#oh my god this got away from me

[sleepy-steve]

🧠🪱 Wiggly Wednesday Thursday 🧠 🪱

thank you for tagging me @stervrucht 🖤

no pressure tags: @frankenstein-ate-my-left-shoe @stevesbipanic and of course anyone else that would like to ♡

thinking about Steve and Eddie who, after going through rounds of physical therapy after everything, continue to work out together because Steve obviously loves it and loves having a friend to work out with. and Eddie notices the difference in his stamina when he gets back to performing on stage. (and if Eddie likes to watch Steve work out a little bit, and likes Steve coming over to help his form more than a little bit, well that’s his business.) but Steve takes a dance class and shakes up his usual warmup, leaving Eddie with some… thoughts.

***

“Okay, Munson,” Steve says, pulling his arm across his body for a shoulder stretch. “You ready?”

“Ready to be tortured? Always,” Eddie jokes. It was their thing. Eddie acts like he hates being there, but he still shows up every other day to their local gym in Indianapolis. And he won’t ever deny the benefits he’s noticed since starting their exercise regime. He's faster on stage, doesn't get winded near as easily, holding those screaming notes without feeling like his lungs will explode. Little did he know that today his joke would come to be true.

Steve liked most kinds of exercise. He was a sporty guy. He liked the pull and stretch of his muscles, the feeling of accomplishment after achieving a new goal, that delicious soreness the day after a really good workout. But mostly he loved trying new things. He’d give anything half a chance if he thought it might be fun. Which is how he ended up at a dance-aerobics class the week prior, finding himself having a lot of fun, blushing furiously when the women in the class complimented how quickly he picks up the steps.

He went back three more times that week. Part of his enjoyment came from the new warmup he was taught in the class. Steve’s usual warmup consisted of basic stretches and a light jog, covering all bases to ensure he didn’t get injured, but not very exciting.

This, however, was far more enjoyable. Steve found himself sinking deep into stretches he didn't know he had flexibility for, and moving his hips to a beat, ultimately just having way more fun with the warmup. And it was about to become a huge problem for Eddie.

Steve pops his headphones over his ears, the tape deck tucked securely in his shorts pocket. He bends over, inhaling deeply as the song starts, rising up with his hands overhead, exhaling as he rolls his wrists, hips moving side to side with the beat. His already short cropped t-shirt rises, showing off a good amount of his chest. He lets his arms come down, bending over again, feeling the pull in his hamstrings. Gripping his elbows, he lets the top half of his body hang, swinging from side to side, his hamstrings fully stretched out.

Eddie looks up from his own basic stretching, shocked to see Steve fully bent over, because hey, since when was he so flexible? With Metallica blaring through his own headphones, Eddie just stares, completely forgetting where he was at in his warmup.

Steve lets his hands drop, moving to one foot, back to the centre, then the other foot. Ass just up in the air, his shorts way too tight. Eddie swallows. He’d been denying his crush for months at this point, and good god this was not helping.

Rolling his shoulders as he stands up, Steve lets his hands travel down his bare thighs, sinking into a squat with his back arched and head tilted back. Eddie's eyes are wide as he watches those tight little shorts with the little cut-ins on the sides ride up, showing far more of Steve's glorious hairy thighs than Eddie can handle. Steve drops his head forward, hunching his shoulders as he moves back to standing. He repeats the motions, and Eddie wishes he had the strength to pull his stare away from Steve's ass.

Seeing Steve's head tilted back and his back arched is sending Eddie insane. Like, he geninely thinks he might evaporate on the spot if he keeps watching. But he just can't look away.

Turning himself sideways, Steve has one foot stepped out in front of the other, legs perfectly straightened into a triangle shape, bent over his front leg. Just when Eddie thinks he’s about to get up and end his suffering, Steve lowers himself down into a lunge. His little shorts definitely way too small and tight for the movement, Steve lunges back and forth, fingertips resting on the ground on either side of his front foot. Eddie watches as the t-shirt rides up with each lunge, the desire to get his lips and tongue all over Steve's chest overwhelming him.

