#oh and the people who think it just means relating to a character are also wrong

[askthefamous8]

Even if I haven't been very active lately, 9 years is still pretty significant- happy birthday to the blog!

So like Percy up there I'm gonna do so dome reflecting. This blog's where I've often done that for some reason, but here's the tl'dr for blog related stuff.

• I would like to keep drawing stuff but feeling generally unsure in myself, and I'm wondering if all the years of fandom harrassment have caught up with me • I have one big project in mind, I've been dipping my toe into what I'd need to do it. No spoilers but it was one of the first things I played around with this series, so do with that what you will • If I can keep myself drawing, I want to use more of the original source material since I'm struggling with original ideas. So stuff like redraws, hOpEfULlY even animatics, just like what originally got me so into trains yknow? Because that's fun and sparks joy. And that always goes down a treat with you guys so bonus • As always I appreciate you guys not coming after me for being so inconsistent

The rest of this is me doing what Percy's doing in the drawing and reflecting, as there is indeed much 2 think about. It's also a little sad and venty so, there's your warning there.

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Ok so obviously a busy year, we moved into our new house that we actually own, I spent most of the year planning our wedding, and then got married. Big stuff. Also! I came off antidepressants in the summer. I've been on them for...basically as long as this blog, 6 months after I started it I think. Which also means I'd been on antidepressants my entire adult life. Feels like a big deal and I guess I'm still adjusting.

Another big thing, but sad, is that my dog died about two weeks ago. If you follow me on twitter you'll have seen her but she did make an appearance here a few Halloweens ago

I got her when she was 13 and had her 8 years after that. So that's been difficult. Unrelated to that (probably), but I just feel...really mediocre. And before you point out the obvious, this has been present even before I came off antidepressants. But yeah just... mediocrity. In myself as a person, how I look, what I draw, my whole life really (barring my marriage thankfully). What have I achieved? I'm 26, I'm not working, I don't feel well, my art isn't good (I don't think so anyway- like yeah it's technically fine I guess but it's not, and has never been, very stand-out or impressive). And lately art doesn't bring me the same joy it once did, and I'm wondering if all the years of harrassment from this fandom (mostly the twitter side, tumblr's been pretty good to me) has finally caught up with me and put me off the whole thing. Or worse, that I just don't have as much of an interest in it anymore. I don't think I'll ever be like "ok yep I'm officially done with this blog" because I'm so stubborn but idk. I want to make things and be creative, I want to make more train art, but it doesn't feel the same. I don't know what's wrong. What do you listen to? What you want vs what you feel? I still enjoy train stuff, I love going to Awdry Ex every year. It's been like this for awhile. It's not even like I have a strong feeling of what I'd rather be doing as far as careers go. And even if I did, oh yeah I'm sure my two degrees in animation will be very relevant in another field (sarcasm). I feel adrift. My sails are open but there is just no wind. Planning my wedding gave me something to do and work on and just, feel useful but now that that's over I feel lost again. Losing my dog, who had become the center of my life because of how vulnerable she had become, hasn't helped.

On the more creative side of things, I also don't really know what to do with this blog's story either. The show's ended as far as most people are concerned, and I kiiinda wrote myself into a corner because once Thomas turns 18 he's going to leave for university, and that sets off this whole arc with James but basically the problem is it involves characters leaving and for some reason that feels like a no-no here. Don't get me started on the timeline lol. But Thomas works on a railway on Sodor, that's how it has to be...right? I guess I'm sort of at a crossroads of, ok do I want this to be close to the source material, and thus easily digestible to newcombers? Or do I want to make it more and more my thing and distanced from the source material? I doubt there's many new people coming since the series ended. And even then, there's a lot more humanization artists around now than when I started, so it's not like I'm filling a niche anymore. Just to be clear it's fine and also good that there's more humanization artists, variety is good, I just don't feel as "needed" anymore (which is 100% in my head and not an actual role that belongs to me or something). I started this blog when I was 17, so my interests and what I relate to have changed obviously. The character designs certainly have. It's never followed a super rigid story plan, but the core of it has always been the central cast doing things on Sodor. I however have always had a scene/project/animatic/whatEver in mind for when this 'series' would '''officially''' ''''end''''. But then what comes after that? I've always tried to run this blog like they are Real People that You interact with. But in real life there is no ending to the story, there's always more stuff to come. You get married, and it's wonderful, and then life goes on. The credits never roll. So maybe that's what I'm having trouble coping with...the progression of time. Ah, my old nemesis. I've always had trouble with letting go of things. There's nothing to say that I couldn't still draw stuff after the series "ends". I guess any story after Thomas leaves could be like... a sequel series or a spin off or something. Spin-off of a spin-off. Famous 8 All Grown Up. Famous 8 Qurter Life Crisis. Who knows. I certainly don't.

I've also been really into an original project unrelated to this but those don't get as much attention and while I'd like to do something with it one day, I don't feel very confident in being able to make that happen right now. But you know... as far my as art not being super spectacular goes... I think my individual talent has always been is my ideas, like the writing side of things. And then brought to life with my art, which normally isn't anything to write home about but is good enough to convey the idea and be not-awful to look at, lifts both of them beyond what they were individually. Maybe that's what I should focus on. Maybe that's wishful thinking.

So....idk. Idk what I'm doing but I'm trying to be gentle on myself and just let myself continue to drift, to heal from this heavy loss, and then in the New Year I'll try and pick myself up. Then there will be no more big once-in-a-lifetime events coming up, no more just-moved-into-a-house-and-oh-no-there's-a-bunch-of-things-that-need-attention-NOW scenarios, and no more big holidays for awhile. I guess we'll see.

