#of individual stupidity on multiple characters parts.

[bykalopsia]

this show. instead of takumi going "hey that orphnoch is yuka maybe we could chillax for half a second" nobody says anything and we somehow escalate to this.

like what else am i supposed to do but laugh at this point jhdshfjdsfjdk

[manachiichan]

Rooting for you

(Headcanons)

Synopsis: An Alternate reality where you ended up with the Marines instead. Having watched the series, you could only trust Koby with your well being.

Pairing: Koby x Isekaid!Fem!Reader

Spoilers from Water 7 and Marineford! Part of my Isekai series!

Mentions of having majored in marine biology cuz why not...

Just request for part two if anyone wants more...!

|| One Piece Masterlist ||

"Hey...Is she alive?"

"She just fell out of nowhere..."

"Um....Excuse me...?"

Hearing murmurs of concern and skeptism, you moved slightly before letting out a groan as the sun's ray hit your form. You winced as the light stings your slightly drowzy eyes, slowly opening them, you see dozen of figures looming over your form.

All of them being men wearing a white uniform vest and white caps. Your half concious self immediately panicked, overthinking of multiple possibilities the moment your gaze saw that almost every single one of them were armed.

You were lying on a wooden floor, in your pajamas, having no clue of what was going on. The last thing, you remembered was cramming up for 2 days straight for your upcoming exams, before passing out, the moment you took a break.

And somehow...You sat there, having a mental breakdown with a group of unindentified individuals, thinking that you were somehow kidnapped.

"What's the hell is all commotions is about...?"

A burly old man who wore a white suit, an animal hat and a huge coat like cape came through the crowd. He look like he had just woken up from a nap with how annoyed he was.

"Huh...? Who is this little girl...?"

You blinked. You know this man, and somehow you couldn't help but raise a finger on where you have seen him before..

But you soon got your answer when two smaller figures pushed through the crowds.

'No way...'

Pink hair, that noticeable scar underneat a green floral bandana and dark purple glasses. A long haired blonde man besides him. The same pink haired man knelt infront of you with an concerned look on his face.

You would have commented that it was a good cosplay but there was no way they were not real.

"Are you okay, miss...?"

Those gentle tone of pure concern, no cosplay could never replicate one of the characters you personally know and love.

You were in One Piece.

More importantly infront of the eyes of the marines.

"...Huh...?!"

Even if the marines were literary the noble good guys/heroes in the eyes of the people, they were still one of the major antagonists of the whole franchise.

So you were honestly freaking out, that you couldn't help but become feral every time one of those marine npcs tried to approach you. You knew they meant well and was only trying to make you feel at ease around them, but you couldn't help it.

You were watching the series on the pirates' perspectives and that gave you a bad impression of them.

After the whole fiasco, seeing that they were more of the threat to you than you were to them, they began treating you as if you were a delicated flower. As you were terrified, confused and unarmed, the definition of a prey under the watchful gaze of predators.

And with how their sense of justice is, it almost seems unfair for you. In their eyes, you're mostly an innocent civilian. Suspicious but purely innocent in a way.

And for the most part, you somehow understood their behavior. You were in the world where men would literary fawn over any beautiful women that they would let her trample over them. You can't help but question once in a while, how ridiculous and stupid that logic is.

And you are a woman, you couldn't help but wonder how good looking you were in their eyes for even allowing you to do what you want in their ship.

"Which Island are you from?"

"Not here..."

"North, South, East, or West blue? Where from there?"

"No where..."

Garp was mostly laid-back around you. Although he asked a few questions regarding where you lived since he was hoping to drop you off at the nearest habitable Island they see.

But there was something that made him stop, so he decided to just let you be.

You were mostly honest with him, although you decide against on telling him that you were from another world where his was nothing but fictional.

Besides, he could always knock you out with a single punch if you turned out to be a threat.

And truth to be told, you have nowhere else to go. So he took pity on that.

Because you were a helpless woman who have no where else to go, his men literary went on strike when they heard that he was about to throw you off on an island, like how he did with his grandsons

What he didn't know was, as a student who has zero sleep and tends to over think over the most simplest things, you already thought ahead and made plans on what you have to do if you want to last long.

After reading a few isekai manga and transmigration korean manhwas in your little spare time, you decided to use the knowledge of the plot and wikipedia that you have already memorized by heart.

So far, the marines are the safest options to be with if you want to survive.

Even if they keep getting their ass kicked by the worst generations and pirates who has more than hundred million bounties.

But even so, they were still trained professionals, its either that or die trying to adapt.

And out of all the marines in Garp's ship, Koby was the safest option.

You followed him around like a lost child and he was happy to help you to adjust on the ship.

And since, Koby is a literal sweetheart, He doesn't mind you constantly being around him. Infact, he found it flattering how you trust him out of everyone on the ship.

And where Koby is, there is also Helmeppo. He was suspicious of you at first but gradually warmed up to you.

And now you have an older brother figure who is also your bodyguard, throwing glares at any unwanted attention thay his fellow marines constantly throw.

"It's gonna storm soon, better to be prepare..."

"Ah...Theres gonna be a pirate ship in that horizon...Shouldn't you go after them...?"

".....Someone will fall on that stairs soon...."

As days passed, somehow, you noticed how you were able to predict things before it could happen.

Was it a somehow gift from the god who sent you into this world? Anyways, you took that to your advantage and now you're pretty more useful than before.

And since then, almost every single soldier on board had been constantly asking you on predicting the weather or even their own luck.

Koby would fret on overworking yourself seeing how dark your eyebags had become.

"Are you getting enough sleep? Do you need to visit the infirmatory..?

"Koby, I'm fine. This is a normal thing I often do back home..."

"Not sleeping is normal?! You could kill yourself at this rate....!"

Eventually he put his foot down, scolding anyone who even tried to ask you to use your new ability...

Eventually words gotten really quick, or maybe the marines reported back to the headquarters since even Sengoku is made aware of your existence.

Your ability is quite useful, so he inlisted you as a cadet in the navy much to your distain.

But hey, you managed to convince Garp to go easy on you, since you would never even survive his training.

And you learned it the hard way. Your body is otherworldly, and is a bit different from the body of steel that these characters have. You would never survive being tossed to the mountains...

Because well....It's Garp.

Koby had taken over your training. Teaching you combat in the most gentle ways he could do. One in a while, Helmeppo would join you two and pointing out the wrongs, helping you out with correcting the techniques they use.

This brought the three of you closer than before. Now, everyone expects you to be either with one of them if they seek you out.

But most of the time, you were with Koby. And if he was busy, you would be with Helmeppo, either asking for pointers or even fooling around.

But if they weren't available......you were with Garp. He learned to tone down his training with you after he literary sent you to the infirmatory with a single punch.

And you didn't heal up completely until a month later. Putting your training on stand by.

Again, his men literary forgot that he's their vice admiral with how they literary ganged up on them for breaking your fragile bones like that.

Until Garp's ship sailed to Water 7, you immediately knew what was up...

Koby and Helmeppo were really confused. You were literally just dying from training a few minutes ago. But as soon as they mentioned going to Water 7, it was as if you came back from the dead.

"Is there something wrong, (Name)-san...?"

"You wouldn't understand, Koby..."

You fawned over Luffy and Zoro as soon as you saw them... They both look amazing in person...! Minus the fact that you could literally smell their body odors from miles away.

Sometimes, you wonder why the women of their crew managed to survive smelling their scents all the time.

At least Koby and Helmeppo bathes often. They knew how important personal hygiene is anyways.

Yet somehow, you can't help but feel that you betrayed both Koby and Helmeppo, given that the blonde was giving you a look of disbelief and betrayal, seeing how you literally cheered the pirates over them.

The betrayal...! You're not his little sibling anymore!

Although, Koby was happy that he was able to introduce you to his friend. He can't help but feel that you were much more of a fan than he ever was.

Especially Zoro. You just won't stop staring at him. Especially ok those hard muscles of his.

But at that moment, a thought came into his mind. At this point, you know a lot more about everyone than they know about you. It made him feel guilty that he barely knew anything about your likes or dislikes.

So he made more effort to get to know you better.

You have a vast knowledge of the sea, much to the marines' surprise. Koby couldn't help but smile, seeing the way your eyes sparkled as you rambled on about ocean life. The ecosystem of the water around them and the life in it.

Although you couldn't read the world's letters, he was happy enough to teach you read and write. Giving him an opportunity to get close to you more.

And once in a while, Koby found himself, having to spend his night shifts with you, reading you books of the Grand line's marine biology. Watching your every reaction.

The way you have a huge smile on your face and how you turn to him with an excited look, showing a page of something you liked and wanted to share with him.

And without having to reveal that much to him, you would talk about your old life back home before your sudden transmigration. How you were simply struggling to meet ends, studying hard for exams. Getting a degree, although you doubt that will happen now that you were here.

Koby understood now. Why do you look on the verge of passing out when you first came onboard the Vice Admiral's ship. How you were frantic about not being able to take the exams anymore and how he had to calm you down.

Compared to those days, you look more alive and vibrant as the months pass by. You were more closed off but now, you were willing to share this much about yourself.

"(Name)-san...Do you like spending time with us...?"

"Ofcourse...! You guys literally took me in when I needed it the most. I like being here with you..."

Your comment made his heart thump louder than usual. There was relief and joy when he heard your words and something he couldn't understand.

He shook his head, deciding to ignore the odd yet pleasant sensation in his stomach for now.

He really likes spending time with you, too. He likes how you really paid a lot of attention and never once tried to make him uncomfortable.

And you managed to worm yourself into Helmeppo's good side too. It was as if you knew what to say around them.

You can't tell them that you basically watched the whole series, read the manga and even binge read the entire one piece wikipedia though.

Until the report of the upcoming war came. Koby noticed how your demeanour suddenly changed.

You were more anxious than usual. You even lack sleep, as if you reverted back to the time, you first suddenly appeared on the ship.

You were muttering and mumbling more than usual, always lost in deep thoughts.

"...I'm....running out of time....."

".....I...should make a difference....but given how I still lack the skills...."

"Can I......save.....him....?"

You asked Garp himself to finally train you again, much to everyone's surprise. There was a look of determination on your face. You were on a personal mission anyways.

Garp thought that you were finally growing some backbone so he didn't think that much of it. You were now a marine. You can take on a little training.

Little means hell. But Garp is clearly slightly holding back due to your body not being used nor exposed to this kind of torture.

You know that you were literally speed running but you were running out of time.

It was about the time of his capture now. And soon enough, you'll be entering the war that will determine the next course of action of the entire world.

And during the evening, Koby would be the one mentoring you. He was more gentle and less brutal than Garp was, at the same time, he often pointed out the mistakes you did in the day.

"Stay close to us, (Name)-san! Helmeppo-san and I can't protect you if you're out of our sights..!"

"No wait...! I can take care of myself...!

"What are you talking about?! We're in a warzone...! We have to stay together...!"

The Summit war was far worse than it was in the anime. There was blood and debris everywhere. Everyone was dying from left and right.

Seeing the man that drove many fans to tears in the center platforms to be executed, surrounded by the top dogs of the Navy, gave you a reality check.