Shaking himself, Eddie tries to remember which shoulder stretch he was up to. He attempts something close to a stretch, but he can’t be sure he's doing it right, because Steve has lowered himself to the ground, front leg bent and back leg perfectly straight, and is fucking thrusting into the ground. If he were to ask Steve, he’d find out this was a hip flexor stretch. But Eddie’s forgotten how to form words entirely, suddenly imagining nineteen different ways he wants to get dicked down by the man before him.

Eddie suffers in silence, heart racing in his chest, watching as Steve repeats the movements on his other side. He prays that the torture ends soon, that they can just get to the workout, and Eddie can go back to pretending he doesn't want to ride Steve until his thighs give out. But Eddie gets no such luck.

Steve has moved into some kind of triangle position, hands on the ground, legs straight, and of fucking course, his ass in the air. Eddie marvels at how straight the shape is, only for a moment, because then Steve is lifting his heels up and down in turn, and jesus christ those tiny little shorts are just riding up, and Eddie can see a hint of Steve's ass peeking out. His jaw drops. He may actually explode.

Just when Eddie's thinking he can't take much more of this, Steve lowers himself down, knees spread wide, arms stretched out in front of him and head tucked down. A wild and rushed series of thoughts fly across Eddie's mind, all centred around Steve kneeling down in front of him. Eddie needs to get it together quickly.

As Steve brings himself back up to the triangle position, walking his feet to meet his hands and rolling his spine up, shoulders and head rolling back last, he sees Eddie taking off for his warmup jog. Assuming that he probably just took too long with his new warmup, Steve shrugs it off and starts his jog shortly after.

Eddie hits his personal best in several weights that day, desperately trying to expend his excess energy in some way. He barely registers the wins, mind still stuck on Steve and his perfect ass in all those new positions. He almost dissolves on the spot when Steve claps him on the shoulder in congratuations.

At the end of their session, Eddie takes a freezing cold shower and prays for the sweet release of death.

[b4kuch1n]

siren

[tired-biscuit]

yes, i am a sucker for a good ‘play fighting leads into something more’ scene between best friends that obviously harbour feelings for each other, sue me.

[deepseagraveyard]

ba dum tss 🥁❄️

[puppyeared]

"idk i think thats smth parents should tell their kids :/" motherfucker you cant even teach your kids to cough into their elbows anymore

[just-null]

I spent all my tv time watching the episodes that noritoshi appeared in over and over again literally squealing and kicking my feet whenever noritoshi is on screen that my family is just sick of my shit

Noritoshi scolding abt using indoor voices...... swoons....... He would be so orderly and nagging abt it too... uwaa....... coughs

you and me both, bro. The way Noritoshi presents himself with such grace and stoism is so fucking beautiful, even my ancestors possess me to let out their shock. the way his type of character talks, too, with formalities and like he has an image to uphold... HOW CAN YOU NOT YELL AT THAT. Not only that, but he's so... flowy.... from his clothes to his hair and the way he uses his bow in the fight scenes..

the fight scenes served hella cunt. I love shonen sm. Noritoshi fight scenes are so good.... but stop fucking giving him concussions @ gege

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[cementcornfield]

Ted has had ENOUGH

[jack-kellys]

omfg r u stupid or WHAT.

[makeriia]

Fantober day 31!! A free day again.

Recently gotten into HADES, and I think about them a normal amount (lie)

[feroluce]

So I went to the wiki page for the henghill Bullet & Brain mission of 2.2 looking for some dialogue I had missed and

a) I found something incredibly tasty that slotted into some other thoughts I'd been having, more on that on another day, and

b) I saw this super fun little trivia at the bottom, which!

I knew Penacony characters like Boothill took a lot of inspirations from old movies, but I didn't realize it was even in his and Dan Heng's relationship, that's so cool!!