If you read all of this I am so sorry but also thank you for reading my ramblings. And thank you for being around, whether that's been for a few months or for several years, but especially if it's been several years

[dsvoid]

remember when i said i was beginning to relate more and more to michael? well,

i think it’s easy to underestimate his character and not really understand who he is, but once you start acting like him, it gives you a new perspective in the whole of solitaire. michael is a very angry individual, i think we all know that. however, he is not portrayed like how angry characters usually are. his anger stays inside, like a lion waiting to attack. michael lives hiding a part of himself, somewhere so deep in his mind that whenever it is able to come out it becomes his worst nightmare ever. unlike most angry characters, the anger doesn’t affect the rest, it affects him.

i think this is so important to talk about, because yes, solitaire is tori’s book, but michael brings very important details to the story. i know most of the fandom likes to talk about him as a silly little guy, and that’s valid, because he also is that. my mind just won’t be at peace until we all realize a bit more how important he is.

anger will bring him down. that’s not something we can argue about, it’s the truth. and yes, it sounds silly, anger, really? that’s the thing that’s gonna bring him down? well, not exactly. anger is the first symptom of losing yourself. you start keeping all the anger to yourself, not really knowing what to do with it or why it’s becoming bigger and bigger. as this continues, you start hating, loathing every single moment of your life that doesn’t go as planned. before you even know it, you’re isolating yourself, afraid of any chance of the anger getting stronger.

if i were to show this with a scene of the book i would choose the one were michael finally explodes at tori. because at that moment, he has been trying so hard to be her friend, and attempt after attempt, she’s just been making things difficult. i say this from an objective perspective, because we know tori wasn’t in the right headspace, but that doesn’t mean michael’s wasn’t bad mentally as well. it’s what i said before, you start loathing everything that doesn’t go your way. and in this case, his friendship with tori wasn’t going his way. it’s a very hard topic to explain because i have been in both ends, mostly in michael’s, and it is extremely difficult to deal with. we know michael doesn’t have friends and probably didn’t have before either, which means he has been carrying this issue his whole life. it’s obvious he was going to explode. he keeps trying and trying and nothing goes his way. he can’t make friends to save his life, oh and look, he also failed the competition of what he is supposed to be great at, perfect!

i guess i just wanted to talk about this because as i said, feeling like this is not great. it sucks. it’s horrible to experience but so normalized as well. people like tori get talked about behind their backs. everyone has a bit of bitterness in their voice when they talk about them, spitting how being mentally ill doesn’t excuse you for being a bad person. people like michael get pitied. the people who keep a smile and don’t stop trying even when they’re dying inside. everyone feels bad for them, but no one cares enough to make a difference.

[oopsallfictives]

Every now and then I see a post that reminds me that most non-kin have an idea of the otherkin community that's defined more by people who made fun of us than by our community itself

If you heard about otherkin through general tumblr osmosis but never made an effort to actually understand us, your mental image of otherkin is mostly likely informed by people who pretended to be otherkin to start drama with the express intent to get people to hate us. It was really common a while back for anti-kin to create blogs posing as otherkin and post absurd, ridiculous, and inflammatory things like "I'm plantkin and keeping houseplants is slavery" or "I'm dragonkin and I ate my mom's jewelry". If you actually knew anything about the community it was fairly easy to figure out that these blogs were trolls, but most of the people on tumblr at the time either didn't know enough to be able to tell, or didn't even consider that they might be fake

And the most upsetting part? It fucking worked. So many people still seem to think that those posts were genuine reflections of what being otherkin means and how we act or talk about our kin identities

[amplexadversary]

I'm screenshotting rather than derailing this post but

I'd like to call it now before I'm accused of this by someone who thinks the thematic foundation of a particular show is the "romance"

just. Based on some *takes* I've seen.

[indi-glo-archive]

it's bc the way the heartstopper fandom treats Ben is the way my parents treat me

[mellotronmkll]

It's always funny Almost completely relating to people's posts about being obsessed with a piece of media but it's clear they mean like a TV show or movie and are obsessed with one of the characters but for me it's literally always always with no exception some fucking band so it's not really the same but it does have the same completely all consuming effect on me

[crescentfool]

ohh the joy of videos and streams... i like listening to people talk about things they like/think about it’s very contagious... 🥺

[astrxealis]

all my faves are ngl very similar (i can explain but it's difficult. that or i'd take a very long time explaining)

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[cilantroodon]

[ID: Four gifs of Jamie from Ted Lasso in black and white with text over them. The first two are Jamie having his cheek pinched by his mom, and him grabbing Roy's face, with the text "How much of my mother has my mother left in me? / How much of my love will be insane to some degree?" The second two are of his dad shadowboxing up to him before punching him, and Jamie shadowboxing Roy in Amsterdam, with the text "How much of my father am I destined to become? / Will it wash out in the water or is it always in the blood?" End ID.]

“could I change it if i wanted? can i rise above the flood?”

[fictionalmenmistress]

I haven't seen anyone else talk about it, so I wanted to share that Logan's rant monologue insulting Wade in the Honda Odyssey, before Wade decides to beat him up and they ~fight~ all night... that so clearly to me, was Logan projecting. It started as a tempered rant to cope with how annoyed and pent up he was, with the heat of everything and with Wade's muchness that makes him, him, but the longer he went on, the more he started ranting and exposing himself in the process.

"THE XMEN REJECTED YOU, AND THEY'LL TAKE FUCKING ANYONE!!!" That was my first hit, that he was referring to himself. He sees himself so lowly, so failed, that's canonical to the film. And canonically, he didn't even quite originally feel worthy or want to be with the XMEN. Didn't feel like there was a place for him there, a place for him anywhere. One of his biggest healings was Professor X not giving up on helping him believe that he deserved to be there, was wanted, was worthy, was a good guy. That's canon to his character. So we know he was speaking about himself. He was chewing Wade out, but he was also talking and focusing moreso on what upset him about himself. (He sees himself as just any jo shmo, when he IS literally THE X MAN ㅠㅠ)

He was seeing himself in Wade, how he "can't even save a relationship with a gd stripper", (he sees himself as not able to save anything either, and he's angry for that more than anything else he's angry or annoyed at) projecting SO HARD as he pieced together saying it out loud, that Wade was exactly like him. Logan hated himself for not saving anything. For being a "loser", a "failure", for all of the same reasons he was lashing out at Wade for. He was so angry and annoyed by Wade reminding him of himself, because he related to him. Wade was his reflection, in his eyes, calling him out so loudly with his own behaviors. And he hated himself. He deeply was suffering with that hatred for himself, and as a result, he lashed out on Wade when really he was chewing out himself, inside, admitting it.