You can't change anything. You can't speed run through it all. It was an event that was truly unavoidable.

You were no main character like those isekai stories you were all so familiar about. You don't have any special skills to be anything special enough to bend the plot that Oda-sensei created.

Koby and Helmeppo were still far stronger than you, yet they were completely at the mercy of the war. All they could do was shield you from the overwhelming gales of power between the pirates and the Navy higher ups.

You couldn't do anything. You froze when a pirate came, raising their sword to end you. It was different experiencing it in real life.

Helmeppo saved you. Given that Koby was out of it, he was the one making sure that the two of you were still alive.

It was...really different...You finally had a taste of reality. Transmigration wasn't something to be treated with excitement of leaving the world you grew up with for a world you always dreamt of going. It wasn't all sunshine and rainbows than what most people would expect.

Gathering your wits, you decided to focus. Ace's death was inevitable. No matter how much you wanted to avoid it. This was reality.

"Koby...!"

Koby was experiencing his awakened observation Haki for the first time. And you knew how hard it is for him, hearing the dying thoughts of each marines and pirates alike in the war. The voices that overlap one after another before eventually fading.

You provided support for him at this time, attempting to silence his hearing by cradling his head as close to you as possible even though you knew it was useless. Atleast, all you can do now was provide comfort for him.

Tears threaten to fall from your eyes, this was your new reality. All you can do was watch from the sidelines how truly cruel it really was in the world you only saw in the anime and manga series.

You were not the main character, so you couldn't make any difference. You can only watch as the soon to be Fleet Admiral plunged his overwhelming devil fruit power to an unsuspecting Luffy before Ace took the heat.

You couldn't change anything at all. So what was the point of being here in the first place?

"....That's...what you been feeling all this time, (Name)-san..?"

You froze. Before glancing down to see Koby staring at you with tears streaming down from his eyes.

He read your thoughts accidentally. Using the Haki he recently just awakened.

© manachii 2024 ~ all rights reserved. please do not repost, copy, etc. any of the works I made.

[nobodyexpectsthe]

okay i'm going to do a veilguard critical post and i want to start it with this post by david gaider that has lived rent free in my brain since i read it.

and i want to be clear as i begin this rant that i am critical of studio leadership. not the development team themselves, because god fucking knows they tried.

i cannot emphasize enough that the game we got is not the fault of individual writers, or game designers, or any creative team leads. the issue came from people way, way, way above their heads.

and that is extremely important to remember that veilguard's active retooling had only been in play for, what, a year? from 2022 to 2023? when the games industry decided it was time for record layoffs?

where like their entire QA team got shitcanned?

and devs had to fight to get more than two weeks fucking severance?

if veilguard had remained an always online multiplayer experience i think it's story would have been praised, because the story was not meant to be the main draw. the gameplay and character customization was. any story in an online game that isn't an mmorpg is generally praised - even if its a stupid mystery box story where you're just drip fed tiny details that will take actual years to pay off.

in a singleplayer experience in a franchise that people went to because of it's storytelling the whole thing just falls so short.

but for me the issues went so much deeper.

i like most of the character concepts. i like most of the ideas the game was built on, but the execution made me angry.

needing to constantly leave and come back to the lighthouse to pop new quests was frustrating. if they dropped me in the middle of the hub it wouldn't have been so frustrating, but to talk to lucanis i have to go from one end of the map to the other.

there was nothing to do at the lighthouse besides that and i guess upgrading my armor. i can't talk to my companions. i can't even like - prog conversations between them? why can't i use my caretaker points to build out areas for my companions to hang out in, drop some fucking items in there associated with them, and maybe get the conversations i want to hear instead of lucanis talking about fucking coffee for the sixteenth time?

there's a dining room. why can't i use that to get ambient banter conversations?

why am i at the fucking mercy of what the npcs want to do?

so much of the gameplay felt like a holdover from the multiplayer version. things that wouldn't have bothered me as part of a game that was meant to be played in realtime, with idk the conversations being daily login incentives,

but nothing stood out to me as bad as the quest recaps did. the quest recaps actively fucked with my ability to get immersed and stay immersed. they were either clearly a holdover from when there were meant to be huge real time gaps between content drops or an extremely poorly thought out addition that really only made the stop-starts of every quest that much worse.

and the little pop-ups that reminded me why a character did a thing or felt a certain way were infuriating. that just happened. literally at the start of this quest.

the companion quests don't change. they come to conclusions on their own, and even if you try to sway them in another path it doesn't ultimately change anything? i think emmrichs is the only one you can drastically affect the outcome of.

like yes, game, you are not terribly complicated. i have a handful of choices so if a character is doing something or saying something directly related to a choice i pushed them to make, i would assume that's why.

except i had no actual choices. i have replayed dragon age 2 & inquisition multiple times just to see how different scenarios play out depending on my choices. i have played BG3 to fucking death to see how little dialogue options get called back.

i am not talking the grand sweeping choices at the end of the game. i am not talking about the four different endings - which i actually did not enjoy at all.

an ending where everyone dies because you didn't amass enough political power and/or recruit all the party members would have fucked hard actually.

and see, one of my favorite rpgs of all time is tales of symphonia. that's a jrpg. that has a set plot, a set way things play out, you cannot change it except for one small detail - your interpersonal relationships.

i do not need to drastically change the ending of the game, i need to feel like the little stones i throw make little ripples. i need to see that my actions, the person my character is, has an influence on the people around them, their willingness to stand with them and follow their orders, and veilguard didn't give me that.

what i got instead was the illusion of a choice.

what if instead of rook assigning people to missions (THAT IT HOLDS YOUR HAND THROUGH TO PICK THE RIGHT CHOICES) it came down to a matter of trust? what if you gave an order and rather than following it, your teammate / the faction decided you knew jack shit actually and deviated from the plan?

or what if their unhealed personal trauma actually came up in the thing that gets them killed? what if instead of it being cinematics, it was something you had to play through ala DA2? where you have the option to try to salvage the relationship one last time before they either die or get themselves killed?

why was i a fucking spectator in this game that was supposedly built around the strong bonds the veilguard had? because like the whole ~hero of the veilguard~ thing falls flat to me if their fatal flaw isn't ultimately what destroys them.

an ending where i got fed up with the same boring repetitive sidequests & didn't go back and forth from the lighthouse often enough to get

the fact that the game auto-saves at key choice points too is indicative that they know this is not a replayable experience.

looking @ corinne bus.che's departure from bioware and her statements, i don't have a lot of hope for the company. i think that she's saying in the politest way that things are still bad and she's moving on to greener pastures and hopes that the studio can fix itself.

and i say this because i'm remembering the actual months of all hands meetings where execs said the same thing over and over again right before they dropped that projects were being scrapped, games were being sunset, and layoffs were imminent. and my boss, bless him, was trying to reassure me that my team was safe.

only for him to log in one day and find out that someone above his head had laid off team members without his say or input. and how this happened again, and again, until i was the one sending him a text message bc i'd been called into a meeting with someone above his head. my whole team was devastated, our already small size reduced even further, and the workload became that much more stressful to everyone left.

and it kept coming. the way the SLT undervalued anything that wasn't their own fucking jobs was disgusting. heaven forbid you don't lose your bonus. but sure, okay, hq needed that luxury spa the almost entirely remote team will never see.

i had to sign stuff saying i could never disparage the company so i could get my severance.

i remember sitting in allhands meetings with my team, watching the divide between the people who actually make the fucking game and engage with the audience & the people who call the shots grow bigger, and bigger, and bigger until we had a blowout during a meeting regarding our bonuses structure changing THREE DAYS after another project was cancelled AND THE COMPANY HIRED AN ADDITIONAL CEO.

i have been the person in meetings with an exhausted dev team, listening to the writer say they want to do more but the studio won't let them. i've seen the artists showing off work they know will never see the light of day because their project was doomed. i've seen the team lead with defeat in his eyes saying they desperately trying to explain to SLT (who had no knowledge or care about the IP what the project needed to succeed) only to be dismissed.

and like, that might not be her energy. that might be my disillusionment with the industry speaking, but it's so fucking sad. so fucking sad.

she's currently getting a lot of flack but like - it's not her fucking fault my dudes!!! the game was pushed out on a crazy timeline, there were layoffs, she inherited so many problems.

i hope she uses her title and experience to find a better studio to work at and has the chance to make the crpg she wanted to. i hope that studio understands that you can't just staple trends from other games & genres onto yours and make it a success, because bioware & EA sure don't.

i genuinely hope baldur's gate 3 and larian's entire approach to game design forces these grifting finance bros out of the industry and i wish so desperately the discourse would focus on how that is the fucking problem here. but i don't think it will.

i'm going to be so surprised if bioware isn't stripped and sold for parts after mass effect 4 drops. i've seen it too many times at this point.

ips are only as strong as the people making them. and if you have created an environment where these people are leaving in droves, or are constantly anxious for their job security, or you keep interrupting it and retooling it to chase a trend, you've fucked yourself and don't even understand why that trend is popular.

why in the fuck is someone going to pay for knockoff of a better game that's doing numbers with an active playerbase? do you seriously think that the dragon age skin you put over it does anything for that?

i am so tired of the conversations around this game centering on how 'wokeness' ruined it. it didn't. these have always been progressive games. the issues with vg came from people far removed from the writing, design & art process. i think a lot of the clunkiness of the game came from the fact that these stories had no fucking time to develop and grow naturally, they had to be shotgunned bc they had no time to do anything else.

when all is said and done, my honest impression of veilguard is that its a miracle it came out. it is. it genuinely is. few games get out of development hell after that long, let alone in a playable state with any redeeming qualities.

but that miracle isn't enough for me to forgive all of its faults. the slog that was act 2 damn near killed me. there was no narrative pacing with the companion quests. there was... no quests outside of the companion quests. it would have been one thing if i was doing a main story quest and then everybody had feelings related to that quest, but i think 99 percent of act 2 is purely fixing everyone's emotional problems so they don't die in the final battle.

anyway the last thing i'll say is i've seen a lot of people criticizing the team for fluffing the project up. and... man, i hate to tell you this, but they can't say anything about it right now. they just can't. and more than that, like... they are allowed to have pride in what they managed to pull together. the fact that game came out at all is, and it cannot be understated, a miracle.

if there are expirations on their NDAs & non-disparagement clauses, we're going to get some tea in 5 - 15 years.

[grandwitchbird]

I talked about this already to some extent. But let’s round it up. Because there’s new DA people and I’m v tired but also invested at this point.

Also there’s a broader point here. Several tbh.

When people are kind of flailing around looking for the source of problems with a piece of media, particularly an unchallenging piece of media, and resorting to a shallow set of ‘criticisms’ that gesture at real issues, often there are fundamental flaws in said piece of media. They’re just being misidentified to the point of nonsense.

When something is by all metrics genuinely well done AND spectacular in execution, you do not get this. You get straightforwardly stupid people crying about Atreus acting like a child. You get transparently bigoted or immature people whining about Ellie or Joel having coherent arcs.

