#of course then i also have the problem of ''the plot between 2012 and 2015 for kaine is literally just the lost years but modified''

[softgrungeprophet]

windowverse houston fic is so close to done but also so far

because i still have to add like.... a bunch of plot stuff 😅😂

[a-tale-of-legends]

Hello! My name is R, and welcome to:

The Legendverse

The Legendverse is a Pokemon au featuring my ocs that follows the concept of Legendary Pokemon being slightly more involved with the main events of the pokemon games than they lead on. Before getting into the specifics of that, let's get into-

The Timeline

The Legendverse follows a semi linear timeline of events, and it's ever expanding with the new Pokemon games that are coming out. Here's what the timeline looks so far:

PLA: 1868 -1872

FRLG/Emerald: 2005

HGSS/Platinum: 2008

BW: 2012

B2W2: 2014

XY: 2015

SM: 2016

USUM: 2018

SWSH: 2020

SV: 2025

Some things to note: USUM is treated as a sequel in this au. I don't really have a clear idea of what the plot is going to be but it is going to involve the Ultra Recon Squad and Ultra Necrozma. Secondly, PLA and the time between SM and SWSH are connected. As in Ingo and an oc of mine gets isekaied to Hisui during SM and come back sometime after the main plot of SWSH. 4 years in Hisui years, 4 years in modern times. Finally, SV will be added, but given how the games haven't been released yet,I cannot make a fair judgment onto where in the timeline this takes place. For personal reasons I hope it would make sense for it to be some time after SwSh, but we will see. 

With the timeline explained, now we can get into the meat of the Legendverse:

Legendaries and The Chosens

This will be a bit difficult to explain so let's start with the pure basics. In this au, Legendary Pokemon are essentially able to Choose a person as their Chosen, which more often than not, are my protagonists for this au. They are given the smallest fraction of the Legendaries power and are tasked to, from the Chosens understanding, protect the world from disaster,  which usually mean defeating the evil teams. However, uh, the Chosens may not even know this. This is where things get messy. When it comes to the protagonists of this au, the common theme is that they are, well, the protagonist: young and off the mixed up in a thing that kids their age shouldn't be getting mixed into. Theres also a sense of fate involved: most Chosen where Chosen either at birth or at a young age. But, for some reason, it doesn't apply to all. What's more is that being Chosen is kinda permanent until the Legendary decided otherwise, so these protagonists are effectively growing up superpowered- okay, it's not as obvious as that. See when I said this is messy? It can get confusing really quickly, especially as the why it's all happening. Legendaries are fickle beings after all. Either you will get some vague answer, or none at all. Or the Legendary doesn't even know themself, which adds more confusion and frustration for any Chosen involved. 

Now, amongst this mess, there's still some structure. For one, man made pokemon of any kind cannot Choose a Chosen. Arceus cannot as well, but purely for the fact that it is Arceus. Even the smallest fraction of power from them would not only be too much power from them, but too much power for the user to even comprehend. Bascically, it can overwhelming really fast and can end badly, really fast. So no Chosen One for Arceus. 

There's also seem to be some sort of….. hierarchy. Arceus, of course, is the one at the top, being the Creator, followed by the Lake Trio and Creation Trio. If I were to get into it here, this post will be far too long, especially as I am still working it out as we speak. But please know there's something going on here and yes, some Legendaries do know each other. 

Now we spoke a lot about the Legendaries and The Chosen Ones. But who exactly are the Chosen Ones? Well…..

The Protagonist Ocs

Truthfully, you should have seen this coming. Unless your new to this blog, then hi, names R, I like making pokemon ocs. Especially protagonist ocs. I have too many and I am going to make it your problem now. 

Real talk,in former interactions of this I would simply have the names of the ocs and have them linked to what is their bio, but given my greatest enemy is myself, I tend to be very behind on that. And given my need to gush about them, it really harms and potential conversation I could have about them if you guys don't know about them. So here's the solution! Short descriptions. The long bio's will come at a later time, I assure you, but for you all to get some idea of who the people are that live in my head rent free, you will get short bios. Some context here: all the ages presented are how of they are by SwSh. The ages they were during their individual game event will be in the larger bios. Also there's a main a secondary ( and the mysterious third) protagonist. Okay? Okay. So without further ado~

PLA 

Name: Sakura Ume

Age: Somewhere in her 20’s

Gender and pronouns: Nonbinary and she/her. Maybe he/him.

Chosen One of: No one.

Bio: Sakura is simply one of a kind. In an attempt to bridge the gap between humans and pokemon a bit faster, Arceus has the genius idea to create a human being for that role. However, Volo’s and Giratina’s tempering caused her to fall to Hisui, with no knowledge of who she is, only a single goal to her name ‘ catch all pokemon’. Despite this, Sakura is a kind and energetic soul, who’s always willing to help and put those before herself.

Fun Fact: She’s Kiran’s ancestor! They look nothing alike.

Name: Zero Yamamoto

Age: Somewhere is his  20’s

Gender and pronouns: Nonbinary and He/Him They/Them

Chosen One of: No one ( but is the cause for someone else down the line)

Bio: I will admit that Zero’s backstory needs some work, but here’s what I got so far:  formerly was from lost The Platinum Clan, the clan that defected against the Celestica all those ages ago. He is one of the few surviving members. His knowledge comes from his parents who came from their parents and ect. They are all gone, and with nowhere else to turn, Zero found himself under the care of The Galaxy Team- Professor Laventon specifically. Despite his past, Zero is a mild mannered young man, simply wanting to help and not scare off people.

Fun fact: Zero has sharp teeth, which tend to put people off. To counter this, he always wears a red scarf. Also he’s a good cook and makes wonderful tea.

Emerald: 

Name: Jin Amachi

Age: 27( swsh) 32( SV)

Gender and Pronouns: Nonbinary and They/Them

Chosen One of: Rayquaza

Bio: One of the older protagonists, Jin has changed a lot from when they were a kid. From a rebellious and angry pre-teen to a much more calmer and confident adult. They're still angry, but for different reasons. They are very good at hiding it, however. 

Fun fact: They have two hands and it's for Amber and Wally 

Name: Kohaku Amber Birch

Age: 27 ( swsh) 32 ( SV )

Gender and Pronouns: Female and She/Her

Chosen One of: Undecided!

Bio:Jin's old rival and now girlfriend! She could have very easily became Champion but she was already set on being a Pokemon professor. Even then she is a strong trainers and a great rival to both Jin and Wally. 

Fun fact: The ultimate clutz. How has she survived so long is a mystery.

HGSS/ Crystal

Name: Kenji Hino

Age: 22 ( swsh) 27 ( SV )

Gender and Pronouns: (Trans) Male and He/Him

Chosen One of: Ho-Oh

Bio: Once a boy with a golden heart, growing under the pressure of his own self doubts and fears. He still tries his best and almost never fails to give a smile to those who need it.

Fun fact: Kenji is a bit of an artist! Drawing helps him destress.

Name: Aiko Elm

Age: 22( swsh) 27( SV)

Gender and Pronouns: Female and She/Her

Chosen One of: Lugia

Bio: An energetic girl who grew to love martial arts and waving her staff around. She’s Kenji’s childhood friend and considers herself his ultimate rival, though that might just be to annoy Silver. She doesn’t follow the same path as her dad, Prof. Elm, and while he is supportive, she can’t help but wonder what she’s doing with her life.

Fun fact: Aiko trained under both the Kimono girls and her Uncle Chuck! She will kick you ass.

Name: Beryl Jewel

Age: 25 ( swsh) 30 ( SV )

Gender and pronouns: nonbinary and they/she

Chosen one of: Suicune

Bio: A generally chill person, Beryl is a an aspiring pokemon professor and focuses their work on pokemon rescue and rehabilitation. Her family is generally supportive, despite all the drama that had come before. Beryl is very worried for their friends well being.

Platinum

Name: Danica Yamamoto

Age: 23 ( swsh) 28 ( SV)

Gender and Pronouns: Female and she/her

Chosen one of: Giratina 

Bio: An eerily quite and kinda creepy girl with a knack for kinda just…..appearing. All she wishes is for her to have good battles, protect Sinnoh, and be with her friends, family and pokemon. Recent years have challenged that however.

Fun Fact: She's a baker and aims to own her own bakery. 

Name: Kiran Plum

Age: 24 ( swsh) 29 ( SV )

Gender and Pronouns: Demi-boy/non-binary and He/They

Chosen One of: No one. Right now. I think. 

Bio: This man has been through so much. To keep it short, he was Professor Rowans assistant, who then became obsessed with Arceus after a chance encounter, to which caused Arceus to send them back in time, where they spend 4 years of his life until he comes back home. He is a incredibly tired, sarcastic professor who desperately needs a nap. 

Fun Fact: He has a crush on Barry and is trying so hard not to have one. He's failing. 

Black and White and B2W2 

Name: Alexis Jones

Age: 22 27

Gender and Pronouns: Male and he/him

Chosen on of: Zekrom 

Bio: Another incredibly tired man who have both lost pokemon and an arm during his journey. Nowadays he's much more reclusive, avoiding any discussion of what has happened to both him and those around him. Despite this, he has a hero's heart….even if he doesn't believe it. 

Fun Fact: He works( worked?) at a daycare and is incredibly good with baby pokemon.

Name: Elliot Jones

Age: 22( swsh) 27 ( SV)

Gender and Pronouns: Female and she/her

Chosen One of: Reshiram 

Bio: Alexis' brash and loud younger twin sister, Elliot has not lost pokemon like her brother did when they were kids. But she was there to see the affects of it. Not to mention losing a leg as her brother an arm. She wants to talk about it with her brother, but he makes it difficult. So what does one do? Drag him to Galar for an admittedly impromptu vacation.

Fun Fact: She works at the Gear Station and formed a close uncle- niece bond with the Submas Twins.

Name: Evangeline " Eva" Ortiz

Gender and Pronouns: Female( trans) and She/Her

Age: 21 ( swsh ) 26 ( SV)

Bio: Once a plucky kid aiming to be the very best that no one ever was, is now the champion ( co-champion??? Still working on it) of Unova.  She's sporty, fashionable, and is constantly doing something. She tries her best to be there for people, but has a hard time letting people be there for her. Especially when it comes to the cold. 

Fun Fact: She's a bit of a tinkerer! Er, engineer. She loves breaking down and building cool tech. It's common for people to not want her and Volkner to meet, less a gaint Mecha robot is to be built. Oh. Also she and Elliot are dating. 

Name: Wayne Kukui

Age: 20 ( swsh ) 25 ( SV)

Gender and Pronouns: Male( trans) and he/him 

Bio: A former team plasma grunt later to be adopted by Clay, Wayne is the more….awkward one of the Unova gang. He genuinely cares about the well being of Pokemon,and while he is a trainer- a decent one at that- he doesn't do it often. He's a bit naive at times, mostly a side affect of being sheltered by Team Plasma, but he has a good heart and wants the best for everyone! 

Fun Fact: He acts as a delivery boy for Clay. Really, Clay just wanted Wayne to interact with people more, but Wayne saw this as some sort of way to repay for his time at Team Plasma, and couldn't be stopped. 

Pokemon XY

Jude Bellrose

Age: 22 ( swsh ) 27 ( sv )

Gender and Pronouns: Genderfluid and they/she/he

Chosen One of: Yveltal

Bio: Another nuzlocke protagonist. Jude can be harsh, their words can be cold and they can act like they don't care. However, his journey deeply affected him, causing him to reflect on themself and what they really want. She's getting better. 

Fun Fact: They are multilingual! Also has heavy romantic tension with Dante. They need to work on themselves first, though. 

Name: Dante LaCroix

Age: 22 ( swsh ) 27 ( SV)

Gender and Pronouns: Male and he/him

Chosen One of: Xerneas

Bio: Jude's rival, and son of two veteran trainers. Prided himself in being a good trainer despite his parents, but Jude's talent and attitude caused a severe rivalry between then two. Said rivalry clouded Dante's judgement and made him to be manipulated by Lysandre, though he turned himself around when he realized what Lysandre's goals truly were. 

Fun Fact: He works as an assistant detective to Emma!

Pokemon SM / Pokemon USUM

Name: Amsonia Mahina

Age: 15 ( swsh ) 20 ( SV )

Gender and Pronouns: Demigirl and she/they

Chosen One of: Lunala 

Bio: Her and her mother moved to Alola -her mother's home region- after finally getting away from her abusive father. She's closed off and selectively mute, so she's not the most cheery of people. However, the more she stays in Alola, the more she begins to heal and begins living her life.

Fun fact: She's Kenji's half sister. They both share the same shitty dad.

Name: Ray

Age: 15 ( swsh ) 20 ( SV)

Gender and Pronouns: cis* ( as in I don't fully know he's vibing) and he/him. 

Chosen One of:  Most likely Solgeleo

Bio: Is under works! At most he's associated with team skull and acts as the protagonist of USUM, not Amsonia ( which acts pretty different in this au) but I still need to figure things out. 

Fun fact: Also in the works!

Pokemon SwSh

Name: Naomi Einar 

Age: 15 ( swsh ) 20 ( SV)

Gender and Pronouns: Female (trans) and she/her

Chosen One of: Zacian

Bio:( oh boy there's a lot going on so I'm keeping this short). A shy country girl who promised her best friend Hop to go on the gym challenge with him. She fully believes she will fail easily and just slow him down, but can't say no to his face. Has…..foggy memory. Can't seem to remember much, even if it's right in front of her. 

Fun fact: Alexis and Elliot are her cousins! She also loves dancing.

Name: Carol Fitzroy

Age: 16 ( Swsh ) 21 ( SV)

Gender and Pronouns: Agender and they/them

Chosen One of: Calyrex 

Bio: A troubled teen that came from a not so great situation. Formerly a city kid in Wyndon, they moved to Wedgehurst with their mother, and made fast friends with Naomi and Hop, immediately becoming best friends. They would do anything to keep them safe. Have a deep hatred for their father, Chairman Rose ( they only found out recently).

Fun fact: Loves hugs, especially from Hop and Naomi.

Luca Valero

Age: 13-14

Gender and pronouns: genderqueer and he/any.

Chosen one of: Terapogos????? Maybe?????

Bio: An energetic boy that has a deep hidden trauma of the darkest day. He tries his best to be a help to anyone and everyone in his life in fear of becoming a burden. He tends to be too stubborn, not knowing when to take a no , but overall is a beacon of light to those around him.

Fun fact: Is a lover of anything pink!

Ramona Beatriz Luna

Age: 16

Gender and pronouns: female ( trans) and she/her.

Chosen one of: None.

Bio: A closed off girl who has been labeled as a bully and "The Calamity" due to her reputations in her old schools. No one knows of the harsh bullying and abuse that she has went through to gain such a closed heart, and because of that she has pretty much gave up on herself, Naranja Uva academy being her last hope. Despite her rough exterior she is pretty chill and level headed, and cares much more than she lets on.

Fun fact: She's childhood friends with Arven. It didn't end well.

And that's it! That's all of them! Well, that's a lie. These are just the protagonist/Chosen ocs I have. Truth be told, there's actually a lot of Pokemon ocs I have haha. But I won't be getting into them here, or else this will be way too long for comfort. But before this post is complete, I wanted to mention some miscellaneous things( at the top of my head)

The Johto Exclusive Elite 4!

The Indigo league go through a "split". One E4 and champion for Johto and one for Kanto

This is done by Kenji, who felt like Johto was often undermined by Kanto and other regions ( mostly Kanto). He wanted Johto to get a chance to shine on their own. 

Still called the Indigo League all together,as a sign of peace and companionship

Kalos kinda sucks and Jude's trying to fix it. 

When you have stores that deny people entry based on how " stylish" they are, you know there's a problem.

Especially when the mad man who tried to commit genocide wanted to preserve "beauty" ( which comes in the form of rich people with elist and socialist views).

And the stigma against " evil" types. 

So yeah. There's a problem that needs fixing. 

Canon characters!

Silver is Chosen by Celebi. An odd duo I know, but think of the comedic potential, okay. 

N is vibing with a non Chosen/Protagonist oc and honestly he deserves it. 

Ingo and Emmet do reunite don't worry. 

Hugh's sister, Hana, ends up becoming the new dark type Elite 4 member in replacement of Grimsley. No I am not kidding. 

Red and Blue are the ultimate slow burn. They are getting married, don't worry.

Also Green's here too! She's Blue's sister in this au

Lear's here and Cheren's bf. Dunno how but he is. 

There's so much more, a lot I probably haven't thought about yet. 

Trainersona?!

Her name is Ruth! No that's not my real name. Please don't address me as that, just call me R. 

She's a demi-god that just wanna chill with her Eevee but ends up getting roped into shenanigans. Please help her, she just wanna chill-

Okay! Now that's it! I'm probably gonna add more as time goes on, but yeah! You can ask about anything regarding the legendverse( my ocs, canon characters, Ruth), or just general pokemon stuff! I really don't mind, and would ramble about anything pokemon related lol. And……yeah. I hope you all have a good day/night!

[shihalyfie]

About the Adventure: reboot, the likely reason why it exists, the question of target demographic, and whether I would recommend it or not

I think this reboot has been kind of a strange outlier in terms of Digimon anime in general, in terms of...well, just about everything. I also feel like everything surrounding it has kind of been giving us mixed signals as to what the intent and purpose behind the anime is -- well, besides “cashing in on the Adventure brand”, but looking at it more closely, that might be a bit of an oversimplification.

I’m writing this post because, having seen the entire series to the end for myself and thinking very hard about it and what it was trying to do, I decided to put down my thoughts. This is not meant to be a review of what I think was good and bad, but rather, something that I hope will be helpful to those who might be on the fence about whether they want to watch it or not, or those who don’t want to watch/finish it but are curious about what happened, or those who are curious as to why this reboot even exists in the first place, or even maybe just those who did watch it but are interested in others’ thoughts about it. I'm personally convinced that -- especially in an ever-changing franchise like Digimon -- how much you like a given work is dependent on what your personal tastes are to the very end, and thus it’s helpful to understand what kind of expectations you should go in with if you want to watch something.

With all of this said and done, if you want to go in and best enjoy this series, I think it is best to consider this anime as a distinct Digimon series of its own. The relationship to Adventure is only surface-level, and by that I mean it’s very obvious it’s doing things its own thing deliberately without worrying too much about what prior series did. Of course, I think everyone will have varying feelings about using the Adventure branding for something that really isn't Adventure at all, but we are really talking about an in-name-only affair, and something that’s unabashedly doing whatever it wants. So in other words, if you’re going in expecting Adventure, or anything that really resembles Adventure, you’re setting yourself up for disappointment. But if you’re able to approach it like yet another distinct Digimon series, and the other aspects of it fit your fancy, you’ll probably be able to enjoy it much better. And, conversely, I think it’s also important to remember that this series seems to have a writing philosophy with a fundamentally different goal from most Digimon series, and since it’s understandable for most long-time Digimon fans to have their tastes built on those prior series, it’s fine and completely understandable that this reboot may not be your cup of tea, for reasons that probably don’t actually have much to do with whether it’s an Adventure reboot or not.

There are no spoilers in the following post. (Although I use some emphatic language for the duration for it, these are mostly just my personal thoughts and how I see the series and the overall situation.)

On what exact relationship to Adventure this series has, and why it’s an “Adventure reboot”

If you ask why they did an Adventure reboot, the easiest answer to come up with is “Adventure milking, because it’s profitable”, but that’s kind of an oversimplification of what the issue is. This is especially when you take into account a key fact that official has been very well aware of since as early as 2006: most kids are too young to have seen Adventure, and therefore have no reason to care about it.

That’s the thing: Adventure milking only works so well on today’s children, and Toei and Bandai know this. This is also the reason that the franchise started going through a bit of a “split” starting in around 2012 (after Xros Wars finished airing), when the video game branch started making more active attempts to appeal to the adults’ fanbase with Re:Digitize and Adventure PSP. (Although they were technically still “kids’ games”, they were very obviously aimed at the adults’ audience as a primary “target”.) The generation that grew up with Adventure and other classic Digimon anime was getting older and older, and targeting that audience would require tailoring products more specifically to them -- ultimately culminating in 2015 and the solidification of “very obviously primarily for adults” media in the form of both games (Cyber Sleuth and Next Order) and anime (tri.). Note that Appmon ended up getting its own 3DS game, but since it was targeted at kids, it seems to have been developed by a completely different pipeline/branch from the aforementioned adults’ games, so even that had a split.

So if we want to talk about full-on nostalgia pandering, that’s already being done in the adults’ branch. In fact, Appmon development specifically said that they felt free to not really care about the adults’ audience because that was tri.’s job. Of course, the hardcore Digimon adults’ fanbase is still keeping an eye on the kids’ shows, and it’s good to not upset them -- and, besides, even if we’re all suffering under the hell of capitalism, people who work in kids’ shows still tend to be very passionate about the content and messages they’re showing the kids, so they still put an effort into making good content that adults can enjoy too. But, nevertheless, adults are still the “periphery demographic”, and a kids’ show is not a success if the kids (who have not seen and do not care about Adventure) are not watching it or buying the toys. Appmon ended up being extremely well-received by the adults’ fanbase, but that all meant nothing since the kids didn’t get into it.

Most kids are not super incredibly discerning about so-called writing quality (it’s not like they don’t at least unconsciously know when something is good, but they’re much less likely to be bothered by little things adults are often bothered by), so there’s a certain degree you have to get their attention if you want things to catch on with them. Critical reception does matter a lot more when we talk about the adults’ audience, but for the kids, the more important part is how much you’ve managed to engage them and how much fun they’re having (especially in regards to the toyline). Moreover, there’s the problem of “momentum”; Digimon’s sister shows of PreCure, Kamen Rider, and Super Sentai have sometimes had really poorly performing shows (critically or financially), but have managed to recover it in successive years to avoid getting cancelled. Digimon never managed to get to that point, with sales nearly dropping to half with Tamers and again with Frontier. So in essence, Savers, Xros Wars, and Appmon were all attempts at figuring out what was needed to just get that “kickstart” again -- but things just never lined up for it to work.

So if kids don’t really care about Adventure, why would they do Adventure nostalgia pandering? The answer is one that official has actually openly stated multiple times: they want to have parents watch it together with their children. Both Seki and Kinoshita said this in regards to watching the reaction to Kizuna, and it was also stated outright as a goal for the reboot, but, believe it or not, there’s reports of this having been stated back as early as Savers (followed by an admission that maybe 2006 was a little too early for people who grew up with Adventure to be old enough to have their own kids). So the little nostalgia references in Savers, Xros Wars, and Appmon aren't really meant to magically turn the series into Adventure as much as they’re supposed to be flags waved at the parents to get them to pay attention, so that they can introduce their kids to Digimon and watch it together with them, until the kids eventually take an interest on their own and they don’t need to rely on that kind of standby as much. (I say “as much” because of course PreCure, Rider, and Sentai all are still very indulgent in their anniversary references, but they’re not nearly as reliant on it to the point of life-and-death.)