"God's CRUELEST JOKE, IS THAT YOU *WONT* DIE ALONE. BECAUSE YOU! CANT! DIE! SO THE REST OF US HAVE TO SUFFER YOU THE REST OF OUR EXISTENCE!" (something along that.)

He didn't know for sure that Wade can't die. He picked up on that Wade can't be killed. Logan is the one who can't die. They are two flipped sides of the same immortal power coin. When he finished his screaming at him, and everyone was silent at how cruel and shocking the confrontation and his words were, I was sinking with a very empathetically whispered "oh, Logan..." Because I felt his misery. I immediately picked up on him really talking about himself, and I think that was genius and layered. I was upset for how awful that was to say to Wade, heartbroken for Wade taking that to heart, and I was heartbroken that Logan was saying that because he believes that about himself. Because they are, oddly, a lot alike. Very compatible.

This scene here:

I read that Hugh said that Ryan wrote that. He's brilliant with these films. It was so genius. I really needed to share this and bring this thought, meta, analysis to light. For all of us to have.

Is Logan mad at God's "cruel joke" of his immortality, yet ability to feel so much pain through it still? Yes. He punched the roof in rage, because it's not fair. Venting his own pain. He sees his powers, his own and Wade's too, empathetically, as their curse. The curse of being the one who lives, and the guilt with that. The one who can't die. The one who lives, who is forced to live, while everyone who "deserves to live" dies. And WILL die, around them.

"And You can't die. That's on all of US!" Logan says, clearly referring to himself living forever... And "us" being the people HE loved. He saw himself as a burden for existing with them, for them. He deflected that onto Wade, as if the people in Wade's life must feel that way too, but didn't really mean that. He meant it about himself. Logan believes he was a burden on the people he loves, the people he lost. That's probably why he left too, and didn't come back when they called out for him to. He distanced himself to protect them, and protect himself from that fear of rejection that he feels is so imminent, and them not having him, is the one element that led to none of them surviving without him. He was always the key. He was always wanted, and he was always important and needed. He just couldn't ever believe that.

Man, that's why it became so personal for Logan too, when he was shown Wade's photograph of his family. Because HE had a family, and he would do anything now to save them. Just like Wade. He held that photograph all night, he went and got it when it fell out of the car, he kept looking at it. It became personal for him, when he identified with it. That Honda scene really was their turning point of everything. That's when Logan cared with everything. He got it. Wade is the him he couldn't be. But now he can.

I dropped some heat with this one.

Extra little personal context/thought notes: Maybe I just spotted it because I have a natural knack for psychology, I'm hyperobservant, highly empathetic and deeply feeling, and I'm also years experienced of my parents and whole family treating me the same exact toxic lashout way almost every other day. That's a workweek for me to see through toxic lashout anger BS. These are not my gifs!!! They were created by another amazing account. I will refind their @ and tag them!! >>> It's @landoslastnerve ! Thank you friend! 🤍

Also wanted to include someone's tags from those gifs:

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[stephreyna]

Book of Bill Spoiler

I wanna talk about this

I’ve been seeing an interesting divide in the fandom about how they feel about Dipper and Mabel’s parents having marital issues.

It changes the show a lot, in terms of how the kids act, why they got sent to Gravity Falls, why Dipper was looking for an idol, and why Mabel didn’t want summer to end. I’ve seen some people hate it and some people like it. I am the latter.

Marriage problems doesn’t always mean a terrible home life, or abuse. Dipper wasn’t supposed to hear it, which means his parents are keeping it behind closed doors and not letting their issues become the twins’.

Which makes me believe this isn’t an abusive situation. Alex will torture the shit out of Stan and Ford (we know this), but Dipper and Mabel are precious to him, I don’t think he would put them in a bad/dangerous home life.

If Dipper’s having nightmares about it, it’s because it’s Dipper. He’s an anxious and paranoid kid, who makes mountains out of molehills and overthinks absolutely everything.

We don’t know the status of Mr and Mrs. Pines’ relationship. For all we know, the summer was just what they needed to patch things up, and everything was fine when the kids came home. But if at the end of the summer they have the oh-so-infamous sit down with the twins about a change in their family, it’s not inherently a bad thing.

Yes. The twins would be devastated if their parents separated.

Dipper would be extra moody and angry and our hopeless romantic Mabel would fall into a depression. I can see them both diving into distractions and finding comfort more with their Gravity Falls family. Keeping up with the Stans, Soos and Melody, Wendy, and Pacifica.

But things would settle down eventually, theyd get into a routine and eventually see how much happier their parents are. I can also see Mabel being excited she gets to decorate two bedrooms for herself, and getting to play matchmaker for her parents. Dipper would learn to live with it eventually, and I’m sure all he wants is to see his parents happy, but I think he’d fight it longer than Mabel does.

But they’d be okay.

This stuff happens, and I honestly love the representation, as a child of divorced parents. I don’t see it very often in children’s media, and I couldn’t relate to characters who had parents who got along with each other when I was a kid. And usually if they had step-parents it was because one of the parents died or something.

This is, classic Alex, left up to interpretation as to what’s happening in the Piedmont Pines’ household.

But whatever it is, our Mystery Twins will go through it together

[dalishious]

About Davrin's little blurb on the official website for Dragon Age: The Veilguard...

"Though he was raised in a Dalish clan, he craved excitement and adventure. He'd rather make history than reflect on it."

There's actually a lot to unpack about these two sentences.

First off, placing the word "though" in front of being "raised in a Dalish clan", gives such a thing a negative connotation. The word "though" is used in a way that sounds like "despite", as in, somehow wanting excitement and adventure must go against being Dalish. This correlates with sentence that follows. "He'd rather make history than reflect on it." The word "rather" is yet again used to separate Davrin from his Dalish origin. All together, this promotional description of Davrin is insisting that he is "not like other Dalish".

Now, obviously the game is not out yet, so we do not have total confirmation on what the nature of Davrin's relationship to his culture is really like. But there is absolutely something to be said about promoting the character this way, regardless of however he actually turns out in game. There is absolutely something to be said about how, as @/the-eldritch-it-gay put in their tags here, why do writers feel the need to make fantasy minorities hate or distance themselves from their culture? As a selling point?