When something is by most metrics competently written but lacking in execution in multiple ways AND it makes ‘representation’ a selling point. It’s gonna get both column 1 and column 2 in force. This makes everything very loud and very stupid forever. I refuse to be held captive by that so I will keep talking about real things. Because in column 1 there’s an attempt to get at the actual problems, just without the needed vocabulary and experience.

And yes there’s overlap in column 1 & 2. I call it the clown show. That’s just not everything that’s happening.

The actual problems in Veilguard are the problems with BioWare as a whole. And mostly they have to do with motivation and ethics. Anyone who wants to seriously understand what’s gone so terribly wrong with every game release since Origins needs to reckon with this.

This company refuses to consistently define its storytelling values within the game world/s beyond ‘yay friendship’ and ‘trauma sad’. This is why the use of sexual violence in origins is there to shock 12 year olds. If that game were well written and actually meant for mature adults, sexual violence would just be one bad thing that can happen* to people (and if it were weighted towards women, we’d have clearly defined patriarchal systems and sexism that, again, is not there for laughs or shock value) and there would be some actual grasp of psychology and power in the text in general. This is also why people are reducing an attempt at actual mythic storytelling with Mythal to ‘abusive mother’ ‘trauma sad’. These games as texts invite reduction.

That psychology? Utterly lacking for the most part. And not lacking in the way of a story that’s doing something else. Lacking because the text willfully uses shorthand and assumed empathy** from the audience instead of laying bare the actual human motivations*** behind everything. Individual characters rise above this, and all the characters give hints of it, but that’s not the same as actually writing a story that accounts for real human motivations as part of its larger narrative. Characters in truly robust fiction are supportive functions of the larger narrative, and that narrative has clear priorities founded on strong values.****

The damn audience. These games are written for a specific audience. And that audience is really racist and pretty self indulgent. It doesn’t care about motivation. It thinks Varric is an interesting character who isn’t written like a checklist. It’s happy as long as it gets to smash its dolls together. It also likes to send death threats. This audience is an abstracted boogeyman in the writers room as far as I can tell, and it’s stealing all the motivation.

Cannot believe this site has pushed me to actually say this. It’s liberal! These are distinctly liberal games. They cannot and will not say anything truly meaningful because their whole ethos is built on pretending they’re not conservative (an ethos defined by retreat). This is why the subversion of power fantasy in DA is interesting but can ring hollow. It’s incoherent for a reason! It’s not looking its values in the eye. This is also why ME2 remains distinct. Turns out it’s easier for liberals to write villains pretending to be heroes. Take that as you will.

I’m not really interested in talking about how corny Bioware dialogue has always been. It’s always been corny. There’s actual voice direction problems in Veilguard that add a layer of technical problems to this, and that’s a bit more interesting, if frustrating to experience. This is why people are reaching for when they say ‘clunky’. I’m also not really interested in the structural issues. Which are there. Because there’s fewer structural issues in Veilguard than in any previous BioWare game. Most of these complaints are coming from people who have apparently let time soften them on how poorly built the other games are. Again. These are real problems people are flailing at with reductive takes. They’re also on brand for BioWare.

So that whole mess up there? That’s what’s going on. It’s what’s going on with the games and the actual real life audience constantly being at each others throats. It’s what’s going on with expectations and weird takes and the usual clown show.

* You can also go the Alien route of course. But this would require the violence to happen indiscriminately re: gender, and it would need to use the disgust response intelligently to interrogate something like…oh I don’t know the disgusting male power fantasy intrinsic to forced pregnancy-as horror.

** This is part of why people keep saying ‘marvel’. Marvel movies run on assumed empathy and it’s the most immediate touchstone and cheapest shot. BioWare was doing it first though. Guardians is literally riffing on DA and ME. And yes it’s cheap writing. I just don’t know why anyone expects anything else.

*** I’d be fine with mythic or purely dramatic motivations myself, but these games definitely do not know how to do more than gesture at that.

**** Something that’s gotten seriously muddled in our current publishing environment. Character-driven doesn’t mean you can reduce everything to the characters and their arcs. This is how we get shallow self-actualization narratives in place of deep explorations of what it means to be human. This is the problem at the heart of the ‘representation’ debates.

[moonshine-nightlight]

So i just read Nothing's Wrong With Dale for the 4th time, and I just wanted to say thank you. I fucking love that story so much it's insane!!

I have a few questions that I keep thinking about of their life after the story ends. (Some of them are silly, sorry!)

1. Would you ever consider doing a sequel?

2. I feel like personally Dale would be an amazing father, but do you think they would ever have children in the future? If so, would they be half demon?

3. How would Dale react if another woman hit on him? I have a feeling he would be so oblivious at first.

4. What would Dale do if 'reader' is jealous of said woman?

5. What do you think would happen if someone in the 'readers' family accidentally found out?

Sorry if this is a lot, I'm just love this story so much! You are such a wonderful author 💜

Damn! I'm so glad you're enjoying the story enough re-read multiple times! That's so sweet!

i love questions about my stories, especially Dale! Since some answers will be spoiler-y and speculation, please see below :)

(Mild disclaimer: all of this is just speculation and half-baked ideas, nothing is canon because nothing is written etc even if i am the author. if anyone personally disagrees with any of this for their version of the reader and Dale--I fully support you)

I have considered it and while i do have ideas for some little spin off/side short stories, currently i don't plan for a full sequel. I just don't have a compelling idea for the overall plot/character ? Some of my bonus ideas are: POV story from Miss Adir&Mr Murray called "Peculiar Creatures" about reader and Dale; Dale hunting down Two; dale confronting the patrons of the assassination; a Midwife POV story; and a mini-romance story with Breighton and Teresa. I also do want to write more stories about different romances set in the Dale universe, with potential cameos by Dale and reader (each with at least 1 human and 1 demonic person).

Dale will certainly put his all into being a father. Not set in stone, but I think they'll have three kids and they are all part demon. If i ever was to write a full sequel it would probably combine some of the above short stories into one longer story covering readers pregnancy with their first born and the ramifications of a partially demon pregnancy lol while learning to take over Northridge. Dale felt very alone when he was young and so he'd put a lot of effort into making sure his child wouldn't feel that way--especially since the kid will be singular (no swarm) which Dale would see as very lonely. Both want multiple kids so that gets alleviated in time. They do have to be careful about letting Dale's grandparents around their children until they can control themselves lol

You're right, he likely wouldn't pick up on the nuance between "general manners" "sucking up to powerful people" "general flirt" and "flirting with him specifically". If he did notice, he'd be relatively polite but also ignore it or, if persistent, just leave to find the reader lol. If reader was there, he'd just be like "my lovely spouse" in greater and greater frequency/emphasis--like the other person is oblivious to the fact that he already has the best spouse.

I don't think reader would be jealous, they're married and stupid in love, but Dale'd probably just be confused if they were. Like, jealous of what? lol (I mostly find jealously fun to write/play with either before the couple is together or if its about non-romance things)

Reader's family finding out is a very interesting idea. It would definitely depend on who and when they find out. Callalily is the most protective so she'd be worried about the danger to the reader and generally everyone, not just violence but also manipulation. Douglas would be suspicious and wary and would need to interrogate Dale directly--fearing the reader being controlled in some way. He's seen the damage demons can do and takes it super seriously, but knows individual demons vary wildly. Marigold and Asher are both the most likely to hear the reader out and not jump to conclusions, for different reasons. They have more open minds and trust the reader to know themself/trust their judgement the most. All are more likely not to run screaming the longer they've known him/any children the couple has. The reader's parents would immediately tell everyone, they would have to be actively kept from spreading the word.

thanks for sending this ask and these questions in! It was a lot of fun to think about and share, especially since i hav basically no time for anything but work (which i should be doing now lol)

I'm always happy to talk about Dale ^^

[adamnablelittledevil]

I'm excited for Devil's Minion but I hope the Lesmand aspect isn't undermined in its favor. That ship may not be endgame but it's so important to both Lestat and Armand.

I only know Devil's Minion content from what I've seen on the tag, but I share the same feeling! I also enjoy Armand and Daniel's dynamic on the show. I can't wait to see more if it (and any possible duo, romantic/endgame or not, because they're all so appealing) and I hope they did have something in the past as well (and I think it's highly possible), because both Eric and Luke are great. And, well, this chemistry is too extraordinary to ignore.

Sure, this scene wasn't a positive one, but tell me they don't have potential to deliver the romantic content?

So, about the books, I'm still on chapter 5 of The Vampire Lestat (I'm leaving IWTV for last), but so far I don't see how they could reduce lesmand. I guess you could say there is some romantic aspect to them, but there's so much more than that too. Now, I might be interpreting this wrong or things will naturally change over the course of the books, but I believe they have this soul ties/mirrors/foils/two sides of the same coin aspect. It's only been a little over one chapter since Armand was firstly introduced, but their dynamic already feels so important. They're so similar and yet so different, they're fascinated by each other, they see parts of themselves that they don't like on one another, they see things they can't understand but want to, there's empathy, there's protectiveness, they're attracted to one another and not even just in a physical/romantic sense, but there's some genuine curiosity, admiration and magnetism there, but they're still afraid of each other, they still despise one another, they hurt each other, they know it's better to stay way, but don't really want to so it challenges them to the point they also HATE each other... I even feel like it's more frustration and projection than actual hate, but still... They're very INTENSE, in every sense of the word. And it keeps fleeting all the time, sometimes it's warmer, sometimes it's more explosive, sometimes they have similar reactions to one another and sometimes they don't... Which leads to different types of tension that is entertaining to play with. Plus, they have the best conversations and arguments for me. They touch on some really relevant topics about each other's existence, their collective existence as a species and as individuals (which is part of their conflict). Basically, we can call them whatever we want, but they're never boring.

So I can't see them being able to change that even if they want to? Also, because Armand is the first vampire Lestat meets after his maker and fledgling. Magnus kills himself shortly after turning Lestat, Gabrielle and Lestat are almost on the same level when it comes to powers and knowledge about vampirism. Armand exists out of their sphere, has been a vampire for a while, has more abilities/knowledge than them... I feel like you need that in order to 'shake' things up on the flashbacks instead of just being in the bubble of Lestat and his fledglings or using Armand as a small character.

And Assad is one of the main actors, he's paid for main actor screen time, so it would be a waste not to use him as such? And, like you said, it's so important for both Armand's and Lestat's arcs, and this is a main character + main character dynamic, it's not like a side plot with a guest star. It would be killing multiple birds with one stone, because you'd find a way to use two fundamental characters, tell the story in a proper and also engaging way. Not to mention they would be insanely stupid to waste this.

Yeah, I know this is different on the book, but my point is that the enigmatic chemistry they're supposed to have is there and Rolin should make the most of it. Like, I'm still a bit frustrated they didn't play a little more with Jacob and Assad's chemistry too.

So let's not do it again? I mean, this is the first show I watch where everyone has amazing chemistry and good reasons to have lots of scenes together because they live forever and need to have more than just one company, lol. I say let's explore all of it, whether something is romantic/endgame or not.