This is also why Kizuna’s existence and release date two months prior to the reboot is a huge factor in this. The reason tri. wouldn’t have done it is that it never actually reached a properly “mainstream” audience. It’s a huge reason I keep emphasizing the fact that tri. and Kizuna are two separate things with completely different production and release formats, because tri. being a limited OVA screening released in six parts over three years means that, although it was a moderate financial success that did better than the franchise’s other niche products, in the end, it didn’t actually reach the “extremely casual” audience very well. We, as the “hardcore Internet fanbase”, all know people who watched all six parts, and the difference between tri. and Kizuna’s release formats doesn’t hit us as hard because of international distribution circumstances, but even on our end, if you talk to your casual friends who barely remember anything about Digimon except what they saw on TV twenty years ago, you will almost never find anyone who got past Part 1, maybe 2 at most. (That’s before we even get into the part where a good chunk of them got turned off at the character design stage for being too different.) Sticking with a full six-part series over three years is a commitment, and if you’re not someone with a certain level of loyalty to the franchise, you aren’t as likely to put aside the time for it!

Kizuna, on the other hand, was a full-on theatrical movie with full marketing campaign that was aimed at that extremely casual mainstream audience, including a lot of people who hadn’t even heard of tri. (due to it being too niche) or hadn’t bothered to commit to watching something so long, and thus managed to “hype up” a lot of adults and get them in a Digimon mood. (Critical reception issues aside, this is also presumably a huge reason Kizuna isn’t all that reliant on tri.’s plot; Adventure and 02 both averaged at around 11% of the country watching it when it first aired, but the number of people who even saw tri. much less know what happened in it is significantly lower, so while you can appeal to a lot of people if you’re just targeting the 11%, you'll lock them out if you’re overly reliant on stuff a lot of them will have never seen in the first place.) We’re talking the kind of super-casual who sees a poster for Kizuna, goes “oh I remember Digimon!”, casually buys a ticket for the movie, likes it because it has characters they remember and the story is feelsy, and then two months later an anime that looks like the Digimon they recognize is on Fuji TV, resulting in them convincing their kid to watch it together with them because they’re in a Digimon mood now, even though the actual contents of the anime are substantially different from the original.

So, looking back at the reboot:

There’s a huge, huge, huge implication that the choice to use Adventure branding was at least partially to get Fuji TV to let them have their old timeslot back. Neither Xros Wars nor Appmon were able to be on that old timeslot, presumably because Fuji TV had serious doubts about their profitability (perhaps after seeing Savers not do very well). This isn’t something that hits as hard for us outside Japan who don’t have to feel the impact of this anyway, but it’s kind of a problem if kids don’t even get the opportunity to watch the show in the first place. While there’s been a general trend of moving to video-on-demand to the point TV ratings don’t really have as much impact as they used to, I mean...it sure beats 6:30 in the morning, goodness. (Note that a big reason PreCure, Rider, and Sentai are able to enjoy the comfortable positions they’re in is that they have a very luxurious 8:30-10 AM Sunday block on TV Asahi dedicated to them.)

Since we’re talking about “the casual mainstream”, this means that this kind of ploy only works with something where a casual person passing by can see names and faces and take an interest. This is why it has to be Adventure, not 02 or Tamers or whatnot; 02 may have had roughly similar TV ratings to Adventure and fairly close sales figures back in 2000, but the actual pop culture notability disparity in this day and age is humongous (think about the difference in pop culture awareness between Butter-Fly and Target). 02, Tamers, and all can do enough to carry “adults’ fandom” products and merch sales at DigiFes, and the adults’ branch of the franchise in general, but appealing to the average adult buying toys for the kids is a huge difference, and a big reason that, even if they’re clearly starting to acknowledge more of the non-Adventure series these days, it’s still hard to believe they’re going to go as far as rebooting anything past Adventure -- or, more accurately, hard to believe they’ll be able to get the same impact using names and faces alone.

This advertising with the Adventure brand goes beyond just the anime -- we’re talking about the toyline that has the involved character faces plastered on them, plus all of the ventures surrounding them that Bandai pretty obviously carefully timed to coincide with this. One particularly big factor is the card game, which is doing really, really well right now, to the point it’s even started gaining an audience among people who weren’t originally Digimon fans. Part of it is because the game’s design is actually very good and newcomer-friendly, but also...nearly every set since the beginning came with reboot-themed Tamer Cards, which means that, yes, those cards with the Adventure names and faces were helping lure people into taking an interest in the game. Right now, the game is doing so well and has gained such a good reputation that it probably doesn’t need that crutch anymore to keep going as long as the game remains well-maintained, but I have no doubt the initial “Adventure” branding was what helped it take off, and its success is most likely a huge pillar sustaining the franchise at the current moment.

Speaking of merch and toys, if you look closely, you might notice that Bandai decided to go much, much more aggressively into the toy market with this venture than they ever did with Savers, Xros Wars, or Appmon (Appmon was probably the most aggressive attempt out of said three). They put out a lot more merch and did a lot more collaborative events to engage the parents and children, and, presumably, the reason they were able to do this was because they were able to push into those outlets with the confidence the Adventure brand would let them be accepted (much like with Fuji TV). Like with the card game, the important part was getting their “foot in the door” so that even if it stopped being Adventure after a fashion, they’d still have all of those merchandising outlets -- after all, one of the first hints we ever got of Ghost Game’s existence was a July product listing for its products replacing the reboot’s in a gachapon set, so we actually have evidence of certain product pipelines being opened by the reboot’s precedent. (The word 後番組 literally means “the TV program that comes after”, so it’s pretty obvious this was intended for Ghost Game; in other words, the reboot’s existence helped ensure there be a “reservation” for this kind of product to be made.)

I think one important thing to keep in mind is that Toei and Bandai have as much of a stake in avoiding rehashing for their kids’ franchises as we do. Even if you look at this from a purely capitalistic perspective, because of how fast the “turnover” is for the kids’ audience, sustaining a franchise for a long time off rehashing the same thing over and over is hard, and even moreso when it involves a twenty-year-old anime that said kids don’t even know or remember. Ask around about popular long-running Japanese kids’ franchises and you’ll notice they practically rely on being able to comfortably change things up every so often, like PreCure/Rider/Sentai shuffling every year, or Yu-Gi-Oh! having a rotation of different series and concepts, or the struggles that franchises that don’t do this have to deal with. And, after all, for all people are cynical about Toei continuing to milk Adventure or any of the other older series at every opportunity, as far as the kids’ branch of the franchise goes, this is only capable of lasting to a certain extent; if they tried keeping this up too long, even the adults and kids would get bored, and there is some point it’ll be easier to try and make products directly targeted at the kids’ audience instead of having to rely on the parents to ease them into it.

So it’s completely understandable that the moment they secured a proper audience with the reboot and finished up their first series with this, they decided to take the risk with Ghost Game right after. And considering all that’s happened, this is still a risk -- they’re changing up a lot (even if not as much as Appmon), and there’s a chance that the audience they’ve gathered is going to shoot down again because they’ve changed so much and they no longer have the Adventure branding as a “crutch” to use -- but they’re taking it anyway instead of going for something at least slightly more conventional.

Which means that, yes, there’s a possibility this will all explode in their face, because the Adventure branding is that huge of a card they’re about to lose. But at the very, very least, Ghost Game is coming in with the “momentum” and advantage that Savers, Xros Wars, and Appmon all didn’t have: a brand currently in the stage of recovery, all of the merchandising and collaborative pipelines the reboot and Kizuna opened up, a fairly good timeslot, and a premise somewhat more conventional than Xros Wars and Appmon (I’m saying this as someone who likes both: their marketing definitely did not do them many favors). There are still a lot of risks it’s playing here, and it’s possible it won’t be the end of more Adventure or reboot brand usage to try to keep that momentum up even as we go into Ghost Game, but it’s the first time in a long while we’ve had something to stand on.

Okay, so that’s out of the way. But the end result is that we now have 67 episodes of an Adventure “reboot” that actually doesn’t even resemble Adventure that much at all, which seems to have achieved its goal of flagging down attention so it can finally going back to trying new things. This series exists, we can’t do anything about the fact it exists, the period where its own financial performance actually mattered is coming to an end anyway, and we, as a fanbase of adults hanging out on the Internet keeping up with the franchise as a whole, have to figure out how each of us feels about this. So what of it?

About the contents of the reboot itself

One thing I feel hasn’t been brought up as a potential topic very much (or, at least, not as much as I feel like it probably should be) is that the reboot seems to be actively aimed at a younger target audience than the original Adventure. It hasn’t been stated outright, but we actually have quite a bit of evidence pointing towards this.

Let’s take a moment and discuss what it even means to have a different target audience. When you’re a kid, even one or two years’ difference is a big deal, and while things vary from kid to kid, generally speaking, it helps to have an idea of what your “overall goal” is when targeting a certain age group, since at some point you have to approximate the interests of some thousands of children. Traditionally, Digimon has been aimed at preteens (10-11 year olds); of course, many will testify to having seen the series at a younger age than that, but the "main” intended target demographic was in this arena. (Also, keep in mind that this is an average; a show aimed at 10-11 year olds could be said to be more broadly aimed at 7-13 year olds, whereas one aimed at 7-8 year olds would be more broadly aimed at something like 5-10 year olds.) Let’s talk a bit about what distinguishes children’s shows (especially Japanese kids’ shows) between this “preteen demographic” and things aimed at a much younger audience (which I’ll call “young child demographic”, something like the 7-8 year old arena):

With children who are sufficiently young, it’s much, much more difficult to ensure that a child of that age will be able to consistently watch TV at the same hour every week instead of being subject to more variable schedules, often set by their parents, meaning that it becomes much more difficult to have a series that relies on you having seen almost every episode to know what’s going on. For somewhat older kids, they’re more likely to be able to pick and pursue their own preferences (the usual “got up early every week for this show”). This means that shows targeted at a young child demographic will be more likely to be episodic, or at least not have a complex dramatic narrative that requires following the full story, whereas shows targeted at a preteen audience are more willing to have a dramatic narrative with higher complexity. This does not mean by any shake of the imagination that a narrative is incapable of having any kind of depth or nuance -- the reboot’s timeslot predecessor GeGeGe no Kitaro got glowing reviews all over the board for being an episodic story with tons of depth -- nor that characters can’t slowly develop over the course of the show. But it does raise the bar significantly, especially because it prevents you from making episodes that require you to know what happened in previous ones.

The thing is, the original Adventure and the older Digimon series in general didn’t have to worry about this, and, beyond the fact that their narratives very obviously were not episodic, we actually have concrete evidence of the disparity: Digimon has often been said to be a franchise for “the kids who graduated from (outgrew) a certain other monster series”. Obviously, they’re referring to Pokémon -- which does have the much younger target demographic. That’s why its anime is significantly more episodic and less overall plot-oriented, and Digimon wasn’t entirely meant to be a direct competitor to it; rather, it was hoping to pick up the preteens who’d enjoyed Pokémon at a younger age but were now looking for something more catered to them. This is also why, when Yo-kai Watch came into the game in 2014, that was considered such a huge direct competitor to Pokémon, because it was aiming for that exact same demographic, complete with episodic anime. When Yo-kai Watch moved to its Shadowside branch in 2017, it was specifically because they had concerns about losing audience and wanted to appeal to the kids who had been watching the original series, but since they were preteens now, they adopted a more dramatic and emotionally complex narrative that would appeal to that audience instead. So you can actually see the shift in attempted target demographic in real time.

Adventure through Frontier were aimed at 10-11 year olds, and here’s the interesting part: those series had the protagonists hover around the age of said target audience. We actually have it on record that Frontier had a direct attempt to keep most of the kids as fifth-graders for the sake of appealing to the audience, and so that it would be relatable to them. You can also see this policy of “matching the target audience’s age” in other series at the time; Digimon’s sister series Ojamajo Doremi (also produced by Seki) centered around eight-year-olds. Nor was Seki the only one to do this; stepping outside Toei for a bit, Medabots/Medarot had its protagonist Ikki be ten years old, much like Digimon protagonists, and the narrative was similarly dramatic. The thing is, that’s not how it usually works, and that’s especially not really been how it’s worked for the majority of kids’ series since the mid-2000s. In general, and especially now, it’s usually common to have the protagonists of children’s media be slightly older than the target age group. This has a lot of reasons behind it -- partially because kids are looking to have slightly older characters as a model for what to follow in their immediate future, and partially because “the things you want to teach the kids” are often more realistically reflected if the kids on screen have the right level of independence and capacity for emotional contemplation. Case in point: while everyone agrees the Adventure through Frontier characters are quite relatable, it’s a common criticism that the level of emotional insight sometimes pushes the boundary of what’s actually believable for 10-11 year olds...

...which is presumably why, with the exception of this reboot, every Digimon TV series since, as of this writing, started shifting to middle school students. That doesn’t mean they’re aiming the series at middle school kids now, especially because real-life 13-15 year olds are usually at the stage where they pretend they’ve outgrown kids’ shows (after all, that’s why there’s a whole term for “middle school second year syndrome”), but more that the narrative that they want to tell is best reflected by kids of that age, especially when we’re talking characters meant to represent children from the real world and not near-immortal youkai like Kitaro. In fact, the Appmon staff outright said that Haru was placed in middle school because the story needed that level of independence and emotional sensitivity, which is interesting to consider in light of the fact that Appmon’s emotional drama is basically on par with that of Adventure through Frontier’s. So in other words, the kind of high-level drama endemic to Adventure through Frontier is would actually normally be more on par with what you’d expect for kids of Haru’s age.

But at this point, the franchise is at a point of desperation, and you can see that, as I said earlier, Appmon was blatantly trying to be one of those “have its cake and eat it too” series by having possibly one of the franchise’s most dramatic storylines while also having some of the most unsubtle catchphrases and bright colors it has to offer. Moreover, one thing you might notice if you look closely at Appmon: most of its episodes are self-contained. Only a very small handful of episodes are actively dependent on understanding what happened in prior episodes to understand the conflict going on in the current one -- it’s just very cleverly structured in a way you don’t really notice this as easily. So as you can see, the more desperate the franchise has gotten to get its kids’ audience back, the more it has to be able to grab the younger demographic and not lock them out as much as possible -- which means that it has to do things that the original series didn’t have to worry about at all.

Having seen the reboot myself, I can say that it checks off a lot of what you might expect if you tried to repurpose something based on Adventure (and only vaguely based on it, really) into a more episodic story that doesn’t require you to follow the whole thing, and that it has to break down its story into easy-to-follow bits. In fact, there were times where I actually felt like it gave me the vibes of an educational show that would usually be expected for this demographic, such as repeated use of slogans or fun catchphrases for young kids to join in on. That alone means that even if the “base premise” is similar to the original Adventure, this already necessitates a lot of things that have to be very different, because Adventure really cannot be called episodic no matter how you slice it.

Not only that, even though the target audience consideration has yet to be outright stated, we also have interviews on hand that made it very clear, from the very beginning, what their goals with the reboot were: they wanted the kids to be able to enjoy a story of otherworldly exploration during the pandemic, they wanted cool action sequences, and they wanted to get the adults curious about what might be different from the original. Note that last part: they actively wanted this series to be different from the original, because the differences would engage parents in spotting the differences, and the third episode practically even goes out of its way to lay that message down by taking the kids to a familiar summer camp, only to have it pass without incident and go “ha, you thought, but nope!” Moreover -- this is the key part -- “surprising” people who were coming from the original series was a deliberate goal they had from the very beginning. They’ve stated this outright -- they knew older fans were watching this! They were not remotely shy about stating that they wanted to surprise returning viewers with unexpected things! They even implied that they wanted it to be a fun experience for older watchers to see what was different and what wasn’t -- basically, it’s a new show for their kids who never saw the original Adventure, while the parents are entertained by a very different take on something that seems ostensibly familiar. 

On top of that, the head writer directly cited V-Tamer as an influence -- and if you know anything about V-Tamer, it’s really not that much of a character narrative compared to what we usually know of Digimon anime, and is mostly known for its battle tactics and action sequences (but in manga form). In other words, we have a Digimon anime series that, from day one, was deliberately made to have a writing philosophy and goal that was absolutely not intended to be like Adventure -- or any Digimon TV anime up to this point -- in any way. And that’s a huge shock for us as veterans, who have developed our tastes and expectations based on up to seven series of Digimon that were absolutely not like this at all. But for all it's worth, the circumstances surrounding its production and intent don't seem to quite line up with what the most common accusations against it are:

That it’s a rehash of Adventure: It really isn’t. It’s also blatantly apparent it has no intention of being so. The points that are in common: the character names and rough character designs, some very minimal profile details for said characters, Devimon having any particular foil position to Angemon, the use of Crests to represent personal growth, the premise of being in the Digital World and...that’s it! Once those points are aside, it’s really hard to say that the series resembles Adventure any more than Frontier or Xros Wars resembles Adventure (which are also “trapped in another world” narratives) -- actually, there are times the series resembles those two more than the original Adventure, which many have been quick to point out. The majority of things you can make any kind of comparison to basically drop off by the end of the first quarter or so, and trying to force a correlation is basically just that: you’d have to try forcing the comparison. The plot, writing style, and even the lineup of enemies shown just go in a completely different direction after that. So in the end, the base similarities can be said to be a marketing thing; if I want to criticize this series, I don’t think “lack of creativity” would actually be something I would criticize it for. (Of course, you’re still welcome to not be a huge fan of how they’re still guilty of using Adventure’s name value to market something that is not actually Adventure. We’re all gonna have mixed feelings on that one.)

That they don’t understand or remember Adventure’s appeal: Unlikely. All of the main staff has worked on character-based narratives before, which have been very well-praised while we’re at it. The producer, Sakurada Hiroyuki, was an assistant producer on the original series, and I would like to believe he probably remembers at least a thing or two about what they were doing with the original series...but, also, he’s the producer of Xros Wars, which definitely had its own individuality and style, and, moreover, was more of a character narrative that people generally tend to expect from Digimon anime. (Still a bit unconventional, and it has its own questions of personal taste, but a lot of people have also pointed out that this reboot has a lot in common with Xros Wars in terms of its writing tone and its emphasis on developing Digital World resident Digimon moreso than the human characters.) All signs point to the idea they could make a character narrative like Adventure if they really wanted to. It’s just, they don’t want to do that with this reboot, so they didn’t.

That they misinterpreted or misremembered the Adventure characters: There’s been accusations of said characters being written in a way that implies misinterpretation or lack of understanding of the original characters, but the thing is, while I definitely agree they have nowhere near the depth of the original ones, there are points that seem to be deliberate changes. (At some points, they’re actually opposites of the original, and certain things that operate as some very obscure references -- for instance, Sora complaining about having to sit in seiza -- seem to also be deliberate statements of going in a different direction.) The lack of human character depth or backstory doesn’t seem to be out of negligence, but rather that this story doesn’t want to be a character narrative to begin with -- after all, we’re used to seven series of Digimon that are, but there are many, many kids’ anime, or even stories in general, where the story is more about plot or action than it is completely unpacking all of its characters’ heads. In this case, this reboot does seem to have characters that are taking cues from or are “inspired by” the original, but, after all, it’s an alternate universe and has no obligation to adhere to the original characters’ backgrounds, so it stands to reason that it’d take liberties whenever it wanted. (Again, the head writer outright stated that he based the reboot’s Taichi more on V-Tamer Taichi than the original Adventure anime Taichi. He knows there’s a difference!) Even more intriguingly, the series actually avoids certain things that are common misconceptions or pigeonholes that would normally be done by the mainstream -- for instance, the Crest of Light (infamously one of the more abstract ones in the narrative) is fully consistent with Adventure’s definition of it as “the power of life”, and, if I dare say so myself, Koushirou’s characterization (emphasizing his relationship with “knowledge” and his natural shyness) arguably resembles the original far more than most common fan reductions of his character that overemphasize his computer skills over his personal aptitude. In other words, I think the staff does know what happened in the original Adventure -- they just actively don’t want to do what Adventure did, even if it’s ostensibly a reboot.

That it’s soulless or that there’s no passion in its creation: Well, this is subjective, and in the end I’m not a member of the staff to tell you anything for sure, but there are definitely a lot of things in this anime that don’t seem like they’d be the byproduct of uninspired creation or lack of passion. It’s just that those things are all not the kinds of things that we, as Digimon veterans, have come to develop a taste for and appreciate in Digimon anime. That is to say, there is an incredible amount of thought and detail put into representing Digimon null canon (i.e. representing special attacks and mechanics), the action sequences are shockingly well-animated in ways that put most prior Digimon anime to shame, and the series has practically been making an obvious attempt to show off as many Digimon (creatures) that haven’t traditionally gotten good franchise representation as they can. Or sometimes really obscure “meta fanservice” references that only make sense to the really, really, really, really hardcore longtime Digimon fan (for instance, having an episode centered around Takeru and Opossummon, because Takeru’s voice actress Han Megumi voiced Airu in Xros Wars). If you follow any of the animators on Twitter, they seem to be really actively proud of their work on it, and franchise creators Volcano Ota and Watanabe Kenji seem to be enjoying themselves every week...so basically, we definitely have creators passionate about having fun with this, it’s just that all of it is being channeled here, not the character writing.

So in the end, you can basically see that this series is basically the epitome of desperately pulling out all of the stops to make sure this series lands with the actual target demographic of children, dammit, and gets them into appreciating how cool these fighting monsters are and how cool it would be if they stuck with them even into a series that’s not Adventure. The Adventure branding and names to lure in the parents, the straightforward and easy-to-understand action-oriented narrative so that kids will think everything is awesome and that they’ll like it even when the story changes, and the merchandise and collab events booked everywhere so that they can all be reused for the next series too...because, remember, they failed with that during Savers, Xros Wars, and Appmon (I mean, goodness, you kind of have to admire their persistence, because a ton of other kids’ franchises failing this many times would have given up by now), so it’s a bit unsurprising that they went all the way to get the kids’ attention at the expense of a lot of things that would attract veterans, especially since the veterans already have a well-developed adults’ pipeline to cater to them. This does also mean that this series is more likely to come off as a 67-episode toy commercial than any previous Digimon series, but it’s not even really the toys as much as they’re trying to sell the entire franchise and the actual monsters in the hopes that they’ll stick with it even when the narrative changes.

