#oh god im not ready
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bidamonalbarn · 2 years ago
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FEATURING FALL OUT BOY ?!?!??!?!?! FEATURING HAYLEY WILLIAMS ?!?!??!!?
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cosmicrhetoric · 6 months ago
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my personal fave "luffy holds a mirror up to someone's soul" moments. aka the whole point i think
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satisfiedskye · 1 year ago
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goodbye, brain.
goodbye, simon.
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katabay · 1 year ago
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some mk1 kenshi and johnny cage sketches because I feel so so so normal about them
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hvezdnastreka · 10 months ago
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WIP i'm probably never going to finish, because IT'S ANOTHER KLAUZURA SEASON BABYYYYY!!!!
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^^(a black and white walk cycle animation of a girl, who's legs aren't drawn yet ) GET CONCEPT ARTED LOSER (This time we're making concepts for our own video game! :) )
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thestrangestthlng · 6 months ago
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last gif credit to @sunglassesmish others are mine. ❤️
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the-incredible-auraa · 5 months ago
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I love how they put the entire budget in this singular shot where ryusei walks in
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jubshead · 6 months ago
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Preparing myself for the image of Agatha Harkness singing on stage with rockstar’s clothes and boobs showing cause I know I’m gonna be mentally unwell
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bat-luun · 7 months ago
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sally face fanart anyone? i put him in one of my irl outfits for fun lol
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feelbokkie · 5 days ago
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Unit songs 🧍🏾‍♀️
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Unit songs 🧍🏾‍♀️
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Unit songs 🧍🏾‍♀️
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oldbutchdanielcraig · 1 year ago
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can we hold hands and listen to this together
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martlet-my-beloved · 11 months ago
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ran out of comic ideas so *gestures* take a doodle dump instead
First - Previous - Next - Masterpost
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raineandsky · 6 months ago
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#127
The lock on the door is an easy pick, and with one final touch the door clicks open and allows the villain inside.
Now, the villain is usually well above petty crime. He’s done his fair share of thieving. He’s pick-pocketed, he’s robbed, and yeah, sure, he’s broken into places here and there. But his life is actually fun now, thanks to a villainous promotion and some less of the dirty work, and so stealing ended up rather low on his list of fun weekend activities.
It’s not a weekend, though, and it sure as hell isn’t fun either. This is business, and goddamn if the villain isn’t a professional.
He glances at the screen of the phone in his hand, checking and rechecking the picture he took of the supervillain’s instructions. If only the supervillain wasn’t trained to be a doctor, his handwriting might be somewhat legible. He is though, unfortunately, and the villain is wishing he’d just typed up the words when he had the time before.
I’ve had a ‘tip’ on [Hero]’s address. The villain can just about make the words out. It’s like a word puzzle, which he is notoriously bad at already. I have reason to believe she’s got some important documents in there. Infiltrate, find her stash of secrets, and bring it in.
Easy enough. The fun part of stealing was usually finding the most expensive object, though, and the villain has an inkling that some paperwork won’t exactly make him a millionaire. He tucks the phone into his pocket, taking a moment to adjust his eyes to the darkness before shutting the door behind him and exploring.
He finds a living room, a bathroom, a kitchen, the fridge, ooh she has good taste. The villain plucks a punnet of grapes from the fridge and tosses one into his mouth. The supervillain has him on late nights—he doesn’t have time for dinner at the moment. The hero will have to survive without her grapes.
The office feels like stumbling across a mine of incredibly boring, inexpensive gold. The villain takes to rooting through the piles of papers mounting on the desk. All plain, civilian problems—bills, taxes, a newsletter from the mayor. Nothing exactly incriminating.
“What are you doing in my house?”
Who the hell is awake at three in the morning? The villain wasn’t that loud coming in. He turns dramatically, expecting to make his first introduction to the hero, but he isn’t faced with the hero. He isn’t faced with a hero at all.
An old lady is standing in the doorway, her glasses perched wonkily on her nose and a baseball bat in her hands. The bat is kind of menacing, at first, but then she has to awkwardly adjust her glasses and the illusion is gone.
The villain’s mind is short-circuiting. That’s not a goddamn hero. What the hell has the superhero gotten him into? What the hell is he meant to do with a bat-wielding civilian?
“You’re deaf as well as unlawful,” she adds drily.
“No, no.” The villain's cool demeanour is slipping too fast. “No, I can hear just fine, thank you.”
“You haven’t answered my question.”
“What question?”
The bat taps pointedly against the woman’s palm. She’d probably injure herself trying to swing it at him. That thought alone is vaguely comforting. Only vaguely, though—she’s still wielding a baseball bat.
“What are you doing in my house?”
“I am here,” the villain starts slowly, “to rob you blind.”
He doesn’t know what else to say. He didn’t expect to run into anyone, much less a civilian, much much less a little old lady. He’s running on a bank of prewritten sentences he used in his thieving days, and for some reason the least helpful one is the one that wants to be said.
The woman’s face scrunches up in an emotion the villain can’t read. At first he thinks it might be distress, or perhaps fear, but then she raises the bat and he realises that, oh, no, that’s actually unbridled rage.
She brings it down in an arc and the villain just about dodges to the side. She doesn’t seem to mind the fact the bat absolutely annihilates her desk in his stead. Jesus Christ, is that thing made of steel?
He may be a villain, and villainy may require a certain amount of balls, but this is where he draws the line. The old lady swings again, crashing into the glass cabinet a hair’s width away from the villain’s face, and he decides that no, he’s not dealing with this shit tonight.
He scrambles for the window, throwing himself out onto the fire escape stairs with his new nemesis in tow. She makes one last swipe at him as he takes the stairs down two at a time.
“I’ll bash your head in next time!” she shrieks after him.
It’s only when the villain is safely on the other side of the building that he slows down. He pulls his phone out, sucking in a deep breath, and unlocks it to look at the superhero’s note again. Really scrutinises it. Then it clicks. He sees the problem.
That’s not a 6. It’s an 8. He was on the wrong goddamn floor.
He stares blankly at the screen for a moment. He’s too old to be putting up with this shit.
He shoves his phone back in his pocket, heaves a age-old sigh, and lets himself back into the building for round two.
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gunsatthaphan · 5 months ago
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ngl the jump from Only Friends to THK is kinda hitting the same as the jump from The Eclipse to Only Friends lmao 💀
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lover-of-mine · 11 months ago
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Eddie pretty much inviting himself to stay with Buck at the loft until Chris comes back from the mystery trip he was shipped off for plot convenience to escape his girlfriend he just asked to move in with and doesn't want to see anymore because she might want to have sex with him and he doesn't want to is actually canon.
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inkynightmaresau · 7 months ago
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//what the heck is this?//
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