Anyway, I believe we'll see a lot of Armand in the 1700s flashbacks and that lesmand will be top 2 of Armand's dynamics on season 3. Depending on what they want to do with armandiel, they might even explore more of lesmand next season, since that's 'Lestat's' season and they can have all future seasons for armandiel? I mean, I can see something kind of like season 2, when we had loumand, but dreamstat was still a significant presence and then the big scene at the end. Plus, I'm expecting Daniel to have a lot of screen time with Louis and Lestat, respectively.

Btw, sorry I deflected so much, I just had a lot to say, lmao. Thank you for the message. :)

[bookdragon-shenanigans]

I just read the fourth wing bonus chapter and MAN. I knew I wasn't Xaden's biggest fan before but MAN. I honestly don't even know how they ruined a character with so much potential is beyond my understanding???? Xaden is straight up unlikable in the chapter. So many issues in the chapter.

[Caution: Listen, I love Xaden, truly. But he really makes me want to beat him up I'm sorry]

Opinions so far: (Warning: This is not Xaden-friendly I might be a major bitch for 80% 😭)

The chapter felt kind of unnecessary?? Like even if it was a cash grab (which I agree but that's not the point rn) did we really need a bonus chapter that's just the same chapter but just rewritten with some occasional Xaden comments? We could've gotten a new interaction but noooo

With the amount of obsessing talking Xaden does about Dain, you'd think Dain was the one he has a crush on. No because stop this you're literally doing the same thing you accuse everyone of doing to you. "Everyone judges the marked kids just because of what our parents did 🥺🥺👉👈" ISN'T THAT WHAT YOU'RE DOING RIGHT NOW??? Why are you being such a pissy bitch over the fact that he thinks you're bad for her when you literally agree???. [Coherent me update: In hindsight Xaden going out of his way to annoy Dain for entertainment is hilarious not gonna lie. Still think he was being a bitch tho]

The Imogen was missing plotline. Seriously? "Imogen was sick"?? They could just be like oh no she wiped everyone's memories so they don't remember because there is zero canon connection in her being sick. Also the fandom was spot on 💅. To be fair, I can excuse this one.

Xaden's "strategy". Why are we acting like battle strategy is a multiple choice question with one answer??? Where is the common sense?? Where is the individuality??? Where is the originality???

I just noticed this now but WHY IS THE CONTINENT THEY LIVE IN LITERALLY CALLED The Continent???? WHY ARE THEY ACTING LIKE THEY LIVE ALONE IN THE WORLD HELP

FINALLY Emery's last name

Okay I actually like passively possessive simp Xaden because let's be fr he's not noticing anyone other than Violet. He's really acting like the stupid hormonal emo 23 year old he his and I love him for that.

Xaden not understanding sibling dynamics is top tier I love this. Like this man is standing there so confused like 🧍‍♂️.

Highkey confused at the Lewellen part because I'm pretty sure they were fostered by Lindell?? Either this is shitty writing or a case of an unreliable narrator. Who knows. Not me.

SGAEYL. THAT'S IT. 🛐🛐🛐🛐🛐

"Violet would get over her sister's death eventually" CALM TF DOWN SIR. This is a civilized conversation. Okay but like someone needs to tell these people that murder doesn't solve everything. It's not even the best form of revenge 😭😭😭

I need more backstory on the Cygnis flier drama. Why only that province??? How come other provinces are safe??

"Wasn't my choice," I shrug. Lying is easy, except when it comes to Violet. I haven't quite figured that one out yet. Excuse me what

Okay, I know this is OS buildup but why were the wards down???

"Was it us?" LIAM. MY SWEET BABY BOY ILY YOU'RE THE BEST.

Okay I just realized now that Dain only name drops Rhiannon, Ridoc and Sawyer when he mentions the first years and man how did I not notice that before-

Lots of suspicious stuff. Lots.

IT HAS COME TO MY NOTICE THAT THERE IS A VERY HIGH AMOUNT OF MIRA DYING MENTIONED IN THE CHAPTER AND I DO NOT LIKE IT AT ALL

The bottom line is that I've read too much fanfiction and set my standards too high 😭😭

Anyways stan Liam my sweet summer child 🛐🛐

Update: I just came back from my exam and took a look at what I wrote here and help why was 5am me so salty 😭😭

[hauntedkeys]

My predictions/wishlist for the rest of season 5 of HFTH-

Indrid Buckley is involved in the quartet and has somehow become worse (I cannot express how much I hate that woman)

Mrs Wicker still sucks but has learned from the conversation she had with Jacob at the end of season 3 and has become a better mother

Percy’s definitely hiding something

Jedidiah Wicker is some shade of transfem

There is no way Riot 3.0 is just og Riot with extra steps, either she is a new individual person, or there are parts of Clem in her that end up manifesting in kind of weird ways

Johannah Wicker is going to get the opportunity to “avenge” Joshua and is going to pass it up, this is going to lead to conflict with her family and in an attempt to make things right she’s going to do something really stupid that makes things worse and someone gets hurt

Hope’s going to try sneaking into the chapel after her parents tell her multiple times not to and bad things are going to happen

We’re going to get an update on Jonah and Hector and they’re just vibing. They’ve made a life for themselves and are happy out in the woods

The Friends of Zelda have grown exponentially and are have an entire organization dedicated to finding missing women and at least one character that we wouldn’t necessarily expect has gotten involved

Hope and Olivier become unlikely friends

Danielle and Shelby end up become very close (PLEASE WILLIAM PLEASE)

The groundskeepers are going to take the fall for something that they had nothing to do with

[hextechmaturgy]

i have some more veilguard opinions to share with tumblr dot com, so BEWARE OF THE CONTENT BELOW!!!! this has spoilers about the very FINAL MISSION of the game, don't ruin the experience for yourself

sooooo

who did you guys choose to lead the second team and how much do you regret it? any thoughts about that? cause i sure have A FEW

look, anyone who knows me will tell you i love tragedy. unhappy endings sate me, i don't mind when 'good' characters die. i had it on my bingo card that varric would kick the bucket this game and was BEYOND happy when that reveal happened, i felt like i had manifested that shit and i was happy to know that my favorite character hadn't survived a seemingly fatal attack because of # fanservice

so what i'm about to say comes not from a dislike of losing companions, of not getting a happy ending for everyone, but out of frustration at how nonsensical this one loss felt. i played the mass effect games multiple times, i know how these suicide missions go! you do your companions' loyalty missions and pay attention to what they're good at individually, so when the final mission comes around and you have to choose someone to hack things, you know exactly which of your pixelated friends will be good at that sort of thing and send out to be heroes. it's a neat design choice i think, it requires that you think about your companions as people with strengths and weaknesses that make them stand out from the others

i chose davrin for the job of team leader. i had done his loyalty mission and he'd more than proved himself as a capable leader at weisshaupt. we saw him adapting to an ever worsening battle, talking strategy even when things got dire. as much as i love harding, i didn't think she could compare in this regard, and could clearly see how one option would be Good option and the other would be the Bad one that ends in the death of a companion

when davrin died as a result of his assigned role, when assan died trying to save him, i clutched my pearls. i suddenly remembered the talks i had with davrin where he expressed regret at having lived through the killing of ghilan'nain's archdemon, because wardens are supposed to die when they kill an archdemon as veteran dragon age fans will know. i realized that i had set him up for his idea of a perfect death, had given him the opportunity to go as a hero, "in death, sacrifice" and all that. i had gotten him and his baby griffon killed by not remembering his worse impulses, meanwhile harding would've flourished under the trust i would've placed on her, she'd prove she's not just a scout, that she can be an excellent leader in her own right now that she's accepted her role as a shepherd of truth for the dwarves and the stone. damn good writing, you fooled me well!

so imagine my disappointment when i looked up the outcome of making harding team leader instead and found out that it literally doesn't matter. silly me! i overthought a video game decision, why did i expect deep themes in a dragon age game amiright?

LITERALLY WHAT DO YOU MEAN IT DOESN'T MATTER. whoever you choose for that job always dies, there's no rhyme or reason to this one decision? bellara and neve will make it out of their 50/50 so long as they're loyal, but harding or davrin? they just die! because reasons!

i made me feel stupid, like i had cared too much and looked too hard into a game that is so rarely interested in leaving anything up for debate. some parts of this game are brilliantly written, i think solas is one of them, he's truly at his most trickster-y, so then... why are there so many other aspects of the game that are just there to annoy me. why is who betrayed lucanis a mystery, have you HEARD what illario sounds like. why is it that davrin or harding always die at the end. and no, i won't accept "that's how it is in real life, there's no sense in war" because this is a video game and every other companion death is avoidable if you play your cards right. what a waste!!!!!!!! DRAGON AGE: THE WASTED POTENTIAL!!!!!!

[ekwolfwriter-blog]

I just want to get this out but I am getting tired of people complaining about Live action Katara's lack of rage in the show. Especially because now, because it is missing from the LA show, there is a general trend of people that were annoyed with her behavior before now are defending it being part of her character. And before people think I am hating on them, no. I am not against people defending her rage, as I liked it a lot growing up and watching the show causally just as the next person. Katara was one of my favorite character of being a kind person while also taking names and kicking butt, she was that awesome. So more defense for her the better. Hell, I would say from just the interviews I have seen of Kiawentiio, she has - to me - the Katara sass and I am living for it.

What I am hating on is that the Live action Katara is getting ragged on for a lot of reasons - some valid, but other are (in my opinion) surface level stupid and not knowing of what actually might have been going on during the filming of season and probably the mindset that caused her character to be deflated. Because there is a lot to consider as to why it had to be condensed either for conveniences sake or - in my personal opinion - was done on purpose by two individuals that have a track records of curving that behavior in Katara to their desire.

Also: DON'T use this as an excuse to attack the actress! She is doing her best and giving her all! She is doing her job and any slander on her will be instantly blocked! I will not take any slander on her or any of the actors!

Also, mid spoilers so read at your own risk near the bottom

First thing we should consider: the amount of episodes. Yes, I am aware of the telling and not showing arguments that are being flown around. I get it. Normally, I am one of the biggest supporters that this show needed time to breath and let be to show than telling. If it had more time to breath, Katara's rage might have been more visible and we could have had more time for her arc to improve. And this is not to say that they could not have been able to do it, but I will say that this show NEEDED more than 8 episodes to be able to get as much in (To be clear, there are some shows that this works for - Amazon's Reacher and Legend of Zorro have short seasons and formatted for hour long content. But it makes sense for those shows because they are working within parameters of their medium and are newer (both are adaptions of older stuff but still) shows that can play around with the format better). For as ambitious as this project is, it has a lot to condense. At least that it is a show and not a movie, but still. Let's not forget that it could have been so much worst if it was a movie.

Now some people will say, "Well if they were good enough writers then they could have done more to show than tell," which fair. I will admit that there are infinite number of ways that they could handled some of the topics: such as Sokka's sexism and Katara's rage that everyone is missing. But with the landscape of media as is where you would be damned if you do damned if you don't if you so much as talk about some sensitive topic and you could be canceled for it instantly! Which leads me to the next point!