Maybe this is completely misleading bullshit, maybe it isn't. All we have to go by, is what BioWare chose to say here, and their past track record with elves:

Zevran may talk about his mother in a font way, but he still has the line, "Too many of our kind think we deserve pity simply because we have failed to defend ourselves."

Velanna is one of the two elves we've had who is overtly proud of her culture, yet she is treated like she is unreasonable and too angry because of it.

Merrill too, is proud of being an elf, and of being Dalish. The story punishes her left and right for this, treats her like a child, and in the end she is either ostracized from her clan or they end up dead because... she cared too much?

Fenris has pretty much zero engagement with elven cultures, and spends his time ridiculing Merrill for being proud of hers.

Solas complains about the Dalish from the start, and says plainly that he does not see himself as having anything in common with elves of current time. "Oh, you mean elves" he says, when the Inquisitor asks how he feels about his people; the thought does not even occur to him.

Sera is... Sera is a character who could have been a really interesting examination of overcoming internalized racism, if she was written by someone competent with the subject. Instead, she just cringes at everything "too elfy" through the entire main game, and only has a single line in Trespasser that hints that she may have a personal struggle going on. But it's still left unresolved.

That's a lot a lot of negativity. So of course seeing a suggestion that more is to come with Davrin has people wary and tired.

Let us also consider the fact that Davrin is overtly Black as well, and what that means. Acting as if one must disregard history in order to make it, as his description so claims, is bullshit. It sounds too much like promoting gentrification/assimilation in my opinion; the idea that you cannot keep your culture if you want to be successful.

I also think that it goes even deeper, on a meta level - I think that BioWare is afraid people will not be able to like or relate to Davrin, if he is "too ethnic". I think that BioWare is taking this Black character and instead of questioning how he can best represent marginalized fans - particularly Black fans - they are questioning how to make him more relatable to white fans. And the only answer to that is to, of course, make him seem like he is an exception to marginalization through separating him from his people.

I am still holding onto hope that Davrin will overall be an interesting, well-written character. And I sure as hell will still be defending him from the people who are already hating on him or ignoring him completely because of their racialized biases. But that does not exempt BioWare, and specifically his writer, John Dombrow, from any criticism. This is not about Davrin the character, this is about BioWare the company's handling of Davrin the character. And in that regard, they're not off to a great start with this.

[kyri45]

✨ShadowPeach Bio Parents Bio AU Q&A! 16/10✨

Welcome to the Q&A! A space where I can answer related or similar question about the Shadowpeach Bio Parents AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

Anonimo ha chiesto: i absolutely adore your shadowpeach bio-parents au comics they flow really nicely from post to post, and i looove the balance between angst & fluff i feel as if with shadowpeach, its always either angst or fluff- no inbetween, but somehow you've found a really nice mixture of both thanks for singlehandedly keeping me in the LMK fandom haha

Thank you! Fluff and angst keep going around each other like a microwave ahah

Anonimo ha chiesto: So like with mks monkey form does he have to deal with shedding during summer I think it would be funny if macaque and Mk got fluffier during winter. Wukong wouldn't complain about a fluffy macaque though probably like sleeping with the best plushy.

Oh man I think they do indeed haha. Pigsy would scold MK bc he keeps finding fur hair everywhere in the house

Anonimo ha chiesto: You seem like someone who knows a lot about the LMK fandom, so I must ask where does the idea of Princess Iron Fan and Macaque being sworn siblings come from? Like, is it from JTTW, and im just not aware of it, I'm still trying to learn as much as I can, and I need to actually read the book. The fact that people assume I know a lot about the fandom is so hilarious (not in a mocking way, I'm just very surprised) bc like- I watched the whole show in 1 day, speedwatched Overly sarcastic production recap of JTTW and read half of the book in a week. All of this in July. That's everything that I know from the fandom.

I think it's an headcanon. in JTTW Wukong, Macaque and DBK are all part of the brotherhood so.

Anonimo ha chiesto: First off I LOVE your comic but I have the animal autism and wanted to share some Monkey facts: monkeys don't sweat like humans do they mostly sweat on the palms and feet, areas they have no fur. For overheating monkeys mainly seek shade staying under trees , increase respiration (panting), seeking water sources. Also some species might shed for a thinner coat during summer. Sweating is an exclusively human thing and why humans have been so successful humans are persistent hunters. We would often follow herds for miles waiting for them to tire and overheat while sweating keeps us perfectly cool. Humans are also the only animal to blush. Lol Again no hate love the comic I love me some Flustered blushing gay monkeys. I just have the animal autism and wanted to info dump.

Thank you for the animal fact dump! Those were actually super interesting facts!

@draxeanlxia ha chiesto: Hey question that I have no idea if you already answered but how old is MK in your BIO Parents AU? I know people (usually) believe him to at least 18 due to China’s minimum driving age but others believe him to in his early 20s. Also Mac in your AU said was ‘grown ass man’ during the baby arc. So in your AU, how old is MK?

So. in the AU he's 21 y/o. Meaning that when he arrived to Pigsy door they saw him and went "yeah, he looks around 2/3" and from then they counted on. Buut there's also the thing that he looks a little younger than that age. I wont say anything else.