It fits them very well, it's such a fun reference. "Butch Cassidy and the Sundance Kid" was an old buddy Western film (from 1969- nice) about a pair of outlaws. Butch Cassidy was the leader of a gang, and described as clever, affable, and talkative. Meanwhile, his closest companion, the Sundance Kid, was known as a man of few words.

Cassidy's original birth name was much more plain, but similar to Boothill, he took on a new moniker when he became an outlaw. "Cassidy" had been the last name of his beloved mentor, who taught him how to shoot and ride. And Sundance Kid was known as he was because Sundance was the name of his hometown, and it was the only place that had ever managed to catch and jail him, back when he'd been younger (also similar to Dan Heng, but ouch).

These two stick together like glue throughout the length of the film- through Cassidy's leadership of the gang being challenged, through a train robbery gone wrong, through being pursued by mercenaries, and even through fleeing to Bolivia and trying to start over together.

I don't want to say too much more, since the mission title is referencing one specific movie that I've never seen. I kinda wanna watch it now, though, just to see the inspiration that went into Boothill and Dan Heng and how they get along. I just think it's really sweet that these two were literally made to be the best of bros, how lovely is that. 💕

[foxilayde]

Taking a break from Thanksgiving thots to ask how you envision OTTR Leto meeting reader?? I haven’t given it much thought before this moment and now I’m desperate to hear your thoughts on the beginning of their relationship

I think about this one all the time.

You met Leto in Venice. Ocean Front Walk Venice, CA.

It gets hot in the Valley.

So hot that when you’re getting off your shift one blazing afternoon in downtown Los Angeles, the prospect of sitting in dead stop traffic on the 60 to Jurupa Valley, in your busted Honda Civic, only to go home to a stifling house with no AC…. Is anything but appealing.

So you do something unexpected. You are going to cool down, and you’re going to treat yourself while you do it. You’re going to pretend your life is ab-fab (absolutely fabulous) if only for one evening.

You take off from the parking lot of your job and instead of heading east, you go west. You stop at Neiman Marcus and you buy a dress. One that is too expensive to actually keep. So you wear it out and tuck the tags with every intention to return the next day. The dress looks amazing tho, it’ll be a shame to say farewell. It’s a classy little black cocktail thing that goes well with your plain black work shoes.

You get a little touch-up at the makeup counter to refresh your lipstick and spray on some Diptyque, and you head back to your car. You google, “open houses ocean view near me�� and you take off to the coast.

You park your car a few blocks away from the listing. If the agent sees that heap, they probably won’t let you step inside. I mean this house is listed for nearly 15 million dollars. You shouldn’t even be walking down this block. You feel almost guilty for parking anywhere near this neighborhood.

There’s about 5 or six other people in the house looking around. The agent smiles at you and hands you a brochure when you enter. A glossy embossed thing listing the amenities as well as her contact information. You feel a little overdressed. The men are in tommy Bahama shirts and the women are in Lulu Lemon leggings.

You get a glass of free champagne and you help yourself to the charcuterie tray, looking around the house with appraising eyes, trying to nod your head at the bannisters and balconies like “hmm yes, maybe this will do.” Truthfully the house is beyond gorgeous. It’s ocean adjacent and has it’s own deck, pool, hot tub rooftop lounge, bedroom balcony… the kitchen is a thing of ART. The whole open concept and glass everything makes you feel so utterly out of place.

But its not like buying it was ever in the cards or the intention. the AC works, that’s all you care about, and you step outside the living room patio balcony, the ocean breeze hits your face in the most cooling fantastic sort of way. You audibly sigh and close your eyes breathing in the air. A voice from behind you startles you.

“Refreshing, isn’t it?” You nearly drop your glass, surprised by the man’s proximity.