Nevertheless, here we are. The series is over. Ghost Game -- which, as of this writing, is looking to be much more of a conventional Digimon narrative, complete with older cast, obviously more dramatic atmosphere, and pretty much everything surrounding its PR -- is on its way, presumably thanks to the success of this endeavor. It’s hard to gauge it; we have it on record that they also intend it to be episodic, but remember that this doesn’t necessarily prevent it from having an overall dramatic plot or nuanced drama (especially since the abovementioned Appmon and Kitaro were perfectly capable of pulling off this balance). Nevertheless, it seems to be a lot more of the conventional kind of Digimon narrative we usually expect, so, as for us, adult long-time fans of the Digimon franchise (many of whom don’t have kids anyway), what exactly should we make of this? Well, as far as “supporting the franchise” goes, you’ll get much more progress supporting Ghost Game than the reboot; I highly doubt view counts and merch sales relative to an already-finished series will do nearly as much for the franchise’s health as much as the currently airing series, and, besides, it’d probably do us all a favor to support the endeavor that’s actually new and fresh. So when it comes to a “past” series like this, it’s all just going to come down to a question of personal preference and taste: is this a series you, personally, want to watch, and would you find it entertaining?

For some of you, it’s possible that it just won’t be your cup of tea at all -- and since, like I said, the majority of us here have based our expectations and preferences on up to seven series of Digimon that were not like this, that’s also perfectly fine, and in that case I don’t actually recommend you watch this. Of course, I’ve never thought that it was ever fair to expect a Digimon fan to have seen all of the series released to date; the more series we get, the more inhumane of a demand that’ll become, and I think this franchise becoming successful enough to have so many series that most people won’t have seen it all is a good thing. (It’s actually kind of alarming that the percentage of people who have seen it all is so high, because it means the franchise has failed to get much of an audience beyond comparatively hardcore people who committed to it all the way.) But I think, especially in this case, with a series for which adult fans like us were probably lowest on the priority list due to the sheer amount of desperation going on here, it’s fine to skip it, and if you’re someone who lives by a need for character depth or emotionally riveting narrative, the fact this series is (very unabashedly and unashamedly) mostly comprised of episodic stories and action sequences means you won’t have missed much and probably won’t feel too left out of any conversations going forward. That’s before we even get into the part where it’s still completely understandable to potentially have mixed feelings or resentment about the overuse of the Adventure brand for something like this, especially if Adventure is a particularly important series to you.

But for some of you out there, it might still be something you can enjoy on its own merits. I’ve seen people who were disappointed by the limited degree of Digimon action sequences in the past or the fact that the series has gotten overly fixated on humans, and had an absolute ball with the reboot because it finally got to represent parts of the franchise they felt hadn’t been shown off as well. “Fun” is a perfectly valid reason to enjoy something. It’s also perfectly possible to be someone who can enjoy character narratives like the prior Digimon series but also enjoy something that’s more for being outlandish and fun and has cool Digital World concepts and visuals -- and, like I said, it does not let up on that latter aspect at all, so there’s actually potential for a huge feast in that regard. I think as long as you don’t expect it to be a character narrative like Adventure -- which will only set you up for disappointment, because it’s not (and made very clear since even the earliest episodes and interviews that it had no intention of being one) -- it’s very possible to enjoy it for what it is, and for what it does uniquely.

[reallivegeekgirl]

StanQuest

Something clicked on in my brain a couple months ago and suddenly Sebastian Stan became the hottest man alive. So I decided to watch everything he’s ever been in. A friend and I called it StanQuest.

Here are my spoiler-free reviews for anyone considering something similar (in inverse chronological order starting with latest works and going back in time. The stars are an overall rating of the work, not of Sebastian’s performance.

This only lists things I could find streaming for free or a price I was willing to pay. It does not count after credits scenes, music videos, or works in which he was uncredited.

The Falcon and the Winter Soldier (2021) - TV show - ⭐⭐⭐⭐⭐ - This started it all. I very much enjoyed it. Good balance of humor and action, heart and heroics. I’ve watched it four times already, and will watch it again. Bucky Barnes is my favorite character of his and this is my favorite story of Bucky's so far. I can’t wait to see what he does next. (And I have a lot to say about how they treat his trauma in this show. I’ve definitely written about it before and may again.)

Monday (2020) - Movie - ⭐⭐⭐ - This is the one where he gets naked. If that’s all you’re looking for, enjoy. It was a very realistic portrayal of a relationship between two deeply flawed people. It can get depressing. But hey, penis.

The Devil All the Time (2020) - Movie - ⭐⭐⭐⭐ - If you think Monday is depressing, this movie says “hold my beer”. But something about it is just captivating. It’s really disturbing, and if you’ve ever been screwed over by American Evangelical Christianity it might be more disturbing. Still, I’ve watched it twice. And as much of a bastard as Lee Bodecker is, he also looks really cuddly. He’s just barely in it.

The Last Full Measure (2019) - Movie - ⭐⭐⭐⭐ - You will cry. A lot. It’s based on a true story. Sebastian plays a man who cares more about his career than this weird quest dumped on his desk by his boss, but changes his mind and his heart as he investigates why a war hero was denied a medal of honor 34 years before. Definitely recommend.

Endings, Beginnings (2019) - Movie - ⭐⭐⭐⭐ - One of two love interests in the complicated life of Shailene Woodley’s Daphne, Sebastian is an adorable mess. The editing is interesting and fresh feeling. Watch it and you’ll see what I mean. Fair amount of sex in this movie, and you see his butt. It’s a very nice butt. I’ve watched this one a few times so far.

Avengers: Endgame (2019) - Movie - ⭐⭐ - There is no reason to watch this movie if you’re not familiar with at least most of the rest of the MCU. It plays merry hob with the rules of time travel, and only makes sense if you don’t really think about it. In my opinion, the ending is really freaking stupid comsidering his character’s history, but at least it sets up TFatWS, which was amazing.

We Have Always Lived in the Castle (2018) - Movie - ⭐ - If you’re into movies that are creepy but also almost nothing happens for most of the movie, this is the one for you. Sebastian is handsome as hell, but also a complete asshole. As fine as he is, I’m not gonna watch this again. I fucking hated it.

Destroyer (2018) - Movie - ⭐⭐- I had a hard time paying attention to the plot because it seemed like they made this movie just to get Nicole Kidman an Oscar nomination for wearing ugly makeup and playing a complete mess of a person. It’s a fine movie, and all of the performances are good. Sebastian looks surprisingly good with the short hair and goatee. Ultimately, the plot is depressing and the whole movie seems kind of pointless.

Avengers: Infinity War (2018) - Movie - ⭐⭐- Again, no reason to watch this if you aren’t already familiar with all the movies leading up to it. It’s long and the villain looks like Grimace and a California Raisin had an evil baby. The ending made me scream with frustration that I had to wait until the next one came out. Now I just watch them back-to-back if I watch them at all. It’s not a good movie, but it is part of a long-form story that I enjoy in general.

I’m Not Here (2017) - Movie - ⭐⭐- Another depressing one. Told over the course of one man’s terrible life, it’s a sad account of how much your parents can fuck you up. Sebastian portrays the middle part of the man’s life. J.K. Simmons plays the current day part and unreliable narrator.. Do not watch unless you are fully prepared to be sad for a really long time after.

I, Tonya (2017) - Movie - ⭐⭐⭐- This movie is hilarious. I mean, the true story is insane and really stupid. The spousal abuse is hard to watch, and Sebastian’s mustache in this is a war crime. But the acting is great and it’s a very engaging movie. The parts that aren’t horrifying are pretty funny.

Logan Lucky (2017) - Movie - ⭐⭐⭐⭐⭐ - Watch. This. Movie. Sebastian Stan is only in it a little, but it’s a really fun, clever caper/heist movie and everyone in it is fantastic. I don’t want to say anything else about it if you’re going in fresh. I’ll be rewatching this one a lot

Captain America: Civil War (2016) - Movie - ⭐⭐⭐⭐ - If you ignore how kind of silly the conflict over the Sokovia Accords is, this is a good Marvel movie. Sebastian gets a lot of screen time because Bucky is the more pressing concern/urgent point of contention than the Accords. Bucky is my favorite character of his partly because of this movie.

The Martian (2015) - Movie - ⭐⭐⭐⭐⭐ - I’m watching it(again) as I’m typing this. I’ve lost count of how many times I’ve watched it. Sebastian Stan isn’t in it very much, but he’s very cute and so is his little story arc. Mostly I watch it because Ridley Scott made a fantastic movie. If you can get your hands on the Blu-Ray, it comes with a ton of extras. They made a very complete story that isn’t all seen in the movie. A lot of it is stuff about Mars, but there are also extra “crew” interviews, so there’s another chance to see more of Sebastian’s character.

Ricki and the Flash (2015) - Movie - ⭐⭐⭐⭐ - He’s not in this very much, but he’s very cute when he does appear. It’s all about the relationship between Ricki and her daughter. Definitely rewatchable. Meryl Streep is fantastic, because she’s Meryl Streep.

The Bronze (2015) - Movie - ⭐ - This is not a good movie. It’s about Olympic gymnastics, so it might be slightly more interesting right now while the Olympics are happening. Sebastian isn’t in it a lot, but his performance is certainly… memorable. Weirdest sex scene I’ve ever seen. Worth watching just for that.

Captain America: The Winter Soldier (2014) - Movie - ⭐⭐⭐⭐⭐ - This is the one I can watch over and over. I bought a Winter Soldier face mask for when I need to feel like a badass. Bucky’s story is really sad, but he’s also extremely sexy with the metal arm and determined walk.

Once Upon a Time (2012-2013) - TV Show - ⭐⭐⭐ - This show is so stupid, but it’s also fun. If you haven’t seen it, the premise is that fairy tale characters are real and live in another land. Snow White’s Evil Queen casts a spell to transport a bunch of them to a town she creates in Maine called Storybrooke, and gives them all fake memories so she can be mayor and watch them all not remember who they are. Sebastian plays Jefferson, a.k.a. The Mad Hatter. He’s in a few episodes in season 1 and 2, and doesn’t get a ton of screen time, but he’s really cute and tragic as Jefferson. It probably helps to watch the whole first season just to understand his episodes, but that’s up to your tolerance for weird shit. Note: IMDB says he’s in an episode uncredited, but I’ve watched it and didn’t see him anywhere in that one.

Labyrinth (2012) - TV Mini-Series - ⭐⭐⭐ - Two episodes that tell a complete story. Sebastian isn’t in this one a whole lot, but he is adorable. It’s a strange story about religious stuff and a sort of Holy Grail that’s three books. It’s hard to describe. It’s on Amazon Prime right now, but they’re taking it down August 8, 2021, so watch it while you can.

The Apparition (2012) - Movie - ⭐ - If you like horror movies, you might like this. I did not. From what I understand, it’s not a very good horror movie. Watch with caution and expect it to suck.

Political Animals (2012) - TV Mini-Series - ⭐⭐⭐⭐ - I had to buy this through Apple and watch it on a Mac, but it was worth it. Sebastian plays TJ Hammond, the out gay son of a former American president who is clearly based on Bill Clinton. Sigorney Weaver plays the former first lady and current secretary of state. TJ struggles with addiction and relationship problems. His performance is heart-wrenching. The whole show is pretty great. I wish there was more of it.

Gone (2012) - Movie - ⭐⭐⭐ - More of a psychological thriller than a horror movie. Sebastian has a small amount of screen time as the worried boyfriend. Amanda Seyfried is good. She carries the film well on her own.

Captain America: The First Avenger (2011) - Movie - ⭐⭐⭐⭐⭐ - If you haven’t seen this yet, I’d like to know what it’s like under your rock. This is a movie I can rewatch a lot, and have. I 100% cried in the theater. Sebastian looks fantastic in uniform as Bucky Barnes. This is his introduction and the start of his ultimately tragic story (before he’s saved by his best friend, again).

Black Swan (2010) - Movie - ⭐⭐⭐⭐ - Sebastian is barely in this. He’s basically just in one scene in a dance club. But I watched it to try to complete StanQuest, and I had seen it before. It’s a good movie, but might induce some nightmares, depending on what scares you. If Natalie Portman didn’t at least get a nomination for an award she was robbed.

Gossip Girl (2007-2010) - TV Show - ⭐⭐ - Carter Baizen is a little shit. The episodes with Sebastian in them might have made more sense if I watched the show from the beginning, but I didn’t want to. His character is an asshole, but a very cute one.

Hot Tub Time Machine (2010) - Movie - ⭐⭐⭐- The people who made this movie are bad at math, and their rules of time travel are sketchy at best, but it is funny and entertaining. Sebastian plays a ski patrol bro who’s paranoid about the Russians, which is hilarious irony to me. Worth watching if you want to laugh at something dumb.

Kings (2009) - TV Show - ⭐⭐⭐- Sebastian plays Jack Benjamin, the closeted gay son of the king of a fictional place. It’s loosely based on the David and Goliath story from the Bible. Sebastian is so sad and so gay. His family makes his life a living hell. Ian McShane is a force of nature in this. It’s only one season. I’ve watched it twice. I will watch it again.

Spread (2009) - Movie - no stars - This movie was practically unwatchable. It stars Ashton Kutcher and Anne Heche as a romantic couple, I guess? I ended up just skipping to Sebastian’s scenes and only watching those. Still painful.

The Covenant (2006) - Movie - ⭐⭐⭐ - This movie is so fuckig stupid, and I will watch it a ridiculous number of times. It’s about magic and teenagers, like The Craft for boys. Nothing about it makes sense. It’s terrible, almost irredeemable, but an evil Sebastian with magic powers is a siren song that will make me steer my boat right into the rocks.

And there you have it. There are a bunch of earlier things on IMDB that I just can’t find or don’t want to pay to rent. Maybe some day I’ll watch them and add them to this list.

[thanksjro]

Dark Cybertron Chapter 1: Welcome to Comic Event Hell

You know what readers love? When the stories they’ve gotten invested in over the course of a couple years get interrupted for some pseudo-crossover bullshit.

And you know what writers love? When the story they’ve been crafting over the course of a couple years get interrupted for some pseudo-crossover bullshit.

Did I say love?

Because I didn’t mean it.

“Dark Cybertron” was penned by John Barber and James Roberts, with collaboration with comic writer and artist Phil Jimenez, and was published from early November, 2013 to late March, 2014. Atilio Rojo, James Raiz, and Livio Ramondelli did the art, each responsible for scenes in specific locations, with Robert Gill filling in as needed. Alex Milne, Andrew Griffith, and Brendan Cahill would also contribute pencils to the first issue and the back half of the series. It was a celebration of the 30th anniversary of the franchise, and the second birthday of Phase Two... which went on for over four months, but never mind that!

Both "Dark Cybertron” and its preliminary materials were made to go alongside the Transformers: Generations toy-line, each issue being included as a toy pack-in with whatever character was being featured… or, at least, that was the plan. Sometimes it didn’t work out. Regardless, this storyline was created to sell toys directly, as opposed to the MTMTE/RID series being made to sell toys more through the power of suggestion. It’s a small distinction, but important, because it will help explain any lack of soul one may perceive while they read “Dark Cybertron”.

“But Hannz!” you cry out, reaching to grab me by the throat and shake me like a rag doll, because to you I’m merely a faceless voice on the internet. “Surely by calling this specific storyline soulless, you’re completely ignoring the very nature of this franchise that you’re almost uncomfortably invested in!”

To which I’ll say this: look, I’m pretty realistic about where my giant space robots came from; Transformers as a franchise would not exist the way it does without Ronald Reagan introducing the Free Market to literal children and fucking up how we interact with media for the rest of time. There is no ethical consumption under capitalism, and that rings especially true when I’ve got a Spinister on my bookshelf staring me down as I write this, that was likely made out of plastics which either involved blood oil or unethical labor practices, if not both.

However!

The choices of a company to have their comic license holders to cook up an entire plot that derails what they’ve already got planned out for toy tie-in comics is a completely different animal than what IDW had had going on up to this point. Phase Two had been about exploring different ideas that hadn’t been able to be explored during the war, and seeing what happens when you take away a third of the logline for Transformers G1 as a whole. Being a part of a brand of toys was almost inconsequential to how the stories were being told; even the Spotlights, which were also toy tie-in comics, had plenty of charm to them, if only because there weren’t quite as many constraints placed on the writers, and they were stand-alone issues.

Of course, being tie-in comics isn’t the only reason that “Dark Cybertron” is a bit of a slog, considering everything IDW itself was trying to get done within this storyline, but we’ll cover the publishing company’s/Simon Furman’s/Transformers’ tumultuous relationship with the concept of gender identity and expression later on, when it becomes relevant to the story proper. This point also ties into the interesting origin of Windblade, who we’ll meet in a few issues, and what happens when you let your fanbase have a taste of power and forget that people might like to see themselves represented in the media they consume.

“Dark Cybertron” is what ended up making me stop reading MTMTE the first time I tried it in 2015. A big part of it was because it forced the reader to need so much information from RID and even events prior to Phase Two, it wasn’t very fun to try to parse what was going on, on top of the writing beginning to flag because of obvious constraints to what Barber and Roberts could actually do, both within their deadlines and the rules put in place by their higher ups for the event.

 “Dark Cybertron” is the result of the sort of executive meddling that kills reader enjoyment by requiring writers to cram their two worlds together as quickly as possible, without the option to go for nuance because there simply isn’t time. The reason we have four separate artists for the front half of this story is because Milne and Griffith didn’t have time to draw both their current workload and “Dark Cybertron” at the same time... but sales probably went up due to the nature of how the story was published, so I’m sure they didn’t really see a problem with it.

That’s a general “they”, not a Milne and Griffith “they”.

In short, we’ve got license contract obligations, fan-poll obligations, and gender stuff fighting for space within the next 12 issues, which will be published in the span of roughly four months. Things are probably going to be a little bloated and sloppy.

Regardless of any of these points, this is what we’ve got. It’s not like it’s all bad- “Dark Cybertron” has the benefit of being written by two people who had been working closely before it had even been conceptualized. Barber was the senior editor for MTMTE, and IDW as a whole until he left in 2016. It also isn’t a proper crossover- y’know, where two completely separate titles get mashed together for a bit. MTMTE and RID exist in the same universe, just have their own things going on, so a decent amount of things still carry over without you needing to have read every single thing in both. The writing, while not quite up to par with pieces that had more creative freedom and breathing room between scenes, is still recognizable as being Barber and Roberts’. Their voices are still here, they’re just strained under the weight of everything that has to be said inside of 12 issues.

With all THAT out of the way, let’s dive in to Dark Dawn: Dark Cybertron Chapter 1.

We get a quick rundown of the most basic information you’ll need for this entire story to make sense, as we reintroduce the fact that Shockwave is an ecoterrorist with more agendas than a daily planner factory on meth, and also that he grows magic crystals. I don’t care what he says, the Ores are fucking space-magic. If you don’t want to read through all of RID for everything else, please see Robots in Disguise (2012), #1-22- A Recap, For Reference Purposes.  We also get a quick rundown of the Lost Lighters’ deal, as Swerve potentially has a meta-episode.

Be careful what you fucking wish for, bucko.

Our story proper starts with a flashback to the shittiest road trip Cyclonus ever went on, as the Ark 1 finds itself at the edge of a mysterious portal. This is likely why he wasn’t super thrilled when the portal to Luna 1 showed up- portals are probably a touchy subject for him.

Jhiaxus doesn’t know what this portal is- surely this means that science has failed us, and it’s time to call in the religious crowd to try and suss out what’s going on here.

It’s moments like this that make me wonder what exactly happened in the Dead Universe that made Cyclonus’ cheek meat just pack up and leave.

Now, we know that Cyclonus is correct here, because we as readers have more knowledge than the characters at this point, but Jhiaxus tries to write off this theory as hogwash, because he is a man of rationality and science. This is a slight removal from his character in the present, whose most notable traits seem to be a lack of ethics and screaming.

Everyone here seems to be slightly different from their current iterations, actually; Galvatron doesn’t say a word as he steps between Jhiaxus and Cyclonus, only using his body to communicate that the scientist might want to back off. Cyclonus himself is certainly the wordiest we’ve ever seen him to be, droning on through his actual thought process before he comes to a conclusion on what exactly they’ve found. Compare this to the Cyclonus of today, who only deigns to grace everyone with his voice if they outright threaten him, have something he wants, or are Tailgate. If he were to ever pull this verbal meandering on board the Lost Light, people would probably assume he’s having a stroke.

Nova Prime- you remember him, don’t you?- gives not a fuck about the Dead Universe, only what it means for him personally. And what it means for him is more locations to subjugate, because he is cartoonishly evil. His character is the least removed from his present-day iteration out of everyone. He tells the crew they’ll be getting a little closer, only for the portal to do the work for them, by way of dark energy tentacles.

Wow, the pilot for the Ark 1 really is just straight-up named Butt, isn’t he? And what the fuck is that face you’re making, Cyclonus? Are you- oh my god, are you emoting? Oh my god, he’s emoting.

As the Ark 1 is pulled to its doom, Jhiaxus makes a quick phone call to Shockwave to tell him he’s his favorite, and to keep up the good work.

In the present, Shockwave reflects on just how friggin’ long this whole ordeal has taken. Fortunately, Waspinator and the Titan are almost here, and he can hardly wait.

Not, uh, that he’s got emotions or anything. It’s been established that he doesn’t have those anymore. Is impatience an emotion? Does that count?

Shockwave seems like he’d be really frustrating to write for.

Anyway, the Titan shows up, the Ore inside him and the Ore in the underground Crystal City combine, and the Titan starts screaming because everything hurts. Shockwave’s about as thrilled as he can be about the situation, given his lack of emotions.

Above Crystal City, we finally get back to that nonsense about the early sunrise, as someone- maybe Starscream, given the color of the narration box- waxes poetic on the planet of Cybertron, wartorn and wild in its rebirth, ruled by paranoia that has nothing to bounce off of, and so creates its own walls.

Then we get a detailed shot of Rattrap’s mug, and the moment is broken.

Rattrap’s character is a lot of fun in everything he gets tossed into, but you’re a goddamn liar if you think he’s pretty to look at. You are lying to yourself, and I won’t apologize for saying it.

Starscream walks out of his room in his hot new body, feeling fine and ready to take on the world. We’ll check in on him later in the day to see how that positive mentality is working out for him.

So, the sun hasn’t moved, and it’s way too early for the sun to even be up right now. That’s weird. Because I guess he didn’t know how the sun works, Starscream’s only just realized that this is perhaps a problem. He does some computer work and realizes that this is indeed a very bad thing, and asks that Rattrap call the Autobots. Not the ones who fucked off into the wilderness, the other ones. The gay, space ones.

Up in space, Orion Pax and his pals have found themselves in dire straits, the collapsing Gorlam Prime sucking their ship back down as the Death Ore consumes everything.

That’s not how engines work! And I think it really says something about the “Prelude” issues that I completely forgot why Wheelie was down an arm for a solid five seconds.

It turns out that Orion was the narrator the entire time, which I should have known- since when is the once and future Optimus Prime not the primary voice in any media he appears in?

It’s looking rough for the fellas, but luckily we’ve got to get the plot rolling, so the Lost Light VZZZZTs into existence and picks up the Skyroller to place it gently into its belly.