Anonimo ha chiesto: Who your Favorite Lmk character??

mmmmmmm... MK bc he's monkey now. Before season 4 probably Macaque or Wukong. But I have a "thing" for characters discovering they are actually a different species and slowly gaining new/different body features bc of that, so when I saw him flickering at the end of s4 I flew to a different universe. Literally the whole reason this AU exist is because I would die for this trope

Anonimo ha chiesto: What inspired your Human Wukong & Mac designs? Mostly because my brain looks at Macaque and thinks “Cranky middle aged pirate” meanwhile Wukong’s is “That chill gay uncle” (this is based off of purely looks by the way)

Macaque is drama queen so of course he would wear a trenchvoat during fall. plus he's old inside and outside bc of all Wukong bullshit. Wukong is your friendly neighbour who lives in a sketchy house and survives on peach sodas and chips (oh wait that's just canon Wukong.)

ainnur ha chiesto: You know I like how Wukong in your comic just compare something hot with Laozi's furnace. Like with spicy food and time he help MK created the weapon. Mk: You know Wukong you mention Laozi's furnace a lot. Must really tough 49 days for you... Wukong:Yeah worst 49 years *eating peach* Mk: Can tell- wait- years..? Wukong: Yeah a day at heaven is like one year here or so..Do the math, bud *continue to eat the peach* Mk:.... what..? Wukong just casually and accidently recall his trauma because he thought it never effect him like his other trauma. Also the brotherhood have 49 years to help him but they didn't do anything. "Yeah because normally you would rush into my rescue"

Thank you for giving me this traumatic info I didn't know about. Now I will never look at Wukong the same (why did my boy have to suffer so much)

Anonimo ha chiesto: Macaque: I think I'm in love with Wukong . . . Any thoughts. Chiyou: and prayers you're going to need them.

me too bitch, the fuck

@mirror-queen226 ha chiesto: I agree about the last ask you posted (about Wukong surely wearing a dress on a date), and I just couldn't help but say my own headcanon too (with a little bit of knowledge about the ancient times that Wukong was just a child on the jttw and lmk): I dunno if you agree but okay. Honestly, both Wukong and Mac/Mihou (like i usually call him) does not care about clothes, if they feel comfortable with them, be it for woman or man, they'll wear it, especially Wukong though, I feel like he'd act like a famous diva in a on a runway showcasing new high-class clothes from Victoria Secret, Channel, or something, whilst Mac is much more discreet but not too far from that too. And considering Wukong was wearing WOMAN clothes when he was in the brotherhood in the season 4 lmk flashback, it just made me believe in that headcanon even more :) Also, I am really loving your au, it's just so perfect the way you develop every character slow and patiently, keeping their personalities untouched, not changing but instead expanding and showing them a bit more, how they are really trying to improve (Wukong and Mihou in this case) and how satisfying it is to see. I always rush to see the new updates you post about the Biodads au every time i see too, and honestly, one of the 5 best au's ever, you draw so good too, it's adorable! That's all I wanted to say, have a nice day, drink water and take care of your health! 🥰🥰🥰

Yeah true! Like they are shapeshifter, they wouldn't care what species they are, even less the perceived gender norms

Anonimo ha chiesto: Little question, while the monkeys where at Chiyou's forge, shadowpeach where still sleeping together or not?

They were all sleeping in sleeping bags on the floor (but they all were close to each other.

Anonimo ha chiesto: Generally curious what you think would have happened if MK had not been woken up and the stone wasn't broken what do you think would have happen. would he had grown up on FFM?

Aww he probably would have been raised by Wukong. I don't know if that's a good or bad thing.

@wolfsonic ha chiesto: I have question! Does Rumble and Sabage have sentience in your stories? Like, do they have their own personalities like MK clones do? If yes, what do they think of WuKong and MK? Also, will we see more of them? Cause I'd love Mk to meet them when he wasn't stuck as a cub and not remember.

Yeah I think they have a littel bit of personalities. They like both MK and Wukong, but would also do prank on him.

Anonimo ha chiesto: I think I won't say I'm in love from Hercules fits macaque very well

The little monkeys are the muse doing backup choir

Anonimo ha chiesto: Can we see what a courtnapping room typically looks like?

Courtnapping rooms are made specifically for the courted one, so they are all different. Basically, the room should include everything the courted person would need to live comfortable and also a collection of things they like / to pass the time /love.

It must show that the person courtnapping them is able to provide, care and protect for them. And also knows what makes them happy.

So it can be a huge castle full of jewerly and elegant clothes/ornaments or just a cozy room with some chips and video games.

Anonimo ha chiesto: Is LBD going to be a topic in your au again ?

maybe

@wolfasketch ha chiesto: We need MK interacting with his new found Auntie and Uncle please(we also new to see Red being flustered by MK while his parents are around and PIF being like "Ooohhhh")

We are VERY luky Red Son and MK didn't grew up together or we would have thier parents playing love-matching with them while they are toodlers

Anonimo ha chiesto: could we possibly get a traffic light trio and shadopeach grooming train at some point, i would love to see some bonding time between them all <3 and i would love to see mk grooming redsons hair since there's so much of it

Wait who would be the second person to be groomed? I assume RedSon hair are too hot to touch. (when he's flustered, at least)

Anonimo ha chiesto: So like how does Redsons hair/ fire work. Does it just feel warm to MK and Mei. Will it only burn/ hurt you if he doesn't trust you. Another note it must be nice having two fire demon friends during winter.

I think when he's relaxed, the hair is just- a little bit warm, then with his feelings and emotion it can go up to a bigillion degrees, so it's not harmful as long as he can control it.

[insertdisc5]

✨ The In Stars and Time Spoiler Q&A ✨

it's time. MASSIVE IN STARS AND TIME SPOILERS UNDER THE CUT. IT'S GONNA BE SO LONG. LET'S GO

I hope you are aware of The Secret Final Boss because I'm also gonna spoil the crab out of that. If you haven't,

1. Did you know the events for interacting with your souvenirs are randomized for some of them, and also change depending on how far you are in the game.

2. Did you know there's a way to show souvenirs to a certain character.

3. Did you know you can go back to Dormont during the Epilogue.

Figure that out, and come back here! Or watch a let's play online. You can also do that.

I will also try to adopt a ~mysterious cool voice with no exclamation points~ for Effect. Come with me on this journey.

Now. Questions time!

✨ Will you ever make a sequel to ISAT, or make a game in the same universe?

Nah. This was always intended to be The Story. This is your turn to imagine things now.

✨ But so what happened to the Country? What was its name? What about the wishes? What about the colors? What did Siffrin say as an openphrase to open the door to the King's room? What about--

I will not answer those. It's your turn.

✨ BUT THE COUNTRY AND THE COLORS AND THE WISHES

Ok fine. Here are some facts that I alluded to in-game, that I am confirming now.

-The Country disappearing and the events that made colors go away are not related.

-The colors disappeared a loooong time ago, which is why knowing they even existed is a relatively new find.

-A wish made everyone forget the Country.