God. He is handsome. Slick backed hair, mirrored aviators, a thousand watt smile, movie star jaw, and a dark navy suit cut, sewn, and ironed by Giorgio Armani himself. He looks like a magazine advert for Ray Bans. Now this, this is the type of man who buys a 15 million dollar home. Not you. The way he’s smiling at you now seems like… like joke or something. Like he’s laughing at you. He can smell the Honda Civic on you, can clock your shoes as Margiela knock-offs… heat creeps up your face despite the cooling breeze.

You look down at the floor and smile politely. “Excuse me” you mutter and go inside to investigate another part of the house.

You run into him again in the closet. Literally, you bump into him in the grand walk in. He’s probably going to need a closet this big for his collection of fine Italian sartorials. “Sorry” you mumble, ducking out. God he smells good.

You head back down to the kitchen to grab more cheese and crackers. Another bonus of open house crashing along with the free AC and free sparkling wine. Free food.

You’re midway through shoving another Brie covered cracker into your mouth when you see him again, in the kitchen, examining something attached to the marble countertop. His glasses are hanging from the center of his undone silk shirt. Those eyes.

You cover your cracker-full mouth and gulp. He’s so fucking cute furrowing his brow at the contraption and he spins the lever of it with one hand and smiles. He looks up at you.

“Pasta maker.” He points to it before shoving his hand back in his pocket. “You ever use one like this? It’s old school.”

You shake your head, still swallowing cracker.

“Wonder if it comes with the house…” He muses, looking up at the recessed lighting. He points up. “They all come with this now, you notice that?”

You shake your head again.

He tsks and continues, “Can’t stand it. I like something softer, y’know. These are harsh. You get up at 3 in the morning to get a glass of water and you want to kill yourself.”

You shrug and take a sip of sparkling wine. You wish you could talk to him but you can’t. You can feel yourself on the verge of saying something fucking stupid and it’s best to just not speak at all. So you look up at the recessed lighting with a curious face, trying to see the harshness, as he put it.

“Something hanging, like right over here,” he indicates over the island. “Something with yellow light. Soft, capiche?”

You smile at the word. It makes you more comfortable for some reason. “What? Like the Tiffany lampshades in the pool hall?” You offer with a smile.

He grins the most dazzling smile at you, stepping a foot closer and nodding. “Not exactly what I had in mind, but keep talking.”

“I was thinking more Venini myself.” You offer, taking another sip. He nods at you with appreciation.

“Tasteful. And soft. I’m listening.”

Your cheeks hurt from smiling at this point and you take a few steps to the living room gesturing near the sofa.

“An Arco floor lamp in the corner right here.” You submit to him, looking back over your shoulder with a wink. He chuckles.

“Took the words right out of my mouth.”

“And for the foyer,” you stride over to the front entrance, “A Sputnik. Right in the middle.”

“Gold or silver?” He asks.

“Bronze of course.” You reply with an affected air.

“How silly of me, dear.” He puts his hand over his heart.

The real estate agent makes a remark on what a gorgeous couple you are and how you just “fit the house”.

You start to protest but the man puts his arm around your shoulders and thanks the agent saying, “whatever baby wants, baby gets.” Winking at the woman and KISSING the side of your head. Which makes your face turn hot instantly.

He is… good at playing along, isn’t he. Well isn’t that what you were doing already? cosplaying as someone who could afford the house, and now you’re cosplaying a couple with this man whom you don’t even know the name of? Jesus—Just go with it, you suppose. Enjoy the pretending before you have to go back to the heat of Jurupa Valley…

“Now what about the dining room?” He asks into your ear in a deep voice, arm still over your shoulder.

“Hmmm,” You’re slowly running out of lamp styles, but you can’t let on. “How do you feel about Venetian glass, darling?”

“Inspired. Really,” he squints his eyes at the recessed lighting over the dining table. “We are in Venice after all.” He laughs with a toothy smile. “You have fine taste…” he leads.

You give him your name. He repeats it before telling you his. “Leto”

“I should have known you would have fine taste by the dress you’re wearing.” He compliments, picking up a glass of sparkling wine on the marble counter and gesturing your dress up and down.