Orion isn’t exactly jazzed about the fact that Rodimus didn’t listen to what he told him, not even bothering to thank the guy for saving his life. I say y’all keep going on your Thunderclash Quest and leave this ungrateful loser behind. No space yachting for you, Orion.

The rest of the Pax Posse enter the Lost Light proper, and Hardhead reveals that he nearly joined the Quest, before he saw who all would be coming with, while Garnak has a tearful reunion with Rodimus. The fact that he’s calling him Sir- which I don’t recall him doing in Transformers (2009), at least not in a way that seems reminiscent of an unfortunate Antebellum Period Romance- feels rather weird, but I’m glad someone’s fucking happy to see Rodimus at least. Ultra Magnus asks Orion if he’ll be assuming command of the vessel, as Rodimus tries not to look horrified by the thought alone, but fortunately Orion’s not going to pull his “I’m Optimus Prime and I Can Do What I Want” Card just yet.

Smash cut to the bridge, as Rodimus tries to make himself sound competent, when Starscream calls. Orion doesn’t like that Starscream has their number, Perceptor almost reveals the fact that this ship technically doesn’t belong to a faction, likely due to being purchased after the war, and Cyclonus gets brought in for his professional opinion.

As it turns out, that early sunrise isn’t a sunrise at all, but a portal to the Dead Universe. This is a problem, because the Dead Universe really sucks, and you don’t want to go there, especially if you enjoy being alive. Orion seems more concerned about the fact that Starscream is ruling the planet, and Bumblebee is nowhere to be found.

Speaking of Bumblebee, he and all his camp buddies are psyching themselves up for a confrontation.

Swoop, please, this is hardly the time for crudeness.

The Dinobots, sick of Bumblebee’s dithering about, decide they’re going to fight the fucking sun and gear up. Prowl, though generally disliking their brand of problem-solving, does share his begrudging respect of their can-do attitude.

Their can-do attitude over fighting the fucking sun.

Then an earthquake happens and the ground rips open to reveal that Titan that Waspinator showed up with.

Shockwave takes over the narration at this point, and we get artsy, as we see events that haven’t transpired yet over musings on the nature of... time? Maybe? It would be in line with Roberts’ go-to topics, but honestly the whole thing’s kind of vague so I couldn’t give you a solid answer. Shockwave gets awfully introspective for a guy who shouldn’t care, I know that much. The point is, he is inevitable and is super good at logic and science.

Also, Nova Prime and Galvatron are back, which is cool, I guess. Not sure where Galvatron had gotten to exactly after the events of “Chaos”, but he’s back now, so it doesn’t matter too terribly much. Shockwave serves them, which we’ll probably get an explanation for at some point.

God, you can practically taste the desperation to pin all these plot points together before the entire thing implodes on itself.

[redvanillabee]

MCU Phase 4: S.W.O.R.D and the Collapse of the Multiverse

I’ve been seeing a lot of theories about Phase 4 floating around, and with the finale of Agents of SHIELD, I reckon I’d collate all the theories here, as well as add in a few of my own theories, and get a feel of what Phase 4 might hold for us.

WARNING: contains slight Agents of SHIELD S7 spoilers.

1. Leaving Endgame: unresolved issues

The infinity Saga (Phases 1-3) ended with Avengers: Endgame. Regardless of how you feel about the narrative, the film wraps up the story based around Thanos’ encroachment on earth. So that should leave no loose threads, right? No world-bending problems left to resolve?

WRONG.

Avengers: Endgame actually left a lot of paradoxes and loopholes. There are objects remove and added into different points of time, characters killing their past selves, etc.

These problems with their Time Heist can’t just be left there, unattended. These paradoxes also can’t be brushed aside simply with a “new timeline” theory. As we learnt in Agents of SHIELD Seasons 5&7, while time can indeed be changed, there will still be paradoxes, which will result in anything from confusion to deaths and destruction.

Are the Marvel execs that stupid? That they would painstakingly explain the logistics of time travel to the audience in the film, then blatantly break all their own rules? Even mass-market films aren’t that stupid. Especially not ones by a studio that is known for planting Easter eggs and somehow planned a whole 10-year, 22-film franchise.

Rather, I believe this is a pantomime moment. Remember, the Thanos storyline--the Infinity Saga--may be over, but the MCU is far from it. I believe they are leaving behind these gaping holes in the spacetime continuum, luring the audience to point at the screen and shout out the inconsistencies, to name the problems themselves. So let us peel back the story, and identify those time-travel and inter-dimensional problems ourselves.

2. Far From Home is our primer for Phase 4

Here’s the funny thing: Far From Home is classified as the last film of Phase 3, with Black Widow as the first film of Phase 4. But narratively, it seems odd to class FFH as part of Phase 3, stringing it with the rest of the infinity Saga. Apart from the plot thread with Tony Stark, what does FFH have to do with the main premise of the Infinity Saga?

This awkward position of FFH might make sense if we view it not just as part of Phase 3, but as that transition instalment between Phases 3 and 4. On the one hand, FFH continues its legacy from the Infinity Saga, by physically having Peter inherit something from Stark, arguably the lead star of the Infinity Saga. At the same time, FFH melds that with a whole new element that will bring us forward: the idea of dealing with threats from not just different points in time, but different realities altogether. Even though Mysterio isn’t really from another dimension, Pandora’s Box is now open. This idea has officially been introduced into the MCU, and as we will find out later, there are heavy suggestions of the MCU going in the direction of inter-dimensional threats.

FFH also bridges the past by reintroducing to us the idea of an overarching organisation governing or monitoring the actions of the superheroes. As mentioned above, MCU superheroes have been freelance superheroes since Apr 2014, with the fall of SHIELD in Winter Soldier. However, with FFH, we see a return of... well, some kind of SHIELD, with the intervention of Fury and Hill. Granted, this is not really SHIELD. Fury and Hill, as we find out in FFH, are impersonated by Skrulls. Regardless, an authoritative organisation has been reestablished in the MCU. The return of ““SHIELD”“ also gives FFH the feel of Iron Man 2/ The Avengers (2012), harkening back to the early days of the Infinity Saga, which I would say is rather appropriate for opening a whole new arc. And, as I will explore below, we might be seeing more of SHIELD in MCU’s future.

(Incidentally, is Peter Parker supposed to know that, for what it’s worth, Nick Fury is supposed to be “dead”?)

FFH is not the first time MCU has played with alternate dimensions, of course. The Ancient One has introduced the idea of borrowing powers from alternate dimensions going as far back as Doctor Strange (2016). But during that film, they have left it at a tease. However, it seems that we might finally be meeting alternate versions of our known reality.

3. Black Widow: Taskmaster is a little too familiar

While we still haven’t seen the Black Widow standalone (damn you coronavirus),  based on what we know from trailers, BW will likely follow FFH’s angle of bridging elements of the past (e.g. a secret organisation with Fury at the helm) while introducing elements from the future (alternate dimensions), But this time, Mama Spider is going to kick it up a notch.

Firstly, it seems that BW might be introducing a nemesis to the SHIELD-equivalent in Phase 4. In the Infinity Saga, the main villain--at least when SHIELD was a thing--was HYDRA. With the fall of SHIELD, the last of the HYDRA bases are also wiped out of the MCU at the start of Age of Ultron.

(If you go with Agents of SHIELD, Thanos is very very vaguely connected to HYDRA, what with him being known to/ part of(?) the Confederacy, who are working with HYDRA).

So what will be the main villain in Phase 4? BW trailers focus very heavily on reconnecting with the past, which reminds me of how FFH calls back to Fury being in charge of the big picture. But in BW, it seems that a reconnection is also made with shady characters. There is a lot of discussion about Natasha’s Red Room past, of other Black Widow graduates. There are grey areas, and the focus on reconnecting to the Red Room reminds me of the “the other Winter Soldiers” arc from CACW, as well as the Dottie Underwood arc in Agent Carter season 1. Will the Red Room be our new HYDRA? Or... are they just a smokescreen?

Because there’s the Taskmaster, and they are very strange indeed. We know nothing about the Taskmaster--their motives, their affiliations, their goals--but they already strikes an eerie chord with the audience. They seem to be an amalgamation of so many notable heroes in the MCU. Why would a villain just... happen to be a combination of so many MCU heroes? Or could the Taskmaster be paving the way to how the Madness of Multiverse “may reportedly feature alternate-reality versions of known MCU characters”?

First Mysterio, and now the Taskmaster. The threat in Phase 4 is gaining steam, and is gearing up to be a force that can only be defeated if the superheroes are once again brought together. The Avengers was initially designed by SHIELD, but were brought together by Loki’s invasion (and Coulson’s death). But where are they now? Who will take up the mantle of the fallen? Who will be there to unite the forces needed? 

4. SHIELD, TVA, and SWORD

For those who only watch the films of the MCU (like myself until recently), SHIELD has not been a legal organisation since April 2014, and has been completely out of the picture in the MCU since April 2015. However, the organisation has actually been hard at work behind the scenes since.

The actual events in Agents of SHIELD, being so separated from the MCU, are not strictly relevant to the discussion and prediction of Phase 4. What we need to know is that: following a series of events that turned them legitimate, then illegitimate, then legitimate again, SHIELD should be a legitimate organisation again by the time of FFH.

(Side note:

There is some debate as to whether Agents of SHIELD is still taking place in the same timeline as the MCU. I personally like to think yes, AOS is still taking place in the same timeline as the MCU. Some have argued that the Snappening never happened in AOS, and when Daisy stopped Talbot from destroying Earth at the end of Season 5, that launched AOS into a branching timeline. However, I would argue that they are in the same timeline because Daisy stopped Talbot. Based on the words of the alien Confederacy, it does not seem that the Snappening and Talbot are two inter-dependent events. If Talbot had cracked the Earth in half, it wouldn’t matter what the outcome of Infinity War was, because, well, there’d be no Earth. There’d be no Endgame. So in my opinion, Agents of SHIELD, as it closes in 2020, is in the same timeline as the MCU, at which point the Avengers would have been moping about losing half of Earth’s population. As for the fact that none of the AOS team got dusted... the OG6 Avengers also didn’t get dusted, and the AOS team was small. I think we can let that slide.)

(Besides, if timelines really are going to be fucked up, as we will see below, then it really doesn’t matter if AOS and the Infinity Saga are in the same timeline. They can just cross over into each others’.)

But SHIELD’s reach, after all, is limited. Even Fury did not have a handle on Carol Danvers as she spent 23 years (1995-2018) just roaming the Universe as a space vigilante. With the jurisdiction of the MCU heroes now extending beyond time, space, and dimensions, we will need authorities in space. Maybe some kind of... ambassadors from earth.

In the Agents of SHIELD series finale, Marvel threw us a bone. As the team part ways after their final mission together, Daisy, Sousa (yes that Sousa from that Agent Carter), and Kora take to space, as some kind of SHIELD representative. The showrunners teased the audience by having Sousa describe their little unit as the “Astro Ambassadors”, but the audience immediately know what to ask for: SWORD. SWORD, according the MCU Wikia, stands for Sentient World Observation and Response Department, and is a “subdivision of SHIELD”. In fact, I believe we will be seeing more of SWORD in Phase 4. And with the release of the latest WandaVision trailer, we know that SWORD with Monica Rambeau as one of its agents is definitely going to be a thing.

Even if, EVEN IF, SHIELD and SWORD aren’t going to be a thing in Phase 4, we still have another authority that will be very interested in all these alternate dimension business going on around Earthlings. In what little we know of the Loki standalone TV show, it seems the Time Variance Authority will be part of it. Time, space, dimensions, these will all be threatened in Phase 4.

5. Steve Rogers and Corrupted Timeline Theory

By this point, if we are keeping score, we know space and time in the MCU is fucked up. Timelines are messed up, left in paradoxes, and people are just travelling everywhere and anywhere they fancy. Loki. Natasha. Astro Ambassadors.

And then there’s Steve Rogers.

Since the end of Endgame, a theory has been gaining steam that the actual Steve Rogers is stuck in the Quantum Realm, and whoever/whatever Old Steve is, it is a corrupted version of him. Please click through and take a look at the brief post about how Steve may be trapped in the time stream. It is an excellent analysis on how Steve could be a central indicator to all these time/space/dimensional tomfoolery.

6. What to expect

Here’s what I think is going to happen:

Following the primer that is Far From Home, Black Widow will continue to push the idea of interdimensional threats a notch further. Things that should be resolved, things from the past, are coming back to haunt us. Things start to get uncanny. The Taskmaster’s powers are too familiar. It’s all a little eerie.

Meanwhile in Marvel TV land, things go from “still earthly” to downright insane. The Falcon and the Winter Soldier, in all likelihood, will be the most earth-based of the Marvel TV shows, kind of like how the Cap trilogy is the most earth-based, with the least amount of sci-fi invention compared with the Iron Man trilogy and Thor saga. However, since Sam Wilson and Bucky Barnes are the two people closest to Steve, one literally inheriting his mantle, it might be in this show that we see more signs of reality being corrupted through iterations of Steve.

WandaVision is a result of both anomaly!Steve, as well as the many timeline problems left in Endgame. In WandaVision, Wanda and Vision find themselves flung through so many alternate realities. The anomalies in spacetime catches the attention of the authorities, in this case, Monica Rambeau and SWORD. We officially have our overarching authority for Phase 4.

The madness in time and space goes even further when Loki, now armed with the Space Stone and somehow looking like his Thor 1 (2011) self again, just... Loki-s it all up. Making jumps. Causing chaos through human history. General Loki shenanigans. The disturbance that this causes alerts an authority higher than SWORD: the Time Variance Authority.

This is also an excellent time to reintegrate the Marvel TV Universe back into the MCU, after having them split off from the MCU in 2013 and 2015. There is a very special cameo in Endgame, an Easter egg reserved only for those who have watched the Marvel TV spin-offs. “James D’Arcy’s cameo as Edwin Jarvis in Avengers: Endgame marks the first time a Marvel Cinematic Universe character introduced in a television production has crossed over into the films.“ Of course, there is no promise that just because they have brought Jarvis from Agent Carter over to Endgame, that they will bring others into the MCU in a similar fashion. But with Marvel Studios/Disney+ branching officially into making their own TV shows (instead of collaborating with ABC/Netflix), we can expect more crossings between the TV shows and the films. With the door now open with Edwin Jarvis, characters from AOS can rather easily be integrated into Phase 4 shows. And, if Daniel Sousa, a character that was last seen in 2016, can somehow be brought forward in a miraculous time escapade, there is no reason why other Agent Carter elements can’t be.

Time, space, dimension, reality, are now all fucked up beyond recognition. The hints of alternate reality characters? They are now coming in full-swing. There will be “alternate-reality versions of known MCU characters“. Marvel’s What If? cartoon ties into this as basically some kind of MCU fever dream: what if skinny Steve had an Iron Man suit? What if Peggy Carter was Captain America? It’s all out of the window by this point.

Captain Marvel 2, being likely set between earth and space, can easily fit into this whole development. Arguably, same for Thor: Love and Thunder. The events in space can rather easily tie into all these inter-dimensional madness. (And if Marvel Studios stop being a coward, they will let Carol Danvers date Dr. Thor).

Fun fact: SWORD was apparently mentioned as early as a deleted scene from Thor (2011).

With the world on the brink of universal collapse, we finally enter Doctor Strange: Madness of Multiverse. In the first Doctor Strange film, we’ve only seen one alternate dimension: Dark Dimension (Dormammu). In the Madness of Multiverse? Get ready for the Actinaria Dimension. The Grass Jelly Dimension. The Flowering Incense Dimension. The Mandelibus Dimension. Btw I’m not making these dimensions up. They are all introduced in the Marvel Studios Visual Dictionary.

Endgame may have ended Thanos’ arc, but it is only the beginning for a whole new chapter of the MCU. Years ago... probably around the time of CACW, I read a meta that discussed how Marvel might be taking the MCU in the direction of a “collapse of the multiverse”. That was predicted to happen in Infinity War/Endgame. While the Universe did not implode in Endgame, the world also doesn’t... necessarily settle into peace at the end of Endgame. To borrow what a friend of mine said,

Aren’t the other timelines just as doomed as the OG timeline where the Thanos snapped ... and the stones [are] gone in the end?

Like if we assume that they came up with the same idea for every other fucked timeline, then we would just end up with even more alternate timelines, and even more fucked timelines

and it becomes endless

Is this why it’s called Infinity War lmao

As we learnt in Agents of SHIELD Season 7, if a timeline is mucked up, actions must be taken to help it settle, if not restore it to its original form, otherwise there will be grim consequences. Between the milieu of timelines created by the Avengers and the Agents of SHIELD, I think Doctor Strange has his work cut out for him in Madness of Multiverse.

Madness indeed.

-----

Further Reading

‘I’m a storyteller, I know when I am in one’ — John Watson, Series Four, and Authorial Intent 

Pantomime moments of the storyteller leaving gaping holes for the audience to point out are very common. In this piece, I explore how that technique is used in BBC Sherlock’s Season Four. While it looked like the showrunners are breaking all storytelling rules, they are doing it for a very sound reason.

Don’t Mourn — Avengers: Infinity War and the Five-Act Structure

Aka that time I wrote 7k words on the narrative structure of the Infinity Saga that is somehow still gaining clicks and reads on Medium.

[dailyexo]

[INTERVIEW] EXO - 191213 Billboard: “EXO Talk 'Obsession’ Album & Future: 'I Hope that the Name of EXO Can Grow’”

"It’s been seven years since EXO arrived with 2012's MAMA EP, and since then the boy band has spent much of its time atop of the South Korean music scene, with hits like 2013’s “Growl" and 2015’s “Love Me Right” setting them up as a dominant act throughout much of Asia. Last month, they unveiled their sixth LP, Obsession, ending the year -- and the decade -- with both a new sound and a hint towards what the future will bring for the men of EXO.

Fronted by a lead single also dubbed “Obsession,” the 10-track album is bookended by Korean and Chinese versions of the song, which turns the group towards hip-hop-inspired sampling and an intense Auto-tuning, blending their more typical R&B and electro-pop styling with musical elements that at first seem anachronistic and jarring. But it’s the perfect way to set up the story they’re trying to tell.

For EXO, the majority of their musical releases have been tied into fictive narratives revolving around the members and fantastical, sci-fi plot lines, ranging from the extraterrestrial to the supernatural. For Obsession, which peaked at No. 198 on the Billboard 200 chart dated Dec. 14, EXO presented oppositional sides to themselves through a series of teaser images and videos ahead of the album’s release, setting up an epic battle between EXO and their X-EXO clones, which played out in the music video for their single. The song’s apparent disjointment on first listen is meant to go alongside the visual elements, representing a dialogue between the two warring parties.

“Honestly, when we look into a song we think about what kind of performance will work and whether a song will fit the kind of performance we want to put on,” Kai tells Billboard. “So when we heard this song, we thought it was a really good fit in the sense that for the Auto-Tune it matched the idea of the two different EXOs, EXO and X-EXO. The Auto-Tune kind of gives us the vibe of communication between the two different parties having a conversation, so it was a very specific move that we took.” He said he thinks EXO will win the fight, eventually, “Because anytime you watch a movie or read a comic the hero does win. X-EXO is temporary so they’re going to disappear anyway.”

The idea behind the storylines that EXO utilizes to promote their music is to better get their music across to fans -- known collectively as EXO-L -- and also to better relay content in the age of digital media, where visuals are just as important as audio elements. It’s been something the group has been utilizing since their earliest days, and each member has supernatural powers associated with them that often are featured in their branding. “We’re not just a group that sings and dances,” says Chanyeol. “For people watching us, of course they know the storylines are fake. But like watching a movie, it's another way for people to fall for us more deeply. It gives people a back story about how we were formed. Our storyline isn't just incorporated into our music or videos, but it's incorporated really well into our concerts as well. We do feel that it really allows people to become properly immersed.”

Kai and Chanyeol are two of six EXO members that participated in the album, alongside Baekhyun, Chen, Sehun, and Suho, following the enlistment of Xiumin and D.O. in South Korea’s military, fulfilling the country’s mandatory draft requirements, and Lay focusing on a solo career in China. The six other members are expected to similarly enlist and take temporary hiatuses from the industry in the near future.

The new dynamic has given EXO’s members opportunities to explore different sides of themselves, and Chanyeol says that it’s also opened their eyes to how they work together and cover for one another in case of any issues. Each member "has to pull their weight so whether in singing or dance, there are parts that won’t be hidden,” he says. “It would be a really big problem [if we made a mistake] because it would be really obvious.” For Suho, who is EXO’s leader, the diminishing numbers makes him reflective. “The fact that we’re unable to perform with all the members is a little bit sad, so when we look at old videos we do feel like, ‘Oh, there are a lot of members in the group’ and we’d like to come together as a full group.”

As all able-bodied South Korean men are expected to take time off from their lives to fulfill the country’s draft requirements, EXO knows it will be seeing more such changes in the near future, and the act will likely not look the way it once did for sometime. But rather than dwell on the past, the men of EXO are looking towards the future, and 2019 saw many of them work on alternative projects, where it was releasing solo music, such as Chen, Baekhyun, Xiumin, and D.O., or working with new units, like Sehun and Chanyeol’s EXO-SC and Baekhyun and Kai in SuperM, along with numerous other professional activities. “We’ve received so much love for our units and solo projects, but at the end of the day the most important thing is the team and group’s performances,” says Baekhyun. “The fact that we’re able to show all these different sides to us also allows us to show different sides of EXO as a group and show how diverse we are, and how each of us have our own talents.”

When asked how they feel about their career over the past decade and what they hope for the future, Chanyeol responds that the members of EXO feel that they’re focusing on the present and facing each moment on its own. “To be honest, when we do interviews when we’re working we realize that as a group we’ve become very comfortable. Rather than us having to go out of our way to go do something, it’s become very natural for us. It’s grown with time and come naturally, this sense of maturity.”

Though EXO and X-EXO battle it out over the Obsession album, the duality of the release is also reflected in the members’ struggles to explore their identities as individuals beyond the act: how to be both a member of EXO and a man in his own right. As EXO have grown in their career, they have also grown up: youngest member Sehun debuted as a teenager but is now 25-years-old. Unfortunately ill on the day of the interview, he was silent throughout much of the discussion and his health hung over the act like a cloud, with frequent references to how, as they get older, they need to take care of themselves better. “These days, seeing that our physical health is part of our workload, I feel that a healthy life, health in general, is very important,” says Baekhyun. “Rather than thinking about more of what we can do to grow as a group, I feel that we all have begun to focus on seeking individual happiness. Right now, a lot of our focus is on how each person is able to find their own happiness and health, and use that when we come together as a group to move in the right direction.”