I will ALSO say that ISAT's map operates on Final Fantasy/General Fantasy rules (i.e. in-universe locations are based off of real ones when it comes to culture, but are not one to one parallels, especially for geography), so no, the Country isn't based on the UK oh my god please do not say that to me again or im deleting ISAT out of your computers and putting legos at the foot of your bed. It's based on another place. You can figure it out, I believe in you.

✨ But why won't you give more info on what happened :(

Can you imagine if I did answer. Wouldn't that be a bummer, whatever my answer was. Sometimes things need to stay a mystery. And also, I don't want to answer <3

✨ Does the world Loop came from still exist after they left? Or is this a get mystery'd situation?

There is only One Timeline and it's the timeline that goes from the prologue to ISAT. Every timeline that gets rewound does not exist anymore, and that includes the prologue's timeline.

✨ What's the deal with Siffrin's dream at the start?

It's Siffrin's dream, but that doesn't mean our Siffrin is the main star.

✨ Is [specific missable game moment] canon?

Every moment that you personally experience in the game is canon.

✨ Is there a reason Siffrin remembers their name but the King doesn't?

What makes you think Siffrin does?

✨ At the very very end of the game, if you look out the window behind the Head Housemaiden, Sif mentions seeing an island in the distance. Is that his country?

It is. It's always been there, for the whole game. You can see it in the distance, too.

✨ Who was the King, before?

He was just a guy!

✨ With the King left remembering in the end, does that in any way change the redaction effect for other people in the world going forward?

That's a fun idea. Maybe!

✨ One thing that never really clicked for me is: Is the sweet smell Time Craft or Wish Craft? Or is the sweet smell TIme Craft and specifically the burnt sugar smell is Wish Craft? Other way around? Does this question even matter since without Wish Craft you can't attain Time Craft in the first place? (To me, yes.)

Wish Craft smells sweet. Time Craft doesn't have a smell per se, but it does do something.

✨ Does Mirabelle retain her immunity to being frozen in time after the events of the game or does it go away after the Head Housemaiden is saved? Or does it persist for a while and eventually fade away?

I imagine the immunity slowly faded away. But no one's left to do Time Craft, so it's a moot point anyway.

✨ How was Odile able to stop Siffrin from looping back during the fight against Siffrin?

In the Discord channel I stated that it's because "she's just that cool", but really, she does have access to some skills that heighten the efficacity of Rock/Paper/Scissors attacks, so it's not too much of a stretch to imagine she could lower the efficacity of Time Craft as well. In this last loop, while listening to Loop and observing, she could figure out Siffrin was looping way earlier than she could in even the Sus Quest, so she made plans. She is Very Smart <3

✨ Will you ever share everyone's full names?

That's artbook content <3

✨ In the ending, what happened to Siffrin's hat?

Flew away. It's gone now.

✨ Looking back at the original comics, and seeing how comic!sif has both eyes at the start of their loops, but in ending sequences is shown with his eye patch...did you ever consider making that concept of sif losing their eye a part of the main loop in either of your games? and if so, was there any reason why you decided against it?

Early on, I did think about making that whole event an event that happens during the loops, but quickly let that go since 1. it would be a pain to write and code (two different sets of Siffrin portraits!) and 2. if it happened, the player might want to look for a way to NOT make that happen and so 3. it would be a pain to write and code

✨ How was Siffrin's homelife before?

Pretty good!

✨ How old were Nille and Bonnie when they ran away? How old was Sif when their home got zapped?

Both were teens.

✨ How old IS everyone?

Siffrin is mid-late 20s. Mirabelle and Isabeau are early-mid 20s, with Isabeau being slightly older. Bonnie is a preteen. Odile is Too Old For This. Petronille, Bonnie's sister, is late teens-early 20s. You can ignore whatever I said in the prologue's artbook, whoever wrote this was Wrong!!!!!!!!!!

✨ Regarding the book that talks about someone who crafted a copy of themself using wish craft: is that meant to imply someone we know is the author (and/or the copy), or is it not directly related to any of em? or is it a "who knows ;)" situation where we can just speculate and theorize either way?

Please check the book again during Act 5! This applies to most items/map events by the way, like the pendant. You can check those during Act 5 and 6 for some fun new dialogue!

✨ Why are Siffrin's clothes so warm looking?

The Country got cold at night.

✨ What's up with Siffrin's pins?

They're made out of a special material. And also, they make Siffrin look cool <3

✨ I want to know the story behind Loop’s different eye shades!

They're blind in one eye. Also, fun foreshadowing <3

✨ What determines whether someone is paper/rock/scissors craft? Is it assigned naturally at birth or something else (and how do you find out)? Does it make you more inclined to use that specific craft or is anyone generally free to use whatever craft they want?

Astrology rules, It Just Is A Thing. Being Rock Type means it is way easier for you to do Rock Craft, but that doesn't mean you can't learn other types of craft, although it's way harder. Doing Craft of your type is instinct, doing Craft of another type would take some time and resarch.

✨What crimes has Odile committed before. I need to know.

Odile just smiles.

✨ Why did the King specifically target the House of Dormont?

I had a reason in mind, but adding it to the game would've added a layer of Explanation that really didn't need to be there. It's just a nice House.

✨ Who was Odile's hatecrush...

Dunno. It's your turn.

✨ What is loop's body situation. like is the surface of their "skin" solid? they did poke siffrin that one time, and we know they aren't cold, but...

I have some idea. But it's your turn!

✨ Would Sif still have looped if they hadn't made the wish he made in the beginning? As in, would Vaugarde's combined wish have made him loop until managing to beat the King?

No. But without time powers, you can imagine what would've happened next.

✨ During the Loop Hangout, how did the rest of the team make it all the way to The King? What about during Act 5?

During the Loop Hangout: with difficulty. During Act 5: Loop was there to guide them.

✨ Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they'd like to be perceived? or 3. time lops stole he from they they :(

Mostly that first one. But all three of those reasons have a bit of truth to them.

✨ Who cooked crab in the House of Change???

This is a very funny question! I've never thought about it. It's your turn.

✨ What are the Orbs that open the gate? Did the King create the Gate or was it there before?