“Thank you.” You blush. It’s not even yours. It’s on loan. You’re returning it tomorrow and you feel like a fraud.

Leto bites his bottom lip in contemplation then takes a step towards you, his hand making its way towards the nape of your neck with stern concentration on his lips. Oh fuck he’s about to kiss you. You make the split second decision to let him, closing your eyes gently, puckering your lips, holding your breath, and leaning in slightly.

But he doesn’t kiss you. You feel the slide of glossy paper down the back of your neck and the settling of it under your dress. He was tucking in the price tag of the dress for you. Jesus fucking Christ. You step back, embarrassed. He pats your arm. You cover your your brow, feeling your face get hot once again. So much for searching for that cool breeze by the coast!

Leto chuckles pleasantly. “Hey, hey, don’t be embarrassed. Happens to the best of us.”

God he’s probably giving you the benefit of the doubt. Probably thinks you just have so many new designer dresses that you innocently forgot to take the tag off… but if he had, would he have tucked it back in like he did? Or would he have just plucked it off?

“You like the house?” He asks, still jovial like the most embarrassing thing in the world didn’t just happen to you 5 seconds ago.

“It’s amazing. Perfect, really. The location, the style. It’s a dream. I have always wanted to live in Venice… the energy here is unbelievable.” You look around at the pristine grandiosity. The sun is close to setting now over the ocean and you sigh wistfully at the stunning view. “Whoever gets it is a lucky duck, I’ll tell you that.” You say, cheersing the sun itself before knocking back a sip of wine.

Leto watches you watch the lapping waves. “Let me buy it for you?”

You nearly choke on your drink. “Leto?! The house??”

Leto nearly doubles over in laughter, holding up his hand in apology, “No. No. I’m sorry, I— I meant the dress.”

Your face goes hot again. He knows! He knows you’re planning on returning it. Shit, he probably saw you pull up in your Civic!

“Please let me buy it for you. It suits you perfectly and it’d be a shame for anyone else to own it.” His eyes are so soft and kind and pretty and you almost want to cry.

“I… I can’t let you do that. It’s already on my card. I promise I won’t return it though, after that compliment, how could I?”

Leto nods. “At least let me take you out to dinner? Give you an excuse to show it off?”

Your heart nearly sinks. He’s probably the type to insist on picking you up. And he’s going to, what? Drive to the IE to do that?

“I live kind of far away…” you trail off, cringing slightly.

“I can send a car for you.”

“Leto, No, I—“

“Do you live father than a car ride? I can send a plane for you if you’d prefer?”

You laugh, but the returning stare isn’t a joking one. He’s fucking serious.

“I promise I won’t try anything funny. I just… want to pick your brain for more design ideas.” He grins and scratches the back of his neck, “It doesn’t have to be a date. Could be a business dinner? You would be my consultant…”

“Oh really? Consultant?” You cringe.

“Or it can be a date. A proper one. The best meal of your life. The Barber of Seville at the LA Operahouse, dancing, desert, a starlit walk on the beach outside my brand new house.” He grins. God what a fantastic smile.

“Sound like a 5 hour date.” You assess.

“What? You want longer? Because I will have a hot tub by the time this date rolls around and that can add up to 2 hours.”

“Two hours? Ambitious.”

“Agreed. But if done properly…” he winks and hands you a business card with his number on it. “Just think about it. I’ll be around.” He takes a deep breath, surveying the house and you, “I could stay and play house with you all day but I have a sudden urge to get ahold of my broker.” He takes your hand and kisses it.

“Nice meeting you Leto… Atreides.” You read off of his card.

“The pleasure was mine, gorgeous.”

Once he leaves, you have to go out to the balcony again for a breath of fresh air.

[b4kuch1n]

sunstroll

[sonsationals]

[rapidhighway]

stressed

I have to fight family again

[fruixtii]

im crying because in this moment silver was probably asking himself that same thing.