Suho echoes this, saying that their branching out as individuals beyond the group is a way to take care of themselves as individuals after years of focusing on the collective well-being. “In the past, EXO’s schedule didn’t allow a lot of individual talents to be focused on but starting from the beginning of this year we were given the time to really focus on ourselves, whether it was internally or externally. It’s not just us as a group, but I think everybody needs that kind of self-care. It was good for everybody.”

Even as they focus on themselves, the group is still the focal point of EXO’s identity. “We came together, got very close, and without the passion that we had as a group I don’t think we would have made it as far as we have come,” reflects Baekhyun. “When it comes to being satisfied, as people I think that we’re never 100% satisfied.” This passion towards improving and always seeking something closer and closer to perfection, but recognizing that is impossible and that there is always something more to be done, is emphasized by the members’ responses when asked what their obsessions are: Kai says he’s a workaholic, and Chanyeol says his competitive nature is to the degree that it could be considered an obsession. (Meanwhile, Baekhyun’s obsessed with games, and Kai jokes that Sehun is obsessed with alcohol, as it is well-known he’s one of the group’s members who enjoys drinking.)

One place where Chanyeol at the very least is satisfied in is EXO’s music. “When it comes to our music, I’m 100% confident that we release quality music,” he says with pride. “It’s almost like we’re not following trends but we don’t fall back behind either.” He and Sehun tried to push their artistic side in a new direction with EXO-SC’s What a Life EP in July, and there was a bit of a negative response from some fans over the title song’s music video, which featured the pair partying it up with female dancers. But he says it’s all good, as there’s no moving forward without trying new things, and it’s always good to hear differing opinions. “We wanted to do something drastically different. You could say it was so completely different from what EXO typically releases. It was a very dramatic challenge for us, and even though there was some backlash from fans, for me personally it was a big motivating factor, that I need to show more new sides and that there are many new challenges to take on.”

It’s important to EXO that their audience takes in all the different sides to themselves that they have to offer, and Chen says he hopes that listeners recognize that there’s a difference between an artist releasing a single and an album. “If you listen to the whole album beyond ‘Obsession,’ you’ll recognize that all of the songs are good,” he says; his personal favorite is “Groove.” “I feel that there is a tendency that people just listen to the title track, but it would be really great if people can listen to the whole album because every song is really great.”

Moving forward, EXO knows they’re shifting into a new era of their career, but they express a desire to always remain as one. “I hope that EXO is able to continue just the way it does right now, but beyond the group I hope that each individual member is able to find his own happiness,” says Baekhyun. “We may not go on music performance shows all the time in 10 years, but we hope that we can release albums here and there. In that we can all live our own lives and come together, happily, as a group.” He pauses, and adds with a wry expression, “I think that in 10 years, hopefully we’ll be able to release something like a ballad or an R&B-heavy song where we can just stand around rather than dance.” Other members quickly jump in and refute this though. “That’s not EXO’s thoughts, that’s Baekhyun’s thoughts,” Sehun says with a laugh, while Chanyeol adds that he hopes EXO is “a very cool group” 10 years down the road; Kai adds that he would like to continue dancing as long as his body allows for it.

“As time passes, like our members, our fans are going to start pursuing their own lives as well,” says Kai. “As they fall into their own lives, when they suddenly have a thought of EXO, I hope that one thought that comes to their mind is, ‘It was a really good memory being their fan.’” Suho echoes this, repeating “A good memory” in English with a nod of his head. Baekhyun agrees with this desire for their time together with fans to be thought of warmly, but follows up with the suggestion that the idea of being a memory, while heartwarming, is limiting. “I really hope that we aren’t a group that is remembered as a group that’s part of the past, because when you think of that you think about these groups that don’t really promote and they don’t really do anything as a team. I hope that, whether individually or as a group, we continue to promote and that the name of EXO can continue to grow.”"

Photo links: 1

Credit: Billboard.

[aesthetic-uwus]

Movies/tvshow recommendations

1. Scott pilgrim (2010)

As bass guitarist for a garage‑rock band, Scott Pilgrim (Michael Cera) has never had trouble getting a girlfriend; usually, the problem is getting rid of them. As Ramona Flowers (Mary Elizabeth Winstead) skates into his heart

2. Growing op (2008)

A teenager tries to live a normal life while his parents run an operation growing weed out of their home

3. 10 things I hate about you (1999)

Kat Stratford (Julia Stiles) is beautiful, smart and quite abrasive to most of her fellow teens, meaning that she doesn't attract many boys. Unfortunately for her younger sister, Bianca (Larisa Oleynik), house rules say that she can't date until Kat has a boyfriend

4. Juno (2007)

When precocious teen Juno MacGuff (Ellen Page) becomes pregnant, she chooses a failed rock star and his wife (Jennifer Garner) to adopt her unborn child. Complications occur

5. Easy A (2010)

Prompted by her popular best friend to spill details of her boring weekend, Olive (Emma Stone), a clean‑cut teen, decides to spice things up by telling a little lie about losing her virginity. When the high‑school busybody (Amanda Bynes) overhears the conversation...

6. Warehouse 13 (2009-2014)

Plot. The series follows U.S. Secret Service Agents Myka Bering (Joanne Kelly) and Pete Lattimer (Eddie McClintock) when they are assigned to the secretive Warehouse 13 for supernatural artifacts. It is located in a barren landscape in South Dakota, and they initially regard the assignment as punishment.

7. ferris buellers day off (1986)

Ferris Bueller (Matthew Broderick) has an uncanny skill at cutting classes and getting away with it. Intending to make one last duck‑out before graduation, Ferris calls in sick, "borrows" a Ferrari, and embarks on a one‑day journey through the streets of Chicago.

8. Perks of being a wallflower (2012)

Socially awkward teen Charlie (Logan Lerman) is a wallflower, always watching life from the sidelines, until two charismatic students become his mentors. Free‑spirited Sam (Emma Watson) and her stepbrother Patrick (Ezra Miller) while overcoming the problem from his past

9. Sex education (2019-?)

Socially awkward high school student Otis may not have much experience in the lovemaking department, but he gets good guidance on the topic in his personal sex ed course -- living with mom Jean, who is a sex therapist. Being surrounded by manuals, videos and tediously open conversations about sex

10. Anne with an E (2017-?)

In the late 19th century, brother and sister Matthew and Marilla Cuthbert, both past their prime, decide to take on an orphan boy to help out around their ancestral farm of Green Gables, on the outskirts of the town of Avonlea, on Prince Edward Island.

11. Santa Clarita diet (2017-2019)

Joel and Sheila Hammond are everyday suburban real estate agents in Santa Clarita, California. The couple face a series of obstacles when Sheila undergoes a metamorphosis, becomes undead and starts craving human flesh.

12. Atypical (2017-?)

This heartfelt comedy follows Sam, a teenager on the autism spectrum, who has decided he is ready for romance. In order to start dating -- and hopefully find love -- Sam will need to be more independent, which also sends his mother (Jennifer Jason Leigh) on her own life-changing path.

13. That 70s show (1998-2006)

A comedy revolving around a group of teenage friends, their mishaps, and their coming of age, set in 1970s Wisconsin. Eric Forman is a typical high school student growing up in Wisconsin in 1976 with his family and his friends. ... The head of the group is Eric Forman who lives under the authority of parents Red and Kitty.

14. Tuca and Bertie (2019)

Premise. Tuca & Bertie follows "the friendship between two 30-year-old bird-women who live in the same apartment building, Tuca, a cocky, care-free toucan, and Bertie, an anxious, daydreaming songbird."

15. The end of the fucking world (2017-2019?)

James (Alex Lawther), a 17-year-old who believes himself to be a psychopath, and Alyssa (Jessica Barden), a rebellious classmate who sees in James a chance to escape from her tumultuous home life. ... 

16 Derry girls (2018-?)

Derry Girls is a Northern Irish sitcom created by Lisa McGee. Set in 1990s Derry, Northern Ireland the show follows five teens as they live through political conflict while going through the challenges of being teenagers.

17. Grease (1978)

Plot. In the summer of 1958, local boy Danny Zuko and vacationing Sandy Olsson meet at the beach and fall in love. When the summer comes to an end, Sandy—who is going back to Australia—frets that they may never meet again, but Danny tells her that their love is "only the beginning"

18. Love simon (2018)

Everyone deserves a great love story, but for 17‑year‑old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online. Resolving both issues proves hilarious, terrifying

19. Legally blond (2001)

Elle Woods (Reese Witherspoon) has it all. She wants nothing more than to be Mrs. Warner Huntington III. But there is one thing stopping him (Matthew Davis) from proposing: She is too blond. Elle rallies all of her resources and gets into Harvard, determined to win

20. Legally blonde 2 (2003)

Elle Woods (Reese Witherspoon) journeys to Washington, D.C., to have her say about animal rights, but is ignored by every politician she encounters and quickly learns that the White House can be even tougher to navigate than the Ivy League

21. shameless us (2011-?)

Shameless is the story of a family of six kids and their drunk and selfish father. The eldest daughter Fiona has to raise the rest of the family on her own. They need to steal food and steal money to live while their father takes everything and offers nothing. Meet the fabulously dysfunctional Gallagher family.

22. Dead like me (2003)

Georgia Lass is aloof and emotionally distant from her family and shies away from her life. After dropping out of college, she takes a temp job through Happy Time Temporary Services. During her lunch break on her first day, she is hit and killed by a toilet seat falling from the deorbiting Mir space station.

23. Daria (1997-2002)

A smart and cynical girl goes through teenage life as a proud outsider in a world of mainly idiotic adolescents and condescending adults. Daria Morgendorffer is an intelligent, unpopular, and quite sarcastic teenager tolerating life among the idiots at Lawndale High.

24. IT (2017)

Seven young outcasts in Derry, Maine, are about to face their worst nightmare ‑‑ an ancient, shape‑shifting evil that emerges from the sewer every 27 years to prey on the town's children. Banding together over the course of one horrifying summer

25. IT chapter 2 (2019)

Defeated by members of the Losers' Club, the evil clown Pennywise returns 27 years later to terrorize the town of Derry, Maine, once again. Now adults, the childhood friends have long since gone their separate ways. But then people start disappearing....

26. Stranger things (2016-?)

A young boy, Will Byers, goes missing near a top-secret government laboratory. On the same night, a strange young girl appears at a diner in the town. ... A love letter to the '80s classics that captivated a generation, 'Stranger things' is set in 1983 Indiana, where a young boy vanishes into thin air.

27. Ginger snaps (2000)

The story of two outcast sisters, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins), in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger's wounds miraculously heal 

28. Arrietty (2010)

Arrietty, a tiny teenager, lives with her parents in the recesses of a suburban home, unbeknown to the homeowner and housekeeper. Like others of her kind, Arrietty remains hidden from her human hosts, but occasionally ventures forth 

29. F is for family (2015-?)

Set in the 1970s, this animated raunchy comedy is inspired by the life of stand-up comic Bill Burr, who is a co-creator and executive producer of the series. Burr also voices the character of Frank Murphy, a short-tempered veteran who lives in the suburbs with his wife, Sue (Laura Dern) and their three children

[lunias-takes-on-homestuck]

My Classpects Through the Years

I started getting into Homestuck in late 2012, about a year after [S] Cascade dropped, and like most of y’all I got pretty interested in the system of Classes and Aspects.

...Okay, I got obsessed with it. Who wouldn’t? A highly-flexible system of essentially taking an aspect of reality and interpreting it through the lens of a key verb or idea, creating unique and self-determined power sets limited only by your own imagination? That’s wild. And when I say I got into it, I mean I really got into it. I dove deep into Homestuck’s lore, reading up on popular and somewhat fringe theories about what each Aspect related to, how the Classes utilized them, what the potential Active/Passive pairings were, and how certain Aspects seemed to oppose each other. I even went so far as to contribute to a theory regarding the future of Tavros Nitram, which... didn’t exactly pan out as expected... but it was a ton of fun! And of course, while I was certainly interested in what this all meant for our cast of characters, I was also interested in how it could be interpreted and/or applied to real people.

People are, of course, far more complicated than a simple personality test could possibly explain, but I still got a lot of entertainment out of trying to pin down the classpects of characters or people I knew irl. Which naturally included me. Looking back on it, I think it’s very interesting to see the progression in ideas that led up to my more recent musings, so I figured it would be cool to dive into that and share my past and current classpects here!

Credits:

All images are pulled from the Homestuck Classpect Chart Updated posted by JosiahR94 on DeviantArt.

Artists: Zynchilada (compiled, partially drawn) and Owyn (updated at original resolution). Both blogs listed on the artwork have since been deactivated.

2012-2013 - Knight of Breath

This one is the byproduct of some test manipulation on my part - the fan test I was using was based on MBTI and Jungian archetypes, and honestly I’ve never found them to remain accurate for longer than a couple months at a time. I’ve wound my way around four different MBTI results over the years so I’m not inclined to use them as the basis for much, especially since the original test included fan-created classes and aspects that I really didn’t understand or jive with. But even once I narrowed it down to strictly canonical classes and aspects, I still wound up going with the 3rd-most accurate one. At the time I saw the Knight as the Active Exploiter class, the type to jump into action and wield their aspect as a weapon. I really related the idea of a detached loner who was fiercely protective of their friends, and John had shown off very, very recently (for me, anyway) just how powerful wind could be. The powers were sick, the outfit was neat, and it was absolutely wrong in nearly every way. Nearly. But we’ll get to that.

2013-2015 - Seer of Doom

You’re probably a little familiar with this one if you’ve been keeping up with Homestuck theorists lately, as there are two prolific content creators I know of who identify as Seers of Doom. For some time, I did too! The change was largely brought about because I thought my initial Knight of Breath result hadn’t been accurate enough, and also because I wanted to try my hand at classpecting myself without the aid of tests. At the time I was really feeling the Doom aspect and I saw myself as a guide (or maybe a teacher?) so it felt like it fit. There was just one sliiiight problem - I was entirely focused on how the Doom aspect related to the problems I was having in my life, rather than how I viewed the world around me and interacted with it. I still felt like I was sort of onto something with Doom, but it took some major life events to give me the nudge I needed to see things a little more clearly...

2015-2020 - Sylph of Life

For me, 2015 felt like the year I was finally coming out of my funk and figuring my shit out. It’s the year I started taking college courses (well, a college course), getting into meetups, making new friends, and reinventing myself. At some point I decided that the issue with my initial Doom analysis was that I was overly focused on the challenges I had instead of how I actually dealt with them, and my new aggressively-optimistic outlook would simply not mesh with Doom. Not one bit. I also felt that my class didn’t quite fit, and Sylph was sitting right there with their magick-y healing and creation powerset -- the ultimate support, and the type of person who makes their own way through life by simply refusing to accept they could be stopped or put down by anything. By the time the Extended Zodiac Quiz came out in 2017 and confirmed I was Lifebound, I had already proven to be on top of my game in college in a creative field. I joined our LGBT+ club and started somewhat aggressively railing against overly-restrictive labels and social constructs in Contemporary English to the point that I was exceeding the page limit on our essay assignments on a regular basis and still felt I wasn’t saying everything I wanted to say. Sylph of Life just clicked for me in a way the Knight of Breath and Seer of Doom never had, so I figured I’d nailed it.

Then, earlier this year, I found out I was actually a girl.

2020-Present - Knight of Life... or maybe Heart???

Imagine for a minute that you’re at a theater watching some movie through the perspective of the protagonist. You think you’ve got the plot all figured out, you’re guessing every story beat, and then in the last 5 minutes the big twist reveals the protagonist has unwittingly been an unreliable narrator for the last two hours. Literally everything you thought you understood has been flipped on its head, and it’s still good but it’s all very confusing. You leave the theater wondering what you just watched, and as you turn on your car you suddenly realize there were subtle hints foreshadowing the twist for over half the film. With every passing second the pieces start coming together, and you just know that watching it again would leave you going “How the hell did I miss that?!”

That’s about the best way I can explain what I’ve been experiencing for the past four-ish months. All the puzzle pieces I had put together were thrown totally out of whack and I’m finding every day that there are aspects of myself and my personality that I never knew where there. Discovering myself is hard work, but it’s a wonderful feeling, and it’s no wonder that on the heels of this I’m seriously vibing with the aspect relating to Personal Identity. That said, I still find myself parsing labels and identity through the lens of Life - words which are too restrictive to properly convey who I am, and an experience that can’t be explained or constrained by the stereotypical narrative people tend to have about people who are bisexual, polyamorous, transgender, and at once more complicated than those words can really describe. When I take the Extended Zodiac Quiz I find that I’m still Lifebound, but changing even a single question by a single step leaves me Heartbound instead, and I think that dichotomy really mirrors where I feel I’m at as a person.

Class-wise, I feel drawn to both Sylph and Knight to a degree, but in the years since I first chose the Knight of Breath classpect I have come to understand the class as a Passive Server - one who gives for the benefit of others - and that speaks to me. The wonderful Mythological Class Quiz by @homestuckexamination has only confirmed my suspicions about that. I have yet to decide between Knight of Life and Knight of Heart, but they’re both very interesting classpects imo, and either way I’m sure I’ll be spending far too much of my free time developing powers and things for them :P

Takeaway

Whew, that’s a lot of words! But what exactly does it all mean? Well... if you ask me, Classpecting is sort of a process. I’m sure that, years down the line, I’ll probably say I had it all wrong and I’m actually some other combination of class and aspect, and I’ll reminisce about the days when I was so obviously misreading myself. But that’s kind of the fun of it, isn’t it? It’s just another form of personality quiz, albeit one where you get sick powers and a nifty set of pajamas at the end. And for all the good that introspection can do to help you understand yourself a little better, you better believe I’m going to be spending the next hour or two debating whether passing out heals and buffs while tanking everything would be more cool than body-surfing and turning enemies into clones à la Agent Smith in The Matrix: Reloaded.

[morrisondauthor]

And My Heart Goes – Q&A

This is the Q&A post for And My Heart Goes. Hope I answer most of your questions with this!

Warning: This post contains multiple plot spoilers. Do not read this post if you have not read the story on Wattpad and plan on reading it later.

Q: What inspired you to write this story?

A: I was inspired by many, many black romantic comedy films from The Best Man to How Stella Got Her Groove Back. Noah’s Arc the series, as well as the film, also inspired me. I really wanted to write a story that was more lighthearted and funny rather than filled with drama and heartbreak. There is still some drama and a little heartbreak in the story but it is outweighed by the laughs and positive vibes. I wrote it that way because there are a few characters that have elements of real people in my life within their layers and some of those elements are painful for me. The funny one-liners helped me continue writing.

Q: What made you pick present-day Los Angeles as the setting for the story?

A: I picked 2018 Los Angeles as the time and setting for the story because I wanted the story to be both refreshing and as close to reality as I could get. I often use fictional settings for my stories so I felt like it was a little played out this time around.

Q: Are you against polyamorous relationships?

A: I have absolutely nothing against polyamorous relationships, Elijah did LOL. If I’m ever in a situation where I’m getting serious with more than one man then I’ll continue to see where it goes with both of them instead of choosing one. However, Elijah is the opposite of me when it comes to that. Elijah truly believed in having a soulmate and being with the person you’re destined to be with. I believe that anyone can meet their one soulmate but I also believe there can be an instance where a diverse group of men together can make up your soulmate. As long as all parties involved are aware of the situation, I see nothing wrong with it.

Q: Is this story a metaphor for your life? Have you been in Elijah’s situation before?

A: While I have been in quite a few dilemmas, I’ve never met three potential partners at one time and had to choose between them. No, this story is not based entirely on my life; however, I did base Zade’s situation with his parents on a friend’s situation and I somewhat based Elijah’s parents on my parents. The Kwame character is a combination of different men I met between 2012 and 2016; a few were sexual partners I had, one was a stranger who robbed me at gunpoint in November 2015, and a few others were straight men I became friends with at a barbershop I frequented.

Q: Why did you pick Kwame for Elijah instead of Micah or Zade?

A: I had Elijah pick Kwame for various reasons. One reason is because of their similarities. They’re both dark-skinned men who are proud to be black and want to be in relationships with black men. That in of itself is rare when it comes to gay black men looking for actual relationships, anyone willing to be honest can attest to how rare that is. Another reason is because Kwame proved early on that he was willing to be monogamous and was okay with Elijah weighing his options with Micah and Zade. Although he was DL, he had a maturity and seriousness about him which kept Elijah from ruling him out the entire time. Micah was mature but had more exploring to do and Zade wasn’t a whole person at all. Elijah’s journey was about finding someone who could add to him while being his equal, not someone he’d have to constantly reprimand or spend his precious time trying to help them become whole.

Q: Had you not picked Kwame for Elijah, who would’ve been second best?

A: Without a doubt, Zade would have been second best and then Micah in third place; which is the order they finished in the story LOL. After some soul searching and consistent therapy, I believe Zade would be the perfect guy for Elijah. The only way I could see it working out with Micah is if he somehow had an epiphany that makes him realize Elijah is the one.

Q: Who do you blame more for Zade’s problems, Zade himself or his parents?

A: (Check out my trivia post for more background on Zade’s situation) I assign 33% of the blame to Zade, 33% of the blame on his parents, 33% of the blame on society and 1% to myself. Before you let that 1% trip you out, let me explain. Unlike the majority of people, I hold myself accountable whenever I only think about myself or whenever I jump on a bandwagon without researching the cause of the bandwagon’s direction. It may be a small chunk, but I can guarantee you some of Zade’s issues are the result of people judging him or not looking deep enough to see he is a complex human being. I often do that myself and I continue to work on it.

Of course, Zade himself is partly to blame because he needed to make better decisions for himself. His drug use wasn’t only for partying, he was using drugs to cope with many issues and that’s never okay. His parents are partly to blame because instead of providing him with guidance, they criticize his every move. I always say criticism should be constructive for a reason. If you’re only criticizing just to be a troll then you’re causing the person you’re criticizing real harm. Zade’s parents caused him harm and there is no denying that. They failed him as parents. I would bet money that their other children have serious issues but are good at hiding them.

I also assign blame to society because of how fucked up American society actually is. Queer black people always get the shittiest end of the American society stick because we have to deal with disgusting racism and anti-gay bigotry from whites and downright hatred from other black people (including hatred from within the queer community from those who aren’t black). We have a lot of conversations to hold in this country and we can’t start them until we ALL come to the table with good intentions.

Q: Why didn’t you do a chapter showing Kwame coming out and his family accepting him instead of explaining it the way you did in the final chapter?

A: I wrote it that way for two reasons: (1) because I wanted to end the story at Thanksgiving after a time jump and (2) because I wanted readers to use their imagination in how it went. For me, I imagine him coming out to them and while some felt a way about it, they decided not to press him on it because he’s one of the few adult men left in the family. I truly believe families that have lost nearly all of the adult men in their family due to mass incarceration and death would most likely accept a son, brother, cousin, nephew like Kwame. However, I am aware that there are some hateful families out there.