Second thing to consider: Multiple season renewal was never confirmed prior. Yes, we can all complain that the shows pacing was out of place. Yes, they cut some filler. And yes, it feels like we are getting too much of the world building through talking and now showing. But can you really blame them? To most people, if you saw the reaction of the cast before the news came out, you can see they were saddened by the fact they thought would not get a season 2. They changed their tune when season 2 and 3 was confirmed, and honestly happy for them. But again, that confirms to me that the writing had failed mostly because if they were never going to get their chance, might as well go all out. And with how easy shows can get picked up and canceled, I can see they needed to try and cram it in.

Which also plays into Katara's rage - they did not know if there was going to be a chance for her to grow and get bending abilities or go through her arc as steady as the animated. Again, I am not saying losing it was good, but that we need consider that if they were not going to get another season, they had to progress faster than usual. (Side note, while I like this show, Amazon's Hazbin Hotel has the same problem. We are steam rolling through what could be slow progression and change but can't slow because of episode constriction and no time to sit and allow the show to progress because it is so easy to drop the show for the studios, might as well end it on a note that at least can feel like it was it's own story.)

Speaking of studios, that would be my next point as well: studio and producer control. While I know directors can have a say in it, we should not forget about the studio that is allowing them to make this show in the first place and what they are asking for. As I keep saying, we don't know about what their restrictions are or if they can have more than a certain amount of episodes, and maybe that is a mandate of Netflix or something else, we as the audience don't know. We don't know what happens on set or behind the filming outside of glimpses and interviews, so for all we know, there was some changes to the script or teleplay to make it seem like they needed to cut Katara's rage to make her more meek. Which if this was the whole show, fine, that is a choice but not one I will have to like. But when watching the 3rd and 4th episodes, seeing Katara being a teenage girl and angry for once and even more open about her emotions was possible. Hell, it was the only times she was allowed to snap. And guess what people: it was because of the writing this time. That feminine rage you all wanted - while faint - was there. So clearly Netflix is not solely at fault - they have many mistakes but writing is not one of them.

But it is when you look who wrote what and where and what they were going for that - to me - puts EVERYTHING into place!

Final point: the original creators being brought on.

This might seem weird because one would think having the creators on the original show should be not as bad. The creators of the show is watching to make sure that the show is just right and that the characters feel the same or at least some of the story beats feel similar enough to enjoy. Why would them being on the set cause issues with the pacing and writing?

To a casual fan, yeah that makes sense. But to those that have been in the fandom, have see what they do post cannon to ALL of the characters - especially how they treat Katara in Legend of Korra - then anyone watching might have realized that that should have been a warning sign. Especially with how they would have wanted to depict the characters. And this is also the reason I think Katara's rage is gone: I think they wanted to make her like the comics version of her being a meek and demure girl that while caring was not getting as angry or as passionate about things because that would go against what Bryke wanted Katara to be in the show.

As I mentioned before, Katara's rage or at least genuine anger was only in for about two episodes out of the 8. And if you take out the 5th and 6th where she has been basically damseled with Sokka in the spirit world, that leaves on 4 more episodes to allow her to have her anger. Typically, one can thing, "Okay we can sprinkle it here or there in the other two and it should world". But all it takes is to see who was writing the episodes that truly not only hinder the world building of the show and breaks the rules of show don't tell or crammed it in so blatantly it feels like cringe and got rid of Katara being the one to free Aang because of her anger - was Bryke! They were the ones that were the head writers of the first episode and the 8th episode. The ones that had the most cramming down your throats dialogue, the clunky explaining of Aang's character out of now where and even curving Katara's rage or ability to be angry or snarky like she was in the show. Because Bryke wrote them, and also teleplayed a few - this being like adding notes and what the camera needs to do and how to frame scenes along side the dialogue. Meaning that they had some hand in making Live Action Katara this way.

If you notice in the episodes they didn't write: Omashu and the Cave of Two lovers - they were the only ones where Katara could be a bit more snappy and a bit more annoyed and vocal toward at least Sokka and Jet - not a lot but it was there. And oh would you look at that, the episode that they did not write had HEAVY hints for a certain firebender and waterbender being hinted at and color coded the lovers more vividly. And also, Katara getting to be empathetic while also not over explaining - which many always ragged on her for - where she could be human for once. Those episodes were the ones that they did not write and the story was somewhat better (Not better but I will take it over what we got prior)

And again, casual viewers might not know why this is a bad thing or probably wondering why I am against Bryke. But all it takes is looking at what they did to animated Katara that you all try to say "Was perfect as she was before" without considering what they did to her after the curtain fell. For any fan that has been following the show, you will find that most fans of Katara - the animated one -did not like what they did to her in the comics that continued their story and Legend of Korra, where she was a husk of a shell of her former self. And how she was all about "What Aang would have done, and what Aang did and oh how I missed Aang, he would know what to do". And yet, if she even showed any anger or negative emotions, she was painted as the bad person - easily look up Katara in the comics with a google search and you can see her being pushed around and flattened almost all the time when she is showing negative emotions that are genuine and not the funny mad in the show. Especially in the show as seen through this post, it did not always paint her anger in a natural thing for her or reinforced her angry as more comedic than actually something to consider as important until someone else stepped in to help her see it *cough* Zuko *cough*.

So to all the people that are trying to come after the live action Katara as being "Not the same energy girl power character who was expressive about her anger" you all "loved from the start'', please consider who and what was behind the scenes to make her this way. Especially since the animated show had other writers besides Bryke that understood Katara better if not more. Bryke wanted her to be more demure even in the pilot, and damsel. And yet the other writers gave her an actual story. Byrke have shown time and time again they do not want and angry passionate water bender that wants to be more active in changing the wrongs in the world, they want her to be more meek and docile and not fight back to let others save her in the comics and after. The OG had other writers that gave her her arc and Mae Whitmen give her the sass that we all love.

Live action Katara is no different. She has been trying to come into her own - with limited time to tell a story, limited time to get her arcs in fearful of cancellation, and with different writers, she can work, but not with Bryke. Same goes for the other characters too, not just Katara, but it seems that everyone pokes at Katara more and it is getting frustrating because some of these people just can never be happy with Katara.

Hopefully with season 2 and 3, we can have more time to flesh out the characters and maybe even have more show don't tell moments and being able to explore their feelings more. But only time will tell.

Rant over, sorry for the rambling mess.

[alittlefrenchtree]

Nick saying being misunderstood is his biggest fear and that happens pretty much every day with fans, randoms and movie pages twisting his words or not focusing on the important things he says. He says he doesn't want to be only a pretty face meanwhile his fans only talk about how pretty he is, the talk on M&G is only about how good he looks. He doesn't want to be stuck in one role and wants to prove he can do more, meanwhile his fans keep making joke about him being always a gay character or royal. Some so called fans twisting his words on rwrb on top of pretending the journalist opinion is Nick opinion. Journalists (including those that are supposed to be his friend) keep setting him up with stupid question or by leaving out part of his answers. I'm so tired of this and I'm just a fan, I can't imagine how he must feel.

<For the record and context, this message has been sent to me a few days ago, after the Just for Variety Podcast and before the podcast with Taylor.>

Note: I understand Anon’s expression of feelings but it’s always important to remind that we don’t stigmatize fandoms on this blog, neither Nick’s or Taylor’s as individual or RWRB’s as a whole. A few loud voices don’t speak for the whole group. All Nick’s fans don’t fall into these categories we’re speaking of here. Hashtag not all fans.

All of that being said, and without wanting belittle your feelings, I did heart a lot of promising things in the way Nick’s answered this question. Maybe not in the way fans behave but regarding of the intelligence and maturity with which he’s looking at the whole situation.

For me, the most important thing he said is that he knows he has to accept that he won’t be in control of the narrative — ever. I think someone said it was something linked to Hayes’ character (and if the movie can carry at least this message, it will be something already). And it is so hard to see someone (and multiple someones) says something wrong about you and not correct them, not react, and not do anything. Many people have already experienced it at a smaller scale, so it’s not hard to imagine what it must feel like for public people. But it looks like he already has the first tool to deal with that. As a public person and as an actor, he is not in control of his narrative. His narrative is told by the audience and by the people he’s paying and trusting to lead the narrative in the right direction (maybe not the true one, but the right one for his career). And actually, it’s not even his narrative. It’s the narrative of a person that looks like him, is a bit of himself and represents him but isn’t exactly him. So even if this persona is misunderstood, it has to be annoying at a professional level and not hurting at a personal level. Of course I’m not saying it should allow fans to say crazy things all the time or that it’s easy for him (and for any of them) all the time but he seems to already know how to look at the problem, so it should be reassuring.

He’s also quick to remind that "ultimately, it all goes down to the work" and even if it’s also an easy way to dodge a question he doesn’t want to answer to, it’s still a good answer. As long as people are still connecting with the honesty in his work, it’s not all bad.

That’s how I received this part of the podcast at least. I hope it helps a bit 🙏🫶

[boyrobott]

i fully get it bc i know what u mean about original astro boy manga being silly with it vs pluto being relentlessly sad. but i do think it's really important to say that pluto's themes draw on a LOT LOT LOT of stuff present in the original manga! like, the stuff about hate making a robot closer to a human/allowing them to kill a human despite most robots being physically unable to is pulled directly from the blue knight story. the original greatest robot on earth story that pluto is based off is about pluto struggling with not wanting to be a robot made only for killing bc he had a nice time hanging out with uran and doesn't wanna make her sad. epsilon still dies saving his adopted human son, and atom ends the story mourning for all the robots who got killed for goji to prove a point. the moral (which multiple characters say) is that what makes a robot OR a person strong is their love and humanity not their killing power, and it is both stupid and perpetuating the cycle of violence to force robots to hurt each other. the robot hate group man in pluto is inspired by the villain of a segment in astro boy tales part 2&3 where he literally is in a group wearing kkk hoods and does a whole pr attack about robots killing his son because he is campaigning to remove their rights.

and it's not just the stories pluto references! hell, in basically half the stories at minimum a robot is forced by a human to do a crime, the police go 'dang i guess we gotta take the rights of all robots away and destroy them for scrap :(' and atom has to find the human responsible so that doesn't happen (the third magician, electro, and his highness deadcross are some good examples). the plot of the story robot land is atom struggling with wanting to save a bunch of robots being beaten up and worked to the bone by their creator, but he can't because robots are still technically property and helping them escape would be stealing and therefore illegal. in the little intro comics tezuka drew in the collection, he literally says 'yeah this is about the vietnam war being awful' about like fully three different stories. and that's just off the top of my head!!

'what makes a person, where is our empathy, why do we quest for vengeance when it only sucks us into a cycle, have we lost our humanity' are literally the most important core themes of astro boy, which is why it's so so impressive for kids comics that are still broadly super super cute and funny!

legitimately sorry for putting a huge wall of text in ur inbox because i know it's unsolicited and probably uncool. but astro boy is super important to me and so is the idea that a story can be goofy silly child adventures and also explore dark and serious themes? so i had like. a moment when i saw ur post lol. i get it if u dont wanna read all this etc but i wanted to i guess encourage u to give the manga a second pass even if u aren't into pluto at all. there's an insane amount of stuff there that really really legitimately is that deep

Okay, may I just say, I'm absolutely loving your impassioned defense of the manga here. You're bringing so much ride-or-die energy to the table right now, and I'm loving it. But I've been slowly reading through the manga over the past few years, so I... kind of already know all this??? That's pretty much the whole reason I made the joke in the first place -- because there are so many similar storylines and themes between the original manga and the Pluto series, but the individual tones literally could not be more different. The fact that a grim dystopian anime about the horrors of war and the true meaning of humanity is saying the same exact things as a fun, lighthearted, campy manga series?? Sorry, but that's just hilarious to me.

