was a nice reminder she’s still a young child, just one that can Volt Tackle large birds and who likes noir revenge quests as her bed time story. It added some more depth to Polly and it was something she really needed, giving her a vunerable side again and expanding on that. The first third does drag a bit.. but once the episode gets going it gets really fucking excellent.. while “child feels neglected and runs away” isn’t a new story, it works here both due to it’s realism, giant muder bird, or birderer if you will, non-withstanding, and due to being rooted in the Plantar’s characters. It’s damn good and like Mirvana was a nice suprise of an episode.

A Caravan Named Desire Suprisie a wedding is exausting and not only did I have to abandon finishing this review to get ready for it, but was too tired to actually finish this when I got home. Aw well. Let’s keep it going.

We open as our heroes are about to enter the thirsty swamp, another desert region, but this time more deserty. Anne scoffs at needing hydration.. before a cut to her utterly dehydrated and pouring the canteen on herself.. which she pulled up including sprig who gives out a whee. As adorable as it is chuckle worthy. Hop Pop is worried because as his faviorite plays says the area is full of terrible monsters and bandits.. and the kids groan because he’s clealry talked about this play a lot. As it turned out Hop Pop always wanted to be an actor, but gave it up.. and this is where I feel the episode missed some good character stuff: We never find out a lot about Hop Pop at that age: why he wanted to buck tradiition when why by present day he’s nothing but tradition, or why he gave up after one failed audition.. it’s not a bad episode, but I feel we missed out on an opprutnity to learn more about Hop Pop’s past, an area the show really hasn’t dug into apart from “He and sylvia were into each other once and he has a rvial and now he’s dating Sylvia for real this time so yay”. And speaking of which it is weird he hasn’t brought her up.. I mean he dosen’t have to miss his girlfriend every 5 minutes, that’d get fucking annoying , and the silver age fantastic four comics where Johnny storm would constantly pine for a girl he met for all of 5 minutes, carried over to the 90′s cartoon but toned down, are proof that’d be annoying. But it’s still just.. weird it hasn’t come up once so far.. we have a full season for it too, but it just feels like the show abrubtly left most of it’s supporting cast behind without asking how any of htem felt about Anne and the plantars leaving after spending a full season having them go from mildly tolerated to beloved by the town, especially Anne. Anyways before Hop Pop can bring up his one time as Tony in the wartwood production of west side story, they have worm sign and soon a sandworm is chasing them because of course Amphibia has sand worms. Their thankfully saved by a mysterious woman and her caravan, Renee Frodgers, the writer of the play Hop Pop won’t shut up about and no one else cares about.. kind of like me with.. everything. Pretty much everything. But with auditions going on Hop Pop gladly follows Renee back into her office, while a nearbye actor kid offers to take the Plantar kids to the kids car. Sprig and Polly are entirely on board, but Anne’s answer?

Turns out when Anne was widdle, somewhere from 4 to 6, she was in a school play about dental hyginee as a tooth tripped.. and everything caught fire. “4 out of 5 detinsts say I was traumatized.”, a great line. So Anne’s noping out of this one and decides to instead work on her Kola’s of Passion jigsaw puzzle.. which if that’s for an animatied ripoff of titanic but with Kolas I will give all my money to see that.. well no I need that but I do have an unopened can of pringles on my desk and a penguins of madagascar dvd I got for free at a garage sale. Will that work? Please? So we have our two main plots and running gag: Sprig trying to fit in with the kids, hop pop living out his dreams and anne trying to finish a puzzle. And since the plots really don’t intersect till the last moment apart from one scene with Anne, i’ll be covering both seperatley. Sprig’s plot is very simple: He wants the theater kids to like him, the lead actor treats him like crap, Polly gets accepted but is just sorta there htis episode outside of one great gag that we’ll get to in a moment, and eventually sprig just gets fed up and tells the guy off. It’s not all that enjoyable as I relate a bit too much to desperatley wanting to be liked in high school by people who were utter dicks.. and breifly in college online, so it brings back too many bad memories but hte punchline of sprig jumping back into frame in cosutme the minute he gets acceptance for telling the pissant off is priceless. Now with that out of the way, back a few minutes ago Hop Pop tries auditioning but tries to hard and fails, and dosen’t get the part, in part because he has no experince but later storms back in and tells Renee off.. and that honest passion gets him the lead. And .. turns out Hop Pop is a master actor getting love from the masses and living out his dream. Again it’s where I wish we got more drive, more of his past. I don’t know why other than “I want to act” why Hop Pop wants this so bad or why it means so much. I know what he wants, paul, but not WHY he wants it. I do get time constraints.. but if that was the case.. why keep the sprig subplot? He could just be an extra or stage crew or making a puzzle with anne or some other shenanigan that required less screentime. I do REALLY like spirg, this season if nothing else has made me realize how good the character is, I just feel for this episode the other minutes could’ve gone better to set up Hop Pop’s love of acting and past better and give us more of how Hopidah went from a wannabe actor ready to leave tradition behind to someone who clings to it like something clingy. This episode isn’t bad but there’s more it could’ve done. Anyways the good times, and the tour and if your curious the wagon is being stored somewhere on the caravan since they can’t safetly travel alone, end when Hop Pop walks in on Renee planning a heist. Now granted instead of the obvious of “oh their just theives’ the troop are legit actors, directors etc... the heists are because, much like on earth, no one supports the arts and they need money to keep going and keep putting on shows, hence Renee and her two goons rob the towns they visit during the more powerful moments of Hop Pop’s performance. And this is something like. While “Character wants to do something and ends up getting recruited by shady people for a scheme to do it” isn’t at all new, here it’s intresting because instead of being bad at it or the scheme being related to the heist or the normal twists.. Hop Pop is legit good, we even see a bit of his performance later and loved, instead of just being so bad it’s useful, and the theives aren’t just after money but keeping their art alive. So Hop Pop is conflicted and turns to Anne.. and ruins her puzzle because of course he does, but while Anne tells him the obvious: Stealing is bad even to support our badly unfunded arts, otherwise modern artists would be pulling daring heists all the time.. seriously that should be a show, Hop Pop decides he’s such a godo actor he can convince himself nothing’s going on. Sprig comes in for his subplot and annoys anne further and also dosen’t listen to her and Polly.. just tells Anne she loves her with Anne screaming it back. It’s a great punchline to the scene and also really sweet. Aww. So Hop Pop tries to get used to aiding and abetting but realizes during his big scene he just.. can’t turn his concsen off, outs renee then gets into a chase with her, with renee making hte mistake of detaching the front car to escape.. only to end up Worm food. She’ll make good spice at least.. I guess? I don’t know how Dune works. She’s arrested, and Hop Pop and family book it after the kids accidently spill he knew about the crime ahead of time and did nothing. The end.

#amphibia #a caravan named desire #truck stop polly #anne boonchuy #hopidiah plantar #sprig plantar #polly plantar #soggy joe #disney channel #reviews #reviewcaps #team starkid #the trail to oregon #frogs

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