Q: Why didn’t we see much of Clyde throughout the story? 

A: Clyde was a secondary character who only had a connection through Elijah since he was Elijah’s assistant. I did include a storyline with him and a guy in his building that he ended up liking.

Q: What’s next for Elijah and Kwame? Will there be a spinoff for one or both of Elijah’s friends?

A: I understand Bakari was somewhat of a favorite by some readers and I loved writing his puns and balancing him out with Kendall every now and then. I also understand why some would want a continuation and while I’m not ruling anything out with regard to future short stories connected to this story, I can say there won’t be any sequel or spinoffs. If that changes, I’ll let you know.

[greenbergstrange8-blog]

IOS Programs Tend To Be Grabby With Your Own Personal Knowledge Than Android Programs

The Q kinda slipped by though everyone covered the launch of the Nexus 7. The Nexus Q is actually a $299 field that avenues content to your house entertainment system. From korean-based creator Huge Cell comes a fascinating new strategy RPG that works classic roleplaying components with a board game environment that is vivacious together. Unfortunately, together with the comparative insufficient interest given to iOS games, E3 can be a little annoying, for dedicated hardcore iOS gamers. This is the kind of game where you are able to also monetize in- through spectacular amounts app expenditures. Do You Need To Fund Any Content?: the sport is free, nevertheless you do need to pay for more packages/ When I described more questions. There's http://maquillage-virtuel.info/ is possible to discover in Furious Birds Proceed. The Jenga style lets you race a slam to beat into blocks and pigs along. 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[judgeanon]

A SHORT HISTORY OF FEMALE JUDGES IN JUDGE DREDD FROM 2012 TO 2015

Seemingly satisfied with having thoroughly destroyed Mega-City One and making Dredd horribly responsible for and uncharacteristically powerless during all of it, John Wagner let go of the reins of 2000AD’s flagship character after “Day of Chaos”, leaving the strip in the hands of a new crop of writers who’d waste no time in staking their territory. First with an absolute tour de force of storytelling, and later with epics of their own, filled with supporting casts either handpicked or created by themselves, these writers have carved their own place in the strip by exploring the themes and characters most interesting to each other.

Speaking of characters, the most important development of this era as far as this series is concerned is the return of Judge Hershey to the Chief Judge’s seat. Ostensibly brought back to form an interim administration while the city gets back on its feet, Hershey would end up staying far longer than anticipated, mostly on account of there being nobody else willing and able to take on the monumental responsibility. Least of all, Dredd himself. More on that… right away, actually.

(Previous posts: 1979 to 1982 - 1982 to 1986 - 1986 to 1990 - 1990 to 1993 - 1993 to 1995 - 1995 to 1998 - 1998 to 2001 - 2001 to 2004 - 2004 to 2007 - 2007 to 2009 - 2009 to 2012. Cover art by Cliff Robinson)

We hit the ground running with “Bullet to King Four”, by Al Ewing and Henry Flint (prog 1803, October 2012) a prologue to the year’s first epic. Back in the driver’s seat of a city dangling from a cliff, Chief Judge Hershey is already hard at work. During an interim council meeting that includes Dredd, Judge Stalker and new Wally Squad acting chief Judge Folger (Judge Hollister is mentioned as being MIA, her cover blown during Chaos Day), she reveals her plan to merge Justice Dept’s various units into larger divisions as a way to consolidate their beleaguered forces. She also introduces, to Dredd’s immediate disgust, a new head of Undercover Division and obvious source of future trouble: Judge Carolyn Bachmann.

Bachmann had been introduced in a Megazine story set during Tour of Duty called “The Family Man” by Ewing and Leigh Gallagher (Megs 312-313, July 2011), where she was hinted to be the secret head of Justice Dept’s Black Ops Division, introduced years ago in Si Spurrier’s “Dominoes.” An incredibly shrewd, cunning and manipulative woman, Bachmann clashed with Dredd over unsanctioned killings in the mutant townships, but he was ultimately unable to gather enough evidence to go after her in any official way. In fact, during “Bullet…”, Hershey directly references having heard Dredd’s accusations, but stands by her decision to keep Bachmann around. And then we get three of the most savage panels in the history of the strip:

Oof.

Clearly, the good old days of the Dredd/Hershey team are over. Or at least on life support. There’s definitely a lot to be said about Hershey’s words here, starting from the fact that she’s unequivocally, absolutely, 100% right. Dredd has proven, again and again, that he has extremely little patience or desire to deal with the logistical consequences of his decisions. The clearest example of this is back during “Mutants in Mega-City One”, when Dredd arm-twisted his way through the entire Council of Five, but then grew tired with all the politicking he himself started and left them to deliberate it on their own. It was Hershey’s cunning and willingness to stay the course that saved the repeal then.

And then there’s the resignation thing. This is something that Hershey’s not only had to deal with twice (first in “Total War”, then in “Mutants...”), but she was also there when Dredd did resign and eventually came back, during McGruder’s second term. She knows, arguably better than anyone alive, that Dredd is a judge and could never be anything else. What’s interesting is that this time, she doesn’t hesitate to call his bluff. While before, Hershey would’ve been more open to cooperation and second opinions, now she’s stuck doing triage for a half-dead city. And the last thing she needs is Dredd’s constant small picture problems meddling with her attempts at saving what’s left of the big picture, a responsibility that Dredd is staunchly reluctant to take as long as there’s someone else available to do it.

But although Hershey is right in her assessment of Dredd’s mindset, Dredd is likewise right in his assessment of Bachmann’s intentions. In fact, it’s even suggested at the story’s end that Hershey and Bachmann might be working together, which, given Hershey’s penchant for secret operations during her first reign, isn’t entirely unfounded from an in-universe perspective. Par for the strip’s course, nobody is entirely right. But despite the particulars of the story, the key element of “Bullet…” is how it has come to define Dredd and Hershey’s relationship for the last six-odd years.

Following such a strong start, we have “Asleep”, by Rob Williams and Mark Harrison (progs 1804-1805, idem), about a sov sleeper agent being reactivated by accident and gunning for the Chief Judge. The end result is an unabashed Hershey-in-peril scene, complete with her staring down the barrel of a gun on her knees and Dredd saving her life with some quick talking. So bit of a disappointment after the previous story, but hopefully it won’t become a trend or anything. Also of note: yet another redesigned female med-judge.

Then we get to the first epic of this new post-Wagner era, “Trifecta”. Which, in my opinion, is one of the strongest and smartest uses of 2000AD’s anthology format in storytelling since “The Dead Man”. Even in collected form it’s still not quite as interesting as it was reading it in the progs, and that’s because it is formed by three different series by three different creative teams that all started independently, and were only revealed to be different parts of a same story one third into it. Now, because I’m a stickler for the self-imposed rules of this series of articles (and certainly not because I’m a lazy bastard), I’ll focus only on the Dredd portion of it: “The Cold Deck”, by the returning team of Ewing and Flint (progs 1806-1811, October-November ‘12).

The story starts with the news that Judge Folger has been found dead in rather grisly circumstances, and to make matters worse, she’d also taken an important file from Wally Squad’s computers and erased all copies before dying -- a file so top secret, nobody knows what it is. Dredd suspects Bachmann, and Buell, former head of the SJS, agrees, further suggesting that she’ll use the scandal to prompt a reorganization, strengthen her position and eventually become Chief Judge herself. Which of course, doesn’t sit well with Dredd at all.

We’re also introduced to Judge Estrella, Bachmann’s partner in crime. A psi-judge, she spends most of the story mentally spying on Dredd on her boss’ behalf. Bachmann is not one to leave anything to chance.

Dredd tracks the file down but intentionally fails to stop it from being sold to someone off-world, where it’s revealed to be a list of every Wally Squad judge in operation. For this, Hershey summons Dredd to her office in an episode that picks right up where “Bullet...” left off, in more ways than one. Opening with Hershey having a flashback to the final pages of “The Judge Child Quest” during a budget meeting with Judge Maitland (who’s also hinted at being part of the epic’s underlying plot), she’s left alone with Dredd. The chapter, set almost entirely from Hershey’s perspective, is an exceptionally sharp bit of writing that segues flawlessly from plot to character development and then right back to plot with notable ease, comfortably aided by Flint peppering the pages with tight close-ups that convey a feeling of claustrophobic closeness between the two judges.

On one hand, we find out that Hershey was fully aware of Bachmann’s underhanded tactics, having made good use of her advice in the past, and wanted her in the Council as a way to get her out in the open and hopefully find something more solid to arrest her for. For the sake of the city, Hershey is willing to give an ambitious spymaster just enough rope to hang herself with, while Dredd would prefer to just hang her himself. But now, both Dredd and Hershey find themselves playing different games but not trusting each other enough to let the other in on them.

And on a deeper level, we get to see the differences between Hershey and Dredd’s conceptions of what it means to be Chief Judge, which is where the flashback comes in. After all, it was Dredd who refused to bring Krysler back to Mega-City One, espousing the notion that the Chief Judge had to be incorruptible. Hershey notes that Dredd idolizes the position of Chief, often leading him to stand in harsh judgment of the men and women who have taken it in the past. Indulging in a bit of armchair psychology, I feel like a lot of it has to do with Dredd’s relationship with the closest he had to a biological father: Judge Fargo, the first and best Chief Judge, against which all others have to be compared. And even if Fargo proved to be more human than it seemed, his myth and Dredd’s indoctrination have created an impossible set of standards in the latter’s mind that nobody else is able to live up to.

But Dredd has never been Chief Judge. Hershey has. Twice. If Dredd knows what the position should be, Hershey knows what it is. And she has no qualms in admitting that it comes with a hefty amount of compromise, subterfuge and even corruption. She laments the loss of her ideals, some of which we’ve been first-hand witnesses to over the years, but still proves to have the good of the city as her ultimate goal at all times. In fact, her attempt at ousting Bachmann is likened to her “victory” over Judge Edgar during her first reign. But in an even more personal level that has very little to do with the current situation, Hershey is shown to be wounded by Dredd’s lack of trust in her, when she trusted him enough to be kicked out of office for him. Dredd’s narrow focus on his vision of what the Chief Judge and the city should be makes him willfully blind to the compromises needed to fulfill it and to the sacrifices others make for believing in him. And Hershey, who has already given everything save her life for him once, is officially through taking his stomm.

And on a personal (for me) note, having such an exceedingly layered, compelling relationship between two estranged former friends without any romantic tension at all is one of the reasons I absolutely love Judge Dredd.

Things escalate pretty quickly after that. Bachmann is forced to execute her plan sooner than expected due to the Wally Squad list being a fake used to lure her out and ruin her scheme to create a shiny new Mega-City reserved for indoctrinated citizens with the assistance of an insane shark-headed (that’s not an euphemism, he literally has a shark’s head) business mogul. Her black ops troops start taking over the Hall of Justice, and she herself beats up and guns Dredd down, but he’s promptly saved by Maitland, who also kills Estrella in the process. This all sets up the stage for the last episode of the epic, the titular “Trifecta”, by Al Ewing, Simon Spurrier, Rob Williams and drawn (gorgeously) by Carl Critchlow (prog 1812, December 2012). 

With all the conspiracy and most of the character bits out of the way, the conclusion is a very two-fisted action affair that includes an honest-to-grud flashback cameo by Chief McGruder of all people, a hilariously uncomfortable one-panel reunion between Dredd and Galen DeMarco (who’d been featured in Spurrier’s portion of the story), and one of the all-time greatest Hershey panels:

So with Dredd finally fessing up to knowing about Bachmann’s plans and Hershey admitting that she underestimated their scope, all that’s left is dealing with the mastermind herself. Like any good final boss, Bachmann proceeds to beat the crap out of everyone, including lobbing a stun grenade at Hershey to get her down on all fours which is awkwardly similar to the end of “Sleeper” up there. But in the end, she gets killed from behind by Judge Smiley, a more-secret-than-secret black ops judge who’d been brought in as a countermeasure by Judge Griffin after Cal’s reign, to prevent something like that from ever happening again. Hershey is understandably upset to learn there’s been a presumed-dead spy living in the walls of the Chief Judge’s office for the last 20 years, and berates him for not coming out for any other previous crisis and Dredd for not trusting her. So although the day is saved, it wasn’t without damage, both inside and out.

To Dredd’s credit, however, he’s not a bastard to everyone in this story.

What’s especially notable about “The Cold Deck” is the sheer breadth of roles in display for its female characters. The antagonist, the main side protagonist, the sidekick, the antagonist’s sidekick, even the catalyst for the story itself are all female, plus a handful of background judges in the final chapter. In many ways, this story is the end result of all the past years of development for female judges in the strip. Women encompass all possible roles, from minor to major, from incidental to fully developed, and on both sides of the conflict. By comparison, the other two parts of the story have either no female characters (”Saudade”) or only DeMarco in a very secondary role (”Jokers to the Right”). Meanwhile, the many female characters in "The Cold Deck” are all established characters with different degrees of development, none of which were created for this story except for Estrella. And while it can be argued that it’s astonishingly easy to introduce new characters in Dredd, the fact that a major storyline can encompass such a wide variety of female characters in an organic way still speaks volumes of the people behind it.

After such a whopper story we get a chance to catch our breaths with a Judge Hughes doing sidekick duties in prog 1818’s “Witch’s Promise”, by Alan Grant and David Roach (February 2013) and then it’s right back into the fray with 1820-1822’s “Wolves”, by Michael Caroll and Andrew Currie (idem). The story concerns Dredd and Hershey’s efforts to stop a wave of violence against sov-born citizens after Chaos Day. When things come to a head, Hershey orders all citizens with roots in East-Meg to be taken to a massive internment camp, and then repatriated by the sov block in exchange for much needed food rations, a plan that Dredd is adamantly against. When the citizens refuse to be moved, Dredd proposes relocating them to Mega-City Two instead.

So we can see how Ewing’s character development threads have been picked up by Carroll: Dredd’s increasingly humanistic streak clashes with Hershey’s cold, pragmatic worldview, and in the end it’s Dredd who suggests the solution. At times it reads like a modernized version of much, much older stories where Dredd suggests a straightforward solution to a complicated situation (“Bob’s Law”, anyone?) but I’d argue that the wider context upon which it happens and the decision to let these problems become longer plotlines instead of isolated incidents all conspire to create some annoying quibbles, at least for me. But more on that later.

The story continues in “Cypher”, by Carroll and Iñaki Miranda (1824-1825, March ‘13), where Hershey and Dredd have a meeting with a soviet envoy and his bodyguard, Judge Caterina Pax, to discuss their reneging on the deal. The meeting is almost immediately broken up by a sniper who wounds Hershey and is driven off by Dredd and Pax. With the sov judge’s assistance, Dredd manages to kill the sniper, who turns out to be a cyborg hired by the envoy to kill Hershey for not quite clear reasons, and Pax expresses her desire to defect to MC-1, netting us our first new recurring female judge of this period.

Speaking of new recurring female judges, Psi-Judge Hamida returns in “Suicide Watch”, written by Gordon Rennie and Emma Beeby, and drawn by Paul Davidson (1826-1829, April ‘13). The first Dredd story written by a woman, it features Hamida having a bit of an Anderson/Corey moment, hallucinating a chat with her dead imam over halal hot dogs and feeling the weight of all the dead citizens killed by the Chaos Bug. She links up with Dredd after having a psi-flash, and together they go on the hunt for a potential suicide cult. But things get complicated when Hamida reveals that there’s a jinn -- a supernatural entity who erases people from existence and history behind it, and then even more complicated when Dredd finds out Hamida has been a suicide risk herself since Chaos Day. Ultimately, Hamida perseveres and beats the jinn, saving both Dredd and the day in a rare case of Dredd playing sidekick.

Carroll returns with PJ Holden in tow for “The Forsaken” (1830-1835, June ‘13) which features no less than five female cadet judges, each one with full names and in one case a big secret. Lori Cassano, Madison Echavez, Cheryl Tanuma, Angela Sorvino and Jessica Paris are all part of a group of cadets left for dead after Chaos Day who, feeling abandoned by Justice Dept., made a run for it. The story is told mostly in flashback as Dolman and Dredd track each surviving member, some of which are terribly wounded, and eventually manage to find Paris, who is then revealed to be a clone from Fargo’s DNA strain, effectively making her a female Dredd. Dolman brings her back to the city, with the added complication that she’s carrying the child of one of the other survivors of the incident.

The main hook of “The Forsaken” is getting to see a group of would-be judges giving in to absolute despair, their training falling apart under the strain of an extreme situation and how they form bonds and relationships between each other. While we’ve seen female judges “give in” to their humanity more than once, it rarely comes accompanied by dereliction of duty, and this one has it en masse. Unfortunately, far as I know neither Paris nor her child have appeared again so far, so we’ve yet to see what a fully-fledged female Dredd can look like.

Up next, a Judge Lawadski meets a gory end in Rob Williams and Trevor Hairsine’s “Skulls” (1836, idem) and we check in on Judge Beeny in John Wagner and Dave Taylor’s “Wastelands” (1837-1841, July ‘13). She only makes two short cameos in here, but we find out that she’s been taking a page from Dredd’s book and keeping busy to stop herself from brooding. Interestingly enough, Dredd suggests that she take a break, noting that she’s “going to have to deal with it sometime” and that, if she really wants to change things, she’s going to have to do it “from the inside.” 

That last comment in particular is interesting, as it sets up a plotline that Wagner will eventually bring to the Megazine while also staying true to Dredd’s characterization. Dredd, like Beeny, wants Justice Dept to change, but he remains reticent to go in and do it himself. And now that Hershey’s been compromised, he’s putting all his chips on Beeny, making sure that she doesn’t burn herself or become too attached to the streets. Dredd even sugars her up a little, off-handedly noting that she’s one of their best judges. Of course, Wagner being Wagner, this is all conveyed in about eight panels and less than twelve lines of dialogue, all book-ending a completely unrelated plot. In other words, a grand study in character development economy.

Carl Critchlow comes back to art duties in the Rob Williams-written “Scavengers” (1842-1843, August ’13), which sees Dredd travel underwater to the submerged ruins of Bachmann’s new Mega-City. The story features a Judge Chen who sacrifices herself in a fight against a giant mutated squid in order to keep the mission a secret and also a rather handsome Chief Judge Hershey appearance. We have a Judge Bova in Wagner and Ben Willsher’s “Bender” (1845-1849, September ’13) and Judge Pax returns as one of the stars of Michael Carroll and Paul Davidson’s “New Tricks” (1850-1854, October ’13). After an in-depth screening, she has been allowed to join judges from several other Mega-Cities (including the son of Irish judge Joyce, from “Emerald Isle”) as part of a transfer program to pad out the city’s drained forces.

Pax is shown to be exceedingly competent from the get-go, and the story is even narrated entirely from her journals, through which we learn, among other things, that Dredd seems to have taken a slight shine to her. The main plot involves a Judge Gwendolyn Kilgore, who’s returned from taking the Long Walk into the Undercity to ask for help in taking down a mythical Troggie gang boss called the Goblin King. Fairly standard action strip fare, mostly used to showcase Pax’s skills and to introduce Joyce. But it is certainly interesting to read the former’s thoughts on Dredd and MC-1 in general.

Hershey comes back for another round of workplace awkwardness in “Prey”, by TC Eglington and Karl Richardson (1855-1857, November ’13), although she seems to have grown accustomed enough to crack jokes about it. And that leaves us right at the doorstep of the first of a three-part epic by Rob Williams and Henry Flint: “Titan”.

This first part, which ran from progs 1862 to 1869 (January-February, 2014), kicks off with the news that all contact has been lost with the judges’ penal colony in the eponymous moon of Titan. Without an army to bring any possible rebellions to heel and unwilling to destroy the whole colony before getting all the facts, Hershey sends Dredd and a team of space marines to Titan to recon the place and see what’s going on in there. But after a seriously messed up landing and a couple of betrayals, Dredd finds himself alone and at the mercy of the masterminds behind the convicts’ uprising: former Chief Judge Sinfield, and former Wally Squad Judge Aimee Nixon.

Nixon, of course, was one of the main characters of Williams’ own Low Life serial. An undercover judge on the edge, she eventually quit the department and joined the Hondo City Yakuza in a bid to save her sector from a gang war, but was brought back by her partner, Dirty Frank, and put in an iso-cube for a debriefing, her intel supposedly keeping her safe from Titan. But after Chaos Day, her and several others were shipped there anyway, breaking their deal and leaving her even more embittered and vengeful. Her appearance here is quite the surprise, but makes sense considering the creative team. As Williams’ time became more focused on the main Dredd strip, more characters from Low Life would begin appearing there in guest spots. We’d already seen a hint of that in the last epic.

Back in the plot, once she realizes who she’s got in her hands, Nixon begins negotiating with Hershey. Unlike the last revolt (“Inferno”, all the way back in part four of our retrospective) the inmates here only want to be given Titan as an independent colony. But meanwhile, Nixon has also begun torturing Dredd, trying to break him down to make the man underneath the stoneyface come to the light in hope that his desire for revenge will overcome his loyalty to the law. It’s all a bit “The Killing Joke”, as Nixon seems intent on proving that every judge, even the toughest of them all, hides a human being inside, full of human desires and emotions -- just like she had.

But ultimately, Dredd proves to be too tough a nut to crack, and even when the only survivor of the marines sabotages the colony and Aimee and co are forced to evacuate towards Enceladus, Dredd still refuses to destroy their escape ships, ruining Aimee’s plan to destroy him by making him break the law. The former judges escape, Dredd survives to fight another day, and everything works out alright… for now. Overall, “Titan” is a fairly intense start that goes to some surprising places, but it also does rely a bit too much on a foregone conclusion, which is Dredd not choosing revenge. It’s also pretty funny that this makes it two epics in a row that include a scene of a female judge antagonist arguing with Hershey over a monitor. Wonder if that will be the real trend?

Also of note: Flint seems to have some trouble keeping Hershey’s eye color consistent, since they were blue back in “The Cold Deck.” Or maybe she just has a box of contacts.

We take a breather with a Judge Sisulu side-kicking it up in “Squirm!” (Carroll and Nick Dyer, 1870-1872, February ’14) and then we’re back with Williams and Flint for prog 1873’s “Fit” (March ’14). An epilogue to “Titan”, the story has Hershey send Gerhart, an SJS judge with an axe to grind who was with Dredd during the ill-fated mission, to check on Dredd for any lasting side effects of his experience on the colony. The most interesting part of this one-off for our subject is the very last page, where Gerhart notes that, owing to her history with Dredd, Hershey is ultimately ready to follow him anywhere despite this ongoing cold war between them, which zeroes in on a particular wrinkle in their relationship. For all their mutual posturing and disagreements, ultimately both Dredd and Hershey are fueled by a strong sense of duty towards the city. But while Hershey is worried by its continued day-to-day survival, Dredd is increasingly driven by his vision of a fairer, more human society. In an overly simplified nutshell, Hershey cares about the city, but Dredd cares more about the citizens. And despite her barely being present in it, the next story is one of the strongest examples of this seemingly irreparable schism.