I can definitely see where the misunderstanding came from, but I promise, you do not need to defend the manga to me, LMAO.

[illegiblewords]

Serious talk about meta under the cut.

I don't know who might need to hear it, but fwiw mental flexibility is a huge part of analysis (and interacting with other humans lol). You need to be able to account for multiple possibilities when examining a work, or understanding a social exchange. You need to be able to separate what is objective fact from your own subjective interpretation and judgment. The most negative interpretation is not automatically the most worthwhile or true. Someone throwing accusations around in-line with their own worst interpretations does not guarantee those accusations are warranted. You are not a bad or stupid person for disagreeing. Shit needs to withstand scrutiny. I don't always strike the right balance myself. I do the best I can but I'm definitely not perfect. Tbh I'm not beyond pettiness either--although I try to keep that out of actual analysis lol. There have been times I've griped to friends privately or blogged about how I felt (sans tags, with spoiler blocks so people can opt out). I've griped recently. I'm bound to gripe again in the future. Some level of griping is inevitable imo and I figure no one is 100% immune.

All that said, even if someone’s take isn't canon AND even if it's something I really dislike--I'd personally rather people follow their passions anyway. Hands down. I could be in the middle of a rant and my answer would still be that the subject of my frustration gets to exist. I'm not the boss and odds are we're going with different versions in our own heads. Discouraging another fan from creating due to my preferences or narrative approach would horrify me. I've seen fandoms where gatekeeping like that killed the creative community and it was fucking awful.

Not everyone is confident in their own judgment. Not everyone faced with a pissed off person trying to use lore and accusations like clubs will feel okay continuing with their own vision. Elitism and manipulation (especially through rhetoric) can be present within analysis. People are not being taught how to recognize those things properly. Analysts aren't always aware or invested enough to even be careful. It’s legit easy to get caught up in ideas or feelings to the point of forgetting about other people’s, and adjusting to account for alternate approaches takes some work. For me at least, I think having a 'no insults' policy and being super careful when it comes to absolute claims (assertions not qualified by 'I think' or 'it could be argued') helps.

Anyway. Just because a person calls something ‘meaningless’ doesn't make it meaningless. Someone pooh-poohing an observation you made doesn't make your observation less true or important. Employing a literary term doesn't mean that individual actually understands the term, how it works, or how to apply it. Which is to say nothing of romantic chemistry or whatever. I encourage readers to extrapolate on this. ‘Shallow’ could apply as much as ‘meaningless’. Denying parallels exist by itself doesn’t actually negate those parallels. Your version of a character may not be the same as the fan next to you’s and that difference doesn't have to detract. There's more I could say on the subject (I've edited out a lot) but basically--just because another fan isn't into what you're doing doesn't automatically make what you're doing wrong, immoral, shoddy, or otherwise less.

Seriously, vet shit. Question the entire premise an analyst tries to establish then decide for yourself if it holds water. Turn over word choices and assertions in your head before deciding if they're appropriate. Do it to me too. I don't care if someone is the holy goddamn emperor of analysts. Just because a person says something is good or bad, true or false, whatever the hell doesn't make it so. Just because a person uses a technical term doesn't mean they're discussing it effectively. Quality of argument matters beyond the packaging it’s wrapped in. It's important to protect yourself from people whose priority is enforcing their own preferences, including dismissing things they aren't partial to.

I just don't want anyone shamed silent man. Not even people whose takes drive me up the fucking wall. Neither I nor any other analyst is an authority here. And there are people who are absolutely ready to take advantage of other people’s insecurities to assert themselves. Might not even be malicious, just indifferent.

For me, analysis feels kind of like uncovering a dinosaur skeleton. I want to share the cool and exciting things I find with other people. Sometimes I might be sorting out what my own thoughts and feelings are. It's also possible to examine why you're uncomfortable with something, or why you love something another person hates, while making very clear what is YOUR READING and not THE READING. Offering a variety of possibilities is very different from presenting yourself as the only correct one. One note at the end when everything else was insulting and intolerant is like a band-aid over a wound.

EDIT: As a last point, that I'm throwing in just-in-case. If anyone reading this thinks they may have overreached and done stuff I've mentioned + feels shitty about it… that's still not the end of the world. It’s okay. This is hard stuff to learn and I really don't think anyone's perfect at it. Worth the effort though. Just gotta take a deep breath, acknowledge you're a fallible human same as everyone else, and do the best you can going forward. Life goes on.

[ripplestitchskein]

How The Boys handled Hughie’s multiple and traumatizing sexual assaults is a really good example of realism being superseded by authorial intent and why you cannot always apply realistic standards of behavior or definitions of trauma etc to fictional works, worlds, or characters.

While it rankles our real world sensibilities, and the implications are rather horrifying it is often either part of the world building, ignorance on the writer’s part, an accepted problematic trope or pastiche, or something that will be explored later. In this case I didn’t get the impression it was the latter. The character implications it has as far as reactions/blame/support go would be interesting to explore, it certainly changes how I view Annie and their relationship and not to the good, but they did not signal that is a route they are going to go. They largely played both situations as a joke so as the audience you are left with the age old “Do I accept this as it is presented or should I look elsewhere”.

Honestly the writing this season was extremely poor and all over the place as a whole. I find the show rather disgusting and over the top in general but it did have some really compelling characters with interesting arcs. I enjoy the world building and attention to detail, and there are really good things to be mined from it but this season really played into the worst parts of the show and many of the individual character storylines fell completely flat, were rushed through, didn’t make a lot of sense, or were so back and forth I needed a weathervane to see where they would end up in any given episode since none of their decisions seemed to be based in previous experience or characterization.

The two things I enjoyed: A-Train, I think they have done a fantastic job with that character from the start. Like probably top character arc in my opinion. I have very few notes on him, it’s been wonderfully done.

Kimiko and Frenchie. Not most of it, I hated the Colin storyline, I hated the Kimiko storyline this season too. But I have wanted them together since S1 so I guess I’ll take these scraps, thanks. Overall it was terribly done, there was virtually no signaling they were going that direction after the shift to platonic friends in the previous season, their disparate storylines were supposed to feed into that build up but fell incredibly flat. It felt very much like Kimiko did a 180, going from pushing Frenchie to be with Colin from a place of genuinely supportive friendship to “actually I only wanted you with him because I didn’t think I was good enough” with zero indication she felt that way until she actually says it out loud for the audience. It was played the entire time like she was missing her friend, not that she had romantic feelings for him. And Frenchie similarly acted as if he was in no way thinking of Kimiko during that entire storyline, so for him to just accept everything was so odd to me. The Colin thing, while I appreciated seeing Merlin’s ass and that handsome smile again, was stupid and pointless and was so disconnected from what we’ve seen of Frenchie so far I still don’t see the point of it beyond “We need something for Frenchie to do until we need him for the virus storyline”.

That’s honestly a problem I had with everyone’s storylines this season. It was a lot of “sit on this shelf until we call you out for your moment” without any cohesion. I imagine this was largely due to scheduling issues or other real life logistical concerns but it doesn’t change that the writing itself was so bad.

[commanderquinn]

meta: sam coe - post-campaign analysis

allllrighty i am officially post-campaign so time for first thoughts. since im still collecting my feelings/opinions on the main quest i dont want to go super into that. i wanna wait and consolidate into a deep dive on that one. BUT i am a fic writer with a fixation on socioeconomics, intergenerational trauma, and more specifically the phenomenon of atheists clinging to their religious parents morals because they haven't taken the time to evaluate their biases and the reasons they still hold them

translation: the silver spoon space cowboy is an interesting concept. poory executed in the case of starfield, sadly, but great framework for fandom to chop the head off of and bring to their own individual comfort interpretations.

this meta will include spoilers for the following:

-sam's questline and the npcs involved

-his romance

-cora, the safety storyline around her, and how she's the best part of the space game

-why bethesda was fucking stupid to turn the cowboys into cops when they have the perfect opportunity for not that. i went in hoping for retired/reformed army rangers fed up with war looking to defend their home from fascism given the "han solo simulator" marketing, but all i got was this lousy ass rendition of the texas rangers, which i for SURE did not want

-i WONT be going into detail about the main plot for this post, just fyi. i wanna save that, and sam's relation to it, for its own essay. id still recommend not reading meta's until you finish the game tho

-i miss obsidian's writing. this game made me want to play outer worlds for the 100th time. that will probably come up a lot

this is probably gonna sound more than a bit scattered and off the fucking plot for the first section, but bare with me, im making a point eventually i promise. gotta make sure we're all on the same page first.

now that ive done a majority of his content, it's clear what the intent was for sam and i applaud it. i like it when good hearts in bad systems spot the fundamental flaws and decide to abandon it entirely, or work to change it. i hate perfect characters. i hate characters that have no growth to find. sam is a great character for showing the awesome power of a perspective change. but damn. what a waste when you're talking about a format where a writer is constricted to:

-an exact conversation trigger (bethesda games have always relied on interrupt & player approach, and i didnt notice any variation on game engine front but i wont know until they release the ck so)

-word limit on all responses (yes, you can make long dialogues in engine. but those words still have to be f u n d e d from a dev standpoint. words are not free in video games. capitalism sucks for art.)

-multiple conversation branches that ALL have to circle back to the original topic (they have to follow a set pattern of establishing a subject, then the players possible responses to that subject, the npcs responses to those responses, AND provide a seamless, one dialogue tie-in path to the next branch. it sounds super easy until you're the shmuck writing it, and then it doesnt feel so easy anymore)

-get approximately two personal quests with, what was it, 12 motion scripted scenes? (im watching other peoples pts now so ill try to remember to count, but it was. hmm. lack luster imo. im not saying quantity is vital. im a bioware fanatic, i know the power of quality when its actually delivered. i didnt have any moment like that for sams quests and it was kind of crushing. ill get into it.)