(did not think about the orbs or the gate beyond "plot that proves there was a journey before") Stop Asking Questions,,,, It's your turn,,,,,,

✨ Bonnie's dialogue is *extremely* accurate to how overexcited kids talk, which is really rare to see. Was that something that took a lot of effort to achieve, or did it come naturally to you?

Thank you <3 I'm just that good. Really, Bonnie is an adult with no filter, and less general knowledge. I'm very glad I managed to write Bonnie well, especially since. I haven't talked to a kid. Since I was one myself

✨ The Spoilery Concept Art. Blease

oh yeah. here have it all. this is what I gave Mimi to do the animated trailer!

✨ So. What's everyone's favorite shade.

FINALLY the question. Plus I can say shade names now. White = darkless, Black = lightless. Light and Dark is like light grey/ dark grey. Oh my god I'm checking my notes and I wrote a small event I never used about hair dye colors like "midnight dark", "tomato grey", "snow light" past me that's so fucking funny

Anyway, Siffrin loves darkless, Mirabelle is more of a light shade lover, Isabeau loves that lightless (BECAUSE ITS FASHIONABLE OK), Odile likes darker shades, and Bonnie also loves that lightless (BECAUSE ITS AS DARK AS MY SOUL OK)

✨ Are there any bugs you found during developments that you've made into features?

Two! The first one was the ability to ask Loop to just silently hang out during Act 4. I messed up the code and the game softlocked there, with Siffrin and Loop sitting there silently. I thought it was very sweet. They deserve a little quiet time.

The second was in Act 5 - the House map had a lot of issues with the Act 5 map bringing you back to the normal House map. So one of the testers got brought to the normal House map and didn't notice, and interacted with the Mirror on Floor 3, and it gave them the normal interaction with everyone seeing the mirror and taking a picture, and when they went to look at the picture in their inventory, it gave them the actual Act 5 picture. A little bit after they realized the game bugged out, and told me about it, and begged me to keep that in because they were very unsettled by it. So here it is! Beforehand, it was just Siffrin silently taking a picture, so I'm glad I changed it.

✨ Did you ever have emotional difficulty writing the more sensitive parts of the script, like Siffrin’s intrusive/negative thoughts, for one reason or another? Moreover, did you worry the script may be darker than your initial vision for it anticipated?

Not really. The Mirabelle and Odile hangout scenes were the hardest scenes by far because I really wanted to get them right, but everything else was about the same amount of difficulty. And actually, I wanted to go a little bit darker for the script, but I was worried it was going to be too dark... When it comes to the dagger event, I had a whole tangent about Siffrin thinking about the best way to strike, so to speak, but I deleted it because it was getting A Little Too Detailed. T rating come back to me

✨ For the questions you WON'T answer, did you have your own answers while making the game? Or were they left blank?

Some of them I do, some of them I don't!

✨ I loved this game and I want to replay it but I don't want Siffrin to go through everything again!

Here's a little fun fact I decided: if you hit the credits, you helped a Siffrin escape. If you start a new game, you are creating a new Siffrin that you can emotionally tortu-IIIIIIII MEAN, a new Siffrin that you can help. Do not worry about your Siffrins they are fine

✨ A lot of those answers ended up being "It's your turn", huh.

Yea <3 The answers to some of those questions ARE there if you look. Some just aren't. But you can imagine whatever you want. It's your turn! I finished the game! I'm done working! It's your turn!!!

✨ I loved ISAT and it made me feel so many feelings!

Thank you so much. I'm sorry if you sent a message or ask and I didn't answer it. I read every single one and cherish it! Thank you for playing and thank you for writing me a message!!!!! When I get a little down I look at all of those and I feel better. Thank you. I'm sorry I can't answer them all.

✨ What will you work on next?

I have a project I'm currently in the preproduction stages of. I don't want to talk about it until I feel like I have some stuff to show. Plus I still have to make the ISAT artbook and some other stuff, so it won't be for a while. Nonetheless, I hope you will enjoy it!!!

[the-judicial-assistants-notebook]

Due to overwhelming popular demand (literally one person), I will now elaborate! The screenshots made this really long, so it's going under the cut.

I know I said 'not all that nice' in the original post, but I think a better word for what I read in Klavier would be that he's 'unfeeling' or 'callous', and I believe that largely comes from my initial impression of him. Many people cite the "This is the first time I've ever felt this way with a man" line as one of his most impactful early scenes, but, honestly, it didn't do much for me. Instead, the first time I properly took notice of Klavier was when he says this in Wocky's trial:

The first time I read that, I went, "Oh. He's demented."

And maybe that's a bit harsh, right? We don't know much about Wocky, but he is part of the mafia and under suspicion of murder here. Maybe Klavier's malicious glee at his soon-to-be untimely demise is warranted or excusable (though I would argue that it still takes a certain kind of cruelty to laugh right in the person's face). But that's the thing. This moment isn't a one-off instance but, rather, indicative of Klavier's oddly flippant attitude regarding death and other people throughout the game.

His rant in Turnabout Serenade about his keys, guitar and the dead body is probably what comes to mind quickest in this regard, but I would argue that Klavier's entire approach to court is a pretty obvious tell on this front. I don't think it's controversial to say that Klavier sees his cases as just another performance — what with the "Let's rock!"s and talk about everyone else "sharing his stage" — but he seems to treat the people involved like they're performers, too. There's a certain callousness that comes with his rockstar gimmick, which extends to his treatment of witnesses and suspects. Wocky is one thing, but Vera?

Like, the girl collapsed in front of you and is now knocking on death's door, Klavier; could you drop the showman-speak for one minute?

Maybe it's because Machi is a child, but I feel like this coldness of his comes across most clearly in Serenade. See, Klavier has a reputation for being the most straightlaced and honourable of the prosecutors, and I agree with that assessment! (I think. I don't remember what Blackquill is like, but for now, I agree.) His willingness to work with the defence is respectable and his dedication to the truth undeniable... but I think that only extends to truths he can see himself.