Running in progs 1874-1878 (April ‘14), “Mega-City Confidential” marks the return of John Wagner to the strip, accompanied by Colin MacNeil. A delightfully bleak conspiracy procedural, it ends with the reveal that Justice Department has been taking advantage of the post-Chaos Day rebuilding projects to install covert surveillance equipment in millions of homes, accumulating information that is then parsed by human operators to seek out any signs of criminal activity that may necessitate a not-so-random house search. But when one of those operators escapes and turns whistleblower, Dredd is forced to defend the secrecy of a project he himself had grave misgivings about, calling it “a rare mistake” from Hershey. And once the secret is out, public outcry forces Justice Dept to roll the project back, but not before jailing the operator and probably having the journalist responsible for the leak murdered. Light reading, this ain’t.

That sounds familiar. Also, while not named, this might be Judge Stalker.

On its own, the story works as evidence of Dredd’s growing disgust with the dehumanization inherent to the judicial system, and his own discomfort as a cog within a machinery that seems increasingly prone to falling into these excesses. As such, Hershey’s error of judgment is mostly an afterthought, but I do find it’s interesting to put it within context. The Chaos Bug attack, for example, relied heavily on privacy and subterfuge, so it’s easy to see why Hershey, who’s trying to keep a dying city alive, would be tempted to go forward with something -- anything that could prevent something like that from happening again. It’s a steep change from when Hershey was considered the most liberal of all the candidates for Chief Judge, but makes sense given her own personal development and the circumstances of her return to the position. As she’s grown older and her situation direr, she seems much more open to sacrificing the liberties she used to champion for the sake of keeping people alive. So in a way, her character development has taken on a polar opposite route to Dredd’s.

Wagner stays a little longer for “Shooters Night” (art by John McRea, 1879-1882, May ‘14), which nets us an unnamed female judge and a small Hershey cameo at the end. Then Carroll returns with Nick Percival for “Traumatown” (1883-1887, June ‘14), a story about Dredd being haunted by a near-dead Psi’s vengeful spirit that features a veritable cavalcade of female judges: Pax and Hershey guest star alongside new Psi-Judge Lewis, and there’s even a funny little cameo by a Judge Parkhouse, clearly named after long-time 2000AD letterer and unsung heroine Annie Parkhouse. After that blowout, we get a small med-judge appearance in 1890-1891’s “Student Bodies” (Wagner and Boo Cook, July ‘14) and a new crisis for Dredd and Hershey in “Cascade” (Carroll and Paul Marshall, 1894-1899, August-September ‘14) as the Lawlords, a race of brutal alien overseers whom Dredd had already faced in a previous story, attempt to take over the city. The story features a Judge Reyer who dies trying to stop the attack early on, and unfortunately, Hershey’s role in it is mostly just glowering a lot while Dredd saves the day as usual.

Up next we have the return of Judge Beeny in Wagner and Carlos Ezquerra’s “Block Judge” (1900-1909, September-November ’14), where she assists Dredd in bringing a troublesome block to heel. But although it’s great to check on her progress as a judge, there isn’t much character development to be found here, and it’d seem Beeny is on the track to becoming another Dredd sidekick template. Wagner, however, has bigger plans for her, although as mentioned before, the big turn will happen in the Megazine.

The story also has a couple of guest appearances from Hershey, as Dredd for once acts very tactfully around her, asking for her help in keeping a couple of crime lords locked up for incredibly petty crimes until they can uncover more evidence. As usual, a common enemy does seem to unite them well enough, although Hershey can’t resist calling Dredd out a little on his criticisms. But for a moment, the old team is back together, with Hershey making sure Dredd is able to do his job as effectively as possible.

Another nameless female judge shows up in Alec Worley and Leigh Gallagher’s “End of the Road” (1911, December ’14) and the year closes with a return appearance by Judge Lewis in Carroll and Karl Richardson’s “The Ghost of Christmas Present” (prog 2015, idem). And if things sound like they’re finally settling down a little, don’t worry, because our last stop of this post features the biggest return of them all...

“Dark Justice” (progs 2015-1921, January-March 2015) was famously born out of artist Greg Staples’ desire to paint a classic Dark Judges story. And although John Wagner had admitted to basically having run out of ideas for them, he was happy to go back in after seeing Staples’ test sketches. The end result is a visually stunning mini-epic with an otherwise fairly standard plot, as Dredd and Psi-Judge Anderson team-up to hunt down Judge Death and his pals onboard a deep space colony ship. Not much to say character-wise about this one, as both Dredd and Anderson seem to revert back to their early 80s action hero selves, filling the story with wisecracks and one-liners as they batter the fearsome foursome. Anderson does get to shine pretty brightly on this one, pulling Judge Fire’s spirit out of Dredd’s mind and revealing that her past experiences with Judge Death have allowed her to develop a slight immunity to his powers. In the end, the superfiends are ejected and left drifting in space while our heroes await a rescue, and there’s not really much else to say.

One thing that is noteworthy is that Staples used model and cosplayer Lauren Integra Fairbrook as his model for Anderson in “Dark Justice”. Which makes sense, considering she’s the official Anderson model for Planet Replicas and has featured in the Judge Minty and Strontium Dog: Search/Destroy fan shorts. In fact, there’s even a reference to an “Lauren Integra Cosplay Ground” in “Mask of Anarchy”, a previous Dredd story.

And as an extra bit of trivia, Planet Replicas’ official Dredd model is… Greg Staples himself.

In our next episode: two epics! Two thousand progs! And... The End?

[im-just-here-for-the-drama]

Gay Characters in Kdramas: The Good, The Bad, and The Mediocre

Gay characters rarely show up in Korean dramas. Though there have been a few characters over the years,  In terms of representation, the characterization and stories of these characters are usually nothing to write home about, but I figured, why not write about it anyway? Here’s my watch and don’t watch list, if you’re looking for gay characters in kdramas.

Warning for spoilers galore!

The Mediocre (these aren’t bad, but they’re not the best either)

Lily Fever (2015)

The Story: Kyung Ju heads to her friends house one day to find her missing passport. She finds Se Rang instead.

Should You Watch?: Sure. This show is quirky and just downright odd. The ending leaves a lot to be desired and the story itself is kind of all over the place, but it’s cute, it’s funny, it’s short, most of it’s nonsense, and the girls have lots of chemistry. It’s only a bonus that Se Rang is a standout character of this show. You’ll probably fall for her yourself by the end of the webseries.

The Lover: Joon Jae and Takuya (2015)

The Story: Different couples live together in an apartment building. The show shows us snippets of their lives. Joon Jae’s life gets turned upside down when he meets his new roommate Takuya.

Should You Watch?: Hmmm...yeah. I started watching this show expecting it would showcase the typical Korean bromance between the guys. The kind where the show makes it seem like the guys might have feelings for each other, but the show just skirts around the topic entirely. In the first few episodes, that’s exactly what happened between Joon Jae and Takuya (with a lot of sex jokes and penis jokes thrown in for good measure. That’s actually what most of the show is). But the show eventually, actually, went there. Joon Jae and Takuya don’t get a whole lot of screen time, but when they do, we get to see some serious feelings thrown in with all the crass humor, and Joon Jae and Takuya do admit to having feelings for one another. The ending could have been a little better, but it was a happy one, so baby steps.

Perseverance Goo Hae Ra: Jang Goon (2015)

The Story: A group of rag tags come together to form a band. Jang Goon joins the band and meets their manager Tae Poong who he’s had a crush on for years.

Should You Watch?: Only if you’re interested in the rest of the show. Jang Goon has a fairly interesting storyline. He has a friend who accepts him after finding out about his crush and he has to rebuild bridges with his father who doesn’t accept him doing music (and Jang Goon’s scared he wont accept his being gay either). But Jang Goon’s storyline is such a small part of the story it wouldn’t be worth it to skip through to only his parts.

Daughters of Club Bilitis (2011)

The Story: A one episode drama detailing the lives of four lesbian couples.

Should You Watch?: I watched this so long ago, I honestly don’t remember a single shred of what happened in it, but I’ll say yes, watch it. Because there are so few lesbians in asian dramas you have to watch the one’s that exist. The entire show is about lesbians, so I  mean, why not?

Reply 1997: Jun Hee (2012)

The Story: The lives of a group of high school students in the year1997. Jun Hee has a crush on his friend Yoon Jae.

Should You Watch?: Yes and no. The Reply Series (Reply 97/94/88) are pretty good dramas after all. They’re great for nostalgia, family, friendship, and the like, but if you’re here solely for the gay? Probably not worth the time. Jun Hee’s a side character. We see him crushing on Yoon Jae and he confesses his feelings to Yoon Jae and another friend, but there’s not too much more than that.

Seonam girls high school investigators: Eps 11-12 (2014)

The Story: High School girls investigate and solve problems in their school. The show is episodic and in these two episodes the girls attempt to help Su Yeon and Eun Bin who have to hide their relationship from their classmates.

Should You Watch?: Yes. I honestly don’t remember much about this one either, but I do remember it being decently done. This show caused a lot of controversy years ago when it aired Korea’s first lesbian kiss ( probably korea’s first same sex kiss period that was a legitimate kiss and not used for laughs). It’s worth checking out to see what caused all the ridiculous uproar.

Wise Prison Life/Prison Playbook: Han Yang (2017)

The Story: Big time baseball player Kim Je Hyuk turns into a crimanal overnight. After he’s convicted, he has to face his new life in prison. He meets some interesting people in prison. Among them is the drug addict Han Yang.

Should You Watch?:  Yes, because the story itself is a really interesting take about a man who goes to prison, meets a lot of different, people, and ultimately makes new friends/family. If you’re just watching for the gay? I’d still have to say yes, despite the fact that Han Yang doesn’t get the happy ending he deserved. Han Yang was one of my favorite characters in this show. I don’t know how he managed it, but I swear Han Yang got funnier as the episodes passed. I was really endeared towards him attempting to kick his drug habit while also trying to salvage his relationship with his ex-boyfriend Ji Won. He had such an interesting story arc, was such an entertaining character, and I didn’t feel like the show ever made fun of him for being gay. This character was just such a joy to watch, I definitely don’t regret watching, even though I wanted more.

Moment at Eighteen: Jung Oh Je  (2019)

The Story: Transfer student Jun Woo has no interest in school life, as he is traumatized from being expelled from bullying. Meanwhile, Soo Bin has been watching Jun Woo all this time. She sees a different side to Jun Woo than the one that other people see. Oh Je, is Jun Woo’s best friend who starts to discover his sexuality.

Should you watch?: Hmmm… sure. Oh Je has a decent side plot. It was interesting to see him figuring out he liked Hwi Young and coming out to his ex girlfriend and his friends. I do wish his story was expanded a little more though. There were several things I would have liked to have seen, like coming out to his family, and I thought they wrapped his story up a little too quickly at the end.

Love with Flaws: Won Suk and Ho Dol (2019)

The Story:  Joo Seo Yeon, is a hot-tempered physical education high school teacher who always wears sneakers, jeans and training uniforms.  The death of her parents helped instill a deep sense of compassion, a generous heart and an outspoken objection for anyone who drinks and drives. Living in a house with three wild and very attractive brothers, she loathes flower boys. Her ideal type is someone who is “not handsome.” Won Suk is one of her handsome older brothers.

Won Suk has closed his heart to relationships and love, but he lives his life as an openly gay man. Ho Dol is closeted and lacks confidence. They meet one night at Won Suk’s bar.

Should you watch?: People have been kind enough to condense Won Suk’s and Ho Dol’s  story into parts on YouTube so yeah, go ahead and check it out.

These two don’t get a whole lot of screen time, but the little they do get is nice. We get to see Won Seok help Ho Dol open up and be more confident with who he is and in turn, Won Seok opens up his heart.

The Bad (you probably shouldn’t waste your time on these ones)

Personal Taste: Director Choi (2010)

The Story: This dramas about a straight guy who pretends to be gay in order to gain access to the blueprints of a woman’s house…or something like that. Director Choi’s specific story revolves around his attempts at courting that guy.

Should You Watch?: Absolutely not. Half of the time the drama equates being a gay man to automatically being feminine, a woman, or not a “real man”. Director Choi is also a good deal older than the male lead and makes several attempts at courting him even though he’s not interested. It kind of came off as the “creepy old gay perv” and that didn’t sit well with me.  I suppose you could skim through the drama to watch Director Choi’s scenes. If sad gay men Is your thing. I just felt bad for the guy most of the time.

Ho Gu’s Love: Kang Chul (2015)

The Story: Ho Gu’s a pushover, a fool, and kind of an idiot. He meets his old classmates and things get a complicated. One day in High School Kang Chul meets Ho Gu’s twin sister and mistakes her for Ho Gu. They spend the day together and she kisses him.  The kiss sparks feelings in Kang Chul. Of course Kang Chul thinks it was Ho Gu who kissed him and years later, when he meets Ho Gu his feelings grow stronger.

Should You Watch?: Yes? Maybe? If you really want to, but mostly…no. With this, I expected that the typical drama set up would happen. Similar to all gender benders, Kang Chul would find out that it wasn’t Ho Gu he kissed. So any feelings he was having for him would immediately get swept under the rug where we could all pretend we never knew his heart fluttered for another man. Imagine my surprise when episode after episode passed and that didn’t happen. We got down to the last few episodes and Kang Chul had admitted to himself that he liked Ho Gu, he came out to his parents, and his coworkers assumed he was gay. The show was actually depicting the struggles of being gay in Korea and it was arguably one of the better storylines for a gay character on Korean t.v., but then the show couldn’t stay strong and they flipped the script. Predictably, Kang Chul finds out it was Ho Gu’s sister he kissed, the show copped out, and lo and behold Kang Chul was straight with no further mentions of any other possible sexuality. Watch it if you’re curious, but be prepared to be extremely disappointed by the end.

Graceful Family: Mo Wan Joon  (2019)

The Story: Blah blah blah, revenge or something- at a point it’s revealed that Mo Wan Joon is a trans woman.

Should you watch?: If you really like revenge melos maybe, but if you’re looking for this show to do something good and offer up some good trans rep? Nope.

Literally nothing about Mo Wan Joon’s story is watchable. I wasn’t even entirely sure the show even knows what being transgender even means. It comes off as more of a plot twist to put the family all in a tizzy more than anything else. They don’t really show much of Wan Joon’s struggle or anything poignant or engaging.

Sweet Munchies: Tae Wan (2020)

The Story: Jin Sung pretends to be a gay chef to film a tv show for money. Tae Hwan, a closeted fashion designer falls for him.

Should you watch?: No. "Everyone loved Personal Taste right? What if we just did that again but with a chef this time?"  This could have been potentially groundbreaking, but by the end of the show the two leads are unlikable and  we just wind up with more sad gay tears. But Lee Hak Joo as Tae Wan? *Chef's kiss*. This man put me through the wringer and he does it so subtly. If you must watch, literally skim through Tae Wan’s parts.

The Good (these are worth the hours of your life you wont get back)

Painter of the Wind (2008)

The Story: Shin Yoon Bok is a talented painter who disguises herself as a boy to search for her father's murderer and meets a master painter who guides her into being a great painter. Kim Hong Do is the man who teaches Yoon Bok how to paint, and they develop a strong friendship of mentor and disciple.

Should You Watch?: Yes. On the surface this sounds pretty straight, but ignore the summary, because yes there’s a loveline between Yoon Bok and her mentor, but the most interesting story here is the loveline between Yoon Bok and a Gisaeng she meets named Jeong Hyang I’ve seen plenty of gender benders, but I’ve never seen one where a woman falls in love with the girl who’s pretending to be a boy. This drama isn’t technically supposed to be gay, but it’s extremely gay when when bisexual Yoon Bok hits on the gisaeng the first time they meet. Yoon Bok finds herself falling in love with the Jeong Hyang too and the love between them comes off as extremely genuine and sincere. I don’t care what that show was trying to tell me, Yoon Bok/Jeong Hyang was the true otp.

Life is Beautiful: Tae Sub and Kyung Soo (2010)

The Story:  A family drama about a blended family. The show focuses heavily on Tae Sub and his boyfriend Kyung Soo

Should You Watch?:  Absolutely. In this drama we actually get to see a same sex couple. There’s not just one gay character or a situation where you have to read between the lines. Tae Sub and Kyung Soo are a gay couple who get to be together and happy and they get screentime! The show focuses on Tae Sub coming out to his family, his family's acceptance/non-acceptance, and Kyungsoo’s family’s non-acceptance as well. We get to see the guys work through their problems together and we get to see how they’re relationship changes and grows. My only complaint about this show is that it aired seven years ago and korea has shown little to no progress in terms of lgbt characters and couples in kdramas since.

Rural Outcasts (2019)

The Story: Sun Hui moves to a small village where she lives her life as Soon Ho until she can make enough money to become her true self. Dong Ja, a feisty 12 year old, breaks into her house one day.

Should you watch? Yes, although, heads up, there’s a cis man playing a trans woman. Found family always makes for a heartwarming story and this one is no different. I loved the bond between Dong Ja and Sun Hui and I loved their mother daughter relationship. Very sweet and heartwarming, but be prepared for some heartbreak too.

[your-dietician]

Fantasy Golf Picks — 2021 Travelers Championship Picks, Preview, Predictions

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Fantasy Golf Picks — 2021 Travelers Championship Picks, Preview, Predictions

Pat Mayo provides a quick preview and makes his early 2021 Travelers Championship Picks in his first look and research for this week’s PGA TOUR stop.

2021 U.S. OPEN — Picks & Preview | Course + Research | Stats/Tools

Get the Link to PME RAKE FREE DraftKings Contest HERE

2021 U.S. OPEN — DraftKings Picks | Own Projections

2021 Fantasy Football — NFC East | AFC East | NFC West | AFC West

EURO 2021 Daily Picks | MLB Daily Picks | NHL Daily Picks | Podcasts

Podcasts — YouTube | Apple | Spotify | Insta | Google | Twitter | E-Mail

2021 Travelers Championship: Field

156 Players | Top 65 & Ties Make The Cut First Tee: Thursday, June 24 Defending Champion: Dustin Johnson

The Travelers Championship was the third event out of the COVID restart a year ago, and at the time, all the biggest names were playing every week. The expectation was this year’s incarnation would return to its normal spot on the PGA TOUR schedule, attracting an OK, but underwhelming field. That’s basically the case for the three events between the U.S. and British Opens. Who knew the Hartford suburbs were such a draw?

A post-major slot for any tournament is never good for field strength, usually less so when the following tournament is on the other end of the country. I guess there are just a lot of fans of TPC River Highlands. Defending champ Dustin Johnson is joined by Bryson DeChambeau, Brooks Koepka, Patrick Cantlay, Patrick Reed, Daniel Berger, Tony Finau, Abraham Ancer, Scottie Scheffler, Paul Casey, Bubba Watson, Matthew Wolff, Harris English, Adam Scott, Justin Rose, Jason Day, Cam Smith, Ian Poulter, Marc Leishman, Max Homa, Charley Hoffman, Garrick Higgo, Russell Henley, Kevin Kisner, Brian Harman, Joaquin Niemann and local kid Keegan Bradley. Rickie Fowler is back in action after his bye week too. Who would have thought The Travelers would become a more desired event than Pebble Beach?

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I suppose there is some logic to the field strength. There are only three events until the British Open, so getting in one more American event makes some sense as most of these guys at the top end won’t be seen stateside for at least a month. Plus, instead of going to Detroit or … Silvis, Iowa (the PGA TOUR equivalent to “Hi, I’m in Delaware”) one of the next two weeks as prep, it’s likely a much better idea to do that prep in one of the two European Tour Rolex Series Events in Ireland or Scotland if the goal is to win the Open Championship. Or just take that time to acclimate yourself with the time zone shift and get over there early. And the flight from New England is about as short as you’re going to find for a PGA TOUR player. Until the Maine Open becomes a regular stop the week before the year’s final major.

Beyond the top end, John Pak and Davis Thompson are back for their second career pro starts, while Austin Eckroat is now a professional himself. Beyond the 2019 U.S. Open, Eckroat missed the cut at Valero a few months back and finished T12 at Mayakoba during the swing season. Chase Koepka earned a sponsor exemption as well, which is likely why Brooks is in the field.

2021 Travelers Championship: Key Stats

Strokes Gained: Approach Par 4s Gained 400-450 yards Opportunities Gained Strokes Gained: Off The Tee

Mayo’s Key Stats powered by FantasyNational.com

2021 Travelers Championship: Course

Course: TPC River Highlands Par: 70 Yardage: 6,841 Greens: Bentgrass (witrh Poa mix)

2021 Travelers Championship: Past Winners

2020: Dustin Johnson -19 2019: Chez Reavie -17 2018: Bubba Watson -17 2017: Jordan Spieth -12 2016: Russell Knox -16

2021 Travelers Championship: Notes

After Pebble Brach GL, TPC River Highlands is the shortest course in the regular PGA TOUR rotation. Another Pete Dye course, measuring just 6,841 yards, this course boasts eight par 4s measuring between 400-450 yards playing as a par 70. There are another two par 4s coming in below 400 yards too. The most notable being No. 15, a drivable, 296-yard hole that over 90% of the field goes for from the tee box.

With its minuscule length, TPC River Highlands opens the door for almost any style of player. That’s how you get Dustin Johnson and Brendon Todd paired together in a final group. Looking back at the top five finishers over the past six years it’s clear, regardless of driving distance, approach and putting are the two most important factors at the top of the leaderboard. As is the case for most courses that become birdiefests, SG: OTT has been twice as important as SG: ATG, and players hit almost 70% of fairways at TPC River Highlands against a PGA TOUR average of 62%. So, the big hitters don’t even have to dial back with their drivers. Basically, the golfer who can hit their wedges the closest is going to win.

Looking at the plotting on approach distance (thanks, Fantasy National), you’ll see the plurality of irons come from 175 and in. It tends to be the opposite at most courses.

One thing to consider when looking at past events is the change in greens. For years the Bentgrass putting surfaces were some of the slowest on Tour. Four years ago they were reconstructed with Bentgrass (mixed with Poa Annua) putting surfaces and the greens now run on the faster side of things.

While this is a Pete Dye track, there has been a considerable crossover between the top of the leaderboards of the Valspar Championship, Riviera and Phoenix over the years. And it goes beyond Bubba Watson, who has won at Riviera and the TPC River Highlands three times apiece. Paul Casey has experienced success at all three. Kevin Streelman and Jordan Spieth have won the Valspar and the Travelers in their careers. I’m not entirely sure why, maybe it’s a shot-shaping issue, but there are a lot of players in the field this week who have experienced a lot of success at those three courses but very rarely played at the Travelers Championship.