-appeal to a wide enough audience to obtain profit by holding back eXtReMe ViEwS (id like to point out that there is, at this exact moment in time, an active pr campaign (and a few scattered gaming content creators) surrounding starfield talking about how pronouns are politics and should be left out of gaming. over a setting flag in a save file. you literally dont even have to press a button about it. like, you pick your characters body. masc bodys are auto assigned m pronouns. fem bodies are auto assigned f pronouns. you literally dont even have to SEE the button, and it never gets brought up. the only purpose it serves is so the game knows what voice lines to fire. that. is. it.)

im not going to humor the "thats dumb, bethesda makes political games" contribution to the argument.

i get straight people think they're being super helpful and witty on that one, but i think the world would collectively benefit from allies taking just a few extra seconds before standing on that soapbox to maybe consider that calling existence "politics" might be, gee idk, insulting. maybe more than a lil dehumanizing. maybe super easily solved by just NOT giving into their parents obsession with playing devils advocate. i think if maybe allies could shut the fuck up for a minute or two at a time and go look for voices of authority within the communities they're defending instead of trying to talk over them, that'd probably work out better. might help cut out the completely useless middle man their parents taught them to be when they drilled home "you have to respect everyone's opinion"

no the fuck you do not, actually. i, as someone on this earth attempting to be a compassionate person, owe people a chance at understanding. i do not, under any circumstance, owe someone any kind of respect WHATSOEVER if they cannot respect me as a human being. full stop. i dont owe it to them, i dont owe it to their religion, i dont owe it to the government they try to establish. i do not owe respect to people attempting to oppress me. i never have and i never will.

but remember. there is context to be found in the passing of time. yes, you need to tell grandma to stop being racist. no, you do not need to banish grandma to the nursing home if there's still a chance that she's willing to sit and listen. a chance that she'll empathize with social perspectives that the racist society she was raised in never allowed her to have. breathe and give grandma the chance. then send her to the home if she's still racist.

(yes that was an analogy for how i imagine a perspective conversation with jacob would go. i do not have high hopes of that man finding self awareness given. well. who he is as a person.)

now. if you've played through sam's content, you already know why im bringing all of that up, but lets put together a list of all the things that Make Sam Coe Who He Is before we wrap it all up in a pretty bow that hopefully reads a lot less scattered than this "yo society got some trauma actually" lead up ive dumped on you

quick interrupt just for me: i love that im back on tumblr where i dont really have to give all that much of a fuck about making sense. any audience i could find here is equally unhinged so mostly i just have to format it in a way that makes your brain not hurt. sorry if you dont have adhd <3

1: lets talk about cora's hair.

im going to make the race observation because its bothering me from a dev standpoint AND the gamer crowd is already starting to make cuck memes which sucks to see.

i get that this doesnt matter in a colonialism scifi future where a service like enhance exists and we're talking about two rangers that apparently went under cover regularly, but it matters in the context of how sam was handled in a 2020 era commercial, creative environment. im just going to MENTION that cora coe's biological mother (that jab was me not liking her as a person, not me giving a shit that she's white) is paler than pale, and sam does NOT look like some of his earlier promo images. bethesda as a company also has a very long history of making characters arguably tan to avoid this shit.

9/16 edit: was asked for source, heres the exact image im referencing, which is still his set image on the starfield wiki to date:

(im going to preemptively warn any white artists building the urge to argue over this: you DO NOT want to die on a hill about lighting for this one, fucking trust me. thats not what this conversation is, and if you dont understand that as a White Artist, you need to sit this one out until you understand the full weight of the conversation and the profound effect of media treating skin color like a rare diversity accessory. bethesda has a very very long history of this. their last major story title, fallout 4, (76 was a money grab made in the other studio and i barely want to call it a game) had a whopping total of two black characters in its main cast, and both of them acted in subservient roles so please. please please please just. stop trying to defend bethesda on this one. its dehumanizing, cowardly, and malicious in this day and age. i promise im not trying to bite anyones head off here, im just Old And Tired when it comes to suburbanites in fandom.)

i think having solomon be canonically black would have been a really important aspect. i think it would have given the opportunity to show white people why its fucked up that they get SO EXCITED to save war mementos (or in the case of starfield a nasa memento) and will go on and on about how vital it is to save that piece of history, but when you bring up memorializing the importance of race as it pertains to human history and cultural history/pride, they suddenly start getting Very Uncomfortable and throw out phrases like "what does it matter we're all human" while standing next to the gun their grandfather smuggled home from the war

there is no brightness slider on pc and i havent gone reshade tweaking so everything is still washed out on my end (dont worry, as an rtx user, imma be makin a rant post on that) b u t. cora coe has a pale as fuck mother and a vaguely tan father with blue eyes and straight hair, meanwhile my precious angel has a darker complexion and curls that look like they're closing in on the 3c range so like. im getting vibes that sammy boy mighta been whitewashed during game dev, and thats about as far into THAT topic as im gonna bother to venture for this post.

2: his dad

were we supposed to have more daddy issues content??? istg it feels like there was the initial map talk and then nothing. im not saying that i cant pull blood from a stone and give you an entire essay on that glimpse of family trauma just from a few lines of dialogue, but still. feels like thats maybe something that should have gotten more detail.

"no forgiveness between me and my old man. it's uh... coe tradition."

oh boy. oh boy oh boy oh boy. what a line to start his personal quest

before we go ANY FURTHER im gonna drop a reference to one of my favorite aaron sorkin scenes of all time. its from the movie he did about the chicago seven, and i think it fits VERY well when having a conversation about how sam is shaped by his father

unfortunately the exact scene i want to show isnt clipped anywhere easy i could find, so here's an article that talks about that scene specifically if you want more context but dont want to watch the whole movie. what we're really focused on is this:

which is a scene where a fictional account of bobby seale, the leader of the black panther party at the time of the chicago 7 trial, said that above quote to a fictional account of tom hayden while they were having a conversation about how the stakes of this trial are life and death for him as a black man, but little more than a family dispute and a dark spot on their records for the (all white) chicago 7.

its a GREAT continuation of sorkin’s fascination around father son conflicts (he covered it a time or two during his writing days as west wings original creator, which is a great political show id strongly rec) and it really really works when used in comparison to those rebellion days sam had that he still flagellates over

sam was a privileged kid without a foundation of emotional support or a safe environment to vent to. he didnt have the words needed to communicate what he was feeling and thinking and experiencing. he didnt have the means to express himself in a way that wasn't immediately criticized by the people in his life. it doesnt take a degree in psych to figure out that sam first ran for the stars to run from his father. and it sounds like that was tradition

from the MOMENT YOU MEET HIM, jacob is full stop "my way or the highway" until you hit him with the good ol bethesda persuasion and his disposition pulls a 180 to hand you the next plot device

sam: "you know why im here."

jacob: "oh? and what's that? you come to your senses? realize where you ought to be for once?"

w o w

i wonder why sam never felt safe in his own home. i wonder why he doesnt feel safe leaving cora there. i wonder why that miserable fucking attitude and guilt has sam convinced that jacob will be the worst possible thing for his curious daughter's self esteem.

yes, grandparents sip a different kind of koolaid when it comes to their grandkids. no, that is not enough to protect that child from that much intergenerational trauma. sam's made a bad choice keeping cora in space, but he's made an EXCELLENT choice keeping her away from jacob.

forget "showing respect" to his son's choices, jacob won't give them the time of day. he brushes off constellation and wont go meet them for himself, he insists that cora being "in her family home" is the only priority (isnt THAT telling) and, as if that wasnt enough to prove he's incapable of empathy, the fact that he outright, direct fucking quote during that first scene with him, says to sam's face

"the only mistake im seeing here is you"

fuck anyone who walked away from that scene of a parent saying that to their own kid and had the response of "i dont understand why sam wont let jacob take care of cora." fuck you, genuinely from the bottom of my heart, if that was your reaction.

i looked for opportunities to get sam to talk about what the rest of those "30 plus years of experience with the man" really looked like after that. the fact that it was used as a plot device without any (from what I COULD FIND in my first pt, if i find any ill edit this) kind of dialogue discussion about that trauma around his father's behavior/mentality and the terrible influence it had is such a waste. chances are!!!!!! id fucking agree with him!!!!!!!!!! SO TELL THEM TO ME BETHESDA!!!!!! give me the chance to storm back into that house with the full story and let that geriatric fuck know why he will not be allowed back into my daughters life (yeah we're gonna be calling cora our daughter on this one bc, again, she's the best thing in the game) until he can learn to be a safe emotional environment for her

and THEN, at the end of the romance, the wrinkly mf drops a "hey can you go over sam's head and make the parenting decisions now" 20 minutes before your vows get exchanged in his living room (WE'RE GONNA TALK ABOUT THAT MESS OF A WEDDING LMAO ITS A LOT but im probably gonna save it for another sam post where i talk more in depth about why packing a complicated romance in that tightly just Dont Work). like wow. wowowowwow. if that doesnt perfectly sum up how he views the dusty's (shhh i really hope that name catches on pls i keep seeing ppl use captain instead its heartbreaking) role in the family now, and confirm how he's always viewed his own son, idk what does

3: lillian "i can abandon my kid and demand she be taken care of in the same breath" hart

i was originally going to go into hella detail on his relationship with his ex but honestly i think im just gonna leave a few paragraphs and not touch on her again bc its bad for my blood pressure.

okay, here's the deal. im biased in the sense that i had a mother with attachment issues and lets just say that his ex is worth about as much to me as a pile of dogshit. it'd be one thing if she had that moment of "oh. sam and cora bond really well and i dont fit" and decided to look at that and evaluate if she wanted to continue trying to be a parent.

but she didnt have a moment of reflection. she didnt talk to a therapist. she didnt have a discussion with sam. she went back to work and decided "oh well, my kid doesnt like me" and then left her daughter with an open wound and no shot at closure. which is just. wow. that's active abandonment. she WALKED OUT of cora's life because she couldn't stomach the idea that she didnt immediately win over her daughter without any effort to connect to her.

then she has the nerve to yell at sam for not doing the best for cora. like bitch, you cant even consistently answer the phone??? what are you on??? she's REPEATEDLY broken cora's heart with false promises, and clearly made no effort to truly atone for that given just HOW angry sam is ALL the times he brings it up.

and she does it all for what????? a beat cop reputation and some shiny medals????? like shut the fuck up with that righteous indignation piglet, you're killing smugglers under someone's made up authority to protect COMMERSE, not creating galactic peace. the idea that THAT SHIT is worth more to her than her own daughter having a mother who's around for all her life milestones is inFURIATING and id fucking deck her if i could.

the fact that there's zero chance to call her out other than one single "thats a pretty awful thing to say" option is a real cop out from bethesda. they realized they put a woman in a position where she could be really, truly yelled at for something like child care, and chickened out on following through with it so they wouldnt take any heat.

thats gross and should piss you the fuck off, by the way. that sure the fuck isnt what equality looks like by any measure. you don't empower women by acting like they're infallible creatures you cant call out for being flawed. and you sure as shit dont empower the next generation of women by forgiving their abusers.

4: cora's safety

which brings us to the big sticky: sam is a disaster and i DONT think that keeping cora on a combat-active spaceship is right. i think she'd be much better off living in constellation hq (aside from the main plot obvsly) with a constant open comm to her dad and the ability to bring her to outposts and secured sights.

the problem with the biomother's abandonment isnt the distance. its the lack of attempt to connect. its the lack of forming a bond. its the fact that she had zero desire to understand her child once she figured out her child didnt "love her the most" when thats literally not a thing. the problem was never the physical space, and it wouldnt have to be in sam's case, either.

he's a dad that's there for cora day in and day out, he just never got the chance to grow out of the panic stage of a parent worried the first fever is going to kill the baby. he didn't have his dad because he had to get out to protect himself, he doesnt have a mom because of how long she's been dead, and lillian checked the fuck out at an early stage apparently. so sam was left to be the nervous wreck trying to keep history from repeating itself. the man's flying blind in the face of all the combined generational trauma of himself, his father, and his ex, all while trying not to fuck up shaping a human life.

you're damn fucking right he keeps cora glued to his side, i legitimately do not think his own ptsd would allow him to do otherwise without someone like the dusty to come and and go "hey dude, maybe its time we read some emotional intelligence and trauma books so we can start getting cora into a stable environment for literally the first time in her life? also im going to teach her gun safety for my own sanity because you keep letting her walk all over you and its scaring the fuck out of me thinking my daughter is going to try to raid a pirate ship at 15 because no one taught you proper boundaries."