An interesting thing about Klavier is that he's never really behind Apollo in comprehending the truth of their trials, and he pursues it doggedly whenever he scents it. However, in the time before he realises what's actually unfolded, he pursues the truth he's determined with that same unbending zeal. He needs to understand what's happening — to be in control of the narrative at all times — to function at his usual pace. At the end of Serenade's first day of investigation, Klavier implies that Machi has been arrested because the powers that be required a swift arrest, but by the time the trial starts, he's 100% committed to sending that 14-year-old to the gallows. And he's not above using somewhat underhanded tactics to do it either.

There's a sort of ruthless edge to Klavier's treatment of not just Machi, but almost everyone involved in this case. He insinuates that Apollo might be lying about his witness testimony, knows why Lamiroir "saw nothing" yet chose to keep silent and have her brought out onto the witness stand to discredit her,

implies that Ema is the least useful detective on the force then embarrasses her on the stand by having her take the fall for the misunderstanding over Machi's eyesight,

straight up lies about not speaking Borginian to keep Machi from testifying, although he was translating fluently for Lamiroir just minutes prior

and even has his own updated autopsy report moment:

And are these all technically above board tactics to get to the truth? Sure (unclear about the lying, which he also does in the Misham case). But they're still mean-spirited, and his entire demeanour speaks of him just... not caring whom he hurts in his crusade for the truth. The feelings and reputations he damages on the way don't matter because they don't aid him in his goal. Finding the truth isn't about justice for victims or protecting the people caught in the crossfire to him. He wants the truth because... it's the truth. In that sense, he's a lot like og trilogy Edgeworth.

Something else Serenade makes clear is that this brusqueness towards people isn't exclusive to acquaintances and strangers; Klavier treats his loved ones with equal impassiveness. When Daryan crops up as a suspect proper later in the trial and Klavier is prepared for it, he ploughs forwards with that same unyielding efficiency and careless air. The few times he does lose his composure, it's largely due to the revelation of his own unwitting role in the crime. And when it's at last proven beyond a shadow of doubt that it was Daryan, his friend, his partner, the first detective he ever worked with, who tried to set him alight and killed someone, all Klavier has to say is,

... A cool, clean cut. No unsettled feelings, no messy loose threads. Just the hard truth and the calm acceptance of it.

It's the same with Kristoph later on — honestly, I'd argue it's even colder there. With Daryan, he had time to process the possibility and prepare for it. With Kristoph, it happens abruptly in court, and I'm not even sure that Klavier wholly believed Kristoph's original murder charges. There's a line right when he begins helping Apollo against his brother, where he says, "Honestly, I wanted to believe you", and I think the Shadi Smith charge is what he was referring to then. Even so, he puts it aside (much like Daryan, the few times he loses his composure are when he realises how he's been manipulated) and continues with his usual showy efficiency:

It ends, interestingly, harsher than it did with Daryan:

And there's something impressive about that, isn't there? That ability to come to terms with yourself and deal with your emotions so succinctly and conclusively. But isn't it also vaguely terrifying? It's murder on both counts here, so maybe it's a bit hyperbolic to say this, but it almost comes across like there are no second chances with Klavier. Like he sees other people, like himself, as being "simple", without room for greyness or capacity for meaningful change. People are fundamentally good until they do an inexcusable act, and then they're unforgivable and he's better off without them.

There's the argument to be made that Klavier's actually much more affected by these events than he lets on and this is just him masking his emotions to be professional, and I totally agree that that could be it, but I also don't think it fully is? I don't see Klavier as being one for masks, to be honest. I believe him when he says he tries to live simply — even the above examples I've given of him being unkind aren't parts of him he tries to hide; he's rather open about being apathetic, hence why I wouldn't call him manipulative. Like he says, he prefers to "keep things civil" because it helps him find the truth, and he's not particularly secretive about his friendliness being anything deeper than that. So, rather than him 'masking' his true emotions, I'd say it's more akin to him shoving those complicated feelings into a box, stashing it somewhere deep inside himself and refusing to ever examine it to the point where it doesn't affect his life in any obvious or even conscious way.

The one moment we know Klavier was truly conflicted about in his life (the forged diary page) he dealt with by, essentially, running away from. He left the court behind, threw himself into his band and only returned to it when it was forced into his lap, which relates back to how I think he only purses the truth relentlessly when he can see it clearly. He didn't look deeper into that diary page because it would have affected his simple relationship with Kristoph. We kind of see him do the same thing with the Gavinners, actually. Prior to Serenade, he's extremely proud of his band and brings up their achievements often. But after Daryan's arrest, he disbands the Gavinners and starts saying things like their lyrics comprised "ridiculous flights of fancy". There's a decisive effort to distance himself from that debacle, and I think he treats the people in his life much the same way.

There are also less significant moments that point to him not quite caring about other people's situations and his need for control — like when he glares at Ema for interrupting the Misham trial proceedings, though she did so to help them get to the truth; and when he sends Apollo tickets at 20% off though he's the millionaire rockstar and Apollo's the one living paycheck to paycheck — and one that sticks out is his case with Phoenix.

When Klavier warns him against using the page, and when he mocks him for the fraudulent evidence later, he says Phoenix has "embarrassed" himself. Not that Phoenix has made a decision that will ruin his reputation and leave him potentially without a means to support himself, just that he's "embarrassed himself". And I think that's adds another element to his unsympathetic treatment of people.

Klavier is sometimes just... a rich asshole HAHA I don't think he sees how certain hardships can push people to do awful things or really understands what desperation is like. When he's confronted with the darkness behind his cases and the nuanced circumstances that led to the people involved doing what they did, he treats them as amusing diversions, another element of the greater show that is the trial. And when you see how he reacts to complications in his own life, you kind of see why. He would never be driven to act in such a way because he doesn't allow those events to affect him. Whenever something goes wrong for him — really wrong, not just minor inconveniences he can moan about — he just... cuts the problem out. Keeps things neat and simple and moves forwards to a place where everything is, once again, within his control.

And, you know, maybe I'm just reading too much into moments that aren't meant to be taken particularly seriously — they do all fall under his self-absorbed rockstar gimmick, after all, but I don't know. I look at these moments in relation to one another, and I'm not sure he's as simple as he'd like himself to be.

wait, no. i think my ACTUAL hottest aa take is that i don't think klavier is all that nice