Pete Dye Courses on the PGA TOUR

TPC Sawgrass (The Players Championship)

Harbour Town (RBC Heritage)

TPC River Highlands (Travelers Championship)

TPC Louisiana (Zurich Classic)

Austin Country Club (WGC Match Play)

TPC Stadium Course at La Quinta (Two rounds at The CareerBuilder)

Crooked Stick (2012/2016 BMW Championship)

Whistling Straits (2015, 2010, 2005 PGA TOUR Championship)

Kiawah Island (2021 PGA TOUR Championship)

2021 Travelers Championship Picks

Abraham Ancer

Despite missing the cut at Torrey Pines, thus only playing two rounds, Ancer still came in fifth for the week in Strokes Gained: Approach. It’s just the driving, chipping and putting were a no-show on the West Coast. It happens. Now finally slipping down the board, and out of people’s minds, Ancer is still a player with four straight top 15 finishes prior to the U.S. Open, with consecutive Top 11 finishes at this event.

Charley Hoffman

It was a tough week for Charley with the irons at the U.S. Open. He had gained on the field in nine of his previous 10 starts, however. That’s likely more telling than his performance at the year’s toughest track. Overall, Hoffman’s made the cut here seven of eight times since 2012 with four top 15 finishes, and he’s currently in one of the better stretches of his career.

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[amisbro]

Impressions/Review:  Shining Live

Alright...here we go friends and neighbors.  Since we have hit our main roadblock on the game right now what better time but to do an “Impressions/Review” on the game “Shining Live” from the “Uta no Prince-Sama” franchise? This impressions however isn’t just going to be about the game but we are going to give a history on the series from its inception to where we are now because all of that is going to be factored in for a specific reason Oh and since we are in this for the long haul...this is going to be under a read more as well.  Also all information comes from the wikipedia page for UtaPri as well as the .com site and Broccol.co.jp  I did my research for this piece when I knew I was going to review it With THAT out of the way...shall we get started?

Uta no Prince-Sama was announced by Broccoli in the Summer of 2009.  To be exact the post that was placed on the website is from August 8th of 2009 and you could go to the website from there.  To this day if you wanted to go to the original version of the site you could...just hit up internet wayback machine for it. The first game’s release came in June of 2010.  June 24th is the day that is referred to as the proper Anniversary of the series and this year will be 8 years for the franchise.  Can you believe it will be 10 years in 2020?  HOLY CRAP! ANYWAYS! As you will see for the rest of this review there will be release dates from the game series and there will also be dates for the Anime seasons.  This is for a reason as you will see when we actually get talking about the game but I wanted to make sure this review was a 100% thorough breakdown for everyone both old hats and new peeps coming into the fandom.  With that in mind let us continue Uta no Prince-Sama as a “Visual Novle/Otome” has currently 9 games in their “Main” series between the PSP and VITA.  The Original game (Uta no Prince-Sama has been remade 2 times since its original version and they came out on August 11th ,2011 and January 26th of 2016 respectively.  The rest of the ORIGINAL games came out around the following times Amazing Aria - 12/23/2010 Sweet Seranade - February 10 ,2011 Debut - May 24, 2012 All-Star - March 7th, 2013 All-Star After Secret - February 26, 2015 Now all of these are important because around some of these dates a season for an Anime came out and all of the Seasons fell under the “Maji Love” banner starting with 1000% in July of 2011 (July 2nd for those keeping score at home) and running to September 24th of that year.  Of the four seasons so far this is the only season to have a a “Summer” Release as the other seasons (2K ,Revolutions and Legend Star) all fell either in the Spring or Autumn season.  2K and Revolutions both released in April of 2013/15 and Legend Star was in 2016 Okay okay I know what you are all thinking “Josh we know all of this...hurry up and get on with the friggin’ review” To which I say “I’m getting there but we need to do just a LITTLE MORE setup because the next part is important to Shining Live” When the first season of the Anime (ML1K) aired it was around “Amazing Aria” and “Sweet Sernade” and so the writers were writing to introduce you to basically STARISH as a 6 Member group with Cecil being a guest start basically (because when the first game happened 6 members were dateable from the start and one in Cecil was unlockable).  When Season 2 aired in 2013 Debut and All-Star were a thing but they had to introduce QN (whom briefly appeared at STARISH’s debut concert at the end of Season 1) so they would do just that When Season 2 premiered in 2013 the first episode was titled “Poison Kiss” and in it introduced the boys of QUARTET NIGHT whom would take the roles of “Seniors” for STARISH for the season.  Later when “Revolutions” happened 2 years later they would become the “In Agency Rivals” of STARISH to try and win the sport of the performer at the Triple S. HOWEVER Season 2 also sought to bring in a new monkey wrench into the fray by introducing the group “HEAVENS” led by Eiichi Ootori as he was flanked by Kira Sumeragi and Nagi Mikado and would face off in a “Must Win” scenario at the UtaPri awards where the loser would be forced to disband.  STARISH won but HEAVENS would be spared from disbanding as the President of Shining Agency stepped in and made sure that that stipulation wasn’t fulfilled.  They WOULD come back later as a 7 person group where each member was an opposite for a particular STARISH member and this season in particular (Revolutions) would be the last season also to aired around the release of a game.  “Revolutions” aired around April of 2015 the same year that the final game for the PSP (VN wise) released which was in February. Now there is a reason we just went through this History lesson (and if I fucked anything up I apologize) but its because we NOW are going to talk about Shing Live! LET’S GO Okay when we talk about Shining Live we are going to break this down like this Story Gameplay Translation (This is a translation of a Japanese Rhythm game so this one is important) Overall fun factor Just so you know...I am tempted to talk about the translation LAST because of the fact that it is a bit of a hot button but with that in mind...LET’S GO! Story I know that UtaPri isn’t typically known to some for its story but if you pay attention enough the story and plot are some of the most interesting things in the series.  I can’t tell you how ,when I watched every episode (52 and if we count the OVA then 53), I was always looking forward to what was going to happen in the next episode because the characters were compelling as all hell (and still are) and their personalities ,while some kind of grated on me over the years, were still varied enough that you could have your favorites So what IS the story of this game?  Well QUARTET NIGHT and STARISH are performing a joint concert called “Shining Live” where they showcase the groups that President Shining Saotome has on display.  In this case those groups are STARISH and QN. When the game starts the player (that’s you) are greeting by intros with each of the characters and that is our first introduction to ,not only the new translation for the game, but also the personalities of each character that will be on display at this time.  I say “At this time” because we will be talking about the future soon enough. After an introduction from all the cast they play “Welcome to UtaPri World” which is your introduction to the gameplay.  I’ll talk more about that in bit but basically tap the buttons in accordance to the song and as you do you will eventually progress to the title screen and go about your business After this the real story begins but...which story IS IT? See the game has 3 types Main Story Side Story Event Story The one that you will play a lot (or until you run out of certain items which I will talk about in a minute) is the Main Story.  This starts with after the performance of “Welcome to UtaPri World” (which doesn’t count towards clearing songs on the setlist) and your first chapter consists of a story with STARISH AND ONE WITH QN where the STARISH boys want to try and get better than their Senpais to eventually overtake them.  To do this they know they need to get better and to do that they need to keep on having performances and getting stronger.  QN however knows this and knows they need to get better as a group themselves but of course we know they have their own issues too right? To clear a chapter of the game the player must play each song and clear them.  Now there are 4 difficulties in the game so you have to play the one you are comfortable with but remember this Higher difficulties consume more LP (That stands for Live Points in this game) and can cause problems later on higher player levels...it can also help you progress faster in the game though with the XP system. As the player progresses in the story more and more songs become available.  Remember that you need tickets to play the stories so not having them puts you in a position that is no fun so playing the songs repeatedly helps out greatly Speaking of...LET’S TALK ABOUT GAMEPLAY Gameplay The game play of this game is not unlike say...Klab’s Love Live.  Rings come from a beam of light and your job is to tap them as close to perfect as possible and get the best score possible. Now this is where we are going to have differences in the way the game scores your taps.  In the JP version the scoring went JUST PERFECT PEFECT GREAT GOOD BAD MISS Getting all “Just Perfect” and “Perfect” scores meant you got a “PERFECT COMBO” and a special purple board came around the screen.  a Full Combo was just orange text When the Global Version was released they changed up two things and one was the grade for the note taps PERFECT GREAT GOOD BAD MISS Notice something:  Yeah they removed the “JUST PERFECT” rank from the score.  The belief is that having those would confuse the International audience so they scrapped “JUST PERFECT” and just left those in.  Also now you can get “ULTIMATE COMBO” just for getting “Perfect” and “Great” grades all the way through...its the equivalent to the Crown in Music 1 or the Gold in Music 2 You also get a score rank in the game The game ranks you scorewise from D to S (although C is the first one on the rewards chart...more on that in a second) and as you score in the song the bar goes up.  The better you grade on a note the more points and the better your shot of getting the elusive S rank on a song. How high you can go on the score meter is determined by a few things How well you tap on a note (although that can be wonky sometimes) The level/Grade of your phots Your traits for you and your partner in the song The first one we already explained how that kind of works...the others might be “Huh?” for some people so let me explain Every card has 4 rarities Normal Rare Super Rare Ultra Rare The higher the rarity of the card the better you have a chance to get an S rank...thing is your level matters too because every card gets EXP that participates in a song (BTW I know they are photos but I for some reason always call them “cards”...its a Yu-Gi-Oh! problem with me) so you want them to be in as much as possible.  There is also the BOND of the card though too Alright how to explain this We all have favorite characters and we want them to get to know us better right?  Well this game has a thing where has your number in the star of each character goes up you get new voice clips and the like from them...you also get rewards from the game as the game has missions based on songs ,player level and bond level between you and a character.  The goals are always every 10 levels and you usually get 10 prisms for doing it each time so that is def something to keep in mind Oh right...that is another important aspect of the game and its getting the new cards So this game has a gacha system which involves a photoshoot (for the record B-Project also has something kind of similar too) and there are many different kinds.  Some are based off of events like an MV for a particular video or even a Gacha that has cards from previous sets in it!  Some might even be themed after a Holiday (There is an event going on right now where Natsuki is the UR for Valentine’s Day and if you are lucky enough to pull him HE WILL BE SO HAPPY!) and there is even a Photoshoot which I think was the very first one they ever did that is a standard (Its one with the Military Outfits..you’ll know it when you see it. There are also two other special ones for special tickets that you can win either in a slot machine or I think you can get those in a shop.  I know for the V-Day you could get the SR+ one for sure in exchange for Presents! Some Photoshoots have an expiration on them and some are split into “halves” meaning that they will have one half have one UR card on them and then there is another half with another.  An example of this would be Nats being the UR for this particular half of the V-Day and Ren is beginning on the 13th of this month. NOW SPEAKING OF THINGS WITH DURATIONS LETS TALK ABOUT THE EVENTS! @baku5ds asked me to talk about these so I will...ONLY COS SHE ASKED ME TOO! So the game has events that last for about a week and the way they work is not unlike the events of “Stand my Hero” (a Match 3 game with Otome Elements that has some of the UtaPri VAs in it) EXCEPT all of these are ranked! Here is how they work From about 1:59 PM JST (That’s 11:59 PM EST for us) and for the next 6 days the player engages in a battle with other players to try and win not ONE new Photo but TWO! The Photos are related to the Event Story we spoke about earlier as the characters on them are portraying characters for the story.  The stories HERE (unlike for the main story) are 10 parts long BUT you get 5 Prisms each like you do for playing a side or main story chapter...that’s 50 prisms! You’re goal is to do one of two things in these 6 days 1.  Make it all the way to the cards on your points ladder (good luck because every so often the points increase by 500 so to get to the UR card its every 3500 to get the next reward) OR 2.  Finish in the top 10% of the rankings and you get TWO nice new shiny photos.  IF you got both copies already on the points ladder this just means you get a 3rd of at least one of the photos so enjoy This is legitimately one of the most exhausting things the game can ask a player to do because you aren’t just playing other players but you are playing yourself as your will and endurance get tested because you are playing THE SAME SET OVER AND OVER AND OVER again...it can be exhausting BUT if its for cards you really want you will suffer for them and it will be worth it!  I got a nice shiny UR for my collection so I’m happy :-) Are the events LONG...yes but if you have the patience and the endurance you can get through them easily...otherwise WHY ARE THEY SO BLASTED LONG?! (again that was for @baku5ds) Now let’s address the elephant in the room Translation (I know I said I would do “fun factor but...eh put that with the events thingy) The translation in some respects seems to be a bode of contention and I can respect that.  I think for ME it hasn’t been an issue because it feels like when they did the translation they wanted to make it more “lighthearted” as an experience for new players (and potential new fans) as possible.  If the story was “Angsty” as all get out how many people outside of the general base would play it? Does it have its issues?  Well there was a part in the last event when Syo said to Natsuki “Hey want to come with?” and I mentioned this to a friend of mine and they thought it might have been some old slang that got in. One that became a meme was when Ren at the beginning of the game goes “Hello Ladies.  Ren Jinguji is in the house” and I actually chuckled which I think is something this game wanted us to do from the start.  Have a lighthearted romp through UtaPri and get to see the characters in situations that might not happen in the Anime because of the fact that the series is 13 episodes each season and 22-25 minutes a pop.  A little lighthearted fun never hurt anyone (and let’s be real...we all needed that after Season 4). So now that I wrote what is no doubt a College Thesis on this game would I rec it for a new fan? SURE! The thing that you have to get over is sometimes the hit detection is wonky af when it comes to hitting notes and if you can endure the events when they feel like a Boston Marathon then you got that going for you too! All in all Uta no Prince-Sama Shining Live is a game that ,even if you aren’t a UtaPri fan but you love Rhythm games...check it out you won’t be disappointed!

[notoriousgrd]

Shocktober Days 1-28

Ok, it’s Sunday and I’m not at the folks’ as usual because my brother’s working today, so taking the time to update my Shocktober log post. This is a long one so fasten your seatbelts,

The Devil Rides Out (1968) - been meaning to watch this for over twenty years, finally did and loved it. Christopher Lee and Charles Gray are excellent and I can see how the whole chalk circle bit influenced me at of Doctor Who:Battlefield.

Hotel Transylvania (2012) - I’d planned on another movie but with real world being so horrific that day, changed plans and watched this really fun animated movie.

Dr. Terror’s House Of Horrors (1965) - not the first portmanteau movie I ever saw (that’d be Twilight Zone:The Movie) but the first Amicus one and definitely my favourite. Cushing and Lee, DJ Alan “Fluff” Freeman Vs plants, Roy Castle and his voodoo trumpet, Michael Gough and Donald Sutherland as a doctor. Cushing and Castleford reunite later that year for a certain movie involving Daleks.

Quatermass And The Pit (1967) - last Quatermass I saw, having seen all the television versions and other movies over the years. Much like the Doctor Who/Daleks movies nicely compresses three hours of black and white telly into an hour-and-a-half of glorious colour. I hadn’t seen this when I saw Doctor Who:The Daemons so the parallels were not apparent to me. Andrew Kier is an excellent Quatermass, just behind John Mills in the 1979 telly story.

Christine (1983) - I hadn’t seen this in a long, long time, enough that I completely forgot Harry Dean Stanton and Robert Prosky were in it. Been even longer since I read the book, so can’t say if it’s a good adaptation, certainly a good movie though, the non-cgi car repairing effects still look awesome.

Deep Red / Profondo Rosso (1975) - the only Dario Argento movie I’ve seen and decided to rewatch after Mr Ash mentioned it. Looks lovely, an awesome soundtrack,

Deep Star Six (1989) - One of a few horror films rushed ahead to try and cash in on all the hype for James Cameron’s The Abyss. This one sees many of the people behind Friday The 13th doing an underwater m onter movie. It’s daft fun, I like the monster and it’s got one of my favourite actors, Miguel Ferrer in it.

Ghosts Of Mars.(2001) - One of the three John Carpenter movies I’d not seen, seems to get a lot of stick, but again, a fun action horror movie, with a really good cast (Natasha Henstridge, Pam Grier and Jason Statham) and a nice way of telling the story.

AvP:Requiem (2007) - we were kind of on a trash train for a bit, as this is another movie decried as the worst thing ever when it’s a perferctly competent horror movie with some really nice deaths and a nice basic concept. Take eighties slasher movie environment, add alien death machines.

Life (2017) = This was really, really good. a relatively realistic sci-fi horror that starts off a bit Andromeda Strain but end up Alien. Another great cast, and kudos for a certain point for having a disabled character who’s treated the same as any other crew member right until the moment they fall into the tired trap of his disability leading to his death. Other than that though, really enjoyed this, some really nasty deaths and nothing really set off my “SPace doesn’t work like that!” sense.

Leviathan (1989) = The other movie trying to cash in on The Abyss hype. Another good, fun underwater monster movie with a great cast (Peter Weller, Amanda Pays, Daniel Stern, Richard Crenna, Ernie Husson, Meg Foster), a great Jerry Goldsmith soundtrack and some nice effects work.

The Rezort (2016) - recommended to me by Mr Ash of the Hammered Horror podcast, low budget zombie movie with a great premise, that being that they got the zombie plague under control and have actually set up an island where people can pay to go and shoot zombies on a kind of undead safari. This is also used to try to help people who were traumatised by the zombie event. Of course, this being a horror movie, things rapidly go sideways. Barring a couple of moments, the small budget doesn’t show and the premise is a nice change from most zombie movies.

Waxwork (1988) - I’d seen the sequel to this years ago, when in 1994, my then local Blockbuster was having a massive sell-off of ex-rental tapes wuth no covers for a couple of quid each. Me and my flatmate at the time bought a pile of them, probably fifty tapes between us and this was one of them, a very silly hoor movie with a premise that lets them do little horror vignettes as part of a bigger story. This does that too, it’s another fun romp, with some lovely distinguisdhed actors (David warner, Patrick Macnee and John Rhys Davis) havnig fun with the material.

Friday The 13th Part IX:Jason Goes To Hell (1993) - I’d made my way through the first eight movies a while back, but as always got distracted and forgot to go back and finish off. So with it actually being Friday The 13th, I decided that day to fix that. This is…not great. Jason is killed and becomes a body surfing demon. Really only notable things are Kane Hodder;s wee cameo as an FBI agent, the Book Of The Dead form Evil Dead being being found in the Vorhees house (and thus being what brough Jason back from the dead at some point) and Erin Grey.

Friday The 13th Part X:Jason X (2001) = This one however, is a huge amount of fun, Jason is captured and the plan is to put him in cryogenic status to stop him from killing again as it’s obvious at this point, he can’t actuaslly be killed. Of course, things go sideways and him and the doctor responsible for freezing him are found hundreds of years later when Earth’s a wastland and taken back to a spaceship. Yes, this is Jason Goes To Space and takes a lot of cues form other sci-fi things, space marines, holodecks, evil corporations etc and uses them to make a fun action horror romp that never takes itself too seriously.

Mr Vampire (1985) - One of my all time favourites. Saw it in the mid-nineties when Channel 4 had a seasib if Hong Kong action movies, many with a spooky side to them. This movie introduced me to the Jiangshi, Chinese hopping vampires and this movie is a fun, action comedy with plenty f great action scenes, slapstick and scares.

The Bird With The Crystal Plumage (1970) - As mentioned above, I’d only ever sene the one Dario Argento movie, so decided to fix that. His directorial debut is a mirder thriller where the main character witnesses an attempted murder and soon finds himself in danger with plenty of twists and turns along the way. Great stuff.

Until Dawn (2015) - this is a game for PS4 rather than a movie and with the length it could easily count as between four to six horror movies. It’s an interactive adventure game with excellent motion captured performances, a great plot, great setpieces and with the choices you can make, anywhere between everyone and no-one can survive. I made it out with only two deaths and I know how those can be avoided. One of the best horror games I’ve ever played and highly recommended. Virtual Peter Stormare in particular veeres into the uncanny valley on several occasions. Great stuff.

The Raven (1935) - on the title cazrd it says “suggested by” Poe’s poem, but all that amounts ot is the name and a character who’s a bit Poe obsessed with nods to a couple of his other works in there. Has Lugosi and Karloff, is okay as these things go.

The Car (1978) - was surprised to find most review sites think this is a load of bollocks. I enjoyed it as a kid and still enjoy it now. It’s basically Jaws with a car that appears to be possessed by the devil. Been so long since I saw it, forgot James Brolin and Ronny Cox were in it. there’s some nice direction at points and it’s definitely not as bad as its reputation would have you think.

The Raven (1963) - Another part of my plan is to watch the ROger Corman Poe adaptations, I picked this first because it has the trio of Vincent Price, Peter Lorre and boris Karloff in it and the last movie I watched with them all was Comedy Of terrors which was a blast. I could happily watch Price and Lorre mucking about for hours, the first half-hour is mostly the two of them sparking off each other. It’s a tale of warring wizards, everyone looks like they’re having so much fun and I had a grin on my face throughout. Lovely and highly recommended.  Also has a young Jack Nicholson in it.

The Fall Of The House Of Usher (1960) - Corman, Price and Poe again, a far more sombre affair but again really good. Vincent Price is one of those actors I can watch in anything.

Suspiria (1977) - Back to Argento with weird goings on in a prestigious ballet school. The plot is not really important, you watch Argento mivues for the visuals and amazing soundtracks. Really enjoyed it.

Phenomena (1985) - Argento once more, with Donald Pleasance (with a lovely Scottish accent), JJennifer Conolly in her movie debut and a chimp with a razor. The usual sumptuous visuals, great soundtrack (with Iron Maiden and Motorhead showing up at points) and the usual twisted plot. Had one of those rare monets I really go “Ooooh!” and curl up a bit when someone gets stabbed in the hand with scissors.

The World’s End (2013) - probabl;y the worst of the Cornetto Trilogy (Shaun Of THe Dead and Hot Fuzz being thew others) but still a brilliant movie. It starts off as a middle aged man trying to recapture his youth by getting his childhood friends to finish a pub crawl they never managed as teens, then turns into Incasion Of The Body Snatchers/ Great all-star cast and two of my favourite fight scenes in horror movies, the one in the gents toilets because of the wrestling moves and thew one in the pub a combination of Nick Frost (I love big lads kicking arse) and the remix of Silver Bullet’s Twenty Seconds To Comply backing it.

Attack The Block (2011) - I had difficulty with this first itme I watched it, I live on a council estate and the main characters weere a bit too true to life for me to begin with. This time though, no problem. Premise is a load of big gorilla wolf motherfuckers crash land in a council estate in London and a bunch of ASBO kids and a nurse take them on. It’s notable for having John Boyega and Jodie Whittaker who would both go onto much bigger sci-fi things with Star Wars and Doctor Who. It looks great, sounds great, the creature design is unique and this time round I spotted little references like the tower block being Wyndham Towers and it being near a Ballard Street.