5: his morals

its been 30+ years and his father wont let go of arguing and micromanaging long enough to try to understand his son. lillian is a workaholic who believes her only inherit value is what she can provide to an organization that views living, breathing human beings as occasionally expendable while screaming about its pursuit of freedom and equality.

sam coe is a man who got told what he was supposed to be his entire life, tripped into drugs and crime in an angry, sheltered act of rebellion, and walked away from it all with a very skewed, very flawed interpretation of morality as a result.

lillian and his father are the clear moral compasses in his life. like yeah, sure, he'll talk about how cora is his driving force until he's blue in the face. and he's not lying!!! he's not even technically wrong. she is his active motivation day in and day out. but she is not his Morality. she hasn't developed enough as a person to be able to be that kind of beacon. she's a kid rushing herself through childhood because she thinks that will make her better and no one in her life recognizes it enough to stop it. she shouldnt have to be the moral guide for someone who's supposed to be guiding her

sam cant let go of the ranger envy. he couldnt stomach being around it, but he cant look at that discomfort long enough to identify why. he can walk into a bank and plain as day go "ah, don't you hate the smell of capitalism," but he can't bring himself to blink the stars out of his eyes long enough to ask why the rangers are so willing to put smugglers to death without trial. sam has enough awareness to identify the system is flawed, but he doesnt have the guts to really stare that down

he'll make cracks about walter having too much money and influence, but he wont actually mention how he and his wife are the root cause of an extraordinary amount of pain and suffering and perfectly avoidable manslaughter as a result of their business. i get that constellation runs as a dont as dont tell organization, but if sam's going to give me shit about nabbing a paper weight from a guy's desk, i think we should talk about how he doesnt display anger for walter's business practices.

sam coe, at his heart, is a dreamer who doesn't want to look too close at things. he was taught that some things just Are, and looking for too many answers will find you trouble. he's got the spirit of an explorer dampened by a lifetime spent under cops.

you can hear it in his voice whenever he talks about how proud he is of cora for being a goddamn prodigy. you can hear the wonder and the excitement there. you can hear the curious kid in him that probably got pushed out of the way while he was trying to shape himself into a Proper Coe

i think sam coe is a dreamer who was forcibly taught to fear learning as a child, and thats the real tragedy of him.

so let's start to tie our bow here.

sam is a man who, in a way that only a privillaged kid can, stumbled into neon's life of drugs and smuggling and self harm through destructive behavior with both eyes firmly shut.

he didn't fall into drugs after a lifetime of being submersed in the culture of it. he didnt take them because he grew up surrounded by people that just knew that's all life was ever going to hold. he didnt get into smuggling because he was starving. he didnt take on his first "criminal act" because there was a life and death battle going on somewhere in his life.

this man was drowning in guilt and shame centered around not "being a proper coe" by the time he was free of his father's control, by all accounts. you can hear how much self hatred he has over the memory of that time in his life. look, im not going to say that age and recovery doesnt come with regret, but he talks about it like degeneracy and something to be guilted about rather than just... living life. like so what you did some drugs?? so what you did a capitalism no no?????

corporations arent people. you shouldnt steal from them because itll put YOU at risk, but under no circumstance should anyone hold onto any guilt for stealing from them. money is fake and capitalism murders people every hour of the day. fuck the system, its fucking rigged, look out for you and yours while capitalism is stealing your natural resources and making private homesteading prosecutable (translation: in our actual, real life here, the government can throw you in jail for building a house without a permit. go look up at the sky and think about the moral journey humanity had to take to get us to that point, and then come talk to me about how i shouldnt encourage people to steal from corporations)

anyways back to the video game, as far as the "what if he was unknowingly smuggling something like organs or weapons" argument, there's no desire for me to defend it, tbh. i dont view crime as a personality brand the way cops do. someone being convicted of a crime doesnt make me see them as lesser, it makes me see them as a person who did a bad thing. i do bad shit all the time. we all do. we're human. sometimes there's an excuse for the behavior, and sometimes there isnt. that's not the end of the world. you own up to your actions, you apologize, and you put in the effort to make amends that fit the situation. end of story. the obvious exception to that being when someone you have victimized tells you to fuck off because they dont want your further involvement.

yes. yes there are people in the world that are genuine monsters that spend their time and energy looking for ways to do the cruelest shit imaginable to their fellow human beings. but those are fucking outliers, so no, im not going to let a conversation about morality be derailed by a fraction of a percent of the population

but people (like the rangers) who aren't ready to look at the whole picture of context, who would rather hyper focus on the unbending rule of the land, don't see that. they see a "type" of person once a crime has been committed rather than "a person who found themselves in this scenario"

sam was raised by cops. he fundamentally does not understand how biased his own view is. he'll sometimes make a vague mention of crime being a necessity, but you can hear how many strings are attached there just from the way he talks about it. he truly views crime as a black and white subject with exceptionally few slivers of grey to be found. you can hear the "law and order is what separates us from the rest of the animal kingdom" in his voice whenever he talks about how the rangers are "good people" he just "didnt fit anymore" and it's heartbreaking

he'd be so much better off if he would take a moment to reevaluate his priorities and look a lot closer at that guilt he carries and why he carries it. i think it would even help him better connect with cora in the long run. it would for sure give him a better handle on why letting his daughter take on college courses this early in her life isnt something to brag about. its a bad sign that she's pushing herself to Be Something in the exact same way he used to. he just doesn't recognize it because her way is "healthy" by society's fucked up view of child prodigies

tl;dr

i don't need to fix sam coe. he's stubborn, traumatized, and sheltered, not broken.

give that man good enough head and i'm absolutely sure he could be talked into reading some -clutches pearls- marxist literature

[ploppythespaceship]

Arrowverse - 2014-2015 Season

I am now officially alternating between multiple shows at once. Let the chaos begin.

This post will cover:

Arrow - Season 3

The Flash - Season 1

Crossover Event - Flash vs. Arrow

Arrow - Season 3

Wow. This season is a hot mess.

Right off the bat, the decision to fridge Sara is infuriating. She's a great character and deserves better to be unceremoniously killed off. (I know she comes back and is a part of Legends of Tomorrow, but that's besides that point for this season.)

The rest of the arc is absolute nonsense. Malcolm's motivations make no sense. Ra's is even worse, and undermines himself constantly by simply doing something stupid. Not to mention him being woefully miscast -- a White Australian guy in the part is certainly a Choice -- and the fact that everyone flip-flops on how to pronounce his name.

The pacing of this season is also pretty bad. It feels like we spend just a little bit too long on every individual part. Things clearly happen just to fill some runtime and stretch out the tension. Then the finale rushes through everything at a breakneck pace. It all just feels off.

But hands down the worst part of this season is how none of the characters have learned a damn thing about keeping secrets from each other. I recognize that this is a theme, that it's meant to be part of people's character arcs, but that doesn't change how infuriating it is to watch. The show has become an endless cycle of characters keeping secrets, dealing with the fallout when the secret is revealed, resolving not to keep secrets anymore, then immediately deciding that actually they're gonna keep secrets. It's agonizing.

Also, Laurel is awful. She is the worst character on this show by far. She doesn't listen to anyone, she makes objectively stupid decisions against everyone's advice, she never learns a single thing... I have to wonder when the writers will just cut their losses and write her out altogether. She fundamentally is not working.

Roy also feels like an afterthought, like he always has. But this season gave him a little more to do and wrote him out in a satisfying way, so I can't complain as much.

Meanwhile, the flashbacks in this season are really strange. It feels like they need to one-up what Oliver was doing during his five years, even if it doesn't really make sense. Waller has no real reason to recruit Oliver, and the whole plot isn't terribly engaging -- especially when the non-flashback scenes reveal everything important that happened already. We know the Alpha/Omega is going to be released, we know Akio is going to die, we know Maseo is going to abandon Tatsu, but the show still acts like these are huge revelations.

Despite my many complaints, there are still some things here that work. The primary one being Ray Palmer. God, what a breath of fresh air he is. Brandon Routh is so charming and contrasts so well with the other characters. He isn't meshed with the rest of the season well, at all, but he's so fun that I don't really care.

Overall, the season wasn't unwatchable by any means, but it was easily the worst of the show so far. And it doesn't help that I'm watching it alongside its sister show that's doing everything better.

The Flash - Season 1

(Full confession, this is not my first time watching this season. But I'd forgotten a lot.)

This show hit the ground running -- pun absolutely intended. Everything here just works. Every single member of the cast is phenomenal, and the characters have excellent chemistry. They seem to have learned from Arrow and set up a clear Team Flash from the get-go, with each character having a clear role in that dynamic.

The show also has a much lighter tone than Arrow, which I feel suits the story more naturally. It doesn't go to dark places nearly as often. The show settles into an easy formula that's just nice to settle into.

The Flash also does something I adore, which is emphasizing strong platonic relationships. Barry and Joe's father/son dynamic is everything to me. Cisco and Caitlin have a great friendship, as do Caitlin and Barry. And I truly appreciate that for 90% of the season, Barry and Iris are mature adults despite Barry's feelings for her. Barry doesn't try to get between her and Eddie (apart from one instance that was a misunderstanding) -- he values her friendship over everything else and prioritizes that.

If this season has one flaw, I think it played its hand with Wells way, way too early. They reveal that something's up with him in the first episode, reveal that he's the Reverse-Flash in the mid-season finale, and have the rest of the cast catch onto this a few episodes later. I think they robbed themselves of a truly spectacular twist moment, where the penny drops and everyone realizes they've been played. It makes the end of the season lose a lot of its punch as a result.

But overall, it's still an excellent first season, and I completely understand why The Flash sort of took over as the Arrowverse's flagship.

Crossover - Flash vs. Arrow

The pattern of crossovers is made pretty clear -- some light overlap, where they will reference or lightly feature characters from the other show, plus one big crossover event multi-parter that requires tuning in to both shows for that week. It's simple, but works fairly well... for the most part. The crossovers don't actually line up perfectly and require you to rearrange events in your head. In fact, Oliver's appearance on The Flash's penultimate episode implies that at some point he slipped away from Ra's al Ghul's tight watch, not to speak with his friends and inform him of his plans, but to beat up Harrison Wells as a favor for Barry. And that's hilarious, honestly.

The actual crossover is solid. It's very clear that Barry was set up to contrast Oliver, and these episodes work with that excellently. Their styles and personalities clash in all the right ways, making for excellent drama and letting them learn from one another.

They also manage to use the different tones of the two shows to great effect, emphasizing the contrast and how the two cities shape each of the heroes' styles. It's exactly what a good crossover should be, really.